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tenebraevesper · 3 months

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Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 1)

Welcome to the first part of my personal elaboration on the topic of why ''Prime!Shadow is peak Shadow!'', or in other words, why Prime!Shadow is one of the best written iterations of Shadow's character.

Will I try to make proper arguments for his character writing? Of course. Will I also be biased as hell just because he's my favorite character? Absolutely!

So, if you can handle both of that, we should dive in!

Before I start, I suppose I should give a brief overview of Shadow's character and how he had been handled through the years. The general consensus seems to be that Shadow was at his peak as a character from Sonic Adventure 2 to Sonic the Hedgehog (2006) (as well as Pre-Reboot!Archie Comics during Ian Flynn's run), being someone who was deeply traumatized by the death of his sister Maria Robotnik, had his memories manipulated to get revenge on humanity, only to sacrifice his own life to save the world Maria cherished, losing his memories in the process and trying to carve out his own path, only to finally solidify his role as a protector of the world, even if his methods aren't always the most peaceful ones.

So, where does the idea of edgelord Shadow come from?

Yeaaahh... let's just say that Shadow's own game, Shadow the Hedgehog (2005), didn't do him any good in the character department, because it seems that all that people remember was that one time SEGA decided to give Shadow a gun and let him deal with an alien invasion. The confusing story routes didn't help either.

In time, Shadow's character went from a complex and layered character to something akin to Vegeta (no offense Dragon Ball fans!), much to the disappointment of everyone who understood character before he underwent this transformation. Also, I'm not counting Boom!Shadow in this because Sonic Boom is a different universe and its own thing, but I won't argue against the fact that Boom!Shadow's characterization as a complete jerkass didn't do Game!Shadow any favor either. That's not even mentioning the Sonic IDW Comics, where Shadow had many mandates tied to him that even the writers found it annoying to write him (although with the most recent arc where Shadow was shown, it seems that the mandates have loosened a little).

Of course, I might be missing out on some information, but this is the general gist of the history of his character. So, when Sonic Prime revealed that Shadow would be one of the major characters, you can bet that I was nervous about how he would be written and I decided to keep a close eye on his characterization; and honestly, I went from genuinely pleased to excited when I realized that Shadow was being written as a very compelling character. Not only that, but he also appeared to have gone through subtle character development over the course of the show.

Starting from the very beginning, I'm certain that you remember how Shadow's first appearance was basically him punching Sonic at the end of Episode 01: Shattered, a very impactful first impression that left us with more questions and headaches. The following episode, Episode 02: The Yoke's On You, gives us more details in regards to why he punched Sonic, seemingly out of the blue.

Shadow's proper introduction kicks off with him searching for the Chaos Emerald... and I have to ask, when was the last time we even saw Shadow genuinely smile? Was in the Mario & Sonic at The Olympic Games franchise? I don't really remember.

In any case, being clearly happy about finding the Chaos Emerald, he speeds off, only to suddenly sense that something is wrong and is met with a giant blue pulse of energy (released during Sonic's fight with Dr. Eggman) and a vision of Sonic using the Paradox Prism energy.

''Sonic!''

This expression just screams ''Something bad is going to happen and it's Sonic's fault! I'm going to kick his ass before he does anything stupid!''

We then follow Shadow as he searches for Sonic, clocking him square in the face for something he hasn't done yet. Eh, I'd say that this one wasn't really deserved.

Even before Sonic starts explaining his relationship with Shadow, we immediately get an understanding of Shadow's character. He is serious, works alone, quite fast and powerful, prefers to fight over talking things out, is willing to do anything to protect his home and clearly has a history with Sonic. Sonic proceeds to add how Shadow is his biggest rival, a buzzkill and that he totally roller-skates.

''They're air shoes!''

Did... Did Shadow just break the 4th wall? Did he just make a joke? Dude, not even Boom!Shadow got to do that and Sonic Boom was the epitome of wall breaking!

Yeah, let's just say that my jaw dropped when I heard this, realizing that Shadow's character in Sonic Prime will be different than what we got used to see.

So, after knocking the Rings out of Sonic (I mean that literally), Shadow questions him about what he has done, with Sonic pointing out how Eggman is the bad guy, clearly confused about why Shadow is attacking him.

''You literally shook the world!'' ''That's because I'm good! And powerful apparently! Jealous?''

After a bit of teasing from Sonic, he and Shadow get into a race, during which I had noticed something. While Sonic keeps teasing Shadow (and also having fun fighting him), Shadow tells him to stop and listen for once.

''Clearly you're angry, which is normal,... but I'm supposed to be on a bit of a mission here, Shadow!'' ''What mission?'' ''None of your business.''

Sooooo, have you noticed it too? Because there is something very telling in this interaction. If you haven't, I'll let it play out until the end. Anyways, to continue, Shadow knocks Sonic into a rock, with Sonic confirming another aspect of their relationship.

''Ughh, I know, we're fighting again. Don't worry guys, I'll calm him down.''

We now know that this certainly wasn't the first time they had a fight and it won't be the last time. Sonic points out that, whatever beef they have, they aren't going to settle it this way. While Sonic is right, I will admit, I had to gush over the excellent animation and fight choreography. X3

Sonic then hears an explosion from the cave where the Paradox Prism is and tells Shadow that he needs to get to his friends, only to get punched for his troubles.

''Learn to focus!''

Now that the flashback is over, what exactly is going on between the two?

First of all, the main thing I have noticed is that both Shadow and Sonic seriously have a problem with communication. Shadow knows Sonic is about to do something stupid, and from his actions (aka choosing violence over talking) he is trying to prevent Sonic from doing whatever he was about to do. It does paint Shadow as a bit of a jerk, but Sonic isn't completely innocent here either.

An observation I had made was that Shadow probably knows that if he tried to just talk to Sonic, Sonic would either blow him off and run away or just tease him back, which was confirmed when Shadow asks him on what kind of mission he is with Sonic responding that it's none of his business. I imagine that there were previous events where Sonic was doing something stupid and Shadow tried to stop him from making things worse, and that violence was indeed the answer to Sonic's antics.

If Sonic had explained to Shadow what the deal is, I'm certain that Shadow would help him out. Perhaps Shadow could've told him about his vision, but going by Sonic's behavior, Sonic would probably not listen to him.

This brings me to my second point - this moment establishes that, if there will be character development for Shadow, it will be mainly through his interactions with Sonic and them learning to work together and listen to each other, something I'm really excited to talk about in later episodes.

The flashback continues in Episode 03: Escape From New Yoke, where Sonic does the old ''Hey, look behind you!'' trick and Shadow falls for it, hook, line and sinker. Sonic knocks him into a wall and speeds off to where his friends are fighting Eggman, leaving Shadow to recover and follow him.

I do like how Shadow just shakes his head here. Even if he doesn't say much, you can clearly see what it is going through his mind. He's angry at Sonic, but acknowledges that this is just typical for his blue rival.

in Episode 07: It Takes One to No Place, we see that Shadow manages to reach the Paradox Prism cave, just as Sonic is about to shatter it.

''Chaos Control!''

Unlike Sonic's friends and Dr. Eggman, Shadow manages to use Chaos Control, preventing him from being shattered just like the others.

''Sonic!''

Instead, he finds himself floating in The Void. I'll leave what happened to him in The Void for the next part, but what is important to note is that he cannot enter the individual Shatterspaces, but he can communicate with Sonic every time the latter gains enough speed to use the Paradox Prism Energy.

''Sonic, it's broken! It's all broken!''

Sonic is at first freaked out, thinking he's just hallucinating. I suppose that explains why Sonic keeps ignoring him in any subsequent appearances, despite Shadow trying his best to contact him and trying to explain him what to do, like telling him how he's lost in The Void and for Sonic to keep moving and to not stop (which also leads Sonic to find out how he can travel between Shatterspaces).

I suppose this can also be interpreted as ''Sonic leaves Shadow on read''. X3

Once Sonic accidentally gets out of No Place in Episode 08: There Is No Arrgh In Team, he is confronted by Shadow, who is absolutely furious. Not that Sonic notices, given how he had a really rough day himself.

''Shadow? Ugh, I don't have time to deal with whoever you are. I just wanna go home.''

''Home? Home doesn't exist anymore BECAUSE OF YOU!''

Considering what Sonic had done, yeah, this punch was definitely deserved.

As I said above, the first eight episodes are here to establish Shadow's character, his relationship/rivalry with Sonic and his own flaws (mainly the lack of communication on his part, choosing to fight Sonic instead) and it is clear that in order to overcome those flaws, he will have to work with Sonic (calm down Sonadow shippers, we didn't get there yet), something I'm excited to explore in the second part of this analysis.

#Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 2)

#Sonic the Hedgehog Analyzer (Masterlist)

#Ten's Thoughts #sonic prime #sonic the hedgehog #shadow the hedgehog #sonadow prime #sonadow

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onthepyre · 4 months

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The six-pack clinks as Mickey walks. It's fucking annoying, if he's honest, and he'd slow down a little to get it to stop if Ian wasn't waiting for him. He is, though, and Mickey is tightly-wound and sweating in spite of the cool night air. It's been more than a week since he's seen him like this; Mickey's itching for a fix.

Ian sits in the doorway of the dugout, smoking and staring blankly out. Mickey hands over the beers, grabbing one for himself, and plucks the cigarette from Ian's mouth. He takes a drag, searching for the taste of Ian's spit within the smoke. It's hard to find, but it's there. Cigarette held between his lips, he pulls out a knife and pops the lid off the bottle, watching out of the corner of his eye as Ian does the same. Mickey waits for him to speak first.

“Been too long,” he says after a gulp of beer. He glances up at Mickey, begging for something akin to agreement

“What, you missed me? It's been, like, a week. Fuckin’ faggot.” Ian laughs, but it's dry, humorless.

“So what if I did?”

Ian looks up at the stars, but his free hand comes to his belt buckle. He undoes it like that, one-handed, staring upward instead of at Mickey. It's going to drive him insane.

“Jesus, let me at least finish my beer before you start talkin’ like that.” Mickey drops the cigarette now, crushes it under his heel. He chugs the rest of the drink while Ian leans his up against the wall of the dugout, stands, and approaches. Mickey drops the bottle on the ground and watches him. He walks slowly, intentionally, with that stupid fucking smirk on his face. Mickey has never wanted anything more in his life.

Mickey refuses to make first contact. He waits for Ian to link a finger through his belt loop and yank, knocking them together, before he braces his hands low on Ian's hips. A hand grips his hair and forces his head up, and Mickey can't keep the grin off his face.

“Yeah, I missed you,” Ian murmurs, directly into Mickey's ear. Goosebumps run along his spine.

“Get on with it, Gallagher.” He wants it to be a bark, but it comes out quieter than he means — almost pleading. He gulps, and clearly Ian hears it because he chuckles. Without his input, Mickey's fingers grip Ian's hips even tighter, and this, finally, is what gets him to shove them apart. Ian, stumbling almost backwards under the cover of the dugout, pulls off his belt and unbuttons his pants, and Mickey couldn't possibly do anything but follow him.

—

Ian's panting when they finish; he holds his position for a moment or two before shoving himself off Mickey to return to his forgotten beer. He tugs his pants back on and presses his back to the wall, sliding down it to sit on the dirt floor. Ian watches as Mickey stays put, bent over the window, trying to regulate his own breathing. He pulls his pants up but doesn't move otherwise. He wants Ian to come back.

“Maybe I missed you too,” he mumbles, unable to bite it back any longer. The shame of it burns his chest and face, but Ian can keep a secret, he knows — why not this one?

“Really?” Ian asks, incredulous. It's then that Mickey stands up and turns around, though he still keeps his eyes on the walls.

“Don't you get too fuckin’ excited, these ain't wedding vows.” Mickey reaches for another bottle and drinks about a third of it in one sip. He needs it, for the field day he's just given Ian.

“I'm not. It's just… nice to hear.” Mickey rolls his eyes, but then he finally looks directly at Ian. He's smiling from ear to ear. Yeah, right, you're not.

Mickey formulates a dozen insults, but he can't find the guts to spit any of them with the way Ian is looking at him. He sits instead, next to him but with a good few feet of space. Ian's still shirtless, and the contrast between his pale skin and the dark fabric of his jeans is definitely not driving Mickey crazy. Neither are his unreasonable pecs, or the dusting of freckles on his shoulders, and absolutely not the trail of red hair below his navel. He's struck with the urge to put his mouth to Ian's. Instead, he looks away.

Ian gets bold; this, at least, is typical despite the newness of what he does. Mickey is shocked by the sensation of something wet and hot — Ian's tongue — against his neck. He jerks away, but not too far. Ian, propped on one hand, looks up at him, a silent question.

Mickey can't help it. He nods.

Ian propels himself forward and knocks Mickey to the ground. On top of him now, Ian licks at the hollow under Mickey's ear while he clings desperately to him for some kind of stability. Mickey's gasping for air all over again, and this is a new kind of burn. With the minimal capacity of thought he has left, he wonders why they weren't doing this sooner. Ian travels lower and starts nipping at Mickey's skin.

“Don't you fuckin’ dare leave marks,” Mickey says. It comes out breathy and in a heavy stutter. The shame creeps back in, but the heat of Ian's mouth overwhelms it. Ian hums quietly and continues his work. It takes every ounce of concentration in Mickey's body not to make noise. Ian tugs the collar of his shirt to the side and hits a sensitive spot on his clavicle, and Mickey fails to suppress a whine. He doubles down, and all Mickey can do is press his bitten-down nails into Ian's back and gasp.

Ian detaches himself, and it takes mountains of self restraint for Mickey not to grab his head and put it right back where it was, or lower. But he has other ideas. Ian's got his gaze fixed on Mickey's lips, and he's leaning in. Mickey dodges.

There's hurt in Ian's eyes, though, and they're all alone, and Mickey thinks he might love him. So he takes Ian's cheeks in his hands and pulls him down.

If he's honest, Ian's breath stinks. He tastes of beer and smoke and something Mickey can't place. He's sure his own is worse, though, and none of that really matters because Ian has his tongue deep in Mickey's mouth. He kisses with a fiery urgency and Mickey can hardly keep up.

After… five minutes? An hour? Mickey has no idea how much time has passed; Ian tears his face away. He stays close enough that their noses are still touching, and he's breathing into Mickey's mouth. He feels Ian's lips move when he speaks.

“You want to go again?”

And fuck, Mickey was right, he does love him.

#shameless #gallavich #ian gallagher #mickey milkovich #fanfiction #fluff #implied smut #internalized homophobia #f slur #june's writing

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sgiandubh · 9 months

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Jottings: Season 7, episode 8. Just fucking try me

By TPTB's Sovereign Decree, this season is - as we all know - split in two, which proved to be at the same time abysmally disrespectful to ***'s subscribers, frustrating - to say the least- to Netflixers, but involuntarily prescient, given the current SAG-AFTRA stalemate. The protracted strike scenario (still a possibility) would have truly flunked OL, drowning it in a sea of irrelevance and effectively making all promo impossible. So, let us count our blessings and bide our time: it ain't over till the fat lady sings. For the time being, we are still haunted by Sinéad's moving huskiness. For the sake of speculation only, I wonder if they are going to stick with this option until the official end of Season 7, as an homage of sorts. Or promote somebody else, while time and space are still available to do so.

You are definitely going to need tissues for this one. And any random type of your favorite comfort food. It is intense. It is almost impeccable. SS & RR sketches are tolerably short. S is supercalifragilistic. C is giving it her all and she is just perfect. And all the rest are flawless. So, pardon the sarcasm deficit and perhaps also my less fluid quill: you surely know, by now, my struggle with encomium is real.

The bonnie wee swordsman moment immediately brought to this book outsider's mind the exceptional fanfic author on AO3. So, if you still missed Flood My Mornings, by some obscure glitch in the Matrix, do give it a try. It is one of my top 3 , with #1 being @zeya-zg's TRS (it packs a punch, takes great risks and does so with grace). And yes - blasphemy ensues - the swordsman's fic is simply better than Herself in so, so many ways. A good starting point for a Droughtlander of undetermined amplitude (what in the name of hoo-ha is 'the story continues next year' supposed to mean?), for example. But I digress.

With Saratoga 2.0 in plain, inevitable sight, I incorrectly presumed we would see the blue light mojo - is it in Bees...? more plausibly so - and I am glad C saved JAMMF's finger. My sick mind did try to imagine a mutilated limb at some point in time, failed to do so and had to reboot entirely. I am grateful to the writer for having spared me a potential ordeal, in this respect. I am, however, less grateful to the same writer for butchering up to the point of no return the very delicate scene between Rachel Hunter and Young Ian, who initially fail to get their (impossibly to reach) bearings. It feels contrived at first, reads as injudicious as trying to become proficient in Thai after spending three hours on Duolinguo and jumps on the storyline's windshield out of virtually nowhere. The main weak point of this season (spare SS/RR's endless death row sojourn) has to be the blatant injustice done by the writers to characters I wanted to see and hear more of: the Hunter siblings, Buck Mackenzie and yes, William himself.

Speaking of William, there is an epic but fleeting moment outside Simon Fraser's tent, just after Jamie gives him his tricorn hat, that made me wonder out loud. Who are you, first and foremost, Ellesmere: a courtier? a soldier? a son? All three avatars briefly cross his face and if that is not prowess, I don't know what is. Enthusiastic kudos, again.

Cynical, lunatic, despicable me ugly cried three times in a row. Laudanum. Simon Fraser. The Scottish shores. That is a lot for one single intake.

Spoiler: I must have eaten something that disagreed with me. For such an inconsistent character, Simon Fraser saved his soul with this intense, dignified and subdued moment. There is something akin to a Roman deathbed scene one could perhaps find in Tacitus' Histories, essentially thanks to S's perfectly mastered gravitas. So yes, you can cry for the sudden demise of a secondary character you had no sympathy for and on top of that be surprised by your own tears.

A death that proves instrumental for their return to Scotland. And maybe it is time we acknowledge the simple fact that Scotland never really was just a trope of all this intricate narrative scaffolding, but a character in its own right. It is alive and it prompts the kind of raw, irrational emotions able to make your tears well up all the same in Bilbao, in Vancouver, in Seattle, in Athens or in Cairo. And it doesn't matter if you could not place Inverness on a map before finding out that well, people do disappear all the time, or if you were haunted since forever by majestic visions of glens & lochs. You will fall and you will fall hard, despite all the misgivings and the shortcomings, of which there are many.

We leave them teary-eyed on a boat sailing near the Scottish shores. It is a carefully chosen and very effective parting moment. Overall, this was an excellent half-season, if you chose to ignore Mordor's endless, reckless and soulless bitching. I sometimes wish for all these people to suddenly develop an interest for origami or find another obsessable rookie duo or simply try to be happy on their own. Nothing more, but nothing less.

This Droughtlander will be a massive pain in the rear. Mark me. And I am finally allowed to hope for better sleep patterns. But hey, no regrets: it was worth it, always is. They are worth it. A lot.

Gif choice could only involve a ship. Credit given to @avasetocallmyown. Very elegant :)

#jottings

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balu8 · 3 months

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New Teen Titans #88: Bringing Up Baby!

by Marv Wolfman/Len Wein; Tom Grummett;Al Vey/John Statema/Ian Akin; Adrienne Roy and John Costanza

#dc comics #new teen titans #tom grummett #len wein #marv wolfman #comic book #starfire #nightwing

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the-gershomite · 9 months

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What If...Wolverine Battled Conan the Barbarian

Volume 2 #16 -August 1990

"What if Wolverine Had Lived During the Age of Conan the Barbarian?" (22-28 of 28)

written by Glenn Herdling

colors by Daniel Vozzo

pencil art by Gary Kwapisz

inked by Ian Akin and Brian Garvey

lettered by Janice Chiang

#marvel comics #comics #what if #what if wolverine battled conan the barbarian #conan the barbarian #wolverine #red sonja #glenn herdling #daniel vozzo #gary kwapisz #ian akin #brian garvey #janice chiang

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always-outlander · 10 months

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Outlander 7x05 Easter Eggs and Spoilers - “Singapore”

Spoilers below the cut!

Singapore is the name of this episode, and it opens with goats on a cliff face. This is in reference to the Highlander’s whom fight for the British, we later find out. The title is a direct reference to the battle of Singapore and the attack of the Japanese, which Claire describes to Jamie as a parallel with the impending attack on the fort, which informs his actions for the episode.

Lallybroch

Gem and Mandy are playing in a graveyard, as Mandy wanted to talk to Jamie. Jemmy tells Bree that Jamie told him to leave him a stone and built him a cairn if he ever came to Lallybroch. I try very hard to tolerate Sophie’s acting but she’s so wooden at times. Other times she’s fine (mainly in the more emotional scenes) but her line delivery is quite hard to swallow sometimes. She has changed her pronounciation of ‘Da’ like 4 times now, and that’s hard for me to ignore.

Roger and Bree read another letter from Jamie and Claire. The letter is dated June 18, 1777, which is our ONLY way of knowing the timeline and how much time has passed between episodes. In it, Claire writes that Jamie continues to dream about the children and Bree reveals she’s been to the fort before with Frank. Her and Roger decide not to look at the history books and find out what happened there.

Before Bree heads to work, these two have another attempt at a romantic scene that doesn’t quite land (a hard hat in bed and his hands down her pants just made me uncomfortable). These two try but they just don’t have it!!!! And I think Richard Rankin could if he wasn’t opposite Sophie, as he is a great actor.

Jemmy gets off the bus from school and Roger follows him into his hide out (which I think is referenced in the books as a place Fergus used to play). Roger tries to talk to him about it and Jemmy says he got in trouble at school for defending their family in Gaelic. This child actor playing Jemmy is so great!!! He’s doing such a good job!

Ticonderoga

They have now been there for months, and Jamie once again organically finds himself leading men, this time they refer to themselves as ‘Fraser’s Irregulars.’ Claire is practicing medicine under Lieutenant Stactoe, and the fort is under the command of Saint Clair. We also meet General Formoy (who is mirroring the ignorance of the Bonny Prince). Ian has reunited with them as well.

Sugarloaf hill is mentioned as a point the English can attack from. For those unfamiliar with the location of Fort Ticonderoga, it sits on the edge of the New York and Vermont boarders, along a narrow portion of Lake Champlain. The fort is surrounded by water on three sides, and as of now it doesn’t look like there is a Sugarloaf hill near the site. There’s a sugarloaf ski mountain in Maine, though!

Jamie has a dejavuex moment with Formoy when he uses his knowledge to advice against an attack and is found denied and insulted, akin to a goat for being Scottish (like the episode preview implies). Jamie is once again being sidelined and watching history repeat itself with the ignorance of leaders like Formoy and the Bonnie Prince (and simultaneously history is…happening? But where they know the outcome, could you consider that history repeating itself?).

Denzel Hunter and Claire finally meet towards the end of the episode and the two of them help a man named Walter Woodcock together. It’s the dream team finally united! They successfully opperate on Mr. Woodcock and amputate his leg, but only after Denny so kindly recognizes Claire’s struggle to be taken seriously and back door allows for her to help him.

The Hunters and William

Denzel makes a comment about attending medical school in London via a distant relative after their parents died. Their mother died in childbirth having Rachel, and their father died a few years later in a flood having drown. The Quakers who took them in made that connection for Denzel when they learned of a shared last name Hunter, so this scene hammers home the importance of their Meeting (and reminds us that they are now kicked out).

William and Denzel debate over morals and how Denzel can be within his beliefs while practicing medicine. They come upon a man on the road who offers them a place to stay for the night and they are fed a disgusting meal of rat stew. William is shown the realities of the war and he and Rachel speak outside. In the few short scenes they’ve had you can tell William has a crush on her, which is exactly how the books describe their relationship from Williams internal monologue.

While sleeping, the Johnsons attempt to attack William, Denny and Rachel with knives and William is able to show his strength and skills as a fighter. Charles is such a great casting, as he is every bit the young man described in the book and his size and strength is akin to Jamie’s. The Johnson’s have evidently done this many times before so to steal from un expecting visitors.

William feels guilt over taking that man’s life and tells Rachel that he’d never killed anyone before. This scene you can see Jamie’s heart come through in him. He has a flurry of feelings about it that he cannot sort through and worries that Rachel might think less of him due to her beliefs but she reassures him she knows him well enough to know he did it to save them.

When they part William tells them to ask for his uncle should they run into trouble. He gives them the money from Ian and keeps the rosary beads. When Rachel watches him leave with fond eyes Denny reminds her that he is a British soldier, and violence follows men like that. There’s a sweet scene between the siblings where Denny gives Rachel an out, but she insists they stay together.

Loch Errochry

The Land Rover Bree and her boss drive around in is a dream, I want one. The setting is also stunning, having driven through the highlands last year it’s still so hard to believe that country looks like that. Bree meets her new male employees including Rob Cameron (!!!). He immediately locks her into the tunnel like a jackass and Bree discovers the light they gave her has no batteries. She quickly lights a match and finds some lights and proceeds to inspect the tunnel. I’d be clostrophobic down there and it feels like something out of a nightmare watching her walk through the tunnels.

She hears buzzing halfway down and a weird blue light at the end that she has to walk through (the graphics are strange but hey, hard to depict what was written) and it leads her to her escape. It’s implied that somewhere in the tunnel may be a portal for time travel.

Bree tells the kids at dinner about being trapped in the tunnel and how she escaped but you can tell she’s still unsettled by the event. Her and Roger step away from the table to discuss it. She’s worried the men are never going to respect her and Roger reminds her Claire did it at Harvard. A bit of a turn around from him being slightly sexist last episode about her working in general.

While in the office they uncover a hidden drawer in the desk and he gifts her a pen. Doesn’t undo his comments from last episode but that’s just me, and his insistence on her wearing knickers and a hard hat needs to stahhhhhp.

Bree heads to the bar where the men and Rob Cameron are hanging out and tries to awkwardly earn their respect. They all try and play it off as a joke and she tries to insert her dominance. Sophie also can’t say the word “anything” without a Scottish accent.

Young Ian

Joseph Brant of the Mohawk is at Shadow Lake and Ian is recruited to deliver a letter to him. Ian is reluctant because of personal reasons. He asks Claire how baby’s come to be and why he was unable to get his Mohawk wife pregnant. His belief is that his spirit was not strong enough and fears he cannot get a woman pregnant again and would refuse to take another wife. He tells Claire that Jamie told him about sperm and asks her to look at his (had to laugh). When asked, Ian tells her Iseabell was perfect and not deformed, but Claire has a Frank conversation to help Ian understand that it’s not a matter of his spirit but science and gives him renewed hope he may be able to have a child with another woman one day.

When he arrives at the Mohawk camp he sees Emily, who is happy to see him. She tells him she now has two children and is happy. Ian seems to finally be at peace with that, and asks to meet her son (who does not look Mohawk). He tells Ian that Emily’s mother tells him he’s the child of his spirit. Ian gives him the name Ian James and I’m sat here smiling like a fool over how cute that scene was.

Simon Fraser

One of the few scenes we get with Claire and a Jamie this episode, Jamie tells Claire that a Simon Fraser is one of Burgoyne brigadiers on the side of the British. Book readers will know that he is a ticket home to Scotland for them later on, and Jamie tells her it is not the same Simon Fraser she met in season 2 but not the old fox or his son but one of Jamie’s second cousins from Balnain (located outside of Inverness, not far from Loch Ness). It is also now understood that with their troops low on supplies they will need to attack the fort sooner than later. Jamie knows that a Fraser in the camp, the troops will know well enough to attack from higher ground as Highlanders do.

Jamie brings Formoy and the men to higher ground to show them that it is possible to the English can reach them by cannon, and once again finds himself standing across an incompetent soldier (with a terrible accent). These scenes are so short and choppy, and for that I dislike them. It’s not enough time with Jamie (or Claire for that matter) before we are abruptly switched over to another character. The atmosphere of them walking around at the Fort was palpable in the books, and we are missing it so far in the show sadly.

Later on the British set up shop in the exact place Jamie warned of, and Jamie uses his knowledge how Highlander warfare to help lead an evacuation by boat. Claire won’t allow Walter Woodcock to leave the fort because his injury is still too fresh, and sadly has to leave him. She tells him due to his injury the British will have to show him mercy, but also gives him laudanum. I was surprised she didn’t outright show him how to use it if he needed to drift off to sleep. The civilians are all put into boats in the lake and the fort is abandoned. The next sequence of events in the books is fairly action packed so I’m curious how they go about it all next episode.

Ian and Rachel

When Ian returns to the fort, he spots Rachel. A critique I have of this season is that they make the traveling seem so fast, and it’s incredibly hard to keep track of time passed. Ian was just in Virginia, now he’s suddenly back in New York. That said, these two have great chemistry without even trying, and Ian let’s Rachel know Claire is his aunt. It’s implied they will be seeing much more of one another, thankfully. I think the actors have done a great job of establishing the differences between Rachel and Ian and Rachel and William - Izzy plays Rachel differently around Ian and it’s great work on her part.

In the End

Roger goes out into the dark to search for the Nucklavee and we see a camera angle from across the yard watching the front door of the house. I suspect next episode we will actually set eyes on Buck for the first time.

The episode ends when Bree goes to the graveyard to talk to Jamie and brings him a stone. She tells him about her new job, buying Lallybroch, etc. and it fades to black (a weak ending and my least favorite thus far). Nothing happens this episode action wise, and it was mainly an episode used for establishing upcoming plot. The pacing is getting really bad in that such large expanses of tiem are not being explained. How in one episode did Jamie have two conversations about Sugarloaf Hill and the British Invasion, and The Hunters / William Travel by Horse to New York from Virginia, Ian leave camp to go see Emily and return…it’s so many moving parts and it’s not clear how they all make sense. Even having read the books I’m getting confused with how they are choosing to speed things up.

I will say this until I’m blue in the face, but this show works best when Claire and Jamie are together and on screen, and every time I dislike an episode it’s in large part due to a lack of them. That can be said with this episode, but I’m optimistic we will see much more of them next episode thanks for the preview.

Episode 6 Preview

Preview for episode 6 shows what looks to be an action filled attack on the Fort - we see Jamie attacking British soldiers, William in a red coat again, Roger running into the yard angrily, and Ian and Rachel getting closer. Lots of good things that I hope we get proper screen time to dissect.

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