Viard sketched these out in the archetypal black and ivory as well as a heavenly array of pastels, with very few prints, save for those that featured scrolling lines akin to what you might obsessively draw while daydreaming, or black-on-black interlocking logo double-Cs
By: Emily St. John Mandel
Warning: Spoiler alert for Station Eleven
Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that…
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Japanese poster designs for films: THE SACRIFICE (1986, dir. Andrei Tarkovsky), WORLD ON A WIRE (1973, dir. Rainer Werner Fassbinder), NAKED LUNCH (1991, dir. David Cronenberg), LAST YEAR AT MARIENBAD (1961, dir. Alain Resnais), HIROSHIMA MON AMOUR (1959, dir, Alain Resnais), FACES PLACES (2017, dir. Agnès Varda, JR), FANTASTIC PLANET (1971, dir. René Laloux) and LOST LOVERS (1971, dir. Sôichirô Tahara, Kunio Shimizu).
“The story is already over. In a few moments, it will freeze into a marble past. Like these statues in this garden in stone. Like this hotel with its now empty rooms.”
Chanel Haute Couture Collection Fall/Winter 1960-61.
The actress Delphine Seyrig in a model worn in the film "Last year at Marienbad" by Alain Resnais.
Slingacks by Raymond Massaro.
Chanel Collection Haute Couture Automne/Hiver 1960-61.
L'actrice Delphine Seyrig dans un modèle porté dans le film "L'année dernière à Marienbad" de Alain Resnais.
Slingacks de Raymond Massaro.