#Indian Sex Stories In Hindi

[indiandesistory]

मेरी सारी सहेलियों के बॉयफ्रेंड थे, पर मैंने किसी को अपने नज़दीक नहीं आने दिया, जिसका अंजाम मैं भुगत रही थी।मैं स्कूल की बस से जाती जाती थी। कई बार स्कूल की छुट्टी देर से होती थी और मेरी स्कूल बस मिस हो जाती थी और मुझे लोकल बस से घर आना पड़ता था। वो बस खचाखच भरी होती थी और उसमें मेरे भाई के कॉलेज के भी लड़के होते थे। मेरा भाई भी कई बार उसी बस में होता था।

उस बस में कई बार भीड़ का फायदा उठा कर लड़के मेरी चूची दबा देते थे और मेरी स्कर्ट के ऊपर से मेरे चूतड़ सहला देते थे इससे मुझे बहुत मजा आता था, मैं इसका ज़रा भी विरोध नहीं करती थी बल्कि मैं जानबूझ कर कॉलेज के लड़कों के बीच में खड़ी.....

[misalpav]

you don't understand the makers of the kerala story speared propaganda against islam and kerala and you are navie lured to hindu fanaticism

first of all, if you're denying the existence of ISIS conversions in Kerala and the larger India then, the Observer Research Foundation published, in a 2019 report, that between 60-70 individuals in Kerala joined ISIS between 2014-18. Also, the NIA has entered various times into Kerala due to suspects of ISIS interactions. ISIS has existed in India for a while now and denying it would require your eyes to be closed.

You're saying that this movie is against Islam and Kerala but from where I stand, it's a movie against ISIS. That's something I will support to the end, both as someone who's lived through the repercussions of 9/11/2001 and the fact that they are literally a salafi jihadist terrorist organization. Anyone minus a few select people who went and watched TKS today are making conclusions about the entire movie from a short teaser/trailer clip, which, many times, isn't even an accurate portrayal of a movie. People who watched the full movie in the Kerala Supreme Court themselves had refused to restrict the release of the movie on the same premise of being against ISIS, not Islam.

Obviously, the biggest argument being made right now, and one I'm 100% expecting you to bring up if you choose to come back into my asks, is the figure of 32K conversions in Kerala. I don't believe in that number. What I do believe in though, is that The Kerala Story is a mere movie. All these people arguing against this movie claim to be "secularists". News flash, any film in a secular industry is gonna be dramatized because in a secular industry people look for viewership and how to make any small story compelling be it through caricature or exaggeration. As far as I care, people can consume whatever media they want and then are responsible for researching and fact-checking on their own. Quick examples of this that I can think of are the Netflix TV show Narcos where they antagonized a supposed "judy moncada" who was completely made up, and The Things They Carried by Tim O'Brien, a supposed retelling of events in the Vietnam war that he later concedes wasn't accurate apart from the emotion. Authors, writers, and any other artist for that matter take creative liberties in storytelling. I don't know how or why people are taking this so seriously. Congratulations you can do your research!

Now in terms of being a "navie" that's lured into Hindu fanaticism, what's naive about loving a culture that's been here for centuries that resulted in the construction of beautiful architecture and tells the some of the most enthralling stories? If anyone called any of the Abrahmic religions fanatical, they'd immediately be pegged as islamophobic, christianophobic, etc, why can't Hindus get the same respect? Honestly, the one common trait in any land with foreigners is the sheer lack of respect for natives and it shows, be it India, the USA, Australia, etc. I'd highly recommend you get a reality check on yourself.

[rrcraft-and-lore]

In addition to my Monkey Man post from earlier, the always kind & sweet Aparna Verma (author of The Phoenix King, check it out) asked that I do a thread on Hijras, & more of the history around them, South Asia, mythology (because that's my thing), & the positive inclusion of them in Monkey Man which I brought up in my gushing review.

Hijra: They are the transgender, eunuch, or intersex people in India who are officially recognized as the third sex throughout most countries in the Indian subcontinent. The trans community and history in India goes back a long way as being documented and officially recognized - far back as 12th century under the Delhi Sultanate in government records, and further back in our stories in Hinduism. The word itself is a Hindi word that's been roughly translated into English as "eunuch" commonly but it's not exactly accurate.

Hijras have been considered the third sex back in our ancient stories, and by 2014 got official recognition to identify as the third gender (neither male or female) legally. Pakistan, Nepal, Bangladesh, and India have accepted: eunuch, trans, intersex people & granted them the proper identification options on passports and other government official documents.

But let's get into some of the history surrounding the Hijra community (which for the longest time has been nomadic, and a part of India's long, rich, and sometimes, sadly, troubled history of nomadic tribes/people who have suffered a lot over the ages. Hijras and intersex people are mentioned as far back as in the Kama Sutra, as well as in the early writings of Manu Smriti in the 1st century CE (Common Era), specifically said that a third sex can exist if possessing equal male and female seed.

This concept of balancing male/female energies, seed, and halves is seen in two places in South Asian mythos/culture and connected to the Hijra history.

First, we have Aravan/Iravan (romanized) - who is also the patron deity of the transgender community. He is most commonly seen as a minor/village deity and is depicted in the Indian epic Mahabharata. Aravan is portrayed as having a heroic in the story and his self-sacrifice to the goddess Kali earns him a boon.

He requests to be married before his death. But because he is doomed to die so shortly after marriage, no one wants to marry him.

No one except Krishna, who adopts his female form Mohini (one of the legendary temptresses in mythology I've written about before) and marries him. It is through this union of male, and male presenting as female in the female form of Mohini that the seed of the Hijras is said to begun, and why the transgender community often worships Aravan and, another name for the community is Aravani - of/from Aravan.

But that's not the only place where a gender non conforming divine representation can be seen. Ardhanarishvara is the half female form of lord Shiva, the destroyer god.

Shiva combines with his consort Parvarti and creates a form that represents the balancing/union between male/female energies and physically as a perfectly split down the middle half-male half-female being. This duality in nature has long been part of South Asian culture, spiritual and philosophical beliefs, and it must be noted the sexuality/gender has often been displayed as fluid in South Asian epics and the stories. It's nothing new.

Many celestial or cosmic level beings have expressed this, and defied modern western limiting beliefs on the ideas of these themes/possibilities/forms of existence.

Ardhanarishvara signifies "totality that lies beyond duality", "bi-unity of male and female in God" and "the bisexuality and therefore the non-duality" of the Supreme Being.

Back to the Hijra community.

They have a complex and long history. Throughout time, and as commented on in the movie, Monkey Man, the Hijra community has faced ostracization, but also been incorporated into mainstream society there. During the time of the Dehli Sultanate and then later the Mughal Empire, Hijras actually served in the military and as military commanders in some records, they were also servants for wealthy households, manual laborers, political guardians, and it was seen as wise to put women under the protection of Hijras -- they often specifically served as the bodyguards and overseers of harems. A princess might be appointed a Hijra warrior to guard her.

But by the time of British colonialism, anti-Hijra laws began to come in place folded into laws against the many nomadic tribes of India (also shown in part in Monkey Man with Kid (portrayed by Dev Patel) and his family, who are possibly

one of those nomadic tribes that participated in early theater - sadly by caste often treated horribly and relegated to only the performing arts to make money (this is a guess based on the village play they were performing as no other details were given about his family).

Hijras were criminalized in 1861 by the Indian Penal Code enforced by the British and were labeled specifically as "The Hijra Problem" -- leading to an anti-Hijra campaign across the subcontinent with following laws being enacted: punishing the practices of the Hijra community, and outlawing castration (something many Hijra did to themselves). Though, it should be noted many of the laws were rarely enforced by local Indian officials/officers. But, the British made a point to further the laws against them by later adding the Criminal Tribes Act in 1871, which targeted the Hijra community along with the other nomadic Indian tribes - it subjected them to registration, tracking/monitoring, stripping them of children, and their ability to sequester themselves in their nomadic lifestyle away from the British Colonial Rule.

Today, things have changed and Hijras are being seen once again in a more positive light (though not always and this is something Monkey Man balances by what's happened to the community in a few scenes, and the heroic return/scene with Dev and his warriors). All-hijra communities exist and sort of mirror the western concept of "found families" where they are safe haven/welcoming place trans folks and those identifying as intersex.

These communities also have their own secret language known as Hijra Farsi, which is loosely based on Hindi, but consists of a unique vocabulary of at least 1,000 words.

As noted above, in 2014, the trans community received more legal rights.

Specifically: In April 2014, Justice K. S. Radhakrishnan declared transgender to be the third gender in Indian law in National Legal Services Authority v. Union of India.

Hijras, Eunuchs, apart from binary gender, be treated as "third gender" for the purpose of safeguarding their rights under Part III of our Constitution and the laws made by the Parliament and the State Legislature. Transgender persons' right to decide their self-identified gender is also upheld and the Centre and State Governments are directed to grant legal recognition of their gender identity such as male, female or as third gender.

I've included some screenshots of (some, not all, and certainly not the only/definitive reads) books people can check out about SOME of the history. Not all again. This goes back ages and even our celestial beings/creatures have/do display gender non conforming ways.

There are also films that touch on Hijra history and life. But in regards to Monkey Man, which is what started this thread particularly and being asked to comment - it is a film that positively portrayed India's third sex and normalized it in its depiction. Kid the protagonist encounters a found family of Hijras at one point in the story (no spoilers for plot) and his interactions/acceptance, living with them is just normal. There's no explaining, justifying, anything to/for the audience. It simply is. And, it's a beautiful arc of the story of Kid finding himself in their care/company.

[homosexuhauls]

By Vidya Krishnan

GOA, India — My niece was just 4 years old when she turned to my sister-in-law in a packed movie theater in Mumbai and asked about gang rape for the first time.

We were watching the latest Bollywood blockbuster about vigilante justice, nationalistic fervor and, of course, gang rape. Four male characters seized the hero’s sister and dragged her away. “Where are they taking Didi?” my niece asked, using the Hindi word for “elder sister.” It was dark, but I could still make out her tiny forehead, furrowed with concern.

Didi’s gang rape took place offscreen, but it didn’t need to be shown. As instinctively as a newborn fawn senses the mortal danger posed by a fox, little girls in India sense what men are capable of.

You may wonder, “Why take a 4-year-old to such a movie?” But there is no escaping India’s rape culture; sexual terrorism is treated as the norm. Society and government institutions often excuse and protect men from the consequences of their sexual violence. Women are blamed for being assaulted and are expected to sacrifice freedom and opportunity in exchange for personal safety. This culture contaminates public life — in movies and television; in bedrooms, where female sexual consent is unknown; in the locker room talk from which young boys learn the language of rape. India’s favorite profanities are about having sex with women without their consent.

It is the specific horror of gang rape that weighs most heavily on Indian women that I know. You may have heard of the many gruesome cases of women being gang-raped, disemboweled and left for dead. When an incident rises to national attention, the kettle of outrage boils over, and women sometimes stage protests, but it passes quickly. All Indian women are victims, each one traumatized, angry, betrayed, exhausted. Many of us think about gang rape more than we care to admit.

In 2011 a woman was raped every 20 minutes in India, according to government data. The pace quickened to about every 16 minutes by 2021, when more than 31,000 rapes were reported, a 20 percent increase from the previous year. In 2021, 2,200 gang rapes were reported to authorities.

But those grotesque numbers tell only part of the story: 77 percent of Indian women who have experienced physical or sexual violence never tell anyone, according to one study. Prosecutions are rare.

Indian men may face persecution because they are Muslims, Dalits (untouchables) or ethnic minorities or for daring to challenge the corrupt powers that be. Indian women suffer because they are women. Soldiers need to believe that war won’t kill them, that only bad luck will; Indian women need to believe the same about rape, to trust that we will come back to the barracks safe each night, to be able to function at all.

Reports of violence against women in India have risen steadily over the decades, with some researchers citing a growing willingness by victims to come forward. Each rape desensitizes and prepares society to accept the next one, the evil becoming banal.

Gang rape is used as a weapon, particularly against lower castes and Muslims. The first instance that women my age remember was in 1980, when Phoolan Devi, a lower-caste teenager who had fallen in with a criminal gang, said she was abducted and repeatedly raped by a group of upper-caste attackers. She later came back with members of her gang and they killed 22 mostly upper-caste men. It was a rare instance of a brutalized woman extracting revenge. Her rape might never have made headlines without that bloody retribution.

Ms. Devi threw a spotlight on caste apartheid. The suffering of Bilkis Bano — the defining gang rape survivor of my generation — highlighted the boiling hatred that Indian institutions under Prime Minister Narendra Modi, a Hindu nationalist, have for Muslim women.

In 2002 brutal violence between Hindus and Muslims swept through Gujarat State. Ms. Bano, then 19 and pregnant, was gang raped by an angry Hindu mob, which also killed 14 of her relatives, including her 3-year-old daughter. Critics accuse Mr. Modi — Gujarat’s top official at the time — of turning a blind eye to the riots. He has not lost an election since.

Ms. Bano’s life took a different trajectory. She repeatedly moved houses after the assault, for her family’s safety. Last August, 11 men who were sentenced to life in prison for raping her were released — on the recommendation of a review committee stacked with members of Mr. Modi’s ruling party. After they were freed, they were greeted with flower garlands by Hindu right-wingers.

The timing was suspicious: Gujarat was to hold important elections a few months later, and Mr. Modi’s party needed votes. A member of his party explained that the accused, as upper-caste Brahmins, had “good” values and did not belong in prison. Men know these rules. They wrote the rule book. What’s most terrifying is that releasing rapists could very well be a vote-getter.

After Ms. Bano, there was the young physiotherapy student who in 2012 was beaten and raped on a moving bus and penetrated with a metal rod that perforated her colon before her naked body was dumped on a busy road in New Delhi. She died of her injuries. Women protested for days, and even men took part, facing water cannons and tear gas. New anti-rape laws were framed. This time was different, we naïvely believed.

It wasn’t. In 2018 an 8-year-old Muslim girl was drugged and gang raped in a Hindu temple for days and then murdered. In 2020 a 19-year-old Dalit girl was gang-raped and later died of her injuries, her spinal cord broken.

The fear, particularly of gang rape, never fully leaves us. We go out in groups, cover ourselves, carry pepper spray and GPS tracking devices, avoid public spaces after sunset and remind ourselves to yell “fire,” not “help” if attacked. But we know that no amount of precaution will guarantee our safety.

I don’t understand gang rape. Is it some medieval desire to dominate and humiliate? Do these men, with little power over others, feeling inadequate and ordinary, need a rush of power for a few minutes?

What I do know is that other men share the blame, the countless brothers, fathers, sons, friends, neighbors and colleagues who have collectively created and sustain a system that exploits women. If women are afraid, it is because of these men. It is a protection racket of epic proportions.

I’m not asking merely for equality. I want retribution. Recompense. I want young girls to be taught about Ms. Bano and Ms. Devi. I want monuments built for them. But men just want us to forget. The release of Ms. Bano’s rapists was about male refusal to commemorate our trauma.

So we build monuments with words and our memories. We talk to one another about gang rape, keeping it at the center of our lives. We try to explain to our youngest, to start protecting them.

This is how the history of the defeated is recorded. That’s what it all boils down to: a fight between forgetting and remembering.

[high-warlock-of-brooklyn]

More people should watch indian cheesy movies from 80s and 90s and 00s and 10s coz that's literally fanfic material every single movie. 'oh I wish there was a movie where they're lost loves reincarnated and falling in love-' JATISWAR. BOOM! 'Oh she loves him but he chooses someone else but his daughter reunites them later-' KUCH KUCH HOTA HAI. BOOM! 'They're strangers who meet on train and hate each other but get stranded then on good terms and fall in love but she's arranged to get married to someone else so he tries to win her family-' DDLJ. BOOM! 'Theyre academic rivals and enemies in the 60s medical school and fall in love but she finds out the truth about her birth and spirals and have a sad heartbreaking ending with religious overtones' SAPTAPADI. BOOM!

And don't get me started on wattpad and romance novel peeps like she's the eldest from a poor family but a lot of people to feed so someone tries to take advantage of her and tries to buy sex from her with money but she gets hit by the car of a millionaire and gets amnesia but he nurses her back to health and marries her but hides what happened to her to spare her but she remembers her family and pushes him away and runs away but comes back and forgives him because they truly love each other now- ALO AMAR ALO. BOOM! And this wasn't even 90s this was in fucking 1979. Y'all need to give Indian cinema the credit it deserves.

Om Shanti Om - reincarnation, true love, murder mystery, the greatest song ever summing up the entire story in 7 mins

Happy new year - found family, heist, revenge, 'dance ek aat hai ek aat. Tab Maine kab bola nau hai.'

Race 2 - zero plot. Car flies from airplane with baby parachutes. Best entertainment of my life.

Entertainment - Golden retriever gets a human brother and 200 million dollar.

Basanto Bilap - a girls' hostel and boys' hostel have been enemies. Or their leaders have been while the rest of them are dating on the down low.

Hasee toh phasee - Autistic girl and her sister's fiance fall in love. She's also a thief.

Sholay - THE bromance movie. 'Arre o samba, kitne aadmi the?' Kaz Brekker studied under Jai and Bhiru. 'Aadha aadmi udhar jao, aadha aadmi idhar jao. Baaki mere pi6e aao.'

Literally feel free to add as many as you want from your regions coz I could only add Bengali and Hindi ones.

[danny-chase]

I've read the Jason figurately coded posts and they aren't really any different from other coded discussion. They also usually do talk about actual female characters like Steph. I mean you can like canon black or indian characters and still talk about Raven's literal black/indian coding.

To me - my understanding of coding is when something is intentional. My understanding of Jason having female mentors, or getting killed off for man pain, was that it wasn't intentional commentary. I think those things are coincidences. I think if the writers wanted to make Jason a female character, they would have made him a female character, but these were back in the good old boys club comics days (which exists until now) and I'm kinda sus about any conversation that claims male characters written by men in the comics industry are female coded because. Well. A lot of writers were super sexist/racist/homophobic, and unless there's interviews of the writers explicitly expressing their intent to code a character... it's more just people looking at coincidences or parallels between characters and making assumptions that it was intentional coding. Don't get me wrong, the coincidences/parallels are interesting, but to me they're more indicative of how the male power batman fantasy makes the story lame and annoying not proof of coding taking place

Raven is a completly different situation than Jason, her creative team explicitly based her design off of an Indian women (has been verified in interviews), gave her a bindi, had scenes where she wore traditional Indian dress, and if I'm not completely mistaken or talking out of my ass I believe Marv took inspiration from different Eastern religions while writing her story. Now whether this is coding or cultural appropriation is kind of a fine line. Judging it by standards now - I'd say it leans more towards cultural appropriation, even now Raven still has what looks to be a bindi for aesthetic purposes (depending on the story it's associated with her evil father which is... questionable at best) while still remaining a white character who's both percieved by the audience and by the creative staffs at white. Judging by standards at the time? It's a bit more complicated I guess, I wasn't alive in the 80s. Does this mean i think future iterations of Raven should stay white and stop appropriating Indian culture? Not exactly - i think they should take a restorative justice approach: acknowledge that hey, we fucked up, and then give Raven to an Indian writer/creative team who can showcase a more authentic experience and come up with ways to incorporate her ties to the culture respectfully - say by making Arella Indian, and showcasing parts of Hindi culture on Azarath

I've quite literally never been a part of online fandom before DC so i haven't seen too much coding discourse. Obviously, there is coding in comics. But so many times I've seen people claiming coding exists without looking at the very clear authorial intent behind why the characters say what they do. One example not related to either character: people claiming Chuck Dixon queer coded Tim. I'm sorry. He's literally a raging homophobe, and Tim not wanting to have sex in his run is Chuck using him as a mouthpiece for his abstinence campaign... not queer coding. The context matters, and I'd rather people be honest and just say "hey i thought this was interesting about the character, here's my interpretation of it even though it's not what the real author intended" than lie about the content that's there. Coding in comics does exist, it does happen intentionally by certain authors. But making it up when it doesn't exist doesn't exactly feel productive to me... it just feels misleading and like you're trying to justify why your fave is the best

[sexx4arabic]

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[karlheinz-sama]

If you get this, answer with 3 random facts about yourself and send it to the last 7 blogs in your notifications, anonymously or not! Let's get to know the person behind the blog!

icl i wanted to answer this as karl but i remembered some funny stories so yh

my great grandmother, so my mothers grandmother was a great woman. i mean she slayed, im talking 1920s housewife who lives on the border of the slums dealing with every bullshit possible this was before the partition of india pakistan. she dealt with insane amounts of racism, she lived through the partition, then the independence war from bangladesh because we live sea side ish. she lost one husband left with my grandfather, she married again and fought against every attempt of ostracisation her community threw at her, then she got married again. a love marriage too. and she live she really did to the best of her abilities both her sons studied till class 12, one even attempted college. she got mad at people, once she dragged a woman by her hair in our lawn and beat her with a sandal, other times she was so happy when we finally got a movie thing ( im not quite sure if it was a projector) in the community that she bought everyone a saree told their husbands to fuck off and do the house work because she wanted to watch a movie with her friends. she made homemade facials, and took meticulous care of her hair oiling it every day, she taught my grandmother and my mother all her favourite recipes. she refused to go a day without wearing gold because it was a bad sign , whether it be a thin necklace or heavy 9 carat earrings that covered her entire ears.

then there was her second son, my step- grandfather who wrote erotic letter for money. fun story okay. im talking top of his class, he's like smart asf he reads indian, persian, english AND french literature. all self taught, and one day his friends like i wanna write a romantic letter to my gf so he consolidates my step-grandpa for some writing tip and my s-grandpa writes him some next level french/hindi love letter for lunch money. his fame grows there are boys paying left and right and it finally happens someone asks him to letter sext a gal. and he does he does it so well the seniors are coming to him for help. but then remember still the mid 90s sex and love is very taboo. one of his (muslim) friends runs away with his (hindu) gf and her father finds the letters he storms into the school and find out my step-grandpa's writing matches with the letter and he gets the living fuckery beat out of him. eventually, he does graduate, but he's so smart that even though his family is beyond disappointed, i mean they won't even look or talk to him, he's given money to go over to the next town my train and take an exam to get into college he rides the train halfway and gets off at a city where he goes to watch a projection of a french burlesque club idk what made him go, he liked the arts, music, literature his parents never understood why this meant he had to like the taboo parts of these things. anyways he shows up to his exam late but early enough to be allowed in. finishes all 3 exams and falls asleep with 20-25 mins to go. he came out with the highest score in the state. still got his ass beat when he came home.

anyways the reason i found out about him was i woke up to my mum crying in the middle of the night in the corner of my room, and i was confused to what was going on. when she finally showed me my iPad where i found reiji x yui smut fanfic still open on a tab. and that's the day 11 year old me found out how taboo the whole sex thing was in the family, they didnt look at my step- grandpa the same for the next 35 years. until he ended up paralysed and bedridden but he still wasn't allowed to see his nieces and nephews properly cuz they thought he was a creep now.

[desbianherstory]

Sharan Dhaliwal is an openly bisexual British-Indian writer, journalist and activist. Dhaliwal is the founder and editor of Burnt Roti, a South Asian magazine. She also created Oh Queer Cupid, a queer speed dating and comedy night, in addition to founding and directing Middlesex Pride. Dhaliwal’s memoir Burning My Roti: Breaking Barriers as a Queer Indian Woman was published this year.

Since Burnt Roti’s inception, I came out as bisexual and realised that a lot of the reason that I had held back from living my true life was because of the way I grew up. I wanted to make sure that it wasn’t a continued pained experience for others, so I started to focus on LGBTQ+ stories, and out of that have created Middlesex Pride. It’s the first Pride event for Middlesex – I want to focus on discussions and education. I grew up in Southall and Hounslow and, along with many other South Asian people, was immersed in a very traditional life. When I came out, I noticed messages from people thanking me for doing it, but also telling me that they can not – I learnt that a lot of these people lived in the Middlesex area. There’s a severe lack of LGBTQ+ visibility in communities there and that creates two things – a lot of people don’t understand what sexuality means for the LGBTQ+ community and tend to focus on sexual acts or HIV. It means that the stigma attached to it causes young people to stifle themselves, sometimes exacerbating mental health issues. Another thing it does it creates a doubt in the minds of those who are discovering their sexuality. If it isn’t discussed or taken seriously, it must not be real. People could live a long time (like myself), keeping any feelings or desires to themselves. My mental health suffered, I was in various relationships I didn’t actually want to be in and I was stuck in a destructive pattern of getting with someone, disliking the situation and leaving it soon after.

So attitudes towards sex and sexuality where you grew up were a little guarded?

There’s a stigma around sex and sexual acts (like with much of society), and it’s considered ‘dirty’. Talking about our bodies is seen as ‘disgusting’ – including puberty and menstruation. A lot of South Asian womxn learn to keep to themselves – never asking questions and never really learning more than they’re told. It’s changing a little, but there are still remnants of it there, which I want to break down. Older generations would, for example, say that they never heard of the word ‘lesbian’ before. There’s not really a word that translates in the Punjabi language now (I’m not sure if that’s changed over time) but there is a language barrier. Teaching certain words, what they mean and what effect they would (and wouldn’t) have on them is important. There’s still stigmas and negative connotations, but it needs to be broken down and explained.

So, being bi! What are your experiences like as a bi woman of colour in 2019?

Ok so let’s talk about fetishisation. The first woman I went on a proper date with was a white American, who seemed to have an obsession with Indians. I’m not gonna lie, I ignored the red flag from her text which popped up on my phone in all caps “I REALLY WANT AN INDIAN”. At first I wondered if she was Indian, and then she spent the rest of the day texting me about Bollywood films, as if I knew nothing about them. It felt strange. But I was incredibly attracted to her and just wanted to go on a date, so I did. She didn’t speak too much about Indian stuff then, but the texts continued – she wanted me to teach her Hindi. I suddenly felt like I was working as an unpaid language tutor. For some reason, I expected to experience fetishisation from cis men, not from the LGBTQ+ community – it was that naivety that was the biggest blow. I’ve had struggles being specifically bi on dating apps – lesbians haven’t taken me seriously. I’ve had some unmatch me because they assumed I was just “messing around” on the app. I’m now in a relationship with a woman and it feels amazing – she doesn’t question my bisexuality, she knows I want to be with her. It’s not just the lesbian community – there are bad eggs everywhere. But bisexuality is definitely considered a ‘half assed attempt at being gay’.

How did your family react when you came out?

My dad had a pure and wholesome reaction, where he quoted me verbatim “Sharan, sexuality is fluid” and I lost it. Firstly, credit me when you quote me, secondly I don’t even know if he knows what he’s saying. But bless him, he doesn’t care about my sexual preference, he just wants me to be happy. My mother had a strange reaction – she jumped between disliking it and not caring. I think she thinks there’s fifty per cent chance I will marry a man, so she’s just relying on that. I don’t want to get into maths with her, so I just let her be for now. But a big part of Middlesex Pride is to allow her and others like her to find out more about what it means to want to be with someone who isn’t the ‘expected gender’. I want her to know it’s okay if I don’t marry a cis man. In fact, I’m going to marry my girlfriend, so she has to be on board or she won’t get to hang out with her grandkids lol.

[triviareads]

Releases May 16th

Summary: Lila, the illegitimate daughter of an English earl and his Indian mistress, is the popular hostess of a gambling salon she runs. She is wrongfully accused by Ivor Tristram of being her father's mistress, but rather than deny it, uses it to leverage Ivor into helping her find the true culprit behind the attack on Ivor's cousin and exonerate an innocent man.

My review:

First I applaud Amita Murray on the diversity portrayed in this book. England at the time was a lot more diverse than a lot of historical romance readers like to believe, in part because historical romances tend to keep to the upper classes. Here, Amita writes not only about Lila and her sisters who skirt the edge of respectability as educated but biracial women, but also an Indian lascar (sailor) and a Black woman of Caribbean ancestry who was previously forced to prostitute herself. All from places England has colonized.

Lila lives on the fringes of a hypocritical society. People flock to her salon for entertainment after hours and indulged in Indian culture to a degree, but that also doesn't stop them from hurling out the microaggressions. Because of this, Lila does not talk about her Indian mother, and she does not speak Hindi either. Men are attracted to Lila even as they disparage her morality and her country of birth. It's difficult to stomach at times, particularly since Lila's own half-brother is one of those men.

The main conflict in this story is fast-paced and grew a lot heavier than I expected, which made me more invested. It begins with Maisie, a childhood companion reaching out to Lila about her beau Sunil, the aforementioned lascar. He has wrongfully been accused of assaulting a white woman who happens to be the hero Ivor's cousin. As the mystery unfolds, it also exposes the overlying power dynamics of nineteenth century England: Sunil, an Indian man, is being wrongfully accused of assault by an upper-class white woman, Tiffany. A white aristocrat is targeting a poorer people of color by using law enforcement and the courts against them. Tiffany is upset after the attempted assault because she feels like the men around her are condescending her. They are all situations that resonated with me, I imagine will resonate with many other historical romance readers.

There's surprisingly little animosity between Lila and Ivor initially, despite Lila ostensibly being Ivor's father's mistress when they first meet. They're immediately attracted to one another and there's little mention of "oh I'm attracted to them despite my best judgement because I totally hate him/her". This is a progression that worked for them: Lila is not looking to marry, and Ivor doesn't offer initially despite them sleeping together. However, as their feelings continue to grow, Ivor's jealousy over what Lila's hostess duties entail come to a head. It's always interesting to see a historical romance hero skirt the line between outright slut-shaming and expressing hurt feelings but Ivor did an admirable job lol.

The sex:

Lila and Ivor's first sexual encounter actually made me laugh a little: The second Lila admits she's not anyone's mistress, Ivor IMMEDIATELY fingers her. The Fingering of Triumph, if you will. Otherwise, the sex in this book was fairly standard for HR. Neither Ivor nor Lila are virgins. They both knew what they were doing. I did appreciate that Lila was always an active participant and wasn't afraid to ah, adjust Ivor, if necessary.

Overall:

I enjoyed this book, and the main conflict kept me on the edge of my seat. I only wish we'd gotten a little more of Ivor and Lila throughout the story rather than most of their romantic development occurring during the first half of the book. I would recommend it to anyone looking for diverse historical romances that don't skirt around societal issues that are still very relevant today.

Thank you to Avon and Harper Voyager and NetGalley for an advanced copy of this book in exchange for my review.

[indiandesistory]

Read full group sex stories free at Indian desi stories. Choose from a vast category of sex stories in Hindi or English.

[sizzlingpatrolfox]

thats a good choice the lyrics “all the drama queens taking swigs/all the jokers dressing up as kings” yeah that applies. anyway so i have a whole playlist abt him 😭 but if i had to narrow down it would be Every Summertime -NIKI , Chanel - Frank Ocean and Bubblegum Bitch - Marina

+ theres some in my native language (hindi) not sure u’d be interested but i would rec u Main Agar Kahoon plz read the lyrics it’s just so jimin to me. theres also a fun one called Radha Likes to Party ( u should have context this one so basically the song lyrics are based on Radha & Krishna indian mythological characters and the song has lyrics like everyone goes crazy over everything abt Radha which reminded me of jimin). ah yeah thats all

---

Oh that's cool! I've never been into making playlists. wow it'd been a minute since I last listened to Frank Ocean. I was obsessed with him years ago, mostly because I think he's crazy hot and simply I had a lot of respect for him. I still have his coming out letter saved in my computer because what a moment. Hehehe bubblegum bitch you're so right, yes. The whole electra heart vibe is very him, actually; #that particular side of him. There's some sadness, and loneliness, and lots of self introspection but there's also confidence and lots of attitude, and at times it overshadows all the other sides to him. BTW, I saw Marina live a few years ago, I'm bringing it up because she was amazing, really good show and it's a very dear experience to me. It's my first time listening to every summertime and I liked it! It's cute, I can understand why it makes you think of Jimin.

I've just listened to Rhada and Main Agar Kahoon, this one is sooooo pretty ahhh, I didn't know the songs but I agree they fit Jimin, it fits the feelings he inspires in people, especially the vibes of main agar kahoon. I've watched My Name is Khan with Shah Rukh Khan, I'm saving his name now so I can watch his other movies.

It's not a song but some days ago I remembered this poem that I love and I always thought a lot of people see Jimin this way. I think some verses of it could be about Jimin his real self, but more than anything it's about the way a lot of people think of him.

"But this isn't about me; this is your love story about the way I teach you to live" "Watch the way you pick up my bad habits and make them look good" "Good girl, just bad enough, a burp and a courtesy, let me be not too pretty, hair fried from all that pink dye, sex when you need it, puppet when you're bored. Let me build myself smaller than you." "I looked so human, the audience lost interest."

PHEWWWEW I die everytime.

[dtbhhscyx9]

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[dvarapala]

origins + family.

full name:  udyati kavya rao.

date of birth: may 16.

age: 20 ( verse dependent ).

social class:  lower middle.

parents: ankita rao & dad, unknown.

siblings:  none.

physical + appearance.

height:  5′6″.

weight:  60 kgs | 132 lbs.

distinguishing features:  scar on / over her left eyebrow; scar, a few cm on the right from her bellybutton.

hair color:  black.

eye color: dark brown.

what do they consider their best feature?: it’s a toss up between her hands and her smile.

style of dress/typical outfit(s):  because her body isn’t good at regulating it’s own temperature, udyati often wears layers and hoodies. a lot of dip dye colors. she also likes quotes and such on her shirts, galaxy themed clothes and alien iconography. 

jewelry? tattoos? piercings?: two earrings; one on each ear, one nose ring and two regular rings, capable of turning into different indian weaponry and back. some days she wears only one necklace; other times, it’s multiple and sometimes she wears none.

do they work out/exercise?:  yes, udyati has been trained in the art of kalari and she keeps up with it as much and as often as she can.

belief +  intellect.

level of self esteem:  in terms of school based intelligence and being book smart, her self esteem is lower than you’d think. when it comes to her knowledge of the preternatural, physicality and kalari, however, her self esteem is pretty high. generally, it used to be lower than it is in regards of her being kalindi’s puppet for years, but it’s steadily growing, day by day

known languages: hindi, english, dutch and bhūtabhāṣa, the language of the dead, which is spoken in and around the jyotisha system. she’s also been trying to teach herself dutch sign language.

gifts/talents: she can carry a tune but doesn’t sing in front of people, just in the shower. she’s done theatre and spoken word. she writes. udyati would say that she’s also good at throwing knives and kalari, though she’s been trained in those areas. also, she likes to think that listening to people and their stories is also a talent she has.

how do they deal with stress?  exercise, talking to her friends, talking a walk, writing, watching shows or movies, sleeping.

what do they do when upset?  see the above.

believe in happy endings:  yes. although there is a caveat and that is that 1) she herself probably won’t get one and 2) often, you have to fight for yours.

how do they feel about asking for help?  depends on why she’s asking help or for what. generally, she can do it. only when it comes to school work will she be a little more stubborn (than usual).

optimist or pessimist:  optimist.

extrovert or introvert:  ambivert.

leader or follower:  follower though will lead if absolutely necessary.

makes decisions based mostly on emotions, or on logic?: emotions.

spontaneous or planner: both, it depends on the context and what’s happening.

thinker or doer: both, definitely, though she leans towards being a doer.

organized or messy: organized.

worrier or carefree:  worrier.

artistic?: she does not draw herself but she does enjoy art and art galleries and museums.

mathematical?:  no. not at all. udyati has dyscalculia. she is the complete opposite of mathematical. she envies the people who are and is also in awe of them.

sex + intimacy.

current marital/relationship/sexual status:  single ( rp dependent ).

sexual orientation (is it something they question or a secret):  pansexual, she doesn’t question it, nor is it a secret. she came out to her mom after she took her to a queer poetry read during pride month.

views on sex (one night stands, promiscuity, etc):  so long as both parties are of age and consenting and so long as there is open and honest communication and it makes them feel good, then that’s okay and it’s nobody’s business but theirs. she can’t stand people who judge other people for sleeping with a lot of people or judging people for doing the complete opposite. udyati herself has gone a lot further in rps (though this is rp dependent/verse dependent) than she has in the book but generally, she sees sex as something positive.

ever been in love?:  yes.

do they fall in love easily?:  yes.

do they desire marriage and/or children in their future? udyati can’t really see herself get married or get kids. she’s essentially immortal. whether her aging is slowed or has stopped completely is yet to be determined but it’s pretty obvious she’s going to outlive everyone she ever loved. it grieves her, sometimes.

thoughts on public displays of affection?:  she likes it though will become flustered. despite this, she will reciprocate. 

how do they show affection/love to their partner?:  words of affirmation and giving gifts.

relationships.

social habits (popular, loner, some close friends, makes friends and then quickly drops them):  udyati has close friends, but that’s about it. she was never popular. she never wanted to be as in her eyes, she’d need a lot of energy she didn’t have to maintain that.

how do they treat others (politely, rudely, keep at distance, etc)?:  politely. her mom would have her head if she didn’t.

argue or avoid conflict?:  udyati used to avoid conflicts and nowadays tries to talk them out but every so often, if it’s something she’s truly passionate about, she’ll argue.

secrets.

dreams: she wants her mom to be happy and healthy. she wants her friends to be happy and healthy. she wants to graduate and get her diploma and degree. she wants to find balance between the human aspects of her life and the alien aspects of her life. but what she wants most is the one thing she probably can’t have: to make up for all the hurt and pain and death she caused while she was kalindi’s puppet.

greatest fears:  never being forgiven for what she did while she was kalindi’s puppet; losing her loved ones (due to old age and death or otherwise); ending up entirely alone in a great big multiverse.

biggest regret:  allowing herself to become kalindi’s puppet. this is not at all what happened, but this is how she has spun it within her own mind: if she’d been stronger, better, somehow, then none of that would have happened.

what he/she/they most wants to change about his/her/their current life?:  udyati wants to find balance between the human and alien aspects of her life.

likes + dislikes.

hobbies: reading, writing, training, sleeping, watching shows and movies, listening to music, hanging out with her friends.

indoors or outdoors?: both.

favorite color: sunset orange.

favorite smell:  petrichor.

favorite and least favorite food: sweet food is her favorite food. bitter food is her least favorite food.

coffee or tea?: both.

favorite type of weather:  sunny. udyati is a summer person. she does not do well with colder weather at all.

favorite form of entertainment:  at the moment, it’s audiobooks and music.

how do they feel about traveling?: he’s not a big fan, mostly because he’s usually travelling alone for work and it’s usually by car. while he does enjoy exploring new places and new cities, he would find it more enjoyable if he had someone to share in the adventure.

what sort of gifts do they like? things she can use, like knives or books. but she would also cherish getting concert tickets because it means she and the gift giver are going to do something together and that’s very fun.

drugs + alcohol.

thoughts on drugs and alcohol:  udyati doesn’t do drugs but she does occasionally like to partake in drinking. but only the sweet stuff. and only up to, like, two glasses. three, max. she prefers to keep a clear head. just in case.

do they smoke? If so, do they want to quit?  udyati does not smoke because xiomara has three quarters of a lung and asthma. aside from that, xiomara has just stopped her asthma medication after twenty years. so she wants to make that transition as easy on her best friend as she can.

have they ever tried other drugs (which, what happened, consequences):  no.

do they have any addictions?:  not that she knows of.

other details.

most important/defining event in life to date: being turned into kalindi’s puppet and breaking free from that. getting together with daisuke in book canon. 

daily routine:  wake up, get ready, go to school, go home, do assignments, hang out with her friends, lather, rinse, repeat. though, she gets called away for off planet duties a lot afterwards so she mostly does her assignment in the evening / in the night. and, no, udyati does not get enough sleep. not nearly enough. 

typical saturday night:  if she’s not catching up on assignments, or off planet, she’s hanging out with her mom, or with her friends. she tries to make as much time for both of them as she can. when she’s with her friends, they go to downtown katendam and just hang out at the skate park. sometimes they go to the movies. sometimes they sit on the sidewalk and watch people.

what is home like (messy, neat, sparse):  small and neat. but not too neat. it’s a house that’s lived in. a houe that’s loved. or so udyati keeps insisting.

pets?: if not, do they want any?:  udyati would love a pet but her mom is very allergic so no pets for her.

can they hold their breath for a long time?:  she can hold her breath for a regular amount of time.

do they know how to swim?  yeah. udyati loves being in the water. it’s a miracle she hasn’t grown gills yet.

can they cook (if so, how well and do they enjoy it)?: yes, she’s taught herself and she’s good at it. she likes it well enough but she’d just as easily get take out if her mom works late.

tagged  by :    @khozmoh <3 tagging :   you <3​

[diana--williams]

Watched Movies-Series

Currently Watching

Kannada. Korean. Hindi 1 &2 English 1, 2, &3

English movies. Hindi Movies.

Hindi-Indian

The Family Man

Delhi Crimes*

The Fame Game

Bombay Begums

Masaba Masaba*

A Suitable Boy

Ghoul

Feels Like Ishq*

Made in Heaven*

A Test Case

Four More Shots Please!

English

The Mentalist

11.22.63

Riverdale

The Shadowhunters

Teen Wolf

Quantico

The end of the Fucking World

Game of Thrones

Merlin

13 Reasons Why

Shadow and Bone

The Chilling Adventures Of Sabrina

The Vampire Diaries

The Originals

Legacies

Unorthodox

Bridgerton

The Witcher

Sherlock

Suits

Wanda Vision

The Falcon and the Winter Soldier

Loki

Hawk-Eye

What If

MoonKnight

Tiny Pretty Things

Stranger Things

Sex Education

Freud (German-Hungarian)

How To Get Away With Murder

The Wheel of Time

The Alienist

Supernatural

Euphoria

House of Dragon

The Nevers

The Time Traveler's Wife

The Witcher: Blood Origin

Lucifer

Queen Charlotte: A Bridgerton Story

The Summer I turned Pretty

V Wars

Bodyguard

Never Have I ever

1899

Carnival Row

The Sandman

Wednesday

The Irregulars

Fate: The Winx Saga

Half Bad: The Bastard Son and The Devil Himself

The Queen's Gambit

The Imperfects

The Midnight Club

.

Korean-Thai

2gether The Series (Thai)

Hwarang

Strong Girl Do Bong Soon

Boys Over Flowers

High Society

Kill Me Heal Me

Its Okay not to be Okay

Moon Embracing the Sun

Hotel Del Luna

The Heirs

He is Psychometric

Guardian

Dokgo Rewind

The King -Eternal Monarch

Descendants of the Sun

Love Alarm

Tempted

Suits

My Country: The New Age

Save Me

EXO Next Door

100 Days My Prince

Moon Lovers: Scarlet Heart Ryeo

Mad Dog

What's Wrong with Secretary Kim

Weightlifting Fairy Kim BokJoo

Lawless Lawyer

Legend of the Blue Sea

True Beauty

My ID is Gangnam Beauty

The Bride Of Habaek

Moorim HighSchool

Rookie Historian Goo Hae-Ryung

Her Private Life

A Korean Odyssey

Navillera

Kingdom +Ashin of the North

Tale of the Nine Tailed Fox

Nevertheless

Sweet Home

Vincenzo

The Tale of Nokdo

Squid Game

Extraordinary You

Start Up

Our Beloved Summer

Hometown Cha Cha Cha

My Name

Crash Landing on You

Flower of Evil

The School Nurse Files

Oh My Venus

Forecasting Love and Weather

Business Proposal

Love in the Moonlight

The Devil's Judge

Happiness

Sisyphus

The Silent Sea

Dali and the Cocky Prince

Eve

Soundtrack #1

Romance is a Bonus Book

Extraordinary Attorney Woo

W -Two Worlds Apart

Sh**ting Stars

Alchemy of Souls

The Uncanny Counter

Bloodhounds

Tomorrow

The Crowned Clown

Snowdrop

The World of the Married

Celebrity

The Glory

18 Again

Abyss

Summer Strike

Love to Hate you

King the Land

Bulgasal: Immortal Souls

The Secret Life of My Secretary (I loved tou from the Beginning)

Mask Girl

Somebody

Doom at your service

Extracurricular

Gyeongseong Creature

Destined with you

Sell your haunted house

Itaewon Class

Strong Girl Nam-Soon

The Fabulous

Little Women

Doona!

My Demon

Run-On

The Penthouse: War in Life

A Killer Paradox

Remarriage and Desires

Sky Castle

Taxi Driver*

Crash Course on Romance

Signal

Black Knight