Bobbi Morse took on the identity of Mockingbird for the first time in Marvel Team-Up 95#, cover date, July, 1980. The Mockingbird persona was created by Steven Grant and Jim Janes. ("... And No Birds Sing", Marvel Team-Up 95#, Marvel Comic Event)
Tonight I'm hanging with #SherylCrow to talk about, and play from, her new album Evolution!
G. Love & Ratboys also drop in + I'll play some favorites from Counting Crows, Crowded House, Blur, Liz Phair, REM, Warren Haynes w/ Grace Potter & Jim James, and more!
We just posted about the Dream Sitch release a few days ago. While browsing the best-selling vinyl on Bandcamp, I saw this release from Floating Action (North Carolina), not knowing that it is one of the vehicles for Seth Kauffman's solo efforts. I had no idea Kauffman was so accomplished. As stated on Floating Action's Bandcamp page, Kauffman, "Currently works in the studio and tours with 'dudes who get it' like Jim James, & Dan Auerbach. Has played on albums by Lana Del Rey, Jim James, Ray Lamontagne."
Floating Action does recall Dream Sitch, but there is a bit more of a ska/reggae tinged feel at work on some of the tracks. At other times, this reminds me of Laurie Shaw or even The Flaming Lips.
People In A Position To Know (PIAPTK) is releasing this as well. I actually went to the label's website. There is some very cool stuff there.
A breakup. The death of her father. A decaying Earth. Uprooting and moving to her childhood city. On Anarchist Gospel, Sunny War looks change in the face--some unexpected, some sudden, some gradual--and transforms chaos into her best album yet. The singer-songwriter and blues guitar fingerpicker has long channeled struggles, from personal bouts with substance abuse and addiction, to the overall fight against institutional racism and police brutality, into genre-averse songs of pain and triumph. The all-encompassing Anarchist Gospel expounds on this ethos, along with a cast of collaborators including producer Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff), Americana wunderkind Allison Russell, Gillian Welch creative partner David Rawlings, and My Morning Jacket's Jim James. Still, Sunny shines above all.
Take opener "Love's Death Bed", featuring backing vocals from Russell and Chris Pierce's shimmering harmonica, atop clacking drums and banjo. Sunny, who leads a chorus in a call and response, centers the song's dead-eyed stare into the soul of an ex. "Your mouth is a gun / Got bodies dropping every time you speak," she sings, making our jaws drop from the get-go. On "No Reason", a song built around Sunny's incredible desert blues riff and Jack Lawrence's steady bass, she clarifies that even though her ex might not mean to hurt her, it doesn't matter: "Good intentions that you keep / Don't change the fact that you're a beast." Sunny explores intentionality of destruction throughout the album, both in interpersonal relationships and via the environment, asking us to empathize and reflect on the space we take up. On "Shelter And Storm", she sings from the point of view of Earth itself, albeit one that has managed to survive apocalypse, repeatedly and jubilantly declaring, "The humans are away!" Yet, on "Earth", her tone is mournful and more realistic. A stunning combination of blues and jazz, bolstered by the vocal support of James, Maureen Murphy, Nickie Conley, and Kyshona Armstrong, as well as past collaborator Micah Nelson's slinky 12-string, the song reminds us that the end of the world is closer than we think, tangible if you bother to look around.
At the same time, Sunny battles self-destruction throughout Anarchist Gospel; in the lead-up to its release, she spoke about her music representing a battle between that side of herself and the one trying to make things better. On "New Day", she uses the language of addiction to wax on love, hurt, and obsession: "Believing in magic can be tragic / I'm love's junkie, I'm love's addict." One of the record's true standouts is "I Got No Fight", where pained guitars and screaming organs exemplify Sunny's desire for the days to end, depression that buzzes like a fly in her ear. On the gorgeous country tune "His Love", she sings of an unhealthy relationship, "His love fades, my love grows," and the timbres of her voice and the instruments similarly diverge, her lurking deep vocal register contrasting the spryness of the backing vocals, guitars, and pattering drums.
If Anarchist Gospel is anything, it's honest, an album that both bares its teeth and cowers, that sometimes turns inward in the face of trouble but eventually overcomes with boisterous community. On the Crass-quoting, blues stomp clap jaunt of a closer "Whole", Sunny War sings, "Today could be the last, you know / Happy's how you ought to go." Fully knowing it's easier said than done, and for some folks, impossible, Sunny nonetheless dares to dream to everyone.