#Lynn Cosmetics

[modernwitnesses]

MW Gift Guide with Something for Just About Everyone

I personally love gifts that elevate the everyday experience. You will find some of our favorites here. None of this is sponsored, just wanted to share the good stuff! For the gourmand… Street Brew Coffee Our friend Cailtin has some of the best brews in Canada, and she ships to the United States. A perfect gift for the coffee lover. I think I have heard her say that the Ethiopian Roast is her…

[icekreme]

[rosalindesantiago]

Darci Lynne

[cannedbluesblog]

Vivienne Lynn

[johnnyutah]

average adam faulkner stanheight fan: if adam isn’t in saw xi we riot! @lionsgate @kevingruetert @jameswan #adamlives #justiceforadam #corpseinconsistencies

average john kramer fan: What people don’t realize about John, is he’s such a genius that even when he makes mistakes, he planned on making the mistakes. He is the greatest villain of all time

average jill tuck fan: Appreciation post for the Women of Saw 🩷 [the same ten photos that get posted once a week]

average lawrence gordon fan: last night i watched a 2004 tv movie about serial killers called ‘the riverman’, followed by the cheesy family rom-com ‘a castle for christmas’. today my friends and i are going to binge the entire third season of netflix’s ‘stranger things’. none of us have seen a single episode of the rest of the show and we don’t plan on it. then we might rewatch ‘another country’ together

average amanda young fan: sorry i haven’t been online in 4 weeks i’ve been too busy trying to get the new pig cosmetic in the rift [posted 7 weeks ago]

average mark hoffman fan: [underneath a gifset of costas mandylor in a republican christian propaganda ‘sci-fi’ movie] #hes so fucking hot #i would give anything to put him in a sports bra and make him do jumping jacks in front pf me i would literally do #ANYTHING #i need to make him into a marionett and fist him lol

average daniel rigg fan: Here’s a quick low effort doodle I did of Daniel! I just love him so much ❤️ [a literal masterpiece, the best art you’ve ever seen in your entire life] [3 notes]

average allison kerry fan: i am hardcore attached to ONE ship which is probably either allison/amanda or allison/lindsey and my whole blog is devoted to them. there are dozens of us DOZENS

average lynn denlon fan: okay so i know bahar is a realtor now but in her last instagram post where she’s congratulating her son on some new achievement, both the first and last words in the post have 11 letters, AND there’s an X and an I visible in the background of her post 👀?? is this a reach???

average jeff denlon fan: No seriously let me finish seriously when you compare him to the other shitty men in Saw he’s NOT that b

average david tapp fan: i’m 39k away from publishing my 40k tappsing Everybody Lives AU <3 this is going to be epic [account has been deactivated for an indeterminate amount of time]

average brit stevenson and mallick scott fan: Hey I stayed up making this instead of writing my thesis paper for grad school. Here’s a 30,000 word document about the implications of Brit’s promotion within the Marshford group and how it would lead to her eventual demise and also how she rose to the top in her group. It also delves into her relationship with Mallick, whose existence, I believe, is an obvious literary reference to an ancient Roman play read by only me and three other people currently alive. I translated relevant passages and included them in my work. I got understimulated around page 8 so I did take a break to pierce myself in the same spot that I believe Mallick would have a piercing. If you read my fics on AO3 you will already be familiar with the location.

average peter strahm fan: haha peter does CRACK cocoaine haha i think he sniffeds some drugs! why else would he be so MANIC HYPER CRAZY!!! i love my crazy JUNKIE man LOL get him some andderall STAT!! if hoffman didn’t kill him the SPEED certianly would of! LOL!

average lindsey perez fan: i love lindsey perez i’m such a big fan of the character lindsey perez

average matt gibson fan: i literally would eat garbage out of a dumpster

average ezekiel banks fan: holy shit i just finished spiral what a good movie what the hell!!! what a cool addition to the saw universe! i bet everybody else loves this as much as i do! let me take a big drink of water as i check tumblr dot com to see all the nice things people will have to say about darren lynn bousman’s Spiral

average william schenk fan: my hobbies include: being a fujoshi,

average cecelia pederson fan: [pic of cecelia yanking on the metal loop around her neck and smirking] https://docs.google.com/document/d/e/2PACX-1vT3f5IIzt5PG-M7G9_Z-gjY4gZaiUneTdMlYrFAcdBGcJo0-N-RDQcj2JfxOaBTxKa6J_DiDQNgqVpg/pub

average logan jigsaw fan: What people don’t realize about John, is he’s such a genius that even when he makes mistakes, he planned on making the mistakes. He is the greatest villain of all time

[commsroom]

sorry if u answered this before but do you hc Eiffel as any particular race? I know him being white would probably match how he sees himself as the everyman. But on the other hand he gives me light skin vibes and I can't explain why. (Also no matter what he has long hair but curly haired Eiffel just speaks to me)

mm. i know you're just asking for my opinion, but that's a complicated question. and i am not the right person to be talking about this, so please take it with a grain of salt. one of the few legitimate criticisms i have of wolf 359 is that it's a show about personal identity, resisting dehumanization, and recognizing that other people navigate the world in different ways, but it tries to be raceblind. which. it can't. particularly when something like minkowski's identity as a polish immigrant is addressed.

i think one of the reasons that wolf 359 characters feel as real as they do is how collaborative the character development process was; they are really roles that are shaped by and belong to those actors. lovelace is played by a black actress, cecilia lynn-jacobs's input determined a lot of things about her, and the audience reaction to lovelace getting shot near the end of s3 was the way it was because there was an understanding of her as a black woman. whether she was initially written to be black is kind of irrelevant in that case, i think - she still is, and she resonates with people that way.

but every other main character in wolf 359 is played by, and similarly influenced by, a white person. and that's a problem. no matter how you approach it, wolf 359 is not a diverse show: if they were written as non-white, then being played by white people would be a problem. raceblindness also enforces a default assumption of whiteness. i think if eiffel wasn't meant to be read as white, then there are aspects of his character arc, his assumption of himself as the "default" person and general ignorance of how it feels to be "other", that probably could've been explored from a different angle.

i know people who see him as white because of that, and i know people who see him as another race because of how they connect with him as a character. and i can understand both perspectives on that, but i don't think there's a right way to approach it. i think the show unfortunately, in this one specific way, kind of dug its own grave. gabriel urbina has said however you see these characters, that's correct, and i can agree with the sentiment, but it's also mired in a lot of difficult context, because these are specific people, and these things should matter to them. it can't be interchangeable, and so it can't be that ambiguous. it could be handled a lot better. and based on his more recent work + politics, i wonder if he would've approached it differently, if he had all the information then.

about how i see eiffel: i've said many times before that i see him as a man who could be reasonably played by zach valenti, so the eiffel in my head is white. the eiffel in the art i commission, or the art where i'm like "oh!! eiffel!!" is not necessarily. the second most eiffel-like guy i can think of, who i also use as a reference sometimes, is iranian. but for me to say that eiffel was iranian is not really a claim i think it would be right for me to make, and i think it is probably not true.

the main features that i think eiffel must have are dark, wavy/curly hair, prominent nose, noticeable body hair, generally expressive. he absolutely cannot be light haired, clean shaven, or pale. and from a general standpoint, like... a wide variety of men could meet those qualifications. i don't want to reinforce an assumption of whiteness, but i'm also extremely wary about treating race as functionally cosmetic, since. again. it can't be. no show is removed from real life social contexts, and wolf 359 is about a lot of very real things.

i think if you do interpret eiffel as specifically a cis, able-bodied white guy, there's something very real and very unfortunate about the fact he initially ignores lovelace and hera, two marginalized women, and seeks reassurance from minkowski that they were overreacting. he listens eventually, but the person who gets through to him is presumably the Next Most Visibly Privileged Person, and that's... hm.

[seadsims]

Nicki Minaj Maxis Match-ish CC Lookbook for The Sims 4

Accessories

Accessory Bangs by @miikocc

Barbie Earrings by @quen2n

Barbie Loafer Pumps & Open Toe Heels by @serenity-cc

Christian Louboutin Lolacramp Platforms and Lynn Ban necklace by alecseycool / @alexo-sims

DBLEUDAZZLED Fishnets by @quen2n

Kim Boots by @sentate x @arethabee

Neon Earrings by @quen2n

New Gift Box 5 Jewel Earrings by @rimings

Pleaser Boots #BREAKTHEINTERNET by @quen2n

Valentine Shades by @simstefani

Versace Vogue Print Sunglasses by @quen2n

Queen Necklace by @quen2n

Cosmetics

3D Eyelashes NO.2 by @twisted-cat​

Nicki Minaj's Tattoo by Margeh-75

Defaults

CAS Overhaul v2 (Immersive Lighting and Solid Light Grey Background) by @luumia

EA Eyelashes Remover by kijiko-catfood

Pearly Whites V.2 Default Replacement Teeth by @ice-creamforbreakfast​

Plain & Simple Default Eyes 2t4 by @marzmud

Vanilla Skin by @luumia​

Hairstyles

1k Hairstyle by @simcelebrity00

Alexa Hair by @daylifesims​

Athena Hair (Cool Kitchen Stuff hair mesh edit) by @grazeness / @windenburg

Base Game YF Hairs 10 & 26 and Snowy Escape YF Hair 33 by grimcookies / @akalukery

Buffy Hair (Vampires hair mesh edit) by grimcookies / @akalukery

Dalia Hair and duotone accessory left side (candy color palette) by @candysims4

Kayleigh Hair V1 by @aharris00britney x @ayoshi

King Kong Buns by @quen2n

Larsa Hair V2 by @daylifesims

NEW JEANS Minji Hair by @daylifesims x @thekunstwollen

Mods

Color Sliders for Hair, Clothes, & Accessories by thepancake1 and MizoreYukii

Height Slider by @luumia

Outfits​

Alexander Wang sports bra by alecseycool / @alexo-sims​

AUSTIN X GAMES 2015 outfit by @quen2n​

Balenciaga velvet mini dress by alecseycool / @alexo-sims​

Balmain Velvet Rhinestoned Ensemble by @quen2n​

BAO Tranchi Cobalt Gown by @quen2n​

Barbie's Closet Collection Dress & Drop Jewel Earrings by @rimings​

Chun-Li Neon Outfit by @quen2n​

Fendi logo print shorts by alecseycool / @alexo-sims

Fendi Prints On bodycon dress by @quen2n

L.A Shhiro Paper Doll Rhinestone Melting Dress #BREAKTHEINTERNET by @quen2n

TS2 Maid Dress by @zurkdesign

Versace swimsuit with Fendi bomber by alecseycool / @alexo-sims

Vex Clothing pink latex ensemble by alecseycool / @alexo-sims

Victoria's Secret Sports Bra & G String Panties by @quen2n

Base Sim creator's EA ID: SirSIM

My EA ID: DinaStan12

[somediyprojects]

Paper Icelandic Poppies

Project by Kate Alarcón:

There’s a particular kind of lady-slipper orchid that I have made and remade and adjusted and readjusted.  I’ve probably made a hundred little green orchid slipper prototypes, and each try is more frustrating than the last. At this point, I suspect that the minute I finally do figure out this orchid, I’ll make it and then crumple it up, just to vent my irritation.

The Icelandic poppy is another flower that I feel like I’ve never completely nailed down. I’ve been tinkering with this version for over a year now. But unlike the lady-slipper, just about every attempt at this poppy has been really fun. I think it’s because poppies — with their wrinkled petals and hairy, spindly, crooked stems — are gloriously awkward. My practice poppies could carry off every little eccentricity I inflicted on them with rumpled panache.

I hope you’ll make your own awkwardly glorious bouquet of poppies and stick them in a vase and fuss with them as they tilt their blooms at weird angles, and lean all over the place, being disagreeable. And just when you’re about to throw up your hands, you’ll step back and realize that it’s all come together. You’ll want to make more.

The crinkle technique I describe below is adapted from Livia Cetti’s gorgeous and essential book, The Exquisite Book of Paper Flowers.

Special thanks to the phenomenally talented Lynn Dolan (@lmdolan75 on Instagram) for her generous advice on this project! —Kate

Photography by Kate Alarcón

Supplies

-18 gauge cloth-covered floral wire -8mm wooden beads -white cosmetic wedge sponges for applying glue -sharp scissors –poppy templates

Crepe paper

This is what I used, but definitely feel free to mix it up and substitute.

From Castle in the Air:

-“Pale Yellow Green” heavy crepe for the frill at the top of the seed pod -“Lemon” heavy crepe for the stamen filaments -“Sunflower” fine crepe for the anthers at the end of the stamens -Fine crepe in “Red,” “Persian Pink,” “Pale Pink,” “Pink,” “Sunflower,” and “Vanilla” for the petals

From Paper Mart:

-“Moss Green” heavy crepe to cover the pod and wrap the stem, from Paper Mart

Optional:

Design Master Color Tool Spray in “Holiday Red,” “Perfect Pink,” “Coral,” “Orange,” and “Yellow”

PanPastel in “Permanent Red Tint 340.8,” “Permanent Red 340.5,” “Orange 280.5,” and “Hansa Yellow 220.5”

A note about grain:

The grain of the crepe paper runs parallel to the roll or fold.  You will almost always cut petals with the grain, placing the template so that the tiny wrinkles in the paper run up and down the template, not across. Each template includes an arrow to show the direction the grain should run.

Constructing the seed pod at the center of the flower:

The first step is to create the little frill at the top of the seedpod. Use template A to cut a frill piece from the pale green heavy crepe. Stretch the wider end of the piece all the way out, flattening all the little crinkles in the upper half inch of the frill piece.

Twist the frill piece, beginning about ½” below the top edge. The part of the frill that you stretched will form a little funnel. As I twist, I like to place my fingertip inside this funnel so that it stays open.

If this feels cumbersome, it’s fine to just twist and then use one end of your floral wire to reopen the funnel.

Insert the twisted bottom part of the frill piece into your wooden bead.

Dip the tip of your wire in the glue and scrape off any extra so that you have a thin coat that isn’t dripping all over the place. Insert this wire tip into the bottom of the bead, next to the bottom of the fringe that you’ve just inserted.

You don’t need to push this all the way up into the bead.  You’re mostly just trying to anchor the wire tip inside the bead. You’ll secure it in the next step.

Use template B to cut a rectangle from the medium green heavy crepe. Snip a very short fringe across the top of this rectangle (it’s fine to freehand this, but you can also use the lines drawn across the top of template B).

Use your sponge to swipe a thin layer of glue over this piece. Lay your bead on top of the rectangle, so that the top edge is slightly higher than the top of the bead.  Stretch the rectangle around the bead and press either side together.

Trim the excess rectangle.

Use your fingers to press the fringes of the green crepe down onto the top of the bead. Scrunch the green paper beneath the bead around the wire.

This will secure the pod to the wire.

For the stamens:

Use template C to cut a rectangle from the pale yellow, heavy crepe. Stretch this rectangle all the way out.  It should now be the same width as template D, but if it’s wider, trim any excess. The dotted line across template D shows how deep you should cut the fringe. (You’ll be cutting from the top). You can trace this line with a pencil or just fold along it and let the crease mark where your fringe should stop.

Without stressing out about it, cut the fringe as finely as you can.

Using the diagonal line on template D as a guide, cut away some of the excess paper beneath your fringe.  This will create less of a bump where you’ve applied your stamens, and also smooth the transition from stem to blossom.

Use your wedge sponge to apply glue to the area beneath the dotted line. Place your bead on this fringe piece, so that the bottom of the bead sits just above the dotted line. Roll the fringe around the bead loosely.

Don’t worry about what’s happening below the bead; just focus on making sure that the fringe at the top is even all the way around.

Scrunch the bottom of the fringe around the wire all the way up to the base of the pod.

Gently pinch the filaments between your thumb and forefinger and bend them away from the center, all the way around, creating a tidy ring of stamens.

Now you’ve got your stamen filaments ready to go!

Cut a 3”x 9” rectangle from the orange fine crepe (the short sides will run parallel to the grain.) Fold it in half vertically and in half vertically again.

Cut a fine fringe through all these layers, turn it 90 degrees, and cut across your fringe to create a fine “confetti.” Gently sweep this confetti into a little pile.

Squirt some glue onto a paper plate or disposable dish, and dip the ends of the yellow fringe into the glue.

To keep my seedpod frill clear of the glue, I prefer to hold the stem at a 45 degree angle and dip one section of the fringe at a time, slowly twirling it to glue all the way around.

Dip your fringe into the pile of confetti.  Now your filaments have anthers!

Adding color:

You can apply color before or after you cut your petals.

If I’m using the Color Tool spray, I prefer to color sheets of paper ahead of time. Though the odor fades after a couple of days, this stuff smells really intensely like bug spray when you first apply it, so I strongly recommend doing this outside, preferably with a mask on.

Shake the can well, and spray on a light coat.  If you’d like more intense color, let the first coat dry a little bit and then spray on another light coat.  I like to spray rows of color across the grain of my paper, spacing them a little bit farther apart than my petal height.

If I’m using PanPastels, I usually cut and then color my petals. Use your cosmetic sponge to swipe the pastel onto the petal, swiping with the grain of the paper.

I especially like to apply it so that the color is more intense toward the petal edges, fading toward the bottom, though you could also reverse that.

Clockwise from top: 1. “Vanilla” crepe with “Holiday Red” spray, 2. “Red” crepe with “Orange” PanPastel, 3. “Sunflower” crepe with “Holiday Red” spray, 4. “Vanilla” crepe with “Orange” spray, 5. “Light Pink” crepe with “Yellow” spray, 6. “Vanilla” fine crepe with “Perfect Pink” spray, 7. “Persian Pink” crepe with “Coral” spray, and “Persian Pink” crepe with “Holiday Red” spray.

For the petals:

Each poppy will have six petals: two from template E, two from template F, and two from template G.  Templates E through F are actually half a petal, so you’ll need to fold your fine crepe parallel to the grain and place the dotted line along the fold.

Lay the petal on a smooth surface.  Place your fingertips about an inch in from the edge of the petal closest to you. Place your thumbs right on the edge, behind your fingers. Use your thumbs to drag or inch the paper toward your fingers. When your thumbs and fingers touch, leave your thumb where it is, lift your fingertips and set them down about an inch forward. Repeat until you’ve gathered the whole petal into pleats.

Pick up your gathered petal and pinch up and down it to set the pleats.

Holding the pleats in place, twist the petal as though you were gently wringing water out of a rag. You’ll twist them pretty firmly, but I find it works better to use a lot of little twisting motions than to try to do everything all in one big twist. Untwist and gently spread the petal, taking care not to smooth the tiny pleats and wrinkles very much.

You can curl your petal at this point or after you glue your pleats.

Curling the petals is a lot like curling ribbon for giftwrap: you can scrape the petal with the blade of your scissors, a skewer, or just your fingers, moving from the base of the petal to the upper edge as you scrape.

Spread the bottom half inch of the template most of the way out and use your sponge to dab glue all the way across the bottom of the petal.

Pinch the bottom edge to gather it back up. Let the glue dry for a few minutes.

Snip off the excess bulk at the bottom of the petal.

Attaching the petals:

You’ll apply the petals in pairs. Start with the template E’s, and place them on opposite sides of the pod.  Apply a little bit of glue to the base of the petal and press it right up under the bead.

The second set of petals, the F’s, come next. Working clockwise, place each F beside each E, so that each F overlaps each E by about 30 percent.

Finally, apply each template G petal beside your template F petals, again overlapping by about 30 percent.

Finishing your flower:

Cut a few ¼” x 8” strips across the grain of the medium green heavy crepe. Dab glue on the first two or three inches of the strip and tightly wrap the section of the stem just beneath the flower to secure the petals and hide the petal bottoms. Apply a small amount of glue to one side of the stem wire. (I usually glue four or five inches of the stem at a time so I don’t get as much glue on my hands.)

Hold the strip at a 45-degree angle to the stem and gently stretch the strip as you twirl the stem, spinning the strip all the way to the bottom. If your strip breaks or runs out, just begin with a new strip right above the place on the stem where your previous strip ended.

Once the glue is dry, take some time to straighten your stamens and arrange your petals. You might want to curl some a little bit more, or gently tug a petal’s edge to straighten out crumpled pleats, or press some of the petals down where the petal meets the center to separate the layers.

Sources for supplies:

Michaels: 18 gauge floral wire, Design Master spray, wooden beads, glue

Castle in the Air: Crepe paper, glue, wire

Paper Mart: Crepe paper

Blick: PanPastels

[globusdental1211]

Cosmetic Dentistry in Lynn MA

However, you'll be able to find a vast range of dental services available at Broadway Family Dental. Their office is situated at their location in the Wyoma Square complex and has been operating since 1983. In their decades of experience, they've perfected the art of offering cosmetic dentistry with dental whitening procedures as well as veneers and implants. The practice also provides other services that are more routine, such as X-rays or tooth extraction.

[arikhoukblog]

INTRODUCING "EMPOWERED VOICES": A REVOLUTIONARY TV TALK SHOW FOR WOMEN

Towson, December 20, 2023 – Today marks the announcement of the groundbreaking premiere of "Empowered Voices," a dynamic television series specifically tailored to empower women. This show aims to inspire, equip with life strategies, entertain, and magnify the strength, resilience, and triumphs of women across diverse socio-economic backgrounds.

"Empowered Voices" isn't just a talk show; it's a powerful movement urging women, whether in Baltimore or Bali, to embrace their fullest potential. Covering an array of resonant topics including personal development, relationships, health, wellness, lifestyle, generational wealth, and more, this series promises to resonate deeply with its audience.

Conceived by the visionary host, Kimberly Manning, "Empowered Voices" was born from a desire for more than mere conversation—it's about fostering accountability and action.

Carefully curated by a team of women spanning various ethnicities and socio-economic levels, this show is committed to delivering top-tier content that speaks to women of all ages. Moreover, it's not confined to its runtime; it leverages technology and multiple platforms to ensure the conversation extends far beyond its initial airing.

The inaugural episode will feature Dr. Nia Banks, a globally renowned plastic surgeon, discussing restoring youth, the male perspective on plastic surgery, procedure investments, and the benefits of cosmetic enhancements. Dr. Banks, a proud co-owner of Art of Balance, an aesthetic & wellness center situated in Baltimore's Ritz Carlton, brings invaluable expertise to the screen.

Each episode of "Empowered Voices" promises compelling narratives that challenge the status quo, introduce remarkable women who've shattered glass ceilings, and those who've simply lived, laughed, and loved another day. Expect thought-provoking interviews, expert insights, and engaging discussions that foster actionable ideas.

We firmly believe in every woman's ability to define and embrace what an empowered voice means on her unique journey. Through "Empowered Voices," our aim is to provide a platform where women can not only be heard but also inspired, supported, and uplifted.

Catch "Empowered Voices" airing every Thursday at 4:00 PM on Now Network.

###

For media inquiries, interviews, or additional information, please contact:

Lynn Phillips

Empowered Voices

Info@empoweredvoices.me

[twittercomfrnklin2001-blog]

The Wasp Woman

The sets look like cardboard, even at 66 minutes it feels padded, and the monster makeup is ludicrous. Yet Roger Corman’s THE WASP WOMAN (1959, Tubi, YouTube) claims a place in my memory for two reasons. First, there’s the central performance by the tragic Susan Cabot as a cosmetics magnate whose empire is crumbling because she’s grown too old to be the company spokesperson. When an eccentric scientist (Michael Mark) presents her with his experimental anti-aging serum derived from royal wasp jelly, she leaps at the chance to restore her youth and ignores his warnings about overdoing it (much as I ignore dictums about putting too many prepositions and parenthetical insertions in a sentence, though my habits have less dire results). Cabot was one of the best actresses Hollywood ever wasted, and her performance here is both intense and nuanced. Her aging makeup at the start is surprisingly good for a Corman film, and she adds to it with a very subtle depiction of a woman older than she. When the serum starts to work, her joy is almost infectious. She becomes the kind of monster we can care about. The film also has a strong metaphorical punch. In 1959, it could have been interpreted as a take on drug addiction as Cabot relies increasingly on the serum, even as its effects fade more and more quickly. Today it seems to be a comment on women’s roles. Cabot is a titan of industry but only by appealing to the male gaze. Her refusal to accept age and a step away from power has to be punished. By contrast, one of her secretaries (Lynn Cartwright) is a bubble-headed beauty happy to get by on her looks while the other (Barboura Morris) is the good girl who’s only working until she can get her man to take care of her. Perhaps knowing his audience was horny teens who were going to make out until the few horror scenes made them look up freed Corman to pursue something deeper. Morris is quite good as a woman who professes to care about her boss but spies on her to keep her boyfriend happy. See if you can spot Corman’s cameo.

[docrotten]

THE WASP WOMAN (1959) – Episode 154 – Decades Of Horror: The Classic Era

“The enzymes . . . the enzymes, they’re going crazy. You do not understand that she’s a danger! You must stop her before it’s too late, you fool! Miss Starlin will kill her . . . tear her body to shreds. Miss Starlin is not a human being any longer.” Could she be a . . . a wasp woman? Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they feast on the royal jelly served up in Roger Corman’s The Wasp Woman (1959).

Decades of Horror: The Classic Era Episode 154 – The Wasp Woman (1959)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

The head of a major cosmetics company experiments on herself with a youth formula made from royal jelly extracted from wasps, but the formula’s side effects have deadly consequences.

  Director: Roger Corman

Writers: Leo Gordon (screenplay), Kinta Zertuche (from a story by)

Music by: Fred Katz

Cinematography by: Harry Neumann (director of photography) (as Harry C. Newman)

Editing by: Carlo Lodato

Art Direction by: Daniel Haller (as Dan Haller)

Director (additional scene for TV version): Jack Hill (uncredited)

Selected Cast:

Susan Cabot as Janice Starlin

Anthony Eisley as Bill Lane (credited as Fred Eisley)

Barboura Morris as Mary Dennison

William Roerick as Arthur Cooper

Michael Mark as Eric Zinthrop

Frank Gerstle as Les Hellman

Bruno VeSota as Night Watchman (credited as Bruno Ve Sota)

Roy Gordon as Paul Thompson

Carolyn Hughes as Jean Carson

Lynn Cartwright as Maureen Reardon

Frank Wolff as First Delivery Man

Lani Mars as Nurse

Philip Barry as Second Delivery Man (credited as Phillip Barry)

Gene Corman as Bit (uncredited)

Roger Corman as Doctor in the Hospital (uncredited)

Aron Kincaid as Renfrew – Beekeeper (uncredited)

Karl Schanzer as Mr. Barker – Front Office Executive (uncredited)

Who’s ready for some early Roger Corman-directed, drive-in monster movie madness? Oh, yes! Does it get any more “signature 1950s creature feature” than The Wasp Woman? Short run time, straightforward direction, thin but interesting plot, and crappy-yet-delightfully-campy monster make-up: it all adds up to a good time. This is especially true if you’re a monster kid through and through. Check out the Grue-Crew review and keep your ‘royal jelly’ safely hidden away.

At the time of this writing, The Wasp Woman is available for streaming from the Classic Horror Movie Channel, Kanopy, Amazon Prime, and several additional free with ads, subscription, and PPV sources. The film is also available as a Blu-ray disc from Scream Factory!

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Jeff, is It Came From Outer Space (1953), directed by Jack Arnold, starring Richard Carlson, Barbara Rush, and some one-big-eyed extraterrestrials with strange abilities.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com.

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[serotoninhq]

the team is thrilled to announce the following mun and muse have been accepted! we’re looking forward to develop this world and its future verses with you.

〔 kola bokinni, 30, cis man, he & him ) samson kande was seen listening to upgrade u by Beyoncé. sam/sonny is a celebrity stylist and known to be affluent & hedonistic ( kass )

〔 barbara lopez, 30, demi woman, she & her ) florence de la cruz was seen listening to try by colbie caillat. Flo is a cosmetic chemist and known to be articulate & projective ( kass )

〔 sam otto, 31, genderflux, any ) remington bhuva was seen listening to who let the dogs out by baha men. Remy is the owner of doggy bakery and known to be creative & aloof ( kass )

〔 romulo estrela, 37, cis man, he & him ) marcos bezerra was seen listening to three little birds by bob marley. marcos is a snowboard & surf instructor and known to be adaptable & sporadic ( kass )

〔 anna leong brophy, 31, demi woman, any pronouns ) chunning zheng was seen listening to some kinda wonderful by betty who. chase is a pr manager and known to be approachable & candid ( kass )

〔 natalie martinez, 39, cis woman, she / her) flor peraza was seen listening to 'nfwmb' by hozier. flor is a physical therapist and known to be self-sufficient & perfectionist ( sol )

〔 karen fukuhara, 31, questioning, she / they) takara sugihara was seen listening to 'the only thing worth fighting for' by lera lynn. kara is a software developer and known to be perceptive & indecisive ( sol )

〔 pinar deniz, 29, cis woman, she / her) zainah osman was seen listening to 'honey' by raveena. zay is a florist and known to be attentive & clumsy ( sol )

〔 adam demos, 38, cis man, he/him ) tate foster was seen listening to paralyzer by finger eleven. tate is unemployed and known to be charismatic & haughty ( abby )

〔 im si-wan, 33, demi man, he/they ) baekhyeon koo was seen listening to human by rag'n'bone man. benny is a paramedic and known to be protective & self-sacrificing ( abby )

〔 jamie lee curtis, 65, cis woman, she/her ) sylvia winters was seen listening to fairytale by alexander rybak. sylvia is a elementary school principal and known to be family-oriented & self-sacrificing ( abby )

〔 matthew lillard, 35, demi man, he/they ) joseph lourdes was seen listening to i knew you were trouble by taylor swift. joey/shaggy is a paranormal investigator & content creator and known to be imaginative & eccentric ( abby )

[devintagepoint]

Check out this listing I just added to my Poshmark closet: Jenny Lynn Cowgirl Boot Crossbody Bag.

[onemanwaxer]

Cosmetically, paraffin wax is often applied to the hands and feet. The wax is a natural emollient, helping make skin supple and soft. When applied to the skin, it adds moisture and continues to boost the moisture levels of the skin after the treatment is complete. It can also help open pores and remove dead skin cells. That may help make the skin look fresher and feel smoother. Paraffin wax may be used to help relieve pain in the hands & feet. It’s also super hydrating, leaving you with very soft skin. It acts like a form of heat therapy and can help increase blood flow, relax muscles, and decrease joint stiffness. Paraffin wax can also minimize muscle spasms and inflammation as well as treat sprains. #paraffinwax #paraffintherapy #kingslynn #norfolk #mensskincare #mensfeet #menshands #handtherapy #feettherapy👣 #feet #hands #cambridgeshire #lincolnshire #downhammarket #ely #wisbech (at King's Lynn, Norfolk) https://www.instagram.com/p/Cpr7FksoDG8/?igshid=NGJjMDIxMWI=

[solishpanelbeat0]

Car Paint Restoration Auckland

When you find yourself in need of car paint restoration Auckland, there are a number of things you need to consider. The main concern is that the job needs to be done right, and that means ensuring that the company you use knows what they are doing.

Solis Panelbeaters

If you are looking for a reputable panel beater in Auckland, then look no further than Solis Panelbeaters. As one of the largest car paint restoration companies in the city, they are able to make your vehicle look brand new again.

From cosmetic to functional repairs, the team of specialists at Solis Panelbeaters can help you to get your car back to its original form. The services include: - Paint Restoration - Interior Automotive Upholstery - Plastic Repairs - Automotive Bumpers - Convertibles and More!

They have been in the business since 2017, and have taken on hundreds of insurance car Rust Repair Auckland services. They also offer free courtesy cars and fluency in multiple languages. All you need to do is visit their New Lynn location or contact them for more information. And you will be pleasantly surprised at how fast and affordable they are! Their skilled technicians have years of experience in working with all types of vehicles.

In addition to this, Solis Panelbeaters offer a lifetime guarantee on all of their repairs. Plus, they use genuine quality parts and an eco-friendly paint system. It's no wonder that they are one of the most trusted and well-known panel beaters in the city! So if you are looking for the best in the business, then look no further. Contact them today! Also, don't forget to follow them on Facebook and Instagram. This way, you can stay updated on all of their latest updates! So whether you need to get your car looking like new again or you are just looking for a professional to fix your damaged or unsightly car, contact them today!

Luxxio

The Luxxio Car Paint Restoration Auckland is a jack of all trades when it comes to restoring your vehicle's exterior. They are well-versed in the intricacies of paint repair, and armed with a fleet of top-of-the-line equipment, can bring your tattered paintwork back to its former glory. From a simple wash to a full-blown repaint, you're sure to find the services you're looking for at the right price. Depending on the nature of your damage, you can expect to have your car looking as good as new in a matter of days.

Luxxio's services are second to none. Check out their website for a free quote, or give them a call.

Koch Chemie

Solish Panel Beaters is a company that manufactures and distributes high quality cleaning and protection products. They have been around since 1968 and are known for their excellence in cleaning and protection. Their continuous improvements help them to stand out in the market.

Solish Panel Beaters's Car Paint Restoration Auckland service includes three steps. It is the process of removing scratches, restoring the colour of your vehicle's paint and bringing it back to its original look. The process takes a few hours to several days. In the end, your vehicle will have a shiny and flawless finish.

Among the many products that Solish Panel Beatersoffers, one of them is the Solish Panel BeatersShine Speed Polish. This polish is made in Germany and is designed to remove minor surface imperfections and provide a deep lustre. You can apply it by hand or with a machine. The abrasive compounds used in the product are gentle enough to leave your surface protected and free of any scratches. It has a unique formula which can absorb the damaging effects of acid rain and UV degradation.

Other products from Solish Panel Beatersthat you can find in their range include the Solish Panel BeatersPanel Preparation Spray and the Solish Panel BeatersDetailer. These are alcohol-based cleaners that are free of halogenated hydrocarbons. The spray is easily applied and it can remove grease, wax and other impurities from your vehicle's paintwork.