#Leslie Bogart

[newyorkthegoldenage]

Lauren Bacall and her children, Leslie and Stephen Bogart, at a matinee performance of the Ringling Bros. and Barnum & Bailey Circus on April 17, 1957.

Photo: Hal Mathewson for the NY Daily News

[bacallbazaar]

Lauren with Stephen and Leslie, her children with Humphrey Bogart.

[humphreysbogart]

Humphrey Bogart with daughter Leslie on the set of The Desperate Hours (1955).

[bargainsleuthbooks]

#Bogie&Bacall The Surprising True Story of Hollywood's Greatest Love Affair #WilliamJMann #NewBooks #July2023Books #HarperCollins #AudiobookReview

A celebration of the great American love story—the romance between #LaurenBacall and #HumphreyBogart, shattering decades-long myths. #Bookreview #BogieandBacall #Williamjmann #NewBooks #July2023Books #harpercollins #LoveAffair #Audiobookreview #bookreview

From the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie & Bacall, William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details…

[davisbette]

# he’s so relatable

Leslie Howard as Atterbury Dodd in  —Stand-In dir. Tay Garnett (1937)

+ bonus:

[chronophotographic-gun]

The Petrified Forest (1936)

[fashionbooksmilano]

Hollywood Moments

By Murray Garrett

With an introductory note by Debbie Reynolds

Abrams, New York 2002, 178 pages, 24x30,5cm, 145 duotone photographa, ISBN 978-0810932425

euro 80,00

A follow-up to Hollywood Candid showcases 145 images of stars taken during intimate or irreverent moments, in a volume containing many never-before-seen photos and complemented by personal reminiscences.

he pathos of Old Hollywood emerges in this dazzling collection of black-and-white photos from the 40s, 50s and 60s. Celebrity photojournalist Garrett captured his subjects at nightclubs, industry soirées and parties-an in-between world where stars tried to enjoy their private lives while still very much on public display. Garrett maintained a studied reserve toward the celebrities (he made a point of never addressing them by their first names) and his photos have a appealing mixture of intimacy and detachment as the celebrities drink, laugh and carouse while tricked out in formal wear and immaculate hair-dos. He is especially fascinated with Hollywood divas like Elizabeth Taylor, Marilyn Monroe, Leslie Caron and Ava Gardner; his photos show the warmth of these vibrant personalities while hinting at the strain they suffered in maintaining their glamorous facades. The photos are accompanied by piquant reminiscences: of the wise-cracking Zsa-zsa Gabor shoving her way into every picture frame, the lovable Jimmy Durante shoving his way into oncoming traffic, and the thuggish Milton Berle shoving hapless underlings out of his dressing room. In one tense picture worth a thousand words, a vampy Lauren Bacall embraces Van Heflin while her husband, Humphrey Bogart, looks on ("I heard Bogey say, in a chilled tone, 'Van, that's close enough'"). In these lively, unlacquered but sympathetic portraits, celebrities emerge as flawed, human and never entirely free of self-consciousness.

17/10/23

[gatutor]

Humphrey Bogart-Joan Leslie "El último refugio" (High Sierra) 1941, de Raoul Walsh.

[cantsayidont]

Video Killed the Radio Star

If you don't already feel sufficiently alienated from the culture of your generation, consider getting into old time radio. It's pretty easy to do: Radio was mainstream media from the 1930s well into the 1950s, and it hung on for quite a while after it started losing ground to television. There's a huge amount of programming in various genres, and a surprising amount of it survives; there was a cottage industry in OTR cassettes and CDs for many years, a lot of shows can be found in MP3 format without much effort, and some of it pops up regularly on streaming platforms.

The easiest way to get into it is if you're already got a fondness for some older Hollywood star: If they were a movie star between 1930 and 1960, there's a good chance they guest-starred in various radio shows, and they might even have had their own show for a while. For instance, do you like Humphrey Bogart and Lauren Bacall? Around 1950, they had their own syndicated radio adventure series, BOLD VENTURE, which was essentially an extended riff on their characters in the 1944 film version of TO HAVE AND HAVE NOT. Orson Welles, of course, was a big radio star, playing the lead on THE SHADOW in 1937–38 and then bringing his Mercury Theatre company to a number of different one-hour and half-hour radio series. Vincent Price starred for several seasons as Leslie Charteris's Simon Templar on THE SAINT. And almost everyone who was anyone showed up now and again on SUSPENSE or LUX RADIO THEATRE (which produced all-star one-hour adaptations of popular movies). If you're a Superman or Sherlock Holmes fan, the radio versions of those characters are a must — Holmes was a perennial presence on English-language radio for decades.

If you want something more modern, the British kept producing generally high-quality radio dramas in surprising volume until relatively recently, including a range of both adaptations and originals. Unlike American radio, the survival rate for older British programs from the '40s and '50s is poor, but the BBC has continued periodically airing its better material from the '70s through the '00s, a lot of which has been offered on cassette and CD. For instance, there were excellent BBC radio series dramatizing the Wodehouse Jeeves and Wooster stories (with Michael Hordern and Richard Briers); Dorothy L. Sayers' Lord Peter Wimsey series (with Ian Carmichael); and Agatha Christie's Hercule Poirot mysteries (with John Moffat), along with standalone plays on programs like SATURDAY-NIGHT THEATRE. The big limitation with British radio dramas is that the number of British radio actors who can do convincing American accents is not high (and is definitely lower than the number who mistakenly think they can), and the availability of American actors who know how to act for radio is clearly even more limited, which can become a grating problem when dramatizing American material.

One of the reasons that listening to older (and/or British) radio shows will contribute to your cultural alienation is that it will make a lot of modern dramatic podcast series and audio dramatizations excruciating, because it will reveal to you how bad a lot of modern audio dramatists and performers are at this once commonplace art. (If you are or are contemplating doing a dramatic podcast or audio drama, please, for the love of dog, make a close study of radio shows created before you were born, and diversify enough to recognize the mediocrity of hacks like Dirk Maggs, who's been stinking up audio drama on two continents for four decades now.)

[citizenscreen]

Leslie Howard and Humphrey Bogart in Tay Garnett’s STAND-IN (1937)

[annoyinglyperfectartisan]

The Petrified Forest, 1936

[motionpicturelover]

"Petrified Forest, The" (1936) - Archie Mayo

"February Film Favourites" Day 16/28

This film provided Humphrey Bogart with his breakthrough role as the gangster Duke Mantee. Bogart had played the role opposite Leslie Howard on stage and when the time came to make the movie Leslie Howard told the studio that unless they cast Bogart as Mantee, he'd refuse to be in it. Howard was a major star at the time and Warner Brothers acquiesced.

One of my Top 10 films of all time.

Full film on Archive.org.

[bacallbazaar]

Set Visit - Humphrey Bogart’s family visits him on the set of Columbia’s The Harder They Fall. Bogey chats with Betty, daughter Leslie and son Stephen Humphrey (1955).

[raynbowclown]

The Petrified Forest

The Petrified Forest (1936) starring Leslie Howard , Bette Davis , Genevieve Tobin, Humphrey Bogart Synopsis of The Petrified Forest In The Petrified Forest, Oscar-winner Humphrey Bogart stars as Duke Mantee, an escaped convict who holds customers hostage at a remote desert diner. (more…)

[byneddiedingo]

The Petrified Forest (Archie Mayo, 1936)

Cast: Leslie Howard, Bette Davis, Humphrey Bogart, Genevieve Tobin, Dick Foran, Porter Hall, Charley Grapewin, Joe Sawyer, Paul Harvey. Eddie Acuff, Adrian Morris, Nina Campana, Slim Thompson, John Alexander. Screenplay: Charles Kenyon, Delmer Daves, based on a play by Robert E. Sherwood. Cinematography: Sol Polito. Art direction: John Hughes. Film editing: Owen Marks. Music: Bernhard Kaun. 

Robert E. Sherwood was once America's pre-eminent playwright, winning three Pulitzer Prizes for drama (plus one for a biography of FDR's relationship with Harry Hopkins). But his plays are rarely revived today, and The Petrified Forest shows why: It's talky and its characters are more vehicles for ideas than human beings. The protagonist, Alan Squier, wears the label Effete Intellectual like a badge of honor. The leading lady, Gabrielle Maple, is the Wide-Eyed Naïf. The villain, Duke Mantee, is all Animalistic Evil. The actors who play them in the film -- Leslie Howard, Bette Davis, and Humphrey Bogart, respectively -- do what they can to bring them to life, but they still have to speak Sherwood's lines, or the equivalents provided by screenwriters Charles Kenyon and Delmer Daves. Sometimes the dialogue consists of things no human being ever found the way to utter: "The trouble with me, Gabrielle, is I, I belong to a vanishing race. I'm one of the intellectuals.... Brains without purpose. Noise without sound, shape without substance." Howard makes what he can of this self-pitying poseur, but who sheds a tear when he gets his comeuppance? Bogart, who was in the original Broadway production along with Howard, fares a little better: All Duke Mantee has to do is snarl and growl his lines. It's not prime Bogart, who learned to give a little more depth to his bad guys, but it gave his career a boost after Howard insisted that Bogart be cast in the role instead of the then better-known Edward G. Robinson. Davis comes off best, especially when you remember that her previous teaming with Howard was in John Cromwell's 1936 Of Human Bondage as the slutty Mildred, a character 180 degrees away from the dewy-eyed hopeful Gabrielle. The rest of the cast is entertaining, though Charley Grapewin's gramps, a garrulous old foof who can't help telling tale tales about his encounter with Billy the Kid, gets a little grating after a while. The cast also includes two African-Americans, Slim Thompson as the wealthy couple's chauffeur and John Alexander as a member of Mantee's gang. They are not stereotyped, and they have a brief moment of interaction in which the gangster lords it over the chauffeur, one of the few moments in which the reality of black life in America surfaces convincingly in a mainstream mostly white movie of the era. 

[hotvintagepoll]

Congrats to the ultimate winner of the Hot & Vintage Movie Men Tournament, Mr. Toshiro Mifune! May he live happily and well where the sun always shines, enjoying the glories of a battle hard fought.

A loving farewell to all of our previous contestants, who are now banished to the shadow realm and all its dark joys and whispered horrors—I hear there's a picnic on the village green today. If you want to remember the fallen heroes, you can find them all beneath the cut.

What happens next? I'll be taking a break of two weeks to rest from this and prep for the Hot & Vintage Ladies Tournament. I'll still be around but only minimally, posting a few last odes to the hot men before transitioning into a little early ladies content, just like I did with this last tournament. The submission form for the Hot & Vintage Ladies tournament will remain up for one more week (closing February 21st), so get your submissions in for that asap! Once the form closes, there will be one more week of break. The first round of the Hot & Vintage Ladies Tournament will be posted on February 29th, as Leap Year Day seems like a fitting allusion to leaping into these ladies' arms.

Thanks for being here! Enjoy the two weeks off, and send me some great propaganda.

In order of the last round they survived—

ROUND ONE HOTTIES:

Richard Burton

Tony Curtis

Red Skelton

Keir Dullea

Jack Lemmon

Kirk Douglas

Marcello Mastroianni

Jean-Pierre Cassel

Robert Wagner

James Garner

James Coburn

Rex Harrison

George Chakiris

Dean Martin

Sean Connery

Tab Hunter

Howard Keel

James Mason

Steve McQueen

George Peppard

Elvis Presley

Rudolph Valentino

Joseph Schildkraut

Ray Milland

Claude Rains

John Wayne

William Holden

Douglas Fairbanks Sr.

Harold Lloyd

Charlie Chaplin

John Gilbert

Ramon Novarro

Slim Thompson

John Barrymore

Edward G. Robinson

William Powell

Leslie Howard

Peter Lawford

Mel Ferrer

Joseph Cotten

Keye Luke

Ivan Mosjoukine

Spencer Tracy

Felix Bressart

Ronald Reagan (here to be dunked on)

Peter Lorre

Bob Hope

Paul Muni

Cornel Wilde

John Garfield

Cantinflas

Henry Fonda

Robert Mitchum

Van Johnson

José Ferrer

Robert Preston

Jack Benny

Fredric March

Gene Autry

Alec Guinness

Fayard Nicholas

Ray Bolger

Orson Welles

Mickey Rooney

Glenn Ford

James Cagney

ROUND TWO SWOONERS:

Dick Van Dyke

James Edwards

Sammy Davis Jr.

Alain Delon

Peter O'Toole

Robert Redford

Charlton Heston

Cesar Romero

Noble Johnson

Lex Barker

David Niven

Robert Earl Jones

Turhan Bey

Bela Lugosi

Donald O'Connor

Carman Newsome

Oscar Micheaux

Benson Fong

Clint Eastwood

Sabu Dastagir

Rex Ingram

Burt Lancaster

Paul Newman

Montgomery Clift

Fred Astaire

Boris Karloff

Gilbert Roland

Peter Cushing

Frank Sinatra

Harold Nicholas

Guy Madison

Danny Kaye

John Carradine

Ricardo Montalbán

Bing Crosby

ROUND THREE SMOKESHOWS:

Marlon Brando

Anthony Perkins

Michael Redgrave

Gary Cooper

Conrad Veidt

Ronald Colman

Rock Hudson

Basil Rathbone

Laurence Olivier

Christopher Plummer

Johnny Weismuller

Clark Gable

Fernando Lamas

Errol Flynn

Tyrone Power

Humphrey Bogart

ROUND 4 STUNGUNS:

James Dean

Cary Grant

Gregory Peck

Sessue Hayakawa

Harry Belafonte

James Stewart

Gene Kelly

Peter Falk

QUARTERFINALIST VOLCANIC TOWERS OF LUST:

Jeremy Brett

Vincent Price

James Shigeta

Buster Keaton

SEMIFINALIST SUPERMEN:

Omar Sharif

Paul Robeson

FINALIST FANTASIES:

Sidney Poitier

Toshiro Mifune

and ok, sure, here's the shadow-bracket-style winner's portrait of Toshiro Mifune.