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fuckyeahgoodomens · 7 months

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Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.”

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series Hogfather (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010).

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop.

From start to finish

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.”

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.”

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).”

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities.

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures.

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.”

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.”

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.”

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.”

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots.

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.”

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

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hellishjoel · 9 months

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cherry thrill | masterlist

tattoo artist daddy dom!joel miller x virgin sub f!reader

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main masterlist | notifications blog | ko-fi

series summary: Trust and devotion. Ink meets innocence. Your tattoo artist, Joel Miller, shows you what it really means to give up control. Reeling from the loss of your job, you’re running out of options, until a passing comment from Joel and a video camera give you just the right idea.

paring: tattoo artist daddy dom!joel miller x virgin sub f!reader (first chapter only) → tattoo artist daddy dom!joel x sub f!reader series warnings: MA 18+ (minors DNI), no outbreak, implied age gap (unstated, but author imagines 20s/late 40s), swearing, dom&sub dynamics (/not lg), tattoo artist!joel, daddy dom!joel, virgin sub f!reader to eventually sub f!reader, daddy kink, innocence kink & corruption kink, discussions and actions of sex work, cam couple, smut, lots of pet names (princess, bunny, angel, baby girl, sweetheart, etc.), size kink, virginity loss, doing it for the camera kink, exhibitionism, mutual masturbation, see each chapter for individual warnings!

series masterlist

lights

camera

chokehold (mini drabble)

action - coming soon

Wider, baby, smiling, you've just made a million Girls on Film, Duran Duran

moodboard is for aesthetic purposes only

#joel miller #joel miller fic #joel miller x you #joel miller x reader #joel miller x female reader #joel miller x f!reader #joel miller fanfic #joel miller fanfiction #joel miller smut #joel miller fluff #joel miller angst #The Last Of Us #tlou #the last of us fic #joel miller tlou #pedro pascal #joel miller pedro pascal #dd!joel miller #dom/sub

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kapurcell · 2 years

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6 Fun Cameras to Take Your Church Media Up a Notch

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#6 fun cameras #cameras #dji #dji mini 3 pro #dji osmo action 3 #dji osmo pocket 2 #gopro #gopro hero 11 #gopro volta #insta360 #insta360 go 2 #insta360 one rs 1-inch edition

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cindol · 10 months

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Hm.. masc!mikasa and her pink gf.

Mikasa Ackerman x black fem reader

tagging: @liuhko @hoesluvshanti

tw: modern au, written in the hc format, fluff, small suggestive-ness, y/n is a lil dumb,

a/n: I’ve had this in my drafts since May yall …. 😭 I just re-wrote it up a bit . srry if it’s a bit short !!

masc!mikasa who’s a total babe magnet to pink fem girls a lot. Her roster and ex’s are mostly just feminine pinky pink girls so it’s a surprise to nobody when she shows her new girlfriend y/n off to her friend group.

masc!mikasa was the yin to her pink hello kitty girlfriend’s yang, they were polar opposites but definitely worked. Y/n could handle mikasa’s calm and collected attitude always speaking for her sometimes at restaurants while mikasa could handle y/n’s excited extrovert personality, knowing just the right way to calm her down and listen to her.

Mikasa loved whenever y/n would coming running to show her new hello kitty charmed nails while mikasa sat on their couch with her legs spread. She gave a warm smile just touching the one hand looking at the new nails and kissing her hand saying a simple,”love them baby.” Her small compliments had a way of just making y/n melt, no matter how small.

Another way she could calm y/n down also is just listening to her and her rants. When y/n was pent up and just angry she’d listen and give her small opinions on it.

masc!mikasa matched y/n’s style perfectly also, she was the masc to y/n’s fem style. While mikasa wore nike socks and slides, tank tops with shorts and her hair tied up occasionally y/n always was wearing some pink mini skirt, a pink cami top or anything hello kitty inspired to match.

masc!mikasa loved to feed into her girlfriends pda especially with the funny cute TikTok’s she’d do with her. Letting y/n give her pink lipstick kisses all on her face and neck while she had her legs spread then the camera turning to y/n with a lipstick tube in her hand applying more lipstick.

masc!mikasa never makes y/n feel that she’s too clingy, even when she comes to mikasa asking. Mikasa just scoffs at what she says.”bullshit, don’t know what idiot made you feel like that but you’re never clingy. You’re just a lover girl baby.” That warms y/n’s heart.

masc!mikasa gets protective when she has y/n around certain men. She knows how some men can be perverted weirdos, especially when it came to sapphic women. She always made sure to watch them when they tried taking a peak under her skirt.

masc!mikasa likes teaching her girl self defense. Mikasa was proud in her ability to protect y/n but what would happen if she was never around? She feared for when y/n got in the hospital somehow or mugged so she was teaching her self defense.

“Cmon baby be serious, what if I was some burglar trying to mug you?” It just made y/n giggle at her girlfriend with a cheap mask on trying to steal the small purse she was holding.”if you were some burglar trying to mug me in a alleyway I’d just kiss ya to let me go baby!” She joked making mikasa just give into her antics and tackle her.

if y/n and masc!mikasa had an argument it wouldn’t last long. Y/n’s a huge crybaby, if mikasa even had a slightly mad tone she would get sad. Mikasa may not show it but she was exactly the same, as soon as y/n seemed hurt by her actions she was immediately trying to cheer her up or show how sorry she is.

masc!mikasa is the one who made y/n realize how toxic her family is in the first place and actually drop them. When y/n vented to her about her mother’s homophobia mikasa just had a sympathetic look.”you don’t deserve that baby, nobody deserves that.” She rubbed a hand on her arm to comfort her more.”if anything, my family will always be here when yours can’t. Levi always considers you family anyways”

#mikasa x reader #mikasa x black reader #mikasa x you #mikasa x y/n #mikasa ackerman #aot x black y/n #aot x female reader #aot x y/n #aot x black reader #aot x you #aot x reader #aot mikasa #mikasa aot #aot x #𝗖𝗜𝗡’𝗦 𝗪𝗢𝗥𝗞𝗦 𝗢𝗙 𝗔𝗥𝗧 ᐢ..ᐢ !

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lenoraah · 1 year

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𝘵𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘭𝘪𝘧𝘦

pairing - oscar piastri x wife!reader

summary - reader and oscar have been married since they were eighteen and while they both have different career paths they both belong in the F1 industry. reader and her best friend are host for most driver interviews and are also change-makers in the industry. during a race when the two are interviewing the McLaren drivers, an American Williams driver and her best friend decides it the right time to celebrate Oscar and reader’s anniversary

a/n - i kind of came with this while looking at the queen’s (Vivienne Westwood) vintage dresses. also the Mini Bas Relief Pearl choker is so freaking chic. also the reader’s best friend’s name is Lizette and I feel like her and Lando are best friends from like, his karting days so they have like a teasing yet flirty relationship and no they’re not dating but at the same time Lizette and Logan have a plot planning and detective like friendship (idk it felt right)

★ ☆ ━━━━━━━━━━━━━━━━━━━

“Here we are at the McLaren garage where the two drivers are cooling down from the race.”

“So, Lando how are you feeling?”

Lando has this shit eating grin on his face as Lizette holds the microphone to his face. The raven haired girl gives a gentle and teasing eye roll as Lando places his hands on his hips and gives her a sassy look.

“Uh, like a winner.”

“Are you giving us some of that Scorpio sass?” Y/n asks, quickly switches the microphone from her to Lando.

Lando makes a face which makes both Lizette and Y/n laugh.

“Yes, of course I am.”

“Well, first of all we just want to say congratulations on your podium. You must be very happy, any thoughts you would like to share as you bask in your happiness?” Y/n asks as Lizette copies Lando’s pose with her hands on her hand on her hips.

“Uh, I all I remember is how Lizzy and I made a bet last post-race interview that I could have her sunglasses if I got a podium this weekend.” Lando smirks as he takes Lizette’s baby blue rimmed sunglasses off her head.

The blue eyed girl dramatically gasps and her jaw drops open sarcastically. Lando puts them on and does his best impression of Lizette.

“This is Lizette von Ascheberg and I’m here with Lando Norris. Lando, how you do you feel post-race?” Lando does his best high pitched voice and shoves the microphone in Lizette’s face.

“I think that you should give the microphone back to me because, well, Lizette to be real with you this is currently being live streamed to viewers all across the world.” Lizzie smiles and grips the microphone from Lando.

Lando nods and makes a face before handing Lizette the microphone who hands it to Y/n.

“Right, so back to the interview. How are you feeling?”

“I feel great. I feel like celebrating. And I also feel really sticky from all the champagne.” The Brit places two fingers on the sleeve of his race suit that is tied around his waist and takes a moment to remove his pointer finger as representation that the sweet alcohol has dried into his suit.

“That is a prove that you have a podium today though,”

“You’re not wrong,”

A quick tap on Lando’s back makes him turn around and smile once again.

“Congratulations mate,”

“Thanks, great race today.”

The two McLaren drivers share a short hug and the cameras around them definitely eat it up.

“Here is Oscar Piastri and how you feeling after the race Oscar?” Lizette wastes no time in shoving Y/n out of the way and taking the microphone from her hands, silently motioning to the Williams driver to move in action.

“Well it’s nice to see you again after last race Liz,” Lie. He had just seen her yesterday night when Liz and Y/n decided that it was a good idea to finish the latest episode of The Summer I Turned Pretty while they talked about a bunch girl stuff that Oscar really wished he hadn’t heard in the couple’s hotel room.

“I consider it a really good race for the McLaren team. Both of us finished with no penalties or any major losses of time during pit stop.” Oscar nods along to his words and Lizette nods with him as if she really cared in the moment when she was trying to give Logan a signal.

When the American driver gives Lizzy a thumbs up, she hands Y/n the microphone and shoves her next to Oscar.

“Okay, okay, Y/n/n do you have anything to say?”

“Right, thanks Liz.” Y/n doesn’t hesitate to give her best friend a weird look as she gets moved into place. “Well, it must be fate because today is also an important day as it is-“

“Your fucking fourth anniversary!”

Lizette holds a sign that yells Mr and Mrs Piastri in bright glitter lettering while Logan holds one that says Happy Anniversary, Shawty!.

“I was going to say the last race before the championship race.”

“What about our talks about announcing our marriage when we had the time?”

“Well you guys were taking forever so your best friends had to step in and help.”

“Yeah, that talk was like two years ago. Like hello? Perfect opportunity much?”

Oscar and Y/n are left speechless as everyone around them start to panic and congratulate them. Cameras flash, the crowd yells and cheers, the drivers near the McLaren garage start to question and congratulate the couple while Logan and Lizette stand there high-fiving each other and grinning.

“Well? Thanks guys?” Y/n shrugs an Lizette pulls her into a hug.

“Of course! Now the real question is when are you going to have kids because I need someone to be the rich aunt to.”

“Keep dreaming for a couple for years,” Oscar replies immediately earning a smack on the back of his head from Y/n.

“Yeah, yeah okay whatever. Can we get a picture?” Logan nods and grabs Lizzy’s sign from her hand and places both of them on the ground next to him.

The four of them laugh and the photographers snap photos that they can already imagine the headlines to that will be plaster everywhere in the morning.

“Is that going on the family fridge too?” Lizzie asks Logan teasingly and he plays along nodding his head.

The two friends play around as Oscar and Y/n are left alone in their moment. Well at least that pretend they are as people are still yelling and cheering and cameras are still going off.

He has his hands around her waist and she has her arms wrapped around his neck, their foreheads leaning against each other’s.

“I love you,”

“I love you more,”

“Impossible Piastri,”

The two share a kiss and bask in their own quick moment of happiness. Somehow the cheering gets louder and it is pretty obvious that Lizette and Logan are their biggest fans.

“What? You’re what? Four whole years? What?”

“Guys I think we broke Lando.”

Oops.

#oscar piastri #oscar piastri x reader #oscar piastri imagine #oscar piastri fluff #logan sargeant #f1 #mclaren #lando norris #f1 imagine #original writing #original post #formula 1

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pitchsidestories · 7 months

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You belong with me II Alanna Kennedy x Reader

masterlist I word count: 1516

a/n: we combined two requests for this oneshot, hope you guys like it !

As the social media manager of the Australian national team, you never got tired of working with the players to create new content together.

In that moment you were already focused by placing the big camera on the tripod in front of you, after that was done you looked up to Mackenzie Arnold, your girlfriend’s best friend, humming:” Ready?”

“Yes, fire your questions away.”, the goalkeeper responded smiling brightly at you.

Satisfied by her okay you clapped into your hands: ”Alright, let’s start.”

“Yes, please.”, the brunette nodded happily. You two were suddenly interrupted by Harper, who was running excitedly into the open arms of the player: ”Macca!”

“Hi Harper and Cait.”, Mackenzie greeted the intruders warmly.

Noisily Caitlin Foord wanted to know from both of you:” What are you two doing?”

“Recording a video for the Matilda’s Instagram?”, you replied shrugging, because it was quite obvious for everyone to see what was going on here.

In good spirits the goalkeeper explained:” It was supposed to be a quick round of questions.”

“What questions?”, Katrina Gorrys’s daughter asked big eyed. Casually

Mackenzie shrugged her shoulders:” Just random questions?”

“Like?”, the toddler pressed on stubbornly.

Her curiosity was endearing to you, that’s why you patiently answered her:” Like who’s her favourite roommate and what’s her favourite food in camp.”

“It’s so obvious. I’m her favourite roommate because Lani sneaks out to be with you at night.”, the Arsenal forward said with a cheeky grin on her lips.

With a frustrated sigh you interrupted the conversation you have been filming since Harper appeared a few minutes ago:” Cut!”

“I thought we didn’t even start anyway.”, Mackenzie giggled confused.

Sheepishly you told her:” I already hit the record button.” “And she’s getting paid for that.”, Caitlin teasingly rolled her eyes at you.

Groaning you hid the face behind your hands: “Girls!” “What?”, the forward threw up an eyebrow.

Meanwhile Harper who realized you were filming them was now in her element, clapping her hands like she was the director of this set, exclaiming delighted:” And action.”

“See, they should pay her. She’s carrying our social media appearance.”, Caitlin remarked amused.

To your defense came Mackenzie who pointed out to one of her closest friends:” She does, but y/n always makes you look good in photos as you said earlier.” “She does.”, the Arsenal player admitted.

Clearing your throat, you draw back the attention to the task which lay ahead of you all:” So who’s your favourite and worst roommate in camp.”

“They’re both going to kill me. Caitlin and Alanna but I’m not saying who is which.”, the goalkeeper responded with a wink to the camera.

You bit back a laugh and continued; “Okay, next question. What’s your favourite part of the training camp?“

Without missing a beat, Mackenzie answered; “Seeing the girls.“

“Awww!“, Caitlin cooed from somewhere next to you with a smirk.

The goalkeeper made a dismissive hand gesture in her direction; “Shut up. I’m talking about Mini and Harper!“

“Rude!“, Caitlin complained, laughing.

You shook your head at the two football players; “Girls, please!“

“Focus.“, Harper said as strictly as possible for a toddler and pointed her finger into Mackenzies direction.

You smiled at the little girl; “Thanks, Harper.“

Mackenzie looked at Caitlin in disbelief; “Can’t believe we’re getting called out by Harps!“

“She’s already a social media pro.“, you shrugged. Caitlin grinned; “We can tell.“

The filming was again interrupted by Katrina; “Oh, here she is!“ Harper immediately ran into her mothers arms who gently picked her up.

“Harper was in safe hands, Mini. I’m a keeper.“, Mackenzie commented, smiling about her own joke.

Caitlin rolled her eyes; “Worst joke ever, Macca.“ “Shush it. Time to go back to filming.“, the goalkeeper decided and you were more than happy to comply.

After you managed to film the video without any further interruptions, Alanna was impatiently waiting for you. With her arms crossed over her chest, she was playfully pouting; “You did a video without me?“

“It was Maccas turn.“, you explained matter-of-factly.

Mackenzie who left the room right behind you winked at her friend; “Yes, and it was fun. Even though Harper stole the show as usual.“

“She did.“, you agreed with a laugh. Alanna pretended to be shocked; “Rude.“

“Jealous that your girlfriend didn’t work with you today?“, Caitlin teased, closing the door of the hotel room that you used to film.

Unimpressed, Alanna shook her head; “She only does videos with you, guys.“

“So that’s a yes.“, Mackenzie concluded with raised eyebrows.

You eyed your girlfriend from the side while you remarked; “I mean at home she only takes photos with Leila recently. So it’s fair.“

The defenders jaw dropped open; “Don’t start with Leila now. You never want to be on my photos.“ “

Well, you never ask me.“, you continued.

Alanna retorted; “Don’t distract. You also never ask me to be in your little videos.“

“That’s something different.“

“Not at all!“

“We’ll talk about this later.“, you ended the discussing while fondly rolling you eyes about your girlfriends teasing.

“Fine.“ Your small dispute attracted some of the drama-loving Matildas.

Mary Fowler looked at you with curious eyes; “Trouble in paradise?“

“Yes, Mary. Obviously.“, Alanna shook her head, laughing. Kyra Cooney-Cross grimaced; “Trouble? No way, that’s our thing.“

Steph Catley shot her an inquisitive look; “What did you do again that we haven’t noticed yet?“

“What are you talking about, Steph?“, Alanna asked.

“Talking about Kyra. I think she was onto some mischief again.“, her fellow defender explained without taking her eyes off the younger player.

“I’m going to bed now. Good night, girls.”, you announced.

“Lani is she still pouting because of the Leila photos or is this just a thing you love to tease eachother with?”, curiously Mary turned to look at your girlfriend, expecting a dramatic reply.

“No, we’re just making fun.”, Alanna reassured the younger forward.

“You two are such weirdos.”, Steph commented smirking.

Unimpressed by the teasing of the fellow Matilda’s she shook her head:” We’re cute.”

“Sometimes.”, Mary admitted.

Your girlfriend rolled her eyes: “You’re too young to have an opinion.”

“Rude.”, the younger player scoffed playfully.

The evening went on as usually, but Alanna decided to say goodnight to the team because she wanted to see you desperately after your dispute earlier.

When she came into your room you were already laying on the hotel bed, the only thing you were wearing was an old jersey of your girlfriend which was big enough on you to cover all the important parts. “Hi love.”, you hummed.

Noticing your sleeping clothes Alanna lifted an eyebrow:” What are you trying to do?”

“These are my normal sleeping clothes.”, you answered innocently.

“You never sleep in my jersey.”, the Mancity player remarked.

“Okay, fine, maybe I wanted to show you that I belong to you.”, you sighed.

The blonde nodded slowly: “I do hope so.”

“And you belong to me.”, you concluded with a seducing smile.

“I do?”, Alanna asked grinning while letting her eyes glance over your whole figure taking it all in.

“Yes.”, you replied confidently, now looking at her the same way she did a few seconds ago.

“I see.” cheekily she took your camera from the nightside table, I think it’s time for a couple photo.”

“Fair enough, through the mirror?”, you suggested beaming.

Shrugging her shoulders, Alanna agreed to it: “Fine. If you want it artsy.”

“I do.”, you told her.

“Of course you do.”, the defender smirked at you.

After a couple of tries to take the photos, you looked up to her:” Thanks, it turned out really cute, don’t you think?”

“Yes, I love it.”, she said equally satisfied with the photos and the pretty picture you two made together.

For a moment your girlfriend hesitated before adding:” Can we post it?”

“Sure.”

“Great.”, Alanna kissed you, afterwards she quickly posted it, the rest of the evening her focus was entirely on you.

The next day you were back taking photos of the Matilda’s during their training.

“Look who’s coming now.”, Hayley nodded in the direction from where Mackenzie, Alanna and Caitlin were arriving on the pitch side.

Immediately you were blushing, remember the night you had with the blonde defender, while taking a photo of the trio:” Name a better trio, Hayley. I’m waiting.”

“The powerpuff girls.”, the forward laughed.

Jumping on to your back Kyra almost screamed into your ears:” Charli, Mini and me!”

“Nirvana.”, Ellie giggled.

“I shouldn’t have asked.”, you mumbled but couldn’t help to smile at all the answers the player had given.

“Don’t forget the Jonas brothers.”, Charli winked at you while pulling the young Arsenal midfielder away from you.

“I’ll make this the next random question for a video.”, decided.

The Tottenham player immediately supported your idea:” You should.”

Meanwhile Alanna was hugging you from behind, whispering:” As long as you think we’re the best trio.”

“Always.”, you replied, turning around to kiss your girlfriend on her lips ignoring the howling noises Caitlin and Mackenzie made.

You were never more certain that you and Alanna belonged together.

#alanna kennedy #alanna kennedy x reader #woso x reader #woso fanfics #woso imagine #woso #woso one shot #woso community #woso oneshot #matildas #auswnt #katrina gorry #mackenzie arnold #caitlin foord #mancity women #matildas imagine #matildas x reader

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isaacswhy · 3 months

Text

CAMPING WITH... ISAACWHY

isaacwhy x gn!reader headcanons (sfw + nsfw) heavily inspired by the group camping video series: nick tanner yumi larry MINORS DNI

More than likely, Isaac was the one to come to you with the idea of going camping. If it ever involved his friends, he would plan a secondary trip with just the two of you.

Isaac is an over-planner. He will buy a bunch of shit off Amazon to make sure you have your every need covered, to excess. Secretly a survivalist?

If you want to keep it 'realistic', he will be there with you on that 100%. No phones? He's down.

But, if you want to do a campsite but not take it too seriously, he thrives. He will have a mini cooler with sodas, food, campfire ready, et cetera. Isaac is happy to adapt.

Unsurprisingly, one of Isaac's first requests is to go swimming. He loves to stay active, and in the Texas heat swimming is the best way to do it and stay cool.

He's petty while swimming. He won't splash first, but if you splash him get ready for hell. If you're able to handle it, he won't hesitate to dunk you.

When you finally get out of the water, get ready for him to complain about his hair being wet. With his curls, it takes forever to dry. If you suggest cutting it, prepare for a death glare.

Isaac is happy to make the tent by himself, although he might ask for a helping hand every once in a while. He prioritizes you being happy and not stressing, so he tries to do everything.

He will also try to start the fire all by himself, but you might want to be on standby just in case he burns his tank top. He's not bad at lighting fires, it just takes a little more kindling than it should.

Speaking of doing things for you, prepare to sit back and let him cook, literally. He wants to make the meals. He may allow you to help, but let the chef do his work!

After the fire's going and the food's cooking, Isaac finds a giant fire log and bench presses it. Just to impress you, but he says it's because he needs to get his work out in.

He feasts. He will demolish any sort of food you give him. But, if you're still hungry after you've eaten yours, consider his food your own. He will offer it all.

Since he's not one to be on camera, he uses his phone (if you allow it) to take pictures and videos of you the whole time.

He also takes a lot of sunset photos and posts his favorite on his twitter.

When you finally turn in for the night, you get nice and cozy. Since Isaac's big and tall, you hardly need a blanket. Plus, he's clingy.

Being smushed together in a tent really only turns out one way. At first, it's harmless kisses to the back of your neck, and the next he's slowly rutting against you.

You don't have a hard time staying warm that night. Isaac's too rough and loves to hold you as close as he can.

To fit in the cramped space of the tent, he has no real problem practically folding you in half when he fucks you.

It's a bit uncomfortable, but the closeness really makes the experience much more intimate. You just hope no animals are drawn to all the noise you can't hold back.

Once you're both finished, and he makes sure you do, he's extra cuddly. Wraps his entire body around you to the point you have to lose the blanket. He's a big, warm softie.

You can't help but sleep well after all the action from the day. You wake up unsurprisingly sore and he gives you lots of apology kisses.

The next morning he makes breakfast for you while you're still getting up and makes sure you're well-fed.

He convinces you into one more trip down for a swim. As it turns out, there's nobody around.

Yeah, he fucks you on the shoreline. What a romantic!

After, you go back to the campsite and pack up your things. When you complain about being tired, he knows it's his fault and takes twice the amount of stuff you do.

The drive back, you can't help but take a fat nap. Dick too big.

He posts the highlights from your trip on his Instagram and twitter, and you take a day in the air-conditioned house as a prize. Mostly spent in bed cuddled up with your boyfriend.

And a shower together. You already know what happens.

#isaacwhy #isaacwhy x reader #the group #the group chat #tgc #tgc x reader #the group x reader #yumi #bigt #softwilly #larry croft #camping series

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