#Japanese courses

[aroacegundamalex]

I mostly think this poll is hilarious (and some people are taking it way, way too seriously) but it’s starting to get really weird how often people on the opposite side are dismissing Gundam — a giant of science fiction that remade a genre in its image — and quite literally lying about Suletta and Miorine. I’ve seen people claim they were canonically married to men, people claim the show’s ending was rewritten by interns, claim they never hugged, and other claims regarding them not being canon.

While Bandai and Kadokawa did censor one interview, and Bandai released an “open to interpretation” statement, these no longer hold true. Official material has henceforth referred to them as married. One instance of censorship and a statement they’ve clearly walked back on does not erase the fact that the show itself heavily emphasizes their wedding rings, refers to Miorine as Eri’s sister-in-law, and makes it abundantly clear that they are married.

“I knew I was going to make an epilogue, but it was a while before I decided upon the exact number of years that should pass in-between. The ending itself follows “The Tempest,” and depicts Suletta and Miorine getting married and becoming partners.”

- Hiroshi Kobayashi

They are completely and unambiguously canon, and arguably were never decanonized to begin with given the literal text of the show.

An addendum to this: I’ve also seen a strange dismissal of the history that G-Witch pulls from.

The original Gundam inspired Revolutionary Girl Utena, with Lalah Sune in particular (the creator of an iconic Gundam archetype) serving as the inspiration for Anthy Himemiya. Gundam has had a queer fanbase for decades, and has had gay characters (with Yoshiyuki Tomino himself confirming this) since the 1990s.

G-Witch draws from Gundam’s extensive, genre-shaking history, classics like Utena and Rose of Versailles, and Shakespeare’s The Tempest. It brings Gundam and Utena’s connection full circle, and is in conversation with every Gundam series that came before it.

It’s unfair to dismiss it as just some random show, or — as I’ve seen some do — credit its open queerness to the influence of completely unrelated American media, as if Japan is utterly devoid of gay people.

[jkvjimin]

seven days a week; jungkook's birthday countdown ↳ tue: a concert close to my heart

[daily-deliciousness]

Mosaic sushi

[kinokoshoujoart]

Marrying Carter in Harvest Moon DS Cute! (North American version)

oh… sorry no not the archaeologist, i mean Pastor Carter from Mineral Town!

(or is it Pastor Curdy….?)

teeechnically his descendant, and it causes a game over… but this is the only time we’ve been able to marry him right?

so in the girl version of HMDS, there’s two “secret” Mineral Town bachelors that you can marry by talking to them enough times on the phone. one is Mason, the guy who runs May’s Tailoring… but the second, Pastor Carter, is a bit more obscure…

i couldn’t find them uploaded anywhere so here are his 2nd* thru 10th conversations+his proposal+proposal rejection in english! if you want to see it on youtube instead here you go

*i failed to record the first conversation when it happened, and there’s no way in hell i’m resetting my whole game again (…yet), so…just know the first one was like “oh you want to talk? what should we talk about…….. …… ….. …. i can’t think of anything. well see ya………” extremely riveting stuff

he’s so obscure that i didn’t even realize that he was a bachelor until i found out about the mechanic from this japanese wiki!! (here’s an archive link to the page on him in case the page doesn’t work) all i did was test whether it worked in english since i couldn’t find any english info at all mentioning it. i’m sure others have found him… right……..

in case the links above don’t work, a small guide to holy matrimony below the cut since i can’t find one in english

it works essentially the same as the Mason marriage (so it’s just a game over, sadly…), and the steps are pretty tedious and counterintuitive, so you’re unlikely to just stumble across it… but you too can get a priest to break his vow of celibacy for you or whatever!

you will need:

at least 2,050,000 G

20 cursed tools/accessories

if you really don’t want to dig up 20 cursed things you can substitute 100x “remove a cursed tool/accessory” for blessing a cursed tool…

but, including all the cursed tools and accessories, there’s only 16… which means you will need to go dig up 4 duplicate cursed accessories using this method! yay!!! extremely pointless since you can’t sell blessed accessories until after marriage in DS for girl (at which point you can’t trigger pastor carter’s proposal)

you unlock a conversation with cardi when you spend at least 205,000 G. which means the quickest thing to do is to order removal of a cursed item five times, then bless 2 cursed items.

**be careful when blessing accessories to only equip one at a time!!! if you equip a stack of duplicate accessories, blessing that stack destroys the duplicates!!!! :( so just take 1 out of the stack and equip it!!!**

you also can’t unlock more conversations until you’ve seen the one you unlocked, so like even if you spend a million G you’ll just unlock one conversation, and you’ll need to finish that conversation and then spend 205,000 G to unlock the next one…yeah….

on the tenth conversation he abruptly reveals that he’s fallen in love with you and asks you to marry him! it ends your game, but….! on the bright side, it ends your game!!! you’re finally free from Hell Simulator!!!!

[forecast0ctopus]

i knwo a lot of people like the aos cadet and dress uniforms but i do Not and am actively trying to think up alternatives…… with tos kirk though lmao sorry

[bakuhatsufallinlove]

How do you feel about the fact that Katsuki’s apology and his death are not brought up again? I was really sad they never talked about it all. Do you have any headcanons for when/how/if they ever talk?

Dear anon, you've activated my trap card.

By which I mean you've asked me about something on which my feelings apparently vastly differ from those of most people.

To answer your question, I did not expect nor even want a scene addressing the apology again in-canon. Neither did I expect a scene where they discuss Katsuki's death, though I was less opposed to that.

But let me specify this right off the bat: there is a distinction between what I would enjoy seeing and what I think has narrative weight.

And I think that's fascinating to talk about. You asked me how I feel, so get ready!

When people say they wish Katsuki and Izuku had talked about his death, what are they wanting?

Do they want to see Izuku get vulnerable and choked up over Katsuki, shed tears for him? Do they want to see Katsuki see him like that, and watch him soften and let Izuku open up? Do they want to see him take Izuku's hand and comfort him, reassure him that they won, that it's over, that he's still here, and no one is gonna keep him from getting back up again? With the implication that getting back up again means standing at Izuku's side and helping him win?

I sure as fuck do!

But do I think that kind of scene does something for the story, themes, and development of them as characters that what we actually got doesn't do? Not necessarily.

See, stories are not driven by what the audience wants to see.

Stories are driven by what the characters need.

Not what they want, what they need. Often, characters are denied what they want because it does not align with what they need, and this is the very premise of their struggle. Katsuki is a great example of this, because at the start of the story, he wants to feel superior to Izuku, but what he needs is to accept his own admiration of him.

Fanworks exist to give the audience what they want, in a vacuum, totally separate from the linear structure of the narrative. You can just pop into a scene of Izuku crying and have Katsuki kiss him better and that gets us every time, doesn't it?

But in the manga, for a scene like this to exist, there has to be a need for it to address. So, what would that need be?

I think people ask for these scenes because they are under the mistaken impression that Katsuki doesn't understand how Izuku feels about him. And I cannot tell you how much I disagree with this.

If Katsuki didn't understand that Izuku cares deeply for him, then a scene like what I described would probably be intended to tell the audience that he needs to understand how Izuku feels and, up until now, he hasn't.

But that's not true.

Katsuki knows Izuku cares about him.

At the start of the manga, Katsuki is convinced Izuku looks down on him.

Chapter 10

We the audience understand this is projection. Katsuki's admiration of Izuku makes him feel inferior, so he rejects his own self-critical feelings and assigns them to Izuku. No matter how many times Izuku shouts that he thinks Katsuki is amazing, Katsuki's inferiority complex is unfazed.

He utterly ignores it, it doesn't even register for him.

Chapters 10 and 119

Instead he doubles-down on his own frustration and dissatisfaction with himself, engaging from a point of competition, as though Izuku had insulted him rather than complimented him.

This tells the audience that the problem does not lie with Izuku, but with Katsuki himself. Izuku cannot resolve this situation with words, we've seen him try. Instead, Katsuki needs to change his own perspective.

After Deku vs. Kacchan 2, Katsuki accepts—begrudgingly and with great discomfort—that Izuku does not look down on him.

Chapter 120

Even though Katsuki reconciles this, that doesn't change the fact that he is weak. He needs to grow as a person and as a hero. Now, his struggle is not just about his self-perception, but also his real progress.

Chapter 209

We joke about Kacchan being a tsundere, because he is, but part of the reason he rejects Izuku's appraisal of his progress is because he still hasn't met his own standards yet. Katsuki admires Izuku and All Might so much; he knows what they are capable of, he sees the gulf between where he is and where they are, and he is fighting like hell to close that gap.

He won't be satisfied until he does.

Chapters 362 and 409

I've seen people talk about this moment like it is a revelation for Katsuki about Izuku's feelings.

Chapter 359

And, first of all, lemme just say that no villain has ever said a damn thing to Kacchan that he didn't already know.

Chapter 358

ShigAFO's comment does not exist to confirm Izuku's feelings to Katsuki. It exists to signal to Katsuki (and the audience) that ShigAFO knows how Izuku feels, and he is prepared to use it against them.

This is a threat. This is about instilling horror in us and bringing to painful fruition Katsuki's fears about being a weakness people can exploit to hurt Izuku.

But let's not bury the lede: Katsuki would not have these fears if he didn't understand that Izuku cares about him.

Chapter 82

Look at his face and tell me he doesn't know with every fiber of his being that Izuku would die for him.

You could argue that because Katsuki understands Izuku's heroic nature better than anyone, perhaps he doesn't consider Izuku's protectiveness of him unique. Maybe he doesn't understand that Izuku loves him specifically and, to him, this is simply an expression of Izuku's selfless, save-to-win mentality.

But that I counter with two points:

Katsuki is not dumb, guys. He is our most emotionally intelligent and self-aware character. We are shown on numerous occasions that Katsuki can read between the lines and understand someone's feelings without being told (unlike Izuku, who's a damn nerd).

The story arc of Katsuki and Izuku's relationship is predicated on the fact that Katsuki rejected Izuku, but they are both unable and unwilling to truly disentangle themselves from each other. This means that their interactions, across the whole of the series, generally focus on Katsuki accepting Izuku and his own feelings, thereby restoring their relationship. To do this, he needed to both accept himself and better himself.

As a result of the second point, the focus is not on Izuku demonstrating his love for Katsuki as the bridge of change. The fact that Izuku loves Katsuki and wants him in his life is indeed highlighted frequently, but it is often treated as a given.

I've said it before: Izuku's feelings are not the ones that change the most, Katsuki's are.

Now you might say, "Maybe Katsuki doesn't need to hear Izuku's feelings, but Izuku might still need to say them!" And you're right, that is a possibility! Even if it is a given to the audience, there could be something that suggests Izuku saying these feelings out loud would be significant or change something between them.

But that's not what the series tells us.

Izuku does not hold back about the way he feels for Katsuki. Whether he is calling Kacchan a stupid jerk or saying he is amazing, Izuku is not subtle about what he thinks—in fact, these are often his most raw, unfiltered character moments, and they are significant.

Chapter 119

The only significant time Izuku does not tell Katsuki how he feels is his image of victory moment at the end of DvK2.

Chapter 120

My conclusion about this is that Izuku has felt conflicted about his own behavior and thinks Katsuki would reject him if he knew about it, so he chooses not to bring it up.

However, there is still a narrative purpose of showing us this thought, and that is to demonstrate that while Izuku may feel conflicted, ultimately he still accepts his own feelings. Regardless of whether Katsuki accepts him or not, the way Izuku feels won't change, and he's not sorry about it.

This moment exists for a lot of reasons, but chief among them is so that we the audience can see the true shape of Izuku's heart.

And what we see is that he loves and admires Katsuki, no matter how he acts or even what kind of person that makes Izuku.

I liken it to Katsuki's All Might card moment.

Chapter 362

Listen, I would have loved to see my explody boy get his autograph, but the greatest impact of this scene is not in the question of whether he will get one, that's just the tragedy lying on the surface as we witness his death.

No, the most meaningful part of this moment is in how it makes the audience truly understand that he still longs for it, even after all these years.

I wanted Izuku to tell Katsuki he is his image of victory, but the fact that it doesn't happen signals to me that Izuku ultimately didn't need to say those words out loud for that moment to matter. Izuku reconciled the discomfort he felt about admiring Katsuki and embraced his positive feelings for him, and that's pretty damn important.

I can and will indulge in fandom to meet my heart's desires, and that's excellent. But rather than simply feeling disappointed by canon material, I think it is more interesting to allow both what happens in the story and what doesn't inform my understanding of it.

I have been planning an in-depth post about the apology and what I think people are missing when they say Izuku "didn't respond" to Katsuki, but let me just lightly touch on my objections to that line of thinking.

Many people in the English-speaking audience appear to have a very narrow range of actions they consider a "response," and allowing someone else to act upon you for some reason does not seem to count.

If you frame interactions only by what Character A does to Character B and see Character A as the only active participant, you are missing out on a lot.

For example, Katsuki catches Izuku, and we see that as a demonstration of his love, as we should.

But how is Izuku allowing himself to be caught not an action that expresses his feelings? How is the fact that he responded to an apology with his own apology not indicative of how he wants to connect to Katsuki in this moment? How does it not convey what he feels for Katsuki, what he has always felt for him?

Furthermore, I see a lot of people take for granted how silence is a choice, and it carries meaning. Much like with what does and doesn't happen in a story, there is meaning in what people say and what they don't.

Japanese as a language values indirectness; it is not a bug, it is a feature. This is partly to avoid forcing yourself onto others and causing them discomfort, but another part is trusting others to understand who you are and how you feel without beating them over the head with it.

But you'll have to wait for my full post to hear the rest of that idea.

I dunno if this is what you were expecting out of your question, anon, but I hope you enjoyed the ride all the same!

[divineandmajesticinone]

KISS X KISS X KISS: Love ii Shower (2023) Nagumo Shoma + face caressing / being worshipped

[deathberi]

FINAL FANTASY VII REBIRTH (2024)

[viyojo]

Panel redraw because damn this chapter

[the-nothing-maker]

My first piece for @fathomszine2023, based on the Japanese flying squid !

[sanjipussyindulgence]

i know i get pissed about the yamato gender discourse/general transphobia in the one piece fandom at least once a month... but how do you read this panel and miss the point. freedom is such an important concept in the series and, as we see from the newkamas, that includes the freedom to identify as whatever gender you want. you are actively ignoring and disrespecting one piece's values when you misgender yamato, kiku, or any other character. i hate people.

[blueskittlesart]

i miss the like 3-month period between totk title drop and release where i was fighting in the trenches every day trying to figure out a way to explain to people who don't speak japanese that there was no double meaning in the fucking title. simpler times

[daily-deliciousness]

Creamed corn ramen

[lachatalovematcha]

˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀

Ａｎｇｅｌ （>。☆） · ˚ ｡天使 . ✦ ꒰ఎ ♡ ໒꒱★﹒

˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀˖⁺‧₊˚♡˚₊‧⁺˖⭐🎀

[twinklecupcake]

Begging people to not mix up Japanese and Chinese wedding traditions/clothing.  I just saw an LMK fic mention a character wearing “a traditional wedding dress, a red shiromuku.”

Which first of all isn’t even red, it’s white, it’s right there in the name, and second of all holy hell no, that’s Japanese.

Not to mention the actual wedding was a Western Christian one.

[l8tof1]