S5 E16 Ethics
"maybe next time you should bring a deck that's not transparent to infrared light" ah ha!! I've seen speculation as to why Riker wins at poker when he plays an empathy, an android, and someone with "x-ray" vision and at least for the last one, now we know you just need cards that aren't.... transparent to infrared light. I don't know what that means from a practical stand point, but there it is.
It's kind of odd which injuries in the Trek-verse can or cannot be repaired...I understand there has to be a limit but it's not really clear what can or cannot be done.
It 100% sounds like Jonathan has either bad allergies or a head cold. I.e. he sounds really stuffed up.
So... Klingons sound very ableist. Assisted suicide is one thing, for degenerative disease, but paralysis is by no means an end of quality for life.
"I've been experimenting with DNA based generators" now, the idea of this technology was fairly futuristic for the 1980's and 1990's, not to say it was inconceivable but rather that it was outside of the contemporary scientific technology of the time. But now, just over thirty years later, growing specific kinds of tissue outside of an organism is something scientists are legitimately working on. It's still an impressive ambition, but it doesn't feel like in the 24th century it should still be an unusual, cutting edge pursuit.
Okay good, Picard and Riker are discussing the whole assisted suicide/apparently ableist Klingon culture....thing. And Riker is absolutely right, he does really well with keeping an open mind. (Even just in reference to Klingons we have "a matter of honor" as a testament to it.) It's interesting that Riker went to Picard not as his captain but for counsel as his friend. I think I would react very much like Riker. If a good friend asked me to help them, if they were dying without cure and in pain....I think I would do something to help. It would be so incredibly hard... but if a friend asked me to do that when they weren't in physical pain, weren't immediately dying.... I don't know how that could be excusable regardless of how they viewed the context for it. And even if Worf's request reflect his trust in Riker....does he realise what he's asking him to do? Riker is being asked to shift his paradigm...but Worf doesn't have to make any such concession.
Damn!....way to go Troi! (She kind of just did to Worf what Riker did for her in "The Loss" almost.... I have more respect for her loss of empathy than for Worf's loss of honor and she was looking to end her career not her life....Worf is so extra sometimes.)
Worf puts so much pressure on his son. In a way I can see this being a little moment, knowing Deanna and Worf date for a bit in season 7, where Worf has allowed Deanna to see him vulnerable and, for him, that's a notable intimacy.
This woman...needs her credentials checked.
"Beverly" he used her first name!
This really does bring up a bigger question. Riker's struggle is with being asked to help Worf commit suicide. But Beverly is set on stopping Worf from commiting suicide all together. In certain religious contexts suicide is considered reprehensible, and assisting suicide is illegal in most counties (even for medical purposes). At what point is someone's life their own to do with as the please, to live or die? If someone wants to die is there an obligation to the people around them to force them to live?
I really like Patrick's acting
Damn! Now it's Riker's turn! (If I ever need any sort of intervention...I want friends like Will and Deanna.) Riker did his homework!
Now hang on a minute! Alexander said they started doing multiplications in class....but that kid in "When the Bough Breaks" was friggin upset and complaining to his dad about doing calculous. CALCULOUS. What happened to that?!
Worf respects Deanna....that's one of the nicest things he's probably ever said to a woman. Okay but that actually is sweet, as is Troi's response and acceptance of the request. (But it also sets up the main reason Worf likes Troi: because of her help and connection with Alexander)
They brought back the lobster suits! Aww....I hate those. (Those these look different....less....red)
I kind of love this relaxed tension as Picard and Riker sit together, going over trivial bits of work, both trying to ignore their anxieties, distract each other, and offer companionship, as they wait. It's really gotten to the point where there's not a whole lot of separation between their personal and professional lives.
This kid is a bit annoying...but he's not a bad actor. Marina really sells the scene though.
Damn, do not get on Beverly's bad side. I have so much respect for her here.
0 notes
i've enjoyed your prompt fills so much, thank you for sharing them!! if you feel like it: chef!andrew trying (and failing) to woo picky eater neil with fancy food? :)
The thing about growing up on the run is that you never really develop a palate.
You eat what's there to be eaten, whatever you manage to stuff in your pockets while your mother distracts the cashier trying to haggle for cigarettes, as if it's anywhere near possible to haggle in a 7/11.
You eat school lunches, bland chicken nuggets and congealed mac and cheese and unseasoned carrots with those little close to expired fruit cups with the peaches and cherries and simple syrup.
You drink gas station coffee—maybe it stunts your growth, but you drink it anyway—and fill old plastic water bottles from drinking fountains or public restroom sinks.
At least, that's what Neil tries to explain to Matt one day, when Matt invites Neil to his favorite restaurant in his hometown. It just so happens that Matt's hometown is New York City, and the chef at this place has a Michelin star, but Neil isn't on the run anymore and his paycheck is hefty enough that he can afford it.
“What about the tasting menu?” Matt says. “Eleven courses, look. You can figure out what you actually like, and not just what you'd eat if you had to eat it.”
Neil looks over some of the past options. He doesn't know what half the words on the menu mean, but he's pretty sure sturgeon is a fish. A fancy one, maybe, but for his purposes, there's not much difference between sturgeon and the cheap cod he gets in giant frozen bags from Trader Joe's every week.
“You really think this is worth the price?” Neil says. “Couldn't we just buy some quail eggs at Trader Joe's and figure out how to poach them ourselves?”
“I don't think they sell quail eggs at Trader Joe's,” a cheerful waiter at Matt's shoulder says. “My name's Nicky, and I'll be your server tonight. How are you guys? Do you want me to explain anything in the menu to you?”
“No, we're good,” Matt says. “Can we just do the full tasting menu? Neil here hasn't ever eaten food that wasn't either junk or bland college dining hall food, so we're trying to fit twenty-four years of culinary education into one night.”
“Wow, twenty-four years,” Nicky says. “Well, luckily, if anyone can fit that much into one night, it's Chef Minyard.”
“It's not Kevin Day tonight?” Matt says, frowning.
“He took his yearly personal day,” Nicky says. “But I promise, you're in excellent hands. When Andrew bothers, he's just as good if not better than Kevin.”
“But Chef Day makes those parsnip tarts,” Matt says. “Does the new guy make those too?”
“He's not new,” Nicky says. “He's actually been here just as long as Chef Kevin. He makes a pretty good parsnip tart, but he likes to be a little more improvisational with the actual menu, so you might get some interesting stuff you aren't expecting.” Nicky beams at them. “Do you want to include the drink pairings, or order something off the drinks menu?”
“Just water for us tonight,” Matt says. “Neil doesn't drink.”
Nicky eyes him. “A shame,” he says.
They go through the menu. Neil doesn't think any of the options really speaks to him the way Matt wants them to, not the parsnip tart or the braised oxtail or the poached quail eggs or the deconstructed Neapolitan pizza or the petit-fours they serve at the end with complementary brandy.
“What do you think?” Nicky says when he brings them the check. “Better than dining hall mush, right?”
“I guess I can recognize that it's better,” Neil says. “But I don't really like any of it more.”
Nicky looks positively agog. “Really? Not even the truffled caviar?”
“That just tasted salty to me.”
Matt looks like he is definitely going to take a cab home and leave Neil to navigate the subway alone.
“Maybe the chef had an off night,” Nicky says, generously. “I'll have a word with him.”
“That's not—” Matt says, but Nicky has already disappeared back toward the kitchens.
Neil breaks into the bougie fortune cookie they served—it looks like a regular fortune cookie, but it has gold flake on it and some kind of purple gel inside. It tastes like a regular fortune cookie.
“I'm never bringing you anywhere again,” Matt says.
“You shouldn't.” A new voice; it comes from behind Neil, and it belongs to the person who must be Chef Minyard, a blond holding a chef's hat and wearing a white chef's coat. “He has no taste.”
“This is Chef Minyard,” Nicky says hurriedly—he must be thinking of his tip; he hasn't taken their cards yet. “He's a little upset that you were disappointed, but he wants to make it up to you.”
“I don't want that,” Andrew says, leveling a cool look at Neil. “If he does not like my cooking, he has no taste.”
“He hasn't found something he likes yet,” Matt says. “He grew up on, like, jail food.”
That makes Andrew arch an eyebrow.
“Not jail,” Neil says. “Just stolen.”
He watches Andrew react. It's not a secret—everything about Neil's past is public domain, pretty much, including that he spent most of his adolescence on the run.
“Maybe if Chef Day were here—” Neil says, and Nicky makes a sound that might be horrified or impressed.
“Come back tomorrow,” Andrew says. “Chef Day will be back, and he can make you dinner.”
Neil considers it. They're not flying back to Philadelphia for pre-season until next week, and Matt is nodding vigorously across the table from him.
“Not dinner,” Neil says. “Lunch.”
“Lunch,” Andrew agrees.
As they leave the restaurant, Matt is practically bouncing.
“You have to wait months for a meal there usually,” he says. “Even lunch. I'm secretly glad you pissed him off, even if you were rude.”
“I was just honest,” Neil says. “You're the one who told him I grew up on jail food.”
“It was good, though,” Matt says. “He loved it.”
To be honest, Neil thinks, remembering Andrew's sudden interest, he did.
*
At lunch the next day, they sit up at the bar, where the bartender delivers food directly to them from the kitchen. She introduces herself as Renee and keeps their glasses of water—sparkling for Matt, still for Neil—topped off throughout the first half of the meal.
Eventually, she asks, “Neil, have you enjoyed any of this yet?”
“It's fine,” he says.
“He's a big fan of those omelettes they make in college dining halls,” Matt says. “You know, with no seasoning and raw spinach.”
“I'll let the chef know,” Renee says.
A few minutes later, she comes back out, this time carrying two plates of something golden-yellow topped with a spoonful of the black spheres Neil has quickly become familiar with.
“Lobster, caviar, and caramelized onion frittata,” she says. “We served this at brunch yesterday and had some of the ingredients left over. Don't tell anyone.”
Neil takes a bite. It tastes like eggs, layered with the chunky buttery taste of lobster and the salt from the caviar. He gets some of the sweet onion, too.
“It's fine,” he says.
“Fine,” repeats a voice at his shoulder.
Neil turns. “I thought Chef Day was cooking for us,” he says.
“Chef Day is busy with customers who booked tables six months ago.”
“I don't hate it,” Neil says. “I just don't see the point. You eat food because you have to. If I could take a pill every day that contained my calories and macros for the day, I would.”
Next to him, Matt makes a sound like a dying bird. Andrew doesn't spare him a glance.
“You are a walking tragedy,” Andrew says. “Do you like dessert?”
“Not really,” Neil says, at the same time as Matt says, “He likes strawberries.”
“Perfect,” Renee says. “Strawberries are in season.”
She smiles beatifically at Neil, who doesn't trust her on instinct.
He expects the next few courses to feature strawberries, but they don't. If anything, Andrew seems to be trying to get more avant garde with his offerings—a tray of charcuteries that Renee informs them are illegal in most states due to raw milk; balut, which makes Matt actually moan; a foie-gras mousse coated in gold flake and topped with caviar and shaved truffles, a single serving of which might be worth more than most people's rent; something that Renee calls “molecular gastronomy” and which is just a bunch of bubbles that barely taste like food; baby eels coated in breadcrumbs and deep-fried; carrot tartare; and finally a chocolate so bitter that it triggers Neil's gag reflex.
“My god,” Matt says. “Neil, can you keep pissing this place off? If they're going to give us a meal like this every time—”
“You liked that?” Neil says.
“You're joking. This is like, cutting edge foodie culture. Everyone who reads my food blog is going to be so jealous.”
“You run a food blog?” Neil says. He can actually imagine it. “Do a lot of people read it?”
“Yeah, but that's not the point,” Matt says. “Like, we just ate eel parmigiana made by a chef with a Michelin star. Who else can say that?”
“You weren't satisfied?” Renee interrupts. “Can I ask what you liked the least?”
“The eel was fine,” Neil says. “Not the cheese or the bubbles. Or the chocolate. And I think I don't like caviar.”
“Just fine, though,” Renee says.
“He likes tangerines, too,” Matt says helpfully.
Renee fixes Neil with a long look. “Can you come back tomorrow? Around this time?”
“Yes,” Matt says.
“Uh—” Neil says.
“Yes. It's summer. We don't have to work. We're coming back.”
“Okay,” Neil says. “Fine.”
*
The next day, they get treated to a much milder cheese plate—Renee tells them they're all mountain cheeses, though what that means is beyond Neil—and four courses of seafood, including a complicated-looking paella and a plate of butter-poached haddock. They get macarons for dessert.
“We decided to stop wasting resources on your unrefined palate,” Andrew informs Neil. “No truffles or caviar for someone who does not appreciate mushrooms or fish.”
“I like fish,” Neil says.
“Like and appreciate are not the same thing,” he says. “Come back tomorrow. We will try again.”
*
The next day, they get a traditional fancy French meal. Escargot, filet mignon, et cetera. For dessert, flaky pastry with nuts. Still no strawberries, though Matt gets some of the shaved truffles on his steak.
“I like the escargot,” Neil tells Andrew, though it's mostly a retaliation for the unrefined palate comment of yesterday. “Too much butter, though.”
“Neil—” Matt says, but Andrew only raises an eyebrow at him.
“Tomorrow,” Andrew says.
“We're leaving Thursday morning,” Matt says. “Chef Minyard, it's your last chance.”
Chef Minyard doesn't look impressed.
“Lunch,” he says. “Tomorrow.”
*
Lunch is fried breaded duck breast, cacio e pepe pasta, a carrot salad, and a fruit plate that features peaches, cherries, and a drizzle of honey.
Matt laughs out loud when they get to the fruit plate.
“It's a joke,” he says. “It's the school lunch I was making fun of you for, look.”
And it's true: sure, Andrew has exchanged duck for chicken and seasoned the vegetables, but it's the same basic components.
They taste good, Neil decides, and when Andrew comes by to check on them, he tells him.
“You're lying,” Andrew says.
Matt laughs again. “Dude, you can't hide anything from this guy.”
“I just can't tell the difference,” Neil says. “It isn't going to bring me joy or anything. It's just food. It's just fuel.”
“But a car can tell the difference between gasoline and old bacon grease,” Andrew says.
“Sorry,” Neil says. “This experiment has failed.”
They walk out of the restaurant with Renee, who is getting off her shift.
“It's a shame you two are leaving,” she says. “Andrew hasn't had this much fun in ages.”
“This has been fun for him?” Neil says.
“Why else would he have humored your awful taste for this long, dude?” Matt says. “Personally, I think he has a crush on you.”
“A crush,” Neil says. “On me?”
“Yeah, dude, don't act so surprised. You know if I weren't happily taken—”
“—everything would be exactly the same, except you'd be on Tinder,” Neil says.
Matt pouts.
Renee says, “Neil, Andrew isn't working dinner tonight. You have his number, right?”
He does. Andrew gave it to him after their second trip to the restaurant so Neil could text him what time they were coming by.
“You should text him,” Renee says.
“Uh,” Neil says. “Okay.”
*
He meets Andrew at, of all places, a Trader Joe's. It's the one on 72nd St, a half hour away from closing, and Andrew is perusing the baked goods section like he has all the time in the world.
“Don't tell me Michelin-starred Andrew Minyard eats Trader Joe's brownies,” Neil says, and Andrew, as if to make a point, adds a package of brownies to his basket.
He continues to dutifully ignore Neil through the rest of their shopping trip, stopping in the freezer section for a carton of ice cream and then in the spice section for a bottle of pink salt.
“What's the difference between the pink salt and the white salt?” Neil says.
“Aesthetic appeal,” Andrew says.
“I thought food was about taste.”
“Food is about all your senses,” Andrew says.
“How did you get into cooking?”
“Juvie,” Andrew says. “And then therapy.”
“Is cooking like therapy for you?”
“Yes,” Andrew says, dragging a hand over the carton of ice cream and then pressing a cold finger against Neil's wrist. “It helps with being present. Because it is about all your senses.”
“Okay, so I get taste obviously, and smell, but you don't hear food.”
“What makes some textures more pleasing than others?” Andrew says. “Sometimes it's mouthfeel. Sometimes it is sound.”
He moves his finger away and makes his way to the register, pays for the groceries, and then leans back against the escalator that leads them back above ground.
“And you're getting ice cream,” Neil says. “For the—mouthfeel.”
“For the taste,” Andrew corrects.
When they get outside, Andrew walks lazily up a couple of blocks and then west a block until he finds what he's looking for: a man packing up his fruit cart near a bar.
“How much for a thing of strawberries?” Andrew says, and there's an odd bubble at the base of Neil's throat that he can't identify. It's almost laughter.
“Three dollars, but two for five and three for six,” the man says. “Or you can have strawberries and blueberries, two for five. Raspberries, blackberries, two for six.”
“I'll take strawberries and raspberries,” Andrew says. “Wait, I want to pick the strawberries.”
He picks over the few boxes left, all of which have been sitting out all day in the New York summer heat. He chooses one anyway, drops change into the man's hand, and then leads Neil onto the subway uptown.
Andrew's apartment is small and mostly empty, its kitchen opening up into the living room. Only the kitchen is well-stocked—the living room has a couch and TV and not much else, but the kitchen features an island with stools and a series of complicated-looking machines.
Andrew doesn't touch any of them. He puts the brownies in the microwave, then scoops some ice cream over them, slices strawberries over that, and sprinkles all of it with the pink salt. He pushes a plate toward Neil and starts methodically eating his own.
The first thing Neil notices is the overwhelming sweetness of it. The second thing he notices is the way the salt cuts all of it, and then the tartness of the strawberries—Andrew chose some that aren't all the way ripe yet, and it seems to be by design.
Then he notices the heat from the brownie and the cold from the ice cream, and then the smell of the chocolate. The sound of Andrew chewing. His own plate, the black-brown, the white and gold of the ice cream, red of the strawberry, all sprinkled with pink salt.
It looks nice.
“It looks nice,” Neil says.
“See,” Andrew says. His wrist bumps against Neil's across the island, and Neil can't tell how deliberate it is. “Aesthetic appeal.”
1K notes
·
View notes