#I'll post stuff later

[zalpacka]

I'm workin on a thingamajig

Btw I'm not ded, just haven't been very online

Womp Womp

Have a good day, hydrate or diedrate, bye

[popcorn-plots]

I've been thinking (a dangerous pastime) but I have some thoughts I'd like to share about my dad and about me figuring out my identity in highschool... But I also need to go to bed because I'm so fucking drained and I had Strong Emotions™ today.

Plus, I think I'm starting my period in a week which explains the feels. So I'll get back to y'all after a nice long sleep and some food, once the world starts looking a little less horrible.

Love y'all <3

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[gracefuldisasters]

The lighting be giving mad scientist vibes.

Phineas has a teleportation pad. Where he gonna go?

[isjasz]

🌕Total Eclipse🌑

Writer: @zipzapzooooooom Editor: @onawhimsicot

Assistance: @gingermaple @kunehokki @corvidaearts @/mybrotherjoso7

and THE AMAZING COVER by googly88fancy!!

===

NO WAY HERE IT IS part 1 of MY TEAM'S COMIC!! FOR @hotguycomiczine !!!!! :D

I pour my blood sweat and tears into this one fr. HGCZ is the most insane project i've been in and I am so so proud of it <3 Big giant shoutout to everyone that ended up in my team, without any of you I couldn't have done it and ty for putting up with my shit HASHDSAEHEGLP. <333

If you haven't yet checked out the entire monster of this amazing zine, def do so here! 🏹

Part 2 will be posted tmr but if u dont want to left on a cliffhanger. pspsppspssps🪤

===

[ START | PREVIOUS | NEXT ]

[ MERCH ] [ MISC ]

[rapidhighway]

HI, i'm just gonna drop this in your lap and run actually, a future AU

Part 2

[brosif40]

I hate him soooo much, plus a bonus Ford

[chrisrin]

Smoke Rising!

My contribution to the @hotguycomiczine, with the collaborative help of @masque-of-plague (writer), and @residenthesitant (editor).

I had an absolute blast working on this one, and if you haven't yet experienced the incredible creation that is the entire zine, check it out here!

[ START | PREVIOUS | NEXT ]

[ MERCH ] [ MISC ]

[journey-to-the-attic]

one thing about ik is that she will always reach out

[salamispots]

read a manga and went a little bonkers

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[dooblebugss]

Ooh, now you're lettin' go Heart beatin' faster, feet pushin' on the floor Ain't nothin' better Ooh, now you're lettin' go Heart beatin' faster, feet pushin' on the floor Ain't nothin' better Wavey Davey's on fire You still got it, you still got it alright, yeah (Huh, huh) Wavey Davey's on fire Oh, you still got it, you still got it alright, yeah (Huh, huh)

[6okuto]

i was thinking about oikawa and i just KNOW that he LOVES to be babied. that's just him, yk? like that's totally him and i would love to read about 30 year old professional volleyball player oikawa tooru being babied by his wife

(timeskip, fem!reader) he's just like me fr. i actually wrote something different but there wasn't enough babying so here u go 🥹🙆🏻‍♀️

tooru is one of if not the hardest worker you know, never losing sight of his ambitions and passion. determination lines his veins, and late nights of practice and analysis have seeped into the cartilage between his bones, gluing together what makes tooru oikawa, #17, setter for club athletico san juan.

but it's not oikawa, it's tooru, the boy you met in high school who stumbled down the steps after using a cheesy pick-up line on you and whines when you try to leave his arms for the washroom, who's your husband.

"long day?"

tooru groans and buries himself deeper into the crook of your neck, arms wrapped snug around your middle. he didn't really need to answer—the lit street lights and dim sky outside were answer enough.

holding back a laugh, you comb your fingers through his hair, the familiar scent of jasmine and vanilla dancing its way to you. "proud of you, baby."

your husband's voice is quiet, "thank you."

"you want me to run a bath for you?"

"...maybe later?"

"m'kay. you wanna stay here for a while?"

"yeah." his fingers trace hearts across your back, and when he pouts, you feel it against your skin. "i'm so tired."

pouting too in response, you press a kiss to his head and rub his back. "i know, baby, at least you're home now."

"but then i have to leave you tomorrow."

"and then you come back to me again tomorrow."

"but then i leave again—oh my god, what kind of sick world do we live in?" he whines, letting out a noise that could be described as a choked sob.

and this time, you let yourself laugh. "aw, my poor tooru,"—you cradle his head against you —"the horrors of a job have caught you."

"what if we worked somewhere together?" he lifts his head to look at you.

you raise a brow. "i love you, you're the light of my life, but you are not getting me on that court."

he gapes. "betrayal from my own wife?"

"okay, then come to my job."

"...well—"

"betrayal from my own husband?" you gasp and tooru pouts again—though at this point you're not sure if the original pout ever left to begin with.

it's still just as endearing, and your expression softens. "you'll be fine, 'ru. i'll baby you as much as you want every time you come home."

his pout pulls even more at his lips, and you mirror it. bringing your hands up, you hold his face and squish his cheeks with your words— "i, tooru oikawa, love my wife and my job, and i'm a strong, independent guy who can do anything."

"d'you rilly hafta hol' m'face?"

"it's for the effect and affirmations," you tease, before your amusement softens to something else. "how long are you out tomorrow?"

tooru's jaw drops as much as it can with you holding him in place. "why would you—9 hours!"

and before the dread of leaving you can fully take hold, you kiss his forehead. the apple of his left cheek, the right, then his eyes, his nose, both sides of his jaw, his lips—all with a resounding mwah!

tooru's arms cling tighter, and he leans into each kiss, always chasing your affection though he doesn't have to. you smile at the flush dappled across his face. "see? a kiss for each hour."

he opens his mouth to answer, but then the pout comes back. "each half hour at least. each 15 minutes—"

"tooru." you snort. "what is that, like, 36 kisses?"

"okay, a kiss for each minute."

"babe—"

"you know how hard i train, i know you watched my interview."

and you really don't think you'll make it to 100, much less 500 kisses, but you'll try anyway, even if after the first one, tooru says, "one."

you snicker as you place the next four, and he counts them before pointing out, "you know, kissing your husband is way easier than doing rdl's."

"yes, yes, i know, honey." you softly laugh and press another to the spot between his brows. "i'm not complaining."

he counts again—six, seven, eight, nine—and you remember the determination and patience of oikawa was never separate from tooru, especially not when it came to you.

[sexy-sapphic-sorcerer]

(Rogozhin tries to persuade Holmes to marry Madame Petrova)

The Private Life of Sherlock Holmes (1970) dir. Billy Wilder

[pencilhattopy]

dont worry guys! sasuke said /j afterwards!^^

[cowardlycowboys]

spring