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mountphoenixrp · 3 years

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The Sunshine Festival is coming up fast! In preparation, you can find the program for the concert stage and market below!

Market Booths:

Blackforest Bakery Goods/Services: An array of pastries ranging from cookies, donuts, and cream puffs to cakes, large cinnamon rolls, and pies; along with refreshing lemonade. Specials: BOGO on all small pastries; cakes and pies are 40% off.

Blossoms of Yggdrasil Goods/Services: Handmade, customized flower crowns.

Charity Dunk Tank (run by Heather Rhodes) Goods/Services: Merman dunking! Test your strength with a Hi-Striker game that plunges our resident merman into a large vat of water. Specials: All proceeds go to the funding of two full scholarships to the university.

Crepe Stand (run by Marcel Wong) Goods/Services: Made-to-order dessert crepes.

Dr. Feelgoods’ Goods/Services: Glasses of limited edition house made ciders and wines in summery fruit flavors.

The Flower Mill Goods/Services: Iced Coffee with edible flower ice cubes and sun cake pops.

Fortune Telling Tent (run by Benzaiten) Goods/Services: Free palm readings and fortune telling.

Friendship Bracelet Booth (run by Lee Felix) Goods/Services: Handmade macrame and beaded friendship bracelets in a variety of colours!

Happy Berry Boutique Goods/Services: Cute accessories and clothing. Specials: Buy 3 get 1 free accessories, 15% off commissions ordered at the booth, free cartoon key chains.

Mukashi-Kara Sweets Shop Goods/Services: Sunshine/summer themed mochi and wagashi. Specials: Buy 2 get 1 free individual sweets, mini wagashi-shaping/mochi pounding workshops.

The Pits Goods/Services: Makeshift fighting ring for any interested fighters. Anybody interested in throwing a punch at Ares can pay $5 for the privilege. Specials: Anybody who can beat Ares gets the pot of money.

Tum Tum Express Goods/Services: Takeaway fast food, soft drinks, fresh fruits, and ice cream. Specials: Buy one get one free! Applied for hamburgers, all kinds of drinks, and ice cream. 20% discount for orders with 8 items or more.

Sweet Spot (Eros’ pop up chocolate and sweets booth) Goods/Services: Fine flower and fruit infused chocolates, light sweet confections and “love dust”. Target practice game with prizes for romantic dates! Specials: Specialty chocolates, dipped fruits, love advice.

Performers:

Arwyn Lachance, singing

Arwyn is singing a few song covers! Song Cover 1, Song Cover 2, Song Cover 3

Chiori Yako, singing and dancing

A short concert of her current most popular J-pop songs with backup dancers.

Invidia Duval, singing

Invidia will be singing a cover of JERZY's 'IN 2 U' with guest vocals by Ruyi Han.

Moon Byulyi, drums

Byulyi will be performing drum covers of Odd Eye, Backdoor, Blaze, Cry For Me and HWAA.

Woozi and Harper Song, musical and dance

The pair will perform two songs. "Take Me to Church" By Hozier and "Falling for You" by Shawn Mendes. Woozi will sing and play music, dressed in white pants and a black and white striped button up. Harper, dressed in white tights and a painted sun across his chest, will perform dances to the music. (Inspiration: X an X)

Please use this information to plot with as many people as you would like! Employees and performers can have threads where they are working/performing and threads during their days off at the festival, if you’d like.

There is no time limit for threads, but the event will only officially last a week, so make sure to start your threads or whatever else you have in mind once it begins!

Most importantly, of course, have fun!

#mp; event #mp; sunshine festival

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tradotronik · 5 years

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Marcel Lachance reconnu pour son grand talent d'accordéoniste a remporté le titre de "meilleur accordéoniste du Québec" en 1976. Ce concours nommé Festival des Cantons regroupait les meilleurs musicien(ne)s et chanteur(se)s du monde de la musique Canadienne. Tous les heureux gagnants ont eu le privilège d'effectuer une tournée à travers la Province pour ensuite conclure sur la Prestigieuse scène de l'Olympia de Paris, entourée de l'équipe de Soirée Canadienne.

Le voici interprétant le «Reel à Stéphane», extrait de l’album Gigue à Don Messer paru sur étiquette Amical ‎– AMI-1014 en 1977.

#Marcel Lachance #Reel à Stéphane #1977

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anneesfolleshq · 6 years

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Bonjour et bienvenue! Paris welcomes you, our Assassin, Margot Clarisse Lachapelle! May we say, you’re the spitting image of Ruth Negga! Please make your presence known within 24 hours, and do have a look at our checklist before setting out into the city on your own. À bientôt!

MUN

Name/Alias: Pooh

Preferred Pronouns: She/her

Age: 18

Timezone: GMT+2, I’ll mostly be on in the afternoons and you can expect me to be most active during weekends.

MUSE

Chosen Skeleton: The assassin

Muse Name: Margot Clarisse Lachapelle

Muse Age: 34

Chosen FC: Ruth Negga

Muse Occupation: Unassuming florist by day, deadly assassin-for-hire by night

Muse Affiliation & Frequent Haunts: If asked which side of the Seine she prefers, Margot would say her loyalty lies in neither. You’d think a life spent in Montmartre would make her biased fort he right bank. In truth, Margot migrates between both. She doesn’t refrain from traveling to Montparnasse when the night falls, searching for some entertainment, some distraction, or simply because her current assignment demands so of her. Margot can frequently be seen at The Blue Lotus, the Moulin Rouge, the street market, Le Ciel, L'Enfer and Parc Montsouris.

Direct from Le Petit Journal: The streets of Paris are graced once again with the return of Mademoiselle Lachapelle! The Great War has forced her family to seek refuge in the beautiful mountains of Switzerland, in one of their many chateau’s no doubt. However, Margot Lachapelle returns alone to the studio apartment in Montmartre. Could trouble be brewing? Recently, Mademoiselle Lachapelle has taken up a position as a florist at the Au Printemps flower shop, providing further evidence of financial issues. But let’s not get ahead of ourselves, dear readers! Who knows what secrets hide behind the piercing gaze of this high-society dame…

BIOGRAPHY

Margot Clarisse Lachapelle is old money. Born into the very upper-crust of Parisian society, her life is expected to be one without hardships. She is a lively child, barely standing still when her mother attempts to tie the perfect bow on her dress. The fire-cracker that is the little girl is challenged by horseback riding and, at the recommendation of her uncle, archery. Her mother dons a frown whenever her daughter returns from practice. A young lady should under no circumstances be holding a deadly weapon in her hands. It is in place. Margot persists. She is bright, so her teachers said. Private school for the elite is temporary, a fleeting experience. After she graduates, Margot is expected to find a suitor and wed.

Margot never finds a man, and her father suspects the private school gave her one too many ideas. No matter how many young gentlemen are sent to win over the lady’s heart, all return defeated. What is this woman doing that frightens so many young men? Discussing current political events? Expressing her frustration with her tutor, her wish to go to a real university? Gushing over the joys of running and subtly inviting the other to a football match? Most likely, it is all of the above. »You are a woman,« her mother tells her. »Your only concern should be to find a husband. You cannot study. You cannot play sports.« Margot spits back words of pure fury and the two do not speak until her mother pitches another wealthy bachelor to her. She plays her game, for a while. She never fully accepts her faith as merely an heir to the Lechapelle fortune, but she tries anyway. She’s fed up after meeting men who visibly cringed at her wish to perhaps one day pursue a career.

Her mother stops trying soon after Margot stops giving a damn. She’s reading too many books and skimming over too many articles for her tastes. Attempts of a conversation about the arms race fall on deaf ears and Margot wonders how dead she is to her mother already. Then comes the declaration of war. Suddenly, her mother has to pay attention to politics. They’re packing before she knows it, yet Margot puts up a resistance. Cowards, her parents are. Cowards, running away to safety, to Switzerland, when their country needs them the most. After heated arguments that leave Margot with a sore throat each time, she stays. Stays and watches men in herds leave the comforts of their home to defend it. They carry their bayonets and kiss their lovers goodbye and how Margot wishes she could go with them. To fight the Germans and those who threaten them. To defend France. But yet again, her mother’s words echo in her mind: you’re a lady, you’re a lady.

Marcel Lachance joins the army at 25. He’s the butt of all jokes when it comes to facial hair, his inability to grow a beard. His dark curls are crudely chopped off, peeking out slightly from under his helmet. He never removes his shirt in front of his fellow soldiers. His chest is bound, after all, hiding the lady of Lachapelle. But what Marcel lacks in masculinity, he makes up for on the field. He notoriously never misses a target. A natural born sharp-shooter, he impresses others with his calm hands and impeccable aim. His bravery is to be envied, his morale twice as much. He is hailed as an excellent soldier. He finally feels a sense of belonging. However, what most don’t notice is how he grits his teeth, how he clutches his gun so hard his knuckles turn white. The shaking of his form whenever the trenches are attacked, though to be fair, it’s a minuscule detail in those times. The excellent soldier is afraid, petrified, yet he persists. He remembers everything. The screams of his comrades, the blood that flows like a river through the war-stricken field. The hollow looks of shell-shocked soldiers he regarded as friends.

The scenes replay in his mind after they send them home. After he becomes she again and the uniform is stored in the back of her closet. Everyday life is a foreign concept to the war veteran. She gets a job at a flower shop. Sure, it’s not the career of her dreams, but it is standing up to her mother, fulfilling the wish of pre-war Margot. And she has to pay rent somehow. But she feels it inside, the dullness of everyday life, the yearning to march out and defend once again. Her wish to return to the glory days. She scolds herself each time. War brought devastation. Why on earth would she want to go back? No, stay here, smile as all the others do, prepare bouquets, do not think about it. It becomes routine: wake up bright and early, have breakfast, go to the flower shop, work, return in the evening and wonder how long until you completely lose your mind. Or perhaps, how much more appropriate it would have been for Margot to die in the battlefield. She wants adrenaline to pump through her veins once again, to feel as if she belongs. She needs it.

Her saving grace is her former fellow soldier, one of the very few that knew Marcel to be Margot. He finds her one night, hunched over a bar with empty liquor glasses keeping her company, a pile of misery. Dragging her home is a challenge. Margot is a giggling fool one moment and a screamer, crier and barely a person in the next. She tries to sleep with him, he politely declines. »You’ll drink yourself to death,« he remarks. Margot scoffs in return. »It’s what’s keeping me alive.« The desperation in her voice is clear despite her slurred words. At her doorstep, the fellow veteran offers a solution to end her despair. The next night, Margot stands before her jury- well-known mafia bosses are impressed with her marksmanship. Margot feels a sense of pride she hasn’t felt in a long time. They’ll pay her, they say. Equip her with the proper firearms and teach her the necessary skills. All she has to do is kill.

It’s nothing personal. For the right price, anyone will be her target. Margot doesn’t count the number of victims. She remains cold to the bloodshed, or at least attempts to. She can’t afford to feel grief or guilt when money’s on the line. When she’s a killing machine. When she’s at war.

POTENTIAL PLOTS/CONNECTIONS

While I’d be absolutely thrilled to interact with every one of the characters in-game (I love how each skeleton has a unique storyline!), I have some ideas for future plots with Margot:

First of all, I’d absolutely love any plots with fellow war veterans. Maybe someone that was in Margot’s battalion and knows Margot was Marcel. They could talk about their experiences and coping with the scars the conflict has left behind. Are they also turning to crime? Or cigarettes or sex or alcohol? Or are they smoothly transitioning into everyday life? Maybe someone that doesn’t know this detail and wonders why Margot is so morbidly curious in their war experiences. It would kill Margot on the inside- wanting to reveal herself as Marcel, but fearing no one would believe her, calling her delusional. Perhaps someone could question her decision to leave for Switzerland, not knowing she stayed behind and defended her country. It’d be quite interesting to explore Margot’s relationship with the war and how it left her with physical and mental scars (is my inner history nerd showing yet?).

Second, any and all plots related to Margot’s work as an assassin are welcomed. What I have in mind is someone who is perhaps a frequent client, someone corrupted and completely into the crime scene. Someone that could challenge Margot to melt away the icy attitude she has towards her job, who’d make her question the morality of her actions.

Third, I’d love for her to have some friends. Women and men that got under her skin, despite her self-reliant, but slightly distant attitude. She wouldn’t even realize it, but suddenly she harbors friendly feelings towards these people and it scares her. Yet she could realize how much she treasures them at the same time and wouldn’t want to let them go. Someone that brings out the free-spirited and energetic side of her would be appreciated, as well as a confidant she could trust with her life.

Finally, perhaps someone that could completely sweep her off her feet. She’s not one to fall in love, nor does she believe anyone would particularly fancy her, but this person could change that. It could even be a simple crush, Margot would definitely try to ignore her feelings, but never quite be able to bury them. But as I’ve said before, I’d love to interact with any and every character in-game. I’m open to any plots and connections for Margot!

#accepted #yay!

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duccnguyen · 3 years

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Fresque des Québécois, 1999 by CitéCréation, Hélène Fleury, Marie-Chantal Lachance and Pierre Laforest. @tourismquebec #BonjourQuebec #Quebec @quebecregion #quebeccite #QCAccent @CCNQ #macapitale @villequebec @CCdesignUrbain #HeleneFleury #MarieChantalLachance #PierreLaforest #muralart #murals #fresquemurale #designurbain Characters who appear on the Fresque des Québécois: Jacques Cartier (1491 - 1557): navigator and explorer of the New World Samuel de Champlain (c. 1570 - 1635): founder of Quebec in 1608 Félix Leclerc (1914 - 1988), father of Quebec song Louis de Buade, Count of Frontenac and Palluau (1622 - 1698): Governor-General of New France Louis-Joseph Papineau (1786 - 1871): an influential member of Parliament and emblematic figure of Lower Canada Frederick Temple Blackwood, Marquis of Dufferin and Ava (1826 - 1902): Governor-General of Canada and architect of the preservation of the fortifications of Quebec Alphonse Desjardins (1854 - 1920): Founder of the Desjardins Cooperative Movement Marie Guyart (1599 - 1672): Founding religious of the first Ursuline convent in New France Thaïs Lacoste-Frémont (1886 - 1963): Activist for women's rights François-Xavier Garneau (1809 - 1866): National Historian of Canada Louis Jolliet (1645 - 1700): First explorer of the Mississippi. A native of Quebec, with Marquette he discovered and explored the Mississippi in 1673. Jean Talon (1626 - 1694): Intendant of New France François de Laval (1623 - 1708): First Catholic bishop of Quebec Catherine de Longpré (1632 - 1668): Augustinian nun, founder of the Hôtel-Dieu de Québec Marcelle Mallet (1805 - 1871): Founder of the mission of the Sisters of Charity in Quebec Marie Fitzbach (1806 - 1885): First Superior of the Sisters of the Good Shepherd Octave Crémazie (1827 - 1879): bookseller, writer and poet, founder of the Institut Canadien de Québec. (at La Fresque des Québécois) https://www.instagram.com/p/CWJ01toLsux/?utm_medium=tumblr

#bonjourquebec #quebec #quebeccite #qcaccent #macapitale #helenefleury #mariechantallachance #pierrelaforest #muralart #murals #fresquemurale #designurbain

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seitrack · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

WASHINGTON—Confirming that a historic spike in violent crime was beginning to subside, a study from Georgetown University released Friday found that murders rose at a slower rate in 2021 thanks in large part to the brilliant work of Inspector Marcele Lachance. “Our analytics show a 15% drop in the rate of homicides as…

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baby-ace-kitten · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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eugene-v-dabs · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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glassofteajlc · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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inspire-by-desirec · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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jack-davvson · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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kristablogs · 3 years

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Study Finds Murders Rose By Slower Rate In 2021 Thanks To The Brilliant Work Of Inspector Marcele Lachance

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motherofalien-archive · 7 years

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A Masterlist of Underused French Names

So as a French person, I grew a little bit tired of seeing the same old French names over and over again. So under the cut is a list of 260 (185 first names and 105 surnames) underused French names, based on my experience, with the bolded ones being my favorites! And now don’t get me wrong, many of those names are not strictly French, and are in other languages too. But just know they are used in French too, so they can be used for your French character if needed. And there are obviously a lot of other names you can go for!

Female Names

Agathe

Alexandrine

Amélie

Andréa

Andréanne

Angélique

Anne

Apolline

Ariane / Arianne

Audrey

Brigitte

Cadence

Camille

Cécile

Céleste

Céline

Chantal / Chantale

Charlotte

Chenelle

Christelle

Christiane

Christine

Claire

Clara

Claudie

Clémence

Coralie

Darcie

Delphine

Desirée

Dianne

Élaine / Élène / Hélène / probably a lot of other variations

Éléonore

Éloïse

Émilie

Estelle

Èvelyn

Félicia

France

Geneviève

Giselle

Isabelle

Jacinthe

Jacqueline

Jeanie

Joanne

Joceline

Joséphine

Julie

Juliette

Laure

Laurie

Lavinia

Léa

Liliane

Linette

Loraine

Madeleine

Maia / Maya

Mallory

Margaux

Margerite

Marianne

Marjolaine

Marjorie

Mathilde

Maude

Mélanie

Mélodie

Mélusine

Myriam

Nancy

Nathalie

Noémie

Ophélie

Rachel / Rachelle

Rosalie

Rosemarie

Roxane / Roxanne

Solange

Stéphanie

Susanne / Suzanne

Thérèse

Valérie

Véronique

Violette

Virginie

Viviane

Male Names

Adrien

Alain

Antoine

Arnaud

Baptiste

Benjamin

Benoit

Bernard

Bruno

Charles

Christian

Christophe

Clovis

Colin

Damien

David

Didier

Dilan

Edmond

Edouard

Eliott

Émile

Ernest

Étienne

Fabrice

Félix

François

Gaspard

Gaston

Gauthier

Geoffrey / Geoffroy

Grégoire

Guillaume

Henri

Hubert

Ivan / Yvan

Jacques

Jérémie / Jérémy

Jérôme

Joseph

Jules

Karel

Laurent

Léo

Léon

Léonard

Lionel

Luc

Marc

Martin

Mathieu / Matthieu

Maurice

Merlin

Nathanaël

Nicholas / Nicolas

Olivier

Paul

Philip / Philippe

Pierre

Quentin

Raymond

Rémi / Rémy

Richard

Robert

Roland

Romain

Sébastien

Simon

Sylvain

Thierry

Thomas

Tristan

Victor

Vincent

Xavier

Unisex Names

Carol (male) / Carole (female)

Claude

Daniel (male) / Danielle (female)

Denis (male) / Denise (female)

Dominic (male) / Dominique (female)

Eugène (male) / Eugénie (female)

Fabien (male) / Fabienne (female)

Frédéric (male) / Frédérique (female)

Jasmin (male) / Jasmine (female)

Jean (male) / Jeane (female)

Joël (male) / Joëlle (female)

Jordan (male) / Jordane (female)

Justin (male) / Justine (female)

Louis (male) / Louise (female)

Lucien (male) / Lucienne (female)

Marcel (male) / Marcelle (female)

Michel (male) / Michelle (female)

Noël (male) / Noëlle (female)

Pascal (male) / Pascale (female)

Patrice

Samuel (male) / Samuelle (female)

Valentin (male) / Valentine (female)

Surnames

Adam

Allaire

Allard

Archambault

Beauchêne

Beaulieu

Beaumont

Bélanger

Béranger

Bernard

Bertrand

Blanchard

Blanchet

Boivin

Bouchard

Boucher

Brisbois

Brodeur

Bureau

Caron

Charbonneau

Cloutier

Comtois

Côté

Courtemanche

Cousineau

Couture

Delacroix

Desautels

Deschamps

Descôteaux

Desjardins

Desrochers

Desrosiers

Duboit

Duchamps

Dufort

Dufour

Duval

Fabron

Faucher

Faucheux

Favreau

Félix

Fontaine

Fortier

Fournier

Gagné

Gagnon

Girard

Giroux

Gosselin

Granger

Guérin

Hébert

Jacques

Labelle

Lachance

Lambert

Langlois

Lapointe

Laurent

Lavigne

Lavoie

Lebeau

Leblanc

Leclair

Leclerc

Lécuyer

Legrand

Lemair

Lemieux

Lévesque

Maçon

Marchand

Martel

Martin

Mathieu

Mercier

Michaud

Moreau

Morel

Paquet

Parent

Patenaude

Pelletier

Perrault / Perreault

Petit

Plamondon

Plourde

Poirier

Poulin

Richard

Richelieu

Robert

Rousseau

Roux

Samson

St-Martin

St-Pierre

Taillefer

Thibault

Thomas

Tremblay

Villeneuve

#masterlist #french masterlist #name help #rph #name masterlist #i needed to do this #this feels so great #also that moment my name is not one of my favorites oops

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extrabeurre · 7 years

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Prix Écrans Canadiens : LES AFFAMÉS de Robin Aubert décroche cinq nominations

Les nominations des Prix Écrans canadiens viennent d’être annoncées et Les Affamés se retrouve dans cinq catégories : meilleur film, réalisation (Robin Aubert), maquillages (Érik Gosselin, Marie-France Guy), musique originale (Pierre-Philippe Côté) et interprétation féminine dans un rôle de soutien (Brigitte Poupart).

Hochelaga, Terre des Âmes mène la course avec ses huit nominations, dans les catégories de la direction artistique (François Séguin), des images (Nicolas Bolduc), des costumes (Mario Davignon), des maquillages (Kathryn Casault), de la musique originale (Terry Riley, Gyan Riley), du son d'ensemble (Claude La Haye, Bernard Gariépy Strobl), du montage sonore (Claude Beaugrand), et des effets visuels (Alain Lachance, Yann Jouannic, Hugo Léveillé, Nadège Bozetti, Antonin Messier-Turcotte, Thibault Deloof, Francis Bernard).

Sept nominations pour La petite fille qui aimait trop les allumettes : meilleur film ainsi qu’en direction artistique (Marjorie Rhéaume), en images (Nicolas Canniccioni), en effets visuels (Marc Hall, Jonathan Cyr, Emmanuel Bazin, Clément Natiez, Emmanuelle Gill), en adaptation (Simon Lavoie) et en interprétation masculine et féminine dans un premier rôle (Antoine L'Écuyer, Marine Johnson).

Avec six nominations, C'est le cœur qui meurt en dernier se retrouve dans les catégories du meilleur film, de réalisation (Alexis Durand-Brault), de montage (Louis-Philippe Rathé), d'adaptation et d'interprétation masculine dans un premier rôle (Gabriel Sabourin), et d'interprétation féminine dans un premier rôle (Denise Filiatrault).

Les rois mongols obtient aussi six nominations, dans les catégories de direction artistique (Guillaume Couture), de costumes (Brigitte Desroches), de musique originale (Viviane Audet, Robin-Joël Cool, Alexis Martin), de son d'ensemble (Pierre Bertrand, Stéphane Bergeron, Shaun-Nicholas Gallagher, Maxime Potvin), d'adaptation (Nicole Bélanger) et d'interprétation féminine dans un rôle de soutien (Clare Coulter).

All You Can Eat Buddha se retrouve dans les catégories de réalisation (Ian Lagarde), de costumes (Gabrielle Tougas-Fréchette), de maquillages (Bruno Gatien), de son d'ensemble et de montage sonore (Sylvain Bellemare), et d'interprétation masculine dans un rôle de soutien (Sylvio Arriola).

Nous sommes les autres se démarque dans quatre catégories, soit en images (Mathieu Laverdière), en costumes (Julie Bécotte), en effets visuels (Jonathan Piché Delorme, Fabienne Mouillac, Alain Lachance, Caroline Guagliardo, Alexandre Tremblay, Thibault Deloof, Benoit Gagnon), et en interprétation masculine dans un premier rôle (Émile Proulx-Cloutier).

Meilleur film

Ava - Kiarash Anvari, Sadaf Foroughi The Breadwinner - Andrew Rosen, Anthony Leo, Paul Young, Tomm Moore, Stéphan Roelants C’est le coeur qui meurt en dernier - Richard Lalonde La petite fille qui aimait trop les allumettes - Marcel Giroux Maudie - Bob Cooper, Mary Young Leckie, Mary Sexton, Susan Mullen Never Steady, Never Still - James Brown, Tyler Hagan Les Affamés - Stéphanie Morissette

Meilleure réalisation

Ian Lagarde - All You Can Eat Buddha Sadaf Foroughi - Ava Alexis Durand Brault - C’est le coeur qui meurt en dernier Aisling Walsh - Maudie Robin Aubert - Les Affamés Meilleure adaptation Anita Doron - The Breadwinner Nicole Bélanger - Les rois mongols Gabriel Sabourin - C’est le coeur qui meurt en dernier Simon Lavoie - La petite fille qui aimait trop les allumettes Susan Coyne - The Man Who Invented Christmas Meilleur scénario Josh Epstein, Kyle Rideout - Adventures in Public School Sadaf Foroughi - Ava Sarah Kolasky, Adam Garnet Jones - Great Great Great Sherry White - Maudie Kathleen Hepburn - Never Steady, Never Still

Interprétation masculine dans un premier rôle Nabil Rajo - Boost Gabriel Sabourin - C’est le coeur qui meurt en dernier Antoine L'Écuyer - La petite fille qui aimait trop les allumettes Tzi Ma - Meditation Park Émile Proulx-Cloutier - Nous sommes les autres

Interprétation masculine dans un rôle de soutien Sylvio Arriola - All You Can Eat Buddha Jahmil French - Boost Sladen Peltier - Indian Horse Natar Ungalaq - Iqaluit Ethan Hawke - Maudie

Interprétation féminine dans un premier rôle Mahour Jabbari - Ava Denise Filiatrault - C’est le coeur qui meurt en dernier Marine Johnson - La petite fille qui aimait trop les allumettes Sally Hawkins - Maudie Shirley Henderson - Never Steady, Never Still

Interprétation féminine dans un rôle de soutien Bahar Nouhian - Ava Oluniké Adeliyi - Boost Clare Coulter - Les rois mongols Lucinda Armstrong Hall - Porcupine Lake Brigitte Poupart - Les Affamés

Meilleure direction artistique Siamak Karinejad - Ava Guillaume Couture - Les rois mongols François Séguin - Hochelaga, Terre des Âmes Marjorie Rhéaume - La petite fille qui aimait trop les allumettes Sophie Jarvis, Elizabeth Cairns - Never Steady, Never Still

Meilleures images Sina Kermanizadeh - Ava Nicolas Bolduc - Hochelaga, Terre des Âmes Nicolas Canniccioni - La petite fille qui aimait trop les allumettes Norm Li - Never Steady, Never Still Mathieu Laverdière - Nous sommes les autres

Meilleurs costumes Gabrielle Tougas-Fréchette - All You Can Eat Buddha Brigitte Desroches - Les rois mongols Mario Davignon - Hochelaga, Terre des Âmes Trysha Bakker - Maudie Julie Bécotte - Nous sommes les autres

Meilleur montage Kiarash Anvari - Ava Darragh Byrne - The Breadwinner Louis-Philippe Rathé - C’est le coeur qui meurt en dernier Stephen O'Connell - Maudie Simone Smith - Never Steady, Never Still

Meilleurs maquillages Bruno Gatien - All You Can Eat Buddha Marlène Rouleau - Bon Cop Bad Cop 2 Kathryn Casault - Hochelaga, Terre des Âmes Sonia Dolan - The Man Who Invented Christmas Érik Gosselin, Marie-France Guy - Les Affamés

Meilleure musique originale Mychael Danna, Jeff Danna - The Breadwinner Viviane Audet, Robin-Joël Cool, Alexis Martin - Les rois mongols Terry Riley, Gyan Riley - Hochelaga, Terre des Âmes Ben Fox - Never Steady, Never Still Pierre-Philippe Côté - Les Affamés

Meilleure chanson originale Joey Sherrett, Chris Gordon, Nathaniel Huskinson - Boost - "CTS Thief" Qais Essar, Joshua Hill - The Breadwinner - "The Crown Sleeps" Dani Bailey - Hunting Pignut – "Rid The Dark"

Meilleur son d'ensemble Sylvain Bellemare - All You Can Eat Buddha Philippe Attié - Boost Pierre Bertrand, Stéphane Bergeron, Shaun-Nicholas Gallagher, Maxime Potvin - Les rois mongols Claude La Haye, Bernard Gariépy Strobl - Hochelaga, Terre des Âmes Matt Drake, Nate Evans, Christopher O'Brien - Never Steady, Never Still

Meilleur montage sonore Sylvain Bellemare - All You Can Eat Buddha Marie-Claude Gagné - Bon Cop Bad Cop 2 Nelson Ferreira, John Elliot, J.R. Fountain, Dashen Naidoo, Tyler Whitham - The Breadwinner Christian Rivest, Antoine Morin, Thibaud Quinchon, Guy Pelletier, Guy Francoeur - Goon: Last of the Enforcers Claude Beaugrand - Hochelaga, Terre des Âmes

Meilleurs effets visuels Marc Hall - Le Cyclotron Alain Lachance, Yann Jouannic, Hugo Léveillé, Nadège Bozetti, Antonin Messier-Turcotte, Thibault Deloof, Francis Bernard - Hochelaga, Terre des Âmes Marc Hall, Jonathan Cyr, Emmanuel Bazin, Clément Natiez, Emmanuelle Gill - La petite fille qui aimait trop les allumettes Greg Behrens, Brendan Taylor, Jasmine Scott, Martin O'Brien - The Man Who Invented Christmas Jonathan Piché Delorme, Fabienne Mouillac, Alain Lachance, Caroline Guagliardo, Alexandre Tremblay, Thibault Deloof, Benoit Gagnon - Nous sommes les autres

Meilleur long métrage documentaire Manic - Kalina Bertin, Marina Serrao, Bob Moore, Mila Aung-Thwin, Daniel Cross Sur la lune de nickel - Christine Falco, François Jacob, Vuk Stojanovic Resurrecting Hassan - Carlo Guillermo Proto, Roxanne Sayegh, Pablo Villegas, Maria Paz Gonzalez Rumble: The Indians Who Rocked the World - Catherine Bainbridge, Christina Fon, Linda Ludwick, Lisa Roth, Stevie Salas, Tim Johnson, Diana Holtzberg, Jan Rofekamp, Ernest Webb Unarmed Verses - Charles Officer, Lea Marin

Meilleures images dans un long métrage documentaire Vuk Stojanovic, François Jacob, Ilya Zima - Sur la lune de nickel Duraid Munajim - My Enemy, My Brother Carlo Guillermo Proto - Resurrecting Hassan Alfonso Maiorana - Rumble: The Indians Who Rocked the World Mike McLaughlin - Unarmed Verses

Meilleur montage dans un long métrage documentaire Roland Schlimme - Long Time Running Anouk Deschênes - Manic François Jacob, Jéricho Jeudy - Sur la lune de nickel Benjamin Duffield, Jeremiah Hayes - Rumble: The Indians Who Rocked the World Frank Cassano - Sled Dogs

Meilleur court métrage documentaire Babe, I Hate To Go - Andrew Moir Take a Walk on The Wildside - Lisa Rideout, Lauren Grant, Sasha Fisher Three Thousand - Asinnajaq, Kat Baulu

Meilleur court métrage dramatique La course navette - Maxime Aubert, Audrey D. Laroche Fluffy - Lee Filipovski Garage de soir - Daniel Daigle, Aurélie Breton Tout simplement - Raphaël Ouellet, Annick Blanc Pre-Drink - Marc-Antoine Lemire, Maria Gracia Turgeon

Meilleur court métrage d’animation DAM! The Story of Kit the Beaver - Kjell Boersma, Josh Clavir Fox And The Whale - Robin Joseph Hedgehog’s Home - Eva Cvijanović, Vanja Andrijević, Jelena Popović Manivald - Chintis Lundgren, Draško Ivezić, Jelena Popović The Tesla World Light - Matthew Rankin, Julie Roy

Prix Découverte John-Dunning Black Cop - Cory Bowles, Aaron Horton The Devout - Connor Gaston, Amanda Verhagen Wexford Plaza - Joyce Wong, Matt Greyson, Harry Cherniak

#prix écrans canadiens #les affamés #robin aubert

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