#I'm drowning just by thinking about it

[toasteaa]

Sorry sorry, I thought about Neuvillette getting so lost in the feeling of your mouth or your cunt around his cock that he fucking shatters the headboard caught in his grip.

Something about him always being in control, always being so careful with his strength when it comes to you, holding you so lovingly even when his thrusts grow harsher. Rougher. Sweet whispers littered between his subtle moans and your keening whines before you hear a sharp crack in the wood above you.

The way his hips stutter against yours, stilling as he presses his face deep into the crook of your neck; a single, deep groan and a hiss of "yes" as his warmth floods you - and he practically tears a chunk out of your headboard as if it's nothing but a flimsy sheet of paper.

His endless apologies afterwards and his insistence that he pay for the repairs (or for a new, more study bed); you're just trying to figure out how to get him that feral again.

[tinyclowndancer]

Alan Wake 2 – Behind The Scenes | Alan Wake in the Dark Place

[wlw-cryptid]

I am once again thinking about having a big strong butch lay back in my lap to nurse after a long day

Telling them that I want to make Daddy feel better and pulling their hands to my chest, helping them pull my shirt away. They'd hum and humor me because not even whatever cool-headed calm exterior they put on will stop them from having their princess's heavy tits in their mouth, and I'd eagerly pull them closer. Once their mouth was full, I'd start start talking them through it. Telling them how good it feels in my soft, warm voice, telling them how much I love them. What a good daddy they are, what a good butch they are, how they take care of me like a good husband should. My body's here to take care of all their needs.

I'd go from holding their hand to rubbing their forearm to massaging over their hips, and their eyes would get heavy as they relaxed more and more into me. Sure I'd sigh and whimper and love how it felt, but my voice would begin taking on that other tone; the one that reaches into their mind and soothes all their thoughts down until they can only wait for what I tell them. Before they even realized it, they're preening at being called a good boy and I'm undoing their belt, slipping my hands under their pants and palming at their bulge. I coo about how hard they are, how sweet they are to me, asking them little things like "do I taste good, sweetheart? does that feel good?" just to make them nod and listen and obey more than anything else. When I stroke their cock through their nice black boxers, I want them to moan into my breast and whine out "more" and "please" until they can't take it anymore n remind me whose in charge

[vimbry]

jumping off the back of the post about genres of song lyrics, another thing about tmbg's lyrics in particular is that even when they write about pleasant themes, they still manage to frequently do so through a sinister lens:

the experience of having children and looking after them:

a nice little nightlight protecting a child muses on the shortcomings it would have outside its assigned responsibility:

fantasising about getting high in the park with your crush:

[chalkrub]

ode to the drowned rat. who’s hiding under there??

[hikarielizabethbloom]

You don't get it. The point is that HE SEES HER!

Nobody else did. Not even her closest friend. No one. But the d(o)rk lord does. He looks at her and he sees an equal. Someone as strong as him, as powerful as him, as smart as him.

And she likes it! She likes the feeling of BEING SEEN!

[saltpepperbeard]

Anyway I just think one of the many reasons OFMD resonates with me so much is its focus on kindness and hope. Here you have these two men who have hit a wall, who feel trapped and hopeless within the confines of their lives. And all it takes is one chance meeting, one chance event, for their lives to turn completely around. A bit of kindness and understanding from someone is what powers them on. And I adore that so much.

It shows that, no matter how bleak, there’s still light to be found. There’s still kindness awaiting you. That, at any moment, your life could take an unexpected turn towards peace, and warmth, and happiness. That you can suddenly and unexpectedly be found.

I just think that’s important, especially with so many people feeling directionless right now- myself included. It’s even more important that it shows all of this happening with middle aged men too. Because, society loves to put a hard time limit on age. As in, if you don’t have it all figured out by your mid-twenties, you’ve somehow failed or missed your chance.

But OFMD shows that there’s still time. There’s always still time. And there’s always still warmth and kindness awaiting.

[cosmic-kaden]

On a different note I feel guilty in a way? That I haven't really talked about Kylo in a few days and I feel bad about that. Okay so maybe some shitty people helped with making me feel bad about it.

[dribs-and-drabbles]

Thinking about:

The two moments in ep 1 (6:08) and ep 2 (32:37) when Jihyun is seen in the background between Jaewon and Tae Hyung/Eun Ji respectively.

The way Jaewon's taller shadow engulfs Jihyun's smaller shadow as Jaewon walks towards Jihyun on the beach in ep 2.

Yoon Won singing on the beach.

Just how fantastic Yoon Won, Ae Ri, and Jihyun's boss are.

How it looks like Jaewon drew himself and his younger brother and maybe a young Jihyun in the landscape of the Han river in ep 4.

The way Jaewon tugs Jihyun into him after putting the rucksack on Jihyun in ep 4 (7:03).

The tale of the country mouse who ran back home (ep 4)...and me wondering if it's foreshadowing a separation and/or time skip in future eps.

Jihyun keeping Jaewon's art in case he becomes famous...and me wondering if that will come back if there's a time skip/separation at the end.

The fact that the therapist is always in the same top, which might indicate that the therapy scenes are all from the same session...maybe meaning everything else that's happening are flashbacks from the time of the session...which ends in ep 5. There are no scenes of the therapy session in ep 6.

The bust on the shelf in the therapists room, with hands over its eyes...

Jihyun's dream of going to the Hanson Tower with a lover and putting a lock up there...and me hoping he'll do that with Jaewon.

The "traffic won't stop for you" sign behind Jaewon as he gets drunk in ep 5 and talks about siblings. If it turns out his brother died because he ran into the road I will throw fists.

The way Jaewon's little brother is dressed in a light blue t-shirt with something cream over the top in the flashback and then Jihyun is also wearing light blue/grey under a cream jacket in the next scene.

Jaewon's "We are always living in other's frameworks in this world". And "Don't try to get out of the box".

The silence as the credits roll at the end of ep 6.

[void-botanist]

6 Songs on Repeat

@korblez tagged me for this and aside from the fact I'm not 100% sure on the rules (and my "on repeat" playlist is cobbled together from what Last.fm tells me) I'm gonna make this up based on what I feel like I've listened to the most recently that I haven't already talked about for magic wand:

Thank You by Hudson Mohawke [spotify] [tidal] (I wanted to know if the Cbat album was any good. It is. Thank You is the best song tho imo. We're not gonna talk about how I listened to Cbat multiple times because I wanted to understand it)

Lovefool by The Cardigans [spotify] [tidal] (yes this is on Fabian/Spinder and Thade/Pirianus playlists and it's stuck in my head)

Nails, Hair, Hips, Heels by Todrick Hall [spotify] [tidal] (technically I was listening to it because of this amazing MP100 edit but then I went and listened to his albums ICON and Roach Killaz and you should too)

Spa by Icona Pop and Sofi Tukker [spotify] [tidal] (I was listening to the entirety of Club Romantech (Deluxe) and maybe it's because I'm not from a sauna culture but I find a song about being tired from the club and going to the sauna delightful)

Bend The Rules by Anomalie and Chromeo [spotify] [tidal] (absolutely obsessed with this album [Bend The Rules (Deluxe)], which is mostly remixes of Bend The Rules. obsessed with the entire concept of remix albums to be perfectly honest)

Film by Nikolaj Hess, Tony Scherr, and Kenny Wollesen [spotify] [tidal] (the entire album is great but I love this song so much. also go listen to Nikolaj's brother Mikkel, aka Hess Is More)

I'll tag @vacantgodling, @multi-lefaiye, and @revenantlore plus anyone else who wants to jump in!

Music taglist: @outpost51 @kk7-rbs

[byanyan]

something something byan ending up in the office on at least half of the days they actually bother showing up to school, specifically for breaking the dress code... some of the teachers eventually hitting a point of letting the less drastic rule violations slide bc they don't want to deal with the scene they know from experience that byan will cause, but then others being especially nit-picky about it... idk I'm just thinking about it tonight

[demodraws0606]

I feel like this is important for analysis but WxS's plays/in-story scripts have been getting gradually darker.

Like this isn't me reaching or anything they've factually have gotten darker and in some ways more ""realistic"" (keep in mind i'm not counting the play at the end of Happy End cos that's just a rewritten version of an old play).

I think the best way to really see this change is to kind of go through each arc and kinda view how the plays are. Now I'm doing this by memory so if I get a play wrong that's why.

1st arc.

So from Rui's first to Emu's first, we have the zombie play, the christmas play and the play to help revive Pheonix Wonderland's popularity.

Those are all pretty child friendly plays, that can be seen as lighthearted even if they do have their own emotional moments.

2nd arc.

This is where things start transitionning into a more serious tone in terms of the plays.

At first we have the play in Nene and Tsukasa's second event which both are kind of the same vibe as the 1st arc plays.

HOWEVER it's when we reached Rui's 3rd even that things take a turn in my opinion.

The story focusing on the tragic story of two androids having lived different lives, one being turn into a weapon for war.

Rui's 3rd event kind is overall a massive turn in WxS's story in general and it was kind of the point where extremely painful events started being handed like candy.

There is the Peter Pan play in Admist a Dream that kinda contradict this switch in tone but I don't really count it since it's story is not really the focus of the event and more so serves to push certain themes with Emu.

Then we have the famous Pheonix event...which like I think I don't need to explain.

3rd arc.

Now things get weird since, the Android and Pheonix play while both being a lot more dramatic and "darker" still had aspects of fantasy in them.

However the two "plays" (the second one is not a play but a film script but shhhhhhhh) are purely set in a realistic setting and obviously feel a lot more mature as a result.

This is also without pointing that both of the stories are extremely similar with a depressed male lead who is said or hinted to have suicidal thoughts until something brings them out of it.

So yeah, here's some food for analysis for what this means for WxS's story as whole

[sunshinedaysforever]

you know what, it was on me for expecting anything different from mr russell t 'all the information i ever need about anything happening in the world i get from the front page (and *only* the front page) of the guardian' davies but. the nuclear winter caused by *checks watch* No Piano really. really broke me.

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[menshusband]

What does a man have to do not to live in constant dread

[homosociallyyours]

...