Cruel Summer - Part 9
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pairings: Eddie Munson x fem!reader
summary: After breaking up, you and Eddie do your best to soldier on with your lives, but you slowly begin to discover that there is a stronger line of connection keeping you together than just history…
word count: 11k
warnings: swearing, descriptions of Chrissy's death, fluff, slight angst, awkward situations/second-hand embarrassment (lmao but honestly some people need it)
A.N.: Part 9 is here baybee! Now that the honeymoon phase is passed we're gonna get some questions answered whether we like it or not -- also? don't ask me why like half of the taglist is refusing to work, I hate technology :|
You hadn’t planned on falling asleep, but the overall stress of the day added to a lack of any kind of proper sleep the night before had lulled you into a false sense of security and sleep’s gravitational pull.
You were out before you’d even realized you were dozing — the press of a hand gently shaking your shoulder jolts you into waking.
It’s dark now, and for half a terrifying moment, you have no idea where you are, pushing up and glancing around the room with your head on a bleary-eyed swivel. There is only the faintest light shining in from elsewhere, casting strange shadows, illuminating the unfamiliar room and all its furnishings in an uneven amber glow.
There is a figure kneeling on the dingy carpet in front of you, but you don’t have time to be scared before his familiar features come into focus and everything comes rushing back to you – the shag rug, the dark green walls, the outdated seventies furniture – Rick’s place on Lover’s Lake.
That’s where you’d found Eddie.
You feel your heart thump in your chest at the realization and use it to anchor yourself to the moment, to him, kneeling in front of you.
You breathe a marked sigh of relief and sink back into the dingy couch cushions as Eddie reaches up to tuck a stray lock of hair back from where it has fallen into your face.
“Hey, sleepyhead,” he says softly.
You reciprocate the greeting, mumbling it as you crush a fist into your eye to wipe the sleep from it.
Somewhere in the very far back of your mind, you’re reeling with how exceedingly gross it is to know that you’d been sleeping on Rick’s couch.
You don’t want to know what kind of disgusting secrets are lurking beneath the cushions where you’re currently sitting, but you’re not even really thinking about it — you’re too busy looking at Eddie, all dark eyes, long lashes, and messy curls that you can’t help but instinctively reach out to smooth down.
His eyes are puffy and red-rimmed, and his clothes are dirty and pulled out of shape, but he looks happy, incandescently so, with the same big lazy smile spread across his face that always warms your insides.
He’s a wreck, and he’s the most beautiful thing you’ve ever seen, though most importantly, you can’t believe he’s actually here.
Part of you had been so certain you’d imagined the whole thing – finding him here, wrapping yourself up in his arms, kissing him breathless – how many times have you dreamt some version of this exact scenario over the past eight months? How badly had you wished it would be as easy as that, to simply stumble upon him like he’d just been sitting around all this time, waiting for you to find him?
Of course, you have to remind yourself that it actually hadn’t been “that easy”, not in the slightest, and you have to subtly pinch yourself just to make sure you aren’t still dreaming.
The location does nothing to help because honestly, Rick’s place? Of all the places in Hawkins — in the world, really, it makes perfect sense he’d be here, considering it’s the last place you would ever think to look, and you feel rather stupid about that.
“What time is it?” you rasp.
“Quarter to seven.”
His answer leaves you a little more than dumbfounded.
So much for your grab-and-go mission.
“Jesus.” You yawn, body trembling as you stretch your limbs to the furthest point of their reach.
“Yeah, you were dead to the world there for a minute, Sweetheart.” Eddie hums.
You can feel yourself pulling a face, one that Eddie mirrors, pushing his lower lip out in a gentle, pouting mockery of you.
“Hungry?” He asks, patting your knee as he stand, “I made dinner.”
You watch him retreating back to the light in the other room, and quickly come to realize that it is the kitchen.
There is a little table and several mismatched chairs sitting together just past the doorway, illuminated by a bare, incandescent bulb hanging from the ceiling and casting harsh shadows.
You can’t imagine what could possibly constitute “dinner” under these circumstances, but the pervasive growling of your stomach betrays your wariness of anything prepared in the meth lab that is Rick’s kitchen, so you push up on stiff legs and follow Eddie across the worn shag carpet to the other room, hugging yourself tightly as you go.
“Is it a good idea to have that light on?” You ask warily, suddenly recalling hearing something about Rick’s most recent arrest, “What if somebody sees?”
“Don’t worry, we’ll be careful.” Eddie calls from the other room, you stop short as he pokes his head out to give you a wry look, “Unless you’d rather sit around in the dark?”
He’s gone again in an instant, leaving you chewing your lower lip.
You really wouldn't, considering Rick’s house is creepy enough in broad daylight, but you don’t have to tell Eddie that.
Your sneakers make soft sounds on the stained linoleum as you cross the threshold from carpet to kitchen, where you find Eddie standing at the stove, stirring something sticky in a dented silver pot.
For half a moment, it’s all you can do but stare at the broad form of his back, the stark familiarity of him, standing there cooking as casually as if the stove were his own.
You can hardly wrap your head around it, suddenly being here in the same room like nothing ever changed. Strange as it is, it fills you with a calming sense of contentment that is almost enough to make you forget the time you’ve spent without him — then he twists at the waist to look back at you over his shoulder, licking his lips where he’d just tasted whatever it is he’s cooking, and he smiles that same old lopsided grin.
It hits you like a bolt to the chest.
He’s here… he’s really here.
You move before your mind can catch up, and whatever it was Eddie was starting to say is cut off with a harsh grunt as your body collides firmly with his. You snake your arms around him and hug him back tightly into your chest and breathe a contented sigh, pressing your cheek into the space between his shoulder blades.
You feel his hand come up to rest over yours instantaneously, and for a moment you both just stand there, holding one another, swaying ever so slightly to your own circadian rhythms.
“You okay?” Eddie asks softly after you breathe out another one of those long sighs.
You would tell him you’re fine, happy even, incandescently so, but there is an inexplicable lump of emotion forming in your throat, rendering you momentarily speechless.
When you don’t answer right away, he tries to turn to look at you. You press tighter against him because suddenly you’re just about ready to cry.
“I missed you so much,” your voice is tight and thankfully muffled against layers of denim and leather, but you can feel the gentle rumble of his own contented sigh rolling through Eddie’s body and into yours.
“Yeah — yeah, I missed you too, Baby… God, you have no idea...”
You’d expect the reciprocation of the notion to fill you with a happy emotion, like some kind of wonderful relief, but for some reason, it fills you instead with memories of the previous summer’s grief, and it makes the knot in your throat swell painfully.
All that pain and misery and he’s just been sitting around missing you too? It doesn’t make you feel any kind of happy emotion, in fact, it makes you feel terrible.
A heavy silence fills the room, bringing with it a tangible weight. He feels it as sure as you do.
“Hey, come on — what’s the matter?” Eddie asks, and you can’t help but get stuck on the harsh breath you’d been trying to steady yourself with.
“Nothing,” you lie, propping your chin up on his shoulder, “…it’s just — what happened to us, Eds? Why’d you shut me out like that?”
You feel him tense ever so slightly beneath your touch, and very quickly he turns his attention back to the stovetop.
“Nothing happened…” he mumbles.
“Then why’d we break up?” You press, jerking him back and jostling him like you intend to try and shake it out of him.
He sighs, slow and shaky like he’s been anticipating you asking him that question — dreading it.
“I don’t know…” Eddie shakes his head, causing his shaggy curls to dance across his shoulders and tickle your nose where you’re leaning on him, “It was just a lot of change really fast and I couldn’t get out of my head over it. I guess I freaked out.”
Your mind rejects the answer and you bristle against the growing tension you can feel bleeding into the room — suddenly and infuriatingly, you can’t get Steve’s maddeningly condescending tone out of your head.
Oh, you freaked out? Is that what we’re calling it?
“Nothing changed.” You huff.
“You graduated,” Eddie insists, turning his head to look at you – you glower at him over his shoulder but he continues before you can object, “I didn’t … and suddenly everything was so different, I got scared that things were never gonna be like they were … just you ‘n me, you know?”.
“No, I don’t know…” you press, “I don’t know what you’re talking about, Eddie, what was different?”
“You were.” He says flatly, like he hates to admit it.
It hits you like a slap to the face and you can’t help but recoil from it ever so slightly.
“Me?” You choke.
“I know you didn’t mean anything by it, but it was like all of the sudden I wasn’t important to you, and … fuck, I don’t know… it hurt my feelings.”
The feeling is mutual, and suddenly you feel a heady defiance rising up to replace the knot in your throat.
“That’s stupid.” You mutter sullenly, petulantly even, because how could Eddie ever be anything but important to you? He should know that, but the sentiment strikes a chord in him.
“Is it?” He bites, “The way you kept blowing me off to hang out with your old friends…what was I supposed to think?”
He says it like it’s a dirty word, and you can’t even manage to get your feelings hurt over it, because, despite the venom in his tone (which you don’t appreciate) he’s right — you knew he wasn’t graduating, and you knew he was upset about it, even if he never said so.
You suppose if you really wanted to be obtuse, you could make the argument that he never brought it up because Eddie has always been a chronically bad communicator of his feelings, so how could you have possibly known anything was wrong?
But then again, you always know when something is wrong, and you chose not to ask him about it in favor of wrapping yourself up in the preparations for your own graduation – not out of some malicious selfishness so much as careless oversight – and the subject went entirely ignored as a result.
You would tell him that you’d only been hanging out with your old friends because he was acting so weirdly distant and ignoring you, but you can’t muster the fight.
In an instant, all the defiance goes out of you, replaced this time by a sickly sense of understanding.
All this time you’d been stuck feeling sorry for yourself over how Eddie had pulled away from you, shut you out, you realize much too late that from his perspective it must have seemed like you’d done it first.
It makes your chest hurt to think how self-centered you’d been – maybe your initial instinct about the breakup had been right, maybe it was all your fault.
Eddie clears his throat then and makes a soft, defeated sound that shoots you full of holes.
“I dunno… I guess I figured you were finally getting sick of me or something…” He sniffs.
“What do you mean finally? …Eddie—”
He is quick to continue before you can finish, giving a lopsided shrug that he uses to mask the way he wipes his cheek on his shoulder.
“No big deal,” He says unevenly, clearly struggling to mask the tremble in his voice. “Bound to happen eventually.”
Oh, Eddie… your poor sweet boy…
You hug him a little tighter.
“No, it’s not,” you insist, “… I’m so sorry I made you feel that way.”
He hums out his answer, a gentle laugh that has his smile faltering ever so slightly.
You press a kiss to his neck and nuzzle him there. Eddie leans into your touch and chuckles.
“…I wish you would have said something.” You sigh.
“Yeah, well, you know me, I’m stupid.”
Then you grit your teeth and poke him hard in the ribs.
“No, you’re not,” you growl.
Eddie flinches against the jab and laughs out loud, and you don’t even manage to feel bad about it because as much as you know he hates to be tickled, he knows how much you hate it when he self-deprecates like that.
“Take it back, Munson.”
“Okay, okay, I take it back — go sit down, will you? The food’s gonna get cold.”
You don’t immediately release him though, as the thought of staying like this and holding him a little longer is suddenly much more appealing than food.
When you linger too long, Eddie says your name firmly, in a way that you suppose is meant to be a warning, if not without a good dose of humor.
You heave a moody sigh and relent, releasing him and retreating to the little dining table – though not so little as the one back at the trailer. You sink into one of the rickety folding chairs, tucking your hands between your thighs, and pulling your shoulders up to your ears as you watch Eddie put the finishing touches on your meal with a dramatic flourish that sends salt scattering to every corner of the kitchen.
“What did you make?” You ask.
You hadn’t been able to see into the pot over the slope of his shoulder and now curiosity gnawing at you. He turns and triumphantly reveals the slimy contents of the pot and you feel your stomach clench.
Spaghetti-o’s.
You don’t know why you expected anything different considering Eddie’s culinary skills are expressly limited to: microwaving leftovers, boiling water for top ramen, and throwing a can of condensed bullshit into a pot.
Still, you wrinkle your nose and make a harsh sound of disgust in the back of your throat.
“Oh, don’t give me that. Beggars can’t be choosers,” He chides you, “You wanna eat or not?”
You eye him warily, biting your cheek and hating yourself for even considering it.
Sure, Eddie’s going to eat it too, but he is like a raccoon. He’s lived so long off of processed foods and junk that his stomach lining has since turned to steel, so he can eat most anything and not bat an eye. Your stomach, however, is not so strong, and it is cramping with memories of a particularly intense bout of Spaghetti-o-induced food poisoning – still, you haven’t eaten all day…
Eddie tips the pot and shakes it at you in a way you imagine is meant to be tantalizing, and in spite of your better judgment, you nod sullenly.
He rewards you for it by filling your plate with a wet smack of sticky o’s, sauce, and freeze-dried meatballs.
Fantastic.
Eddie falls into the seat across from you and sets the pot down onto the woven trivet sitting on the placemat in front of him – you’re surprised that Rick has even got amenities like trivets floating around in his kitchen, or placemats for that matter.
You watch as Eddie immediately tucks in with the wooden serving spoon which, you can’t help but note, is almost too large for his mouth, stuffing his face like it’s his last meal.
Your attention does not go unnoticed.
“What?” He barely manages to get the word out through the mouth full of processed pasta he’s got, his face smeared in a Glaswegian smile of sticky red sauce.
“You’re not even gonna use a plate?”
Eddie levels you with a blank stare as he chews, like he’s really got to think it over. Then, after a moment of contemplation, he swallows, wipes his mouth on the back of his hand, and extends it to you across the table.
“Hi, I’m Eddie, nice to meet you.”
You smack his hand away and roll your eyes — eight short months, and somehow you’ve forgotten just who it is you’re talking to? You’re a fool.
Eddie breathes an airy laugh through his nose and you can’t help but try and suppress your own smile at the bizarreness of the situation you’ve found yourself in, eating Spaghetti-o’s in Rick Lipton’s kitchen like you haven’t got a care in the world.
Once again, you are struck with how it’s like nothing has changed, sitting across from Eddie and sharing a meal like this. It’s familiar in the most comforting way, despite the circumstances.
If you closed your eyes, you could almost imagine you were back at the trailer, sitting together at the littler-than-this-one dining table after a long day, unable to decide if you were more disgusted or amused by the painfully audible smacking and slurping of Eddie’s eating habits.
He finishes the pot in record time, then furrows his brow and gestures to your untouched plate.
“You’re not gonna eat?” He asks, tongue darting out to lick the excess sauce from where it is smeared across his face.
You shake your head, deciding in an instant that you can stand to sustain your hunger a little longer.
“You can have it.”
“You sure?” though he doesn’t wait for you to answer before he drags the dish back towards himself.
You give him a pointed look, to which he shrugs and sets himself to the task of inhaling his second helping.
You avert your gaze and turn a wandering eye on the dingy little room, taking in Rick’s knickknacks, what few of them he has.
It’s sparse and messy and makes you miss the comfort of the trailer’s clutter, all of Wayne’s mugs and hats and keepsakes… the treasured Garfield mug that you had won the highest honor of being allowed to use, much to Eddie’s complete and total outrage (he is not allowed to do much more than look at that mug because of his tendency towards dropping anything and everything that passes through his hands.)
You wonder with a quiet despair how much of the clutter is still there and how much will be impounded as evidence.
Then suddenly, much to your despair, you can’t stop picturing the trailer the last way you’d seen it, cordoned off with police tape, harboring the ruined, twisted body of Chrissy.
You feel your stomach heave and have to resist the urge to press the heels of your palms into your eyes until you see stars like you’re half afraid they’re going to fall out of your head – like Chrissy’s had.
You can’t stop your brain from going around and around in a desperate attempt to fill in the blank as to what could have possibly happened to her.
You know you’re never going to be able to stop yourself from thinking about it, and it’s going to drive you insane. As much as you hate to bring it up, you have to know what happened to Chrissy…
You watch Eddie carefully, fully entrenched in the task of filling his stomach and blissfully unaware of how you are about to ruin his evening.
“Eds…” You start slowly, chewing nervously at your thumbnail, “Can I ask you a question?”
He hums absently in response but doesn’t look up, still too busy shoveling Spaghetti-o’s into his mouth, one spoonful after another.
You hesitate, and the prolonged silence is enough to finally make Eddie glance up at you through the thrush of his dark lashes. He’s licking his lips again, looking so painfully boyish as you watch the shadow of anxiety creep in to shroud his features.
You bite the inside of your cheek and watch him watching you, fruitlessly wracking your brain for the most diplomatic way to ask.
Only there is no easy way to ask about something like this, so you just ask.
“...What happened to Chrissy?”
He flinches and instantly breathes out a harsh, shaky breath, almost as if you’d socked him in the stomach with the question.
Eddie drops the spoon into the dish with a muffled clang and pushes back in his chair like he’s suddenly lost his appetite, and for a very long moment, he is a sphinx, completely and utterly unreadable.
It makes your insides squirm with unease as you watch him fidget. The tip of his pink tongue darts out to sweep across his lips as he averts his gaze, he twists the clunky silver ring on his middle finger and clears his throat.
It’s nearer to half a minute before he finally answers, though only after being prompted a second time.
“Eddie…?”
“She didn’t – it wasn’t – I don’t know,” Eddie quickly shakes his head and starts picking at a flakey piece of laminate, curling up from the tabletop. “I don’t know what happened to her.”
You feel something sink inside of you to be so summarily dismissed.
“Okay…” You say carefully, suddenly afraid you’ll say the wrong thing and cause him to shut down completely – you hate to do it, but you have to know, “Well… can I ask what she was doing at your place?”
His head snaps to attention and you watch color bleed into his cheeks in a hot flush, almost like you’ve just accused him of something untoward – or maybe more like you’ve just caught him – you banish the thought before it can finish forming.
He sits gawking at you, wide-eyed like he cannot possibly imagine how you could know that Chrissy had died in the middle of his living room. You try to smile, almost apologetically, but you only manage to press your mouth into a tight horizontal slit.
“It’s the first place I went looking for you…” You explain, offering him a lopsided shrug, “I…Christ – I saw her, Eds.”
“You saw her?”
You nod, chewing your lower lip and hating how it feels like an admission of guilt, like you’d been intruding on something that you were not meant to see – which is to say a literal crime scene – but you hate even more the way it forces Eddie to move to defend himself.
“I didn’t do that to her.” He says immediately.
You barely let him finish before you’re leaning across the table and shaking your head, desperate to assure him that you don’t assume that for a second
“I know,” You say immediately, “Believe me, I know … but –” He’s watching you warily now, like he doesn’t trust you and it makes your insides twist in on themselves, you have to take a deep, steadying breath before you can continue. “… Eds, I just need to know what happened. I need you to help me understand.”
Eddie hesitates a moment before scrubbing at his face with his hand. He slumps back in his seat and swears harshly under his breath, then lingers in a long silence like he’s trying to decide what to say.
You, in turn, sit and wait with what you tell yourself is an infinite well of patience and not a bundle of nerves perched on the literal edge of your seat.
“She just…” He starts before stopping again. “Nothing happened, okay? Between me and ... and Chrissy?” He insists, leveling you with an edgy look and turning his hands over on the tabletop like he means to show you he’s got nothing to hide. “I need you to understand that before we go any further..."
You feel your heart begin to palpitate. It wasn’t what you’d meant in asking him what had happened, but it doesn’t shock you any less.
"Okay..." You say slowly, unevenly, suddenly unable to stop hearing Gareth's words about whatever Eddie did with Chrissy...
It seems to put him at ease, at least a little bit, and you're not entirely sure what that means.
"She only came over to buy..." He says firmly, "I swear."
You can't help but choke a little on that tidbit of information.
“Chrissy?”
Eddie nods.
It takes all your willpower to suppress the hard scoff of bitter laughter bubbling up in your throat because you can hardly imagine soft-spoken, sweet, angelic Chrissy so much as speaking to Eddie without bursting into flames or something, let alone soliciting drugs from him.
“Chrissy Cunningham wanted to buy drugs... from you?” Your tone is much harsher than you’d intended, but there is nothing you can do to suppress the biting edge of cold jealousy creeping in on you.
It’s stupid to be jealous of a dead girl, you remind yourself, but you can’t help it.
Eddie nods again, slower this time, and you can’t decide how you are supposed to react to this information, considering the recessed part of your brain that has been subtly attempting to drive you crazy wondering what they were doing together last night.
He’s not even technically your boyfriend anymore… so why does it feel like he just told you he’d cheated on you?
You don’t know how you feel, so you tell yourself you’re relieved, because at least now you know she wasn’t there to fuck him, which, in the grand scheme of things, would have somehow been more believable than the concept of Chrissy soliciting drugs from Eddie.
Still, you can feel your face flushing bright and hot with stress as your mind turns the argument over and over, asking yourself did he? All the while simultaneously assuring yourself that he didn’t—wouldn’t. Would he?
You grit your teeth against the conflicting voices as a louder thought shoulders its way to the front of your mind – one tiny little detail screaming at you to tell you it doesn’t make sense.
“… So… why couldn’t you just sell to her out of the back of your van like you do with everybody else? Why’d she have to come over?”
Eddie fidgets with his fingers and shrugs, and you feel your stomach tighten as you realize he’s actively avoiding looking at you.
“She wanted pills because she said she couldn’t sleep – nightmares or something, I don’t know.”
You’re suddenly — unhelpfully — reminded of a conversation you’d had with a particularly snotty ex-friend one afternoon at lunch in your tenth-grade year, back when the extent of your interactions with Eddie was strictly limited to stealing shy glances at one another across the lunch room.
“Oh gross, are you swapping eyes with the Freak?” She’d scoffed when she twisted around to see who it was holding your rapt attention.
You’d quickly muttered an excuse about just being friendly and fixed your gaze on your lunch, blushing under the heat of your friend’s calculated gaze — and then she’d leaned forward and whispered conspiratorially to you.
“You know I heard he’ll trade weed for head,” and you’d nearly choked when she continued. “I’ll bet if you let him fuck you in the back of his van he’ll give us some blow,”
You’d gone on to learn that Eddie did not, in fact, sell cocaine — just weed and pills, he’d assured you — and you never asked him whether the rumors were true about trading his stock for sexual favors. In the grand scheme of things you didn’t care if they were, but now you can’t stop thinking about what Jeff had told you about the last he’d seen of Eddie — headed out to his van with Chrissy…
You can’t get out of your head over it.
“…So you brought her home?”
His eyes widen in alarm as you can only assume he has finally come to realize how this all sounds.
“No — it wasn’t like that, I swear — Sweetheart, come on, you know I don’t carry pills around – you know that.”
You do know that. Very well in fact — still, you have to bite the inside of your lip to keep from asking the terrible question your psyche keeps poking you with: did you fuck her? Or perhaps rather, were you planning to fuck her?
Stop it stop it stop it stop–
“…So she came over, but I couldn’t find my stash – the place is always a fuckin mess, I mean… you know how it is –”
You wish he would stop telling you what you know and cut to the chase. You make yourself nod because Eddie is giving you this strange, sidelong look that you can’t decipher, and you want him to know you’re listening, despite the way your brain is busy tearing itself in half.
“...And I wasn’t even gone a minute, but when I came back she was just standing there, like – like she was hypnotized or possessed or something.”
You can feel a cold dread creeping in on your chest, like icy fingers closing around your heart as your dream comes rushing back to you.
“And I was shaking her, trying to get her to come back, but she wouldn’t wake up… she just wouldn’t wake up… and then the lights started going on and off. Flickering like… like it was a goddamn horror movie or something… and then she –”
Eddie’s voice hitches and goes tight as you watch the color drain from his face and his eyes glaze over like he’s reliving the moment — you’re doing your best to keep yourself from reliving it too – the ubiquitous cracking of bones snapping up out of place, eyes being wrenched back into their sockets.
You fail to suppress a shudder, but thankfully Eddie is too far off in his own head to notice.
His hands are shaking where they’re still turned up against the cracked and stained tabletop, his rings clinking ever so softly against each other.
Absently, you reach across the table to steady them, if only as a force of habit.
In spite of your fears and what your mind is telling you he did or didn’t do, you remind yourself that whatever happened was traumatic enough to send him running for his life, and whatever happened, he deserves the chance to explain himself.
This is about Chrissy and how she ended up like that, not whether she slept with your boyfriend — ex-boyfriend— before it happened.
“One minute she was fine and then she wasn’t moving and I tried to get her to come back but – I swear to God, you’re gonna think I’m crazy – she started fucking floating…”
It makes you feel sick, and you still can’t pinpoint exactly why – maybe because some irrational part of your brain had been holding out on a hope that it had only been a terrible dream, that maybe you were experiencing a weird but brief bout of insanity that was bound to pass, that none of this was real.
“…Floating,” you hum, your frustration with the situation causing you to inadvertently sound skeptical of the whole thing.
You watch in horror as Eddie’s face contorts with disappointment.
“...Oh, Christ… you don’t believe me, do you?”
You try to suppress the spike of anxiety it sends lancing through your midsection – shit, fuck – because this was exactly what you had been worried about.
“Hey, no, that's not what I –” You start, attempting to try and backpedal, but Eddie is already shaking his head, like he cannot believe what he’s hearing, like somehow you’ve betrayed him.
“Jesus – you think I’m making this up?” He asks, his voice lilting with despair. “Why would I lie about something like this?”
“You wouldn’t.”
“What, you think I cheated on you and now I’m lying to cover my own ass?” Saying it out loud only serves to convince him that it’s exactly what you think, “Are you fucking kidding me?”
All the jealousy and paranoia goes out of you as your heart beats erratically with the need to fix this before it goes too far.
“Eddie, please, just listen–” You press, but he cuts you off.
“No, stop it— don’t do that —I know how crazy this sounds, okay? I get it, but that’s what happened and nobody is going to fucking believe me because it’s so goddamn crazy!” He cries, fisting his hands in his hair and hanging his head.
You could kick yourself for how spectacularly you’d fucked this up, but you’re afraid to say anything to try and smooth it over for fear of only making it worse, so you sit and hold your breath and wait for Eddie to react first.
You listen to him breathe, a harsh in and out punctuated by flushed, simmering emotion threatening to boil over.
It’s a long time before Eddie comes down again enough to come out from where he is hiding behind his hands. His face is flushed and he sniffles, wiping the back of his hand across his nose before he makes himself take a deep, steadying breath.
“Why are we even talking about this?” He huffs. “Seriously, what have I ever done to make you think I could cheat on you?”
You fidget anxiously in your seat, trying to decide how to explain yourself, and decide in the last moment to shift the blame a little – it’s not untrue, after all.
You give an uneven shrug.
“Jeff told me he saw you getting in the van with Chrissy and I guess I let myself go a little crazy over it …”
He makes a harsh sound and rolls his eyes.
“Fucking, Jeff — you know he was probably just trying to make you jealous, right?”
“Yeah… guess it worked…” You mutter, trying and failing to hum out a humorless laugh. “It was stupid… sorry.”
Eddie just shakes his head. His voice is thick and he barely manages to keep it from trembling as he speaks.
“Baby, I promise, I’m telling you the truth,” He insists, “Chrissy came over to buy pills. That’s it. Okay? I didn’t kiss her, I didn’t fuck her — she didn’t even sit down, Man. Nothing. Happened.”
Only something did happen last night, and Eddie knows that as well as you do. He rolls his eyes and moves like he’s going to cover his face again before stopping himself, “Jesus — nothing except…” He trails off.
He can’t say it, but he doesn’t have to. Nothing happened except that she died.
You set your jaw and try again to smile, deciding in an instant that it’s enough and that you can set aside any jealousy or suspicion or any of those other ugly feelings – you can be angry about it after this is all over if you still need to, but for now, you’re on Team Eddie, no matter what.
“Okay,” You say simply, “I believe you.”
Eddie gives you a flat look and tucks his arms that much tighter over his chest. You watch his jaw flex as he considers it.
“What, so it’s just that easy?” he scoffs.
You shrug.
“It can be.”
He shakes his head and sucks his teeth like he doesn’t believe that for a moment and averts his eyes again, electing to turn away and stare off at a point in space rather than look at you.
You don’t know how any of this became your fault — except that you’re a goddamn moron continuing your string of making the worst decisions possible — but if blaming you is what makes Eddie feel better, you’ll shoulder it.
You sit together then in a tense silence as you try to wrap your head around this whole thing.
It doesn’t make any sense, hypnotic trances and floating up off of the ground, but then again how could something like that happen to a person? More importantly, it’s just like Eddie said, why would he lie about something like that?
He wouldn’t.
Eddie’s a lot of things, but he’s not a liar. You know that for certain, which means this is real, whatever the fuck this is, and you’re both in way over your heads.
At least you can share in that dilemma together, that is if he’ll still have you after this titanic fuck up.
Under the table, you push forward to nudge his shin with the toe of your sneaker, offering an apologetic smile when his inky gaze slides over to you.
“...So, she started floating,” You prompt, “What happened next?”
Eddie heaves a sigh and uncrosses his arms, almost like he’s forgiven you for your perceived lapse of faith. Almost.
“She started floating…” he gives you a pointed look, like he’s daring you to question it a second time, “...and then —”
He trails off, and for half a second he clenches his jaw as his eyes are wet and shining with tears again, but he swallows the emotion and lets his lids slide shut as he grits his teeth and forces the words out.
“And then that was it." He says, "Then she was gone…”
You know he’d spared you the gruesome details, which your psyche is more than happy to deliver to your inner eye.
You believe him — not so much that part about Chrissy wanting ketamine— but you have this terrible sinking feeling that it’s not going to be enough, and no one else is going to, no matter what you do.
Even if somehow you miraculously come up with bulletproof evidence, a literal smoking gun, you know it’s still just going to be Eddie’s fault because he’s a Munson and that means the town will have already decided his guilt— that’s why you need to go, get as far away as fast as possible.
“Okay… obviously that’s a lot to take in, but thank you for being honest… it was really brave of you.”
He snorts bitterly.
“Not that it’s gonna do any good – I mean, even without my name dragging me down, who in their right mind is gonna believe any of that?”
The complete and utter defeat in his voice is heartbreaking, and you’re suddenly so desperate to snap Eddie out of this pathetic version of himself, this exposed nerve of a person.
You purse your lips and shake your head.
“I wish you would stop feeling so damn sorry for yourself,” You mutter, glancing up to see if Eddie takes the bait of your tough love.
He does, sitting up to blink incredulously at you – you just shrug.
“It’s like I said, we’re gonna figure this out.”
“How?” He sniffs.
“I don’t know,” you say honestly, “But we will.”
After a very long moment, nods in a way that makes you think he doesn’t expressly believe that, but there’s nothing he can do about it.
“…Okay…okay…” he says, almost like he’s trying to convince himself.
It takes another one of those long, shaky breaths to steady himself enough before Eddie sits up and viciously scrubs his hands over his face.
He sniffs and clears his throat, and offers you a weak smile, and you feel your insides warm a little.
“So what now?” he asks.
“Now… we get you as far away from here as fast as we can… don’t ask me how, I haven’t figured it out yet.”
“Well, whatever we do it’s gonna have to be in your car because the van’s gone.” He huffs, gesturing vaguely, “Crashed it in a ditch out near the quarry.”
“You– you crashed?”
“Yeah, it’s totaled. I don’t really wanna talk about it.” He mumbles.
You know you shouldn’t laugh, but you can’t stop yourself from snorting undaintily, and you have to clap your hand over your mouth to keep your cool.
“Eddie…” You press.
He gives you an incredulous look, brows furrowing over his eyes as he stares back at you because you’re laughing at him. He just told you he crashed his van in a ditch and you’re literally shaking with the effort to keep yourself from laughing – it’s a losing battle.
“It’s not funny,” He presses, despite the way you can see him fighting the upturn of his lips.
It only spurs you on and you grin at him.
“It’s a little funny.”
“Jesus Christ, you’re such a brat,” He huffs, still fighting to keep himself from smiling as you sit there fully entrenched in a fit of giggles, “I’m fine by the way, thanks for asking.”
“I’m sorry, I don’t know why I’m laughing…” you gasp, breathless from the way your stomach muscles have begun to cramp, “It’s just … God – it’s been a really long day.”
“Really? That's a bummer because my day’s been great.” Eddie says sarcastically, propping his chin up on his fist and drawing aimless circles into the cracked and flaky linoleum. “I mean, clearly you know how fucked my day has been – but anyway, I’m sick of talking about me. How was your day, Dear?”
He folds his hands neatly in front of him when he says it and smirks at you.
You roll your eyes.
“Well, I almost got arrested this morning – it’s a long story, I was looking for you.” you huff when Eddie’s eyebrows jump up to disappear beneath his curly fringe.
Then you remember your little Toyota sitting abandoned in Benny’s parking lot.
“Oh, shit, and my goddamn car died.”
“Shit indeed. That leaves us pretty much stranded.”
You heave an aggravated groan and wrestle with a strange hope that nobody decides to tow it, despite how useless it is to waste any energy on that kind of thinking, because once you get out you’re never coming back – now you just have to get there.
“Hey, come on, Sweetheart, take a dose of your own medicine, we’re gonna figure it out, remember?” Eddie teases, gently kicking the toe of your shoe beneath the table. “So, what’s plan B?”
Good question. You chew the inside of your mouth and wrack your brain for solutions.
“Well…” You start, “Wayne gave me some money—”
It’s enough to snap Eddie out of whatever is left of his pity party and he perks up to the closest thing you’ve seen to his normal self yet.
“You saw Wayne?” he asks, voice lilting up with surprise.
You nod.
“Yeah, this morning,”
Eddie narrows his eyes at you.
“Before or after you almost got arrested?”
You can feel yourself pulling a face again as the memory of how foolish you’d been to go barging into a crime scene like that returns to you in full force.
“After,” you mumble sheepishly, “He kind of, sort of bailed me out.”
“Yeah, that sounds about right.” Eddie hums, deflating a little as he begins to fidget with his rings again – you suppress the urge to reach across and take his hand to make him stop – one of these days he’s gonna break his finger, twisting it like that. “… is he pissed at me?”
You feel your brows come together over your eyes, and you realize a moment too late that you’re more or less glaring at Eddie, but you can’t really help it.
You can’t imagine why he would even ask you that, how could he ever imagine that Wayne would walk in on what he’d found waiting for him at the trailer that morning and immediately jump to anger?
Fear, sure, for the scene he’d stumbled upon, for the lack of ability to find Eddie afterward and all the hideous possibilities his absence implied, of course, but anger?
You realize with a start that it’s probably how Eddie’s father would have reacted, had he been in Wayne’s shoes.
You don’t know much about the man, there’s a reason Eddie won’t talk about his childhood after all, but you know he is a son of a bitch, wherever he is, and you have to swallow the misplaced anger that realization stirs in you.
“No, Eddie, Wayne’s not pissed at you. He’s the one who sent me to come find you.” you press, and when he continues staring back at you like a freshly kicked puppy, you dig your hands into your pockets and fish out the crumpled bills.
“Look,” you say, laying them flat on the table between you, “He gave me this and told me to get you out of town… he made me promise I wouldn’t leave you… not that I would anyway … even if you are a jerk.”
In spite of everything, it pulls a short burst of laughter out of Eddie, which leaves the faintest hint of a genuine smile spread across his face.
It’s so good to see him smiling again.
“Aw, man,” he breathes, chuckling softly to himself, “So, I guess you kind of like me, huh?”
You scrunch your nose and feign disinterest as your insides go warm and fuzzy when Eddie looks at you in shades of the same way he’d stolen those shy glances at you from across the lunch room all those years ago.
You love him so much you can’t stand it, so you shrug.
“You’re alright, I guess.”
Eddie hums thoughtfully, still fidgeting with his fingers.
“That must’ve been weird.” He begins, “Seeing Wayne?”
The question strikes you as odd, and you answer honestly without really thinking.
“Not really,” you say, “I see him all the time.”
Of course, it’s only then that you remember that there is no possible way Eddie could know that, and you feel a strange sense of alarm jump up into your throat when he pulls a face, like you’d let slip a secret you’d sworn never to reveal — only you’re the one who had made Wayne promise not to bring Eddie up in any way shape or form including but not limited to not telling him about your weekly visits.
He doesn’t get the chance to ask you about it before there is a sudden and violent banging at the front door.
It sends the pair of you leaping out of your skin.
Eddie hits the floor as the doorknob begins to rattle, and you jump up out of your seat with enough force to send the chair clattering backward to the ground.
You jump up, much too late, and pull the chair for the overhead light, instantly plunging the both of you into darkness. It draws the attention of the newcomers instantly.
You hear Eddie say your name frantically from somewhere in the dark and you feel your heart leap up into your throat.
“Go hide!” You hiss but you can’t see well enough to tell whether or not he obeys.
Suddenly, the knocking and rattling are punctuated by voices, most specifically a high drawn-out shouting.
“HELLOOOOO – REEFER RICK! ARE YOU THERE–?”
It takes you a long, terrifying moment to recognize the voice, but when you do you are flooded with relief.
It’s only Dustin – thank God for that – and he’s not alone.
“Dude… what the hell, don’t just shout that.” Steve hisses. “Have a little discretion, will you?”
You heave a sigh, clapping your hand to your forehead as you rock back on your heels. The tips of your fingers and toes sting with adrenaline as you rush to the door and whip it open, flooding the room with what little light there is from their flashlights and startling the group of familiar faces just outside.
You’d all but forgotten they were coming, but just like that you suddenly have a Plan B.
+++
Dustin knows he should be happy considering how miraculously everything fell together.
They found you, and you found Eddie, just like he knew you would.
He knows he should be pleased, but that feeling is hampered by the very small part of him that had begun to hope beyond hope that they would not find the two of you together, that maybe they wouldn’t find Eddie at all and he’d never have to think about the two of you making out in a photo booth in the Starcourt mall ever again.
And he's unfortunately been thinking about that all day. It's really kind of ruining things for him.
But now here you all are, together, just like he’s wanted all year, and Dustin feels like he’s going to crack a tooth for how tightly he’s clenching his jaw.
You’d whipped the door open and damn near given everyone heart attacks in doing so, hurried them all inside to the weird, dated house that stank of weed and burnt spaghetti, and then promptly realized as you switched the kitchen light back on that Eddie was nowhere to be found.
It set Steve off immediately, much to Dustin’s chagrin. He’d really hoped you two had moved past the bickering, but he was quickly coming to understand that it was probably a fool’s hope.
“Seriously?” Steve snapped, watching you turn in fruitless circles around the house, looking for Eddie, “You had one job here and you lost him?”
“Eddie? Okay, game’s over, you can come out now!” You called, doing a very poor job at hiding the rising anxiety in your voice by calling out in a lilting, sing-song way, “Olly olly oxen free!”
“Steve, come on.” Robin chided quietly, as you slipped into the other room, “Give her a break,”
“You come on, don’t you think it’s just a little bit ridiculous?” Steve huffed, running a hand through his perfectly coiffed hair, “What kind of babysitter loses the goddamn kid?”
You took the opportunity to come back into the room then, if only to defend your reputation.
“He’s not a kid, okay? He’s a grown-ass person. And I didn’t lose him, thank you very much, I told him to hide when you morons came banging down the door like you were trying to wake the dead.”
“First of all, that moron you’re talking about is all Henderson—”
Dustin did not appreciate the sentiment, but he didn’t have time to stand around complaining about it, so he cut Steve off before he could get really catty about the whole thing.
“Did you guys set up a designated hiding spot or something?” He asked.
You shook your head, resting your hands on your hips and frowning and you gestured to the room.
“No, but this isn’t a big house. There are only a handful of places he could be.”
That’s what they’d said about Hawkins proper, and it had still taken them hours to stumble upon this lead, but Dustin wasn’t about to start naysaying his own operation, so the party split up and went looking for Eddie — you, Max, and Robin stuck to the house while Steve and Dustin slipped out into the boathouse and promptly found Eddie hiding under a tarp.
Steve nearly lost his head for it.
Dustin froze and stood helpless as Eddie jumped up and slammed Steve against the wall with more force than he would have guessed the metalhead could muster, and thankfully the commotion brought everyone running.
And then you’d all but tackled Eddie to the ground to pull him off of Steve, which Dustin couldn’t deny was kind of amazing, despite the very tense few moments it took to talk Eddie down after.
The next few minutes were an exercise in patience.
They needed to know Eddie’s side of the story, clearly, so they waited as he explained what happened as best he could.
Dustin did his best to remain impartial, because regardless of whatever he was currently feeling, Eddie deserved the chance to explain himself. Still, it was very distracting, watching you watch Eddie — looking at him like he was the only person in the goddamn room, and Dustin couldn’t help but get a little bent out of shape over it.
If anything, it was rude, ignoring everyone else in favor of one person? Certainly very uncharacteristic of you, who always went out of your way to make sure everyone felt included.
This was much more like that weird dopey version of you that existed under the spell of your stupid boyfriend – Dustin had to quickly remind himself to merge the two images, because there was said stupid boyfriend, sitting on the floor of the boathouse, looking like a kicked puppy. Eddie freakin Munson.
God, he hates this so much.
And then it was his turn to explain things, which Dustin quite possible hated more than any of it because suddenly he was having to lay it all out there, everything he never told you about the double life he’d been keeping from you over the past few years, about Eleven and the Upsidedown.
You didn’t take it well, because how does anyone take the news that there is another world just beneath your feet full of monsters who periodically violently claw their way up into yours? That everything you think you know about what has happened in your town over the past few years is a conspiracy to keep that world hidden?
No, you don't take it well at all, particularly when it leads to a bizarrely frank discussion about what they thought could be behind this — some kind of spell caster, Dustin and Eddie collectively decide, Vecna.
You make a harsh sound of disbelief, snapping everyone’s attention to where you stand with your arms crossed and your brows furrowed.
“I’m sorry, Vecna?” you say, “Like in your stupid D&D game?”
It hits Dustin like a fist to the gut and suddenly he feels too winded to defend himself, despite the way he tries.
You never thought D&D was stupid before, but he supposes it’s never been anything but a game until now.
“It’s not stupid—” He insists.
“It’s also not real, Dustin,” You snap, “Something seriously fucked up is happening here and we need to figure out how to deal with it before something arguably worse happens.”
God, you’re mean today.
It’s Steve’s turn to make a snide noise then.
“Worse than what happened to Chrissy?” He huffs.
Eddie flinches and you bristle, immediately reeling on him.
“Steve— do not fucking start. I swear to God, you’re only making things worse.”
And just like that you’re back to fighting, the same way you had been in Family Video.
It’s exhausting putting the two of you together, honestly, Dustin doesn’t know how he ever thought you could be friends.
“How the hell am I making things worse?” Steve chokes, “Your boyfriend’s the one who came at me with a bottle.”
Dustin feels his insides heave and go tight at the mention of it, though not as violently as they do as you proceed to perhaps the worst thing anyone can possibly say at a moment like this.
“He’s not–” you bite the sentence off in an instant, like you only just realized what it is you’re about to say, and more importantly, who you’re about to say it in front of.
Of course, everyone knows what it is you were about to say.
Strangely, it makes Dustin’s heart seize, because for as jealous he is, he is suddenly very aware of the way Eddie’s head snaps to attention. His brows come together over his eyes in that same hurt look that always makes Dustin feel like he needs to protect him.
The room grows eerily silent, and you clamp your mouth shut, eyes wide and cheeks burning as you stand stock still.
“Not what?” Steve prods, and Dustin could wring his neck for it.
For all his good qualities, the worst thing about Steve is how he just can’t leave things where they lie.
“Hello?" he says, making a show of waving his hand in front of your face, "Who’s not what?”
Dustin knows you might have slugged him had you not been so caught up in your dreadful misstep.
“Nothing, nevermind,” you say, shaking your head dismissively.
“No, go ahead and say it,” Eddie says then, a little quieter but with no less bite than Steve had – he’s standing behind you, ever so slightly removed from the rest of the group and looking a little too rough around the edges for Dustin’s liking.
You blanch and whip around to face him, shifting your weight from foot to foot as he stares you down, and Dustin resists the urge to put himself between you.
He honestly doesn’t think he could move if his life depended on it,
“She’s talking about me,” Eddie informs the group, as if everyone didn't already know, then addresses Steve, “– that’s what you said, right? That I came at you? So it’s me…”
Finally, Eddie turns his gaze back to you and it’s the worst thing Dustin has ever seen, watching someone who knows they’re about to have their heart broken prepare for the worst. It’s like watching a car wreck, terrible and ugly and frightening but you can’t look away.
Suddenly he doesn’t know who is the bad guy here, who he needs to step in to defend.
“Eddie, it’s not–” you start, your voice is small and clipped, and you barely manage to squeak the sound out.
He shakes his head slowly, like he doesn’t want to hear whatever excuse you might be drumming up.
“I’m not what?” Eddie prompts you again.
“...You’re… you’re not – fuck – you’re not my … my boyfriend.” You stammer, glancing nervously around the room, down to your toes, and then sheepishly back up at Eddie, “You’re not my boyfriend, Eds…”
Then tension is unbearable, like you finally saying it had sucked all the air out of the room. Even Steve seems to be feeling particularly shitty about this whole exchange.
Dustin exchanges a tense look with Robin, who looks like she's trying with all her might to shrink into her jacket and disappear.
Somewhere further into the room he hears Max mutter something to the tune of “Yikes”, and he can’t disagree with her.
For a long moment, nobody says anything, and the silence is a yawning chasm ringing in Dustin’s ears.
Eddie breathes out hard and rocks back a step, almost as if you'd reached out and stabbed him.
He grits his teeth and pulls a face like he’s trying to smile, and nods.
“...Yeah,” he says, “That’s what I thought you were gonna say,”
“Eddie—”
“I don’t want to hear it.” He snaps in a way that makes Dustin bristle.
You recoil ever so slightly, and he watches a strange, hurt look flash across your face as Eddie turns and stalks to the other side of the room.
You follow and Dustin’s insides go tight – how did that go so wrong so fast?
He moves like he means to follow you but Robin grabs him by his sleeve and quietly ushers him and the rest of the group back toward the house.
He follows, but he can’t stop looking back over his shoulder, trying to catch one last glimpse of you and Eddie standing huddled in the back of the boat house before the door closes behind him.
After it's shut, everyone proceeds to stand in a stunned silence, all seeming to share the sentiment that what they just witnessed was painful enough to make them all feel like they’d just been broken up with. Dustin feels like he could vomit.
“Well, that was excruciating,” Steve mutters.
Max scoffs from where she’s sunk down onto the couch.
“Only because you didn’t have to listen to them break up the first time,” she says flatly. “By the way, what just happened in there? Totally your fault.”
Steve recoils sharply like she’d socked him in the face and opens his mouth to protest – nothing comes out. He looks to Robin for assistance, but she shuts him down in an instant with a slow shake of her head.
“Take the credit for that one, Stevie.” She says, “You’ve graduated to wrecking other people’s love lives as well as your own.”
The sentiment seems to hit him hard, as suddenly Steve is sinking down into a particularly ratty-looking armchair and staring off at nothing in particular with the faintest hint of distress masking his features.
“Jesus Christ, I’m a menace,” he says, a little more than stunned by the information that has suddenly come to light.
Dustin stands watching the door, wondering whether he ought to intrude, play mediator.
That’s what you do when your friends are fighting, right? Mediate, make them come to some sort of agreement, and shake on it? Only it’s not Mike and Lucas fighting in there, and Dustin is suddenly way in over his head.
Part of his rational mind is telling him that it’s none of his business, he ought to just let the pair of you work out whatever is going on between you, but the rest of him is too muddled with the conundrum of everything he has learned today.
Eddie broke your heart last summer, so that makes him the enemy, but Dustin is pretty sure he just stood there and watched you break his right back, which is good in terms of the mission to avenge you, but terrible considering Eddie is the object of his current mission – to find him and protect him at all costs, and he just stood there and let you trample him into oblivion.
Some avenger he is.
It’s a goddamn mess and Dustin is damn near ready to tear himself apart over it. He knows it’s not his business, but curiosity gets the better of him and before he knows what he’s doing, he’s got his ear pressed to the door.
He thinks he can hear you saying something, and he certainly hears Eddie raise his voice. Everyone hears it, in fact, and it brings their attention to where Dustin is pressed against the solid core.
“Dustin – what are you doing?” Steve calls, sounding suddenly very dejected.
Dustin dismisses him with a wave, but Steve’s admonishment of him is very quickly backed up by Robin.
“Leave them alone.” she insists.
Dustin shushes them harshly, he can’t make out what you’re saying, but you’re clearly arguing.
“I’m just trying to make sure they don’t need me to step in!” He hisses, missing the sound of approaching footsteps.
The door whips open and Dustin staggers forward, very nearly falling flat on his face at your feet.
You sidestep him without so much as a second glance and storm through the house to disappear down the long hall off of the living room.
Dustin watches as you go, helpless to do anything but stand there as his insides twist themselves into knots, and then Eddie appears in the doorway, stumbling over his own feet in his attempt to follow and looking exceedingly chagrined as he calls your name.
Somewhere further into the house, a door slams, rattling the walls and the clutter tacked to them.
Dustin feels a strange and bitter sense of schadenfreude wash over him as he watches Eddie flinch against the sound and slump back.
He swears harshly under his breath and pushes his hair out of his eyes.
“Good job.” Dustin says flatly and prides himself in the way he withstands the dirty look Eddie gives him. “Are we ready to make a plan now? Or do you two want to fight some more.”
Behind him, Dustin hears the dull rumble of a chorus of disappointed sounds from the rest of the group, but they all get up and file back into the boat house to give you a little space while they discuss the next course of action.
The strange hostility that jumps up in Dustin’s midsection is a bizarre contradiction to the strong pull of friendship he feels toward Eddie, but every time he starts to come back down, he thinks back to the polaroid photo strip he’s still got crumpled in his pocket, and the fire revs up again.
Over the course of the next twenty minutes, plans are set in motion. Eddie is safe, for the moment — even if he is a stupid jerk — which means Dustin can relax a little.
Now if only he could stop his mind from spinning around in circles wondering just what the hell Eddie must have said to you to make you storm off like that.
Dustin can’t help but notice the way Eddie keeps glancing at the door every few seconds, like a helpless puppy just waiting for you to come back.
He has to resist the urge to tell him to give it up because you’re not coming back – he really hopes you’ll wise up this time and not come back — but at the same time he is gripped with the urge to sidle up to him, assure him things are gonna work themselves out.
The conflicting notions are going to drive him crazy.
Dustin snaps his fingers for Eddie’s attention.
“Hey, you wanna do us the courtesy of paying attention while we’re trying to save your life?” he snaps.
Eddie blinks stupidly at him, brows furrowed like he can’t believe his audacity, but Dustin doesn’t wait around to hear what he has to say about it.
It’s well past midnight by the time the plan is finalized, and you still haven’t emerged from the room you’d shut yourself into.
It had been decided that they’ll go back into town and run their own reconnaissance mission, Eddie will stay put with a walkie-talkie, and everyone will remain in regular contact until they can get a handle on whatever the hell is going on. Now Dustin just has to figure out where you stand with all of that.
He finds you in the back bedroom, sitting on the floor at the foot of the bed with your legs crossed. It reminds him of the way you used to sit on the floor in his bedroom playing Atari – Dustin wishes you were back there, in happier times before you had to worry about things like stupid boyfriends and monsters and interdimensional spell-casters.
“Hey,” he calls from the doorway, startling you to attention.
You sit up a little and offer him a meager smile, though he can tell you’ve been crying what he imagines were angry tears. Your cheeks are streaked with them.
“Hey yourself.” You sniff, quickly brushing any lingering wetness from your face and wiping your nose across the back of your hand.
Dustin wonders briefly if you’d let him hug you – he contemplates joining you on the floor, but he can hear Steve in the other room rallying the troops.
“We’re headed out, in case you wanna hitch a ride.” Dustin says, jerking his thumb over his shoulder.
You sit silently for a moment, staring through him rather than at him, then sniff and dismiss the notion with a flippant wave.
“Nah, I’ll stay.” You say.
It makes his stomach clench. He’d so hoped you would come with them, even if he knows it's better that someone stays to keep tabs on Eddie.
Why does it have to be you? A tiny, nagging voice is crying out from somewhere inside him, though he knows the answer well enough. He’s got photographic proof crumpled up in his pocket.
“Really? Even after…?” Dustin trails off, unsure of how to really describe what he’d just witnessed as anything but a lover’s quarrel, which he is violently opposed to.
You wrinkle your nose and shrug, smiling for what he thinks must be his benefit. It doesn’t reach your eyes.
“Yeah…” You mutter, “Somebody’s gotta stay and babysit him. Figure it ought to be me.”
Dustin can hear Steve calling his name from the front room – wheels up, let’s go – and he hesitates, before venturing to take a step toward you.
You watch him carefully as he does.
“You don’t have to, you know.” Dustin assures you, “I’m sure he’ll be fine.”
You force out a quiet chuckle, and the corners of your mouth twitch as your smile begins to fail.
“Of course he will, I’m gonna make sure of it.” You say.
Steve is honking the horn now, and shouting Dustin’s name, which is completely counterintuitive to everything they just went over about keeping a low profile.
Christ, he could strangle him.
“You better go,” you say, gesturing through him toward the car, “Daddy’s callin’.”
It’s not you saying it though, just like all those other times you said something that was wholly uncharacteristic of you, and entirely your boyfriend.
Eddie, Dustin reminds himself. It’s Eddie.
Just a little too mean for no good reason at all. Somehow it’s a little less jarring to hear, now.
He’d always wondered how someone could rub off of another person like that, how you could pick up their little phrases, begin to talk like them, but he supposes Eddie is Eddie – his favorite person in the world besides you, of course, he doesn’t know how you could know him and not have him rub off on you, just a little.
Dustin takes the walkie-talkie from where it is strapped across his shoulders and hands it to you. You take it and turn the clunky device over in your hands, still smiling that hollow smile as you fidget with the dials.
“We’ll be back tomorrow, but in the meantime—”
You don’t let him finish.
“Yessir, call you if we need anything.” You say, making a show of saluting. “Channel two, right?”
“R-right.” he says.
That’s the frequency he and the party always used before Will moved away, and Dustin is more than a little touched that you would remember.
Of course, then he can hear you chiding him gently, because how could you ever forget? You were a party member, weren’t you?
“DUSTIN!” Steve shouts from the front yard, “WE ARE LEAVING WITH OR WITHOUT YOU.”
And then he hears Eddie calling from the front room.
“Henderson, will you get the fuck out of here before he blows a gasket? Jesus Christ!”
Dustin looks back to see you staring out toward the front room again, frowning, and he feels a sudden desperation pulling at him.
The party doesn’t split up – you should be going with them.
“… You’re sure you don’t wanna come with?” He asks sheepishly, suddenly feeling like that same eight-year-old kid who was so desperate to impress you the first time you babysat.
You roll your eyes and push up to your feet, taking him by the shoulder and leading him to the door.
“Bye Dustin.” You say and shut the door firmly behind him.
Dustin lingers a moment, breathes a deep, steadying breath, then jogs down the hall into the living room.
Eddie is sitting slumped on the couch fidgeting with his fingers – he glances up at Dustin when he feels him staring.
“I gave her the walkie.”
“Cool.” Eddie says flatly, and then when Dustin continues to stare at him, “What?”
“...Be nice to her, okay?”
Eddie levels him with a dour look and Dustin half expects him to make some kind of snide comment, but he thinks better of it and breathes out a heavy sigh.
“Okay,” He mutters, sounding more or less defeated.
Dustin turns to leave, then stops short.
“Are you guys gonna be okay–?”
He doesn’t let him finish.
“Bye Dustin,” Eddie says, in a strangely perfect mimicry of you that sets Dustin’s teeth on edge.
It's one thing to hear Eddie speaking through you, but you speaking through Eddie?
Christ, that's just weird...
And then the roar of the engine indicating that Steve is actually trying to leave him behind lights a fire under Dustin's ass.
He whips around and bolts out the door to catch Steve's Mercedes just as it's pulling out of the driveway.
Dustin slides into the back beside Max and barely manages to get his door closed before Steve hits the gas again, ignoring the way he chides him for making everybody wait, and doing his best to suppress just how goddamn stressed he is that things are about to take a turn for the worse.
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10th March >> Fr. Martin's Homilies / Reflections on Today's Mass Readings (Inc. John 3:14-21) for the Fourth Sunday of Lent, Year B: ‘The light has come into the world’.
Fourth Sunday of Lent, Year B
Gospel (Except USA)
John 3:14-21
God sent his Son so that through him the world might be saved.
Jesus said to Nicodemus:
‘The Son of Man must be lifted up
as Moses lifted up the serpent in the desert,
so that everyone who believes may have eternal life in him.
Yes, God loved the world so much that he gave his only Son,
so that everyone who believes in him may not be lost
but may have eternal life.
For God sent his Son into the world
not to condemn the world,
but so that through him the world might be saved.
No one who believes in him will be condemned;
but whoever refuses to believe is condemned already,
because he has refused to believe in the name of God’s only Son.
On these grounds is sentence pronounced:
that though the light has come into the world
men have shown they prefer darkness to the light
because their deeds were evil.
And indeed, everybody who does wrong
hates the light and avoids it,
for fear his actions should be exposed;
but the man who lives by the truth comes out into the light,
so that it may be plainly seen that what he does is done in God.’
Gospel (USA)
John 3:14–21
God sent his Son so that the world might be saved through him.
Jesus said to Nicodemus: “Just as Moses lifted up the serpent in the desert, so must the Son of Man be lifted up, so that everyone who believes in him may have eternal life.”
For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life. For God did not send his Son into the world to condemn the world, but that the world might be saved through him. Whoever believes in him will not be condemned, but whoever does not believe has already been condemned, because he has not believed in the name of the only Son of God. And this is the verdict, that the light came into the world, but people preferred darkness to light, because their works were evil. For everyone who does wicked things hates the light and does not come toward the light, so that his works might not be exposed. But whoever lives the truth comes to the light, so that his works may be clearly seen as done in God.
Homilies (6)
(i) Fourth Sunday of Lent
All of the great religions have a symbol that identifies it. The symbol of Judaism is the six pointed Star of David. The symbol of Islam is the crescent moon and star. The symbol of Hinduism is made up of three letters A, U and M. The symbol of Christianity is the cross. The cross speaks of crucifixion, a terrible form of death that the Roman Empire reserved for slaves and those considered a threat to public order. It is how Jesus was put to death.
When we look upon Jesus crucified, we can see what human beings are capable of doing to one another; we confront the sin that put Jesus on the cross. Jesus lifted up on the cross exposes the evil tendencies that resides in all of our hearts. Yet, when we as Christians look upon the cross, we see more than just the darkness of human nature. We also see the brightness of God’s nature. We see the love of God shining through the crucified Jesus. In the gospel reading, Jesus speaks of himself as the Son of Man who must be lifted up. Jesus had to be lifted up on the cross; it was the price he had to pay for remaining faithful to his mission of revealing God’s love for the world. As Jesus says elsewhere in this gospel of John, ‘No one has greater love than this, to lay down one’s life for one’s friends’. Jesus’ death on the cross revealed his greater love for us, a love that was faithful to us, even when it meant his death. The love that shone through Jesus as he hung from the cross was the love of God. On the cross Jesus was showing the world that God is love. In the words of today’s gospel reading, ‘God loved the world so much that he gave his only Son’. Jesus’ whole life, and especially his death, was a powerful expression of God’s love for the world and for each one of us personally. Saint Paul could say, and we can all say, ‘I live by faith in the Son of God, who loved me and gave himself for me’. Jesus was God’s greatest gift of love to the world and to each one of us personally.
Today’s gospel reading goes on to say that ‘God sent his Son into the world not to condemn the world’. There was and is much to condemn in the world. The crucifixion of Jesus, the continued slaughter of the innocents, is a witness to the power of sin in the world. Yet, Jesus did not come among us just to condemn what was wrong in us. God sent his Son into the world to reveal a love that was more powerful than sin or evil, so that we could all be raised up by this love. God sent his Son into the world to release a power of love that would enable us to become the people God desires us to be, what the second reading refers to as ‘God’s work of art, created in Christ Jesus to live the good life’. If we allow ourselves to be touched by God’s love given to us in the life, death and resurrection of Jesus, we will begin to live fully human lives and we will enter into eternal life.
Saint Paul in the second reading stresses that God’s love present in Jesus is freely given to us. It does not have to be earned; it is not a reward for what we have done. As Paul says, ‘it is by grace that you have been saved, through faith… not by anything you have done’. No matter who we are or what has happened to us in life, God is for us, God’s love is over us to recreate us, to lift us up from our sin, so that we can live loving lives that reflect God’s love for the world. God’s love poured out through his Son is a gift to be received rather than a reward to be earned. Receiving this gift can be a gradual process in our lives. When Jesus went to wash Peter’s feet, Peter said, ‘You shall never wash my feet’. Peter struggled to receive Jesus’ gift of his self-emptying love. There is something of Peter in all of us. Yet, Jesus would not take no for an answer, saying to Peter, ‘Unless I wash you, you have no share with me’. Peter had many flaws; he would soon deny Jesus publicly. Yet, Jesus insisted on washing Peter’s feet.
God’s love for us present in Jesus is unconditional, because God is love. One of the greatest challenges of faith is to allow God to be God, to allow God present in Jesus, our risen Lord, to bring me to experience his love for me in a very personal way. The light of God’s love never ceases to shine, but sometimes, in the words of the gospel reading, we can avoid this light. Our calling is to keep coming into God’s loving light. That will sometimes mean turning from whatever pockets of darkness are to be found in our lives. They need not come between us and the love of God because as Paul says in one of his letters, ‘nothing in all creation will be able to separate us from the love of God in Christ Jesus our Lord’.
And/Or
(ii) Fourth Sunday of Lent
A painting hung for many years on the wall of a dinning room in the Jesuit house on Lesson Street. No one paid much attention to it until one day someone with a keen eye spotted it and realized that this could be something of great value. He had it further investigated by art experts, and it turned out that this painting was the work of no less a person than the great Italian artist Caravaggio. The painting of the arrest of Jesus in the garden now hangs in the National Art Gallery, and it is one of the Gallery’s great treasures. All those years it hung in the dining room of Lesson Street it was no less a treasure, but its worth, its value, went unrecognized. It hung there waiting to be discovered, waiting for someone to recognize its true worth, its true value as a work of art.
In the second reading this morning, Paul states that ‘we are God’s work of art, created in Christ Jesus to live the good life’. Like the painting in Lesson Street, we can go unnoticed as a work of art, especially to ourselves. We don’t tend to think of ourselves as a work of art. Yet, as Paul reminds us in our second reading, God sees us as works of art. Like the person who spotted the painting in Lesson Street, God knows our true worth, our true value. As God said through the prophet Isaiah, ‘You are precious in my sight, and I love you’. We are as works of art to him, of great worth and value, precious in his sight.
We can probably think of people in our own lives that are as works of art to us. These are people we value greatly, people we treasure, whose worth to us is beyond price. Today is Mother’s day, and most of us think of our mothers in that way, whether they are still living or are with the Lord. When someone is a treasure to us, we don’t count the cost in their regard. We will do anything we can for them. We will travel long distances to see them; we will stay up half the night to be with them if they are ill; we will defend and protect them with all our passion when necessary. We keep faith in them; we are faithful to them, even when that makes great demands on us. How we relate to those we value and treasure is not determined so much by how they relate to us. Even if they do something that annoys us, we tend to make all kinds of allowances for them. We say something like, ‘that’s just the way he is, she is’. Their worth in our eyes, their value to us, is rooted in something deeper than what they do or fail to do. We value them, simply, for who they are.
Our experience of how we relate to those we value, and of how people who value us relate to us, gives us a glimpse of how the Lord relates to us. God loves us in a way that does not count the cost. The gospel reading today expresses that truth very simply: ‘God loved the world so much that he gave his only Son’. God sent us his Son out of love for us and that sending became a giving when his Son was put to death on a cross. Here was a love that did not count the cost, a sending that became a giving when that was called for. As Paul says in the second reading, ‘God loved us so much that he was generous with his mercy’. We are of such value in God’s eyes that God did not spare his own Son, but gave him up to benefit us all. It is not surprising that the cross has become the dominant symbol of Christianity. This is not because we glorify suffering in any way, but because we recognise that the cross is a powerful sign of how much God values us, how precious we are in God’s sight, the extent to which God is prepared to go to express love for us.
Our love for those we value is bestowed on them for who they are more than for what they do. The same is true of God’s love for us in Christ. It is pure gift. As Paul says in the second reading, ‘it is not based on anything you have done’. Some of us find it difficult to really believe that. We find ourselves asking, ‘how I done enough?’ Yet, when it comes to someone in our lives whom we know truly loves us, we would rarely ask that question of them. Why should we ask it of God, when even the greatest of human love is only gives us a glimpse of God’s love? God loves us for who we are, people made in his image, and, therefore, works of art.
What is asked of us in relation to God is that we receive God’s love, or in the words of the gospel reading today, that we come into the light. The light of God’s love falls upon us, but we can hide from it. Children fear the darkness very often. But as adults we often fear the light, because we suspect that the light will expose us in some way. Yet, the light of God is not a harsh light, the kind of light that is trained on a suspect in an interrogation room. It is a strong, yet warm, light that brings healing and generates new life. It is an empowering light that enables us to ‘live the good life’, as Paul says in the second reading. We pray that, as the hours of day light increase in these days, the life-giving light of God’s love would renew us and fill us with a desire to serve him.
And/Or
(iii) Fourth Sunday of Lent
Children are often afraid of the dark, as the parents here in the church will know. A dim light is sometimes left on while children sleep, so that if they wake up it is not in pitch darkness. Many of us as adults find total darkness disconcerting too. Those of us who live in cities never really experience total darkness. It is different out in the country away from villages, towns and cities. I remember going on a holiday as a young person to the Arran Islands and being struck by just how dark it was at night. There was very little in the way of artificial light to dispel the darkness. The experience of near total darkness after night fell was disconcerting.
Although most of us would claim to prefer light to darkness, in today’s gospel reading Jesus declares that some people ‘have shown they prefer darkness to the light because their deeds were evil’. Most crime is committed during the hours of darkness. Those who are intent on doing wrong are drawn to darkness because it provides them with cover. As today’s gospel states: ‘Everyone who does wrong hates the light and avoids it, for fear his actions should be exposed’. One of the many security measures that have become popular in recent years is an array of bright lights that come on at night whenever anyone steps into an area that is out of bounds. Light is considered, with good reason, to be a deterrent to the person who is intent on committing crime. Indeed, there is a sense in which we all fear too much light just as we do too much darkness. Many of us prefer to stay in the background, in the shadows; we don’t like the spotlight being shone on us. We all have secrets that we would wish to remain in darkness, away from the bright lights that human curiosity and inquiry might like to shine on them. There are aspects of our lives that we would prefer to remain in darkness because we are not sure how people might respond to us if a bright light were to be shone on them. We only bring our deepest selves out into the light in the presence of those we really trust.
The gospel of John frequently refers to Jesus as light. On one occasion, Jesus says of himself: ‘I am the light of the world’. In today’s gospel reading, Jesus says with reference to himself: ‘Light has come into the world’. The gospel reading also declares that the light that has come into the world in the person of Jesus is the light of God’s love. In one of the most memorable statements of the New Testament, the gospel reading declares, ‘God loved the world so much that he gave his only Son so that everyone who believes in him… may have eternal life’. The light of Jesus is not the probing light of the grand inquisitor that seeks out failure and transgression with a view to condemnation. Indeed, the gospel reading states that God ‘sent his Son into the world not to condemn the world’. The light of Jesus, rather, is the inviting light of God’s love, calling out to us to come and to allow ourselves to be bathed in this light, and promising those who do so that they will share in God’s own life, both here and now and also beyond death.
At the beginning of today’s gospel reading, Jesus speaks of himself as the Son of Man who must be lifted up. It was on the cross that Jesus was lifted up, and it was above all at that moment that the light of God’s love shone most brightly. It is a paradox that those who attempted to extinguish God’s light shining in Jesus only succeeded in making that light of love shine all the more brightly. God’s gift of his Son to us was not in any way thwarted by the rejection of his Son. God’s giving continued as Jesus was lifted up to die, and God’s giving found further expression when God raised his Son from the dead and gave him to us as risen Lord. Here indeed is a light that darkness cannot overcome, a love that human sin cannot extinguish. This is the core of the gospel. This is why the fourth Sunday of Lent is known as Guadete Sunday, Rejoice Sunday.
When we are going through a difficult experience and darkness seems to envelope us, it can be tempting to think that we will never see the light again. This is the mood that is captured in today’s responsorial psalm: ‘By the rivers of Babylon, there we sat and wept’. Today’s readings assure us that there is a light that shines in the darkness and that the darkness will not overcome, a light that heals and restores, in the words of today’s second reading, a light that brings us to life with Christ and raises us up with him. It shines in a special way whenever we celebrate the Eucharist. As we gather around the table of the word and the table of the Eucharist, the light of God’s love revealed in the death and resurrection of Jesus shines upon whatever darkness we may be struggling with in our lives.
And/Or
(iv) Fourth Sunday of Lent
We have become very aware in recent weeks of how much longer the days are getting. We are half way through the month of March and already it is bright up until after six o’clock. We have even brighter days to look forward to, especially as the clock goes forward next weekend. The brighter evenings brings everybody out. With the increase in light, there is also an increase in growth. The first blossoms of spring have already come out. Nature is coming to life after a time of hibernation.
The gospel reading this morning is in keeping with what is happening in nature. It declares that ‘light has come into the world’. The light there is a reference to the light of God that has come into the world through Jesus. Both the second reading and the gospel reading make clear that the light of God is the light of love. The second reading declares that God loved us with so much love that he was generous with his mercy; it speaks of God’s goodness towards us in Christ, the infiniteness richness of God’s grace in Christ. The gospel reading declares that God loved the world so much that he gave his only Son. In the light that Jesus brings from God we find mercy, compassion, great love, kindness, infinite grace. Sometimes we don’t like too much light. There is a certain kind of light that can expose us mercilessly, like the light of the interrogator’s lamp. However, Jesus brings a light that need hold no fear for us; it is a divine light that lifts us up, just as the Son of Man was lifted up, in the words of the gospel reading. Here is a light that assures us of our worth and that helps us to see the goodness that is within us and the good that we are capable of doing. It is a light that, in the words of the second reading, allows us to recognize that ‘we are God’s work of art, created in Christ Jesus to live a good life’. It is the light of a love that shines upon us regardless of what we have done or failed to do. As the first reading reminds us, God’s grace, God’s love, comes to us not on the basis of anything we have done. It is not something we earn by our efforts; it comes to us as a pure gift. When God gave his Son to the world, did not ask whether the world was worthy of his Son or whether the world was ready for his Son. Even when the world crucified God’s Son, God did not take back his Son from the world. Rather, God continued to give his Son to the world, raising him from the dead and sending him back into the world through the Holy Spirit, through the church. Here is a light that shines in the darkness and that the darkness cannot overcome, in the words of the gospel of John.
We all long for that kind of light, a light that is strong and enduring, a light that can be found at the heart of darkness and that is more resilient than darkness. We have all experienced darkness in one shape or form. It may be the darkness of sickness, or of the death of a loved one or the darkness of failure; we may struggle from time to time with the darkness of depression, with those dark demons that tell us that we are worthless and that life is not worth living. Something of that darkness of spirit finds expression in today’s responsorial psalm. It was composed from the darkness of exile in Babylon. ‘By the rivers of Babylon, there we sat and wept, remembering Zion’. We may have known our own experiences of exile in its various forms, times when we felt cut off from what gives meaning and purpose to our lives. The readings this morning assure us that in all those forms of darkness, a light shines - the light of God’s enduring love that is constantly at work in our lives so that we may have life and have it to the full. In the words of the gospel reading again, ‘God gave his only Son, so that everyone who believes in him... may have eternal life’.
Even though this wonderful light has come into the world and wants to shine upon us all, we can be reluctant to step into that light, and allow it to shine upon us. In the words of the gospel reading, ‘though the light has come into the world, people have shown that they prefer darkness to the light’. This is the mysterious capacity of human freedom to reject the light, to turn away from a faultless love and a boundless mercy. Yet, our coming to the light is often a gradual process; it can happen slowly, at our own pace. The Lord is always prepared to wait on us; he waits for our free response. We are not used to a love that is as generous, as merciful, as rich in grace and goodness as God’s love; it takes us time to receive it, to believe in it, to embrace it. Receiving God’s love and then living out of that gift is the calling and task of a life time.
And/Or
(v) Fourth Sunday of Lent
My father loved fresh air. The bull wall was one of his favourite places. Like many men of his generation, he was a smoker and, sometimes, his breathing became a struggle. He loved to get out in the open where there was a good wind blowing that could fill his lungs. My mother was much less keen on fresh air, especially of the windy variety. It tended to leave her hair in what she considered a mess. After having experienced an abundance of fresh air at my father’s prompting, she was often heard to say, ‘I’m like the wreck of the Hesperus’. As children we were mystified as to what the ‘wreck of the Hesperus’ was. It was only many years later I discovered it was the name of a rather tragic poem about a shipwreck in a storm by the American poet Henry Wadsworth Longfellow, published in 1842. However, as children, we knew that when our mother came out with this expression it meant that she didn’t like the look of herself. In those moments, Saint Paul’s statement at the end of today’s second reading wouldn’t have cut much ice with her, ‘We are God’s work of art’.
Perhaps, we all find it difficult to really believe that we are God’s work of art. We admire the workmanship of great artists, like Michelangelo, Raphael, Caravaggio, and we recognize their creations as works of art. Many of these great artists were people of faith who were very aware that their ability to create works of art was a gift from God. They understood that God was the supreme artist, and they sensed that they were sharing in God’s creative power. Every new born child is God’s work of art, because they are an image and reflection of God, the supreme artist. In that sense, we are each God’s work of art. Just as a work of art can deteriorate over time and need cleaning and restoration, so, as we go through life, we do not always give full expression to our inner identity as God’s work of art. In that second reading, Saint Paul says that ‘we are God’s work of art, created in Christ Jesus to live the good life’. We don’t always live the good life that does justice to God’s work of art that we are.
Yet, what we do or fail to do does not fundamentally undermine who we are as people made in the image and likeness of the great Artist. Indeed, not only have we been created as human beings in the image of God, but that identity has been enhanced through God’s sending of his Son into the world and our communion with God’s Son through baptism and faith. Jesus was the perfect image and likeness of God. He was God’s greatest work of art. The closer we come to Jesus, the more he lives in and through us, the more we will grow into our true identity as God’s image and likeness, God’s work of art. We could imagine Jesus as the great restorer of God’s work of art, humanity. As Saint Paul says in that second reading, ‘when we were dead through our sins, he (God) brought us to life with Christ’. Through the life, death and resurrection of Jesus, God recreates us in his image and likeness, restores our identity as his work of art. Having created us out of love, God recreated us, restored us, out of love. That is the core message of today’s readings. The gospel reading declares that ‘God loved the world so much that he gave his only Son’. God’s renewing love embraces the world, all of humanity who have been made in his image and likeness, and, indeed, all of creation. Paul in the second reading states that God’s ‘goodness towards us in Christ Jesus’ shows ‘how infinitely rich he is in grace’. Paul goes on to remind us that God’s loving initiative towards us through his Son is pure gift; it is not a response to anything we have done, as if we had to build up credit with God first.
We are all aware of the good we have failed to do and the wrong we have done. As a result, we can be prone to condemning ourselves, and others can look in judgement upon us. Yet, God is not primarily in the business of condemning. In the words of the gospel reading, ‘God sent his Son into the world, not to condemn the world, but so that through him, the world might be saved’, might have life and have it to the full. The eyes of love always see goodness and beauty in the beloved even though he or she may leave a lot to be desired. Those we love deeply remain works of art to us, even though our shared journey may have had many ups and downs. God’s love for us, revealed in his Son, is infinitely greater than any human love. God continues to see us as his works of art, even though our lives may be tainted by sin. He continually gives us the gift of his Son and of the Holy Spirit so that can grow into that work of art more fully. All God of asks of us is that we keep opening our hearts to that gift of his Son, that we keep coming out into the light, in the words of today’s gospel reading.
And/Or
(vi) Fourth Sunday of Lent
A painting hung for many years on a dinning room wall in the Jesuit house on Lesson Street. No one paid much attention to it until one day someone with a keen eye realized that this could be something of great value. It was further investigated by art experts, and it turned out that this painting was the work of the great Italian artist Caravaggio. The painting of the arrest of Jesus is now hangs one of the National Gallery’s great treasures. All those years it hung in the dining room of Lesson Street it was no less a treasure, but its value went unrecognized. It hung there waiting to be discovered, waiting for someone to recognize its true value as a work of art.
According to the particular translation of the letter to the Ephesians we read from this evening, we are all ‘God’s work of art, created in Christ Jesus to live the good life’. We don’t tend to think of ourselves as works of art. Yet, like the person who spotted the painting in Lesson Street, God knows our true worth, our true value. We are works of art to God; we are of great worth and value in God’s sight.
We can all think of people in our own lives whom we value greatly, whose worth to us is beyond price, because to us they are works of art. Today is Mother’s day, and most of us think of our mothers in that way, whether they are still living or are with the Lord. When someone is a treasure to us, we don’t count the cost in their regard. We will do anything we can for them. We will travel long distances to see them; we will stay up half the night to be with them if they are ill; we will protect them with all our passion when necessary. How we relate to those we value and treasure is not determined so much by how they relate to us. Even if they do something that annoys us, we tend to make all kinds of allowances for them. We say something like, ‘that’s just the way he/she is’. Their worth in our eyes is rooted in something deeper than what they do or fail to do. We value them, simply, for who they are.
Our experience of how we relate to those we value, and of how people who value us relate to us, gives us a glimpse of how God relates to us. God loves us in a way that does not count the cost. The gospel reading today expresses that truth very simply: ‘God loved the world so much that he gave his only Son’. God sent his Son out of love for us and that sending became a giving when his Son was put to death on a cross. Here was a love that did not count the cost, a sending that became a costly giving when that was called for. As Paul says in the second reading, ‘God loved us so much that he was generous with his mercy’. We are of such value in God’s eyes that God did not spare his own Son, but gave him up to benefit us all. It is not surprising that the cross has become the dominant symbol of Christianity. This is not because we glorify suffering in any way, but because we recognise that the cross is a powerful sign of how much God values us, how precious we are in God’s sight; it shows the extent to which God is prepared to go to express love for us.
Our love for those we value is bestowed on them for who they are more than for what they do. The same is true of God’s love for us in Christ. As Paul says in the second reading, ‘it is not based on anything you have done’. Some of us find it difficult to really believe that. We find ourselves asking, ‘how I done enough?’ Yet, when it comes to someone in our lives whom we know truly loves us, we would never think of asking them, ‘Have I done enough?’ Why should we ask such a question of God, when even the greatest of human love is only gives us a glimpse of God’s love? God loves us for who we are, people made in the image of God’s Son, and, to that extent, works of art.
What God asks of us is that we receive God’s love revealed and made present in Christ, or, in the words of the gospel reading today, that we come into the light. The light of God’s love falls upon us, but we can hide from it. Children fear the darkness very often. But as adults we often fear the light, because we suspect that the light will expose us in some way. Yet, the light of God is not a harsh light, the kind of light that is trained on a suspect in an interrogation room. It is a strong, yet warm, light that brings healing and generates new life. It is an empowering light that enables us to ‘live the good life’, as Paul says in the second reading, ‘to do good works’. As the hours of day light are increasing in these days, we pray that the life-giving light of God’s love would renew us and fill us with a new desire to serve him.
Fr. Martin Hogan.
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