#MHA analysis

[coladaminx]

So if you watch this scene izuku and kacchan are sitting on both ends of the couch and what makes this scene so sweet and kinda sad is that izuku consciously or maybe unconsciously brings himself closer to his kacchan with the Manga version you can actively see him scooting closer (HE WANTS TO BE CLOSE TO HIM) and be able to actually talk with him Normally ;A; which we find out later he feels blessed being able to be near him and ya know talk and katsuki didn't push him away THEIR INSANE YA'LL!

[revilloutionaire]

All Might was literally suicidal and people dont talk about it enough.

How it must've felt to have to pass on the one source of his strength, for years that has kept him at the top, his sole source of not only livelihood but also his way of helping others? How he must've felt knowing that he could not be the pillar of peace as he had been for almost four decades, that he had to subject another young person to carry that weight. How he must've felt after Kamino, after losing that power for good, after the entire nation saw him at his weakest.

His talk with Aizawa about deciding to live for the next generation, absolutely broke my heart. He felt useless, in a way probably none of us could ever even grasp. Not even izuku could.

What does it mean to be the entire world's pillar in one moment, the strongest man alive, only to go powerless in the next? It's no wonder Toshinori considered ending his life after Kamino- He didn't even look the same. What other option would you have but to end it all there? When you go from the man everyone looks to for help, to a man who can't even take a punch and survive?

But the fact he chose to live speaks volumes of his strength. His willingness to carry on, and help his students and successor fight with whatever strength remained. He helped Izuku during his tenture as a vigilante, because All Might would've done the exact same thing. He packed those lunches. He chased after Izuku, trying to give him the same support he knew All Might would've needed if he was the same age as Izuku.

It's why he put on that suit and fought All For One, even if it meant stalling and not defeating.

Because All Might is beyond his quirk, the same way Izuku is. He has the heart of a true hero.

The reason Izuku probably managed to survive those eight years without an ability to fight alongside his class- was because All Might was likely there beside him, both of them sharing the loss of their power after being at the front of the field. And they both know the importance of sharing their strength, their true strength, with future generations.

It was the strength of their hearts that put All Might and Deku above the rest.

[probablyinthevoid]

[epickiya722]

"I live every day as if I'm not going to see another one. That way I'll have no regrets when I die!"

That's the part I admire about Miruko. She's aware of how human she is and that life should be cherished while you can still live it. Don't dwell on the things you can do when you can still do them.

She's a Pro Hero with a past for being a troublemaker. Something that may seem impossible given that people with troubling pasts are more viewed to be "villain material" than becoming a hero.

Which brings me to today's thoughts that have been brewing in my head.

Why did Miruko become a Pro Hero? How did Miruko, despite the reputation she had manage to become a Pro Hero? Let alone, a top ranking hero?

Side Note: refer to these two posts...

"Weak"

Miruko & the Commission

Now that the manga is over, I feel I can really analyze everything that has happened and what is known about Miruko and break it down to figure out the reasoning for her becoming a Pro Hero while also including posts I have made in the past.

So to be clear, this is just some thoughts I made, bit of a theory, I guess

Starting off, I do think the reasoning lies on a couple of things.

As we know, Pro Heroes and Villains and those in-between each have different motives as to why they choose the side they chose.

I'm sure that some of the fandom chalks up Miruko's reasoning into becoming a hero is because of her adrenaline rush and blood knight tendencies.

"She chose to be a hero so she can kick villains' asses all day while it's legal to do it." Frankly, I do think it's shallow to think of her that way. Feel how you feel about heroes, not all of them have solely selfish reasons. I mean, look at All Might, for crying out loud.

While I'm sure part of her reason is her adrenaline rush, I don't think it's just as simple as that. Let alone that be the exact reason.

I've talked about her past before, but I'll reiterate here for anyone who isn't aware.

During her middle school days, before she became Miruko, Rumi was infamous for crashing into fight clubs. Gaining the nickname "Usako". Eventually, she was expelled from her school and apprehended. For a while, no one really knew what happened to her in between that time until later when she's attending a hero high school (it's not UA).

Now, let's focus for a second on what she was doing during her middle school days.

Crashing fight clubs. Not just any fight clubs. Underground illegal fight clubs.

Why would a girl with a rabbit quirk do such a thing?

I think that Rumi felt as if she had something to prove. As I talked about in a previous post (linked above), Rumi was probably one of those kids who got picked on because she is a girl and has a quirk that made her seem defenseless. I also believe that Rumi did want to be a hero.

So she acted out and choose to fight people much bigger than her, but people who were doing illegal things. She gave herself a headstart into heroism. And she was good at it.

If Rumi really felt only the urge to satisfy her adrenaline rush and interest for fighting, she could have just chose to fight anyone and anybody. She wouldn't target specifically fight clubs and putting the stop to every one she got into. That's something a hero would do.

And her actions drew the attention of the Commission.

No doubt during her disappearance she was brought to them and was given a proposal into a career of being a Pro Hero. She had the potential for it, after all and given the record of the HPSC, I wouldn't put it pass them to cop out said potential and wanting to put it to good use.

(And I do think for that time, Rumi may have been homeschooled.)

They could have even threatened her into being a Pro Hero, but I feel it's something that Rumi would have sought to do anyways.

She could have chose to do a different career path if she wanted to just satisfy her lust for a good fight. Why choose the one you would have to work extra hard for?

Because to Rumi, it's worth it. Not just for the fight, but she also does genuinely seek to save people. She wants to be a symbol in a way to prove to others that no matter how weak you appear to others, you are capable of becoming strong on your own.

The Commission may have offered to train her themselves or even enroll into UA, but Rumi chose to attend a school in her hometown, Hiroshima.

Even later after teaming up with Rappa and O'Clock during the Underground Masquerade Arc, Rumi turns down O'Clock offer for compensation for helping out with the situation. She tells him that she will be raking it up on her own into becoming a full-blown Hero.

One of the themes of MHA is that you aren't alone, others are there to support you. Another though I feel is present is that you shouldn't take advantage of others for your own personal gain.

Both heroes and villains do it. Rumi serves to show the opposite.

She would crash fights on her own, she declines offers to boost herself up just so she can make it on her own, she doesn't have an agency or even a sidekick. She travels through Japan to stop villains. And when she does work with others, she carries her own weight and fulfills her duty to the best of her ability and she succeeds in that. (A little too well, like, Miruko... please take a break.)

So again: why did Miruko become a Pro Hero?

To sum it up, Miruko had been someone who knew what it felt like to be seen as weak and wanted to prove she wasn't. At the same time, she may have known about others who felt the same as her and sought to show them they can be strong, too. She does have a caring heart and chose to save people, using her love for a good fight to do so. No doubt, at some point, the HPSC got a hold of her and prompted her into becoming a Pro Hero. Had they not, she may have turned to being a vigilante.

Rumi Usagiyama doesn't want to live a life with regrets so she took it upon herself to do what she felt need to be done and what she could do.

She definitely takes it to the extreme sometimes, but she does it for the sake of others.

Which honestly, saddens me a little thinking about it more.

Miruko is confident about herself, definitely love herself more than some of the characters do for themselves. But deep down, I do also think Miruko doesn't value herself enough to see she doesn't have to continously push herself. She isn't striving to be the best, but the way she behaves reminds me of how All Might once treated himself.

In fact, she reminds me of All Might overall. (Which I have touched on before.)

Anyways, there's just that thought I wanted to share!

─── ･ ｡ﾟ💜: *.☽ .* :ﾟ. 🐰 ･ ｡ﾟ: *.☽ .* :💜 ﾟ. ───

[teapetal44]

TW: ABUSE, CHILD ABUSE

“He wants to air this dirty laundry to the world does he…? Dabi, you fiend…you’ve been waiting for this moment…when they couldn’t prevent mass destruction…and faith in heroes is wavering.” - chapter 292

I truly, wholeheartedly, believe that MHA as a story upholds the myth of the perfect victim. I do not want to discuss if Horikoshi did that on purpose, or subconsciously because of inner bias – I find no meaning in doing so. For me the execution of an idea, in the grand scheme of the narrative, holds more value than the intention of the author. I’ve also had my fair share of people infantilizing Asian authors in the anime community for their poor writing decisions for one lifetime. It’s patronizing to both the author and the people reading it. Whether or not Horikoshi intended for his themes of abuse to paint the picture they did does not matter, because that’s how it reads as.

MHA puts victims of abuse in narrow boxes and softly dictates what’s an acceptable reaction to said abuse. Victims are continuously walking a tightrope between being deserving of compassion and sympathy and being unredeemable monsters who are too far gone and are only good for martyrdom after being put down.  

Eri fits the clean cut depiction of abuse victims that media usually gears towards. She is untouched by the cruelty around her - she preserves her innocence and kindness. She isn't assertive, but rather meek and passive. She doesn't fight back with force. And when offered help, she is receptive to it. That is not to say that Eri's depiction doesn't have a place in fiction, or that her portrayal can't be representative of the experiences of some - as we all deal with trauma and the inhumanity people throw at us differently. We see the same thing in the portrayal of Fuyumi, who shares many of the qualities discussed above. The same thing applies to her - i personally love the idea of all the siblings having different reaction to their childhood trauma and abuse. It shows that victims are not some type of monolith.

But the narrative treats the "forgiving" or "receptive to help/support" victims of abuse with more grace and with much more kindness. if you are willing to forgive, or the very least be quietly tolerant, the story grants you a happy ending. Forgiveness isn't a bad thing, it is an individual choice - but an abuse victim shouldn't have to do it for them to have a happy ending.

In a vacuum Eri and Fuyumi's character arcs and depictions of abuse are good but it becomes a problem when that's the only experience and type of victim we ever hold in high value or recognize as valid and deserving of compassion. Which the story reinforces.

Touya and Tenko's backstories aren't pretty nor comfortable or easy to sit through. Their responses to abuse aren't either. Reactive abuse is very much real.

[fanofflames]

I don’t know if anyone has pointed this out yet, but AFO’s name reveal just opened a whole another world of symbolism.

AFO and Yoichi’s quirk names are literally a reference to each other.

Zen means “All” and Yoichi means “First gift.”

So, All for One or “Zen for Yoichi”. Then One for All or “Yoichi for Zen.”

It gets even better, if you switch the words like this:

“All for Yoichi” and “One for Zen” - You have AFO’s whole motive spelt out.

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[lilybecca1]

So they say that how you show affection reflects how you've been raised. And wellllll let's say that Bakugo didn't exactly learn how to show his affection in a healthy manner.

As we've seen so far, he and Mitsuki usually just scream at each other and his mom often boinks him or shoves his head down. Ahh such motherly love

But all this rough handling doesn't mean they don't love each other right? It's just their way of showing their love. And we also know Katsuki isn't exactly good at showing his emotions and telling people he loves them, but that's just something that he hasn't learned through his childhood.

So if children learn how to show their affection for the people they care about from their parents, then Bakugo probably expresses his love in a similar way to Mitsuki. Or to put it simply, through ✨violence✨

A prime example

To a stranger who doesn't know him, it would seem like he's actually mad, but no. This is actually his way of showing that he cares about his friend. He sat down with Kirishima to tutor him which he definitely wouldn't do to people who don't matter to him, so act of service is definitely a big one for him, and also physical touch in a way, apparently. Of course, this doesn't mean he cares about everyone he hits, but these are harmless and this is just how he learned to express himself through childhood.

But this doesn't happen a lot, EXCEPT

aaand here it goes

EXCEPT with Deku.

Like you literally don't see a single interaction between the two of them without Bakugo in some way hitting Deku. Or just shoving him. Or really anything. Like my dudes, this guy CRAVES physical contact when it comes to Deku I SWEAR.

Just look at a couple of them

He literally goes out of his way to shove or make physical contact with Deku in some way even when Deku is just minding his own poor f*king business. And he sure as heck likes to shove his head especially, kinda like how his mother does to him too. Like he just wants to reach out and touch his hair a lot...we all know you want to Bakugo, don't deny it

I swear Bakugo is like one of those kids full of testosterone that push and pull the hair of their crushes cause they don't know how else to express that they like them and they don't know what to do with those feelings

He initiates contact even when it's not necessary, and mostly with just Izuku. If violence is really the way Katsuki shows his affection then he basically showers Deku with it 🚿

And yeah, he shows that he cares to his friends too, but he seems like he cares about Deku a lot doesn't he? When we look back at all the interactions that they had, and how Bakugo generally gets ticked off by the mere presence of Deku, that makes him want to scream at him and shove him all the time..all that might just be him not knowing what to do with all that affection inside of him that he wants to express, because he never learned how to express it.

When we look back at everything, it just looks like a boy who doesn't know how to show that he cares about the people he loves in a healthy way, and it's very easy to misunderstand that and think that he dislikes everyone around him. But in reality he's just a boy who very much craves that affection too, just doesn't know how to give it and how to ask for it, so he naturally does what he has seen his parents do.

[maybabiii]

All might and Izuku reaching out to something delicate like a cherry blossom gives off a sense of mutual striving and shared connection. They both strived for the same goals and were bestowed with the power of One for All. Alas, their power was transient, just like the fleeting nature of the cherry blossom petal. Their connection however becomes eternal, much like the cycle of cherry blossoms returning each year.

[518062]

i think a lot of you, when thinking of possessive izuku, close in on an explicit depiction of him which is bold and unwavering in how he presents his possessive yearning. but real possessive izuku yappers know this trait is often something izuku fights but lets win anyway.

this possession is rather remarkable in the way it is sinisterly executed; izuku knows the desire for katsuki is not socially acceptable. he knows how he feels is wrong. but he likes to assert himself over others when around katsuki and feels a particular joy when he lets himself be selfish, lets himself indulge. and i know izuku has been explicit in his possession - hence kat’s kidnapping - but that was out of desperation. most of the time, izuku’s possession comes in forms of ownership, often physical (but subtle). he may hold katsuki’s hand, or snake an arm around his waist, while in his mind there are so many things clashing with one another, begging izuku to just… let himself be a little irrational. but izuku has a reputation, more so a standard for himself, and he prefers to keep this possession locked away as it may spring up certain feelings he hadn’t foreseen confronting, emotions which represent his personal shadow. maybe, then, this possession is much eerier, as it is an extension of these pent up feelings.

in this way we can have a better understanding of how izuku functions when katsuki is in his vicinity compared to katsuki’s absence (tbc). but i assume these locked feelings merely exist pre-war.

[absolute-decay]

Do you think in the most twisted, misguided, disgusting, and almost idiotic way, Chisaki saw his young self in Eri, and thought he would be to her what the boss was to him. Like. This lost young orphaned child with nothing but the clothes on their back taken in by a Yakuza. That's literally their only similarities but do you think Chisaki decided that was enough? That he should be the one to "save" her?

I know it sounds ridiculous but just stick with me here.

This single image from chapter 136 screams so fucking much about Kai's brain and his relationship with Eri to me. Because ask yourself. "Why doesn't Kai just put Eri into a coma like he did The Boss?" Because that would solve so many of his problems. No chance of Eri escaping. No chance of any Heroes finding out about her. There'd be minimal resources spent on her since all he needs is to keep her alive regardless of physical condition. It literally solves everything, it almost feels like a plot hole. But then you remember the fact that Eri was entrusted to Kai by The Boss, and then you take another look at the image above, and it kinda clicks, doesn't it?

He doesn't do that because he genuinely, truly wants to take care of Eri. He might even really see himself as her father figure. And I think that makes so much sense, especially with his other relationships. Case in point, Shin Nemoto.

We saw the results of Shin using his Quirk on Kai, and he says straight up, "I like you, I trust you, your presence makes me feel at ease." And he didn't even seem shocked or upset after saying it, so it wasn't a truth he was unaware of or didn't want Shin to know. That's simply how he felt, cut and dry. But, with that being the truth, he was more than willing to use him as an expendable asset, have him be a fall guy after the raid with the other Bullets, and fuse with him, which he seems to believe will fucking kill him. That's not Kai using a pawn: That's just how Kai is with someone he cares about.

So, it wouldn't be far fetched to say, the same applies to Eri, and that really does recontextualize every one of their scenes, huh?

"You're the centerpiece of my plan."

"To this girl, you're no hero."

"You're cursed, every action you take kills someone."

"Someone else is going to die because of you!"

"She doesn't want you."

None of this is manipulation or scare tactics or anything like that. This is just what Kai thinks of humans. That he can hurt and pull and abuse them in the worst ways possible, and do it over and over again, and not understand when they want to run away. And I feel like him being raised in one of Garaki's "orphanages" just rubs salt into this wound.

Because, he takes care of Eri, doesn't he? He gets her toys and a pretty room and a soft bed, and he's nice and calm with her, doesn't even use his quirk to kill her and bring her back to life painfully as punishment! He doesn't seem to be physical with her at all, outside of the blood extractions. She has everything a girl could ask for, and she spurns him? Runs from him? Well, no matter. That's just how children are. Ignorant, illogical, they just don't make sense.

...It's such an incredibly fucked up way of thinking. And I think it's ingrained so deeply in Kai's mind because it's what he thinks he never had.

I think the way he treats Eri is how he thinks loving parents would have treated him. Pretty toys and nice clothes and good food and absolutely nowhere in his mind does any genuine relationship dynamics or aspects of unique personality come into play because after years and years of not having it he just. Doesn't. Get it.

So that's why it's lacking in his relationship with Eri. In all of his relationships, really. Because The Boss took him in and loved him and cared for him and Kai knows that but he doesn't understand that. So he's trying his best to "love" and "raise" Eri by being an empty photocopy of a parent at his best, because that's all he is. That's what defines Kai, till the very end.

He's empty. And so is his love. So Eri's room will always be full.

[hotpotatopotat]

Why I don't think Shigaraki or his legacy is over.

I don't normally do canon delves but I am compelled as a Tomura fan to dissect the final battle. This isn't a post on whether it's good or bad, but observations on what's been told.

Shigaraki's crux has always been that he feels like no one can possibly understand what he is trying to accomplish, that his message and suffering is pushed under the rug, and that society is so rotten there's nothing to be done. Deku's goal is to try and understand this.

When Deku breaks through in mha417, Tomura challenges him on this. What would even change if you saw what happened to me? What would you even DO about it? Deku declares to the one person that needs it most: To reach out and give you peace, and "that is why...I am here"

But... When given the chance to go back to a time when he was happy, Tenko chooses not to. "Nah." he says. I think this is often overlooked, but Tomura didn't WANT to leave behind everything he's done.

Tomura says, even if you got rid of my hatred, even if you succeed in "saving me", it doesn't change the fact that I still believe in the future I'm fighting for, to destroy. The villains need a hero, the suffering needs to end, and things need to change.

Hang on to that for a moment. All for One shows up. He mocks him, his dream, his goals, claiming that they weren't real, that they weren't his, that his heart doesn't matter, that none of it does. He's evil.

All for One does kill Tomura here... or at least he would have....

With Deku's final blow, he ignites any remaining embers, Shigaraki, included. They land the final blow to All for One. Without that spark, and without Nana having saved Tomura from fading away, he wouldn't have been able to do this. Tomura would have died before.

Tomura's vestige is still decaying away, and he laments the fact that maybe...he wasn't more than the crying kid Deku said he was. He couldn't do anything. He didn't even destroy Deku's hands. His dreams are over.

Izuku says that he wanted to stop the cycle of grief and suffering. Tomura gives him a soft "hah..." This is such a cathartic moment for them, because I believe that Tomura finally feels understood. He's actually quite relieved.

Strangely, Tomura is soft here. He's not decaying away anymore, he's solid, he's wearing his old shirt. He's NOT the same. He declares how he wants to be remembered, as the one who never stopped fighting to change the world. Izuku says, it's already been...but...

In mha424, Tomura instantly challenges this. With a giant smirk, he tells Deku that he better do his damn best to make sure that things change. It depends on the choices that he continues to make, not the conclusion of one battle.

424 feels like a giant wink wink nudge nudge for the reader. Deku is dissatisfied with not getting that instant gratification of "saving" Tenko, just like after a final battle, he won't get the instant gratification of changing the world. We don't get the gratification either.

But honestly, I really do believe that Deku will carry on Shigaraki's legacy and internalize it just like All Might's.

One final thing... You see his hair change textures. Left to right, It's decaying like in the final form, it's defined and stringy like in his early days, and it's airy and blocked like in his liberation days. This is such guardian angel energy, I swear.

I don't think this is the last we will see of him. And if it is, at least physically the last we see of him, I'm happy Deku will carry on what was truly in Tomura's heart.

[revilloutionaire]

can we acknowledge how insane izuku was? like he was literally insane. surely we realize that as a fandom, right? he’s insane-

oh. we don’t? oh okay let me just compile a list…

-GRABBED onto All Might’s leg in an attempt to have a single conversation with the man

-WITHOUT THOUGHT ran into a literal villain, and attempted to save HIS BULLY while having NO QUIRK or COMBAT experience

-Cleaned ALL OF DAGOBAH BEACH (a literal landfill) on his own without question

-Broke his bones the first time he used his quirk. Knows the pain of breaking bones. HAS NO PROBLEM WITH BREAKING THEM OVER AND OVER AGAIN

-breaks his bones just to fight Katsuki.

-jumps IN FRONT OF ALL MIGHT (a 15 year old boy trying to save the symbol of peace) to take a hit for him from shigaraki in the USJ

-Executes his plan with the mines during the sports festival, LAUNCHING HIMSELF USING EXPLOSIVES WITHOUT GUARANTEE OF SUCCESS (he literally could’ve died if he landed wrong)

-broke his ARMS JUST TO PROVE A POINT against shoto (nobody asked him to do that??? he just did??? never had to do that???)

-Uses the name associated with a very specific insult towards him specifically into his HERO NAME (Brave move. like who the heck does that)

Let’s not even begin to discuss how Izuku is in a constant HANDS OR NOTHING mindset. The amount of times he could’ve called in for a professional or a teacher for backup, but instead electing to dive headfirst into combat regardless if he thinks he’s gonna make it out alive or not. He has no problems running into the portal during the league of villains training camp raid if it means he can save Katsuki. He used OFA at 100% regardless of the intense pain he felt just because Eri was rewinding him. When he meets gentle, he doesn’t even try to call a teacher or text a friend. NOPE! He’ll fight the fucker himself. Nobody told him to go vigilante. He chose to go vigilante because he felt it was necessary to do handle shit on his own. Forget recuperating and figuring out strategy with the class. He’s gonna go fuck all and find Shigaraki himself.

Also, LET’S NOT EVEN BEGIN with when things involve Katsuki, Izuku is a MASSIVE CRASHOUT. His biggest character moments are him having to fight against his crashout tendencies. He isn’t even a self-destructive crashout. He’s a destroy absolutely everything around him crashout. HE IS A PROBLEM

Extenuating circumstances aside, his mindset is ABSOLUTELY not a common one for the average 15-year-old. Let alone the type of sunshine nervous cinnamonroll the fandom makes him out to be. He’s a nervous wreck, yes. He’s also very kind. But he is also literally insane.

It’s why I love him so much tbh

[rhythmic-idealist]

One problem with the society of BNHA is that being “someone in need of saving” is an undesirable category to be in.

“People who need saving” is a category of people. It’s hypothetically a valued one, since heroes save those people.

However: there’s no glory in needing to be saved.

There’s glory in SAVING, but we value the people who do the SAVING, not who need to be saved.

One thing that REALLY felt off to me in the final chapter was how that granny talks to Joki Joki Boy. She talks about herself, about who she can be. If I was in his shoes I would itch under this. Under someone explaining how they can be so charitable to people like me.

I was trying to think about what Izuku could possibly have “showed the world.” I still don’t quite have my answer.

But weirdly I do know what wasn’t shown to the world when the cameras on Ochako and Himiko cut off.

They didn’t see a villain being a hero. They didn’t see a hero needing saving.

The lines between the three societal categories - hero, villain, and people who need saving/protecting - blurred. And the camera missed it.

Edit: I believe this is social commentary BNHA made on purpose. More is available in the notes if you’re curious.

[probablyinthevoid]

This is more for fun then any thing else but thought I'd share anyway ¯\_(ツ)_/¯

[sleepingpopplio]

The Powerful Theme Behind BNHA’s Nuanced Ending

As I’m posting this we only have one more chapter of the manga and I don’t know how the ending is going to exactly play out, but I do know one thing. The deaths of Toga and Tenko were not in vain, and the author is still trying to give readers hope while also still maintaining some realism and bitter-sweetness in his messaging. Therefore, this is what I think Horikoshi is trying to tell his readers, especially the young people who have their whole lives ahead of them to make a difference on the world:

I see how this theme, the one that’s been built up throughout this manga yet simultaneously feels like it’s coming out of left field, is one of those themes that is a hard pill to swallow. Basically, no matter how hard we can try and push to do good and help others/make the world a better place, we’ll often fail again and again. A lot of bad things can happen, society can choose to remain apathetic, and it can seem like nothing’s ever gonna change because you just put all that hard work in towards the future for nothing. However, even if sometimes you can’t save everyone or society keeps trying to push issues under the rug, that doesn’t mean we should give up trying to fight for social issues we care about. We might never get to see the perfect world Deku and Urarak dream of, and Tenko and Toga may be gone, but their fight for a good and accepting world will someday be worth it cus their actions do have weight by showing that redemption is possible, even if no one has seen it except them. Young people like them just have to make sure to leave their mark so that others can follow.

My Hero Academia is about how we all can become the greatest hero, not by magically destroying the world’s problems and apathy overnight, but instead by continously reaching out a helping hand to people who might not initially seem like they want it.