just a few lil notes abt shad.yclaw verse for mk !!
When MK moved to Paris, he didn't really make any friends, preferring to keep to himself.
He became more and more closed off since things at home weren't really great; his dads had separated and he was having trouble getting them to work out their differences.
Okay, he has one (1) whole friend, and that friend is Lila, unfortunately.
This made him an excellent target for The Supreme; MK was recruited by Lila. He was given the miraculous of the Monkey. ( i'll work on a name for him pls be patient w me, i am slow !! )
He now works for The Supreme, though it doesn't always feel right. Still, he doesn't really have a choice now that he's involved.
Has definitely had to fight against the resistance.
I know this isn't super detailed, but i will come back to it !!
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Something I've noticed about Jack at Home Base in my most recent playthrough is that he almost always seems to be watching the Protagonist. I say this because every time I've passed by him, his idle animation has him turn to look. And maybe I'm reading too much into it, maybe I'm overthinking it, but it almost seems like he has to keep an eye on the Protagonist.
Where Jack stands by the objective board, he has a clear view of the steps. Here, his observation is more limited; he has Louis standing to his right, and the board directly in front of him. If he leans over too much, Louis will notice, possibly even blow his cover. The best way to monitor the Successor from his position is through furtive glances. Where Jack stands gives the illusion of preoccupation.
Right by Davis, Jack has a perfect view of the mistle. He can easily keep an eye out for the Successor of the Blood, and keep watching them if they approach the punching bag. He also can keep them in his peripheral vision if they're at Murasame's counter.
In front of Louis's desk, Jack can monitor the Protagonist from his peripheral vision. The pretense of business masks him well here, and they likely will not pay him any mind. It is a stealthier approach compared to his other positions.
His position by the curtain in the sanctuary especially permits a wide angle of view. Almost anywhere the Protagonist walks or runs, Jack can see them. From a defensive standpoint, his back is protected; with him watching the doors, any invaders -- Lost or otherwise -- will be spotted quickly. To keep a close eye on the door ensures protection for the Protagonist, as well. This way, they won't be taken from him again. He can proactively stop a threat far quicker than he was able to before, back in Operation Queenslayer. He won't lose them a second time if he can help it.
Even when he's seated at the farthest end of Home Base, he has direct line of sight. It isn't that he looks ahead; rather, his attention is focused more towards Io's post. He seems to closely observe when the Protagonist handles vestiges with their attendant. Fixes them, returning memories to those who desperately needed answers to long-forgotten questions.
Some part of me wonders if Jack wrestles with himself in that very spot. By way of what he thought was a mercy killing, Jack helped to bring that ability forth, perhaps indirectly. Yet at the same time, he placed the terrible burden of being a Successor upon them. Does the Protagonist fear an eventual transformation just as much as he does? Is this how he'll lose them again? Perhaps this is the reason why Jack's gaze is more intense here than in the other positions. His own tumultuous thoughts play upon his face, casting a gravity that does not show itself often outside of battle.
Another part of me wonders if he's monitoring the Protagonist's relic status. This is especially something to consider if the Protagonist is aiming for a Bad Ending run. With multiple Relics housed within their body, the risk of frenzy heightens. The game never quite goes into detail about how the color or shape changes, aura-wise, when Jack is observing the status of a Successor. If it fluctuates, shrinks, pulses, or even glows brighter. On a Bad Ending run, however, the Protagonist's aura must be horrific. Jack would have no other choice but to kill them again. His mental health may never recover, but when he has no choice but to bear another relic and sleep within the confines of a Crypt, he will not be awake to know much else. Perhaps in his fitful, tormented nightmares, he will once again dream of the Protagonist he could not save. A Bad Ending run destroys Jack far more than most may consider.
I also wonder if perhaps Jack keeps an eye on the Protagonist for fear of losing them again. What happens if they don't return to Home Base in one piece? They're not always going to have him accompanying them. Any activity around the mistle will draw his attention. We know that Jack is extremely attached to the Protagonist. (I suspect he has a habit of getting attached to his others partners in differing degrees, but that's a text dump for another time.) Valerio's vestiges show a man haunted and broken by the Protagonist's mercy killing. The Protagonist is someone he places in a high -- perhaps the highest -- esteem.
Two of his lines when the Protagonist returns to the mistle speak volumes about his feelings.
"You're up already? Well, good."
"Hmph. Don't make me so anxious like that..."
I cite that first line because of its vocal inflection. His voice lifts up in an earnest, almost boyish manner. It's positively adorable! He's overjoyed that the Protagonist is back -- that they're alive -- and now he can return to exploring alongside them. The fondness he carries bleeds into his voice, perhaps without him even being aware of it. It's a line that makes me smile even on unsuccessful boss runs.
The next one offers a glimpse into his underlying fears. Jack is constantly worried about losing the Protagonist again. The game glosses over how long a revenant's reformation really takes. Where gameplay is concerned, of course it's going to be instantaneous! But since it took the Protagonist quite a long time to reform following Operation Queenslayer (at least eight years or more), they may be prone to longer reformation times. Jack must pace around the mistle, dragging his fingers through his hair, constantly checking the perimeter for any trace of particle movement. The stress of waiting must tug at his insides, rot him from within. This line shows a great deal of vulnerability, baring more of himself than most seem to realize.
His constant observation of the Protagonist at Home Base serves to reassure him. They're alive, they're back, and they haven't been turned to ash. They haven't frenzied and transformed into a ravenous monstrosity. He won't have to put them down; Jack won't lose them again if he can help it. This peace of mind is one he hasn't allowed for himself in a long time. Even still, he cannot completely let his guard down. To do so would be fatal, and the Gaol of the Mists is unforgiving of even the slightest errors.
A Normal Ending run does not show how he feels about the Protagonist assuming control of Silva's relic, but Jack may be far more unhappy about it than he lets on. The status quo is maintained in the manner Silva intended, but at the cost of any valuable change. The imperfect system will never improve. And on top of it all, Jack loses the irreplaceable company of the Protagonist. He can visit them at any time, but he can't converse with them. They'll never again smile at him, swap stories with him, or dance by him when the jukebox plays. What is left? An absence? I can't see him being pleased about such a loss long-term. In the end, all the Normal Ending offers is a different facet of loss.
During the Good/Golden Ending... he still loses the Protagonist. Though they're alive -- happier, perhaps, in some aspects -- but they're going. Drifting, even, far beyond the limited tides the Gaol of the Mists offers. He may not ever see them again. Does it truly please him, even then? Perhaps during the (infuriatingly) vague timeskip, Jack finally takes the time to have a heart-to-heart discussion with the Protagonist. Maybe they both clear the air and settle their unresolved troubles, maybe it's something a little more than that. I can't picture Jack being completely content about the Protagonist's departure... treading out into the unknown where he can no longer look out for them.
There is much more to Jack than the game will touch upon... but the nuances are certainly there.
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