#Industrie de la photographie

[sylvainperrierfotografi]

Les risques de négliger les droits d'auteur et de sous-évaluer ses photographies

Les Risques de Négliger les Droits d’Auteur et de Sous-évaluer ses Photographies Vendre des photos sans se préoccuper des droits d’auteur et à des prix inférieurs à ceux du marché peut avoir plusieurs conséquences négatives pour les photographes : Perte de contrôle sur l’œuvre : En ne définissant pas clairement les droits cédés, un photographe risque de voir ses images utilisées de manière…

[dr-alex-mr-panda]

That smile (2022)

[postcard-from-the-past]

Industrial view of Saint-Clair-de-la-Tour, Dauphiné region of France

French vintage postcard, mailed in 1925

[zsorosebudphoto]

Far de la Torre d'en Beu, Mallorca, 08-12-23

[heaveninawildflower]

'La décoration et les industries d'art à l'exposition universelle de 1900' by George Auriol (1863-1938).

Lithograph published by Delagrave (Paris).

Bibliothèque nationale de France, département Estampes et photographie.

[lullabyes22-blog]

Snippet - I Hate Oyster Pâté- Forward, but Never Forget/XOXO

Teatime with two chem-baronesses.

Forward, but Never Forget/XOXO on AO3

cw: mentions of sex work and child labor

Snippet:

In the evening, he has tea with Renata and Margot. The pair are working to merge Glasc Industries and the Vyx for a joint venture into Sextech. Beyond artificial limbs or prosthetics: neural interfaces designed to replace lost senses like sight, touch and taste. Organs grown in vitro. Body modification. Synthetic hormones. 

A veritable smorgasbord of sensation.  

Their collaboration is symbiotic; they're each other's muse. When he arrives, they greet him charmingly: Renata with a perfumed air-kiss along his unscarred cheek, Margot with a coy squeeze of his hand in both her own. They are dressed to kill in contrasting gowns of champagne silk and silver mesh.  On both their hands sit a pair of impressively-sized engagement rings.

Silco gives them his wry admiration. "My congratulations, ladies. Or is it condolences?"

"Tsk, Silco. You do tease."  

Renata proffers her hand to flaunt the ring. Like most Undercity jewels, it is made of black diamonds from the mines. Piltovans hanker for white and colored gems. They are less opaque, thus easier to grade by color intensity. But black diamonds are rarer still—and because of their scarcity, fetch higher prices.

Silco would know.

As boys, he and Vander nearly suffocated during a tunnel collapse to collect broken diamond ore and haul it to the surface. They were taught to value black diamonds above everything else. Including—especially—their own lives. A sumpsnipe was as common as shit in the alleyside. A black diamond was priceless.

The stone is rough-cut, an iridescent blue vein running down the center. It is sharpened to a spike, and retractable like a claw. The design serves a dual purpose: a glittering proof of partnership and a hard-edged tool for self-protection. This one could puncture steel.

"Truly a work of art," Renata says. "Twelve miners died in the making of this jewel."

Margot giggles coyly. "I think they would celebrate the result."

"Blood is far less pedestrian than champagne."

"And leaves a sweeter aftertaste."

They laugh in ribald collusion.

To Silco, they resemble a pair of hyenas draped in designer silks—predacious and patently phony. Their laughter spills like blood through a tourniquet. On the rare occasion he finds himself in their company, he feels a sense of amused ennui that these creatures, a dark nadir to Piltover's bright apex, are his nation's crème de la crème, its end-product of proud aristocracy. How will it end? He can hazard a guess: with bloodlines as watery as the Pilt, and as poisonous, with dull-eyed socialites and blustering buffoons at the top of the slag heap, their children grown fat on imported decadences and their minds washed complacently clean of history by fashionable frippery.

That is Zaun's future if it forgets its roots. It is why he must cut deals and cut throats. Safeguard legacy against entropy.

Protect Jinx's future.

He settles back into his seat, eyelids drooping half-shut. "You'll forgive me if I don't ask for particulars on your engagement."

"That's a man for you," Renata scoffs. "Little is worth lingering on. But yes—you’re forgiven. And darling, I know you told me not to have supper prepared. But I took the liberty of having Elza fix oyster pâté. Your favorite, I recall."

"Divine," he lies.

"And tea, of course. You could use some tea."

"The day has been long."

"Ah, but your speech." Margot flutters her eyelashes. "I listened to the broadcast this afternoon. You were magnificent! So passionate!"

"That was the idea."

"You should likewise rouse my workers. Cheeky things—they deserve a proper tongue lashing! I'm still a-blush over the last’s misconduct."

"Photography is hardly a crime. But there is a time and place. Jinx’s bedroom is neither."

"I hope his impertinence can be forgiven."

"On the contrary. I was amused. Boy thought a lot of himself. I quite cured him of the notion." His small smile doesn't bother to hide its sharp-toothed secrets. "But is that why you sent him to me? To play Krampus to the intransigent?"

"You have such a fine hand for discipline."

"And a better eye for blackmail."

Margot colors up. Renata purses her lips.

Silence hangs heavy as a noose.

Silco cuts to the chase. "The new ordinance on brothels," he says. "Neither of you approve."

Renata raises a single, fastidiously plucked eyebrow.  "It’s less approval than mystification, Silco. Do prostitutes really need a guild?"

"It would increase tax revenue. And make life easier for the ordinary Zaunite."

Margot pouts girlish censure. "Surely, as procuress of the Vyx, my workers are exempt?"

"Regrettably: no."

"But Silco—"

He cuts her off with a gently-worded warning. "Your concerns are noted.  But let us keep things in perspective. Our priority remains Zaun. That means more than just Sextech and warm bodies. It means the safety of our citizens. And those who perform acts of service on their behalf."

"We're not safekeepers," Renata says archly. "We are businesspeople."

"Then it behooves you to take care of your investments. Before they become liabilities."

"Hence your endless ordinances."

"Exactly."

The cords on Renata's neck rise, as if she wants to spit in his face. Instead, she smiles sweetly. "How paternalistic."

Silco's own smile is slow, cold. "We each serve different mistresses. Mine is Zaun, and her welfare."

"Your one true love."

"Interminably."

She titters. "You’ll work yourself into an early grave, Silco."

"I'll have plenty of company."

"Good gracious!” Margot says. “What poor company the dead would make."

"Then liven it up while I'm breathing." Silco consults his pocketwatch. "If we've concluded our business..."

Margot nods demurely. "I'll ring for Elza to pour tea."

She starts to rise. Silco lays two fingertips on her wrist. He is still smiling. But his eyes have taken on a dark and deadly shine.

"Tea is sweeter when you pour it, Margot,” he says. “And incidentally, Renata—I hate oyster pâté."

[miumiugler]

Celebrating Black photographers during BHM

The interminable month of January is ending, bringing February to a close and kicking off the festivities of Black History Month. From February 1 to March 1, black culture from all diasporas will be in the spotlight.

This practice dates back to 1926, in the United States. Born to formerly enslaved parents, historian Carter G. Woodson is the second African-American man to receive a doctorate from Harvard University. Heading the Association for the Study of Negro Life and History, he proposed creating a week devoted to the history of black communities. In 1960, the festivities were extended to a full month. In 1976, Black History Month was recognized by the U.S. government.

As a photography enthusiast, I'd like to honor two black photographers I discovered during a visit to 180 Studios in London, where their work was exhibited.

Gabriel Moses

Aged 24, Gabriel Moses has an oscar worthy portfolio featuring the crème de la crème, having worked with Dior, Burberry, Adidas, Apple, Manchester United… He has built up a substantial client base over the years. Having started out as a self-taught photographer and videographer, his career took off at the age of 18 when he directed an ad for Nike, at 22 he became the youngest photographer to shoot the rapper Pa Salieu for the cover of Dazed magazine.

Much of his Nigerian cultural heritage is highlighted in his work in the form of family photographs, as are the women. Gabriel Moses pays homage to the women in his entourage who introduced him to the world of fashion and art.

Referring to Malian photographer Malick Sidibé as his inspiration, his work is characterized by textured effects and deep, dark tones, his models embody characters and his creations tell stories.

His first solo show, Regina 'A salute to women', took place last year at 180 Studios in London, and featured 50 of his creations, including shorts films.

Campbell Addy

Campbell Addy is a British-Ghanaian artist and photographer based in London. He draws inspiration from his culturally diverse upbringing, his work embraces distinctive narratives and genuine emotions, emphasizing unique casting choices that showcase underrepresented faces.

Addy established Nii Journal, a platform that embodies the representation he envisioned in shoots with friends and peers. Additionally, he founded Nii Agency, where he recruited diverse faces for casting and modeling, crafted to question conventional notions of beauty, it presented an alternative viewpoint on the definition of beauty and style within our contemporary fashion industry.

Since then the 29-years-old creative has worked for leading titles with artists as models such as Tyler The creator, FKA Twigs, Bukayo Saka, Beyonce ... and was chosen by Edward Enninful to capture his Time magazine cover.

[jessicaminhanh]

Jessica Minh Anh reimagines Paris as the runway

The legendary fashion show producer combined runways, presentations, and campaigns into one unique production at iconic locations during Paris Fashion Week Haute Couture.

Erase any preconceived notions of conventional catwalk presentations from your mind. The eminent fashion show producer, Jessica Minh Anh, has astutely redefined the contemporary fashion showcase. She has seamlessly amalgamated traditional runways, presentations, and campaigns into an unparalleled production, and it unfolded simultaneously at multiple iconic locations throughout Paris during Paris Fashion Week Haute Couture.

Renowned for her historic fashion events at the world's most iconic monuments and sustainable energy sites, Jessica transformed Paris' landmarks on the 25th of January, 2024, into a grand fusion of fashion, architecture, culture, and artistic expression. The event followed Jessica’s Sky-High Ocean Catwalk in Rio de Janeiro just a month earlier. 

This remarkable production featured models elegantly striding against the backdrop of cinematic masterpieces, including the Eiffel Tower, Louvre, Pont Alexandre III, Seine River, and Place Vendome, all on a single day. This strategic feat aimed to showcase creative designs from diverse continents while offering a fresh perspective on the beloved City of Lights.

Romane Ouisse, Event & PR Manager of KEVIN.MURPHY France, enthused, "This event injected unprecedented vibrancy into the fashion industry, and we are immensely proud to have been a part of it. Jessica Minh Anh is not only a visionary with extraordinary concepts but also a masterful executor, turning the seemingly impossible into reality. She makes this collaboration even more challenging and exciting for KEVIN.MURPHY!"

The J Winter Fashion Show 2024 seamlessly blended transparent rooftop buses and iconic locations to unveil a diverse array of collections from Europe, Asia, and the Middle East. With innovative transitions reminiscent of popular social media platforms, Jessica expertly connected with the younger generation. The spectacle featured classic catwalk photography, captivating fashion films, and digital trends, engaging millions of fashion enthusiasts globally.

Vincent Durand, CEO of Bus Toqué Paris, admired the logistical precision required to orchestrate this extraordinary event, stating, "Coordinating such a multifaceted production could have been a logistical challenge, given its complexity. We were thoroughly impressed with Jessica Minh Anh's efficient execution, which brought it all to life within just six hours. We provided two luxury buses to support her production, and we found that Jessica's energy, creativity, and message perfectly aligned with our company's vision to deliver an unforgettable Parisian experience."

The fashion extravaganza showcased the enchanting creations of Chotronette, a Romanian powerhouse renowned for conjuring an imaginative universe inspired by "la vie en rose." Each ensemble was a breathtaking rendition of twentieth-century ball gowns, artfully combining tulle, florals, and vibrant color palettes to create a tapestry of art and cinematic allure.

OTKUTYR Fashion House from Saudi Arabia, a long-time collaborator in Jessica Minh Anh's Catwalk-On-Water series in Paris, captivated the audience with an exceptional pret-a-couture collection. More than a fashion brand, OTKUTYR serves as a collaborative hub committed to eco-friendly techniques such as upcycling, setting a global example for sustainable fashion practices.

The collection harmoniously merged timeless elegance with a contemporary Arab twist, challenging conventional gender norms with tailored men's style suits for women adorned with statement bows. Jessica herself graced the catwalk in a signature maroon body-hugging dress, meticulously hand-embroidered with 100 roses, accentuating the intricacies of the female form.

Making their debut in Jessica's production, Melissia brand from Kuwait presented luxurious abaya designs crafted with premium fabrics and impeccable tailoring. These designs seamlessly blended tradition with contemporary styles, reflecting the rich cultural heritage of the region while catering to modern tastes.

Last but certainly not least, Vietnamese luxury fashion house, Tracy Studio, unveiled a collection named "The Silk Road: From East to West." Tracy Studio's designs epitomized a captivating fusion of craftsmanship and tailoring, portraying confident and elegant women with timeless beauty transcending generations. The collection included strapless dresses, capes, unique necklines, and shoulder pairings, encapsulating the essence of femininity.

Jessica Minh Anh expressed her love for Tracy Studio, saying, "Tracy Studio's unwavering commitment to craftsmanship excellence impressed me. The brand masterfully incorporated embroidery, rhinestones, and beading to create a harmonious fashion symphony." Their modernized rendition of the Vietnamese famous Ao Dai, a sparkling blue structured dress worn by Jessica Minh Anh, not only accentuated her stunning silhouette but also embodied the spirit of cultural exchange and beauty.

Reviving the big frizzy curly fever from the 90s, KEVIN.MURPHY's artistic team was responsible for Jessica Minh Anh's charismatic coiffure. As a hair brand with a strong fashion DNA, this marked the second collaboration between KEVIN.MURPHY and Jessica Minh Anh, following the phenomenal success of J Spring Fashion Show 2022 on the Liquefied Natural Gas cruise ship Costa Toscana in Portofino, Italy.

J Winter Fashion Show 2024 received invaluable support from Paris J'Adore Hotel and IWG group's Spaces Opéra Garnier, where Jessica's dedicated team worked tirelessly around the clock to bring this unique production to life.

Jessica Minh Anh's Winter Fashion Show 2024 transcended the realm of fashion; it was a testament to creativity, diversity, and inclusivity, featuring models and designs from different ethnicities. This milestone event marked Jessica's 30th innovative production since her history-making catwalk on England's iconic London Tower Bridge in 2011.

[burlveneer-music]

Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa - N'Djila Wa Mudujimu (Nyege Nyege Tapes)

In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono Nº1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground – their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track ‘Tikanga’ racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Mziki at their most vital and most complete – it won't be repeated – and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear. Produced, Recorded & Mixed by Jonathan Uliel Saldanha Photography by Mantas Kvedaravicius. Artwork & Graphic layout by Jonathan Uliel Saldanha

[fashionbooksmilano]

Musing on fashion & Style     Museo de la Moda

Edited by Kate Moss, Preface by Jorge Yarur Bascuñán

Rizzoli, New York 2022, 248 pages, ISBN  9780789341303

euro 50,00

email if you want to buy booksinprogressmilano@yahoo.it

For lovers of vintage clothing, British supermodel and vintage fashion muse Kate Moss unveils a personally curated selection of her favorite couture and costume pieces from the Museo de la Moda, the world-class fashion museum in Santiago, Chile. International fashion icon Kate Moss and the premier South American fashion museum Museo de la Moda meet in this undeniably stylish volume that celebrates iconic vintage fashion moments throughout history. The Museo de la Moda, founded in 1999, opened in 2007, and directed by Chile's first textile industry scion Jorge Yarur Bascuñán, is one of the world's most important but least-known museums of its kind, housing exquisite garments from nineteenth-century Dolman shawls to twenty-first-century sequin dresses by Balmain. Edited by Kate Moss with text contributions from fashion curator Lydia Kamitsis, this volume features a stylish selection of one hundred archival pieces from the museum, each charting different fashion trends that have inspired Moss's personal sartorial style. Organized by fashion theme, from 1920s opera coats to 1960s Swinging London designs, but also including iconic pieces of pop culture, such as Marilyn Monroe's black dresses and Jimi Hendrix's Indian tunics, each chapter showcases new images of the museum garments as selected by Moss, accompanied by interesting anecdotes and street-style photography documenting Moss wearing that particular fashion trend. This is a chic volume that will appeal to Moss's global following and readers passionate about style, fashion history, design, and culture.

orders to:     booksinprogressmilano@yahoo.it

twitter:                @fashionbooksmi

flickr:                  fashionbooksmilano

instagram:          fashionbooksmilano

tumblr:                fashionbooksmilano

17/02/23

[uel2023s2]

IA vs Artistes : La boite de Pandore, à jamais ouverte.

Si vous vous intéressez un tant soit peu à l'art, que cela vienne de la Photographie, de la Peinture, du Digital Art, alors il est impossible que vous soyez passé à côté DU sujet du moment : L'IA vs Artistes.

En effet, plutôt récemment, le monde a connu l'innovation des IA, acronyme d'Intelligences Artificielles. Certes, leurs utilisations ne datent pas d'hier, que ce soit dans le domaine informatique, médicale... Pour ne citer que cela.

Mais récemment sont arrivées plusieurs IA "d'arts". Entièrement numériques, leurs principe est simple : prendre des images de l'internet selon un thème entré par l'utilisateur, et en former une œuvre d'art nouvelle et unique. Sur le papier, tout est beau et propre. Donnant accès à des personnes dont les compétences laquent dans ce domaine, permettant un simple loisir à d'autres, exprimant la créativité infinie... Mais est-ce vraiment de l'art ?

Ce sujet fait en ce moment polémique, surtout auprès des artistes. Malheureusement, malgré leurs travail acharné, beaucoup de ces derniers ont peur que ces Intelligences Artificielles ne prennent leurs avenir. C'est vrai, imaginez si un jour un robot faisant tout mieux que vous apparaissait dans votre vie, séduit votre parent et se fais embauché au même poste que le vôtre. N'auriez-vous pas peur ? Oui, vous êtes "humain", ce qui apparemment est toujours vu comme un avantage. Mais il y a une chose que l'on oublie souvent : l'IA n'a pas besoin d'être payée, elle. Le prix de l'achat est élevé, mais à long terme... La peur d'être viré n'est-elle toujours pas là ?

Et enfin, il y a également un point de vue légal qui s'impose. Car peut-être que cela ne fait rien à l'utilisateur, en soit il n'est pas responsable, il entre juste quelque mots et "son œuvre" est formée. Cependant cette œuvre ne vient pas de nul part. Rien d'autre que des arts postés sur internet tel que sur des sites comme Instagram, Twitter, Tumblr... servent à créer ce que l'IA vous propose. Mais est-ce que les artistes de ces dernières ont accepté de donner leurs travaux pour ce projet ? Eh bien non. Aucun accord n'a jamais été demandé par les créateurs de ces IA, ce qui engagent aujourd'hui plusieurs procès concernant les droits d'auteurs. Car un artiste passe du temps et de l'argent derrière sa création, tout comme le créateur de l'IA en passe également sur le robot. Mais elle, l'IA, ne passe que quelques secondes avant de faire apparaître un mélange de couleurs et de formes ne lui appartenant même pas, et surtout ne payent pas ce que les artistes font pour vivre.

Aujourd'hui, les artistes se battent pour que ces IA disparaissent, ou s'engage au moins à contacter et demander l'autorisation, payer l'utilisation de leurs œuvres (comme le principe des commissions). Mais les IA sont comme la boite de Pandore. Renfermant un pouvoir sombre et infini, une fois ouverte, on ne peut plus la refermer. Trop de gens sont maintenant fanatiques de ce genre de contenu amusant et ludique, oubliant parfois la triste vérité derrière...

__________________

sources:

__________________

Céline Nunez.

[sylvainperrierfotografi]

Création d'un Portfolio de Modèle pour Agences

[dr-alex-mr-panda]

Truck (2022)

[nwdsc]

(▶︎ N'Djila Wa Mudujimu | Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa | Nyege Nyege Tapesから)

N'Djila Wa Mudujimu by Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa

In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono Nº1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground – their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track ‘Tikanga’ racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. At their best, Fulu Mziki sound almost completely out of time, curving pounding rhythms around microtonal clanks, rousing chants and spiky sonics. On 'Mutangila', there's a hint of disco in the 4/4 stomp, but it's been shifted into a post-punk ritual, adorned with complex bell percussion and overlapping vocals. 'Congo' is even harder to define; electrified buzzes form a bassline, but it's the mindboggling rhythms that shuttle the track into psychedelic realms, led confidently by Lady Aisha's limber rhymes. Fulu positively slither on the sultry, industrial-influenced 'Sebe', while 'Tikanga' reminds of Congo's rumba-derived soukous traditions, materializing the sounds into the future with tight, pounding percussion and head-melting fx. The story of Fulu Miziki is sprawling and complex and constantly evolving, with various offshoots and band iterations. Two members left the band in 2016 to form KOKOKO! with French producer Débruit. Not long after they recorded this magnum opus album, several other original members left to form a similarly named outfit currently based in Europe. This other incarnation recently released an EP of electronic productions without the band founder Pisko Crane and lead vocalist Lady Aicha, on the UK based Moshi Moshi records. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Mziki at their most vital and most complete – it won't be repeated – and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear. クレジット2022年10月21日リリース Produced, Recorded & Mixed by Jonathan Uliel Saldanha Photography by Mantas Kvedaravicius. Artwork & Graphic layout by Jonathan Uliel Saldanha Mastered & Cut by Angström Mastering

[atotaltaitaitale]

.

When you have to go all the way to the northeastern part of the city to meet up with a friend at the Photography Exhibition, you end up discovering a new part of the city.

La Grande Halle de la Villette was formerly a slaughterhouse but is now a cultural center and is situated within the Parc de la Villette.

The Grande Halle is made of cast iron and glass. It covers an area of 20,000 square metres (220,000 sq ft), and measures 250 metres (820 ft) by 85 metres (279 ft).

It would be nice to come back and explore the surrounding area, especially the Parc de La Villette.

It is the third-largest park in Paris, 55.5 hectares (137 acres) in area, and houses one of the largest concentrations of cultural venues in Paris, including the Cité des Sciences et de l'Industrie (City of Science and Industry, Europe's largest science museum), three major concert venues, and the prestigious Conservatoire de Paris.

[jogallice]

1️⃣

Aujourd’hui, mardi 17/09/24, Journée mondiale de l'arthrose 🙏 Il faut profiter des derniers jours de l’été, dans cinq jours, c’est l’automne 🍂

2️⃣

Ligue 2 : à l’issue de la 4e journée hier au soir, le FC Annecy est passé de la 10e à la 7e place avec désormais 7 points suite à son match gagné vendredi soir dernier contre Amiens SC ➡️ 25 points ont été répartis : 7 clubs ont gagné (3 pts), 4 clubs ont fait un match nul (1 pt) et 7 clubs ont perdu (0 pt) ⚽

Démission surprise hier de Thierry Breton (avec effet immédiat)❗️Le Français, qui occupait le poste de commissaire au marché intérieur chargé des industries de défense, quitte la Commission européenne et règle ses comptes avec  la présidente Ursula von der Leyen en la critiquant sévèrement 🧐

Deux décès dimanche 😢 Tito Jackson, membre des Jackson Five et frère aîné de Michael. Le chanteur, qui était le père du groupe les 3T, est mort à l’âge de 70 ans ➡️ L’écrivain Elias Khoury, l’un des plus grands romanciers libanais de sa génération, est mort à l’âge de 76 ans ⚰️

Deuxième jour❗️Depuis hier et jusqu’au dimanche 22 septembre 2024 se tient la 23e édition de la Semaine Européenne de la Mobilité (SEM 2024). De nombreux évènements locaux, en rapport avec cet évènement européen, sont organisés un peu partout 👍

Suite à la mise en place hier de l’utilisation des deux émojis chronomètre et montre, j’apporte encore deux petites modifications aujourd’hui. Il y en aura encore d’autres demain et après-demain. Je profite du calme actuel (relatif) pour optimiser la lecture de l’agenda ▶️

3️⃣

Dernière semaine❗️Annecy paysages 2024 : depuis le 9 juillet, Bonlieu Scène Nationale, en partenariat avec la Ville, offre au public un parcours à travers Annecy ponctué de 23 œuvres, certaines pérennes, d’autres éphémères 🤩 Accès libre et gratuit, la cité lacustre autrement 👣

7e Au Boulot à VélO ℹ️ Les élu·es Saint-Jorien·nes et Sevriolain·es accueillent les cyclistes pour un moment de bonne humeur autour d’une collation, afin de les récompenser de leurs efforts 🎫 Gratuit 📆 Mardi 17/09/24 ⌚️ De 7h à 9h 📍 Devant la plage municipale de Sevrier 🚲

Deux marchés le mardi à Annecy : marché de la vieille ville (rue Sainte Claire) de 7h à 13h et marché de la place des Romains de 7h à 19h (marché alimentaire le matin et produits divers toute la journée) ℹ️ Carré des Producteurs de 16h30 à 19h30 à Saint-Jorioz (Grand Annecy) 🧺

ExpO : Thierry Mettier exprime sa passion à travers la peinture à l'huile, capturant la beauté du monde et cherchant une forme d'éternité à travers ses compositions harmonieuses et évocatrices ℹ️ Troisième et avant-dernière semaine (jusqu’au vendredi 27/09/24) 🎫 Accès libre 📆 Mardi 17/09/24 ⌚️ De 8h30 à 12h et de 13h30 à 17h 📍 Mairie déléguée d'Annecy-le-Vieux (Place Gabriel Fauré) 🖼️

ExpO : Maurizio Priod (photographies) ℹ️ Deuxième et avant-dernière semaine (jusqu’au vendredi 27/09/24) 🎫 Accès libre 📆 Mardi 17/09/24 ⌚️ De 9h à 12h et de 14h à 18h30 📍 Le Polyèdre (4 impasse Saint-Jean) 📷

Au fil de l'eau : circuit découverte (en extérieur) du lac d’Annecy et de son environnement naturel avec des jeux, des expériences et des manipulations insolites ℹ️ Pour petits & grands ⏱️ 1h30 🎫 9,50€ le jeu par famille 📆 Mardi 17/09/24 ⌚️ 9h30-12h & 14h-18h 📍 Écomusée du Lac d'Annecy, Sevrier, Grand Annecy 🧒

Le voyage de Flac, la goutte d'eau qui aimerait bien rejoindre le lac ℹ️ À  vivre en famille (dès 3 ans), activité non proposée les jours de pluie ⏱️ 1h 🎫 6,50€, enfant (3-17 ans) 4,50€, famille (2 adultes & 2 enfants) 20 €, - de 3 ans 0€ 📆 Mardi 17/09/24 ⌚️ 9h30-12h & 14h-18h 📍 Écomusée du Lac d'Annecy, Sevrier, Grand Annecy 💧

Lucas et les couloirs du temps : jeu-énigme ℹ️ À  vivre en famille ⏱️ 1h 🎫 6,50€, enfant (3-17 ans) 4,50€, famille (2 adultes & 2 enfants) 20€, - de 3 ans 0€ 📆 Mardi 17/09/24 ⌚️ 9h30-12h & 14h-18h 📍 Écomusée du Lac d'Annecy, Sevrier, Grand Annecy 🎮

Sur les traces de Ficelle, le chaton : parcours ludique ℹ️ À  vivre en famille (dès 3 ans) ⏱️ 1h 🎫 6,50€, enfant (3-17 ans) 4,50€, famille (2 adultes & 2 enfants) 20€, - de 3 ans 0€ 📆 Mardi 17/09/24 ⌚️ 9h30-12h & 14h-18h 📍 Écomusée du Lac d'Annecy, Sevrier, Grand Annecy 🐱

Tulipe, l'âne rouge : parcours ludique (Célestine et Louis ont bien du travail pendant l'absence de leurs parents) ℹ️ À  vivre en famille 🎫 6,50€, enfant (3-17 ans) 4,50€, famille (2 adultes & 2 enfants) 20€, - de 3 ans 0€ 📆 Mardi 17/09/24 ⌚️ 9h30-12h & 14h-18h 📍 Écomusée du Lac d'Annecy, Sevrier, Grand Annecy 🫏

“Plan” annécien pour celles et ceux qui ne connaissent pas encore ce lieu d’accueil et d’échange ouvert quatre fois par semaine ℹ️ Boissons sans alcool, livres, jeux (après-midi jeux de société) 📆 Mardi 17/09/24 ⌚️ De 10h à 12h et de 14h30 à 16h30 📍 Café du curé (6 quai de l’Évêché, vieille ville) ☕

ExpO : La nuit est encore debout c'est pour ça que je ne dors pas d'Annabelle Guetatra 🎫 Entrée libre 📆 Mardi 17/09/24 ⌚️ De 10h à 13h et de 14h à 18h 📍 Le Point Commun (12 avenue Auguste Renoir) 🖼️

ExpO : Christophe Torossian ➡️ Aime manier les formes géométriques, les aplats de couleurs mates et brillantes se jouent des époques et font naître des atmosphères, de quoi brouiller les pistes et le regard ℹ️ Avant-dernière semaine (jusqu’au samedi 28/09/24) 🎫 Accès libre 📆 Mardi 17/09/24 ⌚️ De 10h à 18h45 📍 Artekné (Centre Bonlieu) 🖼️

ExpO : Carnets de voyages d'une famille annécienne à la Belle Époque ℹ️ Rédigés entre 1883 et 1912, ornés de photos et dessins, voyage panorama de l'Europe avec Annecy comme pied à terre 🎫 Accès libre 📆 Mardi 17/09/24 ⌚️ De 12h30 à 19h 📍 Médiathèque Bonlieu (Centre Bonlieu) 🖼️ 

ExpO : Entre mer et montagne ➡️ Isabelle Jouan met en avant des paysages marins et montagneux, reflétant ses inquiétudes quant aux changements du monde et de l'environnement ℹ️ Dernière semaine (jusqu’au vendredi 20/09/24) 🎫 Entrée libre 📆 Mardi 17/09/24 ⌚️ De 13h à 19h 📍 Forum Exposition Bonlieu 🖼️

ExpO : Illusions, quand notre cerveau nous joue des tours ℹ️ L’enfant doit être accompagné d'un adulte (inscrit lui aussi) 🎫 5 €, 3 € & 0 € (- de 12 ans) 🎟️ Réservation en ligne 📆 Mardi 17/09/24 ⌚️ De 16h à 18h 📍 La Turbine sciences (Place Chorus) 🧠

Pour finir en beauté ce 7e Au Boulot à VélO, les élu·es Saint-Jorien·nes et Sevriolain·es accueillent les écolières et écoliers cyclistes pour un moment de bonne humeur autour d’un goûter, afin de les récompenser de leurs efforts 🎫 Gratuit 📆 Mardi 17/09/24 ⌚️ De 16h30 à 17h30 📍 Devant la plage municipale de Sevrier 🚲

Concert : Yïn Yïn ℹ️ Ça va groover pour le premier concert grande salle de la saison 🎫 19 €, 17 € & 0 € (- de 10 ans) 📆 Mardi 17/09/24 ⌚️ 20h30 (ouverture des portes à 20h) 📍 Le Brise Glace (54 bis rue des Marquisats) 🎶

Scène ouverte : un espace de bienveillance où toute forme d'expression artistique est la bienvenue ℹ️ Chant, musique, poésie, danse, sketch, concert, etc., partagez vos talents 🎫 Entrée libre 📆 Mardi 17/09/24 ⌚️ De 20h30 à 22h 📍 Les Steppes (3 place des Rhododendrons) 🎤

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Qualité de l’air à Annecy (indices ATMO) : les conditions météorologiques resteront peu propices à la formation d’ozone, une qualité de l’air moyenne devrait se maintenir sur le territoire 💨

Dans la cité lacustre et ailleurs, au niveau de vos déplacements, privilégiez vélo, trottinette, marche à pied, etc. et au niveau de vos activités physiques, privilégiez les parcs, les zones piétonnes et les rues peu circulantes pour vos activités de plein air 🌬️

L’indice de risque pollinique à Annecy est moyen (niveau 2) ➡️ Ambroisies, graminées, plantain et urticacées : niveau 1 ; platane et saule : niveau 0 ➡️ Indice communal valable du 14/09 au vendredi 20/09/2024 inclus 🤧 Personnes allergiques : le chlore irrite vos muqueuses fragilisées par les pollens, évitez les piscines 😷

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Deux dictons du jour, un acheté, un offert (pour la petite histoire, cette pratique est désormais illégale) : « Quand saint Renaud s’en vient, des beaux jours annoncent la fin. » 🤔 « S'il pleut à la saint Renaud, l'automne s'annonce penaud. » 🍂

Et deux autres dictons du jour pour la route : « Si saint Renaud est pluvieux, suivent neuf jours dangereux. » 🌧 « Soleil de saint Renaud, printemps sans eau. » 💧

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Je vous souhaite une très bonne journée annécienne et une excellente fin d’été à Annecy, dans les 33 autres communes du Grand Annecy, en Savoie ou ailleurs 🏖️

Bon deuxième jour de la semaine à tous et à toutes 🛶

Bonne fête aux Renaud·e et demain aux Nadège 😘

📷 JamesO PhotO à Annecy le 15/09/24 📸