#LIZ THESIS STATEMENT

[lazer-screwdriver]

This comic makes me so stupid emotional. She might have never known.

[khruschevshoe]

You know what really gets me about Eleven’s run? Is that it starts off with an amazing thesis statement in the Beast Below which I think sums up the Doctor as a character more than any other line ever has. "What if you were really old, and really kind, and the last of your kind?...All of that pain and misery and loneliness, and it just made it kind."

Yes, sometimes the Doctor needs to be reminded of that fact, as when Amy has Liz 10 hit the abdication button, but the Doctor is kind. He is the man that cheered that "just this once, everyone lives" and was a "coward not killer anyday" and flung away a gun and even after the Time Lord Victorious arc, died to save a single man from dying from radiation. The Doctor and his companions bring out the worst in each other, yes, but they also bring out the best.

And then comes along The Girl Who Waited and the God Complex, which are just an extension of Let's Kill Hitler and eventually Angels Take Manhattan, which are all about how the Doctor takes people as companions because he needs someone to worship him, that he can't bear to see them age and would rather see them young and beautiful, that he is vain, that he is cruel, that he is a god, and I get that interpretation but at the end of the day, the Doctor has never been about vanity or worship or needing someone to keep him in check.

Because yes, companions have reminded him the importance of being kind as part of what is "necessary." The importance of having hope. But it's just that: a reminder. The Doctor is unlike the Master and unlike the rest of the Time Lords because he is compassionate. Because he hates to see children cry. Because he is a coward who is nonetheless brave enough to keep caring, over and over again, no matter how many people die in front of him, no matter how many times he loses those he loves, because the Doctor is a love story as much as it is a ghost story at the end of the day.

And it kills me that the main themes/character arcs of Eleven’s era boil down the Doctor to someone who is not that. Someone who, as the Power of Three ending/Angels Take Manhattan imply, had to have the Ponds to keep him in check. That he could not let them go, could not respect them and their choices like Ten did with Martha. That an entire religion formed itself, kidnapping a child and making her into an assassin, just to stop him from ruining the universe, because he is a god more than a man. That he is a god just like the minotaur, feeding off of people's faith in him, taking children and companions so that he can be nourished, so that he can feel important.

Because even at the Doctor's worst in the Time Lord Victorious Arc, it has never been about worship. It was about grief and loss and love and compassion, because the Doctor has two hearts because he has too much love to fill just one, because that is the kind of person that the Doctor is.

All of that pain and misery and loneliness, and it just made him kind.

[dr-lizortecho]

that thing Liz does where her lips kinda playfully tease at a smile while she listens to people talk- her brain processing and also keeping her joy and delight at bay because they haven’t got to the thesis statement yet, the way she’s smiling for half the conversation but then her lips twitch up into a beaming smile that practically glows is literally insane

[thevirgodoll]

I messaged a guy online I found his memes funny nd it was related to my fav actor too ( I regret talking to him ) when he came to know that I was girl and a minor he was 20-21 he used to send flirty memes nd shit. He kept asking me if I belonged to a rich household. I'll be honest I don't judge people from their appearance but whenever he sent me his pic I got legit bad vibes frm him 💀 I shared one pic with him nd he called me chubby nd said that he liked chubby girls however started ghosting me the other day. What pissed me off is that he would blame me for not replying or ignoring him when he was d one who replied to my dms one day after he was so weird too he asked me if I had any male friends my prp was wizard liz nd he started saying how it wasn't " right " 2 keep that prp he would say don't wear make up I like ur natural beauty ( this is so cringy 💀) I don't understand why I chased him or talked to him for months maybe I felt lonely I didn't like him I wasn't impressed by him I didn't like him appearance or personality vice when he was ghosting me my sis told me that she got weird guy vibes from him nd I watched liz video " You are a clown " too but when he came back he made stupid excuses nd I continued to talk ( so stupid of me) it was also weird he shared his shirtless pics w me nd i didn't even ask for them I didn't say anything I was like wtf 💀 I have a habit of using bro word nd he would be like don't call me that my mental health will become worse nd he would talk about marriage ( I will die from cringe 💀💀) If I said that it wasn't OK since I was minor he would say how I looked his age , like 19- 20 I was offended by this statement he said how he was " complimenting " me. At times i wanted 2 block but I thought maybe he would feel bad idk why I entertained him so long he wasn't my type I found him ugly nd cringy ( sorry if I sound rude ) he would constantly hate on people who made reels nd even called an actress the R word which means sl*t 💀 he would also say how a guy should be 2- 4 yrs older when I denied

I'm just gonna be honest. Y'all gotta have actual questions or a purpose to venting in my inbox. This isn't a dating blog, we are here to level up! I don't know your question but anytime you have to write a thesis about a man, they gotta go. Block and cut your losses.

[lancesweetsun]

HAPPY MONDAY JO DEAR here look at this book that came across my desk she was published in 1883 and looks AMAZING

🌟HAPPY MONDAY LIZ!!!!!!!��� i am in loveeeeee... she looks magical... i could kiss her about it... 🌼

[whentherewerebicycles]

okay. I am gonna play it by ear today (might need to do some heavy napping at some point tbd) but I would like to try to use this day responsibly if I’m postponing the big drive. here’s what I’d like to get done today:

finish reading bec’s draft

make tweaks and cuts to cover letter based on liz’s feedback (don’t spend too much time on this I just want to have a bit more of a ‘thesis statement’ type frame that ties the individual paragraphs together)

update CV

submit job application 😬

add 2k words to fest draft—ideally write real prose but I would also settle for fleshing out the scene sketches a lot and getting a better feel for the central dynamic

get covid + flu test at 2:40

email LS about rescheduling meeting or switching to phone call

nap as needed… drink lots of water… should probably take a walk at some point because I am so, so stiff and achey

[angsty-nerd]

Max + Identity in Season 2

In the pilot, when Max self-identifies who he is to Liz, he tells her, "I'm a son, I'm a brother, I'm a cop...I'm just a guy from Roswell." All of those pieces of his self identity are systematically destroyed in Season 2, to the point where in the season finale he's grasping onto the last thing he feels like might be real about himself -- his role as the savior. A role that he scoffed at before his death, that he didn't really seem to believe, until all of the things he did believe about himself were gone. And then he loses that too, upon the discovery that he's not the only one, that he lacks any form of individuality. That Jones is just like him.

We get our first hint that this is coming in 2x05 when Rosa and Isobel get a glimpse inside Max's mindscape. They are literally traveling through the dying remnants of Max's mind, watching as these pieces of him are slowly fading away. There are three key visual clues in these scenes that give us insight into how he sees himself.

Most obviously, in his mindscape he is fully dressed in his Sheriff's Department uniform. This is the self-identity that he projects to the outside world in Season 1. There are many good metas out there about the layers behind that. How he takes his hat off when he's not on the job because he doesn't feel he deserves it. But all in all, his internal self image is the deputy that the public sees. I’ll add a link below to one where Mo and I were discussing this.

He is surrounded by Liz. And slowly losing her. This could be (and is) a meta all on its own about his psyche in general. He said it himself in 1x03 when he told her that he loves her. "That's what everything is about for me!" And this is the visual embodiment of it. His internal identity completely encompassed and consumed by his memories of Liz and all the things that represent her for him. And yes, their slow degredation are a literal representation. Of his memories of her slowly disappearing, but I also definitely would argue that it's exposing his deepest fear as well - that she'll leave him again.

And of course, he is chained to the floor. We are still, at this point in the season, just getting a glimpse at the layers of trauma hidden within his subconscious, but this is a direct look inside of him and his trauma is right there staring him in the face. These are hidden scars that he hasn't even begun yet to discover, but slowly begin to reveal themselves throughout Season 2b. And I expect will be prevalent in Season 3 as well.

The progression of Max's identity crisis started from the moment he woke up, with a portion of his self literally erased through the loss of his memories of Liz. A lot was made of the sweetness of him telling her at the end of the episode "I am not whole without you." But in a sense that statement could have been almost a thesis for his character arc in Season 2. He spends the entire season not whole, losing little pieces of himself one by one until he's not sure who he is at the end of 2x13.

Once his memory returned in 2x06, it briefly seemed like Max was back to normal, but that quickly got undercut in the opening scene of the next episode when it was first hinted at that he shouldn't be using his powers anymore. In 2x07 it was suggested that Liz was just being overly cautious, but her fears were proved to be accurate in 2x08 when Max does use his powers and immediately suffers chest pain. Its a physical reaction to his powers that's further emphasized in 2x12 when he almost dies trying to kill Flint. Nothing was explicitly stated, but I still speculate he had a full on heart attack in that moment, or that the pacemaker briefly failed, given how hard it was to resuscitate him. But without his powers, he's not complete as an alien anymore.

In 2x09 he loses what he thought he understood about his own origin story. Sheriff Valenti's version of the incident in the group home not only undercut certain facts about himself that he always had believed to be true - that he was the solid, stable one. That he was the strong one. Suddenly he's being told that he's the traumatized one, that he's the one with the behavioral pattern of being a loose cannon.

He loses his job. Okay, officially he quit in 2x07 to search for Jenna, but let's be honest here...if he hadn't quit, then he certainly would have lost his job when Sheriff Valenti arrested him in 2x09. We saw in his mindscape and heard from his lips in the pilot how strongly he identifies as a cop. But now that uniform, and that identity, have literally been stripped away from him...and replaced with a new uniform, sexy Wild Pony bartender man!

So, we have him stripped of his identity as an alien with powers, stripped of his identity as a cop. And in 2x10 he gets stripped of his identity within his family, when he learns that he and Isobel are not related. All of those self-identified aspects of himself have disintegrated, and he's left floundering to figure out who he is without those things. Which is why he begins to throw himself into trying to regain his memories, potentially even at the expense of his health through the use of the serum. Because he is so desperate to find a truth about himself to hold on to.

But that journey is also doomed to undercut him. One of my favorite musical moments of Season 2 is the second time he experiences a memory flash triggered by his own reflection, at the end of 2x10, with the cover of Bullet With Butterfly Wings playing over the scene. @echoapothecary did a great set on this scene right after the episode aired... link below.

Despite all my rage I am still just a rat in a cage

Someone will say what is lost can never be saved

Despite all my rage I am still just a rat in a cage

Tell me I'm the only one

Tell me there's no other one

Jesus was the only son, yeah

Tell me I’m the chosen one

I think in the moment we were supposed to take the visual flash at face value and assume that this was about Max's trauma from being imprisoned as a child, but on rewatch (and frankly, listening to the song over and over and over…) I really think the choice was more about identity, and foreshadowing the reveal of Jones as a mirror, clone, relative, something….to Max?

While in the middle of the S2 experience, one of my favorite gif sets that @maxortecho made for me was this idea of Max, and people constantly cutting him down, while Liz loved him regardless of those things (linked below). At the time I was really focusing on him and his reaction to being constantly told he was a let down. Add to that the appearance of Diego in 2x10, and Max isn’t even trying to hide his low self esteem and feelings of insecurity anymore. But take those constant undercuts and add to it the tidal wave of an identity crisis as all of the things you believe to be true about yourself fall apart, and we're left with the Max we see in the last couple episodes of Season 2. A man on a mission, manic and desperate to figure out who he is now, exacerbated by the fact that he's literally on drugs (the serum).

Only then, in his desperate, manic state, does he find himself willing to believe the implausible (to him) reveal at the end of Season 1 that he might be the Savior. Because it's the last thing that makes him unique, that makes him feel like he has a role, a purpose…until he loses that too at the end of the episode when they release Jones, a literal copy of himself, from his prison.

All of these gifs were gratefully borrowed from @maxortecho, with two exceptions. Wild Pony Max 🔥 is @rosaortecho’s work, and Howdy 🧔🏻 is (I think) @darlingnotso’s. (Please correct me if I’m wrong).

[westerberg]

WOO hi liz what are your fave replacements songs <3

Okay since everyone else is replying album by album I’ll do that too :3

Sorry Ma: as far as I’m concerned Takin a Ride is up there with the best first album first songs of all time. Shiftless When Idle, Raised in the City, and if we count If Only You Were Lonely that would probably be my favorite from the album

Stink: this is probably my least favorite mats album... but Kids Don’t Follow and Go are great songs, White and Lazy and Fuck School are funny.

Hootenanny: it’s kind of obvious what the great songs off this album are... but every time I listen to it I think I get most pumped for Run It, Mr Whirly and Lovelines . Treatment Bound is incredible to me bc it’s like telling the story of the band when it’s barely even begun. Idk if any of these would make a top 10 but I sure do love the album 😋

Let It Be: LET IT BE!!!!! I Will Dare is a perfect song, Favorite Thing brings me unbridled joy, Unsatisfied is The song to sit on the floor and mouth to yourself at 1am, Answering Machine is my favorite (and if I recall also Paul’s) favorite mats song ever... and then the 20th century boy b-side is :-0......

Tim: omg Zoe I can’t believe you’ve never listened to Tim!!!! We are all Tim devotees here... if I were to make a straight top 10 list probably like 5 of them would be from Tim. Kiss Me On The Bus is such a fun little song, Waitress in the Sky always makes me laugh, Swingin Party was the first mats song I was obsessed with and like.... idk what to even say about it that wouldn’t fill like a whole paragraph.... Bastards of Young is like the Mats thesis statement, and the third verse has my favorite lyrics of all time. Left of the Dial is just such a cool song that encompasses so much, Little Mascara is a perfect hidden little gem, Here Comes a Regular is another gr8 song to sit on the floor at 1am to.....

Pleased to Meet Me: Alex Chilton and Can’t Hardly Wait are perfect songs, but my favorite from this album is probably Skyway (it’s sooooo pretty 😌), I think Shooting Dirty Pool is probably their best late period goof-off song, and I love it with my whole heart.....

Don’t Tell A Soul: Achin To Be is one of THE great Westerberg songs, my first semester of college I remember listening to it like everyday lol.... I love They’re Blind, and Portland has gotta be one of my top picks

All Shook Down: Nobody is a perfect little song, All Shook Down is like.... His voice sounds so miserable in this but well what can I say it really sells the song. Those two songs I think can stand up to anything the mats ever did but I am in the camp that thinks that this is kind of a weaker album.... I enjoy it but for the most part more like I’d enjoy a Paul solo album

ETC their another girl another planet is soooo slay..... nowhere is near my home might be a favorite as well

I’m not sure this really tells you what my favorite mats songs are but well I hope you got something out of it 🤷‍♀️ if any other replacements mutuals would like to participate in this let me know this is fun 😝

[florrickandassociates]

TGF Thoughts: 5x10-- And the violence spread.

So, that’s it for season five. I’m still trying to sort out how I feel about the season as a whole and Wackner’s arc. I’m hopeful that writing this will help me decide.

This episode has a Previously, and it’s rather conventional. I’m guessing it’s here to bookend the season, with conveying information being only a secondary objective.  

Did we see Rivi scream, “You’re done, Wacko, you’re done! Canceled! Canceled!” in the last episode or is that new to this previously? I feel like I absolutely would’ve had things to say about a) Wackner being called “Wacko,” which has been RIGHT THERE this whole time, and b) the use of “Canceled,” which is a thing Rivi would never say but is VERY thematic (you know, cancel culture and also Wackner having a TV show and also this being a TV show that’s wrapping up* Wackner’s arc).

* The way things end this episode, I’d say we’re done with Wackner. The Kings have said they aren’t sure about the plan for season six, so never say never, but I think that if we see Wackner again, it will be as part of a different arc.  

I went back to 5x09 and while we do see the same shots of Rivi screaming, whatever he’s saying in 5x09 is in Spanish. So either he was saying this in Spanish or the dialogue here is totally new.  

I’m a little sad that I knew in advance Robert King had directed this episode, because I want to know how long it would’ve taken me to guess. I’d like to think this first shot, of Diane flopping down on her bed in a very pretty floral print dress, then Kurt flopping down in the opposite direction, would’ve given it away. We usually don’t get shots that are both striking and kinda balanced unless RK’s directing.  

This also has some big season three opener vibes—the scene where Diane turns to Kurt and says, “I’m happy,” thus jinxing the entire season.  

Diane and Kurt are about to go on vacation, which means, of course, that Diane and Kurt are definitely not about to go on vacation. I’ve watched 12 seasons of this show; I know all the tricks!  

If I didn’t get it from the initial staging of the opening shot, the camera panning to Diane and Kurt’s suitcases and then back would’ve been another clue that RK directed. He ALWAYS has the camera in motion.  

I love that Diane’s travel outfit is a dress you could wear to a fancy party and a statement necklace. Of course it is.

And if I needed evidence that RK and MK wrote this episode (which I didn’t; it is a finale so I knew they wrote it), Diane quoting Waiting for Godot is a clue there.  

I really should read Waiting for Godot, shouldn’t I?  

“Wow. Educated and a good lay,” Kurt responds. I know that the political stuff between Diane and Kurt can get more than a little murky, but banter like this reminds me why they stay together and why politics never drive them apart. Also, it’s really nice to see Diane and Kurt have some fun banter that isn’t about politics.  

And Diane making kissing noises and asking Kurt to meet her halfway! This just feels like I’m spying on someone’s private life and I love it. Not in a voyeuristic way, since this is actually a little uncomfortably private, but in a, “ah, yes, these do feel like real people” way. This is the kind of “a little goes a long way” character moment I always want more of, and Kings episodes ALWAYS include stuff like this.

And there it is. The phone rings as Diane and Kurt are about to start out for the airport. Diane thinks the call must be for Kurt, but it’s for her. It’s a very flustered Liz, informing her that STR Laurie’s execs are on their way to the office for a surprise visit.

If the Diane/Kurt scene didn’t tell me that Robert King directed, I almost certainly would’ve gotten it from the sudden cut to Liz, walking through the hallways and doing a million things at once with a ton of background noise. No one loves chaos the way Robert King loves chaos.  

This episode STRONGLY reminds me of the Wife season five finale. It is equally chaotic and also spins a ton of plates. But, mostly, the similarity I see between the two episodes is that they are both extremely fun and captivating to watch because of how much momentum they have, but everything just feels slightly hollow and not exactly focused on the thing you want to see.  

(Shout out to my friend Ryan, who messaged me the 5x22 comparison before I could message it to him!)  

I decided I should rewatch the first few minutes of 5x22. I am now 15 minutes into 5x22 of Wife and 2 minutes into 5x10 of Fight. Oops.  

Apparently, STR Laurie planned a surprise visit because they heard RL was dysfunctional. You don’t say!  

I felt like 5x09 concluded with STR Laurie being won over by Allegra and the RL team, so this is a bit of a surprising place to start the episode. But, since Diane seems surprised too, I’ll allow it.  

Now Liz and Diane have 90 minutes to agree on a financial plan! Kurt’s on the phone with the airline before Diane even hangs up with Liz.  

Diane is determined not to lose out on her vacation and asks Kurt to change the flight to 8:00. “Kurt, we are going on this vacation if it kills me!” is a line I would worry was foreshadowing on basically any other show.

The RL/STRL PowerPoint template is pretty ugly. They want to call 2021 their best year yet, thanks to the deal between Rivi and Plum Meadow Farms we saw last week. Even though we saw champagne and signatures, the deal isn’t done yet because Plum Meadow can back out if Rivi goes to jail.

RK also loves close-ups more than any other director on the show; I do not love close-ups.  

The Plum Meadow deal is such a big deal that for the quarter, they go from $45 million to $5 million without it. They should just not say numbers. I can believe it’s big enough to take them from a modest profit to being behind projections or whatever, but I can’t believe that they have $5 million in other business and $40 million on this one deal.  

It seems that Rivi was arrested. I don’t think it is ever said in this episode why. I assume the arrest relates to his behavior in Wackner’s court, since there were police officers there, and I suppose that Rivi is a big enough deal the police would actually take him to real court, but are we not going to address the weirdness of Rivi being arrested in a fake court where his employees are being tried, then taken to a real court by the same people who just an episode ago were disillusioned with real court? This seems like a plot point.

Carmen on a frantic phone call in the backseat of a car feels very 7x22.  

Who is James that Carmen has in her contacts!? And why does everyone always put Liz in their contacts as “Elizabeth Reddick” when everyone calls her Liz?  

Carmen calls Marissa to go argue in Vinetta’s court since she’s on Rivi duty. Carmen doesn’t take Marissa’s job in Wackner’s court seriously and then notes that this instruction is coming straight from Liz, so Marissa falls in line.  

Wackner’s case of the week is about rural Illinois wanting to form its own state separate from Chicago. There’s a farmer who feels like his tax money is only going to the big city and he wants it to stay in his community.  

They’ve just now added stage lighting to the set of Wackner Rules, dunno why they wouldn’t have done that earlier!

I don’t know what standing you’d have to have to bring a case about wanting to divide the state in two to court, or if this is even something a court would or should decide, but, sure, Wackner and Cord, go for it. There are no rules!  

This map splitting Illinois into two new states that Cord is holding is a dumb prop because Galena, where this farmer is from, is in the same section as Chicago. Do I pause every reference to Chicago on this show and then google information to see if the writers bothered to look it up or pretend they’ve ever set foot in Chicago? You know I do.

“Secession!” the audience screams. Does the audience of Wackner Rules really want to see this?

A Good Fight Short! And it really is short: “Stop this obsession with secession and breaking up the Union. It’s boring and it’s dumb, end of song.” I feel like that’s the thesis statement for this episode, or one of them (that this episode seems to have about ten thesis statements is kind of my problem with this episode, tbh). This episode is very much about danger of things becoming too fractured—the COTW, the copycat courts, the firm drama—and I feel like the writers come around to just saying no, this is enough, we need structure and consistency.

But more on that later. MUCH more on that later.

Marissa is swearing more because “the world has required it.” She notes this to Wackner as she calls him out on the secession case. Cord barges in.

Take a look at the employee of the month poster on the back of the door at 5:39. Then at 5:40, look at what’s in the box just to the right of the center of the screen: it’s an employee of the month poster with Wackner on it! Cute easter egg. (Would Marissa definitely notice this and have questions? Yes. Is this here as a cute easter egg for eagle-eyed fans? Almost certainly.)  

“Insane is just one step away from reality if you get people to believe, and you know what makes people believe? TV.” Cord explains when Marissa asks how they can possibly be litigating this case. That’s thesis statements two and three, folks. The first is that if you get people to believe, then anything is possible, which sounds like a tagline for a Disney movie but is actually super dangerous; the second is that reality TV is a way to persuade people and change opinions.  

So we’ve got: (1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. Let’s see if there are more.

(Yes, these theses do kind of add up to a whole—The rules don’t matter, so if you persuade people, through reality tv, you get factions of people believing their own sets of rules and facts—but what I'm interested in tracking throughout this episode is how well the writers actually bring these theses together.)

(And this is setting aside that key themes in previous episodes, that I think many of us were looking for resolution on, included outlining the flaws with the extant “real” justice system and exploring the role of prison in the justice system. From this episode, I don’t think the writers ever intended to really tackle either of those issues. That’s fine—I'm not sure that TGF has something to say about prison abolition and I don’t want a thought experiment where the writers actually try to fix the legal system—but feels a bit disjointed. I’ve said it before and I’ll say it again, but 5x08 and 5x09 needed to do a better, clearer job of setting up this finale. The key themes of Wackner’s arc were always present, but they needed to slowly narrow the scope so the resolution felt inevitable and clear. Instead, we spent time on things like parking spaces (when we could’ve had a real plot about how Wackner’s court gains legitimacy through violence, incarceration, and playing on people’s frustration with the real systems) and Del’s focus groups (when we could’ve instead done a plot about Wackner gaining fans who wanted to use his methods to do ill). Everything I just mentioned in the parentheticals is in the show! It’s not subtext! We see it all! We see Cord use violence and prisons to enforce Wackner’s rulings; we see the cops turn to Wackner out of frustration; we see that the people drawn to Wackner Rules and to Wackner’s court are increasingly sounding more and more like right-wing populists! I can’t be too hard on this arc because, again, all these ideas are there. I’m not coming up with them on my own!)

I’m just saying: this ending would’ve been a lot clearer and a lot more interesting had the writers focused on what I mentioned above instead of the distractions of the last two episodes.  

Whew, that was a ramble. Hope you’re ready for more rambles.

On a similar note, I’d like to reiterate my problems with how the writers used Marissa after the private prison reveal. I don’t have much more to say than what I wrote last week, but it’s another example of the same problem. Marissa objecting to Wackner’s court because she notices what it’s becoming and how Cord plans to use it for political gain (two Illinoises (??) changes the Senate and the Electoral College...) always was going to be part of the endgame. Marissa only seriously objecting after the fourth or fifth line Wackner crosses feels bizarre.  

Cord does NOT like that there is another court, and wants to protect Wackner’s IP. Wackner, as we saw last episode, does not feel threatened by the other court. In fact, he seems to be excited by it.  

I love Liz questioning Diane’s outfit like it’s unprofessional. It’s a little low-cut and showy, but I don’t think unprofessional is the word I’d use for it.  

Now they have 45 minutes to decide The Future Of The Firm and Diane wants to be considered a name partner. Oh, that debate is still raging?! Every time I think it’s done it comes back, which should probably be a sign to Diane that her options are to leave and start something new, jettison Madeline and the others, or step down. Staying on as name partner and calling it a black firm is just not an option.  

“Diane, there is a split in the firm that...” Liz starts, before asking some associates to leave the room. Ha! The reveal Liz and Diane aren’t alone is a pretty fun touch.

“The Black equity partners don’t want to be in your work group,” Liz informs Diane. “Because they think they’ll be punished by this firm?” Diane asks. “No, that’s paranoia. We don’t punish here,” Liz responds. “Of course you do. My fracking client. My union client. The Black lawyers who work on those cases—they're considered traitors” Diane says. “Because those CEOs are racists,” Liz counters.

Lots going on here, and I’m not sure I understand it all. Why would the equity partners—who are partners—feel like they’re being punished by being in Diane’s work group? (And also what does a “work group” mean and why haven’t they talked about it in the past?) When Diane starts talking about the lawyers who staff her clients, she’s not talking about equity partners; she is talking about associates.

And people are giving associates shit for working on Diane’s clients whom they happen to be staffed on!? That’s sad, though believable.

“So what do we do? Only bring in clients who can pass the racial smell test?” Diane asks. I mean, actually, yes. IF the goal is to be a black firm and to have that designation mean something in moral terms rather than marketing terms, then yes.  

“It’s okay if you’re a drug kingpin like Rivi, but it’s not okay if you want me as lead attorney?” Diane says. Also, yes. Diane makes good points here.  

“Diane, this is not about you,” Liz counters. Um, sure, but it has to be about something, Liz. Unless you’re trying to build a firm you don’t control that makes 88% of its revenue from a drug dealer (40 million out of 45 million this quarter = 88%; I told you they shouldn’t give me numbers) but happens to have black people in charge, you have to grapple with this question. I don’t think anyone who’s fighting for the firm to be a black-led (not owned, bc STRL) business is the type of person who thinks that having a black-led firm that does all the same shit as any other firm is in itself a good thing, so you NEED to address your client list. Madeline is anti-Rivi, anti-Cord, anti-Wolfe-Coleman (the rapist guy), pro-social justice, and pro having a black led firm.  

“I mean, why... why do white people personalize this?” Liz asks. “Oh, now I’m just a white person?” Diane responds. I... don’t know what to do with this! Liz is right that Diane is taking this personally; Diane is right that Liz needs to deal with the rest of the client list. But no one is saying the things that REALLY need to be said: That all their decisions are meaningless in the shadow of STRL, and that deciding to be a black led firm isn’t the end of the discussion if they haven’t decided what types of clients they want to have.  

“What happened, Liz? Last year we were intent on an all-female-run law firm,” Diane starts. Oh, THIS AGAIN! Diane never learns, does she? She never seems to realize that no one she’s approached with this idea is NEARLY as in love with it as she is. She probably still wonders to herself why Alicia—who partnered with her at the end of season seven basically just because it was the easiest, most frictionless thing to do—didn't seem more committed to their firm.  

“Diane, there is history here that we are trying to...” Liz says, but Diane cuts in to note that women (women like Diane Lockhart!) have history too! In fact, she’s spent “35 years fighting gender discrimination to get to this position.” “And we have spent 400 years fighting racial discrimination to try and, you know...” Liz starts, before cutting herself off to get back to the ticking clock.

Sigh. Just talk about the actual thing instead of talking around the thing, guys. Diane is obviously deserving of A name partnership, in the abstract. This is an undeniable fact. And while Diane is definitely making this about herself rather than the big picture, I don’t think Liz trying to trump Diane’s 35 year career with the history of black people is going to win her any arguments? Like, just say what you mean and say it clearly. What Liz, I think, wants to express is that Diane’s individual accomplishments aren’t the issue here and everyone thinks she’s deserving (though Liz suggested Diane was not deserving a few episodes ago, which I didn’t understand then and don’t understand now). The problem is that Diane is trying to fight a battle that’s about something much larger than herself with, “but I'm a good lawyer!”  

And that’s KIND OF what Liz is saying here, if I add all her sentences up and read between the lines, but, again, why not just say it?  

“Alright, now we have 43 minutes to fix race relations, gender relations. STR Laurie’s gonna fire our asses, and you know it,” Liz says. I am curious what that would look like. Wouldn’t that just mean that STRL wouldn’t control them anymore? I’m sure being fired would be bad and all, but wouldn’t it free them from the contract they wanted out of last year?  

“Let’s split the firm down the middle. I hire half the lawyers, you hire the other half,” Diane suggests. What does this mean? Why are you hiring your employees? Huh?

“You hire the white associates, and I hire the black associates?” Liz confirms. This seems like a very bad idea that would make things a lot worse and open them up to lawsuits! I also still do not know what they’re even talking about. And I don’t know why Allegra isn’t a part of this conversation.

“I’m not saying it’s good. I’m just saying it’s what we’re left with. It's what we can agree on,” Diane says. I really wish I understood what “hire” meant in this context because I don’t understand why they have to split anything or why this has to be done now and I don’t understand why this would possibly be a good solution. Can you imagine the backlash when people realize all the white people report to Diane and all the black people to Liz and that people were taken off of the accounts they’ve worked on for years to accomplish this? And this must be something that the employees would know about eventually; otherwise they could just randomly assign half to Liz and half to Diane.  

I’m sad Madeline isn’t in this episode because I feel like we needed to see more of her POV as well as the associate POV. I don’t really understand the divides at play within the firm or what the staff and other partners are asking for, but I suspect it isn’t this.

Hallucination Jesus is back, and at least there’s actually a point to him this time (he shows up when Jay is in Vinetta’s court and reminds Jay that Vinetta will rule based on her religious beliefs). I still dislike the hallucinations.

Jay advises Marissa, who is Jewish, to talk a lot about Jesus in her defense.  

Charmaine Bingwa is really great as Carmen, and obviously she is not fluent in Spanish, but it’s so funny to me that the only time you can hear that she’s Australian is when she’s trying to say Oscar like she’s speaking Spanish.  

"I know you’re hiding something when you speak English,” Rivi says to Carmen. Heh.  

“Community court” is such a nice, unthreatening term for referring to Wackner and his copy cats. Thanks for that, Carmen!

It’s a smart plan to mention Jesus a lot, I guess, but Jay and Marissa both should’ve realized that Vinetta is too smart to tolerate obvious pandering. I’m a little surprised Jay doesn’t get up and argue since Marissa is, obviously, not familiar with the New Testament.  

Marissa wins this round with facts and logic.

Why is the judge who was handling Rivi’s previous charge now in bond court? Make it make sense.

I like that Carmen calls out the ASA for swearing hahaha  

Why... would this Matteo kid just casually mention he was holding a gun, omg.  

In Vinetta’s court, you can be charged with murder and tried because... you had a gun and also there were murders at other times. Coolcoolcool no problems here.

Community courts for civil cases? Sure. That’s basically arbitration. Community courts for criminal cases? Bad, bad, bad idea.  

Vinetta’s reasoning: “Those murders happened on our street, and the police haven’t convicted anyone because they don’t care. We care. This is self-defense. And how is it different from your court?” Aside from the whole imprisoning people in her basement thing, Vinetta’s not wrong. I almost brought this up last week but hesitated because I couldn’t remember the details enough to decide if I wanted to recommend it, but there’s a book I read a few years ago that seems relevant here: Ghettoside by Jill Leovy. Again, been a while so don’t take this as a wholehearted endorsement or anything, but from what I remember, the central issue at the heart of the book (it’s non-fiction) is that a poor black community (I think in LA?) doesn’t trust the police (in part) because the police don’t solve murders, and then with no way of getting justice through the court system, there’s more violence as a stand-in for justice. https://www.vox.com/2016/8/26/12631962/ghettoside-jill-leovy-black-crime

I’m not sure if that’s QUITE what Vinetta is saying but it seems similar, and it’s a decent point (though not a justification for her court). Why should she trust the system to improve her community when it’s ignored her community for years?

I like that the writers chose two very different, very understandable characters for their community courts. It’s easy to see why Wackner and Vinetta feel the need for alternative courts; it’s easy to see why others would trust them. This arc doesn’t really work unless there’s a legitimate frustration with existing systems...  

Marissa calls Wackner’s court a “joke,” which she should understand by now isn’t the case. (Marissa’s smart; she knew it wasn’t a joke the second she saw David Cord get involved.)  

Vinetta accuses Wackner of copying her court, which alarms Marissa. This isn’t addressed again, and I don’t know if it’s true! I could really go either way on this. On the one hand, I absolutely believe that Wackner saw/heard about it, liked it, and did it himself without thinking much of it—and if this is the case, then the ending where Vinetta gets in trouble for violating Wackner’s IP is a lot more of a gut punch. On the other hand, I don’t really feel like the seeds for this were planted. We see Wackner innovate a lot and try new things and he has an explanation for why he does everything—how much of that is Vinetta? And Vinetta clearly watches the show and likes it or she wouldn’t have recognized Marissa, so it’s a little hard for me to just believe her claim when literally all I know about her is she has a court that looks like Wackner’s and she is aware of and feels positively towards Wackner rules. Also, Wackner knows about Vinetta’s court (from Marissa) and sounded excited about it last episode. Sure, he didn’t necessarily know which one it was, exactly, but I assume if he’d copied the idea and then heard about a case involving people from the exact same community where he found the idea... his reaction would be different. So IDK. My reasons for doubting Vinetta’s claim are probably based a little too much in things I’m not meant to spend that much time paying attention to.  

“I fucked up. It’s in the same court, but now it’s a murder case,” Marissa tells Diane. I do like hearing characters admit when they fucked up!  

Diane hears that STRL is delayed, so she heads out to help Matteo. When she goes to change into her pantsuit, she finds that she’s grabbed Kurt’s bag by mistake. “Of course. That makes sense,” she reacts.  

Diane pushes her flight to the next day, also telling Kurt, “And yes, for some reason, I took your suit instead of mine, so fuck it.” I love it when the characters feel like real people.  

I am not sure why Kurt is getting to the office when Diane is leaving or why Kurt is there—to pick Diane up on the way to the airport, maybe?

Carter Schmidt walks into RL at the worst possible time, threating to blow up the Plum Meadow deal. Another 5x10 to Wife 5x22 similarity: he’s in both episodes.  

Liz heads out to help Carmen with Rivi, and then STRL arrives. Oops.  

Credits!

One thing about Wackner’s court that should definitely be a warning sign even though it seems noble: he ignores just about every warning sign, like this rowdy crowd screaming WE LOVE YOU WACKNER or the potential interests at play in a case about secession, because he thinks his fair judgement can overcome these obstacles. If the world worked that way, there’d be no need for his court in the first place.

Is anyone representing the State of Illinois in this trial? If not, then... how is it happening?  

Dr. Goat, some dude who claims to have some hidden historical document about how Illinois is actually two states, is clearly making stuff up and yet Wackner indulges him and Cord. I feel about this the same way as I feel about the Devil’s Advocate: That Wackner would not allow this to go on for more than five seconds before calling bullshit and therefore there is no reason I should have to sit through it.

Why is some guy screaming, “No taxation without representation” like dude you absolutely have representation. But of course, I’m expecting him to be logical, and the point is that he is not.

Dr. Goat’s Latin phrases—shock!-- don’t actually translate into anything like what he said. Even though this information is verifiable by a quick google search, the crowd starts screaming “Liar!!!!” at Marissa. If only I could say this felt unrealistic.

Wackner asks Dr. Goat to bring in the document.  

“You look like you’re heading to the beach,” Vinetta says to Diane, who looks like she’s heading somewhere but definitely not to the beach. Vinetta asks where Diane was headed on vacation. Diane says she’s headed to Lake Como, and unnecessarily clarifies that “It’s in Italy.” She assumes Vinetta doesn’t know that... but Vinetta does.

“So you’ve been there before?” Vinetta probes when Diane says it’s beautiful there. “Just once. We don’t get away often. We thought we’d splurge,” Diane says. Vinetta stares at her and smiles, and Diane hits her head on a basket that’s hanging in Vinetta’s kitchen. If I just write out the dialogue here, it sounds like a perfectly average conversation, but everything about this conversation is so charged: Diane is afraid to look like a wealthy white woman; Vinetta’s pleasantness is pretty clearly also a way of sizing up Diane.  

Vinetta shows Diane pictures of neighborhood children and young adults killed as a consequence of gang violence. You can see she’s not trying to do anything other than help her community, even if her methods are highly questionable.

Diane argues that Matteo should be given over to the police; Vinetta disagrees: “The police haven’t arrested anyone for those murders, any of these. Since the BLM movement, they’ve pulled back from our streets. No one’s coming to help. That’s why I started this court. It’s not a joke to us.” Wait I’m sorry did Vinetta just blame lack of good detective work in black communities on... the BLM movement?!?!?! Is there any foundation to this!? Why can’t it just be that the police weren’t actually doing a good job of policing/finding justice and were being antagonistic towards the community instead of being helpful and no one trusted them?? That explanation is literally right there.

Jay suggests the Jesus strategy, again.  

“It’s women! We could just move on, install men,” STRL guy says. I don’t know if he’s joking, but ugh. Also, what is RL if it has neither Diane nor Liz? A bunch of lawyers who will all promptly quit when they see their bosses get fired and a few opportunists?  

Kurt is watching golf in Diane’s office, and the STRL people love it. Of course Kurt accidentally makes friends with them.  

Court stuff happens. It’s not good for Rivi, and then Liz and Carmen come up with a theory: Plum Meadow is stalling the deal so they can find Rivi’s more stable second and make a deal with them instead.  

Wackner giving Dr. Goat a single point on his stupid little board, for any reason related to his obviously fake totally unverified document, is dangerous. Why would you signal to a crowd that’s clearly not interested in fact that they have a point? That’s basically egging them on.

I know Wackner’s judgment is obviously not 100% sound—need I remind you of the PRIVATE PRISONS?-- but I thought it was more sound than this.  

Wackner shows off his knowledge of paper and proves that Dr. Goat’s document is a fake. Why... did he just give Dr. Goat a point???  

Or is he moving the point from Dr. Goat to Marissa?  

Dr. Goat sounds like a fake name I would call a character in my recaps long past the point of anyone other than myself remembering the joke. (See: Mr. Elk)

“The truth is ugly. The only thing uglier is not pursuing it,” Wackner tells Marissa. How is taking on a case about very obvious falsehoods, funded by someone with a vested interest in the case, that gets people riled up, some noble pursuit of truth?  

STRL and Kurt are now drinking and discussing hunting, while Diane’s arguing for Matteo in Vinetta’s living room. Vinetta is—as was always obvious, sorry Jay—far too smart to fall for this patronizing bullshit. She screams at Diane and plays back a recording (on a baby monitor) of Diane coaching Matteo to lie about his faith.

Soooooo yeah no you can’t do that, that is bad, recording conversations between lawyers and their clients is not good even if it leads to you exposing their schemes...

Then Vinetta places Diane under arrest, which obviously isn’t going to end well for Vinetta.  

Liz and Carmen suggest a post-nup to Rivi to see if Isabel is planning on turning on him.

“I’m going to have to kill her,” Rivi says sadly. I don’t think Rivi will ever kill Isabel because we already did that with Bishop.  

I’m going to assume that Diane chooses to stay in basement prison instead of calling one of the many, MANY, MANY people she could call to get her out/take down Vinetta because she doesn’t want the situation to be publicized or further deteriorate. That said, it’s really not clear why Diane just accepts being sentenced to basement prison with a cell phone.  

Love the STRL man looking at that picture of Diane and HRC. They’ve gotten so much mileage out of that photo.  

Wackner’s court has no rules, but at least since it has no rules, I can’t complain about how its rules make no sense!  

What is this, debate practice?! Ugggghhhhh I can’t deal with this case for much longer.  

Marissa takes a breath, then decides to pursue a strategy she knows could blow everything up.

“Then why care what Judge Wackner decides? Why should you defer to him? Why defer to anyone?” Cord says that’s the point—the people have decided to trust Wackner. “So if you don’t like this court’s decision, you’ll just start a new one?” Marissa asks. “I guess,” Cord concedes.  

“So then why does this matter? This court?” “It matters only insofar as we continue to agree that it matters,” Cord says. “So if you don’t like Judge Wackner’s rulings, you can just ignore them and create a new court?”

Good point, Marissa. Good point. (Does this count as a thesis?)

“I’m guessing that I will like the way the judge decides,” Cord says. Well, that’s basically a threat.

Wackner takes a break and heads to chambers—without Marissa.  

Kurt goes to visit Diane in basement jail. He’s granted a conjugal visit, which means Matteo gets moved up to the bedroom so Diane and Kurt can have some alone time.

Diane is staring at an image of Lake Como in her cell. I thought it was odd she brought a printout of her vacation destination with her, so I LOVED the line where she explains that Vinetta printed it out for her. COLD. (You know who also would’ve done this if they’d for some reason had a basement prison? Bree Van de Kamp. You know what show DID do a basement prison arc I’d rather forget? Desperate Housewives!)  

I love how Diane responds to basement prison by making jokes non-stop.

“I thought the craziness would end with 2020,” Diane says. Nope.

Kurt brought alcohol; Diane brought pot gummies.  

I love that Kurt has never had pot before. I was going to say that I bet Diane’s had a few experiences with recreational drugs when I remembered we had a whole damn season of Diane microdosing.  

Christine and Gary’s acting and their chemistry really bring these basement prison scenes to life. The writing and directing are really sharp, but it’s the actors who make these scenes something special. You can tell Diane and Kurt love each other a lot. You can tell they’re disappointed about their vacation and exhausted by the chaos of the day. You can tell they’re in disbelief over this situation but also find it funny.  

Didn’t Rivi and Isabel have an adult daughter who died of COVID a few episodes ago? Weird she isn’t mentioned in this scene. Maybe from a different marriage/relationship?

Isabel called the SA’s office because she thinks Rivi’s a threat? I think this is a power play.

Heh, Carmen saying, “Shut a black woman up!?” in disbelief in court. Love it.  

Isabel instead flips her story and supports her husband and fights for his release. With no intervention from Plum Meadow, this gets the judge to free Rivi. I don’t really understand what’s happened here or why. I get the resolution, but I don’t get why Isabel called the SA or why this went away so quickly. I still don’t even get why Rivi’s been arrested.

Diane and Kurt put up Christmas lights for ambiance and talk about how they never go on vacation.

“I wanna see the pyramids on this coast!” drunk & high Kurt insists, hilariously. “I mean hemisphere. I like the Aztecs. They, they care about people.” I’m not going to transcribe the rest of the dialogue because it loses its magic when you’re not watching the scene.  

After some fun banter about travel and movies, Diane changes the topic. “I should quit, shouldn’t I? That judge upstairs? She looked at me like I was the most entitled white bitch on the planet. And that’s the way they look at me at work.”

Kurt tries to say that’s not true, but Diane knows it is: “Yes they do. I’m the top Karen. And why do I care? I mean, I... I could find another firm. I could quit. I can’t impose my will on people who don’t want me.”

YES. I see a lot of debate over what the “right” thing to do is here. But I think we are long past “right” and “wrong.” At a certain point, this stops being about absolute moral truths. If Diane doesn’t have the respect of her partners and employees, that is a very real problem for the firm and for Diane. How can she continue to impose her will on a firm that doesn’t want her, all the while claiming to be an ally? (The back half of that sentence is the most important part.) Forget whether or not Diane “should” have to step down. Forget what’s “fair.” If the non-Diane leadership of RL thinks the firm should be a black firm, and the employees of RL think so too, and Diane just doubles down on her white feminism, she’s creating an even bigger problem for herself and ruining her reputation in the process.  

Kurt stands up on the prison cot and warns Diane she might make a decision she’ll regret. This scene is so cute. Why can’t other shows do drug trips where the characters just act silly and have great chemistry? Why does it always have to be some profound meditation on death whenever characters get high?

“I think I like starting over. I like the chutes and ladders of life. I mean, I want the corner office, but then I wanna slip back to the beginning and fight for the corner office. I mean, I think maybe it’s better that I don’t get the top spot,” Diane says. LOVE to hear her admit this. I’m not sure I would’ve come to this conclusion on my own, and it sounds like it’s a bit more about how the writers like to write (you know, the “we love our characters to always be underdogs”) than Diane, but... you know what? I believe it. I fully believe it. Diane LOVES to fight, LOVES to feel like she’s in the right, LOVES power plays and to be making progress. She LOVES winning. The fact that she isn’t just choosing to retire right now, even though she’s past retirement age and has a great reputation, is in itself enough for me to believe that she would find it fun to repeatedly start over.

Plus, it’s a fun new direction for the show to take in season six, because they’ll get the same sense of conflict without the actual conflict. This season’s arc was firm drama and resulted in a firm name change... but it didn’t feel like a knock-off of Hitting the Fan. Diane trying to work her way back into power (I assume by becoming a better actual ally, otherwise doesn’t she just end up in the same exact situation?) should also provide conflict without being repetitive.

Hahahahahaha Kurt immediately reacting to this serious statement by being incredibly silly and horny and then Diane singing “I Touch Myself” to him, man, I love these two. I want to know the story behind this song choice.

Wackner emerges from his chambers. The score is tied. Wackner calls Cord corrupt and notes that they can’t just decide to call Downstate Illinois a new state based on his ruling. Now it’s thesis time!

“I was taken by Mr. Cord’s arguments of individualism. So much of our country has been built on people finding their own way, not being held back by bureaucracy. Yet, if we only follow individualism, that way lies chaos. And that was not the point of this court. Or at least not my point. Judgment for the defense. There will be no Downstate Illinois.”

“If we only follow individualism, that way lies chaos.” is probably the clearest of the many theses of this episode. To recap, we have:

(1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. (4) Institutions only exist when we collectively agree they exist (5) Individualism = chaos.  

But let’s put a pin in this for now and let the chaos of individualism play out.  

The crowd does not like Wackner’s decision, and decides that an appropriate way to express their displeasure is to make anti-Semitic remarks towards Marissa and then start throwing chairs. What nice people.  

As the crowd goes totally 1/6 on Wackner’s court (thanks for pointing this out to me, Ryan—I cannot believe I didn’t make the connection myself!), the door slamming into the desk finally pays off since Marissa and Wackner are able to use it to keep the crowd from reaching them.  

They immediately turn to the police, or they would, if they could get service. I’m sure it’s not a coincidence that as soon as things get bad, they want to involve the existing system.  

Wackner Rules is, somehow, still taping in the midst of all the chaos. I don’t know if I think they’d air this, but someone certainly would. (I wonder if any of the cameras we see in these scenes are actually the cameras filming the other angles of the riot.)  

Cord shakes his head and walks out, unharmed.  

“You think they’ll kill us?” “I think they might,” Marissa and Wackner fret.  

“My dad said the whole world would be a better place if everybody realized they were in the minority. ‘No matter where you are,’ he said, ‘Make sure you keep an eye on the exits, and make sure you’re closer to the exit than the Cossacks are to the entrance.’” Marissa says. Love Eli Gold coming through with thesis number 6 (and maybe thesis number 7).  

“Your dad sounds a little paranoid,” Wackner says, correctly. Remember how I mentioned I accidentally wound up watching 5x22? Eli calls Alicia and responds to her hello with, “DISASTER!!!!” I miss him.

“He was, but he wasn’t wrong. He said, ‘Stay away from parades. They’re cute until they’re not. And don’t trust any pope who was Hitler Youth.” “What’s that law called?” “Godwin’s Law. My dad said anybody who argued for Godwin’s Law has never been near an actual crowd. Crowds love you, they hug you. Then they grab a gun and try to kill you.”

“Why? Why do they do that?” “I don’t know. Hate is fun. It’s clear-cut.”  

I really like all of this. It is a little preachy, but it isn’t wrong and it’s self-aware. And, more importantly, it’s in character. I absolutely believe that Marissa would tell lots of stories about Eli in a moment of extreme stress. It’s nostalgic, probably comforting, and it also helps her feel like she’s on the right side with the right arguments. So, even backed into a corner, she’s still a winner: she has theory on her side.  

Wackner speaks a foreign language (I do not know what language but I wish I did) and says, “A guy could get killed doing this,” which makes him and Marissa laugh as things crash around them.

Idk about you all, but I couldn’t really get myself to actually worry about their safety during this scene. Maybe Wackner’s, just a little, but I got the sense we were supposed to focus more on the chaos and destruction and monologuing than on the actual danger. That’s not to say the stakes didn’t feel high, but rather to say that this didn’t feel like an action sequence where you don’t know what’s going to happen next. The point was to watch the court fall and think about why it fell, not to worry about if Marissa would live.  

Diane and Kurt are woken up by sirens and loud noises. The cops arrive and are shocked to find professionally dressed white people in a basement cell. They let Diane and Kurt out with compassion, but scream, “don’t you fucking move” to the people on the floor.

“It’s okay, they didn’t do anything,” Diane says. This is, as I theorized earlier, probably why Diane just sits there until her punishment blows over instead of escalating things.  

If the cops weren’t there to free Diane, why were they there? Why, because they like David Cord and David Cord has gotten Chicago PD officers to protect Wackner’s IP.  

If I had to say one thing in favor of Vinetta being the originator of the community court idea, it would be that it’s SUCH a gut punch to watch Diane and Kurt walk away from their bizarre little adventure as Vinetta gets arrested in the background, and it hits ten times as hard if Vinetta’s only being charged because some white guy is claiming IP that’s actually hers.

(I think Vinetta is probably, at this point, actually being arrested for imprisoning people illegally, but, still.)

“Pfft. Some judge,” one of the cops who adores Wackner says of Vinetta. Racist much?  

Marissa and Wackner emerge from the backroom. “I think I better get back to work,” she says, meaning her RL job. "Me too,” Wackner says, grabbing a Copy Coop apron. He’s an employee of ten years.  

I don’t think this lands as well as it’s meant to. I think the point is supposed to be that Wackner’s just some guy—not a billionaire, not an academic, not a judge, not a lawyer—with an idea. But it’s a little too neat. And it doesn’t explain how Wackner financed his court initially, nor does it explain why he has basically unlimited access to Copy Coop space and resources. I’d buy it if he were the OWNER of Copy Coop, but I have so many questions about him being an employee.  

Diane tells Liz she’s actually going on vacation this time, and they laugh about how Kurt bonded with STRL.

“I want you and Allegra to be name partners. I’ll be an equity partner,” Diane says. “Why?” Liz asks. “Five years ago, when I hit rock bottom, this firm took me in. So I don’t like the idea of splitting this firm in two. And I can’t lead if no one will follow.” “And your clients?” “We’ll manage them together.” YES! I love this. I don’t love it because I necessarily think it had to go this way, but because it’s so refreshing to see Diane say that she actually is willing to take a step back because she cares about the firm and the people there more than she cares about being a name partner. This isn’t something we usually see. When we hear “this firm took x in” it’s usually being said incredulously against someone who’s decided to leave and steal clients (cough, Hitting the Fan, cough).  

It’s been pretty clear for most of this arc that Diane and Liz like working together and they like their firm, but that no one (other than Diane, I guess) is willing to let RL lose its status as a black firm, and that the employees and equity partners weren’t going to be satisfied until Diane stepped down. Diane really had three options: Stay and piss everyone off and claim the whole firm for herself, quit and go somewhere else and totally abandon the good working dynamic she had, or step down and put her money where her mouth is.  

Also yeah the clients were never actually going to be an issue! They were only an issue because Diane intentionally went about informing them she was stepping down in a way she knew would make them worry!  

“I think I need to prove myself,” Diane says. I’m not sure that’s the key issue or that she can ever prove herself fully, but we’ll worry about that next year.

“I missed you,” Liz says. “I’m here,” Diane replies. “I know. Thank you,” Liz says.  

Diane decides she’s going to move downstairs so Allegra can have her office. I think there’s another office on this floor, since she, Adrian and Liz all had offices. This feels a little bit like Diane’s in love with the idea of making things difficult for herself and maybe hasn’t fully grasped the point, but, you know, I’ll take it.  

Diane tells Kurt her decision and he asks if it was the right thing to do. She says she doesn’t know—but she says it with a smile. Kurt notes he’s going hunting next month with the STRL folks and will put in a good word for her. Ah, yes, because STRL still controls all of this and all of this is moot! Thanks for the reminder Kurt! Diane says she wants in on the hunting trip. Of course.  

And the elevator doors close. Remember how closing elevator doors was a motif earlier this season??? It’s back!

Then we get a little coda with Wackner Rules airing a new episode that’s just violence and destruction. This sequence seems to straddle the line between being there for thematic reasons for the viewers and there to show what happened in the show’s universe, but I think it’s main purpose is theme, so I will not go on a full rant questioning why Del would want to air this.

A white blonde lady in an apron watches the destruction of Wackner Rules. She looks concerned. “That was violet,” she says with dismay. And then we see she’s holding a guy in a jail cell in her kitchen.  

And then we see other courts, as America the Beautiful plays. One’s in a garage debating kicking someone out of the neighborhood; another is across the street about the same case. There’s one in Oregon about secession. There’s one among Tiki Torch Nazis deciding only white people can own property. There’s (inexplicably) one about pronouns. There’s one with arm wrestling, one that happens while sky diving, and a bunch of others. It’s pretty ridiculous, and not necessarily in a good way. It feels at once like the natural extension of the Wackner Rules show and like an over the top parody you’d see on another show. Tiki Torch Nazis screaming “only white people can own property!” is the opposite of subtle writing. Tonally, this sequence feels more like the zany humor of Desperate Housewives or the insanity of BrainDead than anything TGF has done before (and TGF’s been plenty surreal), and it doesn’t quite work for me. It feels like it is trying to prove a point in the corniest, most on the nose way possible. It almost feels like it’s parodying its own plotlines.  

On my first watch, this ending for Wackner left me stumped. I knew the writers were making an argument against individualism (Wackner’s speech + the repeated references to The Apprentice) and cults of personality. But I couldn’t figure out a real life analogue to Wackner’s court, and since this ending was so obviously trying to be About Something, that bugged me. Sure, that last sequence could be an argument against people making community courts, but WERE people making community courts? I didn’t see the urgency.

And then I talked to @mimeparadox. And as soon as he said that it was about factions and people playing by their own sets of rules beyond the justice system, it clicked. I’d been looking for Wackner’s plot to be a commentary on the legal system. It is much broader than that. It’s a commentary on the weakening of democratic systems (the Big Lie, etc.), more broadly, and Wackner and his common-sense approach are just a way to get liberal viewers to go along for the ride.  

Now that I understand the point, or what I think is the point, I like this conclusion. Circumventing the system leads to chaos; that’s why we have institutions and bureaucracy, and I think the show is arguing that these institutions should still be respected despite their flaws. The many theses of this episode all come together to make this point (though the reality TV stuff is a little more tenuous and I'm a little shocked we got through all of this without any commentary on social media?): If we stop having a shared belief in institutions and instead follow individual leaders (whom we may learn about through reality TV), the rules will stop mattering and we’ll end up with a fractured country and widespread violence.  

But, and maybe this is just about me being upset I missed both the obvious 1/6 parallels AND the point of the arc the first time through this episode (my defensive side feels the need to also note I first watched this episode at like 5 am when I was barely awake), I don’t know that I actually think this episode does a great job of driving its point home. There are SO many moving pieces to the Wackner plot and SO many references. There are so many threads we never return to from earlier in the season, and there’s so much that strains credulity (like Wackner taking Dr. Goat seriously for more than a split second). It’s pretty clear what the themes are—even though I’m saying I missed the point my first time through, I've hit on all these themes separately in past recaps and posts—but, I dunno, something about this episode just feels scattered. Maybe it’s all the moving pieces, maybe it’s all the moments where it sounds like the characters are voicing related ideas that don’t quite snap together to form one coherent picture, or maybe it’s that Wackner’s plot gets two endings (the actual ending + the coda) and it’s up to the viewer to put together how they relate.

I really don’t know. At the end of the day, I think there was a little too much going on with Wackner and that the writers needed to use the episodes between the private prison reveal and the finale to narrow—not broaden—the scope of what they were trying to do with Wackner. But I also think that what they were doing with Wackner was really, really smart and original. I don’t think I can overstate how impressed I am that the writers took an idea that sounded, frankly, awful when I first heard about it and turned it into something captivating and insightful that I was happy to spend nine weeks watching.  

Overall, a few bad episodes aside, I thought season five was the strongest season of TGF yet. I haven’t seen this show be so focused in... well, maybe ever. Having two overarching plots that received consistent development and felt like they were happening in the same universe at the same time REALLY helps make season five feel like a coherent whole, and I can’t wait to rewatch it.  

[has-gilgamesh-doneanythingwrong]

Celebration

In which an unexpected servant congratulates my mastersona for both passing their Mage Exams and helping Gudako complete yet another singularity!

(The true backstory is that I recently finished all of my essays, my thesis and exam- so thought I should treat myself by writing a fic to commemorate it!!! YIPPEE!!)

Staring blankly at the spotless ivory walls looming above their head, Seihai frowned. Listlessly plonking yet another slice of pizza into their mouth, they flopped onto their bed.

‘What the heck do I do with my life now?’ At current, Chaldea had lapsed into a week-long festival, due to everybody successfully completing yet another singularity.

As a result of this, Gudako managed to rouse the entirety of Chaldea into a tremendous partying mood; in which servants were blasting sparklers at one another; Liz was hogging the speakers to blast out her latest hit tunes; and the Chaldea kitchen was overwhelmed with both chefs as well as hungry customers.

Although Seihai did actively partake in some of the activities, and was overjoyed to see Chaldea enveloped in such joy, a gnawing sense of unease still tore at their stomach. Even though today was the dawn of Chadea’s first ever Nightclub Party- a day that Seihai had been dying to experience- said anxiety made it all but impossible to enjoy it.

‘I’m not in the mood to party anymore,’ Seihai languidly flicked through the television channels, eventually landing upon yet another battle anime. ‘I dunno...It feels like the victory’s hollow or something...’

In Seihai’s eyes, the one who did the bulk of the work during singularities were Gudako, Mash, the staff and their servants. When it came to Seihai’s own place in this war; they had no idea in hell where they belonged. Besides from offering support, assistance, and lessening the load on Gudako’s shoulders- by providing mana to servants that Gudako hadn’t the energy to supply- they were naught but a small bit-piece in the war.

Clutching their fists -as a character on the television behind them began to yell, they contemplated the box of pizza sitting before them.

As a treat for also passing the Mage Association’s rather convoluted, and extremely unnecessary Online Mage’s Exam with flying colors, Seihai had more or less begged Boudicca to make some pizza- so that they could celebrate on their lonesome. Lifting the glimmering slice towards the sky, Seihai smiled wryly.

“Congratulations, me. We’ve fought hard. Let’s not let the negativity beat us today.” Before they could chow down on the beautiful, tantalizing slice- an array of golden sparkles invaded their vision, as they choked on their slice.

‘H-HOLY SHIT!!!’ Slapping their back, they managed to slide the slice back out again, only to be distracted by a horrendous clunking noise; as Seihai’s room shook like a tornado.

Only one person would enter their room like this.

Spinning their head to the side, they take sight of the king’s pernicious smirk; his red eyes sparkling with impish glee.

“G-Gilgamesh....You sure as hell caught me off guard this time.” Sighing audibly, Seihai rubbed their crimson red locks of hair. “Why don’t you like to knock before entering?”

“You would ask one as mighty as I- the King of Heroes- to knock on your measly door before entering?” He looked genuinely shocked by the suggestion. “Have you lost your mind, by perchance?”

“I feel like we’ve gone through an argument like this already.” Helping themselves to their feet, Seihai attempts to look him in the eyes.  “I tell you ‘Yes, you should knock’, and then you go ‘you foolish cur! The king shall never knock before entering! It’s my right!’ or something like that.”

“Well, there you have it. Although wisdom initially evaded that tiny brain of yours, you’ve finally conjured up the answer to your own enquiry.”

“Hey, my brain isn’t tiny. I just can’t keep up with you sometimes.”

“If you’ve managed to fool yourself into believing that, then who am I to disagree?” Whipping out a decadent golden throne from a rippling gold portal, he places himself by Seihai’s side. “Now, I’m here to depart a word of wisdom. Listen carefully.”

‘W-Wait, he’s here to talk?! Why?!’ Utterly bemused by this turn of events, Seihai felt compelled to burst into laughter. ‘Oh shit, hold it in! Hold it in!’ Last time they laughed at the king; Gilgamesh threatened them with a thousand deaths. “Er...You want some drinks? Food?”

“Hoh...I’m glad to see that you retain enough honor to serve your king. However, the food of mongrels isn’t to-” As soon as Seihai pulled out an assortment of global snacks, Gilgamesh’s words caught in his very throat.

“Fine. Pass that one. On the right.” A look of embarrassment briefly flickered across his features, as he coughed lightly. “Don’t hesitate, mongrel! Pass it, post haste!!!”

Seihai smirked proudly at that. ‘Hehe, that’s payback for you being so damn rude! Can’t look down on my global snack collection, huh?’ 

Keeping such thoughts locked firmly within their mind, they pass Gilgamesh a vanilla twinkie. ‘How amusing...Gilgamesh, the arbiter of all pleasures; owner of all the items of the world, is a fan of snacks like twinkies...’ Seihai would most certainly make a note of this later on.

As they both settled down, munching down on an assortment of foods- Gilgamesh cleared his throat, his expression as hard as stone. “Mongrel.”

“Hm?”

“What ails you, to be avoiding a festival as grand as the Chaldea party? I’ll have you know that even I have no choice but to approve of its splendor.”

Seihai’s mind boggled at this. Was he inquiring as to their health? Lowering their head, Seihai mumbled a tiny “Well, you know...I’m just not in the mood. That’s all.”

“That’s all? I hadn’t taken you to be such a bore.”

“Well, that’s not really my problem; you know. Sometimes, I can be boring as hell, and today’s just one of those days.”

“Mongrel, Chaldea’s been renovated into a sparkling nightclub. A nightclub.” Gilgamesh placed heavy emphasis on the word ‘nightclub’. “And yet you still manage to profess that you’re ‘not in the mood’?! Whatever happened to that mongrel that wouldn’t stop dancing in the canteen the other day?” Gilgamesh looked truly offended, as if Seihai had broken a sworn covenant or something.

‘Wait, what the hell?! He caught me dancing in the canteen? FUCK!’ Seihai grimaced at this. “W-wait, Gilgamesh. How the hell did you catch me dancing?!”

Ignoring Seihai’s question, Gilgamesh continued to complain. “Don’t you understand? A night as dazzling as this may never happen again. I declare that you enjoy it to the utmost, before everything disappears.” He had an excellent point there. Life was all but fleeting, a translucent kaleidoscope of effervescent events. Who knows when all of Chaldea may breathe their very last breath?

“Okay, I’ll admit you have a pretty good point there.” He definitely did! However, Seihai was yet to be moved by his advice. “However, I don’t feel like I’m worthy enough to join...I messed up so many times during the last singularity....and it took me quite a few tries before passing the mage exam.”

“So, you’re a fool then.”

Before Seihai could leap up in outrage at this statement, Gilgamesh silenced them with a flex of his golden-plated hand. “However. Albeit being a fool, you’re a determined one; who fights for their own cause. And as the King of Heroes, I must acknowledge that such actions are actually worthy of merit. Therefore, I shall not allow you to wallow in such pathetic self-misery! Celebrate your achievements with all of your might, mongrel- and REJOICE!”

Eyes widening with awe, Seihai’s heart sung with joy at his words. Spirit roused, they gawped at him in shock. “W-what...?!”

Did he just praise them? Gilgamesh offering praise? The world must certainly be ending soon. Looking around them, to check whether they were dreaming- Seihai was completely befuddled. ‘Of all the people to come and cheer me up when I’m feeling sad...How the heck did he end up being the one to do so?!’

“Fuhahaha! You look as if you’ve transformed into a fish! How utterly amusing!” Gilgamesh’s shoulders trembled with laughter. “You heard me clearly, mongrel. Even fools such as you have inherent worth. Now go out there, and rejoice!”

“Er...well, thanks Gilgamesh. That was kind of you to say that.” To see one’s own failures as a bastion for developing success...Seihai was taken aback by Gilgamesh’s perspective on things. However, it was much appreciated. “I do like hearing your titbits of wisdom.”

“Don’t grow too accustomed to them. I shan’t hand them out willy-nilly, you know. Now, rise to your feet; so that we can descend upon the dancefloor!”

“Haha, that does actually sound like fun. Thanks again, Gilgamesh.”

“Don’t get too conceited, mongrel. I’m only offering you alms for this particular occasion.”

As Seihai chuckled at this (as Gilgamesh obliterated their bedroom door with a flying kick), the two rivals (Friends? Enemies? Who knows, really), made their way to the festival.

The End

WAIT. WAIT. WAIT. THIS WAS MUCH MORE FRIENDLY A FIC THAN EXPECTED. ALSO, I AM CERTAIN THAT MY MASTERSONA AND GILGAMESH WOULD BE LIKE ARCH ENEMIES BUT THEY ACTUALLY GOT ALONG????????

[aliensandidentity-f21]

Irvin - “What is ‘Academic’ Writing?”

In “What is ‘Academic’ Writing?” L. Lennie Irvin claims, “Crafting a solid essay question is well worth your time because it charts the territory of your essay and helps you declare a focused thesis statement” (14). I point this out because, while, for your formal essays, I will always give you a question-prompt to get you thinking, you’ll be much more successful if you narrow it down and reword it to something much more specific.

For example, one prompt for essay #2  is “analyze how well RNM represents a marginalized identity.” That’s your task. But for your essay, you might better ask: “Does RNM’s representation of Latinx characters rely on any race-and-gender-based stereotypes commonly seen in media portrayals of the Latinx community?” or “How does RNM defy stereotypical depictions of the LGBTQIA+ community in its presentation of Michael, Alex, Forrest and others?” or “In what ways does Liz Orthecho embody and defy sterotypical portrayals of Latinas in American television?” (a question that allows for nuance--pros and cons)

[roswelldetails]

RNM 2x05 - I'll Stand By You

So just a little note from me, the person behind the season 2 detailing.  I am trying really really hard to keep emotion out of these posts...which is really really hard for me because I'm an inherently emotional person. I'm a glass case of emotion, ready to shatter at any given moment. (#dramatic)  But I want to be true to the intent of this blog and keep my feelings, biases, and, you know, shipping out of this blog.

It was really really hard to do with this episode. Because I straight up ugly cried for like, 45 of the 60 minutes. 😂

So I guess, the point is, I'm proud of myself and sticking to the details here. My regular blog is where I'm doing the emotional flip out thing! 😂

EPISODE SUMMARY:

ACCEPTING REALITY — The discovery of some complications with Max’s (Nathan Dean) pod forces Liz (Jeanine Mason), Michael (Michael Vlamis) and Isobel (Lily Cowles) to confront the possibility that they may not be able to save him. Elsewhere, Maria (Heather Hemmens) and Alex (Tyler Blackburn) make amends. Kimberly McCullough directed the episode written by Alanna Bennett & Jason Gavin (#205). Original airdate 4/13/2020. 

DETAILS:

Max/Isobel/Michael reunite at age 11 according to what Michael tells Alex in 1x10.  So that would make the opening of this episode set in 2002ish.

Michael tells Max and Isobel, "I remember you. I don't know you."

"After nobody adopted me for a year they just stuck me with the name of that trucker who found us."

"I didn't ask you for anything."

This is like the thesis statement of Michael's whole history with Max in the flashbacks.

"Don't pay more than you collect, kid. Passing credit back and forth is a good way to get stuck with somebody forever."

Rosa's art. 

What I can see says: "...what they all told me, but I didn't listen" and "Stand the shelter".

Rosa on her dreams

"I have not had any freaky dreams in weeks. Okay, Max is probably off haunting Isobel now that they're strong enough for their psychic twincest weirdness."

"How long has that been happening?"

"Um, I don't know. It's an old boom box."

"Rosa, have electrical appliances been malfunctioning around you?"

"I really thought it was just a side effect of the handprint."

"If being in the pod introduced a new protein into your system it could have altered your DNA too. You could be developing abilities."

"Liz, look. The handprint is changing.  It's smaller."

"It's fading."

"Tell me this is a good thing."

"I don't think so."

Michael and Liz theorizing on why the pod shorted out:

"The pod's got a charge. It's like a battery powering the preservation process. This one's gone dead."

"Did the generator blow the electromagnetic threshold?"

"I think a surge came from the pod itself. But that pod has lasted almost a century. It shouldn't glitch out."

"Okay, well, then, this one did."

"All right, stop. It doesn't matter why the pod is broken. It just is. So how long does Max have?"

"My theory is that being tethered to Rosa through the mark is what kept Max from going brain-dead, and in turn the stasis process is what kept the mark from fading. So he could be gone by tonight."

"Okay, well, we have three more pods. So let's just put him into another pod."

"No. He's just gonna do it again. I haven't told you everything. I didn't want to scare you. I didn't want to be the one that took the hope away."

"Talk now, Rosa. Right now."

"I was seeing Max in my nightmares months before I told you about it, and he was begging me to stop you. He said that he was in a lot of pain in there."

"That's Noah's pod. Noah told us it was broken. It wasn't keeping him in stasis. He could feel time passing. None of us thought of that."

"We've been doing everything we can to make Max stronger. He pulled his own plug."

Note...as far as we know Isobel was the only one who knew about Noah's pod being broken.  In 1x12 it was before Liz arrived at the house that he told them about the broken pod, so only Max and Isobel heard that part of the story.

Alex on his training. "NSA intelligence cryptology training".

Monitor screen in the secret lab:

Noah's heart is still too weak to transplant. Kyle says it needs at least eight more weeks

"I wrote a paper for a bioethics class on patients in vegetative states who feel pain. Sometimes it's all they feel."

As a non sciencey person, I was wondering if bioethics class was a real thing. Tonight I saw an interview on the news with a UC Berkeley bioethics professor on COVID. So yes, it's a thing.

Alex on Michael that summer post-Rosa's death:

Starting fights with jocks

Broke into the drugstore

Not going to UNM

Hasn't hung out with Max all summer

Got busted for stealing hubcaps (Kyle's hubcaps, we learn later) 

Became a walking bar fight

Was in jail when Alex left to enlist

Michael on Max in 2008:

"It's more than that. And it's less than that. We were friends when we were kids, but now Max reminds me of a bunch of stuff that I'd rather forget. The only thing that we have in common anymore is Isobel."

Max's yearbook had a pencil stuck in the page with Liz and Max's photo in it. (The one we first saw in 1x03).

"Biology Club. Max hated science. He was in that club for four years just to watch your sister chew on the end of her pencil."

Max's mindscape:

First just desert, clouds, and then lightning strikes (destructive energy?)

Liz's antennae -- they disappear from Isobel's hands

Rosa describes it as broken

Crashdown special is Max's favorite "Little Green Man milkshake".

The Crashdown counter is kind of merged with biology lab equipment. 

The juke box is there

The Crashdown booths

Jeep

Neon Crashdown sign

One of those claw drop game machines (from the Crashdown) but it's filled with baked good displays.

The yearbook

Later, everything else is gone except the one Crashdown booth, the Jeep, and the neon sign.

The distorted music they follow to find Max is the Cactus Groove song in the music list...just, messed around with. See @angsty-nerd's post here:

"I'm the hothead. You are the hero. It's always been that way."

"You stole the hubcaps off Kyle Valenti's graduation present. Both his parents are cops. Do you want to end up in jail tonight?". 

👀 Tonight, specifically. 

Michael seemed excited about the job at Foster's Ranch until he found out that Max set it up for him.  Max found out about it from his dad (only like the 2nd or 3rd mention of his dad in the series so far).

"When I got back in town I asked Max why you and your brilliant mind hadn't changed the world yet. He said you didn't care about the world enough to bother changing it. He believed you could."

Max and Isobel in the mindscape:

"You're okay. I could feel something was wrong with you.  Everything felt…"

"Cold. I know."

"You can't be here. It's finally ending.  I can feel it. But I don't know what happens if you're in my head when I die."

"So it's true? You want this?"

"I could feel my connection to the outside world getting stronger, so I snapped. I couldn't take it anymore. I released a surge. You have to let me go, Iz."

"I can't take it anymore."

"Okay."

"I am so sorry."

"I just want to memorize this."

"Okay. Okay.  I need you to tell Liz something."

"You can tell her yourself.  She and Kyle are prepping for surgery.  They're going to use the faulty heart. She just wants to talk to you before you die."

"No. No."

"You won't be suffering. They're just gonna bring you back and then let you go."

"No you have to stop this.  You cannot bring me back under any circumstances."

"Max? What is really going on?"

"I am dangerous.  Whatever Liz is bringing back is not me. It's just some broken shell."

Maria on her mom's computer 

"Her nurse said that for the two weeks before she went missing, when she wasn't trying to escape, she was talking to someone online."

The 21st birthday flashback

Isobel gets Michael to help move Max after getting drunk on tequila.  He passed out in front of the tattoo parlor. It's the same tattoo parlor Michael goes to at the end of the episode.

Max's weird drunken statement.

"The thing is, there has to be there. Okay? There's always three. Until the very end.  I'll show you...What it means is you should be here…'cause it's all broken without three. So we'll figure it out.  You'll find your way back."

👀 Until the very end. Interesting.

On Max becoming a deputy:

"You know he did the whole police academy thing because of you, right? He thinks you're gonna get into the kind of trouble you can't get out of if you don't know someone."

Back in the mindscape:

"I figured it all out. She, there's an energy to suffering, there's an energy to death, and when I heal people, I absorb that energy. So when I resurrected Rosa, I took in ten years of emptiness. So if you resurrect me, you will be bringing back an infection. Don't want… I don't want to come back as a monster. I don't want to hurt anyone that I care about."

"That's what this is about? We've been hurting, Max. We don't work without you."

"You will! You will. You are stronger now than when I died. All of you are. You, Michael, Liz, you will survive this. The three of you. No, you need to stop them, Iz. Now."

"Okay. I love you."

"You too." Isobel disappears.

Max is using pretty similar wording to his drunken rambles in the 21st birthday flashback

We don't see that Max is chained down until this next exchange with Rosa. Isobel didn't see that detail as far as we know.  Didn't hear the chains clanking when they stood and hugged. Only after Isobel left.

"I'm sorry this is happening."

"Isobel is lying. She is buying time.  You know she'll never let me go. But you can feel the darkness too, right? That's why you don't like being in my head. Because you know it's real."

"I didn't want that to be true, but yes."

"I know my sister and I know your sister and they'll never give up. So you have to be the one to stop this surgery, okay? Or I will destroy everything that we love. You have to stop them to save them. Now go.  Please, Rosa. Go."

Isobel explaining to Liz

"When he saved Rosa he absorbed all of that dark energy. He's gonna have to expel it."

"And he's afraid he's gonna kill someone when he does."

"Yeah. So we just need someone stronger than Max to take that hit...if he thinks he needs to protect us he obviously doesn't know how capable we are. Bring him back, Liz. I'll handle the rest."

"I get it now. It's gotta be the three of us."

"He would never pull his plug to end his own suffering. Unless he thought he was saving us from something. And I'm a little sick of his heroic martyr crap."

In case you missed it, Michael did not know that.  At the beginning of the hospital sequence Isobel is telling Liz what she learned in Max's mindscape and says that she hasn't been able to get ahold of Michael.  Michael figured it out on his own. He finally "got it".

The pacemaker:

Isobel with Max at the end… everything is gone except the Jeep. And Bright Eyes playing (the song he and Liz danced to on their first date back in 2008). And then his eyes close and Bright Eyes fades away.

“First thing I remember is the three of us. We woke up terrified and lost. But together. And then all of the sudden I was alone. I got real good at being alone. I had given up on people entirely. And then you found me again. Hell of hero move. You showed up just in time. When you are a kid who nobody loves, kindness is a currency. Friendship doesn’t means jack. Family just lies, and hurts, and leaves. I’ve only ever known love to be temporary. So yeah, I push people away. Every time someone threatens to care about me I test their love until they have to leave. Connection is conditional. Everybody eventually gives up on the guy who refuses to be rescued. But you were the only one who I couldn’t run off. You never believed me when I tried to be something I wasn’t. So this thing in your chest, it might give your heart a pretty solid kick every once in a while. Consider it payback. It’s my hero move, Max. If you wake up, you consider us even, okay? If you wake up, we can be a family.”

Good visual parallels during Michael's speech. Alex and Kyle drinking together during the "and then you found me again". Maria walking up on "the guy who refuses to be rescued"

Max is in the coma for three weeks.  Wakes up at the secret lab (instead of his house, which is where he was previously.  I'm guessing it was a planned wake up because he's no longer plugged into all of the IVs and whatnot.

"I begged you to understand."

"Max, it's gonna be fine."

"No… I told you to let me go. I can feel it inside me."

"It's...it's symmetry, okay? It's just energy for energy.  We can deal with that. Fight it, Max. This isn't you."

"I don't want to hurt you. I need to get out. I need to get away from you, from everyone."

"I can't let you do that."

Max shoves Isobel and runs. When he shoves her there's a slight ringing like the sound they use when the aliens use their powers.  Isobel follows and stops him with her powers.

"I made a promise that if you came back and you weren't Max, and you were actually going to hurt people that I would kill you. I figure, hey, you got to play God. Make life and death decisions all on your own. Well it's my turn now."

MUSIC:

1. Letters To Cleo "Here and Now"

2. Lady Antebellum "Love Don't Live Here"

3. Cactus Groove "Fallin"

4. James Talley "Big Thunder"

8. Ross Copperman "Stars Are On Your Side"

5. Lindsey Ray "Keep You Safe"

6. Tommee Profitt feat. Sam Tinnesz "With you Til The End"

7. Bright Eyes "First Day Of My Life"

The Cactus Groove song is the first song this season that I haven’t been able to find on Spotify… let me know if any of y’all had any luck with it!

[lunahearts]

Some Star Wars thoughts, in no particular order

Preface: I really liked this movie. Spoilers below, obviously, but not many more than what was already leaked. I try to keep stuff vague, so if you like... know a couple of big things that are being talked about (way too much for some reason honestly oh my god) and are trying to decide if you want to see the movie, this should be safe!

Okay first, to get it out of the way... some complaints

Finn should have had more screen time, as usual. I do like was done with him in general, but there should have been more of it, and his biggest hero moment unfortunately felt a little underwhelming. I’m also pretty uncomfortable/disappointed with how he seemed to be portrayed as having like this one-sided thing for Rey that was even framed comedically at times. That being said they end the second to last scene and strongest emotional beat on him and it was very good (and tbh the scene that followed felt more like a stinger to me, as far as I’m concerned the movie closes on Finn finding a family, and a happy ending, and I love that)

The whole thing was jammed with at least a movie and a half’s worth of plot. *looks at tlj* no idea how that could have happened. I think it does a good job with what it has to work with, and tight writing + good set up and payoff make it work most of the time, but... room to process their feelings, characters have not.

The kiss was stupid. It also, imo, was entirely fanservice and if you removed like two shots and replaced them with something platonic GIVE US THE FOREHEAD TOUCH TAKE I KNOW IT EXISTS then I think that Rey and Kylo’s interactions were very well done. It’s not romantic unless you are already looking for it to be romantic. Except for the kiss. Which was stupid and sudden and out of place.

Okay anyway I am gonna gush now

So first of all I just think the plot and pacing of this movie was really well executed. It wasn’t the most exciting or daring of plots, but also it didn’t need to be. The rule of three set up and payoff was outstanding though, and that’s really what carries it. A lot of the time it’s easy to see that payoff coming, or at least see that it is coming, but it mostly feels like being a bit spoiled for a really good story - even if you have a good idea where it’s going you can still really enjoy the journey. And you probably don’t know exactly where it’s going, anyways.

my favorite example of this is something they set up really early about Rey and Kylo’s force bond, and a thing it can do. 

This first time it happens is a super fast “woah holy shit that can happen???” moment.

The second time its a “oh. oh no. it can happen and has happened in the worst possible way”

and the last time is “OH! OH!!! ITS GONNA HAPPEN ITS HAPPENING OH MY GOD.”

The THEMES. Holy shit the themes. This movie 100% sold me on Kylo redemption, as someone who was VERY uh... lets say I was very unimpressed by the idea of it going into things. And I’ll talk more about why I think “redemption” isn’t even exactly the right word, but for now yeah I’ll just say I really liked what they did with Kylo.

BUT ANYWAY THEMES. OKAY. I think it is so so vital and good to have a story so devoted to Doing The Right Thing. But not just doing the right thing. I think the absolute heart of the movie is just... no matter what you’ve done, no matter the mistakes you’ve made, choosing to do the right thing matters. It always matters.

Like okay I really think there’s a shift in how this movie deals with ye olde dark side compared to the first two, bc it’s very personal, and feels very grounded in trauma and fear and a phrase Liz said last night that I loved which is, “the seductive pull of despair.”

If I had to write is as a thesis statement I’d absolutely use that phrase, it would be something like...

“There is never a moment in which it is too late -- generationally, individually, or globally -- to resist the seductive pull of despair.”

But also like the other thesis is just “every good thing you do matters.” Which is probably one of my favorite power fantasies in the whole world.

Like there’s a group of people established at the midpoint of the film, who are just like, People Who Did The Right Thing. And they have been living ever since then taking care of each other, trying to unlearn the way they were raised, trying to resist despair in their own corner of the galaxy.

And like, in some ways it would be cool to just have them there! A nice story, a nice group of people, a nice expansion in the world of Star Wars. But that’s NOT where it leaves them, and very specifically there’s a moment in the final big confrontation where the big nasty man is like “do a thing! stop them!” and it doesn’t work specifically bc of an aspect of these people and the life they’ve built makes it not work. It’s funny and satisfying and a wonderful emotional payoff all at once.

And basically this is why the Kylo stuff works for me. Because it’s really not about him, it’s about Rey and Leia. It’s about Rey and Leia choosing to do good, and how that matters. If Kylo had stayed a shitty evil brat until the end, then their stories wouldn’t have been as powerful.

Kylo “I’m only here to reinforce themes” Ren

Okay but to touch a bit more on redemption, I really don’t think he’s redeemed. Or like, he’s not redeemed because it’s not about balancing anything out, or him going down in history as a Good Man, or other characters forgiving him. It’s about him spending the whole movie saying “you can’t go back Rey, once you do something bad you are bad and you can’t go back home.”

And they Rey does something bad

She does something bad and IMMEDIATELY LOSES HER CHANCE TO MAKE IT BETTER WITH THE PERSON MOST HURT BY HER ACTION

And then she does something good anyway

Because you can always do something good, and you can always go back. Even if you hurt someone you love. Even if you become, for a moment, what you are most afraid of. Even if you can’t unmake your mistakes. You can still do good. You can still make the world better.

And that is why he chooses to change. And that is a good reason to change. To see someone demonstrate that there is always room for kindness? To see that and find a hope you had lost years ago? That’s good shit! That’s what Star Wars is about babey!

Also the banter was back and good and the Trio Content oh my god. Thank you. Finally.

New droid is baby and I love them.

The new lady characters are obviously underdeveloped but I DO love them. There’s a moment at the end of the movie that makes me really hope that one of them gets a spin-off/sequel, and there is ample room for a standalone Poe prequel featuring the other one. I think they have pretty strong characterizations for the space they get.

also one of them gets an extremely good moment with Rey that killed me. Like don’t get ur hopes up for any actual content or conversation but it was one of those “oh I REALLY hope there’s fanfic” moments and I loved it.

I love Rey [redacted] and I will have to write a whole other post about her maybe.

I thought Poe’s arc was cool! It wasn’t what I was expecting but I thought it was interesting and I’m always down for some “ur friends are here for you, you don’t have to and also literally can’t do everything on ur own.

That’s another theme of the film btw and its good

Most of the action scenes were just kinda “eh okay this is a Star Wars movie I guess they gotta do that now. Like fun and flashy but overall without much substance.

BUT I really liked the second lightsaber fight with Rey and Kylo. Good way to mix it up.

Leia...........

Leia good

You are not your blood! You are the family you choose. Thank u and also finally.

I really liked how this movie handled the Sith and the lore/perspective it added honestly makes a lot of Sith stuff in general make more sense to me. It’s one of those cool bits of lore that isn’t exactly a retcon but it is retroactive context that shows everything in different light. Or like maybe that’s always been the context but I think it’s more clear and upfront about it. 

I cried at one part bc there were lots of different ship designs all on screen at the same time and it was like.... wow... star war.... star war good.

star war good

[njordan2]

Writing Journal 9/4

Being that this is our first writing Journal this prompt made me wonder, “Do I have a writing process? What is my own personal discipline when it comes to writing?” because I never actually thought about it. When it’s time to write a paper I just get it done and never think about how I got it done. In this comic Liz and Jonathan discuss the uses of space in writing and how rhetoric connects to that. These two authors mentioned the fact that all writing is collaborative. I think this is very important to know for someone who finds themselves often writing papers because at first I tried to challenge the idea. I thought, “how is all writing collaborative when most writing assignments are completed alone.” Then I thought, well we do often go through peer reviews, teacher edts, etc. so that’s where the collaboration comes in. Liz and Jonathan make a note that collaboration in writing is a key factor.

Another thing that these authors stated that stuck out to me was, “The first thing people think about [when writing a paper] is a blank page” (Alexander, Losh, 2013). This is not true for me. The very first thing I think about when assigned a paper is my thesis statement. A teacher in high school once told me that your thesis is the most important part of your paper because it explains what the paper will be about. I think thinking about a blank page will cause you to get discouraged because all you will think about is how much space you have to fill. The University of Mississippi Multimodal Guide talks about how their are five different modes of writing. This relates to my own discipline because I don’t think I switch my mode of writing enough so I hope this semester I will be able to do that.

[stonedfemmeblues]

this is my blog’s thesis statement btw

[alarajrogers]

OK, @prismatic-bell​, I really like your stuff most of the time but this time I think you’re reaching, and contributing to the watering down of a useful word.

You gave mostly the correct definition to gaslighting but you’re applying it wrongly anyway. “Convince someone that what they know to be true is not true in order to convince them to doubt their own memory to the point of insanity”, or at the very least, accept your lies as truth, is not the same thing as “frantically make excuses for why what I said didn’t mean what it sounds like I said”, nor is it the same thing as “I have so little insight into how to extend meanings that I don’t understand that what I said is what you said I said.” And there’s a component you’re missing -- the gaslighter must have some kind of power over their target.

I think flashdyke genuinely believes that what they said has nothing to do with what you rephrased their beliefs as, because... I dunno, they’re just not capable of understanding that asking the question “why don’t men strip?” implies that men don’t, and by extension, that gay men (who do strip) and Chippendales (who strip for women) don’t exist. Like, they think they’re just asking questions to be provocative and make people think about stuff, so they ask a series of questions that are essentially aimed at “the life experiences of men and women are very different because men oppress women”... which is generally true, as far as it goes, but the majority of their examples have enough counter-examples that their actual statements are wrong.

Let me give an example of this in the other direction. In the 90′s I got into an argument on the internet with a guy who was claiming that men sexualize women too much for women to be able to lead men (context being Captain Janeway and his belief that she was not plausible). For some reason he used “Closer” by Nine Inch Nails and the line “I want to fuck you like an animal” as his “proof” that men sexualize women to the point where women cannot lead them. I returned with Liz Phair’s “Flower”, which is very clearly a woman talking about a man, where she says “I want to fuck you like a dog.”

His general, overall thought that men sexualize women and because of this have a hard time taking women seriously as leaders was true in the 90′s, as far as it went, but not because this was an immutable characteristic of men and women... it was a side effect of a culture, which was changing, which makes it absurd to imagine that the culture would be exactly the same in 300 years. Because I was able to present a counter-example against his illustrative example, I shot his argument down. If he had then argued that I didn’t really understand his thoughts because this was just an off-the-cuff example and he hadn’t gotten into any detail... meaning that his general point that men sexualize women more than women sexualize men is still true... he’d have been correct that part of his underlying argument is still true, but that the general argument he wanted to make with it (men are incapable of following women because they can only relate to women as sexual) was still entirely wrong, and his thesis that I didn’t understand that argument just because one thing he said turned out to have a counter-point would also be wrong.

I believe flashdyke is trying to make the point that “men oppress women”, which, duh, does anyone but MRAs argue against this?, and that a lot of things in human cultures about how men relate to women in the area of sex and marriage reflect this. This is true as far as it goes. But a lot of the examples they bring up are dogwhistles reflecting the radical feminist beliefs that sex work and kink are so oppressive that women cannot consent to them and that Islamic culture is particularly sexist and vastly more so than Christian culture, and these are wrong. So you refute all their specific examples but they’re thinking, “ok, if I’d had time to fully explain my argument in a teal deer essay, it would have been obvious that my underlying point is still true”. Which... it depends on your underlying point, right? The basic “men oppress women” is true. The “sex work is oppressive and only oppresses women for the benefit of men” is false. It’s true that most sex work is for the benefit of men and is performed by women, but there are enough counterexamples to demonstrate that this isn’t because sex work is uniquely a function of female oppression, but is more related to who has money and power in capitalism.

So no, I do not think flashdyke is gaslighting you. They are making what they sincerely believe is a reasonable argument. They’re wrong, but gaslighting is not “I genuinely believe this to be true and am trying to convince you of that, but I happen to be an idiot and I’m completely wrong.” Like, the teenagers who tell us that queer is a slur and we shouldn’t use it are not gaslighting us; they don’t know any better. The middle-aged radfems who know better but who took advantage of their youth and ignorance to convince them that this was true are trying to gaslight us by proxy.

Gaslighting is an important term in describing abusive behavior and should not be watered down to describe an idiot making an argument that’s wrong. Gaslighters need to either have institutional power or emotional power over their victim. So a wife can gaslight a husband because she has emotional power over him that leads him to trust her, and a politician can gaslight his constituents because he has institutional power over them, but some rando on the internet can’t actually gaslight you unless they manage to get so many other randos on the internet to agree with them that it becomes a mob, which has power over an individual.

I think reasonable people can agree that flashdyke is wrong, and is expressing radfem dogwhistles in their argument, and those specific dogwhistles can be shot down, without saying that flashdyke knows this to be true and is deliberately lying. Flashdyke probably thinks that none of your counterpoints matter because it’s more common for the other way around... without realizing that by asking the question “Why don’t men strip?”, they completely invalidate their point if it turns out that men do strip, which they do.

Why don’t men sell sex? Why don’t men strip? Why don’t men rip their hair out and walk on tiptoe? Why don’t men expect sex to hurt or make them bleed? Why don’t men like to be spat on or slapped or strangled or receive “consensual non-consent”? Why don’t men get exchanged for cattle or goats? Why don’t men smother themselves head to toe in layers of opaque fabric in hot countries? Why don’t men become financially dependent on women? Why do men not want to feel empowered?