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clonewarsarchives · 3 years

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UNEXPECTED JOURNEYS (#140, APR 2013)

Dave Filoni, Supervising Director of Star Wars: The Clone Wars on Season Five, Ahsoka, Barriss Offee, and why he loves the passion of fans. Interview by Jonathan Wilkins.

“When I first started on The Clone Wars, I didn’t know how long I’d be working for Lucasfilm—I just wanted to make the best show possible. I thought I’d be here maybe two years.”—Dave Filoni (approaching his 8th year as supervising director on Star Wars: The Clone Wars).

It has always been a joy to talk with Dave Filoni. As any fan who has enjoyed his numerous convention appearances will tell you, he lives, breathes, and speaks Star Wars. Interviewing him for Insider is always one of the highlights of the job—usually a call from the London office to his Lucasfilm office at Big Rock Ranch in Marin County, California.

Here’s a secret. This interview was done on Tuesday, January 16, some two months before we hit newsstands—and way before the finale of Season Five of The Clone Wars has been publically seen. The Clone Wars’ ever-helpful PR representative, Tracy Cannobbio, lets Dave know the relevant dates; then, between the three of us, we decided that we could talk about the Alderaan-shattering climax to Season Five. If you didn’t pay heed to the spoiler warning at the start of this interview, then know that we’ll be giving a lot away. You have been warned!

THE DIVERSITY OF STAR WARS

We start by discussing the many challenges the show presents Filoni and his team. In the past, there have been technical barriers to break through: water, fire, and cloth simulation, for example. Happily the team has vanquished them, with insurmountable problems in the early seasons now solved. Filoni admits the challenges are Less technical now, and more story-driven.

“We typically have about 22 episodes per season, and we have to try to decide what’s going to make it out there or not. I know that some fans sometimes think they’d he happy with an entire season about Darth Maul, but we have such a wide-ranging fan base. We have stories for every type of fan.

“There’s always the choice as to which characters are going to make it onto the screen. Sometimes we say, ‘Wow, we didn’t see this character all season long!’ You can get so caught up telling these other stories that you don’t even realise it. That’s probably one of the biggest challenges: you have to juggle the characters and make sure you follow through with the characters arcs.”

Nothing is off-limits for the show’s writers. “We just act Like that. I don’t know how relatively true it is. I don’t tell the writers, ��Let’s not do that: It’s more, ‘Let’s get this story right. Let’s worry about that first’ We don’t live by the restrictions we had five years ago.

“We always have to keep an eye on the budget. At certain points, it will push back and that’s where we have to make a wide range of decisions—from maybe Dooku is not wearing his cloak in this scene to how can we re-purpose these sets? It’s really the same issue that you would have on any movie, the same situations, the same problems. But I’ve never chosen to let the budget dictate the stories we’re telling. The whole team wants this show to look good no matter what, and everybody just goes above and beyond while trying to reach that goal. I’m a considerably better director today for all of George’s teaching than I was when I got here.”

SITH LORDS AND YOUNGLINGS

Season Five’s diverse stories have featured vengeful Sith Lords, droids on a mission, and themes of rebellion and sacrifice. Perhaps the most popular was the enchanting “younglings” episodes which featured some of the series’ best aesthetics to date. Filoni, too, is a fan of that four-part arc. “I think that whole thing came out really welt Maybe it’s just a Little easier to relate it to the Original Trilogy, because you’ve got a band of young people who are coming together to overcome insurmountable odds—that’s a pretty good theme in Star Wars! It brought some of the magic back, like showing how the Jedi make a lightsaber. That sort of thing we’d seen in the Clone Wars micro-series, but not really per se how George Lucas has envisioned it. He wanted to start the kids off much younger; it was more about Yoda’s Lesson, which I think really works to our advantage and to the story’s advantage.”

Was there any trepidation about centering an arc on the younglings when the show had grown in its maturity? “ALL the writers would tell you that in these meetings when George said, ‘I want to do a series of stories about young Jedi: it could go either way. It could be really good, or a groaner. The first thing discussed was how old these kids are going to be. I started drawing them immediately to get a visual idea of how it might look.

“When we were trying to work out which species to do, I did a little Net Dorian kid [the same species as PM Roos, Filoni’s favorite character] who George immediately nixed. He said, ‘No way! Too ugly!’

“Then it just kind of gained momentum in our imaginations, having the little Wookiee, Gunji, and deciding what they would look like. I did some research to figure out what the crystal caves would look like, too, to give it a sense of history. I put nice tittle clues in there for people playing The Old Republic to see some connectivity between the game and the history we’ve created. You can see their fleet symbol on the Crucible ship. Of course, there was also Huyang, voiced by David Tennant, who brought a great level of magic to his role and the story.”

A NEW VOICE FOR THE REPUBLIC?

The show lost one of its finest actors last year when Ian Abercrombie, who played Patpatine, passed away. His replacement, Tim Curry, brings alt-new facets to the character. “It was a very long search to find someone to replace Ian,” Filoni reveals. “There are people who think they can do the voice, but it’s different when you’re reciting lines from the film; it’s really about the magic of the acting and bringing the characters to life by saying things they’ve never said.

“What Tim really brings is a great level of experience, but also a kind of gravelly edge. He brings a nice level of sinister evil, something that he did all the way back in Legend [1985] Ian’s Darth Sidious voice was deep, but wasn’t quite as gravelly as what Tim is doing,” Filoni continues. “It’s an interesting nuance and quite a shift in some ways.

I wish that Ian Abercrombie could have finished all of Season Five, but Tim is in one episode at the end of the season, along with a brief line that we inserted overlapping with Ian in ‘Revival,’ one of the Darth Maul episodes. I think it’s the final line of the episode. Most people don’t even notice the difference. It’s a great hand-off in a way, to have someone like Tim Curry come in and portray this character now, and he does a really brilliant job.”

Unless things get light and fluffy toward the end (Filoni assures me they won’t), Season Five is the darkest season yet. A move from Friday nights to Saturday mornings might make you think that The Clone Wars would dial down the darker aspects of the show. Not so, says Filoni. “The Season Five episodes were already done before the time change. I would be more sensitive to it now, and say, ‘Let’s pull back on that a little bit.’ I trust a network like Cartoon Network when they say when they want to show it. They are very experienced at doing that and I have more experience doing Star Wars. The ratings have really shown it was the right choice.

“But I think people are aware of how intense the show can get—and things are not going to get fluffier with Darth Maul around, that’s for sure! Saturday mornings have never been this exciting!”

JEDI NO MORE?

Ahsoka’s journey took an unexpected twist in the finale. While Filoni is clear that it’s not the culmination of where the character is going, and there is more to come, he’s sure it’s going to get fans talking. As he lays out what’s to come, more than one plot-point elicits an audible gasp from the writer of this article.

“This is a big year for Ahsoka and I’m very happy about how it went,” says Filoni. “We knew we wanted to do a big arc with her to end this season. George is really onboard with her character, and I think he’s really happy with how she’s developed. We wanted to challenge her, so the opening sequence in the first part of the arc shows her flying toward Cato Neimoidia and the action is all about showing her in her prime, and how she is now capable. Anakin shouldn’t have to worry about her, because she’s the one that saves him. She has a bit of an edge to her, not unlike Anakin.

“As we move on, we challenge several things—one of which is something I’ve been feeding into the story for a long time, which is the people’s perception of the Jedi and the Jedi Order. We find out in this arc that there are people protesting the war from within the Republic. There are people that blame the Jedi for the war and want them to stop.

“Ahsoka’s journey, which involves a terrorist attack on the Jedi Temple, and Ahsoka being implicated for it, results in a big test of faith. It’s a big eye-opener for her. She asks, ‘Why isn’t the Jedi Council rushing to my aid? Why aren’t they defending me without question?’ The real thing that you see is that the Jodi Council is pretty compromised because they have to play a political game. They know that if they defend Ahsoka, then it’ll look like they’re playing inside politics, it will fuel public dissension against the Jedi if they do not have her tried outside the Order. It’s a test of her faith in the Jedi and her friends. That’s what’s at the heart of it.”

As Filoni goes deeper into the story, he warns that my head will explode if he and the team have done their jobs right. Undeterred by the thought of working as a headless writer from then on, I compel him to continue. He tells the story of how Barriss Offee, the kindly and kind-of cute Jedi Padawan who befriended Ahsoka (we met her in the Geonosis arc back in Season Two), is a traitor! As Filoni admits, “I keep trying to sympathize with the readers who are going to pick up this issue of Insider, because they’re going to want to know: ‘Dave, why did you do what you did in this arc?’

“The reason that Barriss is the head conspirator with these people that have been protesting the Jedi Order is because she believes the Order is corrupt, and are following a corrupt senate. She thinks they have lost their way and that the only thing the Council reacts to or believes in anymore is violence. And she’s right, everything she says is true, but her reaction to the situation is wrong and it’s devastating to Ahsoka. That is the main motivator at the end of this season for why Ahsoka does not come back to the Jedi Order. It’s a combination of her faith being shaken and the way the Jedi Council operates, because she can’t deny what Barriss says is true.

“This has huge repercussions. We are foreshadowing everything in the final arc of this season. It foreshadows the Empire, because we see Tarkin’s military institution really rising up in a way that hasn’t been seen before. We see the massive Republic courtroom and it completely reflects the Death Star in every possible way. There’s the reeling that the Jedi are uncomfortable in it. You really see the teeth of the machine that’s going to destroy them.”

CHALLENGING THE FANS

As with any drama, each plot goes through many changes before transmission. “There was a moment when we were talking with George about the finale, about how the Council tries to bring Ahsoka back to the Order,” Filoni explains. “They describe the whole ordeal at the end of this season as her great trial and that she’s a better Jedi than she would’ve been otherwise for this tragedy. The original intention was just to bring her back, but then the writers and I thought about how she’d react to this—and decided that she should turn them down. It works on many levels, not least of which is that Ahsoka is a teenager and how often do teenagers react to authority when authority is wrong or authority wrongs them? I’m hoping it’s unexpected, and there are a couple of things there for me to get letters about. If we’re not challenging fans with characters and their relationships, then we end up being predictable.”

Ahsoka’s fate may hang in the balance at the close of this season, but Filoni admits that, for the first time, her ultimate fate has been decided. “George and I sat down and ironed out the end of it. We actually know what happens to Ahsoka and the other characters. There are several episodes planned with her and what happens to her from this point.”

Of course, key to Ahsoka’s popularity is the performance of Ashley Eckstein, for whom Filoni is full of praise, enthusing about a trailer that Lucasfilm is putting together to promote the arc. “She’s spectacular—the best she’s ever been! It’s a wonderful piece of acting by Ashley. But, at the same time, it’s so her! She came to us not knowing much about Star Wars. I had this actor who was going to play a very important role in this series and didn’t know how important the role was going to be. Her real life involvement in the show has really mirrored the character’s evolution.

“When we recorded the final scene between Ahsoka and Anakin this season, I sent all the other actors away. I said, ‘Everybody go, except for you two.’ We recorded the scene with them, and then George and I watched it. George wanted to make some changes—nuances to the dialogue—and I had to bring them back in, and then we changed it again, which ensured nobody knew what the actual ending was going to be! We just continued to work on that final moment. I think for Ashley and Matt it was especially moving. I do terrible things to her—I told her that I wasn’t going to see her for a while because she was out of the storyline for a bit and she got quite sad. Whether it’s true or not doesn’t matter—I’m the director and I need to motivate her!

“Ashley and Matt give powerful performances these episodes and I think they’ve really grown to love those characters. It worked really well.

“Our composer, Kevin Kiner, watched all four episodes with me and we pinpointed where we really wanted to hit with the music—we don’t do that for every episode,” Filoni continues. “Joel Aron’s lighting was amazing—one of the skies you see in the final scene between Ahsoka and Anakin outside the Jedi Temple was actually inspired by one of the trips I take to L.A. to do the voice recordings. We were driving back from the airport. I looked at the sky and it had just rained. I thought, This sky is perfect! It’s one of those times that all the new technology we have at our fingertips to take pictures really came in handy. I took a bunch of pictures of the sky and gave them to Joel. Everything kind of fell into place—I think they’re some of the best-rendered episodes we’ve ever done.”

CLEANING HOUSE

The season also saw numerous characters killed off. Filoni jokes that, “We’re cleaning house!” Star Wars fans are always vocal about favorite characters being written out—just look at the reaction to Baba Fett being killed off in Return of the Jedi. Is Filoni ready to face the more vocal fans?

“It just shows that they care,” he responds. “I don’t mind it at all. I think it’s a good thing. If we weren’t getting any reaction, it would stink. There’s one character in particular that goes down and I thought, I know someone who’s a big fan of that character. Maybe we should have the whole crew sign a sympathy letter and send it over in the mail.”

The season also saw the return of the Mandalorians—characters who have not been without controversy in the past. Filoni reflects on their inclusion and the way that they have differed from the depictions in the novels.

“I think at the end of the day, what’s been developed on the show with George feels like it fits more with the bigger mythology that he was making: that they are a capable warrior race and that their culture changes and develops over the years and is not always this one-dimensional thing. I think this view of it gives them a more interesting history. That’s one of our strengths as a franchise—just like with our episode arcs, you can be a fan of any number of episodes and you can be a fan of any era of Star Wars or not. Before, you’d hear fans saying, ‘I love the originals!’ or ‘I don’t like the prequels!’ but now there’s a very vocal group that love the prequels and are tired of hearing older fans say how much they like the originals! Now there is a middle group, raised on this cartoon and that’s their Star Wars! Then behind them is going to be fans who like the new upcoming trilogy!

“Imagine fast-forwarding 15 years from now to that year’s Star Wars Celebration, and imagine what the demographic is going to be like. It’s going to be amazing.”

A CENTURY OF CLONES

For a man who thought he’d be working on the show for two years, Filoni hit a major milestone in January with 100 episodes of the show. “To give George credit, he always talked in terms of 100 episodes or more,” Filoni reflects. “I thought, Wow, that’s a lot, right back when we were still figuring out how to make starfighters fly properly. We sailed past that. Then I blinked and we passed 100 episodes. But we need 100 more just to finish what we’re trying to do!”

The show has introduced a staggering number of characters who have struck a chord with fans. Some feel like they’ve been a part of Star Wars mythology since the start. Aside from Ahsoka Tano, the roll-call of fan favorites is extraordinary, with Cad Bane, Embo, Captain Rex and Hondo amongst many standing alongside the movie greats. Filoni’s contribution to the saga is met with a modest response: “When I step back and look at it, I almost feel like I didn’t have anything to do with it because it’s Star Wars. I have such respect for Star Wars. When I see a fan wearing a T-shirt with Rex on it, a Clone Wars backpack, or they’re dressed up like Ahsoka, it just blows my mind. I always want to just take time out to talk to them because it’s something we had direct involvement in. I know all the people behind it, from the people who paint the characters to the ones who model the helmets, to the ones who did the design.

“I don’t feel the ownership over it because I still feel so privileged to be a part of it. It’s still a real responsibility and I don’t take for granted that I can just put things into play in the Star Wars universe. I try to do things that I know the fans, George, and Star Wars needs and can use, not something that I want to put in there just because I can. It’s incredible—just to be a part of it.

“I have a wall at work that’s completely dedicated to fans in costumes from The Clone Wars specifically, just so my crew can walk past it and see how much care and attention to detail the fans put in when paying tribute to our work. It’s incredibly flattering. From the first time hearing George talking about Ahsoka as one of his own—because he did create her—her genesis was really through sketching out the character. Henry Gilroy and I wanted to have a Padawan character, so seeing her as an action figure and seeing the pride that George has in the character is just tremendous.”

LEGACY

The cast and crew of the original trilogy are still much in demand for interviews and convention appearances 35 years on from the original film. It’s interesting to consider what The Clone Wars legacy will be. Filoni is optimistic. “I keep telling the crew that we don’t know what effect we’ve had yet, because fans don’t lose momentum with Star Wars as they get older; they seem to gain it! I can see a time in 10 years when Clone Wars era fans are older and have money to spend on collectibles. They’ll want their incredibly detailed Ahsoka statues and Captain Rex accurate blasters and all that stuff.

“I love it when people take them over into the live-action world —I think that’s just great. The day I went to Walt Disney World far Star Wars Weekends and [one of the girls dressed as) Ahsoka Tano walked up and started talking to me, I was like ‘Okay, wow—that’s weird but awesome!’

“It’s been an amazing experience and still is. I couldn’t ask for a better situation or a better group of people to work with, especially with Kathleen Kennedy now taking charge. It’s just another level of development and I get to see things in a different way now. I’ve had some exciting days here, even just this week—if you could only know, but you can’t!”

But surely sometimes, it can be tough to get criticized? Filoni is pragmatic. “I think when you’re a creator, working on something like Star Wars or anything that has a fan base, you have to accept the discussion, the arguments, even some of the hatred, comes from a place of passion and sometimes wanting to be a part of it. Most fans just want to be heard and I hope through some of the things they’ve seen on the show or experienced or when they get to talk to me or Joel or any of the cast, that they feel like they’re always heard and that we really appreciate the time they take and the interest they have and what they have to say.”

And so the interview draws to a close. Aside from the usual pleasantries and joking that Filoni will be the only attendee at Celebration Europe II [at the time of the interview he was the only guest to be announced] with a convention full of angry Barriss Offee fans, it’s time for him to return—to what could well be the best job in the world.

#Dave Filoni #season 5 #insider #i140 #crew #the clone wars #the part about the Jedi and Barriss is most interesting #binc

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cina-full-moon-xanadium · 2 years

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Right then.

On a technical level it’s impossible to say that was bad. You’ve got very tight episodic writing with its own distinct grasp and feel; the visuals pop in a way that frankly Sentai has never matched before or since (i wonder how the cop show got a bigger budget), the worldbuilding and setting is very well-established, there’s a lot of good plot-building in the background of solid character episodes... if you asked me to rate Dekaranger on a technical level, on a structural level, I’d say it passes with flying colours and in fact does a lot of things I’d like to see other seasons learn from.

It’s also by far the most fucking obnoxious cop toku I’ve ever seen, and I’ve watched Drive. I just. I’ve gone over most of my problems before but the entire atmosphere of the show is just downright uncomfortable in what it’s saying about cops and the way it treats Banban and everything about the worldbuilding I just praised, I just... I honestly don’t wanna talk about it. If you get it you get it. I just don’t like this show for what it’s doing and saying with cops in every single episode. I’d say Arakawa’s let me down here but honestly the cop stuff in most of his shows including Kuuga is what’s aged the worst about them.

Toku for me I will always care more about what it’s about than how well it’s made, and by that metric I just can’t say I liked Dekaranger. I’m glad I watched it for Boss alone but I never ever want to go back to this show and I’m happy that it’s a treatment of cops in Toku that mostly seems to have been moved on from.

#dekadekadeka

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vyeoh · 3 years

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this is your chance: wax poetic about an Empires or DSMP character of your choice to a fan who is new to both. Explain why I should love them. I need guidance in this new and meme-populated land.

okok this is a lot of pressure haha. Spoilers for EmpiresSMP and DreamSMP below, obviously. I wrote a lot so prepare yourself, anon

I watch a lot of empires POVs but the ones I most anticipate every week are Scott and Sausage.

c!Scott (I'll call him Smajor for the sake of simplicity) starts off the series chilling, not really getting involved with the rest of the server, and staying aggressively neutral. After all, he's an elf. He has lived far longer than most of the other rulers already, and will most likely outlive them for many years. So, the best thing is to stick to his mountains and not get invested in the dealings of mortal affairs, maybe sometimes causing problems on purpose and dipping because what's life without a little spice right.

But then, this demon comes to the server, Xornoth. He's going around causing havoc and wants to send the world into an eternal winter, but he doesn't bother the kingdom of Rivendell much so Smajor stays tentatively cautious but ultimately unbothered. But then, the puzzle pieces start falling together. The first thing that the audience noticed was was Xornoth sounded like Smajor, but we mostly thought that this was just due to cc!Scott voicing both of them and there was nothing more to it. However, then, the people the demon starts possessing start chanting in elvish. The demon hates mortals, and the elves are conveniently one of the two confirmed not fully mortal races in Empires.

This culminates when Smajor stumbles across a cave that contains the backstory of the patron god of Rivendell, Aeor. Basically, there's two opposing forces, Aeor and Exor, and both have a champion. In a previous life, those champions were two brothers, where Aeor eventually prevailed and banished Exor. In this life though, the champions are - you guessed it - Smajor, and the demon Xornoth.

So now Smajor is like. Well fuck. It's my literal god-given destiny to be responsible for defeating this demon who is technically my brother, and if I fail the server gets plunged into an eternal winter. And I have no fucking clue what is happening because I've just been here on this mountain actively trying to stay out of the issues outside my kingdom. We watch him panic and teeter on the verge of spiraling for an entire episode, and when the followers of Xornoth go to the End to kill the dragon, releasing Xornoth's full powers, he fails to stop him. Smajor is a character who was used to being the smart one, the prepared one, the one who has the least deaths on the server. But he's also a character who runs away from his problems and ignores them. Before and during the dragon fight, we hear the desperation in his voice, as he's thrown into a situation he is wholly unprepared for, and it's bigger than him going to the Cod Empire to kill their king, or assisting in other people's plans to kill the codfather. He can't run from this. cc!Scott plays this scene so well as well, as I've said before, one of the best parts of Scott's acting is how he's never super dramatic, but he's so effective in the little things like inflection to make you feel, viscerally, the panic and dread.

So after the dragon fight, Smajor realizes, I can't do this on my own. I've tried and failed. So he gets allies. We watch him, someone who has so strongly been an isolationist, learn the benefits of allies and watch him learn to trust others and watch him learn how to get that trust in return.

My favorite thing about Smajor's characterization is that he's an incompetent protagonist, but not in the way of the "plucky young adventurer". He's capable skill-wise, and fairly jaded and very pessimistic. However, his issue is that up until recently, he did not care about the rest of the server at all, and by the time he learned to, it was way too late.

Also, in 3rd Life, cc!Scott and cc!Jimmy were canonically married and they reference it sometimes in Empires. Like, Scott goes over to the Cod Empire every so often both in and out of character to kill and/or flirt with Jimmy, the ruler of the Cod Empire, which may develop as a secondary plot into the future who knows. So ty Scott for giving the gays what they want o7

Now onto Sausage: his is a story of Icarus, his hubris and ambition being his downfall. He's one of the two followers of Xornoth, who promised him endless power in exchange for his servitude. He started the series being eccentric, but not outright unhinged, but slowly gets more and more extreme as the series progresses, as he gets brought more and more to Xornoth's side.

One of the best parts of Sausage's character, in my opinion, is how his gradual corruption affects the people around him. Initially, he got into a conflict with the Cod Empire and was allied with two other people in the Witherrose alliance. They were allies, but also close friends. The fandom liked to joke that the three had sibling energy, and I'm pretty sure the ccs played to that even more lol.

It was painful to watch the other two members, Gem and fWhip, watch Sausage get corrupted right in front of them, and see them desperately clinging on to this old idea of Sausage in their head because if they faced the truth, it would mean that their friend was gone. Eventually, they do finally cut him out of the alliance, leading him to fully commit to the side of the demon. Sausage felt very clearly betrayed by this, and declared the remaining two Witherrose alliance members to be enemies.

He gets more and more possessed, and we even see the other Empires, his enemies even, slowly realize that something is very wrong with the ruler of Mythland. He starts doing more and more evil things, like killing people more, making sacrifices to the demon, and eventually helping to kill the dragon to free Xornoth. So things are good for Sausage, for a bit. He won, and is more powerful than ever. Then he finds out: he's going to die. Xornoth's possession is slowly killing his soul, and eventually, his body going to be fully taken over and he himself is going to be trapped in the spirit realm. So how do you react to this? Over the next few episodes, we watch Sausage struggle between "the demon is literally killing me" and "the demon has given me so much, and I love it", all while Xornoth takes over more and more of him. We hear him exclaim that "don't worry!! I'm still about 15% there!" while trying to downplay every time Xornoth completely takes over his body. We watch him willingly oppose anyone who is trying to end the thing that is killing him.

My favorite thing about Sausage is that he is undoubtedly evil and proud of it, but he's also undoubtedly human. If you like to watch evil characters go absolutely feral, he's the guy for you. He makes the deal with Xornoth in the beginning, knowing and fully embracing the evilness of the demon, but at the same time he knows what he's doing is detrimental to both himself and everyone around him, but he's gotten in way too deep at this point, and to be fair the demon has held up its end fo the bargain, right?

Also, I would be damned if I don't talk about cc!Sausage's editing. Every one of his videos is like a movie. The way he does camera angles and uses music is so skillful- every lore scene feels like something out of a high fantasy action saga (think: LotR). Every big lore event I always wait in anticipation for Sausage's ep because his editing truly takes lore to another level.

I'm just generally very excited to see where this series goes. Empires is such a good mix of talented builders and good lore. Part of the reason why the series is so immersive for me, beyond any other lore smp, is that they have the settings to back it up. There is a certain charm to the DreamSMP's objectively terrible builds (with a few exceptions) but in Empires, the settings help sell the plot so much.

Another part of why I love EmpiresSMP is how much the ccs are involved with the fan community. I'm sure you've seen the memes about Scott being on tumblr, and Sausage regularly goes through the EmpiresSMP fanart tag on Twitter and likes art, even ones not related to Mythland. Most of the ccs, in fact, have brought up tumblr content on stream at some point or another. Like, several ccs have said that they read tumblr lore theories and hcs and stuff and sometimes take inspiration from them. Fun fact: Rivendell's church was inspired by my pinned drawing; confirmed by Scott Smajor himself. It's just such a good cycle of ccs and fans being excited about each other.

As for DreamSMP, I'm gonna be honest here, the only person I really am invested in in Technoblade. I started watching when he joined the server, and he's the only person whose lore I keep up to date with.

Techno's fun to watch because he's like the Deadpool of DreamSMP. Virtually unkillable, very skilled and scary, but consistently cracks jokes and breaks the 4th wall during plot. His POV is just fun. Like, he does wild plans and gives speeches and some of the stuff that happens to him should be called deus ex machine if it wasn't for the fact that Technoblade is the one who's doing it, and all the stuff is grounded in the fact that cc!Techno is just that good at the game.

However, the fact that he rarely takes anything seriously makes the few times Techno is 100% serious so much more impactful. His whole character has a basis in being perceived as inhuman and being treated as such, and therefore in return trying to hide his humanity. So, when he shows that humanity, whether that's fear, anger, or genuine love for his friends, it really makes you go "oh shit."

Techno's often said not to have character development, but I'd argue that while he remains steadfast in his moral code, he develops leaps and bounds as a person. Like, at the beginning, he's brought onto the server to help Wilbur and Tommy overthrow a government; them knowing he's 1) an anarchist and 2) very very powerful. His character was more of a plot device at that point and was treated as such in the canon. Wilbur and Tommy straight-up lie to him about their plans to establish another government after they overthrow the current one, while he was led on to believe that they were abolishing all governments in the area. But he isn't a plot device. He's a person, as much as he only shows the terrifying, blood god side of himself.

After the establishment of New Lmanburg (the new government its a long story), his friend Phil joins. And for the first time, we see him be fully human with someone and we see someone treat him like a human. Like, we saw glimpses before, with Wilbur and Tommy in Pogtopia, but Phil is the first person we noticeably see he trusts 100%. Then Doomsday happens, and Techno essentially retires to the tundra. During this time, we see Techno learn to be more human, first with Ranboo, then Niki when he establishes the Syndicate. In fact, the two of them, along with Phil, canonically throw him a birthday party, which is a far cry from his treatment in Pogtopia.

Techno's development is one of a god learning to be human, and I just think he <3

#vio.ask #empiressmp #empires smp #dreamsmp #scott smajor #smajor #smajor1995 #mythicalsausage #mythical sausage #technoblade #to be clear i am not an apologist for any character #i fully realize that they are doing wrong and I like to watch it happen #minecraft roleplay got be in full character analysis mode #long post

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manggaetteokkie · 4 years

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Why Wen Kexing Being a “Shidi” is a Godly Move

So I just wanted to make a post with my thoughts on why changing the story to have Wen Kexing be Zhou Zishu’s childhood shidi is actually an excellent move by the screenwriter. I personally haven’t seen any criticism towards the change, everything I’ve seen has actually been nothing but praise, but as with everything in life, I know there are definitely some who are unhappy about it. If you were on the fence about it, hopefully my post can help change your mind.

So, I think the first reason why people might be unhappy is because they perceive the move as turning them into “bros”. First of all, I want to dispel that notion right away because after everything they’ve said to each other, all the flirting and affectionate gaze and whatnot, all of that doesn’t get reset to zero just because Zhou Zishu finds out that Wen Kexing is his long lost shidi who, by the way, didn’t even actually get to train with him. Wen Kexing was literally taken in as a disciple and then stuff happened before he could actually formally join Siji Mountain Pavilion. I mean it when I say that there’s actually no basis for that “brotherly” bond.

If anything, by adding a “childhood sweetheart” component, it gives the plot so much more freedom to do things while also adding a lot more depth to their relationship. Namely, Wen Kexing’s “It’s too late” line now makes a lot more sense because it’s clear that he’s known from very early on exactly who Zhou Zishu is (and that still didn’t stop him from flirting his way to Zhou Zishu’s heart so there ain’t no bros to be found in this series). Also, for Zhou Zishu, it adds another layer of “familiarity” to his relationship with Wen Kexing because 1) now he knows they’ve technically known each other since childhood and 2) Wen Kexing’s family background is no longer a mystery to him.

Another benefit is the skinship (and the sudden okay-ness of it). Yep, you read that right. As soon as Zhou Zishu realizes who Wen Kexing is, we get not one, but two hugs in the span of one episode. Because on the surface (and in the eyes of the censorship panel), we are talking about a shixiong reconnecting with a long-lost shidi from the same sect. However, those who actually watch the series know how much bs that is because they’ve literally never trained together. If anything, it’s like the realization helped break down A-Xu’s final barrier and he just stopped holding himself back around Wen Kexing. No need for reservation anymore, Zhou Zishu has been unleashed and Wen Kexing might not be ready for it. If A-Xu cared about Old Wen before, it’s just got turned up to eleven because he just got even more protective.

Basically, rather than define their entire relationship solely on the fact that they are “senior and junior from the same sect”, I’d say that it’s more like knowing each other’s background helped solidify the existing foundation that was already there? Any last sliver of reservation Zhou Zishu had towards Wen Kexing is pretty much gone, and Wen Kexing can now be much more open about being himself around A-Xu, something he wasn’t very willing to do before. That’s why I kind of disagree with people who say that this reveal has now become the foundation on which their future relationship is built on, as if their previous relationship meant nothing or something. I mean, it can definitely be understood that why but why force yourself to think like that? Plus, taking a step back, this kind of modification to pass censorship is already pretty freaking amazing, and shows that the production team has a conscience.

(Also, I can’t be the only one who really digs the concept of a “shidi gong with shixiong shou” right????)

Adding this note at the end since my desire to live is quite strong: it’s completely fair if you dislike it regardless of the reason. I’m not trying to convey “my way or no way” since it’s almost impossible to convince anyone on the internet if they don’t want to, but I just hope to open your mind a little if you were feeling :/ about this change. I’m personally very happy about it but I know people might not be 🤷🏻‍♀️

#wenzhou #wen kexing #zhou zishu #word of honor #shan he ling #山河令 #天涯客 #tian ya ke #faraway wanderers #a tale of the wanderers #gong jun #simon gong #zhang zhehan #priest #bl drama #my post #my stuff

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justmypartner · 3 years

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Safe - 8x14 Speculation Fic

Writer’s Note: The idea for this came from the 8x14 synopsis, and while it technically still is a speculation fic, I don’t imagine the episode happening exactly like this. However, I did use what I’ve seen from bts photos and videos, as well as things Tracy has said in interviews to develop some of the scenes/details. This is probably my favorite piece that I’ve written in a while, so I hope you enjoy & thank you for reading!

Hailey rustled through her closet looking for her black wedged boots, trying her best to hurry as she knew Jay was waiting for her in the kitchen. She wasn’t much of a boot with a heel kind of girl, but she and Jay had special plans and she wanted to look nicer than usual. While they had been together for months, that night was the first time they were going on a proper date. They each decided at the beginning of their relationship that with both of their histories, they wanted to keep things simple and to themselves, which meant a lot of take-out and a lot of nights alone in their apartments. However, after Hailey mentioned something in passing about their clandestine time together starting to feel restrictive, Jay made plans at a fancy restaurant where he knew they wouldn’t run into any of their fellow team members.

“I don’t mean to rush you, but our reservation is in 45 minutes and it will take us about 30 to get there,” Jay said softly, peeking his head around the door frame.

“I know, I know. I’m trying to- finally!” she shouted upon finding the boots in the corner of her closet. She brought a knee into her chest as she pulled a boot onto her foot before switching to the other leg and doing the same.

“Okay, I just need to get my phone and wallet and then I’ll be-“ her words were cut short as she caught sight of him for the first time that evening. He was wearing a dress shirt with a light jacket, and his dark jeans curled over the top of a pair of black dress boots. It was much different from his typical, rugged workwear, but she took note of how well the look suited him.

“Wow you clean up nice, Halstead,” she told him with a dimpled smile as he blushed, extending a hand down to help her rise from the floor. Once she was standing, the small space between them closed quickly as she wrapped her arms around his neck, bringing her lips to his briefly. While the heels added extra height, she still needed to raise on her tiptoes to meet his mouth.

“Not too bad yourself, Detective,” he uttered as her lips pulled away. His hands grasped her waist, holding her steady as she remained on her toes. They stayed pressed against one another for a moment looking into each other’s eyes, and just when he was about to go in for another kiss, she fell on her heels and pressed the tips of her fingers against his chest.

“Normally, I would indulge in this further, but we’re going to miss our reservation and I’m starving,” she teased, moving past him to retrieve her phone, keys, and wallet, along with her jacket slung over the back of the couch.

When they arrived at the restaurant, Hailey was charmed by how nice it was. It was far different from the usual dive bars and pubs they went to after work, and part of her even felt like it was too nice for them to be at.

“Halstead, party of 2,” he told the hostess, holding up 2 fingers with the hand that wasn’t intertwined with Hailey’s.

A stifled smile came across her face and she nodded her head towards the floor as they waited for someone to guide them to their table. It seemed surreal to be standing in the middle of a fancy restaurant with him, holding his hand and waiting to be seated for a romantic dinner. She couldn’t tell if it was because of how long she secretly pined over him or if it was because being with Jay felt like her first real love story, but there were many moments when being with him felt like some fantasy, and that moment was one of them. At one point in time, being with him was something she only dreamt about. It was a thought that crossed her mind when his gaze lingered a little longer than it should or when an accidental touch sent her heart racing. Before they took that leap, she worried being with him would mean giving up being his partner. It was that fear that made her keep her feelings bottled up for so long, but as they proved time and time again, as partners, as lovers, and as both - they were good together. She turned her head and placed a light kiss on his shoulder. It was a tangible reminder that he was hers to kiss, but it also grounded her in that moment that felt like just another dream.

The dinner itself was incredible. Hailey officially added the restaurant to her list of favorite food spots in Chicago, and they spent the entire meal giggling and sharing stories they had never shared before. By the end of it, Jay was stuffed, but Hailey insisted they order a dessert, her sweet tooth getting the best of her. Jay teased her for ordering the lava cake, the most indulgent option on the menu, but she was able to tease him right back when he asked the waiter for a second spoon when it was brought to the table.

Just as Jay was about to pay the check, his phone began to ring, Voight’s name popping up across the screen as he pulled out his wallet.

“Uh oh,” Hailey said as he picked it up to answer. Jay spoke with their boss briefly, mainly nodding his head and muttering brief affirmations every few seconds.

“I think she’s out tonight, but I can call her and swing by to pick her up wherever she is,” Jay said, shooting Hailey a wide-eyed look as he quickly came up with an excuse as to why they’d be riding in together all dressed up.

“Alright hot stuff, as much as I’d like to keep this night going, it seems we caught a case,” he told her, as he stood from his chair. He took out his wallet, counting out enough money to cover the check and tip before resting the bills under his glass on the table.

“At least we made it through dessert,” she said, sending him a childlike smile.

“Oh, that was dessert? I had something else in mind for that,” he replied smugly, Hailey’s face turning bright red at his suggestive words.

“Oh really?” She questioned, taking a step towards him to close the gap between them. “You’d better clean up that mind before we get to the scene,” she whispered with a chuckle, twirling around swiftly and making her way towards the door as he shook his head at her tease. His hand found the small of her back as they made their way out the door, and he placed a kiss against her temple, knowing it would probably be the last display of affection he could show before they had to enter partner mode.

When they arrived at the house, Kevin and Voight were outside talking to a few patrol officers. Hailey’s mood had changed drastically upon arriving at the scene. She couldn’t explain why, but she felt uneasy as she jumped out of the truck and secured her badge and gun to her hip.

As they approached, Kevin pursed his lips together and let out a two-tone whistle as he caught sight of Hailey.

“Damn girl, sorry to pull you away from whatever had you all cleaned up,” he told her, cocking his head to the side as she shook her head at him with a smirk. Her eyes caught sight of Voight’s as they darted between her and Jay and she became nervous, imagining that he was putting two and two together. She decided to change the subject quickly before any further comments could ensue.

“Oh, shut up,” she told him. “What do we got?” She asked, spinning her head around the scene and taking in the myriad of patrol cars.

“I think it’s something you have to unfortunately see for yourself. I do have to say, you might want to brace yourself for this one,” he said, turning to lead them inside. Jay and Hailey met eyes, sharing a look of concern before turning and following Kevin and Voight inside.

Walking through the front door, they collectively grimaced at the overwhelming smell of blood that tinged their noses. They hesitantly made their way deeper into the house and Hailey’s heart dropped when she caught sight of a family of four, a couple and their two kids, all tied up and shot dead on the living room floor. That uneasy feeling from before suddenly made sense. She clenched her jaw, groaning at the sight as she looked away, recognizing the same unsettled look in the face of each of her fellow officers.

“What the hell happened here?” Jay asked, looking over at Kevin for the answer.

“This is the second home invasion robbery in this neighborhood this week. Robbery-homicide has been working these guys since the first one, but so far they’ve come up with no leads. Whoever these guys are, they’re professionals. It’s a two-man crew, they come in through the back, dressed head to toe in dark attire, get what they need, kill the family, and get out. They’re in and out in less than 10 minutes and they’ve got a getaway driver who knows how to avoid traffic cameras. Robbery-homicide tells me these guys killed a family of three earlier this week, and that the dad had bruises on his body in addition to the gunshot wound that killed him. Now, what’s interesting is in this case, the mom is the one with these bruises. These families were definitely targeted, we’re just not sure how or why,” he explained causing them each to frown.

While Kevin explained the case, Hailey fell silent as the details brought her back to a string of cases she had worked during her time in robbery-homicide. She spent weeks chasing after a crew targeting families who had shopped at a high-end jewelry store, only that connection was missed for the first half of the investigation. By the time she and her team had finally caught on to why the families were being targeted, four families had already been killed, five kids below the age of ten among the victims. Hailey beat herself up for months knowing if they had caught onto the pattern sooner, they could have saved more of the families - more of the kids. This case sounded eerily similar, and she was bound to not let history repeat itself.

“How’d we catch this if robbery-homicide was on it?” Jay asked, shoving his hands in his pockets as his gaze intentionally avoided the gruesome scene before them.

“Miller assigned it to us. She wanted a fresh pair of eyes. She’s getting a lot of heat from the press about there being no leads, especially since this is a high-end neighborhood. Plus, these guys have already killed three tender-aged kids. I want the animals on a stick,” Voight replied straightly.

“Do we know what they’re after?” Hailey asked, her brain already working to establish a connection.

“No, and that’s what’s given our robbery-homicide guys so much trouble. The only connection is that both families have had pretty high-tech safes somewhere in the house. Last house it was in a bedroom closet, but this one was in the basement. It seems like these guys make their way in, beat the location and combo of the safe out of one of the parents, get what they need, and off the entire family before hauling ass out,” Kevin told them.

“Well, I’ve worked cases like this one before. If we’re going to get anywhere, we need to figure out what it was they wanted and how they knew about it. We’re on a time crunch now, because it’s only a matter of time before these guys strike again,” she said, turning and leaving the house without waiting for any of their responses.

After leaving the scene, they all made their way back to the district to go over the files robbery-homicide had sent over. They browsed over the files for a couple of hours before Voight sent them home, needing them to rest up and refresh before they dove completely into the case the next day. The familiarity of the case was itching at Hailey, but as much as she wanted to see something that everyone else was missing, she came up short in every place she looked.

The next morning, she and Jay got coffee together. She had been quiet since they caught the case. Jay picked up on her shift in mood that occurred from the restaurant to the scene, but he left it alone to give her the space she seemed to need. He eventually built up the nerve to ask what was wrong. She told him about her old case and how much it meant to catch the guys and quickly. He agreed, admitting to her how much seeing those dead kids struck a nerve. He reassured her they would catch them one way or another. As they walked out of the coffee shop, a call came over the radio:

Units over the city-wide, we got calls of a home invasion. 1433 N State Street

“Gold Coast, that’s the same neighborhood as the other home invasions, you think that’s our guys?” Jay asked looking over at Hailey as he held the radio up.

“Could be, let’s roll on it,” she told him, rushing towards his truck as he followed, telling dispatch they were taking the call.

They rolled up to the scene, carefully clearing the house together, but they arrived too late, and the offenders were gone. They found the couple who lived there in the same position as the last two families, only they still had a pulse. Hailey tried asking them what the offenders were after, but all she got were incoherent mutterings from each victim. They both died before ambulances could arrive, but just the same as the other cases, only the husband had signs of bruising in addition to the gunshot wound, and a safe was found in the back of a linen closet. While crime techs combed the house, Hailey made her way out to the back garden, finding a hose to rinse the victim’s blood from her hands. Her hands were shaking so much, she couldn’t quite scrub enough to get them clean. Jay caught sight of her through the window and wade his way out to her, grabbing her hands in his to steady them. She looked up at him as he nodded his head, taking the hose and helping her scrub her hands clean. Once they were clear, he held her hands in his for a minute longer, quickly releasing them when someone cleared their throat behind them. When they turned around Voight was standing there, his hands deep in his pockets, eyeing the two of them as they took a step back from one another. If he didn’t know about them before, he definitely did then.

“You get anything new on these guys?” He asked, a knowing look plastered across his face.

“No, Sarge. They were gone by the time we pulled up,” Jay told him, dropping the hose to the ground.

“Well, get back to it. We’ve wasted enough time as it is, we’ve got to catch these guys,” he said bluntly, turning and making his way back into the house. The two of them stayed there frozen, shaking their heads at how careless they had been to let him walk up on them like that.

Back at the district, they scrubbed the lives of all of the victims, still coming up with no connection between any of them. Nighttime arrived once again with no leads and no suspects, so they decided to call it and head home. That night, Hailey laid awake, tossing and turning for hours. She tried every method she knew to fight off the insomnia that had kept her restless, but nothing was able to lull her into a slumber. It was the case that was keeping her up, and her eyes stared blankly at the ceiling while a million theories circulated through her mind. Something about it just didn’t make sense, and she couldn’t shake the idea that they had been missing an obvious connection. The faces of the couple she tried to save earlier that day remained at the forefront of her mind, and after a while of fighting off the urge to get out of bed and chase that gut feeling, she finally slipped out from the grasp of Jay’s limp arm, carefully retreating from the bed as to not wake him. She made her way over to her closet, pulling on a pair of jeans and slipping a sweatshirt over her head before grabbing her badge and gun from the nightstand and sliding her phone into her back pocket. She made her way to her office, retrieving a sticky note and pen to write Jay a message letting him know where she was going.

Couldn’t sleep. Gone back to the district, needed to go over the case again. ♡

She tiptoed back into the bedroom and placed the note on her pillow where she knew he’d see if he happened to wake up. She grabbed her coat and opened the front door, slowly guiding it closed on her way out, still trying her best to be as quiet as possible. She wasn’t sure what she would be looking for when she arrived at the district, but she had hoped that studying it alone and in the quietness of the empty bullpen would provide her with a new perspective. She made herself a cup of coffee before walking over to her desk and opening up every file they had on the case. She paced the floor of the empty space, flipping through files and studying photos until she was sure there was nothing to see. Finally, she hoisted herself onto the top of her desk, pulling her knees into her chest and eyeing the board for something they may have been missing. Suddenly, she heard the beeping of the keypad and the clanging of the door opening and closing downstairs. She checked her phone to see the time. It was 4 am, and she couldn’t imagine who else would be up that early. She did a double-take as Jay made his way around the corner, a look of exhaustion on his face as he sent her a lazy smile.

“What are you doing here?” She asked him, unclasping her hands from around her knees and pulling herself to the edge of the desk.

“Funny, I was about to ask you the same thing,” he said with a smirk, pulling his jacket from his shoulders and resting it on the back of her desk chair.

“I couldn’t sleep. Something about this case was keeping me up, so I figured instead of lying in bed and staring at the ceiling for hours I would try and make myself useful. You didn’t have to come check on me. I’m fine,” she told him, the corners of her lips curling up into a reassuring smile as he came to stand over her.

“I couldn’t go back to sleep once I realized you were gone,” he told her softly with a slight pout before turning to lean on the desk beside her. “So, what have you figured out?” He asked, his attention turning to the board before them. She sighed, crossing her arms and staring at the crime scene photos as he waited for her response.

“I don’t know. I mean these families have no connections. The kids all go to different schools, they all work at completely different places, they don’t even shop at the same stores, I can’t seem to figure out where their lives intersect, so I just don’t understand why they’re being targeted,” she ran down, looking over at Jay whose eyes surveyed the information on the board.

“Maybe it’s about more than just the robbery. I mean they’re taking time to kill every member of the family, including the kids. Unless these guys are just straight-up psychopaths, it sounds like whatever is going on could be personal,” Jay suggested, looking over at his partner whose eyes were transfixed on one particular photo on the case board. His words sparked something in her, and she caught sight of the words Resurgence Tech written in bold font on a magnet on the refrigerator from the second crime scene. She knew the name was familiar, but she couldn’t remember how.

She pulled out the files from each of the cases and found what she was looking for. An email address registered in the husband’s name from the first robbery ending in resurgencetech.co. Looking at the other files, she was able to establish a connection between all of them leading back to a company previously known as Resurgence Tech. As she and Jay investigated through the night, they were able to figure out what was being stolen and why it was worth killing over. Resurgence Tech was a company co-founded by four individuals, Ryan Ethers, victim of the first robbery, Scarlett Jameson, victim of the second, Max Lin, victim from the third, and Lianne Meadows, who lived in a house in the Gold Coast District close to the previous victims. Five years prior, Resurgence Tech created a breakthrough idea for a high-tech medical device that had the potential to significantly change the practice of medicine. However, after hours of gathering information and records, the two detectives found out that the design was actually stolen from two brothers who had developed the original idea for a project they were working on in college. Resurgence used their power and influence to discredit the claims of the brothers, blacklisting them from the entire industry, and eventually pulling the design before it could ever meet the market. Not long after, Resurgence shut down for good, liquidating its assets and washing its hands of its shady actions for good. Digging deeper into the four co-founders of Resurgence and knowing more about where to look, Hailey and Jay were able to find email exchanges between them all discussing what to do with the patent plans for the stolen design in case there ever came a time to reintroduce the tech to the market. The strategy was to split the plans between the four of them, each keeping a piece locked up on a thumb drive hidden in a safe.

As soon as the sun rose that morning, Hailey called Voight and the rest of the team to come in. She explained the connection and identified the brothers as suspects, describing how the robberies must have been to obtain the thumb drives and get vengeance for the way Resurgence screwed them over. The situation had a significant impact on the brothers’ lives, leading them to turn to a life of crime, describing how they got connected with an armed robbery crew, and began pulling jobs across the city before getting caught only a year after Resurgence blacklisted them from the tech industry. They were released early due to overcrowding and good behavior, so they got out, hacked into the emails of the individuals that ruined their lives, and found out the design was out there, still viable to be profited from. Running on anger and revenge and using the skills they developed in their time with the robbery crew, they sought to take back what was theirs. They were operating under the theory that the two brothers were committing the crimes, and a guy that used to run with them in their old robbery crew was taking on the role as the getaway driver.

“Well, let’s go scoop ‘em up,” Voight said upon hearing the rundown of the case.

“Sarge, as much as I want to bring these guys in, we don’t have any evidence on them. There’s been no DNA, no prints, no witnesses tying these guys to these cases. There’s no way they’re going to talk, and if we bring them in, they’re just going to get released even if we keep them for the full 48 hours. By then they’ll have already made plans to run,” Jay said.

“These guys have killed nine people, three of those people being little kids. If we don’t act now, they’re going to strike again and that’s going to be blood on our hands. We bring them in, and we make them talk. I don’t care if we have to threaten them, or if we get ‘em to flip on each other. Either way, we’re not just going to sit around and wait for something to happen on this one. Not when we’ve got a pile of bodies growing the longer we sit here with our thumbs up our asses. So, Hailey, Jay, I want you two going to pick these guys up,” Voight bit back, a distinct annoyance in his voice. He had been on edge throughout the entirety of the case, but his temper seemed to have only increased after walking up on Jay and Hailey at the scene a day prior.

As much as Hailey wanted to side with Voight, she knew Jay was right. Bringing them in with no evidence and no witnesses placing them at any of the scenes would only guarantee them getting to walk, something she was determined to not let happen.

“Sarge, we can’t,” she muttered, swallowing what felt like a rock in her throat as his face fell with bitter surprise.

“What?” He challenged, his head dropping down as he cut his eyes at her.

“Jay is right. We can’t just jump on these guys with no evidence or else we risk losing them for good. I know you want to get these guys quick, but there’s got to be a better play,” she replied, taking note of the uncomfortable looks expressed by the other Intelligence members who quietly observed the interaction from the other side of the room. She watched as he pulled the inside of his cheek between his teeth.

“Remind me, who’s the sergeant of this unit?” The question carried a great deal of weight, and everyone in the room fell silent as his eyes travelled between each of the five intelligence members. “You don’t have to agree with what I say, but there’s a chain of command here and I expect you to listen to me. Now, unless there’s another sergeant in this unit I’m unaware of, I’m in charge. So, I’m only going to say this one last time. Jay, Hailey, go pick these guys up. I have to go update Miller on what’s going on. Those guys better be sitting in interrogation when I get back. End of,” he roared, making his way past the officers who remained frozen in place.

While Adam, Kevin, and Kim went back to work, Hailey grabbed her jacket, heading down the hallway out to the parking lot to follow the sergeant’s orders.

“Hailey, wait,” Jay called after her, grabbing her arm and pulling her into the observation room where he knew the others wouldn’t be able to hear them.

“What?” She questioned, a look of concern on her face as he silently thought through his words.

“I think I have another play,” he told her.

“Jay, he seemed- “she began before he cut her off.

“No, I know, but you know I’m right. We bring these guys in now and these families will never get the justice they deserve. We know there’s only one family left on their list, Lianne Meadows. The only move we have left is to catch these guys in the act. I say we sit on her house and wait for the robbery to go down, snatch them up, and then we have the guns tying them to the other cases and we have leverage to get them to flip if we need to,” Jay told her, the look in his eyes pleading with her to agree.

She knew Jay was right, but she also knew what going against Voight’s orders would mean. By that point, it was safe to assume he knew about their relationship. She knew that alone would be cause for him to assign them to different partners or even to different units. Teaming up and going against him would only increase the chances of him pulling the trigger on that. From the start of the case, she knew she wanted to catch the guys no matter what, but she never imagined it would involve making a decision that could possibly jeopardize her partnership with Jay. Every part of her knew his way was the only option that gave them a chance of making things right, yet she knew there would be a cost to them both going against Voight’s orders.

“You’re right… but let me do it alone,” she told him, causing him to frown at her words.

“What? No, I can’t let you go after these guys by yourself,” he argued, a combination of concern and annoyance in his voice.

“Jay, if we do this together it’s only going to give him reason to split us up. I have a feeling we’re already on his hit list after everything that has happened these past few days, and if he sees that we’re siding with each other… going rogue against his orders? He could reassign us partners, or worse, ship one of us off again. You, this partnership, our relationship, it all means too much to me to risk. If I go alone, only I take the fall, and he doesn’t have reason to use our relationship against us,” Hailey told him, moving a hand to his chest as she spoke.

Pushing him away and crossing that line by herself was the only way she knew how to protect both their relationship and their partnership. With her history of crossing lines, she had hoped it would just seem like another questionable decision she made all on her own, and he wouldn’t have reason to punish both of them by splitting them up.

“Hailey, I’m not just letting you go there without backup,” he finally said, his jaw set tightly as he peered into her eyes.

“I’ll have Trudy assign some patrol guys for backup. That way you and the others don’t take fall back from Voight, but I won’t be going in alone,” she replied, moving the hand from his chest to cup his face. “I’ll be fine,” she told him.

He nodded hesitantly before sliding his fingers down her arm and wrapping his hand around hers.

“Be careful,” he insisted, squeezing her hand lightly.

“Of course,” she nodded back before opening the door and disappearing down the hall.

She sat out front of the house, the patrol officers waiting a street over for her signal. It had been about an hour and she had already dodged two calls from Voight. Her patience was running thin with every minute that passed without a sign of the crew. Then, she spotted a dark van creeping down the street and she slumped down in her seat, trying to avoid being seen. As the van approached the house, two men rolled out of the back door as the van maintained a low speed before stopping down at the end of the street. The second the men made it around the back of the house, Hailey radioed the patrol guys, climbing out of her car and drawing her weapon as she followed the offenders around the back. When the patrol guys caught up, she nodded to one of them, signaling them to open the back door and enter the home. The second they made it through the doorway, they were catching fire. Hailey took cover behind a door frame, keying her radio attached to her vest.

“10-1, 10-1, shots fired at the police, 1327 N Dearborn Street. Be advised patrol and plainclothes officers on scene,” she yelled into the radio, securing her free hand back on her gun before motioning the officers to press forward. They made their way into the house, carefully clearing each room as they passed through. When they made it to the front of the house, she caught sight of one of the guys escaping out the front door.

“5021 Henry I’m in foot pursuit of a suspect in an alleyway going west across the street from the original location,” she called out into the radio as she pumped her legs with each step, trying to control her breath as she chased after the suspect. He rounded a corner and she slowed down, holding her gun out to peer around the corner before continuing the pursuit. The next thing she knew, her gun was being kicked out of her hands and she was being thrown against the wall, hitting the side of her head against brick and feeling blood trickle down her face. She brought a knee up into her attacker’s groin, giving her a brief opening to connect an elbow with the side of his head. Falling to the ground, the man grabbed at her ankle, bringing her down with him before grabbing hold of her vest and laying a fist into her jaw. The blow sent her backward, shooting pain into the side of her face. She caught sight of her gun on the ground a few feet away and went to crawl for it, but he grabbed at her leg, drawing her backward toward him as she stretched her fingertips towards the handle. He was stronger than her, and he managed to pull her back enough to regain hold of her vest, winding up to lay another fist into her face. Before he could, she wrapped a leg around his, twirling him over so she was hovering over him. She began laying fist after fist into his masked face until she suddenly felt a hand on her shoulder. She flinched, sending her elbow backwards towards the person. It was grabbed instantly, and she wiggled in the grasp before turning around and taking in the familiar green eyes of her partner.

“Hailey, we got him,” he said, holstering his gun and grabbing her by each arm to pull her up from the ground. Kim came from behind him, removing the mask from the offender and rolling him over to place him in cuffs. Meanwhile, Jay wrapped Hailey in his arms, bringing his chin down to her head as they swayed together in an embrace. Her breath was heavy and shaky, and she felt tears pool at the corners of her eyes. She was overwhelmed by everything that had just happened, but his arms wound tightly around her helped steady her breathing.

“It’s okay Hailey, you’re safe. I’ve got you,” he reassured her through a whisper. She took comfort in his words, and despite the pain surging through her head, she buried it deeper into his chest.

Luckily, they had reached the target and her family in time before the offenders could do any harm. Hailey went to Med to get her head checked out. A few stitches and several scans later, she was cleared, making her way back to the district to take whatever repercussions Voight had in store for her. The second she made it up the stairs, everyone’s eyes fell on her and she just flashed them a gentle smile and nod, signaling to them she was okay. Voight came to the doorway of his office, and she didn’t miss a beat heading straight towards him. However, just before she reached the door, his attention shifted over towards Jay at his desk.

“You too, Jay,” was all the sergeant said before turning and moving back into his office. Jay stood, making his way over and closing the door behind him before coming to stand beside Hailey across from the Voight’s desk. He looked over at them silently for a moment, Hailey setting her jaw tightly as she braced for whatever was to come.

“Are we just making a habit out of disobeying me and questioning my orders? Is that what we’re doing now?” He asked them. They remained silent. “Because if that’s what we’re doing and you’ve got a problem with how I run things, there’s the door. You can get out right now,” he told them sternly.

“Sarge, we needed to get those guys. Catching them in the act was the only way. I did what I had to do to make sure those families got justice,” Hailey said, her eyes remaining fixed with his.

“I told you to pick them up, bring them in, and instead you went your own way, putting that family, yourself, and a couple of patrol officers at risk. I could suspend you over this,” he argued, a distinct tension building in his voice.

“Sarge, it was my idea. If anyone deserves punishment, it’s me,” Jay admitted, causing Hailey’s head to swivel his direction, a cross look on her face as the words left his mouth.

“No, that’s not… Look, I went there on my own. I’m the only one to blame here,” Hailey argued causing him to shake his head before them.

“Okay, look. I know there’s something going on between you two, I have known for a while,” the second the words left his mouth, their eyes met briefly, and they both swallowed hard before turning back to him. “I decided to turn a blind eye because you two were able to keep it strictly professional here at work as far as I was concerned. But what happened today, what’s happening right now… this lying to me and covering for each other is not welcome in my unit. This is your warning and it’s the only one you’re going to get. As long as I’m in charge of this unit, you listen to me. You don’t go off-book, you don’t go behind my back because you disagree with what I say, and you certainly don’t let whatever is going on between you two change the way you make decisions. I know you guys are going to have each other’s backs… as partners and as whatever else, but the second that trumps having my back and the team's back, the way it did today, it undermines my authority and puts all of us at risk. If anything happens again like what happened today, you’re both done, and I’ll make sure you never work in the same unit again. Is that clear?” He asked them.

“Understood,” Jay replied.

“Yes, Sarge,” Hailey uttered, her heart rate dropping significantly with relief.

They drove home that night in silence, partly from exhaustion and partly from trying to process everything that had happened in the past 72 hours. Three days ago, they were on their first official date, celebrating their relationship for what felt like the first time, and now they were coming down from what could have easily been the end of their job and their partnership. Even though she hated the way it had to go down, she stood by having Jay’s back and trying to protect their relationship, even if it meant muddying the waters between them and Voight. From the start of the case, she was determined to catch the guys, chasing a small sense of redemption she felt she needed for that case she worked so many years prior. She wasn’t happy about everything that happened, particularly everything that went wrong, but she was able to save a family and get some form of justice for the others, and she stood by that firmly. It wasn’t the first time she had challenged Voight or crossed lines, but it was the first time she was genuinely fearful of the consequences. She was just glad her fears didn’t come to fruition. She looked over at Jay in the driver’s seat, and she remembered the way he told her she was safe after pulling her from the attacker only hours prior. Safe wasn’t something she had felt often in her life, but she certainly felt it when she was with him. She smiled to herself in the dark, satisfied to know that at least for that day, despite everything that happened, their relationship and their partnership were two things she could still consider safe.

#upstead #jay x hailey #hailey x jay #chicago pd #hailey upton #jay halstead #upstead fic

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mittensmorgul · 3 years

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2021 in Mittens Fic

The annual summary of things I’ve written this year! I’m relieved and pleased to say that while I’ve accepted I’ll probably never hit 2015′s record word count again (sigh), at least I improved over last year’s record low. And this doesn’t even count the 54k words in my upcoming pinefest fic, since I only count posted works for this little summary. I finally feel like I’m making writing progress again! Yay!

For reference, past year end summaries can be found here:

2020 | 2019 | 2018 | 2017 | 2016 | the closest thing I have to a 2015 wrap up post is the lil bit of text at the bottom of 2016′s post... even though my two most popular fics were from 2015 lololol

Starting the year off writing a finale fix-it I could live with really helped me get going this year, even if it meant this was the first year I failed to finish a pinefest fic. I did manage to finish the fic I’d started for that (in March 2020 lol) for the dcbb, which was a process that renewed my belief in my own ability to write long fic again.

I did manage to outdo my 2020 total fics posted, with six, and beat my 2020 total wordcount by more than 8k, for a total of 111,806 words! Thrilling!

(tries not to think about 2015′s 250k+ total lolol)

At some point recently, I also crossed the 2 million words total posted on AO3, but about 800k of that is the tumblr tittyban meta dump, and none of that really counts as fic. I’m leaving it all there anyway. It’s still stuff I wrote, and honestly if the meta count counted toward fic writing totals, I’d probably have a million words a year, easy. :’D

And if meta counts for anything, I started the @spngeorg podcast this year in an attempt to organize all my thoughts on this show. It’s just me talking through every episode of the series one week at a time, but I’ve kept up with it, which I’m super proud of myself for! Thank you to everyone who’s listened, liked, subscribed, commented, and engaged with me about it this year. Episode 39 of the podcast-- 2.17 Heart-- will drop later tonight, and if you’re interested you can start from the beginning on AnchorFM or wherever you enjoy podcasts! The fact I’ve now spent a decade with my eternal rewatch, seen the entire series at least 30 times all the way through, at least this podcast gives me a weekly reminder that I haven’t just poisoned my entire brain for nothing. :’D

With all of that out of the way, let’s get to the fic! Presented in the order it was posted:

Revenge of the Text (25427 words, rated T): Begins right after Jack takes off after defeating Chuck in 15.19. This is my best case scenario for how the show should’ve ended, and I needed to write it so I could continue to engage with the series I love. I wrote it as if it COULD have been an episode of the show, hence the rating. Though if it WAS an episode of the show, I would’ve included a lot more of Sam and Eileen’s POV, and in an ideal covid-free world, a lot of other characters in general. This is just the beginning of what I would’ve hoped for an ending, though.

what goes around... (468 words): a “what if” alternate version of a fix it, with Dean waiting in the meadow where Cas had come back from the empty before, only something sinister is waiting there with him.

Just Another Morning (1166 words, rated T): the annual DeanCasVersary fic. Pure Fluff.

You Held It In Your Hands (73239 words, rated M): my dcbb, with amazing art by the wonderful @solstheimart. It makes my heart so happy! AU medical residents!Dean and Cas, they’re roommates!, and the powers that be at the hospital where they’ve both found themselves seem to be doing everything imaginable to keep them apart. Fluff and feelings-- revealed through notes left for each other, music, and food-- ensue.

For The Best (4912 words, rated T): annual holiday fluff, Dean and Cas end up snowed in together in the bunker. Technically in the same ‘verse as Revenge of the Text, so everyone’s happy and nothing hurts.

Haunted Heart (5594 words, rated T): Despite having written this waaaaayyyyy back in 2019, in collaboration with ArtSynk, for the To Hell And Back Anthology, we’ve finally been cleared to post them to AO3. So just under the deadline for this annual list, I had a happy little bonus story (with gorgeous attendant art!) to add to this year’s totals. I’m so thrilled to have been included in this project, so thrilled by the fandom’s (and the actors!) reception to the book, and thrilled to be able to share even my little contribution to it with everyone else now. <3

And that’s my year in fic. I’m amused I’ve already got nearly half this total wordcount written for 2022 already, and so much more waiting to go. At this point my biggest obstacle to writing is the sheer overwhelming quantity of ideas on my To Be Written list. And yeah, I think it would be hilarious to share the stats on that doc here too. Ahh, to the good old days when this list was ten pages long... Why do we get new ideas faster than we can write the old ones?

which, at least means I’ll be writing fic for years to come... gotta get through this list, at least! I think I’ll save that for 2022 lol!

Thanks to everyone who’s read, kudos’ed, commented, reblogged, rec’ed, and enjoyed anything I’ve written in the last year. I love you all. <3 See you in 2022!

#things i have written #2021 fic roundup #destiel #spn fanfic #shameless self promotion #spngeorg

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itsclydebitches · 4 years

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RWBY Recaps: Volume 8 “Risk”

Welcome back, everyone! I have a lot of mixed, complicated feelings about today's episode and I'm already sure this recap will miss a great deal that should be said. There's a lot to digest, we need some time to do that, so until things have settled I think that the one, entirely confident claim I can make here is that our writers weren't BSing the fandom on twitter. The last few days have seen a number of big claims made regarding "Risk" —

— and whatever else we might have to say about the episode, it certainly delivered in terms of shocking content. From confessions to reveals to a new plan in place, there's a lot to unpack.

So let's get started.

Our first shot is a problem.

I don't want it to be! But I've got to work with what I've got. We open on Salem's flying monkeys — or gorillas, if we're being technical — and my immediate thought is where in the world they came from. I mean, obviously I know where. We ended Volume 6 with the post-credit scene of Salem adding wings to an army of Beringels, Hazel commenting that she'll lead the invasion herself. When Salem arrived at the end of Volume 7 and we picked up where we'd left off in Volume 8, the fandom was obviously expecting an attack led primarily by flying, transformed grimm. That didn't happen. For ten episodes the plot forgot that the Beringels existed, focusing instead of the Hound, the grimm soup, then the Whale, then the ground grimm the Whale was producing. Months back I encountered a number of posts asking, "What happened to the resource we know Salem brought to this fight?" and those questions are partly what inspired the "Introducing new grimm that are then quickly abandoned" spot on the bingo board. Now, suddenly, the Beringels have re-appeared and that is a good thing. Though it's too little, too late, as is so often the case with RWBY. Getting something you expect has a sour taste when it arrives months past when it was needed, especially when that something only exists for a second on screen.

This is doubly true given that we saw Oscar eliminate the grimm last episode.

At least, I thought he had? Pretty much everyone I've spoken to thought he had. This last week's discussions have centered around RWBY nerfing the stakes, taking out a whole army of grimm in one, magical blast. That's far from great. Yet now we see that we were apparently wrong. Atlas remains overrun with grimm, this problem remains a problem... so, yay? But we're once left with a tradeoff. RWBY has no longer eliminated the stakes with a deus ex machina as we had originally thought, but in its place we're left with a badly executed scene last episode and an assumed problem that is "fixed" with an enemy we should have been dealing with since the start of the volume. The road to the Beringels has been messy indeed and all they've done so far is fly across the screen.

Which reminds me: if this army of grimm still exists — and absolutely existed prior to Oscar's blast — how come not a single one is attacking the Schnee manor? This opening is in Atlas, the skies are overrun, we've seen a few grimm show up to help out the Hound, yet miraculously nothing bothers the group while they freak out at the dining table, or freak out as Penny tries to leave. That's a whole lot of grimm and a whole lot of negativity... yet somehow these two things never meet in a way that would inconvenience our characters. While from a writing standpoint I can understand not wanting to interrupt all these conversations and feel good moments, the show can't simply ignore the rules of its world whenever it's convenient. If anything, given that Atlas' population is currently hidden beneath the city, Schnee manor should be even more of a hot-spot than it normally would be. There is one (1) group of people out in the open for them to target.

Yeah, we're a single shot into this episode. It's a doozy.

Moving right along, those Atlas citizens (and, let's not forget, a large number of Mantle evacuees too) are still huddled in the tunnels, listening to Ironwood's insane broadcast. They're obviously terrified, as are those down in Mantle who are staring execution in the face. Fiona bursts into tears.

It makes me wonder why we didn't get the airship subplot now. As I've mentioned extensively in the past, that decision didn't make much sense and I think the writers knew it didn't make much sense because they chose not to reveal what Ruby and co. planned to do with the citizens once they were on board. The point was never to come up with a feasible plan, something the audience would put to the test, but rather to just make it seem like the group was doing something Smart and Heroic before Ironwood inevitably derailed it. Don't look too closely at the man behind the curtain. Normally, I'd comment that yes, it's damn hard to come up with a brilliant plan to save others in a situation like this — our characters can only be as smart as our authors! — yet that sympathy dissipates when we hit this episode and are given a scenario where airships would have been great. Ironwood has threatened to nuke Mantle. Suddenly, it is imperative that the civilians leave the safety of the crater as soon as possible (whereas before it was not). So Whitley remembers that they have access to these ships and the group hatches a plan to sneak them down while Ironwood is distracted, get everyone up into Atlas so he can't use Mantle as a bargaining chip anymore. Then they're spotted, the plan revealed, and Ironwood shoots their ships down, leaving them devastated that their attempt to help the citizens has literally gone up in flames. We're still left with the problem of why Ironwood wouldn't just allow a continued evacuation now that Salem is briefly out of the mix and the Schnees have provided extra resources — the writing really took a sledgehammer to his characterization — but the group trying to get people to Atlas to avoid death by bomb at least makes more sense than them trying to move the citizens to an undisclosed location, for unestablished reasons, when they were already relatively safe. The bomb is what makes those airships a necessity.

It really makes me wonder how much editing goes on and how much time the writers have before they finalize scripts.

Regardless, we cut from terrified people to Ironwood himself, accompanied by Winter. The animation has some nice parallels going on here, what with the same black, white, and blue color scheme, hands behind their backs, the need for robotic accommodations, and steps perfectly in synch. As we're about to see though, Winter is very good at looking the part of a loyal soldier while actually bending the rules.

However, are we really going to ignore that she betrayed Ironwood last episode? Betrayal from his perspective, that is. Winter was given a direct order, disobeyed that order, pissed off Harriet in the process, and wasn't able to give a good explanation for her actions — she was too busy being creeped out by Ironwood's reaction. For all intents and purposes she should be considered disloyal right now. Or at least under suspicion, yet Ironwood acts as if everything is fine. We've skipped over any meaningful fallout between them, or a reason why Ironwood would dismiss her betrayal. This ties into something I'll bring up later in the episode: namely, that RWBY introduces too much too quickly and doesn't have time to satisfyingly tackle — or tackle at all — the plot points they've introduced, simply because there's always a new one to focus on. We dropped the "Winter went against Ironwood at great personal risk" plotline to make room for the new "Ironwood has randomly threatened Mantle" plotline, which likewise doesn't do Ironwood's characterization any favors. I don't just mean the obvious "Omg he's willing to murder a whole city now" issue. Ironwood used to be smart, yet his unfounded trust in others makes him look foolish now: first trusting Watts, now Winter. Alongside that, the story and fandom have both pushed the idea that Ironwood is paranoid, yet that "paranoia" has only ever been attached to justified threats. If he were actually paranoid then Winter's actions would have caused him to mistrust all of the Ace Ops now, labeling everyone near him a disloyal enemy, despite evidence to the contrary (especially when it comes to Harriet). Yet across two volumes Ironwood has continually been "paranoid" only in regards to things like Cinder and Salem — proven threats — while simultaneously trusting known villains and ignoring when his subordinates straight up say, "She let our enemies go free." There’s little rhyme or reason to any of his decisions here.

Still! A nice, meaningful shot lol.

As Ironwood and Winter get closer we see the Ace Ops discussing the threat. "Of course he's not going to do it," to which Marrow pushes back with, "So what? He's bluffing with a whole city?" This is a really, really important moment that I don't think the writers realize is important. See, everyone is shocked when Ironwood reveals that he intends to go through with the threat. The Ace Ops, Winter, Robyn, our heroes... everyone grapples with the idea that this is actually happening. Everyone has some moment of, "It's just a bluff, yeah?" and I don't think that's just denial. The characters' shock tells us that Ironwood normally wouldn't be a man who'd do something like this. Ever. That shock has to stem from something, such as an ingrained understanding that Ironwood is a protector, not a murderer. Note the difference between the fandom and the characters' reactions. Whereas a good chunk of the fandom went, "Of course Ironwood means it. We all saw this coming! Remember how he..." and then proceed to list various things — persuasive or otherwise — that prove he was always a bad guy in the making. Yet no one in the RWBY world is inclined to use those moments as evidence. Winter doesn't go, "He's not bluffing. I saw him shoot the councilman just for speaking up" and the Ace Ops don't go, "Oh, he'll do it. This is the man who destroyed his arm to take down Watts. He'll stop at nothing." After everything they've seen — the same things we've seen — there's still some instinctual, nebulous knowledge that goes, "No. Ironwood wouldn't. He's one of the good guys." We can certainly talk about real life people getting swept up in horrible institutions, unwilling to admit how bad things actually are until they hit a specific line they can't cross... but I think this is less a comment on some sort of bystander effect (RWBY isn't that deliberately nuanced lol) and more an unintentional acknowledgement that until the very sudden and entirely unexpected shooting of Oscar, Ironwood actually wouldn't have done this. The Ace Ops are reacting to a man who absolutely existed until the writing erased him and they believe the core of that man still exists. To my mind, he should, but because our show can't actually have Salem as the main villain right now, she's conveniently blown up and Ironwood takes her place.

So we've got some loaded implications there, as well as Vine's comment that he hopes "the kids" see sense now. I am begging RWBY to pick a lane already. Are they kids, or are they adults? Because that answer makes a big difference and we can't continue to have it both ways.

Ironwood and Winter arrive were Ironwood orders that she prep drones with the "payload." That's the moment Winter and the others realize he's serious. Cue that shock all around. The revelation is the last straw for Marrow, prompting him to start yelling some excellent points about how Ironwood is doing Salem's job for her. See, this accusation works. Telling a guy threatening to blow up a city that he's as bad as their villain is accurate. Having Oscar tell that same guy that he's as bad as their villain because he wants to save a city full of people... is ridiculous. Totally different setup here and RWBY got it right this time. The only line that didn't work for me was Marrow asking the Ace Ops if they believe in anything. Uh... yeah. They believe in saving Atlas + all the Mantle evacuees they got. That's pretty well established. I swear, most RWBY speeches are padded with generic, heroic-sounding lines that don't actually mean anything, or are outright falsehoods we’re meant to ignore.

We'll see more of that with renora.

Marrow attempts to leave and his eyes go wide as he hears the click of Ironwood's gun. Remember I said that Winter is good at playing the obedient soldier? It's after Ironwood aims that she tackles Marrow.

On the surface it looks only like she violently disarmed him, but in reality she got him out of the bullet's path and kept Ironwood from firing at all. She saved his life, choosing to play up how she'll “take this traitor to the brig” where he belongs, rather than watching him die. A really nice moment in terms of strategy and one of the few lately where I've actually felt like I'm watching smart characters.

However, I cannot deny the uncomfortable implications in this scene. Smart or not, necessary or not, it hasn't escaped anyone's notice that one of our darkest characters was a) nearly killed by a white man and b) beat up by a white woman. To say nothing of Marrow's status as a faunus. I was cringing during his line about loyalty: “I used to wear this rank with pride. Now I see it for what it really is: a collar."

Honestly, I don't have the qualifications to unpack all that, so let's just acknowledge that the scene, while good in some respects, was massively insulting in others. I’ll let others in the fandom defend or damn it as they see fit.

We get a shot of how shocked the Ace Ops are that they nearly watched their team member get executed for speaking up against a bomb threat. It once again highlight's RWBY's strange depiction of violence and when it's deemed appropriate. Harriet has threatened people a couple of times now — here telling Marrow she'll shut him up herself — yet her reaction tells us that she never would have killed him as Ironwood nearly did. Threats, then, mean little... unless Ironwood is making an exaggerated comment about shooting Qrow. Then it's evidence of evil intent that's bound to come to the surface eventually. So does that mean Harriet will be trying to bomb cities herself someday? If so, it once again leaves our heroes in an awkward position, considering that Ruby started the fight Harriet wouldn't, Weiss stuck her weapon in Whitley's face, etc. If it says something awful that Winter would punch a minority — even to save his life — what does it say about Qrow that he would punch a child in anger? Outside of the easy to label actions like Ironwood's bomb threat and shootings, there exists this gray space that asks, “When are you justified to use violence? When is a threat forgivable?” The problem is, the show keeps coming up with contradictory answers. I bring this up not because Winter's punch or Harriet's threat are the most significant examples of this that we've seen, but because the themes of forgiveness and violence take center stage at the episode's end... and RWBY completely drops the ball. Keep these complications in mind.

Before that though, the group is crowded into the dining room and no matter what else "Risk" might give us, I'm reminded that I really like the design of the Schnee manor. I'm glad the episode found an excuse to show us this room again.

My initial thought upon entering the scene was, "Are we going to talk about Penny's hack? The silver-eyed grimm? Ozpin's return?" and to RWBY's credit it touches on all of these, though I stand by my point about plotlines coming too quickly. Any one of these should have been given the space to grow, not fighting for space against the potential destruction of Mantle. If you don't acknowledge these things in "Risk" you've lost your chance (much like how "Oscar is kidnapped" replaced "Oscar has to deal with Ozpin's return," resulting in a scene where Oscar was just... randomly okay with Ozpin again. We lost the chance to deal with the first conflict introduced because we barreled into the second), yet if you do spend episode time on these issues, it feels like the characters aren't dealing with the immediate threat. Questions of silver eyes, what to do about Penny, and Ozpin's return needed to be given their due before there was an hour time limit resulting in thousands of deaths. Now, you have to wonder why Yang and Ruby are talking about their mother when a city's safety is ticking away. Where were these questions and reassurances years ago?

I think this is why this episode — maybe even this whole volume — simultaneously feels too full and too boring. We're being introduced to lots of Big Things, but then putting them off to focus on other, smaller stuff, and by the time we circle back around it's no longer the right time. We're constantly focusing on the least interesting, least important thing in the room. Why is the group sitting around with their tea when we could have moved the Hound plotline up and started this groundwork earlier? Which means we're doing that work now instead of worrying about Mantle or Penny. All of which is connected to Salem herself being here, yet Ironwood is our villain instead... We're just introducing new idea after new idea, dropping each to focus on something else when the viewer is already emotionally invested in the last conflict. It makes the show feel overly packed with problems we don't have time for while simultaneously having too much time in which the characters do nothing of importance. We're never dealing with these issues at the right time. Talking about a silver-eyed grimm while Salem is here feels like Too Much and having the girls unpack that now, with Mantle’s life on the line, feels like Too Little. Stop sitting around while you've got less than an hour to save half a kingdom! We needed this conversation in a different episode, one not already driven by a problem that’s objectively more important.

But I'm getting ahead of myself. We're in the dining room and the group is listing all the stuff that has gone wrong lately. Blake mentions that Qrow and Robyn are still in custody, because we definitely want Blake remembering that Qrow exists, not one of his nieces. Ruby, meanwhile, is having a meltdown. "So then it's impossible!" she yells, head in her hands.

Emerald sneaks in an insult: “See? If Ms. Hero here with all the answers doesn’t have one..." and the others, of course, jump to Ruby's aid. But Emerald is right! It's entirely Ruby's fault that Atlas didn't get the chance to escape with those they had. Her actions and lack of a plan led to where they are now. I'm not saying she's responsible for Ironwood's insane decisions — that's like saying he's responsible for Qrow's in relation to Clover — but Ruby indeed played the part of the hero who had all the answers... without actually having any answers. Now that things are worse than how they started, her only answer is to say it's all "impossible" and throw up her hands. Ruby is an absolutely terrible leader right now and someone should indeed be calling her out on that, it's just too bad it's Emerald, someone technically still presented as an untrustworthy figure for the next couple of minutes. (More on that later.) Any and every criticism of Ruby is dismissed out of hand. Don't believe Ironwood because he's crazy now. The Ace Ops? His boot lickers. Yang has things to say, but once Ren agrees with her she does a 180. Now Ren is heading towards an extra special apology for daring to doubt Ruby. May calls her out, only to also change her opinion the next episode. Now here's one more person, but she's a bad guy. The show has never once encouraged us to treat these criticisms seriously — never allowed them to stick, let alone lead to change — and at this point I'm done with everyone falling over themselves to absolve and praise Ruby. By making Emerald the criticizer and having Ruby throw herself a pity party, the writing ensures that the conversation goes from, "Yeah. You messed up big time and now have a responsibility to fix things" to "Aww, don't be so hard on yourself! We won't let mean Emerald insult you anymore."

Ruby makes herself the victim here. She gets so upset and acts so defeated that all anyone can do is reassure her. The focus turns towards her, a focus centered around hiding against the table, or cowering on a staircase, so that it feels cruel to call her out on her deadly mistakes when she's so clearly upset. But they still should have, especially since cowering and tears have never protected anyone else from the group's criticism. Ozpin is proof of that.

What I'm getting at is that Ruby runs away. She's faced with the consequences of her actions, is informed she needs to help come up with a solution, and instead of braving that decides it's "impossible" and literally runs from the room. While they're on a time limit. Keep this moment in mind for just a bit longer. These choices become doubly important later.

So Ruby can't handle the responsibility she violently ripped from others and the group goes out of their way to comfort her in this. Especially since the writing again decides to conflate Emerald and Ozpin through a comment of Oscar's, demonstrating that it still has no decent sense of what "responsibility" or "villainous acts" means. These scenes are three years in the making and every step getting here was dogged with problems, so the fact that the end result is a mess isn't exactly surprising.

We (thankfully) leave Ruby for a bit and instead turn to Jaune. He's amplifying Nora's aura, but admits that he can't get the scars to go away. That makes sense. After all, they're scars. His semblance helps people heal, but at this point Nora has already healed. Those scars are the result of that.

She says it was “Just another ditzy move from Nora” and I'm glad we're acknowledging that, even if it is all framed through the lens of Nora being incorrect in that assumption. Once again, the writing continually makes statements about characters, but fails to have their actions reflect that. Nora wanted to do more than just hit things with her hammer without thinking them through... and we showed that by having her hit a door with her hammer without thinking it through. Was it heroic? Absolutely. Did it lead to any growth? No. I'd much rather someone acknowledge that yeah, she did the same thing she always does, but that's not necessarily a bad thing. Nora's impulsivity is a part of her and, given the talk of teammates here, she could have gotten reassurance that she'll always have people around to help her temper those impulses. Instead, we're (again) told that she shouldn't do A anymore, watch her do A anyway, the writing presents it like it’s B, Nora admits that she did A, and everyone rushes to assure her it was actually B. Just let these characters make mistakes for once, especially mistakes made in an effort to help someone. This should be the easiest and kindest way to criticize the group and RWBY can’t even manage that.

Which brings us to Ren. Ren, I am so sorry. You deserved better than this. Nora rips into him, saying, “We were supposed to be a team, but that didn’t matter to you! You shove people out so you don’t have to feel things that are hard!" and again we have RWBY making grand statements that are meaningless. Did Ren keep things bottled up in Volume 7? Yes... and no one tried to help him with that. Instead, Nora decided to bypass his problems completely and try to kiss it better. When that (shockingly) didn't work, Ren was finally forced to open up at Yang's insistence and was abandoned for his perspective. That's what that was, literally and metaphorically: they walked away from him and made it clear that so long as he believes these things, he's not welcome. What were those things? We've made mistakes, Ruby made mistakes, we're not ready for this stuff. That's it! "We were supposed to be a team" makes it sound like Ren betrayed them in the worst possible way, when in reality all he did was acknowledge that they're imperfect and that things are a mess right now. But of course, that is the ultimate betrayal for this group: acknowledgement that they’re not perfect. Everyone can call themselves out to generate sympathy — Nora does it, Ruby does it — but as soon as someone else agrees and implies that they should make changes, they’re dismissed.

I've said it before and I'll say it again: the refusal to question Ruby makes me incredibly uncomfortable. Is this as bad as Ironwood shooting someone who questions him? Of course not, but that doesn't make it good. The group has made it clear from Ozpin to Ren that if you put a toe out of line, that's it. You're gone. You are not a part of the group until you are willing to back the group 100%, no matter what horrible things they might be up to. That Nora yells at Ren for questioning and Ren learns to keep his mouth shut, apologizing to both her and Jaune for speaking his mind is... well, it's horrible. That's not friendship. I know the fandom doesn't want to hear that given how much we otherwise love these relationships, but it's not. If you can't question and voice concerns without about serious topics like this without the threat of abandonment — literal or otherwise — then that's not a friend group you should be sticking with. Ren’s "biggest failing as a teammate and a partner" is that he didn't agree with the others and didn’t immediately change his mind when they demanded it. There are awful implications attached to that, especially since Ren’s perspective was a good one. He’s not out here slinging horrific views like, I don’t know, homophobia at the bee’s non-relationship. He just went “We made mistakes” and the group responded “Absolutely not. Absurd. Fuck you.” They didn’t even consider that position, which speaks to both a lack of respect for Ren and a level of arrogance that keeps getting them into trouble. But these issues are easily overlooked given everything else that surrounds them. Outside of Ren's apology, I quite liked the renora moment. We got a detail about Nora's backstory! She called Ren pretty! We got an "I love you"! He booped her nose!! It's all very cute and wholesome... and soured by the knowledge of what Ren had to do to get here.

Outside of these generalized responses, there are three other points I wanted to make about this scene:

Yes, more obligatory humor to ruin an otherwise serious moment. Jaune could have just smiled softly and slipped out. Or have him leave before the conversation started (because Ren shouldn't have been apologizing to him in the first place...) Instead, we got multiple seconds of him being awkward, including a bunch of funny sound effects.

I'm legitimately happy we got that "I love you" — outside of the problems since arriving in Atlas, I've always enjoyed the ship — but coming on the heels of last week's episode, it makes the bee's forehead touch look even worse. Renora has been confirmed multiple times at this point, but we still can't get something overt for our one, queer ship.

On the one hand, I really like that Nora set a boundary here — a surprisingly mature conversation for RWBY — but I'm confused as to what exactly the boundary is. She says she needs to figure out who she is without Ren, but what does that translate to on a practical, day-to-day basis? Normally, when a couple needs to figure out who they are they separate, but renora can't do that. They're still on the same team, stuck in the same war, presumably off to do the same things they've always done together. It sounds great on paper to say that Nora is going to discover who she is without Ren, but unless they separate again I don't see how that can happen. More likely, we'll get a volume or two of them looking and acting exactly as they always have, but when it comes time for relationship drama again, Nora will insist she's a different person who is now ready to be with him. That she's changed. But change requires, you know, making a change, so is renora actually going to look any different moving forward?

While these two confess their love but also decide to be separate (is that what happened?), Qrow and Robyn have knocked out some guards and retrieved their weapons. Robyn watches four security feeds, whispering, "He's... really gonna do it." See? Even Robyn, someone who never liked Ironwood and considered him dangerous from the start, is in shock that he would go this far. Qrow doesn't want to talk moral downfalls though, he's all action: "Not if we stop him first."

You know, at least Qrow is doing something. What he's doing is stupid, particularly given his motivations, but with the volume we've had I give him props for coming up with a plan and sticking to it. That's more than many of the others have done.

Yet then, suddenly, Robyn doesn't want to kill Ironwood. ...Since when? Robyn has been the most trigger happy of the lot while Qrow initially wanted to talk. Now they've switched places for no reason I can see, with Qrow all murder happy and Robyn cautioning restraint. Which admittedly isn't uncommon. Remember how Nora was all about protecting Mantle and then randomly decided to help with Amity instead? Remember how Yang was critical of Ruby and then decided to defend her to Ren? Remember how Hazel was pro-Salem until he saw a blue naked lady and decided to defect? At this point, characters just do things at random.

Robyn says that Qrow isn't trying to kill Ironwood because that's the right thing to do, only because he wants revenge. A true enough assessment. But then she follows it up by claiming that Qrow is a better huntsmen than Clover because he does the right thing. Without rehashing all my arguments regarding how Clover was not the devil incarnate for refusing to let two potential criminals walk free — especially after they attacked him — we're really playing the dead guy card now? Clover was murdered. Robyn and Qrow were participants in that murder. Now Robyn is making sweeping claims about who is the better person when Clover quite obviously isn't here to defend himself? That's all kinds of messed up.

Before they can bash the dead guy anymore though the elevator arrives. We see Qrow and Robyn's shocked expressions at whoever is behind the doors, presumably Winter and Marrow. It seems likely that Winter didn't really intend to take him to the brig. They're defecting and have now found two more allies to help them. Robyn wants a plan other than run upstairs and stab Ironwood? Winter will likely provide one.

We return to Ruby who, as established, is wallowing in the most dramatic position on the staircase. Obviously things are legitimately horrible right now and if Ruby had been given a storyline different from what we've seen since Volume 6, I'd feel sorry for her. As it stands, it's just frustrating to watch her look like the maiden of a Victorian novel while Mantle's time ticks away.

The conversation between her and Yang is great though. At least, it is for the first few sentences. I love that the show remembered they're sisters and have them talking again. I love that Yang tries to cheer Ruby up by saying she outshines her big sis in regards to the Hound. I love that she nevertheless acknowledges that the Schnees were a part of that defeat, giving them their due rather than putting all the praise on Ruby. We establish that Yang has learned what the Hound really was. This conversation is going strong...

...but then.

"That's what happened to mom."

Really? Really? In eight episodes we went from, "Lol just because the Hound spoke doesn't mean Summer was secretly made into a grimm. That’s a crazy theory" to "Summer was absolutely turned into a grimm. That's canon now!" Except because it was made canon by Ruby just announcing it one day, we can expect for an even bigger "twist" in the future: Summer is still alive. Why wouldn't she be? The Hound was untouchable outside of silver eyes, so we have little reason to think anyone has defeated her in the last 14 odd years.

I'll admit the timeline works out better than expected (I think) with Salem killing SEWs during Maria's time before switching to experimentation, but there's no emotional weight to this. I just don't care and frankly I don't think the fandom cares either. Oh, there's plenty of excitement over the reveal, but that's all for the version of Summer Rose people have built up in their minds for the last eight years, not anything that exists in the show. If you strip away all the headcanons and fics, Summer isn't interesting because she barely exists. We know nothing about her as a person and therefore we have no reason to care that she's likely another Hound. Worse — because maybe this could be smoothed over if we just care since Ruby cares — everything else surrounding this reveal was badly done. Summer, as said, has been a non-character for this whole series. Yang only just remembered two episodes ago that Summer is her mom too. The only evidence of experimentation we've seen is on other grimm, not people. There was more mystery surrounding why Tyrian was interested in Jaune, not why he'd kidnap Ruby (Big Bads always want to kidnap heroes). We have no idea who this silver eyed faunus was. We have no idea why Salem would randomly start experimenting when she doesn't need additional weapons. We don't know why she would keep these weapons to the sidelines when she’s apparently had them for over a decade. I don't even buy that Ruby, someone who we never see thinking about or questioning any of this, suddenly put all these pieces together to hit on the revelation.

None of this adds up because it wasn't planned. Summer was dead, added to the series purely because having a dead mom is interesting, and she was treated as dead for seven years. Not just by the characters, by the show. Then, suddenly, the narrative raced to remind everyone that she's supposedly a Very Important Character so we could get this twist. It’s awful. Not because the idea itself is horrible, but because it was shoved into a story that wasn't prepared for it and certainly doesn't need it. The group has Salem herself attacking the kingdom, Ironwood threatening destruction, three Relics still to discover, not to mention all the other personal conflicts going on — Emerald walking around the mansion, Ozpin is back, Penny is being controlled, Oscar has finite magic now, Nora is still recovering — but we're going to introduce another subplot to deal with? RWBY acts like it's terrified that if it doesn't add something new and flashy every third episode, its viewers will jump ship. Despite its hiccups, there's a reason why the arcs of Volume 4 worked well overall: characters were given the time to explore specific problems, like Yang's PTSD and the destruction of Ren's village. Now, in episode 11 of 14, RWBY reveals that two of the characters' mom was turned into a literal monster, but there's only time for a tiny bit of comfort because Penny is escaping and they have less than an hour now to save Mantle. There is way too much going on and we're not devoting enough time to any of it.

Hell, even the conversation can't afford to stay on the Summer reveal for more than a few sentences. Ruby segues back to her self-chastisement, saying that she wasted time on Amity. She did, but not because people didn't come. She never should have made that terrifying, nonsensical announcement to begin with. But just like Ruby never thought through the pros and cons of telling the world about Salem, she apparently never thought about the logistics of getting help. She's written the world off now — so you just know help will appear in the finale — yet she never considered how long all this would take. Our timeline is (supposedly) two days, so how long would it take a kingdom to digest the information she gave them, decide on a course of action, get people and resources together, then fly all the way to Atlas? After Ruby used most of the first day just to send the message? As I and others have pointed out, the answer is “way longer than the group has.” It shouldn't be possible, yet neither Ruby nor Yang realizes basic facts like, "What's the flight time between Vacuo and Atlas?" Like Qrow blaming his semblance rather than his decision to team up with Tyrian, Ruby blames the world for abandoning them rather than her terribly thought out plan. Both have reached the right emotion — regret — but not for the right reasons.

Also, Ruby says that Amity fell. Are Pietro and Maria okay??

Yang talks about blind optimism vs. no optimism at all, something I could really get behind if the group hadn't been governed by blind optimism this whole time. Also if what the rest of what Yang said made sense. She fires back with, “And in case you didn’t notice, my plan for Mantle didn’t work either." Uh... what plan? As far as I recall there was no plan. They just went down to do any tasks that needed doing: supply runs and grimm killings. What plan is Yang talking about?

This conversation is a disaster. We circle back around to Summer with Yang saying she also took a risk (the title is very obvious this episode) but "she's still my hero." Is she? Because the only thing you've ever said about Summer is that she baked great cookies. Regardless, Yang lays her head on Ruby's shoulder and they cry some more.

Then Jaune hurries down the steps because Penny has woken up and broken through a window.

Again: how were they planning to deal with this? Did anyone discuss it? Because it looks like Klein said, "Hey, that friend of yours powered up and could have hurt us," Nora said, "Hey, Penny was fighting some sort of control," and Whitely said, "Yeah, she wanted to open the vault and then self destruct" and everyone just left her alone in some room, deciding they'd worry about that later. If Penny had just snuck out a little more quietly the group would have been screwed.

What I do like though is the teamwork to keep Penny from flying off. It feels like we get so little teamwork nowadays, which makes everyone piling on others' range weapons, or Jaune boosting Weiss' glyphs, really enjoyable. Even Emerald gets in on the action because apparently they gave her her weapons back!

We're going to talk about this nonsense in a second.

For now, Ruby implores Penny to fight it, which is exactly what I said we'd get. Penny insists Ruby kill her though, saying that if she does she'll ensure that the power passes to her. I find this to be a weird priority. Does the group really care about who gets the Maiden powers right now? The threat here is that Penny will successfully open the vault — which shouldn't even be that much of a worry. Just let Ironwood leave instead of trying to destroy Mantle! Keeping him here has made things worse! — and that Penny will self-destruct. That feels like the biggest worry: that Penny will die. So they're going to prevent her death by... killing her themselves? Priorities and motivations really feel shaky this week.

Luckily, Ruby remembers that Penny is A Real Person and tells Jaune to amplify her aura. The fact that she has a soul keeps the virus from overtaking her. Hurray!

That's like saying my sense of self will beat off rabies. Just believe that you're your own person and nothing can touch you. They go so far as to say, “That’s who you are. Our friend, not a machine” and that feels like such an erasure to me. Penny is a machine. She is! And that was great back when this was accepted as a good thing, not something to ignore. Remember this?

You think just because you've got nuts and bolts instead of squishy guts makes you any less real than me?

Here, Ruby acknowledges Penny's difference and reaffirms that she still has worth. Now, the group denies Penny's difference in order to prove that she has worth. She has worth because she's supposedly not a machine and supposedly can't be controlled like one... even though she is a machine and is being controlled. It's only Jaune's semblance that keeps her from going under again. The concept of Penny's personhood is now connected to her ability to resist a machine-based virus and she has failed to do that. This doesn't confirm Penny's humanity, it tells Penny (and us) that humanity is distinct from the machine parts of her, rather than a concept that includes it, and the moment she is too influenced by that machinery she ceases to be a person. The group isn't accepting her here, they're encouraging Penny to ignore and deny the parts that make her Penny.

If you want an example of how to do an arc like this far, far better, go watch The Next Generation with Data. He's what Penny could have been.

Regardless, the virus has been held at bay, at least so long as Jaune has aura. Which seems to be endless given that he was exhausting himself in the whale, but is now boosting Nora, Weiss, and Penny without any difficulty.

At least that's a minor concern in the grand scheme of things. What we're about to get? Not so much. Honestly, I'm 7k into this recap and I just don't have the energy that these two scenes deserve. Which scenes? The one where Emerald is welcomed into the fold with laughter and Ozpin has to grovel for forgiveness.

Emerald first. Last week I said:

“However this fight ends, we could really use someone like you, [Emerald.]” That’s it then. Discussion over. We knew as soon as it started that blindly trusting her was being presented as the “right” thing to do and now here we are, deciding that conclusively, despite Jaune and Yang’s complaints. By the time the group reaches the mansion, Oscar is defending Emerald from Ruby. We’re supposed to just accept that she’s a part of the group now, only minimal pushback allowed.

and I was right. Over the course of the last week I spoke with a number of friends, many of them working under the belief that this was just the start of an arc for Emerald. Obviously the show wouldn't instantly have the group trust her after all this. They'll need to warm up to her first. She'll need to prove herself. Well, I was far more pessimistic, arguing instead that I thought this was it. She was already being presented as a perfectly trustworthy figure. I'd briefly thought I'd been mistaken when the group turned on Emerald for her comment to Ruby, but then suddenly she's been given her weapons back. It's not even a matter of "You should be able to defend yourself, but you're still not trustworthy" (which would still have problems, but). No, she makes a comment about "switching sides" and that's it, trust achieved. That's all it took — nothing at all.

Now, some shows do function on a second chance policy. We can name hundred of stories where heroes instantly forgive antagonists and there's nothing wrong with that. The problem is that RWBY is very much not that show. In the exact same scene Ozpin apologizes to the group and begs that they try to trust him again:

“I’ve failed all of you. I should have trusted you with the truth and I should never have run the day you discovered it."

This is complete and utter bullshit. Sorry, I'm not mincing words for this one. Two years we waiting for the group to come around, hoping that there would be apologies on both sides, but there wasn't. The group doesn't physically or verbally hurt Ozpin anymore — they do accept his request — but it's done with expressions that say this is what they are owed. You’d better apologize.

I could rehash all the arguments I've already made about how atrociously they treated him, how Ozpin had no reason to trust a bunch of teenagers, how important it was that both sides admit their mistakes, but if you're reading this recap you're likely already familiar with all that. Rather, what I want to emphasize here is that our opinions on Ozpin don't even matter here. Even those who take his apology at face value — fully believing he did fail them, he should have told them everything from the start, and that him leaving was "running away" rather than being driven off — even if we accept for just a moment that Ozpin is as guilty as the show says and heinous as the fandom claims... surely he's not as bad as Emerald? In roughly chronological order she has:

Tried to ally herself with Adam along with Cinder and Mercury

Helped to attack Amber, resulting in injuries that would have killed her if Cinder hadn't gotten to her first

Helped kill Tukson

Pretended to be a transfer student and Ruby's friend for the rest of the semester (that’s a lie that would breed mistrust)

Tricked the world into thinking that Yang had attacked Mercury unprovoked

Uses her semblance on Pyrrha, causing her to unintentionally kill Penny

All of this was in service of the Fall of Beacon, an event that destroyed a school, killed an unknown number of students, killed Pyrrha, and lost Yang her arm

Participated in the attack on Haven which, beyond the intent to further Salem's goals, nearly got Weiss killed

Came to Atlas to assist in the next attack

Went after Penny, Pietro, and Maria — two of whom might still be in trouble depending on if Amity literally fell out of the sky

Listened to Oscar being tortured, hemming and hawing for a while before realizing that, if the whole world is in danger, she's in danger too

Finally jumped ship

Emerald is one of the bad guys. All the sad looks over the years doesn't change that. Yet somehow an antagonist we've had since Volume 1 is considered more trustworthy than Ozpin, a man who hasn't intentionally helped kill their friends and who has been helping and apologizing for months now.

Yang "Aww"s when Emerald speaks. Just sit with that for a second. The woman who went through all of that horror because of Emerald, who just last episode was correctly saying they can't expect her to forget all that, is going "Aww" after... Emerald helped hold Penny for two seconds? This is ridiculous. These are the faces of the group when talking about Emerald's trust

whereas these are their expressions when talking about Ozpin's

It’s not a matter of who deserves trust or not, here it’s purely a matter of comparison. Emerald should not be more quickly forgiven than Ozpin.

Now toss in the story Ozpin tells. Unsurprisingly, it's another fairy tale — we've gotten a little heavy-handed lately — about a young girl who flees the consequences of a choice and, having never learned from her initial failure, spreads even more trouble. That's Ruby. That is Ruby to a T in this episode and the last three volumes. She is literally a young girl who has caused staggering consequences, literally ran away from the conversation about those consequences, and is now poised to continue making those mistakes because everyone keeps reinforcing her flaws. That's Ruby, yet somehow the show thinks it's Ozpin. He positions himself as the young girl here, as if he didn't face his consequences generations ago when he left the cabin, didn't learn from his mistakes by keeping Salem's secret, and hadn't been driven away by the very people he's asking for a second chance. This scene has everything backwards and while normally I'd grab hold of the possibility that maybe things will right themselves later on... we're done. This is the ending of that arc. After two years of saying, "Maybe, maybe, maybe," Ozpin has been taken back into the fold after begging his way back in. There's no more time to correct things. RWBY missed its chance. Weiss says that "Trust is a risk" and that's how Ozpin is forgiven. They have taken the risk of trusting him again after months of reflection, life-saving actions, and apologies. Emerald is granted the risk of trust in under an hour. I’ve heard so many people say they’re dropping RWBY this volume and scenes like this are precisely why.

Ugh. Heavy stuff, folks! I feel like I need to lighten the mood. Here, let's take a moment to acknowledge that the Schnees and Klein only marginally know what's happening.

Someone help them.

That is, to all intents and purposes, the end of our episode. Ruby has some sort of epiphany about actually handing Penny over — "That's actually a risk we haven't considered" — and Ironwood will no doubt fall for whatever plan they've concocted because he's stupid now. He receives a call from Ruby saying they agree to his terms, Watts is attempting to get communication of his own up and running, and Neo arrives to do... whatever she intends to do. Idk, I have assumed she wanted Ruby, but Cinder obviously doesn't have her yet for a trade off. Regardless, Neo is ready for a fight while Cinder just smiles. Team up 2.0?

As for bingo, I'm using my free space for "Worst redemption arc I've ever seen," with an honorary nod to Hazel too, and Ozpin's square gets blacked out in exes because that was just #bad.

This bingo board is a mess. Appropriate lol

Three more weeks, everyone. Hang in there! 💜

#rwby #rwby spoilers #rwby volume 8 #rwby risk #mymetas #rwby recaps

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florrickandassociates · 3 years

Text

TGF Thoughts: 5x06- And the two partners had a fight...

I’ve been waiting for this episode for nearly a decade, and I didn’t even realize it. More under the cut.

(This is very long! Please fight me on stuff and disagree because I just wrote all these words about this episode and I STILL want to talk about it more, it was that interesting!)

This is the second episode in a row to start off with a TikTok video. 5x02 and 5x03 both ended with elevators. Is there some sort of pattern they’re going for here?

This case—which is, it’s important to note, in Wackner’s court—is about TikTok content creators and copyright laws. Probably not enough material for a full case, but definitely an interesting theme to explore.

Marissa doesn’t have her laptop volume off (which I suppose makes sense; she was just playing the TikTok videos) and a notification sounds. She shuts the laptop.

Wackner rules that the profits made from the TikTok dance must be split evenly between the guy who stole the dance for his video game and the creator. The thief does not like this, removes his moose costume (oh, yeah, did I mention they’re in costumes again?), and starts shouting that he’s going to sue and then moons the whole court. Okay!

He follows through on his threat, and next thing we know, Liz, Cord, Wackner, and Marissa are meeting to discuss strategy.

Liz’s computer makes the same noise Marissa’s did; she punches some keys.

Liz points out that Wackner’s biggest problem is that real judges are not going to like Wackner playacting as a judge. “I’m not playing a judge. I am a judge,” Wackner says. Liz notes that Wackner’s court lacks any way of forcing people to comply with his rulings, but real court can shut him down.

I guess whatever keys Liz punched did not silence the annoying notification sound.

She asks Wackner to try not to become the focus of the court case, since that’s how they’ll lose. “This is why I started a court,” Wackner says after Liz instructs him to only answer yes or no and to wear a suit.

Liz asks Marissa to keep Wackner in line. She says she’ll try.

Now we are at the Black Lawyers Association, where there’s a panel with leaders from Chicago’s four top black law firms. For reasons passing understanding, DIANE is on this panel. This makes absolutely no sense (I mean, unless only white people were involved in this decision, and even then!) and I’ll only excuse it because they mention later that it makes no sense for Diane to have been on this panel.

I wonder why everyone else’s firm gets named but not Diane’s.

Diane also gets the first question, which is, pointedly, about opportunities for black lawyers. Her phone starts making the annoying notification sound. Ever heard of silent mode??

The annoying sound happens every five seconds at the RL offices. According to David Lee, it happens twenty times an hour, but it seems like more than that! He, for some reason, goes to Carmen to ask how to stop the sound. He also wants to know what it is. Carmen explains that it is “Dawnk” which is a new messaging system within the company.

On Dawnk, you can talk about anything you want and be anonymous. Who approved this?! In one frame, I can see there’s someone complaining about someone being promoted too fast because of “the future is female bs.” In another, someone is upset that they are anonymous and wants to use their real name (only Jay, who is otherwise absent from this episode, seems to have figured out how to turn this anon mode off).

Sorry, before I can get on board with this plot, I just need to note for the record how phenomenally stupid the idea of using anonymous messaging software within a company is. This was obviously not going to end well! It’s like workplace YikYak... (remember YikYak?!)

David Lee hates the idea of a messaging software; Carmen says the associates prefer this.

Jay is being very nice in the chat and defends the person who was promoted “too fast”.

“Who’s ‘Anonymous Crab’?” David Lee asks. Well, I think the fact they are “anonymous” should be a bit of a hint there, David.

Anonymous Crab asks, “How the hell did this happen??! How did Diane end up at a Black Conference speaking for our firm?” Good question, Anonymous Crab.

Anon Crab also shares a video and David Lee doesn’t understand how to press play. Carmen plays it for him. Diane looks really awful on the panel. No shit! David Lee seems to enjoy Diane looking bad, even though he should be able to connect the dots between Diane looking bad and potential for bad things to come for the firm...

Not only does Diane get quizzed about why she’s running a firm that is still insisting on calling itself a black firm, she also gets questions about her insurrectionist husband. “He was completely cleared of those charges,” Diane notes. Oh, hey!!!!! Remember how last week I said I’d be more surprised if that was the end of the FBI nonsense than if it continued? I am surprised!! And relieved. Mostly relieved. Dealing with the consequences of that high profile, relationship-straining ordeal is so much more interesting to me than any FBI machinations.

Next Diane is asked if Kurt just took a job to revitalize the NRA. She hasn’t heard of this yet. I’m glad she’s getting grilled on this stuff... it is about time.

There’s a hint that Carmen will be representing Mr. Rapey next week. I assume that’s why there’s a line where David checks in with Carmen on Mr. Rapey’s case?

Anon Platypus says, “I heard she didn’t even have seniority. She just jumped past other black partners to become our name partner. It’s crazy!!!” Anon Platypus is correct—technically. Diane was a name partner at one of Chicago’s top firms before joining RL, so while she skipped the line... that doesn’t seem to me like the PRIMARY issue in bringing her on. The primary issue is that bringing on someone that senior from outside the company is more similar to a merger than a promotion, and Diane’s partnership meant changes for the firm.

Other anonymous animals also don’t like Diane. One calls her clueless; another says that “Liz needs to do something about this.” Someone responds to that, “Liz will never do it on her own,” which is an interesting sentiment I want to come back to in a little bit.

“What is Black Twitter?” David Lee asks Liz out of the blue. “People on Twitter who are black and talk to each other,” Liz responds. David Lee asks how he can find it. “I could tell you, but then I’d have to kill you,” Liz jokes. And to think Jay said Liz wasn’t funny!

The Dawnk conversation shifts and now everyone’s ragging on Julius for representing Kurt and just generally being a Trump voter. There’s a lot of heated and racial language I’m not going to type here, enough to make Julius spit out his coffee and storm down to the associate floor.

He goes to Devin, who I’m not sure if we’ve seen before but is high ranking enough to have Lucca’s old office, to get information on the anonymous posts.

Anonymous Bison says, “Unpopular opinion: I blame Adrian.” Hey, Anon Bison, let’s be friends! I am with you. Adrian is the one who brought Diane on, who encouraged them to lean into Julius’s Trump connections, and who pushed the firm to pursue profit over everything else. Diane and Julius aren’t blameless (though I don’t actually think defending Kurt is a bad thing) but if there’s someone who actively strategized to make RL what it is today? Adrian all the way.

In what world does noting that Julius is pissed in an anonymous message do ANYTHING to stop people who are pissed at him? If they were that concerned about him being pissed they wouldn’t have said anything in the first place.

Liz and opposing counsel talk over each other in court until the judge makes them stop. I think we’ve seen both the judge and opposing counsel this season, making me wonder if there’s a bit of a COVID bubble situation going on here with the guest stars.

Judge Farley jokes about “contempt cards” that go up in value and Wackner, of course, is all, “Wow, I really love that.”

Liz, whose entire strategy was to not let on that anyone calls Wackner a judge, refers to Wackner as “Judge Wackner.” Come on, Liz! (I buy that she’d slip up—there's no one in the world I wouldn’t believe slipping up—but ugh!)

How did the opposition not realize that they could make this about Wackner’s “crazy court” by referring to him as Judge Wackner? You’d think they’d be all over that.

Judge Farley looks SO unhappy that Wackner would refer to himself as a judge; it’s phenomenal.

Now Marissa stumbles over stuff because she’s, for some reason, speaking in court. I bought Liz’s dumb moment more.

The plaintiff’s strategy is to make it look like Wackner is of unsound mind, and they’ve got video evidence. Remember how Del, Cord, and Wackner all chatted in the RL elevator? Well, turns out that lead to a reality show about Wackner for Del’s streaming service. Sounds about right.

I don’t really think Wackner cares about attention or anyone else’s motivations... I think he just likes the idea of budget and an audience and a platform.

Liz meets Del for a romantic dinner and asks him when he was going to tell her about Wackner’s show. Del doesn’t understand why she’s upset. He doesn’t get why he would’ve needed her permission to go into business with Wackner. (I don’t think he’s wrong from a business POV, but from a relationship POV, he totally should’ve let her know!)

Liz says he should’ve asked because they’re using it against her in court. “That is unfortunate, baby, but this streaming show could be really good for Wackner. It’ll draw attention to his court. And... as I say that...that sounds... okay, look I’m sorry,” Del realizes. I like that he sees that Liz has a point. He goes on to note that he would be totally open to Liz trying to go into business with any of his acquaintances, and I think he genuinely means it.

Del notes that this is what “power couples” do. Oh? So they’re an official couple? Don’t power couples also associate in public and not hide their relationship from their colleagues?

This is the place where I note, yet again, that it is always going to be more interesting to see a relationship that feels realistic than to see a relationship that feels like it takes place in a vacuum.

Liz doesn’t want Wackner becoming popular. Del argues someone else would’ve made the show if he didn’t, and that “disrupters gotta disrupt.” Oh God.

Are we going to remember that Liz has a child at any point this season?

Diane is reading the Dawnk discussion at home. It’s still lively even after work hours. The associates appear to be discussing the vaccine before someone changes the topic to “the Diane situation.”

One associate notes that the partners probably aren’t happy about Diane either and just have to vote her out. Kurt arrives home as Diane reads this, reacts to the loud music Diane has playing, the open alcohol, and her general demeanor and asks if they’re getting drunk. “Are we getting a job with the NRA?” she counters.

Turns out it’s not entirely untrue about Kurt and the NRA. They want him for a new role. It would pay $167,000. I can’t decide if I think that’s a lot (objectively that’s a high salary) or not very much at all (isn’t Kurt the top of his field?)

Kurt notes he doesn’t have a job so he’s considering it. “Diane, our politics are very different,” he starts. “I know,” Diane says. “I’m, lately, struck by just how different they are.”

“I would just like one week when I don’t have to defend you,” Diane says in frustration. Kurt doesn’t even know what that means at the current moment.

“You’ll tell me when they offer you the job?” Diane asks. “They may not offer it,” Kurt says. “No, they will,” Diane says, because she knows that it’s basically a done deal already.

In the middle of the night, Diane turns to Kurt and tries to ask him a question. That wakes him up. She asks who he voted for in 2020 and he doesn’t answer. Uh oh.

Dreaming now, Diane sits up and asks, “Hello? What do I do?” More on that later...

The HR nightmare known as Dawnk is still going wild the next day at the office. (Seriously, with HR that strict, the anon feature would’ve been disabled the second the first semi-controversial comment was posted.) Everyone’s obsessed.

The partners, minus Diane, all gather in Liz’s office to discuss Dawnk (and the topics of conversation on Dawnk). Madeline says they should ignore it. I say they should make STR Laurie shut it down and be the bad guy. It is nonsensical that this workplace would continue to allow Dawnk to continue! In addition to being an HR nightmare, it’s also a drain on productivity if everyone’s constantly glued to it, and I imagine STR Laurie cares about profit more than anything else.

But like I really don’t get why Madeline says they can’t censor their associates. Of course they can shut down the app if they want to! Someone put the app there in the first place, no? I do understand not wanting to look like you’re violating free speech (even though taking away anonymous commenting in the workplace would not be a violation of free speech) but I highly doubt it would be only the partners complaining. Tina, whose promotion was called into question, would be complaining too. Anyone trying to get work done, or anyone who didn’t like the toxic culture, or anyone who was uncomfortable with a joke made, would be complaining. There are more than enough reasons it would be perfectly acceptable to take the anon commenting away.

Now the partners are fighting about Kurt’s case too. “Diane is not responsible for her husband,” Liz says when Madeline says that Diane should’ve known better than to get involved. Um, Liz, Madeline is right. Diane isn’t responsible for Kurt’s actions but she’s sure as hell responsible for volunteering to represent him.

“In the real world of this firm, Diane’s billable hours speak for themselves,” Liz notes when a partner tries to call Diane’s unsavory associations into question.

“The rest of us put in the hours too, for the record,” notes another partner. I’m sure... but do you put in DIANE’S hours and have DIANE’S client list? My guess is no. If Diane weren’t the biggest earner at the firm we wouldn’t be having this debate. She’d just be gone. She’d never have been at the firm to begin with.

“Liz, when I joined this firm, it was because of your father’s legacy. It was about Black civil rights, activism, justice. That’s what people talked about in meetings. Now, people talk about billable hours, million-dollar clients, corporate payouts. Now, I know it’s not your fault. That was Boseman’s vision and we were trying to survive the Trump years by bringing in white lawyers, but those days are gone. They’re done with. And I miss being a strong black firm,” Madeline says. Everyone but Liz (and probably Julius) seems to agree with that.

This is one of many interesting facets of this issue. When Madeline argues against Diane, she’s not just arguing that she wants a black person running the firm for optics. She’s not saying that Diane-but-black would be an acceptable choice. She is saying she wants RL to be the firm it was at the very very start of the show—a firm committed to social justice, not maximizing revenue. A firm that didn’t just accept every client that came their way because they love profit. A firm that stood for something. So my question is: Does Liz want that firm?

Liz is hard to read throughout this whole plot, and I think that may be intentional. Liz isn’t a manager by training—she was an AUSA who suddenly became a name partner at a firm (if you want to talk about seniority and skipping the line, Liz is a way better example than Diane—you can even through some nepotism, twice over, in there). She doesn’t seem to have a clear goal for her firm other than maintaining the status quo and keeping power. Liz not taking a stronger stance from the start (either accepting that they are no longer going to be a social justice-oriented firm or pushing to get them back to that place) allows these kinds of questions to fester. It’s my hope that this becomes text instead of subtext pretty soon, ‘cause this is the kind of thing that if it’s subtext for too long will start to feel like bad writing/Liz being conveniently clueless. It’s way more interesting if Liz is just not yet good at being a manager... because she is learning on the job.

Anyway. I think the ideal solution here is probably that Diane and Liz continue to run RL: A STR Laurie Company (the fact they’re owned by corporate overlords kind of makes any decision about RL’s mission moot) since Diane wants to do that and Liz seems to be content where she is. Madeline and the other partners, instead of trying to force STRL to let them pursue the cases they want, can accept pay cuts and go start their own firm. Maybe they can even team up with Barbara Kolstad!

None of that’s to say that the dilemma here is easily solvable, nor is it to say that Diane shouldn’t consider stepping down. I’ll say more on that later. My point here is just that this issue is much deeper than just if Diane is on the letterhead or not. As long as they’re owned by STR Laurie and have clients like Rivi, Diane stepping aside would just be a band-aid.

(And that, I think, is intentional... they’ve been building the “why are we even representing x?” tension pretty consistently this season, so I imagine it’s on the writers’ minds.)

Diane stumbles across the secret partner’s meeting and knows something’s up.

“You gotta handle this, Liz. You cannot have a white partner leading a black firm. We’ll lose clients with that kind of hypocrisy” Madeline insists after Diane heads back to her office. I’ve already said it, but just to say it in a less rambly way: Madeline is right, but she’s right IF AND ONLY IF the goal is to be a black firm. So, Liz, is it?

(They’ll lose clients, sure, but which ones? They’ll lose the clients Madeline wants while Diane continues to keep bringing in business and Rivi and Cord and Wolfe-Colman and their elk* stay put.)

*I know this is not the correct word; see 6x17 of TGW

David Lee has also noticed the meeting in Liz’s office and thinks this may be the “beginning of the end.” Diane glares at him and he says he was just joking.

Diane schedules a meeting with Liz. Liz’s assistant doesn’t know Diane by voice, adding to her frustration.

Credits! We are 22 minutes in! This might be a record if 5x01 hadn’t saved the credits til the very end!

I’ve already written more than I did last week by a couple hundred words.

Two interesting things about the credits. First, this episode was written by Aurin Squire. Forgive me if I’ve mentioned this in a prior recap (I know I thought about it but can’t remember if I deleted), but I think Aurin Squire and Davita Scarlett are key to why TGF and Evil are both always so good. They’re the two writers other than the Kings who are in both the TGF and Evil rooms, and they both REALLY seem to be on the same wavelength as the Kings. I imagine that having four people who are in both rooms helps with managing both at basically the same time.

(This isn’t where I wanted to go with this bullet point, but I may as well shout out how great Evil is this season, too! It also just aired an episode by Aurin Squire about the lead white female character realizing her privilege!)

Second, this episode was directed by Brooke Kennedy. I didn’t know that going in, but seconds before the director credit popped up, I was thinking to myself, “this episode feels like it’s going to be a very important one. I bet Brooke directed it.” I was very pleased to see her name appear.

(For anyone who doesn’t know, Brooke is an EP who’s been involved in nearly every episode of both Wife and Fight and she tends to direct important episodes that require a lot of familiarity with the characters. She directed 5x15 of The Good Wife and she’s done a bunch of the premieres and finales that Robert King hasn’t claimed for himself.)

Diane and Liz meet in a bar to catch up. Diane’s still staring at Dawnk. Liz takes her phone and silences the notifications. “Who thought that sound was pleasing?” Diane complains. “All day in court today,” Liz commiserates. Carmen had to teach her how to silence the notifications. Liz, you’re using an iPhone, there is a very easy to use switch that silences your phone, like you would need to for court. I know you know this.

(I think Diane, despite her complaining about the sound, is captivated by Dawnk.)

Liz orders soda water instead of a drink. I assume that’s intentional, perhaps because she knows this isn’t going to be an easy conversation or a long night of drinking? She has wine in an earlier scene.

I love that Liz and Diane chat about Dawnk even though there’s no real plot reason for them to spend this much time discussing it. Little moments like this make me believe Liz and Diane are actually colleagues who get along well and make management decisions together.

Diane asks if Liz thinks Dawnk actually increases productivity. Liz laughs—she does not. But she knows the associates would “riot” if they got rid of it. She’s right. I still think they can get rid of it without too much blowback. But at least they’re acknowledging this.

“What do the partners think?” Diane asks, very intentionally shifting the subject. You can hear it in Christine’s voice and see it in her body language—Diane is looking for an opportunity to talk about what she wants to talk about.

“God, Madeline can’t even open it. She’s lost her password three times. She finally just gave up,” Liz says. This is concerning! Madeline should know how to open an app! Probably not unrealistic, though. When you’re that senior, you probably don’t need to know how to use a messaging app. And messaging apps can be confusing sometimes. Like, I still don’t understand how to use Discord.

The captions have a line I can’t hear in this scene—Liz (I presume?) saying “You know, ‘cause it’s Madeline.” This makes it sound like Madeline is a little less than competent, no?

“Thanks for sitting down with me, Liz,” Diane says in a quite serious tone. “Of course. So, you’re wondering about the meeting today?” Liz immediately understands. “I am.” “Yeah. Uh, it was about Julius. He’s being harassed on Dawnk,” Liz explains.

“Okay, and I couldn’t be a part of that?” Diane wants to know. “He’s being harassed because he’s defending your husband,” Liz explains. Diane doesn’t seem surprised (perhaps because she, too, would have read these messages?). “Well, that’s unfortunate. We’ve represented people far worse than Kurt, who, by the way, was found innocent,” Diane argues like they’re having a very different conversation. It’s one thing to represent rapists and murderers and drug lords—and I’d argue that the same people pissed about Kurt are also pissed about them!-- and another for your leadership to be married to/close friends with someone who you believe participated in the events of 1/6.

“I’m not saying it wasn’t. But, January 6th. I mean, we watched the Confederate flag make its way into the Capitol building. You know, those people that Kurt didn’t want to turn over to the FBI, those people. They don’t even want us alive,” Liz says better than I ever could. I think it’s important that Liz mentions a POV that likely wouldn’t have ever crossed Diane’s mind here. This is a small glimpse of why it could be so important to have black leadership at a black firm. Would Diane be thinking about the implications of having the Confederate flag in the Capitol? Probably not in the same way that Liz instantly does.

“Well, not all of them,” Diane Lockhart, who is suddenly an idiot, says. Liz looks at her drink and grimaces, and Diane realizes she’s said something wrong. “I’m sorry, I didn’t mean that. I’m certainly not defending those people. They’re all despicable traitors.”

“And now, that’s what people are saying about Julius,” Liz explains. “And me?” Diane asks, though she already knows the answer. Liz doesn’t want to answer that. Before she can say anything, Diane asks if she’s being pushed out.

“No. Not pushed out. You’re a name partner. You can’t be pushed out,” Liz clarifies. Diane knows there’s a but. “The partners just think you should do the right thing,” Liz adds.

“And step aside?” Diane asks. “No. Stay in the firm. Stay as an equity partner, just step back from your managerial role,” Liz says. Diane pauses. “Liz, I... I pull in the big clients. I... I get the billable hours. But still, ‘maybe you should step aside.’ Weren’t we going to form a firm led by women?” Diane argues. Oh, wow, I have so much to say.

First, I completely understand why Diane doesn’t want to give up her title or her power. She's Diane Lockhart! She’s been one of the best in her field for decades. She’s not wrong about the clients and billable hours. It’s just that every time Diane decides to be at this firm, making arguments about how she should retain her role in power, she’s saying that she values her own career/appearance more than the values she claims to care about. And every time she refuses to take a back seat or threatens to walk rather than sacrifice, she’s saying she’ll only through her weight behind her colleagues and their mission if she gets credit for it. To be clear, I don’t think it would be the shittiest decision in the world if Diane decided to walk, to take her clients to a new firm and to let RL become the firm Madeline and the rest envision. It’s asking a lot of her to give up that power and prestige. The interesting part of this dilemma is, to me, that Diane claims to value working for RL and to be active in the fight against racism... but the second she’s forced to choose between that fight and her own power, we all know what Diane is going to choose. There was never really any doubt. Diane doesn’t have to be on the forefront of this fight if she doesn’t want to... but she can’t claim to be invested in the fight if she isn’t willing to sacrifice, at all.

Second, LMAO at this firm led by women idea. Every time Diane talks about her firm led by women idea it sounds sillier! Not because a firm led by women is silly, but because Diane has a habit of saying this like it is a shared goal and each time she references it, it sounds less and less intersectional. For example, when she says it here, she’s essentially saying a firm led by women only has meaning if one of those women is a white woman (specifically a white woman named Diane Lockhart). Who’s to say that Madeline wouldn’t be made partner in Diane’s absence? Or Barbara (haha) or someone else we haven’t met? There is a very real possibility that Liz and another woman could run the firm and Diane would still be unhappy about it. Diane doesn’t ask Liz for a commitment that if she does step aside, her replacement would be female (idk if it’s legal to make this commitment but you get my point). Diane acts like asking her to step aside is already a betrayal of the female led firm.

“And I hope that it will be,” Liz says, basically hinting to Diane that there are women in the world besides her.

“But black women?” Diane says, agitatedly. “Diane, I... am not voting against you. I promised you that I wouldn’t. But there is growing anger here. They want to address it at the next partners' meeting. So just think about it,” Liz responds.

I think Liz is totally fair and forthcoming in this scene and strikes pretty much the right tone for this initial conversation. She gives Diane a choice and is honest with her.

“You’re a good person,” Liz adds. Diane does a double-take, understanding that Liz is actually telling her “You are a good person, so you know that you absolutely need to step aside.”

“No, I’m not!” Diane responds. As I said: Diane already knows what she is going to do. She needs to do mental gymnastics to excuse her actions, but her mind was made up before the question was even raised. (She did warn Liz in 5x01 she was going to fight any attempt to push her out.)

“Yes, you are,” Liz says again. She may as well be saying, “No, don’t try this. Everyone will think you’re in the wrong if you push this.”

Later, at home, Diane is doing some stretches on the floor and groaning. I don’t know if this scene is meant to show her age, but it does remind me that Diane is nearly 70 and started off this show by planning to retire. Retirement doesn’t seem to be an option for her here. (That’s fine by me; she is a workaholic whose career is her life.)

Kurt asks Diane what she wants to do. She says she wants to keep her name on the letterhead and “keep what I fought for.” Heh, I was just re-reading something I wrote about Cary a while ago and I’d pointed out that when Alicia and Cary discuss merging with what’s left of LG, Cary is also concerned about his name on the letterhead because even though he wants to change the world, he also cares about having power. It’s almost like Diane and Cary are really similar characters! (They are! That’s why the Diane/Cary moment in Hitting the Fan is so good!)

Diane calls her position as name partner a fight against “gender and then age discrimination.” She isn’t wrong, especially when you consider how meaningful it likely was when she and Stern went into business together. It’s very easy for me to forget that when Diane has such an attachment to fighting for white women’s rights, it’s not just because she’s out of touch and selfish: it’s because that was something she personally had to fight for. That doesn’t make it okay that she seems to forget the concept of intersectionality (which she’s definitely aware of) the second anything challenges her own power, but it does explain why a firm run by women is so important to her.

Diane is not wrong that she deserves name partnership and she’s not wrong to not want to step aside. Yet, starting a war to retain her position as name partner is a CHOICE. The best thing for Diane to do here (morally, I mean) would be for her to step aside and throw her resources behind the firm’s new leadership, using her experiences and stature to benefit the firm (this would also be a way for her to cement her legacy and mentor a new generation of leaders). The best compromise, I think, would be for someone to leave the current firm—either Diane or the dissenting partners, probably Diane since Liz seems to agree with Madeline—without any hard feelings. The worst possible choice is for Diane to insist that this firm is hers and force every single tension at the firm to come to a head, screwing over Liz in the process and potentially permanently ruining the firm’s status as a black firm. Sooo... yeah.

(I say it could ruin the firm’s status as a black firm because if Diane’s a white partner who happens to be there and the firm is mostly black, that’s one thing. If Diane is a white partner who fought all of the black partners to assert her own dominance over their firm... that’s hard to come back from. She can’t really call herself an ally, can she?)

“Diane, this is the first time I’ve ever heard you sound defeated,” Kurt says. “Because I can’t win this,” she says. She insists she can’t even after Kurt tries to cheer her on (of course he does, he probably thinks having an all black firm is just identity politics and therefore worthless).

“You just don’t want to,” Kurt says. He is not wrong. This is a winnable fight for Diane. Liz is smart but Diane has the experience, the clients, the power, and her own reputation to use in this fight. Liz has her dad’s name (and I don’t think it would come to this, but Diane knows how she can pretty easily destroy Liz’s dad’s reputation). (Liz is great, don’t get me wrong. Liz is also someone who happened into a name partnership because her dad was important.)

“It’s bigger than that. To fight this would go against every fiber of my being,” Diane says. “Every fiber in your being is about winning,” Kurt counters. Oh, damn. That’s a succinct way of putting it. He is completely right. Diane would love to think that every fiber of her being is about her commitment to social justice and women’s rights. It is not. If that were the case, would she really be a lawyer with clients like ChumHum, Bishop, Sweeney, Rivi, and Wolfe-Colman? We all know the answer to this. We all know Diane likes social justice a lot but winning, wealth, and power far more.

When I first watched TGW, now nearly a decade ago, I was a high schooler and my media diet mostly consisted of Desperate Housewives and a bunch of procedurals like Bones and Castle. The thing that hooked me about TGW—more than Alicia’s journey, more than anything—was that TGW never had easy answers to anything. Will tells Diane in 1x07 that “nothing here is pure and nothing here is simple” and that basically blew my mind. TGW always made it obvious that Will was morally gray, which fascinated me. But I struggled with Diane. Here was this woman who looked like she should be someone so impressive and inspirational I could write a college admissions essay about her (I did not, but that was my frame of reference at the time)… but the decisions she made... never seemed all that great?? I couldn’t comprehend it.

When Blue Ribbon Panel aired in March 2012, I wrote to a friend, “Diane confused me a little bit tonight. She didn’t approve of Alicia standing up to the panel, and yet, she’s supposed to care about people, the truth, morality, etc etc. I never understand Diane’s motivations– is her philosophy to help others whenever it wouldn’t hurt her, personally, to do so?”

At that point, Diane compromising her values struck me as something confusing because I wanted to think of her as a powerful role model and icon, and I didn’t know what to do with someone who looked like and often was role model material who also sometimes betrayed her values for her own self-interest. I had my analysis of Diane down: she her motivations ARE to help others whenever it wouldn’t hurt her, personally, to do so. All I needed to do was remove my question mark from the end of that thought.

I promise I’ll move on from quoting myself, but I also want to share a paragraph I wrote about Diane in March 2014 (during season five of Wife) because it says what I want to say now as well as anything I could write today:

Diane is driven and ambitious. Her initial actions can come as the result of intense emotions, but given enough time and space, Diane will always be strategic and pragmatic when it comes to business. She’s spent her entire life putting her career first, and she wouldn’t have it any other way. That she found love is just icing. Kurt aside, the two most important things to Diane are advancing her own self-interest and doing good in the world. These objectives appear to be a contradiction, and often, they are. Nine times out of ten, when it comes down to it, she’ll choose herself. I mean no judgment here: another central aspect of Diane’s character is that she’s upfront about her choices and stands by them, and this sort of moral ambiguity makes for a great character.

The reason I quote myself here is not to be like, ha ha, I was right. It's because I think this episode is even more powerful because I can copy/paste in stuff I wrote nine years ago or seven years ago (oh god, 2014 was seven years ago?) verbatim and it can hold up as analysis. Both Fight and Wife have always implied Diane’s selfish side and given more than enough evidence to make a convincing argument about it, but they’ve never really engaged with it directly (and if you ask the social media teams for either show, Diane is a #queen who can never do wrong). This episode interrogates something that’s always been an unpleasant part of Diane’s character, and I’m so fucking glad about it.

(I don’t think anyone’s accusing Diane of not growing as a person but it crossed my mind that this could be seen as lack of growth. I don’t think it is. I wouldn’t expect Diane to change. Her life and career are so set that growth on this without a LOT of struggle on her part would feel like a cop out.)

Another reason I quote myself is to highlight how friggin’ character driven this episode is. I’ve seen a lot of people saying this episode felt like old-school TGW—and it absolutely does; that’s also how I felt—and I think that’s because it’s so character focused and meaty.

But back to this scene. Kurt tells Diane that if she doesn’t try to win she should just give up entirely. Seems like bad advice.

“Kurt, I appreciate the pep talk, but I don’t think the way you think. I cannot put my interests above a whole group of people—black people—just so I can keep my position.” Sure you can, Diane. You just don’t like to believe that about yourself. You know how Diane says to Kurt earlier that she knows the NRA will offer him the job? That is how I feel about this scene. The writers go to great lengths to explain where Diane’s head is at when she decides to fight for her partnership, but they’d have needed to do ten times more to get me to believe Diane would step aside voluntarily.

Kurt basically thinks that Diane should fight because if her competition is actually talented enough to deserve name partnership, they should fight her for it. He’s missing the point here.

“But a black person’s talent has always been valued less than mine,” Diane counters. The fact she knows and understands this makes her decision even less forgivable.

Kurt knows he’s going to lose this argument and tries the same strategy he did on 5x01: telling Diane she’s right and should just give up and leave the firm. Diane doesn’t like that answer either.

Given how much I loathed Jay’s hallucinations, I was expecting that when Diane asks Kurt in the middle of the night if he believes the election was stolen and then sits down at her fireplace to have a chat with Ruth Bader Ginsburg, I’d loathe what happened next. I did not! I actually really liked it!

I think this is more effective than Jay’s hallucinations, at least for me, because it's less gimmicky. It isn’t played for humor or quirk, and it gets to the character-driven point a LOT faster. This feels more similar to Alicia imagining Gloria Steinem is telling her she’s good enough to be on the Supreme Court in 6x03 than it does to Jay’s hallucinations.

I LOVE that Diane would dream that RBG would advise her on her work dilemma. Dream!RBG tells Diane that “any law firm would be insane to let you go.” (I don’t wanna spend too much time fighting dream logic, but I feel like the operative phrase here is ‘let you go’. Are the RL partners seeing this as letting Diane go? Or are they just trying to get at a different goal and Diane is in the way, and they don’t really care if Diane has top connections or billable hours? It’s almost like the other RL partners want a firm that stands for something and all Diane has stood for thus far at the firm is profit...)

Diane pushes back on RBG and RBG shares her “real” thoughts. This is where this sequence clicks into place for me, because it’s working on a LOT of levels. Obviously, Diane is going to imagine that her hero tells her to do exactly what she wants to do (the aforementioned mental gymnastics). But without losing the level on which this is dream!RBG and filtered through Diane’s POV, the writers are also... criticizing RBG for not stepping down herself!? It’s fascinating and pointed and makes her the exact right choice to play Diane’s conscience.

Dream!RBG shares her life story and notes how she was always asked to step aside, but she didn’t and that’s how she got to be RBG. “Don’t step aside because someone wants you to. Don’t step aside for politics. Men are always asking women to step aside so a man can go first,” RBG advises Diane. Even Diane knows that this isn’t exactly equal to her current situation-- “Even though I’m being asked to step aside so that a black person can take my place?” she counters.

So RBG asks if Diane can still do something “for women” if she says. Diane says yes, and RBG says Diane should do that instead of stepping aside—she should do whatever it takes. That’s the wrong takeaway, Diane! If you want to do something for women then a) you could do something for the black women at your firm lol or b) you could politely remove yourself from the firm, encourage your most profitable clients to stay on if they are wanted by the other partners or and/or c) you could choose to bring your talent and your stature to a non-profit. But, of course, these options aren’t on the table. There’s a reason the options are leave and lose everything or stay and fight for name partnership, and it’s that Diane cares about maintaining control of what she sees as hers and winning more than she cares about anything else, including or even especially her desire to help women.

And also what women is she even helping at RL? Herself? She’s certainly not helping Wolfe-Coleman's rape victim. The closest she’s recently come to helping women is when she told off Weinstein’s lawyer and tried to start #MeToo... in a DREAM.

The score for the next sequence sounds so familiar and I can’t place it. At first, I thought it was Hitting the Fan, but I’m not sure if that’s the right reference (also, damn, the Hitting the Fan score is REALLY GOOD!). I think it might be similar to 5x14 when Alicia’s pacing back and forth in the hotel room.

Anyway, Diane starts meeting with her (white, male) clients to tell them about how she’s stepping aside. She hasn’t run this past any of the other partners, of course. She’s doing exactly what they want, in the most malicious and calculated way possible.

One of her clients is a fracking client who wants to win over democrats by being a RL client.

Diane is so sneaky here! No one said that if Diane steps aside as partner she can’t handle the day to day on her cases... yet that’s what Diane tells this client since she knows it’ll make him mad!

Diane makes a point of showing her fracking client that his new representation will be Madeline. He doesn’t know anything about Madeline, and, as Diane was likely counting on, he isn’t confident in having a black woman he’s less “comfortable” with on his cases. I don’t know if Diane was going for the racial element here, but... if you’re really concerned about continuity, you don’t have this meeting without having Madeline ready to jump in and show she’s read up on the client. I’m sure it’s possible that Diane meant nothing in giving this client only Madeline’s name, title, gender, and race to go off of, but is that likely?

She hands another (white, male) client off to Julius, whom she describes as a “very competent lawyer.” What an introduction. She says she’s not retiring and the firm “just wants to let some other people step forward into a name partner position.” Diane knows how to sell clients on changes they won’t like. She knows this isn’t how you do it.

That phrase, “comfortable with you” is doing a lot of work, no? Both clients so far have said it, and while it might not be racially coded... it’s racially coded.

“Who should we call about it?” the clients ask. Diane can barely keep herself from smiling.

They call David Lee, immediately. He takes the call in the middle of a meeting, while someone else is talking—he is David Lee, after all.

The information on the screen in David’s meeting is quite interesting. It’s about STRL’s plans for RL. Here’s how the firm is described: “RL is a high-end mid-sized Chicago law firm that can consolidate its specialized brand within the American POC community and expand its national and global brand with STR Laure.” Soooo... yeah. For the corporate overloards, RL needs it to be just black enough that it appears like a black firm, but they care more about appearances and branding than anything of substance. (Notice how it says “POC” and not black? Notice how there’s this mention of national and global presence that doesn’t seem to be on the RL partners’ mind?)

There’s an area called room for growth, listing top clients—entertainment law, fracking, the DNC, and civil cases against CPD. Interestingly, two of these are Liz’s clients (entertainment and DNC), one is Adrian’s (civil cases against CPD), and only fracking is Diane’s... so maybe I didn’t give Liz enough credit earlier.

There’s also a plan of action that includes partners working with STRL and the 15-20% layoffs we already know about. I don’t think this text is meant to include any new info, but I assume one of the writers had a hand in writing it and it’s a good way of confirming things that had been subtext.

Wackner’s reality show looks... well, like his court, because his court always looked like a reality show. Cutting together the most out-there moments (audience reaction cards, Wackner singing “Come on defense!”, Wackner renaming himself Judge Shmuley for a day) makes Wackner look pretty bad.

Hey Liz, I thought you figured out how to silence your notifications for Dawnk permanently. (It’s not all high-stakes controversy over on the “R&L General” channel—the anon animals are now discussing a broken coffee maker.) (Though even this discussion is a bit political! Anon Owl says they bet STR’s coffee machine works, and Anon Dolphin wants to know why they don’t have more coffee maters at RL.)

There’s also a dance party—which Marissa participates in—in the footage of Wackner.

Hey, wouldn’t Marissa have reported the cameras to Diane and Liz? I feel like she’d know they’d want to know.

Wackner ends up on the stand to offer context for the strange-looking clips. In a smart move, Liz offers to just let Judge Farley ask questions—she knows that’s what Farley is really after.

Unsurprisingly, Wackner’s context makes his outrageous practices seem much more reasonable. There’s a scoreboard to keep lawyers aware of where they’re standing so they can gauge instead of guess at Wackner’s thought process. Shmuley is to honor a recently deceased relative. The costumes are to prevent bias and cut down entitlement.

Plaintiff’s counsel argues that Wackner is biased and the case continues even though Wackner’s (mostly) won over Farley.

The case next turns to something about copyright law that sounds downright silly—the point is to underline that Wackner’s court makes more sense than real court on some things. It makes more common sense and it’s less racist.

Del gets called into court. It’s interesting how these scenes are blocked together rather than spread out. The same is true of Diane’s scenes—after credits, we have Diane and Liz at the bar, Diane at home, Diane talking to RBG, Diane making moves, and then David Lee becoming aware of the situation. Then we have several consecutive court scenes (all of which feel like they have natural break points) of Wackner stuff. If I had to guess, I would guess that it’s to keep the momentum going. The Diane stuff plays better when it feels like a continuous chain rather than a subplot.

(The only thing that suffers is that I have no idea why there’s a court scene about copyright law right after the plaintiff argues they have evidence about Wackner’s bias? I probably wouldn’t have even noticed if the scenes had been spread out more.)

Now Cord’s involvement with Wackner’s court becomes an issue. It’s funny they need a witness to bring up Cord when Cord is SITTING IN THE COURT ROOM.

Apparently Cord is financing a company that would compete with the plaintiff’s company and this means Wackner is biased. As the next scene will explain, Cord wasn’t even aware of his investment in the rival company, and Wackner certainly wasn’t. But, regardless, it’s going to be challenging to prove that neither Wackner nor Cord knew about the investment, and the opposition is going to go after Cord’s financial records, which no one wants. Liz suggests a continuance, which would give Wackner about a year to keep working on his court before they have to come back to this issue.

Wackner HATES the idea of delays and is all, THIS IS WHY I HAVE MY OWN COURT and again, he isn’t wrong.

David Lee needs to see Liz, now. Liz and Diane meet in David Lee’s office and stare at their phones. Diane says she has no idea what the meeting is about, even though she basically set up the meeting herself.

“What the fuck is going on?” David Lee says. Diane feigns surprise and asks for more specifics. David Lee reveals that four top clients have called with issues about their representation shifting.

Liz knows what’s going on and aggressively says, “Diane, thoughts?” “Nothing from me. I met with my clients. I just told them of a restructuring that I was being told about,” Diane says like it’s no big deal. Liz and Diane both know that Diane forced this meeting.

“Is this a power play on your part?” Liz asks Diane. “No, it’s just updating my clients,” Diane says for David Lee’s benefit or commitment to the bit or something. It is definitely a power play, and a nearly unforgivable one done to an ally.

“David, Diane was told about frustration at the partner level about a white woman being a name partner in a black firm. And apparently, this is her response,” Liz explains. “I just told our clients what was going on,” Diane defends. David Lee doesn’t really care about what happened: he cares about one thing, and that thing is money.

“Diane’s a fucking name partner until STR Laurie says she’s not. No one decides until I decide. Now stick your race war back in its bottle,” David Lee says. I mean, basically, yeah, that’s what happens when you merge with a huge firm that only cares about profit.

I like that this ends up coming back to STRL. You can’t really have a conversation about RL’s identity without also acknowledging that RL is not independently owned. Sure, STRL will care at some point if RL loses its clout with the black community—but like most companies, they care about guaranteed loss of profit and the short term more than long-term what-ifs. It may sound cynical, but if Madeline and all of the other partners quit, STRL would simply put all their effort into keeping Liz or even just the Reddick name and would then hire black lawyers who think more like Julius than Madeline to keep the reputation. STRL does not give a shit about helping anyone, and that’s what Diane counts on.

I do not believe the version of RL that Madeline wants can exist when they’re under STRL’s control. I believe the version Diane wants (not really a black firm) can, and I believe the version Liz seems to want (one that’s mostly black and occasionally social justice focused) can, but this issue won’t go away until STRL does.

Sure, Diane, keep telling yourself you’re fighting the good fight out here.

(Perhaps “The Good Fight” is a more ironic and fraught title than it originally seemed.)

“That was a mistake. I am on your side, and you don’t even realize it,” Liz tells Diane afterwards. Interesting that Liz says “I am” and not “I was.” I would love to know what Liz really thinks about this situation and hope we get more from her POV next week. I think Liz wants to run a black firm, but I also think she wants to run a successful firm and likes working with Diane. Liz is on Diane’s side about as much as she can be while still advocating for Diane to step down.

Pissing off Liz is a very interesting move for Diane here, too. Diane wants to fight the one person who is on her side for control of a firm that doesn’t want her there, and she’s convinced herself this is the smart move! Kind of wild. What does Diane think the day to day will look like? I think I said this above, but in forcing this war, Diane is all but guaranteeing that if she wins, RL will only be a black firm in that STRL will say it’s one to make more money.

Julius and Diane chat next. Julius says he wants to start his own firm—with Diane. Her only reaction is laughter, but, like, this is probably happening. I’m not sure why she laughs. It’s not quite a case of unfortunate timing (Diane could’ve done this before she blew things up, and it’s not quite too late for Diane to commit to leaving and smooth things over with Liz), so maybe it’s just a “well, this sounds familiar!” laugh.

(If you think of Previously On as 5x00 instead of 5x01, that would make this episode 5x05, which would make this a Hitting the Fan callback. I can also do mental gymnastics!)

The episode could end there, but it doesn’t. We’ve still got a Wackner plot to resolve. Cord has some people beat up the plaintiff as a way of enforcing Wackner’s verdict and getting the real court case to go away. Marissa picks up on what’s happened faster than Wackner does, unless Wackner just doesn’t care.

It’s subtle, but throughout this episode, there’s a little bit of a trend towards Marissa becoming more skeptical of Wackner. She tries to keep him under control in court, tries to reason with him about the continuance, and in this scene, she just looks entirely displeased and alarmed every time she’s on camera.

We get another scene with RBG. “It’s different for me than it was for you,” Diane says. She notes that unlike RBG, she herself is up against another “dominated culture.” This other dominated culture is “black lawyers.” (I’m sorry, I just find the way she says “black lawyers” funny, partially because she says “lawyers” instead of people and partially because Diane seems insistent on only occasionally remembering that Liz is both black and female.)

I can’t tell if this scene was originally intended to close the episode or not. The blocks of scenes, the way the episode seems like it should’ve ended with Julius’s laugh but instead has three more scenes (guy getting beat up, Wackner’s court, this one), and the fact the Kings said this episode had to be almost totally rethought because both Christine and Audra had concerns about the original script all suggest to me that maybe some of the scenes in this episode got shuffled around to keep momentum and hit the right notes at the right time.

Diane acknowledges that RBG could’ve stepped down and we wouldn’t have a conservative majority on the court now if she had. RBG insists that she wouldn’t have stepped aside even if Obama had guaranteed that her replacement would be black. She says it’s because she only knows what she can do—not what others would do. And “what you know is always better than what might happen.”

Even if this was originally supposed to happen earlier (Diane saying she doesn’t know what to do makes me feel like it way), I like that we get to see it’s still weighing on Diane after the fact.

(Also, I have seen some comments about, for lack of a better phrase, the girl power energy of these Diane and RBG scenes. No! These scenes aren’t a tribute to RBG! She’s in these scenes because she didn’t step down and can thus help Diane excuse her own actions! These scenes aren’t exactly anti-RBG, but they are certainly critical of some of her choices!)

The topic shifts to Diane and Kurt’s relationship (another reason to put this somewhere other than the main part of the episode; this would slow down the momentum of the middle part of the episode) and its similarity to RBG’s friendship with Scalia.

Tbh, I don’t think a friendship and a marriage are all that similar on this front and I’d be curious to see Diane think about RBG/Scalia in the context of her potential partnership with Julius rather than her marriage.

RBG basically tells Diane to stay with Kurt. Diane thanks her, and then, back in reality, tells Kurt to take the NRA job so he’ll be happy—and then she’ll just sue him. Okay, that feels like an episode ending, so I am REALLY curious about all the re-writing and re-structuring that happened in this episode and what did/didn’t get touched. I can’t make up my mind about what feels out of place.

So we start out with Diane feeling like it might be the right thing to explore whether or not it still makes sense for her to be with Kurt, a suspected insurrectionist and future NRA employee, and Diane feeling like she wants to help her friends and partners at her mostly black firm do good in the world. And we end with Diane doubling down on her relationship with Kurt, giving her blessing for the NRA job, and fucking over her colleagues because she wants to keep her own power. Dark! I love it.

This episode does this all without making Diane entirely unsympathetic, which is astounding. While I think Diane knowingly makes choices that further her self-interest over the values she (claims to?) hold and I am definitely NOT Team Diane on her decisions in this episode, this episode could easily have been less interesting and complex. It’s understandable that Diane would not want to step aside from a firm she’s helped build—who would? It’s understandable that Diane might not feel the passion for a black firm the way she does for a female firm. It’s understandable that Diane might not want to blow up her marriage, despite her political differences from Kurt. This episode allows Diane to be just sympathetic enough she never becomes a flat villain, but never sympathetic enough that someone could mistake this episode for one that shows Diane as a morally pure hero. Personally, I love that in a TV show. That’s the exact kind of writing that made me love Alicia Florrick enough that I still spend a considerable amount of time thinking about her character arc even though TGW ended half a decade ago. It’s what’s been missing from a lot of TGF episodes for me, and why I’ve said that TGF seems like a show more about theme than character. It’s why I’ve written—oh god, TEN THOUSAND words—about this episode.

I have no clue what’s going to happen next, but I hope it includes more character-driven drama (ideally with a lot of good material for Liz) and not a lot of firm-jumping shenanigans.

#tgf thoughts #the good fight

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softluci · 4 years

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atla hcs

i’ve been thinking about this for a minute, and i wanna do a set of headcanons for how i think the brothers (and eventually the undateables) would feel about certain avatar: the last airbender characters, or something along those lines. i actually just wanted to talk about lucifer and azula, so everything else here is a bonus. this doesn’t matter, but for what it’s worth: wherever the mc pops up, they will be gn, enjoy!

also: this kinda goes without saying, but there are most definitely spoilers in here. for which seasons? i don’t remember, i watched this show when i was nine, but proceed with caution if you have yet to watch it.

lucifer

if it’s one thing you are not gonna play with him about, it is princess azula. this man is an azula supremacist, and while he might not say those words exactly, anyone would be able to tell that’s the case if they talked to him about the show for longer than two minutes. he actually wasn’t even interested in the show until azula showed up, and he will readily admit this to anyone who inquires about it. what makes it funny is the fact that her first appearance is literally, like, ten seconds, so that means he saw her and immediately knew she was the best, which, like—real recognize real. is he projecting? am i projecting? yes, no. in that order. shut up.

he actually almost couldn’t hide how proud he was when azula almost killed aang, this man is deranged. the same way he takes her wins personally, he takes every loss of hers personally as well, so when she lost that agni kai? 🚶‍♂️

the average azula enjoyer believes azula should get a redemption arc, lucifer believes azula should simply get whatever she wants, and the difference between those two things is striking.

average azula enjoyer: i believe azula deserves to heal and redeem herself. it isn’t fair that she was left with her tyrannical, abusive father during formative years of her childhood, with no one to help her or show her what it means to be good. she cannot be blamed for the way she turned out. it especially isn’t fair that she gets no redemption for evil things she did at age fourteen, for a year, while the entire show is iroh’s redemption arc, and he was doing evil for decades—he is literally called “the dragon of the west” because of it. additionally—

lucifer morningstar, resident azula supremacist: everything azula did, she was right to do, because i would’ve done the same. there was never a point at which she was wrong, it’s just unfortunate that nobody could keep up with her, her father included. the only reason why she ended up losing, ultimately, is because this is a children’s show, and good is supposed to win out. it was plot armor. if this were realistic, she would’ve beaten everyone—at the very least, she would’ve beaten zuko in the final agni kai, it’s just that he broke the rules and brought backup. at the time of the agni kai, she was literally the strongest firebender in the show. that’s actually the only part of this lucifer is right about, but you can’t tell him that.

if you ask him what his favorite quote in the show is, he’ll immediately say, “i can see your whole history in your eyes. you were born with nothing, so you’ve had to struggle, and connive, and claw your way to power. but true power? the divine right to rule? is something you’re born with.” and he will do it so well that it’ll give you the chills.

in actuality, his favorite quote is, “i’d really rather our family physician look after little zuzu, if you don’t mind.” it’s just that it doesn’t have the same chilling effect as the first one.

does he like any other characters? does he even care about any other characters? he has a deep fondness for sokka because he reminds him of mammon. yes, and they are katara and suki, with honorable mention to avatar kyoshi.

does he hate any characters? no, but if you mention avatar kuruk or uncle iroh to him, he might get annoyed. is mildly frustrated by aang, but has the sense to cut him some slack for being twelve and the last of his kind. never speak of ozai.

mammon

toph supremacist. frequent user of the phrase, “toph is just fucking class.” knows for a fact that toph is the best and strongest bender in the entire show, and no one has ever managed to convince him otherwise. mainly because nobody really disagrees. like, have you ever even seen toph slander?

just like lucifer with azula, he wasn’t invested in the show until toph showed up, which, once again, is funny, because technically her very first appearance is only a few seconds long, so that means he saw her for a literal second and just knew. you can’t even be mad at that, real recognize real.

no one will ever see him more proud than when he’s talking about one toph beifong. he can’t get over her raw, unbridled talent, and he really never should. if you let him (so, if you’re levi), he will spend so much time analyzing her character and every single one of her strengths, from the fact that she’s the only one who knows when azula is lying, all the way down to the fact that even though she projects a tough persona, she can still be vulnerable, AND—

not only is she strong, but her personality is simply untouchable. this girl grows on literally everyone; like, even lucifer likes her, even though he’ll die before saying it out loud.

he gets so smug whenever someone asks him who his favorite is and it’s because he knows his taste is top tier, and what makes it worse is that no one can even disagree because toph is just that good.

will never admit it, but he was shaking and crying during the scene where it looked like toph and sokka were literally gonna die. was also gonna cry when toph almost drowned. basically: he is eternally grateful to suki.

his favorite line in the entire show is, “i am the greatest earthbender in the world! don’t you two dunderheads ever forget it.” it’s just fucking class.

does he like any other characters? he sees himself in sokka, he’ll tell you that much. he also knows that satan and lucifer like sokka because of him, and he found out because he heard them talking about it. to their joint dismay, they turned to see him standing behind them, grinning like an idiot, and they couldn’t even scare him into leaving them alone when he hugged both of them at the same time because, one, they didn’t really want to, and two, they couldn’t turn off their fondness for him fast enough ^_^. did they reciprocate his hug? did they stay like that for a little bit? did lucifer kiss the tops of their heads? maybe so🤨

does he hate any characters? not really, but he doesn’t particularly like azula because she scares him and makes him sad, like lucifer and doesn’t see her appeal. once tried to make a case for why she shouldn’t have a redemption arc and felt painfully human from the way he almost died. do not mention toph’s parents to him. the name ozai should also never be on your tongue.

levi

resident sokka enjoyer and suki appreciator. do not ever call sokka dumb in front of this man unless you want a proper lecture. unlike a few of his brothers, he doesn’t like sokka just because of his similarities to mammon. he also likes sokka because he relates to him on a personal level.

levi absolutely knows what it’s like to feel inadequate and outshined by people younger than you. he absolutely knows what it’s like to feel like your competence is overlooked. while he might be unfamiliar with how it feels to strategize for a war and lose a battle, but it is one of his biggest fears and it absolutely crushed him to see sokka go through that.

on a lighter note, levi has a deep appreciation for sokka’s comedic value, despite the fact that it can overshadow his intelligence. levi would actually venture to say that he likes sokka’s funnier side because it overshadows his intelligence to the point that it throws the opposition for a loop. this is the aspect of sokka that reminds him of mammon.

it also seriously warmed his heart to see how everyone missed sokka while he was away for sword training; he especially liked that episode because it was just an affirmation of the fact that sokka is an integral part of team avatar, which he really needed to see.

you know who else is an integral part of team avatar who needs to be recognized as such more often? suki. do you know how much pain levi is in every time he thinks about the lack of suki screentime . it’s a lot . suki is just too good for the amount of screentime she has, he’s sorry, but it’s true. this is evidenced by the scene of her literally running across prisoners’ heads to apprehend the warden of boiling rock. that scene speaks for itself—she and the other kyoshi warriors end up as zuko’s body guards for a reason.

he will never let anyone forget that if it weren’t for suki, sokka would still be a misogynist. she was an essential element to sokka’s growth as a character and everyone had better remember it or so help him. also , he is a firm believer in the fact that suki was the best love interest for sokka, with zuko as a close second. don’t ask questions. rip yue but argue with the wall.

his favorite line in the series?

“zuko’s gone crazy! i made a sand sculpture of suki, and he destroyed it! oh, and he’s attacking aang.”

it’s not profound or cool or anything like that, but it makes him smile and giggle every time he thinks of it ^_^.

does he like any other characters? he has a lot of love for toph and azula for the sole fact that the series improved exponentially after both of their introductions; he thinks both of them are in leagues of their own and seeing them in action just puts a smile on his face. he’s also inexplicably fond of king bumi.

does he hate any characters? not particularly, actually! he pretty much respects and appreciates everyone, except the guy who mutilated his thirteen year old son for speaking out of turn.

satan

just pick a girl. any girl. and from the way he talks about them, you’ll think they’re his favorite. he can and will go on about the girls of atla for the rest of eternity.

but since we’re being specific:

katara appreciator. azula enjoyer. basically, between him and lucifer, no tongue raised against azula shall prosper. he has a deep respect for each of their wraths. he also really must have a thing for angst because both of these characters just break his heart.

if you let him (in other words, if you’re levi), he will go on about how it’s not fair that people call katara annoying when, in reality, she just hasn’t healed from the trauma of seeing her mother’s corpse at age eight, followed by having to take care of her village, meaning she got literally no time to grieve properly, and—

call katara annoying in front of him and you might actually have to meet god for your shallow views of such a deep, complex character.

he will also go on and on about how katara would be the best bender in the show, if it weren’t for toph, who is untouchable. instead, he’ll talk about how katara almost killed pakku for being misogynistic and how she single handedly beat azula during sozin’s comet. you will frequently hear this man say, “katara aang’s master for a reason,” and he’s right.

similar to if you call katara annoying, if you call azula scary in front of satan, he’s bullying you. he’s sorry, but it has to happen. no way you’re scared of a traumatized fourteen year old, what are you, eight? or do you have no understanding of azula’s depth? both are unacceptable.

satan is the average azula enjoyer, times about seven. you simply won’t get away with speaking poorly of azula in front of this man, so if you’re like mammon and don’t like her, you better tread very carefully.

one time mammon tried to be like, “azula is too far gone to deserve redemption anyways,” and satan literally reverted to his demon form as he said: “if i were abandoned with my terrible father as a child, with literally no one to help me, and then my friends betrayed me, and then, as i was about to be crowned ruler of my country, my dumb fucking idiot brother showed up with his dumb peasant friend for backup, which isn’t even allowed, i might be mad forever too, actually—” and then he threw the nearest chair at mammon for his criminally bad take.

another reason why satan loves azula so much is because he’s convinced she’s a lesbian and satan is the most “let’s go lesbians!!!” person you will ever meet. you actually can’t convince him that she isn’t a lesbian. forget chan. nobody gives a fuck about chan.

what’s his favorite line in the entire series?

“trust me, zuko—it’s not going to be much of a match.”

like, come on. katara is just too good.

does he like any other characters (other than the girls of atla)? he’ll never admit it, but he has a lot of respect for sokka and a soft spot for him because he reminds him of mammon. he also has a lot of respect for aang because he reminds him of beel of how well he handled literally everything despite being twelve.

does he hate any—yes. never speak of avatar roku. or iroh. or ozai. for good measure, don’t mention general zhao either.

asmo

what lucifer is to azula, asmo is to ty lee. like do i even have to say anything else. but for what it’s worth, he also love, love, loves azula because she reminds him of lucifer, from her strength and class, all the way down to her descent into madness. and even though she breaks his heart just as much as she does satan’s. he may or may not have cried over azula in satan’s room while they were talking about her. unlike lucifer and satan, he can respect it if you don’t like her, but it’ll make him so sad.

but enough about azula. ty lee is where it’s at for him. her subtle strength and unwavering love is something to die for, and he will defend it against anyone, up to and including lucifer, and he’ll win too. asmo is not to be trifled with and neither is ty lee; he can make a strong argument as to why ty lee is the strongest character in the show, and you will have a very hard time trying to refute his points. (the main point being: it’ll be really hard to win a fight against someone who can paralyze you in a few seconds, bender or not.)

the fact that ty lee ran away from home because she was tired of the fact that nobody ever saw her as her own person is just something that tugs at asmo’s heartstrings. he thinks ty lee’s bravery is just something that can be so personal.

also—he has a massive appreciation for the fact that, even though there’s a war going on and ty lee is in near-constant danger, she still has the sense to maintain her appearance and worry about the skincare of not just herself, but also people she’s close to. that is a detail he will never let anyone forget.

never mentions it in front of lucifer but one of his favorite scenes is when she paralyzes azula to save mai. once again: ty lee’s bravery is just something that can be so personal.

he doesn’t have a favorite line in the series, but his favorite exchange of dialogue is between ty lee and azula, wherein ty lee is trying to teach azula how to flirt. he thinks it’s the cutest thing in the world.

does he like any other characters? of course! he likes everyone ^_^ . you’d actually be hard pressed to find someone he hates. ozai. it’s ozai. he has a real soft spot for mai because she reminds him of belphie. something about their shared aversion to affection is just so cute to him!

beel

aang supremacist, will hold steadfast to the fact that aang is the best character in the show and you will struggle to figure out how to convince him otherwise.

if you ask him why aang is his favorite, the first thing he will do is gesture to a picture of him and say, “look at the material,” like it’s the most obvious thing in the world, before diving into a ten minute in depth character analysis for this boy.

come on. he shouldn’t even have to explain himself. not only is aang one of the strongest, most competent avatars to exist, ever, he also mastered all four elements in a year, when he was twelve—he’s literally a different breed. and he managed to beat ozai in his own way, without killing him, as a means of staying true to a culture that could have literally died with him at any point in the show. aang is just fucking class.

he also admires aang for his near unwavering kindness and lighthearted nature. and for never going berserk and killing everyone he sees, especially after finding out his people were killed while he was in ice.

you have no idea how much pain beel was in when he found out that the air nomads were just gone. seeing a child find out that not only their family is gone, but also the entirety of their people and culture, just absolutely broke his heart. and that guilt aang was feeling? hit way too close to home for him.

he also thinks it’s really nice that aang was so quick to forgive zuko after everything, and the two of them ended up being really good friends. it just puts a smile on his face.

after some reflection with levi, he would’ve liked to see the full scope of an airbender’s power in the series; as in, he would’ve liked to see someone suffocated, but it’s okay, because aang wasn’t like that. and he heard it happens in the next series over.

anyway, beel’s favorite quote in the show...well, it isn’t really a quote, as much as it’s a dialogue between two characters. it’s the scene where toph asks, “do you really think friendships can last more than one lifetime?” and aang says, “i don’t see why not.” it could bring a tears to his eyes just thinking about it; and in the next series over when it’s proven to be true, he absolutely cried.

does he like any other characters? he’s actually really fond of zuko and mai because they both remind him of belphie. he also likes sokka for the same reason lucifer and satan like sokka. he has a deep appreciation for katara because aang would literally be dead without if it weren’t for her.

does he hate any characters? well, he doesn’t really like azula. he feels bad for her, but he doesn’t like her. but as for who he hates? take a wild guess.

belphie

zuko makes him sob is his number one. yes zuko is his favorite because of his redemption arc, yes he sees himself in zuko, no he will not explain any further than that, what’s your point🤨

in actuality, he will never be able to properly articulate how important it is for him to see that redemption is, indeed, attainable, if you put the work in. in a similar vein, he will also never be able to give words to how important it is for him to see that forgiveness is also attainable. it means the world to him. that is why it makes him cry. the feeling is overwhelming. i’m gonna cry if i think about it for too long.

he will cling to the fact that zuko is the best character in the show, and he will cling to it even when zuko embarrasses him by saying stupid shit like, “no lightning today?” and even when zuko is so awkward it causes him physical pain. that’s his number one and he’s not changing on it!

firm zukka supporter. will not argue. that’s all.

what’s his favorite line in the entire series? it’s one of the two you’re thinking of. make that decision for yourself.

does he like any other characters? he positively adores aang and will readily admit that it’s because he reminds him of beel. bonus points for aang because he also loves the dynamic between him and zuko. toph is a distant third, mainly because he just really likes her attitude. he looks at her and thinks, now this is someone who would not hesitate to kick lucifer’s ass.

does he hate any characters? you better believe it. he hates iroh because he reminds him of dia. he can’t really bring himself to like azula because she makes him a different kind of sad. and if you know what’s good for you, you will never mention ozai.

#can you tell i am also an azula enjoyer #doesn't matter because i'm correct but still #worth mentioning i suppose #obey me #obey me!#obey me headcanons #obey me imagines #obey me lucifer #obey me mammon #obey me levi #obey me leviathan #obey me satan #obey me asmo #obey me beel #obey me beelzebub #obey me belphie #obey me belphegor

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chalkrevelations · 3 years

Text

Huh.

Well, this is not the next episode reaction you were expecting, but a while back, in the middle of the night, while I was ready to cry from working on a pharmacology paper, out of nowhere, Youtube threw up Street Dance of China S3 Ep1 at me. And yeah. I am, admittedly, f’kn weak for a dance show. (There are enough SYTYCD episode reax on my old Livejournal that I feel there’s no point denying this.)

So – no, actually, wait. FIRST of all, I do NOT believe the “towel vote” we ended up being given for the opening routines from the four captains. That was the most blatant bit of bullshit chicanery I’ve seen in my LIFE, and I say this as a person with a ton of SYTYCD episode reax on my old Livejournal, and I also say this not because Wang Yibo ended up last (well, not entirely), but because I saw Wallace Chung’s routine. As someone closer in age to him than to the other three captains, I have to give him props for trying, but come on, man. The critique that Yibo got from random contestants – if the subtitles are to be believed, so I realize this needs a grain of salt - basically boiled down to “it was too good for the stage lighting.” :hands: Also, I saw your face at the reveal, Wallace, and you were as shocked as I was. No way you got more towels/votes than Wang Yibo. Not unless there’s some super wild undercurrent of nostalgia propping you up, which, I guess could happen, because literally all I know about pop culture in China, current or otherwise, is filtered through Tumblr and Youtube, both notoriously suspect, but … anyway. There’s got to be a TON of behind-the-scenes manipulation going on for Yibo to be rock-bottom with last pick of teams but then also to end up with THAT pool of possibles. Are you kidding me with this?

ANYWAY, what I wanted to say is that I actually really like Wang Yibo here, and it’s not just because he’s the only captain I have even a sliver of familiarity with, and it’s not just because Lan Wangji was banging Wei Wuxian. I do realize all of this is influenced by whatever edit they’ve decided to give a particular captain or contestant, but I’m impressed with the way Yibo immediately starts team building by getting his group into a warmup, getting them dancing together, getting them dancing with him before they have to worry about dancing for him. (I mean, come on, Jackson Wang. The way to get people to stop being nervous is not to say “Stop being nervous! It will make you fuck up!”) The way Yibo immediately recognized and responded to his group’s concerns about that one dude copying someone else’s routine probably also bought him a lot of return investment. He’s dressed to work it, in his sweats and his flannel (what IS that fake-leather TAC vest and random leg holster-looking thing, Jackson Wang?). He’s convincing me he really loves to dance, he can’t hold still while he watches the contestants, he’s wandering over into other captains’ turf when it sounds like there’s a dancer performing who he might like to see, he’s being the best Yibo he can be, and I’m grooving along, wind in my hair, totally down for this ride. He’s also adorable at the beginning when all the other captains are like, my goal for this season is to slaughter the competition and dance on their graves! And he’s like, well, I’d like to … make some friends? And learn some new stuff? I don’t know if the perpetual Humble Student schtick is natural or persona, or whether it’s general or specific to dancing, but it’s working for you, my dude. This is also made better (read: ironic), by the fact that it’s immediately before the towel reveal, when he flips over to utter disbelief and gets all sulky for a while over the “fact” that his dance routine got the least votes.

Also, OH WAIT. This is where that clip of Yibo dancing with his crew ALL OVER HIM came from that I saw floating around a few months ago, isn’t it? You’re telling me those guys had never danced together before and had like, three minutes to throw together that routine? I’m even more impressed than before. Meanwhile, the towels symbolize courage and challenge, Mr. Emcee? OK, fine, cheesy reality show blah blah whatever. Can we get to the dancing now?

I’m going to put the rest of this behind a cut, because it got super long, because it turns out, when you watch in 5-minute increments, it takes two and a half weeks to get through a single episode, but you actually can see and have opinions on all 5,328 contestants, plus every single one of the captains’ battles. Meanwhile, I’m trying to convince myself this is not going to be another series of episode reactions, but 1) I do have the benefit of not having a ton of hometown media giving me a next-day play-by-play, so even though this is six months old, everything’s a surprise; 2) I am, admittedly, f’kn weak for a dance show; and 3) it’s easy to watch in 5-minute increments between researching drug interactions in hypothetical hypertensive patients with stable ischemic heart disease, erectile dysfunction, and seasonal allergies. So, I guess we’ll see. It’ll be slow going, though, because I don’t ever have two and half hours to sit down and watch an ep cover-to-cover – if it happens, it will likely keep happening in 5-minute increments. Meanwhile, there is a metric shit-ton of nattering below the cut, so caveat lector. No, seriously, I kept adding to this little by little until it became a monster. Hashtag long post (remorseful).

OK, I am generally out of my depth here, as this is not at all my area of dance not-really-expertise, but some reactions:

Team Wang Yibo: I can see why he didn’t want to choose between Colin and Dian Men – Colin might have been a touch better technically and a better showman, but Dian Men didn’t seem to have a single wasted move – but, also, my dude. Yibo. You maybe should look a little bit less stunned and overwhelmed by the mere presence of Colin, it’s giving me ideas about your taste in men. Continuing with the powerhouses, I probably shouldn’t even attempt to critique Klash, but I did feel like he was a bit stiff in some of his footwork; that final V kick, though, shit, that’s what having that kind of upper-body strength is for. Bouboo … I mean, excellent flexibility and control, of course, but mainly I’m just terribly amused that Yibo got last pick of teams but somehow ended up with the guy who’s literal world champion, and who’s just as useful for getting into the other captains’ heads – without even trying – as he is for his talent. And then there’s a montage of Yibo giving out towel after towel after towel, and my dude, you cannot keep up this pace. There are still too many dancers to see, and you don’t have that many towels. AAANNNND Towel Battle #1 (See Footnote 1).

Team Jackson Wang: I do like Gai Gai, although that may be influenced by the fact she’s working in the twilight area between hip-hop and contemporary that I have more familiarity with - but also, I suspect she’s pretty good in her genre. I thought Xiao Jie was inconsistent and didn’t stick the landing on his initial attempt, so I have to give you that hesitation, Jackson, even though you’ve somehow ended up the villain in my inner narrative for this show, for no particular reason I can yet discern. Maybe it’s that you’re the direct competition for Yibo’s team in the towel battles. Good enough. Anyway, Xiao Jie definitely stepped up his game for the battle with Bingo, so I can kind of see why both of them got a towel, but we’re not even halfway through this, and most of y’all are giving away towels like you have an endless supply. Yang Kai is a fucking menace with fantastic musicality, and I’m just gonna say it and take the fallout - I think he gave a better performance first time out of the gate than any of Yibo’s powerhouses did. Whatever power Klash has got, whatever skill Bouboo has got, Yang Kai feels more explosive and engaging, at least in these initial showings. He’s going to be one to beat, I’d hug him too, if he was on my team and was going to help me WIN. Yibo’s probably lucky that happened during his little stroll over to check out the competition, so that he can see they’re definitely competitive and be prepared for it. Also, Jackson, I have to admit - that face you made when Chao really kicked in? That was the same face I made, because wt actual f, you have a literal secret weapon – secret because he CAME FROM NOWHERE and NO ONE EVEN KNOWS him, how is that even possible, how did he get that good – fluid, creative, controlled, incredible musicality - without anyone having any idea who he even is? And then there’s a montage of Jackson just giving out towel after towel after towel, and my dude, you need to slow down. You can’t just be like, “THEY LOVE DANCE WITH ALL OF THEIR WHOLE HEARTS!!!!1111!!!!11!” I get it, but everyone there loves dance with all of their whole hearts, and there are not enough towels to send all of them on to the next round. ANNNND, Towel Battle #1 (See Footnote 1).

Team Lay Zhang: lol at how diplomatic you’re being, Lay Zhang – your team’s fierce roar startled you, OK. At this point, I suspect you’re the street most likely to have a knife fight break out before this is all over. I do like Alex, I think he’s got a lot of interesting, super-clean details in his moves, and he’s engaging - I cannot BELIEVE you made him battle that dude whose moves were so mushy, Lay Zhang, it leaves me doubting your ability to judge this thing. At first I thought maybe you were just looking for an excuse because you wanted to see Alex freestyle, but then you actually said something about both dancers being equal, and my estimation of you plummeted, and also sadly, my sound dropped out for the actual battle, including the part where the clearly inferior dancer fell over and then accidentally POPPED ALEX ONE IN THE EYE, and I TOLD YOU SO. I do agree it’s a good idea to make dancers in the same genre do some battling, so you can kind of plan out your towels and put together a team with broad strengths, instead of giving out towels like you’re making it rain for the first 20 contestants, and then you have 1,375 more people to get through, with 3 towels left, as EVERYONE ELSE seems to be doing, so it’s nice that at least one of you guys is thinking – if not actually acting - strategically. That was clearly not even a contest, though, GIVE ALEX HIS TOWEL and send him to the next round. Xiao Bao is hilarious, with his concern that his team captain, who’s into krump, which is “beating,” isn’t going to appreciate his waacking, which is “slapping.” I also don’t know a whole lot about waacking, so thanks for the primer, Xiao Bao, and don’t worry, your performance is just as engaging for those of us who don’t know what we’re watching as you are generally. You deserve that towel for your ability to interact with and engage your audience, alone. Lingo is a good solid performance, although he’s got his team captain strategizing edited over some of it, and here’s the thing: we are 1:56:00 into this, at this point, with another half hour to go, and all of you are starting to disappear into the sea of dancers who are very good at what you do, but at generally the same level? Anyway, Lingo, I approve of your ability to interact with your audience (read: your captain) to ensure engagement, too, so keep that up. Annnd, we actually haven’t seen that much of you guys, but it’s time for Towel Battle #2 (See Footnote 2).

Team Wallace Chung: I’m glad Su Lian Ya insisted on performing, I thought she started off slow but warmed up, and that ending was creepily fantastic and had me spontaneously grinning at the screen in delight. Then we lose sight of this group for a really long time, actually. We go back to find Wallace putting through a couple of urban dancers who we barely see, but who apparently claim to have some choreography experience, and he really likes that. TI shows up, and they’re solid, but honestly, not as good in this performance as they were in some of the stock footage the show threw up to introduce them, but Wallace remains super-excited about the idea of choreography and sends at least choreographer Zhang Jiang Peng through to the next round. And then, we really haven’t seen that much of you guys, either, which maybe doesn’t bode well, but it’s time for Towel Battle #2 (See Footnote 2).

FOOTNOTE 1, aka TOWEL BATTLE ONE, Team Yibo vs. Team Jackson, 3V3 freestyle: First of all, I have to say, I love Yibo - Mr. I Just Wanna Make Some Friends And Have Some Fun - being all, “I have three crappy white towels I’m stuck with for coming in last place that I can’t use to send dancers to the next round and that I DO NOT DESERVE, and I am getting BACK the colorful towels that ARE RIGHTFULLY MINE. I am coming for whoever is in my way.” Team Yibo is Bouboo, Klash, Dian Men, and OK, given what we’ve seen so far, that’s the safe choice, but honestly, I think we’re just taking some things for granted right now, and I’m not sure they actually have given the best performances so far. Yeah, I said it. Team Jackson is Yang Kai, Chao, and Xiao Jie, and … ok, on that last one, I think you probably could have substituted Bingo, but all right. Yang Kai is a definite yes. Chao will be great if he can stay out of his own head and not psych himself out, but given what we’ve seen so far, he’s an obvious pick. First round, Yang Kai vs. Klash, and Yang Kai is still a fucking menace, with super lines. Klash definitely stepped up his game for the battle, and I can’t get over the upper body strength he’s got, to get that kind of airy bounce in his moves, but to be honest, I can’t even be mad the first round went to Yang Kai and Team Jackson. Second round, Yang Kai is still … y’all, the beautiful lines from this guy in his poses, I can’t get over them, but I think he doesn’t have the stamina, his footwork is getting sloppy. Bouboo also steps up his game for an actual battle, his fluidity and control is amazing, and yeah, round to Team Yibo. Round three, Xiao Jie gives it a decent effort, but the polish isn’t there; meanwhile Bouboo is still in champion mode, and I was kind of surprised this was a split vote and went to another round. Xiao Jie absolutely surprised me, coming back stronger on his second try, although I suppose a more familiar genre helped, but Bouboo continues in champion mode. Round four, Chao looks like he’s going to throw up right before he steps out there, and then as soon as the music starts, it’s like, he doesn’t even think. The music just moves him. I feel like his dance vocabulary is more limited than Bouboo’s, though, and Bouboo’s flow is amazing at this point, so I feel like the judges just want to drag this out and see more dancing when we go to one more round. Strong effort all around, but yeah, round four and two towels to Team Yibo. I can’t really complain about that. I do feel like Yibo’s powerhouses have been holding back until now, though, and I’m not sure how I feel about THAT.

FOOTNOTE 2, aka TOWEL BATTLE TWO, Team Zhang vs. Team Wallace, 3V3 w/ captain: lol, Team Zhang really wants someone to pick the Sailor Moon song because they know Xiao Bao and his waacking will tear it up. Anyway, Team Zhang includes Lingo and Xiao Bao, who does not get his Sailor Moon song and continues to be hilarious in his disbelief about being chosen to participate in this battle, when he’s not looking almost as sick as Chao from Team Jackson before HIS performance. Team Wallace includes Su Lian Ya – and honestly, despite how I’m getting ready to bag on him for the entire rest of this battle recap, I like that Wallace put one of his female dancers up there for the battle - and some dude named Ba that they haven’t given us any footage of, up ‘til now, at least that I can remember and who I … don’t even know has been formally given a towel and sent on to the next round, yet? Oh wait, he must have, because there’s talk in the pause for choreography about somehow using the towels during the battle. Wallace relies on Su Lian Ya and Zhang Jiang Peng to choose Ba, and then Ba ends up choreographing a lot of the performance, at least from the edit we see. I continue to feel you may be in over your head, Wallace. This feeling … is not assuaged by your performance in the first round, which is fine, but not really up to the level of almost anyone whose name I’ve bolded so far in this entire recap. Also, using the towels was a cute idea, but it doesn’t translate well, and Team Wallace has a lot of wasted time throwing the towels around instead of actually. You know. Dancing. Lingo gets a credible solo during Team Zhang’s performance, and even though Xiao Bao is clearly lost during a good bit of his backup dancer duties, he manages not to throw up, which – given this team’s general skill level – should be enough to give them the first round, EXCEPT SOMEHOW Team Wallace gets the point from the judges, who then try to justify this inexplicable decision by saying Team Wallace had better interaction, I guess because of the hot mess with throwing the towels around, but adding that Team Zhang was more scattered, which what? More scattered than the hot mess with the towels? I’m not buying this. I can’t tell if they’re propping up Wallace or fucking with Lay Zhang’s head, but I’m having bad acid flashbacks to the many and varied ways dance show judges will try to gaslight you, telling you that things you just saw with your very own eyes did not actually happen when it’s right there! On camera! Visible, despite whatever edit bs you’re pulling! ANYWAY, they’re definitely managing to fuck with not only Lay Zhang’s head, but Xiao Bao’s, and Xiao Bao still doesn’t seem to have his choreography down, but they manage to pull it together enough to take the second round, which to be honest is kind of a muddled mess on everyone’s part. The only one who really stands out to me on this go’round is Su Lian Ya, but OK, Team Zhang might have had it slightly more together as a unit. And then, yeah, OK, I think they were fucking with Lay Zhang’s head, because we then find out that, holy shit, the song the show powers-that-be chose for the tie-breaking third round is that gd Sailor Moon song, and we can all see the writing on the wall. Poor Team Wallace is no match for Xiao Bao, who frankly, carries this entire round on his shoulders without breaking a sweat and barely needs any backup dancers to do it. There’s some ridiculously dramatic reveal of scoring, with the judges dragging out their decisions like this was any actual contest - I’m beginning to suspect that some of them grew up with Wallace Chung posters on their bedroom walls - but finally, round and towel to Team Zhang.

Cut to a little bit of Next Time On, and wow, the first two-and-a-half-hour episode is over, and we aren’t finished with the initial round yet. It’s gonna be Christmas before I make it halfway through this season.

#street dance of china #sdoc episode reax #should i put yibo in the tags for this?#sure #i guess #wang yibo #anyone else?

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