#I'm sharing these audio clips so we can all just have a bit of fun ok

[fadewalking]

More from Part One.

[no-nameno-face]

Taken Care Of Audio (read story first)

TAKEN CARE OF (WITH AUDIO)

Pairing: Reader x Ellie Williams

Summary: NSFW, 18+ ONLY, minors do not interact. You will be blocked. Ellies had a long, hard day on patrol, and after stitching her up she requests some TLC. 

Warnings: Smut heavy, sub!reader, dom!ellie, face riding (E!receiving), oral (E!receiving), masturbation (R!), cum eating (kinda)? Praise kink, minor blood kink, pain kink, stitches, boob play (E!receiving), first time smut writing, did not proof read (but probably should have...)

Author's Notes: Soooo I've never written smut before, lmfao. I made the audio first, for my thirsty Ellie girls on tiktok but this audio got a bit… out of hand (wayyy too graphic) so I didn't want to post it on there. I had a whole scenario in mind with the audio so I figured I might as well write it down and share it here. I am also very obsessed with Ellie receiving so I subconsciously brought that to life while editing the audio. I know it's not great, but it was very fun to make and write soo.. Please be nice to me, I'm sensitive. Lol. (I put in the story when the audio clip applies, the story starts with context) I’d like to improve my writing cause this was a good time so any advice would be appreciated!!

I hear the door downstairs creak open and shut, a bit louder than normal. I can track the footsteps marching to the stairs and I listen with a small smile as the thuds make their way up. I hear soft profanities getting closer. Ellie is home. 

Sitting on our bed I turn my head right in time to see the door open, grinning at her as she walks in. She has that crease in her brow that I recognize as her tell-tell sign that she had a shit day. She shoots me a sly glance before looking away to take her flannel off leaving her in a white tank, dirty and disheveled she pulls it over her head. 

My eyes trace down her back, scarred and bruised. Muscular, and toned. Heart flutters, and a familiar heat builds. It's crazy how after all these years just seeing her still triggers these primal feelings. She just does something to me. She always has. My eyes stop wondering when I see a deep fresh cut following the curve of her hip. 

“Shit els? What happened” I get up and pace towards her keeping my eyes on the wound. 

She bends over pulling her shoes off, losing her balance a bit and mumbling a frustrated “fuck” under her breath. Now behind her, I prod at the gash and she swears again. I can feel her flinch. 

“I'll go get the stitches, sit down.” I say pulling her to the bed. She hits the bed with a thud and leans her elbows onto her knees.Shaking her head “it's not that bad babe, im fine.” She looks up at me and gives a half-hearted smile.

“I know you're fine,” I say, giving her a gentle look “I just don't want it to get infected, okay?” 

“Anything you say doc” she says with a smirk before turning to address the cut herself. She touches it lightly and winces when her fingers make contact. I head to the bathroom across the hall from our room and grab the small white kit from the medicine cabinet, and make my way back to our room. She's still sitting at the end of the bed, now rolling her neck side to side. 

I plop on the bed behind her, “okay, are you gonna tell me what happened now?” trying to distract her as I begin stitching the gash closed. Her back flexes and I hear her sharp intake of breath. Heart flutters. 

“Fucking stalkers. I hate those things” she says, shaking her head and looking up to the ceiling. “I was on patrol,”

“With Jesse right?”

“Don't remind me,” she says with a scoff that is cut off by another huff as I add a new stitch. Damn. Every breath in sync with the sutures releases a morbid butterfly into the pit of my stomach.  “Yeah, I was on patrol with jesse. We were checking out that one restaurant by the lodge, and I found an entrance to the attic. That place has been cleared out for like forever, so I went up on my own and got jumped by a stalker.” she shrugged her shoulders. “Fucking thing nailed me into an old piece of plywood. Piece of shit.” I tie her last stitch off, and give her a gentle pat to tell her she was finished. I got up and made my way to the bathroom to put the kit back.

I turned in the doorway on my way out, “Maybe you should’ve been more careful.” She swings her head at me with squinted eyes. I shrug and turn, heading to the bathroom “just saying!” 

“Fuck off” she calls back, I lightly laugh.

Back in the bedroom, she's lying on her stomach, head resting on her hands. “And then of course Jesse had to give me a fucking lecture about not going anywhere on my own, team communication! All that bullshit.” She turns onto her side propping herself up with one arm, “I’m just so fucking over it.” she looked absolutely exasperated. Oh how I love her dramatics. I sit facing her and her free hand falls to my hip. She looks at her hand, then up to me. Those green eyes, familiar and warm. Home. I smile at her. 

“That sucks. I'm sorry. I mean Jesse should know by now, there's no getting through that thick skull of yours. What's a lecture gonna do?” I smirk at her.

“Ouch.” she sneers at me, one brow up. She lets out a quiet laugh, and looks back down to her hand on my waist. “Thanks for stitching me up babe.”

“You know I don't mind.” I say casually. She smiles, an inside joke painting a picture on the walls of her thoughts. 

“So weird that you're into that.” she chuckles

“I'm not into that.. I just..” her eyes darted to mine. My heart pounded in my ears. She's right, but it was just so blunt. “There's just something about a strong woman who needs my help.” I say fawning innocent eyes, partially joking, but subconsciously egging her on. She sees right through me.  

She raises her eyebrows, taking her hand from my hip and pushing herself up so she's sitting opposite of me. She smiles, “so stupid.” her eyes drift down to my lips, then back to me. I feel red flush my cheeks. Her gaze darkens slightly, noticing. She tilts her head looking at me. “I mean it's okay that you are, i'm not kink shaming” Her hand meets my thigh, electric, and she gives me a sideways smile. I gape at her, trying to make light of the tension building between us.

“So you like taking care of strong women? Yeah?” she says quietly with a smile in her voice as her eyes trace down my body to her hand. Her thumb started circling the sensitive skin of my inner thigh. “Funny, you're normally the one that begs to be'' she looks up at me teasingly “taken care of.” Fuck. I feel heat pool in my belly. My knees squeeze together by their own volition. She feels it and her teasing gaze turns to something else as her eyes shift to them. She bites her lip subtly. This woman. 

Her hand moves to the button of her pants, “well i did have a hard day,” she undoes it and glances at me with an evil smile. “And since you enjoy taking care of strong women” she pulled on her zipper. “Mind doing me a favor?”

Jesus Christ.

“What do you have in mind?” I say, wide eyed. I try to sound cool but my voice comes out hungry. Starved. I watch the switch flip in Ellie's eyes at my words. 

“Take your shirt off.” she demanded with raised brows, and before I could think I was pulling her baggy shirt I was lounging in over my head. I'm left sitting there topless, with nothing but my black underwear on. She rolled famished eyes over my bare skin for what seemed like an eternity. Her eyes settled back on mine. I fidgeted my hands in my lap, feeling suddenly too vulnerable. She leans in slowly without breaking eye contact and my breath catches. Inches from me she whispers “Take off my pants.” 

Immediately I am in her service, at her beck and call. She knows all she has to do is ask. I'll do anything for her. She leans back onto her hands and lifts her hips slightly as I peel her jeans down the soft, yet lean, curves of her hips. Down her thighs, over her knees, and then calves, my eyes tracing every line of her legs. I toss them on the floor, and look back up to her awaiting further instruction. Her eyes are smiling with a dark inflection. 

“Lay down.” I looked at her confused, thinking I was the one taking care of her. Her tone was not a question however, so I obliged. I centered myself on the bed and pulled the nearest pillow under my head, keeping my eyes on her as she stood up and took her white boxers off. My breath caught in my throat at the sight of her. Pretty, untamed. My knees squeeze, I don't try to hide it. She looks at them, and scans back up to my eyes. She stares into me as she walks around the bed to my side. I bite at my nail anxiously. 

“I want you to take care of me, make me feel good m’kay? Can you do that for me?” she asks with a small smile. I nod.

She looks over me once again (START OF AUDIO) “fuck, you look so pretty.” She climbs onto the bed, looking at me like prey to a predator. “Be a good girl for me” she whispers, as she swings one of her legs over my head. Shit, I get it now. Her pussy meets my lips and she lets out a soft “fuck” at my eager mouth. My arms wrap around her thighs, hands gripping soft flesh. She starts to move, pleasuring herself on my tongue. She moans softly, “needed this” she says desperately as her eyes drift close and her head drifts to the ceiling. Her taste envelopes me, her wetness growing by the second with the addition of my saliva wetting her folds. 

“Okay,” she moans, picking up her pace, grinding against my face. She looks down at me, before her eyes dart shut “There!”  I feel her body pulse at the peak of her thrusts and I know she's found her spot. Her bud flicking roughly over my tongue. “Oh shit.. There. There we go” she continues at her pace for a moment. Her pulsing getting stronger. Her eyes snap open and peer at me “Jesus, you feel so good.” she says as her head rolls back and her eyes closed again. She continues her rhythm as I pull my arm from under her leg and skim my hand up her body “okay” she says lost in the sensation. My palm cups her right breast and I squeeze impatiently, then rub a loving thumb over her nipple, circling it. “Damn… yeah” she sighs then her hand meets mine and squeezes the sensitive flesh with me “Baby just like that.” she bites her lip with a whispered “fuck” as she rides my face. 

Her moans and the graphic sound of her wetness fill the room. I reach my other hand down into my underwear and begin circling my own clit firmly, unable to avoid the tension building within my own body. “Fuck me.” she whines into the air, before looking down to me with adoring eyes, “that's my good girl.” her eyes tighten, “lets go” she whispers as she begins to grind harder and faster into my mouth. “Come on.” My hand on my core meets her pace. “Good. There. Okay. There we go” I love how she talks mindlessly when we fuck. Her voice is enough to bring me closer to my own apex. I begin moaning beneath her, unable to contain my own pleasure. She looks down at me “shhhh shh shh shh” she hushes as she pulls my hand from my aching clit before I can reach my undoing. I whimper in disappointment as she pulls my arm from beneath her leg and takes my other one from her chest before pinning them above my head in her strong hands, deepening her weight into my face. “Shut up” she corrects. 

Her rhythm continues and I can tell the new pressure she's added is building her quickly. “God damn.” she says as her eyes squeeze shut. “Okay” That same wrinkle between her eyes deepens again, this time out of pleasure. She rides harder pushing the back of my head further into the pillow. Her moans grow louder, more animalistic. her hands on my wrists tighten to the point that I am sure that there will be a mark. “Holy fuck” she gasps. She pushes hard against me and I can feel the pulse intensify, her sounds grow and grow until suddenly her hands let go of my wrists and bury deep into my hair, pushing me even further into her just at the right time when her head falls back in quiet breathy moans, she rides out her high on my mouth. Her legs shaking and clit pounding as I suck against it,  encouraging her. Tasting her. Worshiping her. She lets out a whimpering breath at the end of her climax and looks down at me beneath her. “Oh my god babe.” She slowly lifts off of my face and I see her flinch slightly at the air touching her sensitivity. She takes a breath before looking at me with a lazy smile.

 “All right. Your turn.”

[bi-bard]

my predictions for who i'll write about in stories inspired by the songs that might be on the deluxe edition of Noah Kahan's "Stick Season"

So.

Noah Kahan has been busy working on the deluxe version of Stick Season... and teasing it on his TikTok.

Just for a bit of fun, I wanna give some prediction on what I think each song we've heard (so far) will inspire me to write because we all know that I'm going to write stories for them.

Again, this is just for fun. This is not set in stone because I don't know the whole songs... or even which of these are going to make the album, so... yeah.

It's just using clips from his videos.

Also, this starts from the most recent audio shared and then goes down the list of videos.

SPECIAL NOTE: I have absolutely no idea how many of these are actually going to end up on the deluxe album. I simply don't. I just kept going until I got tired. Sorry.

---------------------------

"Medicate / meditate / swear your soul to Jesus / throw a punch / fall in love / give yourself a reason..."

I think this will end up being a Dean Winchester imagine. I think somewhere around season 10 to season 11 because I think that's where we see the most distinct moments of Dean truly seeing himself as something bad and undeserving of love and forgiveness.

"I ain't proud of all the punches that I've thrown / In the name of someone I no longer know / For the shame of being young, drunk, and alone..."

Carmen "Carmy" Berzatto from The Bear. That boy is damaged and messy and I think this song is going to be a great way to look at the pitfalls of the behavior that we see from Carmy in the show.

"So pack up your car / put a hand on your heart / say whatever you feel / be whoever you are..."

I don't have a specific fandom, but I'm looking at a found-family story where the reader says goodbye, either to what they knew before or to their found-family. Mostly because this song reminds me of the scene in Supergirl where everyone is saying goodbye to Winn. I'm juggling between something like Titans or something like Doctor Who.

"I saw the end / it looked just like the middle / got a paper and pen / and a page with no space...."

this story is going to be so personal to me. i can already tell. I'm leaning toward a superhero story or a Supernatural story. A life after being with these people. Maybe that life was scary and seemed pointless, but now that their free, they have to deal with missing what was familiar and the guilt of not feeling grateful enough to something better.

"There's a tiny tourist trap a few miles off the interstate / and I watch as it empties out..."

I don't have a character in mind, but I have an idea that it'll be a very tearful goodbye and kiss and shit. Maybe a reunion too? Maybe?

"Quietly you're coming home from work / Forty hour week minus commute / for a dream of planting flowers on the porch / For now, my love, store-bought will have to do..."

I want to write a childhood friends-to-lover kind of thing, but I'm not sure what it'll be yet. I just know that much.

"I'm the tall glass of water you lost in your kitchen / I'm casually cruel like a senior prediction..."

This could also play as a childhood friends-to-lovers story, but I am not nearly as sold on that one. This one is such a strange one to me. It's very nostalgic but also angry?? I don't know. I'm still thinking about it. I'm kinda thinking that Hannibal might work, but there may be another Hugh Dancy character that would fit better, so I make no promises...

"County line, I'm counting down / mailboxes until my house / This place had a heartbeat / in its day..."

I'm leaning toward Doctor Who on this one. I don't know which Doctor it'll be, but I think it would work out well.

"I hear you call / me somewhere only we know / I'll hold out hope / when my eyes open, you'll show..."

This will be a very sad story. I can promise that. It's about grief and it's very complicated process. I have every intention of writing for that.

[innytoes]

Chaotic prompt: "Oh no, she's hot" for the polycule of your choice

What Luke and his boys had was perfect. It was more than love, it was trust, belonging, connection. It was home. And when they made music together, the got to share that connection with everyone.

He hadn't thought it could get any better, except then Willie literally came crashing into Alex' life, and theirs by extension. It had taken a few conversations, and yeah, maybe Luke had to learn to tamp down on his jealousy a bit. Especially once he got to know Willie and he started to get jealous of both him and of Alex for getting to kiss him.

But then Willie had joined them, all of them, and it was like they were even stronger, even better than before. Like they were complete in a way they hadn't even known was possible.

And then came Julie.

The song they'd been working on just didn't work with their vocal range, so they'd put out feelers for a female vocalist. And as soon as they heard her sing on her audition tape, they knew she was the one. So Bobby and Alex sent her the e-mail (because Alex was good at the polite stuff, and Bobby was good at 'not typing in all caps or adding emojis to business e-mails') and Willie and Reggie made cookies for the day she was supposed to stop by the studio, and Luke...

Luke may have written three more songs before the week was out, just imagining what they could do with a voice like that added to their range. Looking back, he was already a little in love with her then, just from that 2 minute audio clip.

So when Julie knocked on the door and came in, his first thought had been: oh no, she's hot.

He'd been totally professional, of course. Super excited and passionate and a little bit of a weirdo, but super professional. This was about music. His crush could wait. Julie fit in great with the band, and by the end of the hour they'd had scheduled, they were already jamming out together, Willie giving them a solo standing ovation when they finished.

One hour turned into two, into three, and then all the cookies were gone and Julie had to excuse herself because she was meeting her dad for dinner. They talked a little afterwards, about how good Julie's voice fit with the song, how she clicked with the band. Maybe the terms 'wrecking ball of talent' and 'voice of an angel' were thrown around. But Luke was being utterly professional, one hundred per cent.

It was actually Reggie who brought it up. "So like... Julie's really pretty."

"Oh, totally," Willie agreed.

"Yeah," Bobby said.

Luke blinked. Were they making fun of him? But they weren't wearing their 'make fun of Luke' faces. "You guys really think so?"

"Dude, I'm gay as hell and I can tell she's pretty. All three of you got heart-eyes the minute she walked in," Alex pointed out. Reggie had the decency to blush, but Bobby just looked back and shrugged at him.

And really it seemed like it was up to Luke to be the professional one here. "We cannot mess this up, guys," he said sternly. "We need her for this song. She's perfect."

"Okay, so like... we ask her out after we've finished recording?" Bobby asked. Reggie was nodding fiercely, looking from Bobby to Luke hopefully. Luke shared a look with Alex, who smiled and nodded, and Willie, who gave him a thumbs up. If they didn't mind them dating a girl, or at least asking a girl out, then maybe it was okay. There was just... there was this connection when they sang. Luke knew it would work out in the end.

"Yeah, totally we ask her out after we finish recording."

In the end, Julie says yes and they record many, many more songs together. And they're happy, because just like his boys, Julie is home.

[topweeklyupdate]

TØP Weekly Update #142: A Formidable Album (5/21/21)

So... how 'bout that album release week?

There's so much to cover; the release of nine new songs, the hype that's building for the World's Best Band to return to the stage, and (if we're able to come up for air) the massive speculation of what the future brings for our band.

I'm gonna get right into it, laying out my thoughts regarding this bold new album and covering all the most notable news from the week. I'll be sharing my (mostly) positive opinions about Scaled and Icy under the Read More line; I hope they're the start of a fun conversation with all of y'all who have stuck around through this last year.

Scaled and Icy Review

First, my general thoughts on the album: It's good! Really good. Do I think it's a no-skip like Vessel or a cohesive piece of art like Trench? Absolutely not! But it's also not the potential misfire that I worried that we might be getting when I first heard "Saturday" (more on that later); I think all of the songs are at least good, and some of them are downright great tracks that hold up with anything else that our band has ever released. It is also indisputably very different, but I think that generally works pretty well. Many of the songs evoke '60s rock or Britpop sounds and structures that you can tell Tyler is still trying to navigate, but I think he does a very solid job at adapting them to suit his strengths- namely his lyricism and knack for melody- rather than change to suit them. Unfortunately, this does result in a bit of square-peg-in-round-hole syndrome at times; most of the rap verses on the album feel like they're here just to fulfill an obligation to fans who would be mad if they weren't here, and most of the songs that use them are the weakest ones in the project.

"Good Day" plays a major role in getting the rest of the album to work as well as it does. Its gradual ramp-up, introducing the sound that will be used throughout the rest of the album. Its playfulness belies its message about how one can project a somewhat false optimism for oneself in the midst of tragedy: the type of dark stuff in a bright package that Tyler is so so good at. It's perhaps not an instant classic, but I am excited to see how it comes across when it's eventually used as a show-opener. 9/10

I've of course already discussed "Shy Away"; an anthemic, inimitably catchy track that I just wish had a bit more going on under the hood. Still going to be so good to hear thousands of voices scream "An 'I LOVE YOU' that isn't words!" someday. 9.5/10

"Choker" definitely took a little bit to grow on me. I think part of that was a bit of disappointment from over-inflated expectations and the environment I was in when I first heard it. With further listens, I fall more and more in love with the melody of the song... well, most of it. Like the rest of this album, the biggest weakness in the song is when Tyler tries to tick the box of having a rap verse; it just feels really out of place, unfinished, and almost amateurish, and it doesn't end the song on the note that it really should. Without it, it'd be one of my favorites on the album; with it, "Choker" is a solid 8.5/10.

Speaking of unfinished-sounding songs really hurt by their rap verse: "The Outside". There's a definite something to the vibe of the song, but that seemingly nonsensical verse is one of the two weakest parts of the entire project for me. The way the song meanders only adds to the feeling that there wasn't as much energy and attention paid to it compared to other parts of the project. It's pretty easily my least favorite track on Scaled and Icy, and the only one I might regularly skip. I've also seen plenty of people saying it's the best song on the album, so please tell me why I'm wrong! 6.5/10

"Saturday", as mentioned above, had me really nervous about this album. Like "Choker", it's grown on me a bit since I first heard it, in part because it fits better with the context of the rest of the album. However, this one really does feel undercooked lyrically and overreliant on the novelty of using a disco-inspired sound that seems to chase trends more than almost any other TØP track. The inclusion of that very sweet audio clip from Jenna boosts the song in some ways, but also adds to the disappointment in others; there are many other songs on this project that would be more worth surrendering time watching Friends. Thankfully, those come next. 7/10

"Never Take It" is fascinating. I never thought I'd hear a Rolling Stones-style song from Tyler Joseph featuring a gd guitar solo of all things, and it actually sounds pretty great. However, I also predict that this song will see some of the greatest critical scrutiny out of all the songs on the album. The lyrics seem to be Tyler's criticism of the media for playing up division in our society, but he's extremely vague when discussing which entities are spreading said division and ultimately recommends that people "educate yourself, but never too much". I'll be honest: maybe it's the fact that it sounds like something my dad would listen to, but it feels like this would get tons of play on Fox News. Since it makes specific reference to the events of last summer, it's hard not to feel like song is at least partially inspired by Tyler's brush with cancellation last year. Maybe I'm reading too deeply into it, but those reservations come from the song's lack of specificity, which is an issue of songwriting more than politics. They hold me back from truly loving a song that still manages to be one of the most exciting the band has ever put out. 8.5/10

"Mulberry Street" seems like the perfect realization of the entire album's intended tone. It is so pleasant, so lush while also simply produced, full of great lyrics, metaphors, and imagery. It really brings the whole project together, even if it's missing That One Line to really move this up to the top tier of the canon. 9.5/10

"Formidable" is the best song on the album and one of two songs I would truly rank in the top tier of the band's canon. Extremely pleasant and brimming with well-crafted lines to make your heart swoon. Jenna (and Rosie) is (are) a lucky gal(s). Or is it about Josh? Who's to say? 10/10

"Bounce Man" is just plain wild. I think Tyler's smuggling someone to Mexico to escape the feds? The playfulness of it all really covers up any frustration I might have with the clarity; it makes it clear that there's not really stakes here, just vibes. 8.5/10

"No Chances" sees the album take a turn that I'm sure the Reddit Clique is going to have an absolute field day with; it and "Redecorate" both sound quite different from the rest of the album and evoke enough elements of Trench to make me think that's it's actually possible that all this 'SAI is Propaganda' stuff might actually have something to it... until I actually pick apart the lyrics, then I'm even more confused. The song has some of the best rapping on the album, though that's not saying much (the feng shui line is a groaner right out the gate) and the gentle pre-chorus is really pleasant. I still haven't made up my mind on whether the chorus is effective or just plain goofy. This one might get worse or better on repeat listens, impossible to say for now. 7.5/10

"Redecorate" rounds out the album by opening with a Clancy quote (Tyler, you bastard), firmly setting this as a coda to Trench more than the album we just listened to. The rest of the song is really storytelling, with Tyler describing a bunch of people who are struggling deeply. The idea of "redecorating" here stands for how they are faced with the option to clean and resort their own spaces and lives or leave that to their loved ones to do after they're gone. By the time it gets to the album's name drop, you begin to wonder how much of this is potential autobiographical of the last year. It's moving stuff, a callback to some of the great strengths of the band's discography. 10/10

If I average those scores all up, this project ranks below almost every album among the Pilots discography on my rating scale, very narrowly edging out Self-Titled. That's still a very solid 8.6. Scaled and Icy is a very good album on first listen. We'll see how I feel about it after having a little more time to sit with it, but I've rambled enough: let's move through the rest of the week's news.

Other News

Of course, there was a lot else going on this week! To accompany the release of "Saturday", Zane Lowe over at Apple Music dropped an interview with Tyler. As usual, Zane did a pretty solid job of getting to the heart of the craft and the creation process. However, Tyler also wound up skirting a lot of the questions to just talk more about how much he loves being a dad, which makes me happy; if the cost of getting a little less attention and mental energy devoted to the music is that little girl getting all of his attention, that's honestly preferable for me.

The album rollout is not even close to over. Later today, the concert will be streamed live. It's our first real performance that we've gotten from the band since 2019, but the previews that we've seen have completely exceeded any of my expectations, and really anything that we've seen from the band. It appears that they've transformed the entire arena (which I think is the ol' Schott at Ohio State) into a whole TØP world, with different sets laden with Easter eggs and a cast of backup dancers. If the website can hold up to the traffic (and I acknowledge that might be a big ask), this could really live up to Tyler's promise of this being the best livestreamed concert ever.

Oh, and this guy dyed his hair pink.

What a time to be a fan. Catch you all tomorrow.

Power to the local dreamer.

|-/