#I'll have to mull it over

[empresskaze]

The idea of Liam in a black t-shirt with the words GAY written in rainbow and Fessor in his normal 3 piece suit but with a nice looking rainbow bowtie just popped into my head and I had to sit down.

Babies first Pride event.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[ferrouswheel11]

The moment that made Bruce the man he is today was the moment his parents were murdered in the alley. He thinks that that moment for Tim had or will have to do with the deaths of his parents as well, like it was for him, for Dick, for Jason, all children whose lives were changed forever by tragedy. He doesn't realize that that moment for Tim was a decade ago at Haly's Circus.

Bruce thinks that he and his mission are the poison, that prolonged exposure will eventually drag Tim down into the darkness he resides in (or worse, like it did to Jason). He thinks of the child he once was, remembers that he became the Bat so that no other child might be suffer that same loss, that same transformation that he has. He doesn't realize that Tim's path was set from the very first day he can remember.

Tim doesn't know how to be any different. How to be anything other than a boy who deduced Batman's secret identity by accident. A boy whose heroes inspired him to become a detective, to pick up computer skills, to learn to fight. A boy who cared enough about two strangers at the circus to risk his life for them a decade later.

Becoming Robin was just the culmination. Becoming Robin is when everything that made Tim Tim started to make sense. The night in the alley was the night Bruce’s life changed, but that night at the circus was the night Tim’s life began.

[warren-keplers-funk-band]

ok but like

i love tommy. don't get me wrong. but buck's whole speech to tommy was like 'getting ur attention has been exhausting' and literally when in this episode has he been doing anything that wasn't for eddie's benefit.

aside from. literally kissing the man on the mouth

[snarkspawn]

✨ Commissions opening soon ✨

I know it took me a while (understatement) but I'm finally going to open a couple of commission slots this weekend!

A few people have been asking to be notified in advance so this is your official heads up :D

[mamawasatesttube]

i'm thinking about revamping the superfam secret santa blog and doing a superfam summertime giftswap, but i think before i do that i need a) another person to help with matching because it got a lil bigger than i anticipated last time,

and b) to figure out how to word "if you're gonna join with prompts that aren't with the spirit of the event (as in. the couple of people who showed up for secret santa with Only tim/kon or super/bat prompts. instead of anything about. yknow. the superfam.)... idk man don't do that like come on lmao" into the rules. ldkfjlks

[fonulyn]

i tried to avoid the discourse lol but tumblr keeps 'recommending' me posts from each side so i'm gonna get this off my chest so i can stop thinking about it :'D

i find it annoying how somehow a lot of people seem to have decided that Leon hitting on Shen May in ID has to either be 1. completely and utterly platonic or 2. completely and utterly sleazy, and there's no options in between. and both sides act as if their reading of the scene is foolproof and the other side is ridiculous for even entertaining the opposite. as if things are ever so black and white lol.

personally, my very subjective reading on the scene is that yes he hits on her but once she turns him down he not-so-very-smoothly turns it joking. there's nothing in his expressions or bodylanguage that, to me, suggests that he's being serious about it in the end.

and I genuinely don't see a character who has such strong convictions and morals in other aspects of his character merrily adultering away like some have suggested. if that's how you want to see him, go for it :'D but personally I don't think it fits the rest we know about him. at all.

but that doesn't mean he didn't go into the conversation with the intention of hitting on her, either. he craves human connection, he's lonely as fuck, so if her response had been different then i have no problems seeing him wanting to take it further.

(i genuinely don't know if tumblr's just throwing super old posts at me and if this is an active ~discourse at all, but i kept getting takes thrown at me so here, have mine lol)

[misclogarts]

consider: darcy with a metal claw

alternate versions under cut

[spaghett-onaplate]

Ok at the wise hour of 1am I've decided I need to start some sort of musical or physical hobby to enrich my life, and if I actually get the motivation to do it I'll document my progress on tumblr to hold myself a bit accountable. But first things first, I don't know what do to, so help me decide.

[hwanghyunjinenthusiast]

Yeah so, my Kinkuary plans didn't pan out unfortunately. I'm really sad about it because I was looking forward to getting them all done but, between irl responsibilities and slowly trying to remember how to be a person, I couldn't make it work.

[neversetyoufree]

I'm finally writing my de Sade post >:}

[ashanimus]

Owl House Face Reveals and Why They Work

I'm so behind on my Huntlow week contribution but I have to exorcise these bees from my brain.

One thing I have noticed that The Owl House does really well are face reveals. Each time we've had them they have been genuinely unexpected and interesting. Now, face reveals are nothing new in media, and in many genres within the speculative fiction box they kind of have their own language and preset expectations depending on the assumed archetype of a character.

Growing up in the 90's, this was quite consistent (particularly with anime). When a Cool, Masked Character or Villain shows up, there's usually an instant of the mask getting revealed in a moment of vulnerability that shows us what the character looks like--but in a wide variety of these reveals...the conclusion is often along the lines of:

Protag: Oh. They're a lot cuter than I was expecting!

There's often a little romantic subtext here too, but not always.

And for all the benefits (and true banes) of anime-type character design, it was/is very common for the resultant revealed face to be conventionally attractive (or drawn to be perceived that way). I know that this is a sort of gentle pushback to the historical VILLAIN=UGLY trope that is nowhere near as prevalent as it used to be, but after thirty years of prettyface mask reveals, it ended up paving the way for strong, sleeping expectation of mask=pretty underneath instead.

And as a result, we're not taking away much more information that what was already expected (re: masked character not so bad) when the character showed up masked to begin with.

Now, this isn't always bad. But in the case of a face reveal, it's supposed to be a moment that establishes really important visual information quickly--and if it's doubled with the "masked character is unconscious/injured" there's a good chance they wouldn't normally let our hero get that close to begin with. The point is, the scene has heavy lifting to do!

Which brings me to our first big face reveal in Owl House, Hunter.

So at this point, the Golden Guard has made his debut--he's been set up as a "genius teen prodigy". This is loaded language that anyone who grew up watching anime instantly understands. Even if you don't though, the way Lilith talks about him sets him up for this expectation well. In this scene, he shows up as a cocky little asshole with a lot of bravado but also, importantly, some key visual indicactors of power. He's got a staff in his right hand, a cage in the other, and is wearing heavy armor and of course the mask. He shows up in a fifty foot fist made of boiling salt water.

Without showing us his face, the show has already laid a pretty strong, unconscious foundation for what the audience is going to see under there! So when we get our classic moment:

This scene moves so much VERY quickly.

First, the Golden Guard's face doesn't resemble the archetypal expectation the audience might have had based on what had been set up. If anything, we're getting a lot of traits all at once we're not used to on a sympathetically portrayed character (more on this in a second). They also wisely destroy any possible interpretation of romantic subtext by giving us a sibling slapfight immediately. But the biggest takeaway from this quick scene visually is the fact the Golden Guard here very young, about Luz's age, maybe a little older--a detail highlighted by our hero herself--and VERY vulnerable. Very murderable. See how his torso (heart) is twisted up, head is tipped back and the eyebrows are scrunched up? Makes him quite a bit "smaller" looking even though he's quite tall compared to the other kids.

But what does this do for visual understanding of a scene? When expectations are subverted, the viewer in a way is able to absorb the visual information with new eyes. When a mask reveal shows us something actually surprising, it actually allows us to absorb the visual details without sorting them into an archetype. So what do we see? Who is the Golden Guard without his mask, his armor, or the trappings of his power?

Well...he has a lot of traits classically associated with unsympathetic characters, to start! He has dark heavy brows, reddish eyes in an ashy face, an aquiline nose and a big ol' gap in his teeth. He's got a ragged ear. Now lately, eye bags and facial scars have come into vogue for heroes, but not usually in combination with all of those other traits (if it was just the scar or even the ear, it wouldn't have told us much). And even here, they're startling because no other character in the show displays eye bags or prominent scarring--not even the mercenaries or adults. He's also fabulously expressive and earnest regardless of emotion, which takes the edge off any potential ability to intimidate (and we know he's about as intimidating as a kale salad as shown when he tries to order the Coven Scouts around at the precinct).

At this point, now that whatever preconceived vision of the mysterious Golden Guard has been blown out of the water, we're able to absorb what each individual character design choice is actually telling us.

This is one busted-ass teenager.

The eyebags show he's exhausted/stressed. The facial scar is a brutal fucking injury and the kind of thing that you get when someone is deliberately trying to hurt you (in combat or...well. what's implied to later be the actual reason). The ripped ear highlights the idea he's seen a lot of combat. The gap teeth highlight the childish imperfection and youth.

One of the things that struck me most about watching this for the first time and watching other reaction videos (a lot of them of different ages and demographics to get a decent sample size) was the incredible consistency of the response to all this visual information! Almost every single one of them were some variant or combination of these two thoughts: "Oh no, he's so young, poor thing! Is he okay?" And even better--the audience understands the answer to that question the minute they ask it, even before the conclusion of the episode. No, he is certainly not! This brainwashed child is in a lot of physical and emotional danger!

Which is GREAT! That's clearly what the intent was. An given how much of a little shithead he was in his first appearances, it was really amazing to see how thoroughly he was able to go from that to instantly sympathetic--as well as visually very interesting.

The Owl House demonstrates a lot of mastery over animation and writing techniques/tropes. You could fill a book on the topic (please oh please let there be an art book at the end please please please). But I REALLY loved how they handled face reveals especially, and to date this one in particular is probably my favorite.

[justathingfromthebrainvoid]

OKAY. I AM DONE. AND AAAAAAAAAAAAAAAHHHHHHH!!!! THE BRAIN THOUGHTS!

OKay. So. 1. Again, so proud of Scar. He deserved it, that was amazing, fabulous job sweetie. 2. I think that this series, especially the last session really shows where Scar's pvp skill shine. Like he is not the best, we all are aware of that, BUT he is really good at a) bows (hotguy who?) and b) he does Lots of damage while not being super afraid of taking damage back. In normal series this is kinda what gets him killed, but with the lack of regen and 10+ hearts per kill, it really helped him in specific, whereas others weren't as aided and kept more to the "I can't lose these hearts." ideology. 3. There was a post going around about where people would break the series in to two groups and I agree with one of the opinions I saw (i think the most popular one) of Secret Life being the beginning of the new Group. And kind of with that, A Lot (and I do mean A Lot, I did a whole spreadsheet for this over the series) of the "Curses" from past seasons didn't happen, or weren't really applicable. Now some of them did (traps, fire, and Grian causing Jimmy's death) and arguments could be made for others to various extents, but by and large most of the Big ones did not happen. 3.5. Maybe that means we get to have New Curses... 4. I don't know how to feel about the "gentlemen's rule" of previous victors not winning again. I can completely understand why it might feel cheap or discouraging for the same people to win over and over again, but at the same time I think it can make the audience question things, especially as we get more and more winners. Idk, just something that lurks in the background of the brain. 5. Again, the series just seemed to fit so well with Scar's pvp style (take a lot of damage, deal a lot of damage, what is regen?, shoot them). Man killed 6 people, heavily damaged BigB and Skizz in just one episode. 6. Scar lived after winning. And that's the first time that's ever happened. It really does feel like a new set of Stuff around the games. 6.5. Winner's Curse bit: The thing Scar wanted most was allies. And now he's alone. Forever. 7. Scar didn't realize he'd killed Pearl (he also didn't get any hearts for it which was weird), and after he found out he won he just stood there while a zombie took I think 8 of his hearts.

[vellichorom]

you know what? seems like a good time to actually exercise my poll feature.

I'm looking to post a little project of mine ( & more in the future ) sometime soon, & I'd like some feedback!

[shuruzy]

a part of me's been trying to get all perfectionist about halfbodies lately & bumming me out, so i sketched some through the day to fight back💥 IMPERFECT DRAGONS, KILL THIS MF IN MY HEAD.

[mirrortouchedsea]

tried to outline something the other day and it went so bad it put me in a writing slump. so that's great