#Just you know...focus

[egophiliac]

still rolling around on the ground over the contrast between Jack and Mal. it's so...🤌🤌🤌

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[cantpickyourgenre]

I believe Bobby is coming back from the dead because I think we deserve to live in a world where Kenneth Choi gets to act his ass off by playing a simultaneously relieved/joyous and angry/furious Chimney, who feels like he has to thank Bobby, but also scream at him until his throat is sore because it wasn't fair to make that decision! he's going to say they should have played rock, paper, scissors and Bobby will chuckle because he thinks he's joking like silly haha Chimney, but Chimney is like "no, we should have discussed it, you died and I didn't even get to say thank you. you died and I owed you a debt I didn't even know about. you let me carry that" and he has to wrestle with the guilt of knowing that Bobby would do that for him, not just theoretically, but actual concrete proof that Bobby would die to save him. which they all know on some surface level that they'd die for one another, but it feels like such a far-off concept until it isn't. but Chimney also has to deal with the gratitude because Chimney is also so incredibly thankful that he didn't die. every step of the way he wanted Ravi, Bobby, Buck, and Athena to commit crimes, because he loves his life and he wants to keep living it. he's so overjoyed that he got to go home to his wife and kid, and that comes with its own guilt because how can he be so happy to be home when Bobby DIED. does that make him a monster? that on some level he's HAPPY that Bobby did that? and now he has to FACE Bobby. so he tries to be the Before Chimney who gets people whimsical gifts, but how do you give someone balloons about choosing your life over theirs? and he spirals because he's different now and Bobby is here and he has so so much he wants to say but all of it feels contradictory and unfair and he would normally go to Bobby for advice. so he does. he goes to Bobby and he says "what would you do, if you were in my position?" and Bobby just says "whatever you need to say or feel, I understand" and that just makes Chimney even more upset because what he needs is for none of this to have ever happened. its like they all got a re-do, but kept the memories and the feelings and now he has nowhere appropriate to put them. anyway, Bobby lives and we get Chimney angst yay <3 forever and ever.

[naturecalls111]

unorthodox murder mystery

[northstarscowboyhat]

Outlaws in the Wild East ⋆｡°✩

(AKA, The Habanero origin comic!)

[geezmarty]

happy wyllstarion wednesday! here's a short comic I drew for a server gift exchange 🤍❤️

[egophiliac]

have you been keeping up with gozyuger? it's just... truly wild to watch

OKAY I'm finally caught up! and...wild is an understatement, huh! getting some real Donbros energy off of this one (in the best of ways though really) (just all kinds of super weird and super fun! 💍) (...also the blue ranger might have murdered a child?) (I mean probably not) (they wouldn't. but.) (what if)

I'm especially fond of Bouquet and Fire Candle, just because they encapsulate the two modes of my brain at any given moment

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[chickensauras]

Someone hadta do it

@sneakend also has a scene like their fic Open Secrets

[dreamlydrawsshit]

okay. uh. here? have some gays for your pride month?

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[choccy-milky]

Hello! When your Seb x Clora pregnancy one-shot is complete, will it be on ao3 or wattpad? (or both?)

waiting with bated breath btw

not pressuring a finish tho, take ur time Choccy 🥰

it'll be on both ao3 and wattpad!! and omg ik its taking long IM SORRRY, its bc its gonna be way longer than i expected LMAO, i just recently finished my outline and the outline ALONE is 41k words💀and im currently at 8.3k written😩🙏 IM GLAD YOU'RE LOOKING FORWARD TO IT THO🥹💖💖i defs hope to get it finished by this month or die trying...but heres a lil sneak peek in the meantime of impatient seb who cant wait to bring baby celeste into the world LMAO🤰👼

(seb is a freak but so is clora)

[dallasgallant]

His ass is not working

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[skyclan-funny-name-squad]

I think its so funny how little the deputy’s get in actual leader training. To be deputy truly just seems you get to make patrols all the time and then suddenly you become leader with zero prompting or training or anything

Like, Firestar has to go ask the elders on the ceremony to rename cats if i remember right. He didn’t get taught shit! No deputy gets taught shit! Like you’d think they’d have lessons for projecting their voice, on the wording to ceremonies, on diplomacy, on traditions. On how to do literally any leader job.

Its so funny to me how ill prepared every single deputy ever is. Like they gotta just be making shit up when they become leader honestly, who’s gonna call em out? Just making up random ceremonies that seem legit or plausible because no one actually taught them any ceremonies. Bluestar walks up sees an apprentice dying and just makes up some nonsense to give them a warrior name and no one can call them out on that not being a thing just two minutes ago. Leader with the smallest voice ever who has no clue how to project their voice in the slightest so it just sounds like muffled squeaking at the gathering. Its so funny, someone please give the deputies more to do that will actually help them be leaders.

[vaguely-concerned]

This might be due to the fact that on my first playthrough I ended up creating a Rook more emotionally guarded than any of the companions except Minrathous-route Lucanis and perhaps Neve, so I was primed to look for it, but I never got the sense that the companions don’t care for Rook (the thought never even occurred to me until I saw other people post about it) — to me it seems much more like it’s Rook who keeps the last bit of distance, Rook who pulls away when the companions try to extend their care or worry too directly, who keeps themselves slightly apart. (Rook who is so full of grief they cannot know as grief and thus process that there’s no room inside them to let anything else all the way in, perhaps.) They deflect and flinch back when someone gets too close or approaches them too overtly about their feelings — especially when it brushes up against the theme of grief. They can offer care to all the companions who are grieving, come along to any number of funerals as emotional support, but the moment someone turns that towards them they shut that shit down Immediately, like when Taash almost gives the whole game away with ‘Like you’d know? You act like you haven’t lost anyone!’ and Rook just blandly responds ‘We’re talking about you’ and doesn’t engage. But they can also admit that they struggle with accepting compliments, or knowing what to say, or having confidence in themselves without Varric’s help.

Despite all their determination and even in their most stoic no-nonsense incarnation, Rook is awkward, with the struggles that entails. Someone who is eager and happy to be the helper wherever they can, and helplessly unequipped to know how to be the helpee, as it were. It’s not that the companions don’t return Rook’s attachment to them, there’s MUCH more of a ‘okay so what are the ways you will allow me to be good to you??’ desperation of care vibe behind all their invitations to conversations and hangouts together, to my mind. They bring Rook to their favourite places and share the things they love with them, they ask to spend time together (many times just to have their company, not because they have a problem they need help with! Sometimes the problem arises anyway b/c video game quest narrative of course), they bring them out for some direly needed grass touching, they introduce them to their families. Everyone is clearly getting the sense that Rook does Not want to talk about Varric especially (this is in fact what Harding says in banter, if she’s still alive after the reveal :’( ), but they are absolutely SCRAMBLING to find ways to show that they’re there for them even so. AND from the companions’ perspective, with the situation as they have the means to understand it, accepting that Rook isn’t ready to have that conversation and backing off is also a kind thing to do. (tl;dr: To Me Rook is that weirdly socialized friend who is a great hang once they’re actually there but you have to directly invite them or they don’t quite know how to initiate the contact themselves lol) 

Just as a crushing sense of responsibility for their family is a trait that is built into Hawke no matter how you play them or how you make them respond to that, I feel like Rook — however helpful and earnest, warm, charming, jocular, stoic or straightforward they seem at a surface glance — is always someone who struggles deeply with connecting to themselves and other people. (Emotional Intimacy, the Final Frontier.) As, indeed, is the case with all of the Veilguard companions too! It’s clearly a deliberate theme. These are all lonely people struggling with their sense of identity and belonging in some sort of way. AND having, working on and eventually starting to overcome these difficulties also makes Rook a direct foil for Solas, who doesn’t learn that lesson unless you corner him at the end of the world to force feed him his medicine lmao. They don’t manage to break out of the regret prison under their own steam, it’s because even struggling and grieving they have managed to create mutual bonds with other people who show up for them in turn now — and with all the protective walls of denial around what happened to Varric crumbling and making them less of a stranger to themselves, Rook is finally able to let them. An outcome Solas seemingly didn’t even consider to guard against, because he’s become that deeply entrenched in his loneliness, the utter isolation of the self — he can no longer truly imagine an alternative. (It’s not that he can’t form these bonds, obviously, it’s that he resolutely refuses to value them. Whether it’s because he feels like he doesn’t deserve it or out of a need for control or the martyr complex where he must sacrifice everything he loves on the sacrificial pyre of fixing his mistakes, all of the above and more, the result is the same. Mind!Varric, who I think is mostly Solas speaking, even calls this out directly. So yet again a situation where he has some self awareness about it and it doesn’t help At All haha. Solas falls to the temptation of making people into tools again and again and again, no matter how many times it comes back to bite him in the ass and the eternal solitude it traps him in.) 

And that deep deep loneliness… There but for the grace of… well the theological state of thedas being what it is right now, let’s just go with the grace of Something, Presumably go you as well, Rook. The same capacity/tendency to pull away from connection clearly lives in them as well in some form (again, for whatever reason and with whatever motivations and instincts behind it for any individual Rook). Solas and Rook coming together to create a blood magic paper doll of the mind Varric in response to acute loss and loneliness is one of the most deep , deeply fucked up and invasive acts of intimacy I’ve ever contemplated. I don’t think that’s accidental, there’s something There’s Something Wrong With You (there’s something wrong with you that’s also wrong with me (derogatory)) here that resonates no matter how both parties would hate to hear it. (A fitting legacy for Varric and his wild ‘I made my best friend into a story because it’s the only way I know how to love with this desperation of sincerity’ brain to leave in the narrative, methinks. I feel he’d appreciate it on a craft level, if nothing else.)

If you read through all of Rook’s potential backstories, one of the common threads through all of them, along with a certain maverick ‘I’ll do whatever it takes’ streak, is a sense of profound alienation. They did something or have some sort of quality that made it hard for them to fit in with the group they’re from, causing a conflict that cuts them off from parts of their identity as it’s been up until now. All of which also adds to how important Varric is to them — he was clearly able to break/see through some of that and be closer with them, even in the relatively short time they spent together. No matter what else goes to shit, they can trust that a) Varric sees them, b) he genuinely likes them and believes in them not despite who they are, but for it, and c) he’s got their back, we’re in this together kid. And then he is gone, and it takes them the whole game to be able to bring themselves to accept that and know themselves again, be able to let new relationships in fully. The very understandable ‘the last time I let someone in, they got stabbed before my eyes and the world ended’ flinch away, even if they’re not consciously aware that’s what it is. Anyway I love Rook. So much space to play around in here as to WHY they might feel or react like this, even when the framework is more defined.