#NDK edits

[wifelinkmtg]

Cruel Angel’s Thesis intensifies

Technically, it’s “Kamigawa: Neon Dynasty” and not “Neon Dynasty Kamigawa” but only the latter facilitates “get in the robot, Shinji” jokes when you tap your pilot token to crew your Thundersteel Colossus, so. Anyway, none of the mecha cards are relevant to this project - it would have been too much to hope for a POWER DoLLS situation - so really, the moral of the story is that I should have saved the Samurai Jack title joke for this edition.

TODAY ON WIFELINK: GUSHING ABOUT CYBERPUNK FANTASY JAPAN

NDK was a great set, you have to understand. Do you remember how one of the few unequivocally good things about Legend of Korra was this project of imagining a 1920s industrial setting derived from (mostly) East Asian art and architecture? Yeah, similar story here. Just one example: the Imperial mecha look like someone did origami to sheet metal, which is super cool and lends their faction a distinct visual identity. The art in this set is gorgeous - soaring architecture, grungy neon alleyways, sick cyborgs, spirits (in the original Kamigawa block, spirits had some of the weirdest creature designs Magic had ever had, and this continues that legacy) - sagas! saga art is in-universe visual representation of a story that’s important to the people of the world, and NDK sagas are told on ornamental fans, wall scrolls, porcelain jugs, the carved hilt of a katana, a silk dress, in a leaf carving and vector graphics AND, the best saga art ever, on the back of a biker rat’s leather jacket. (I would be remiss at this point not to recommend Rhystic Studies’ extremely good video on sagas.)

And the mechanics! Sagas turn into creatures when the story is over, sort of living memories. Ninjutsu made a triumphant return, the channel mechanic multiplied interesting choices, and so did the reconfigure mechanic, which let you either use a mechanical centipede as a whip attached to one of your creatures, or let it operate autonomously as a creature in its own right (which led to one of the best type lines in MtG: “Legendary Artifact Creature - Equipment Jellyfish.”)

The draft environment - and I know I’m way off-topic here, but I’m about to say some mildly unkind things about this set and I need to preface it - the draft environment was the best I’ve ever encountered. There were so many different viable archetypes, so many different cool choices you could make during drafts and gameplay. The blue-black ninjas deck, fast red-black artifact sacrifice, recursive green-white enchantments - all felt powerful and fun. The whole set was flavorful and compelling, and there are not that many good wifelink hits, I’m sorry to say.

THE QUALITY OF A MAGIC THE GATHERING SET IN TERMS OF THIS PROJECT IS NOT AN IMPORTANT INDICATOR OF OVERALL SET QUALITY

Heiko Yamazaki, the General (art by Magali Villeneuve)

Heiko makes it where her cousin Norika (also by Villeneuve) doesn’t for two reasons: one is that I find Heiko’s broody expression indicative of a rich and stormy internal life, which always hits me like the smoky scent of a fine scotch or a cup of lapsang souchong. A woman with inner turmoil draws me like a moth to a bug-zapper, which I suppose is why I keep getting into trouble with older women in troubled relationships. “If I simply provide enough unpaid therapy, she’ll leave her abusive husband back in [REDACTED FORMER SOVIET REPUBLIC] & also the closet she’s been in for forty-five years & stay in the United States with me!” Yeah, that’ll happen, idiot.

The other reason is that Norika is a cop.

Tamiyo, Compleated Sage (art by Chris Rahn)

There are a lot of planeswalkers I don’t care about, personally, and I’m not only talking about the male ones. If I’m being honest, my engagement with Magic story has always been kind of shallow on account of Magic story is frequently (but not always!) bad. Like, pursuant to the previous entry, I did enjoy the apparently-uncredited story about the Yamazakis Wizards published back in February. It’s compelling! There’s juice to that relationship. We will never get anything else about these characters.

See, it turns out that the incentives of creating a collectible card game are not terribly aligned with those of creating rich long-form fantasy stories. Novelty sells cards. We hop around. Those few characters who do enjoy a prolonged spotlight often wilt under the attention as we all collectively get sick to death of the fucking Gatewatch or whoever else. Magic the Gathering is still compelling media, or else why would I be doing this, but to me it’s a kaleidoscopic whirl of mostly detached ideas, characters, settings, and vibes.

ALL OF WHICH IS TO SAY that I never knew much or cared to about Tamiyo. She was some nerd from Kamigawa who didn’t save Avacyn, whatever. Then the Phyrexians got her and turned her into an ichor-weeping cyborg brainwashed into working toward the universal expansion of New Phyrexia, a biomechanical plane of horror, corruption, and ego death, so now she’s hot!

Go-Shintai of Hidden Cruelty (art by Johannes Voss)

I don’t think I can explain this one, to be honest. Sometimes you just wanna get fucked up by a magical bone machine.

I KNOW THIS ONE HAS BEEN REALLY TALKY ALREADY BUT I GOT SOME BEHIND-THE-SCENES STUFF TO SAY AND A SET WITH ONLY THREE HITS SEEMS AS GOOD A PLACE AS ANY

Well, only three hits that I can find high-quality images of for. I suppose I could be using card rips of Tia Masic’s Moon-Circuit Hacker (reminiscent of my introduction to cyberpunk via Shadowrun, a bad setting paired with a bad system which nevertheless compelled me to consume more cyberpunk, most of it also bad) or Wisnu Tan’s Spring-Leaf Avenger (a delightful vaguely-orchid-mantis bug ninja) but that would look like

and

...oh wait that actually looks fine, at least to me on desktop. Okay, then, I’ll incorporate those into my strategy as an acceptable last resort going forward. Actually, while I’m at it:

Junji, the Midnight Sky (art by Chase Stone)

The dragon’s hot, man, I don’t know what to tell you.

THE OTHER THING IS ABOUT WHAT WE WILL GENEROUSLY CALL AN “UPDATE SCHEDULE”

Phyrexia: All Will Be One releases the second week in February and I am goddamn well going to review that as soon as it’s out, because I played Cyberqueen at the young and impressionable age of twenty-two and now “quasi-omnipotent dominatrix corrupts you into a biomechanical horror ecstatically enslaved to her will” is the hottest thing I will ever get out of Magic: the Gathering unless Ashiok decides to start force-femming planeswalkers, so I am going to be tearing through one set a week for the next three weeks.

Next time is New Capenna, the Art Deco Metropolis of organized crime, bad draft experiences, and well-muscled arms, followed by a return to Dominaria where my excitement for more Phyrexians will be tempered by the fact that my favorite characters from the last Dominaria set are not quite so hot this time round.

[thegameslave]

The Gameslave Podcast - Ep. 260 - NDK2022 Cosplay Interviews

Hi folks, we’re trying something new with this episode. Today, we have a big batch of interviews that we recorded with regular convention attendees on the floor of NDK 2022. We asked each person two questions: “who are they cosplaying?” and “why?”. Listening back as I was editing the audio this past week, I was delighted to be reminded of these little interactions with other fans. When we started doing this, I was incredibly nervous to approach people out of the blue (you can probably hear it in my voice in the first few). But the little stories that so many of these fans had reminded me of how fun and cool it is to love art and media. I hope you enjoy listening to these as much as I enjoyed editing them.

[marialagidyne]

Hello!! A friend of yours pointed me in your direction after I realized I missed your NDK table somehow (???). I love your art! I'll try to come back again on Sunday. I also wanted to let you know that the link to the Bayonetta sigils in your pinned post links to a Microsoft advertisement page.

oh gosh thank you for pointing it out!! it probably got messed up when i edited my links earlier ;;

thank you so much!! ; u; its apparently very easy to miss my table since its all the way in the back against the wall ahaha but i will definitely be there sunday all day as well!!!

[beardedmrbean]

There are less than two weeks left until the most significant and big event for tattoos and alternative culture in the Balkans. Bulgaria Tattoo Expo will gather some of the best artists from Bulgaria and the world for the eighth year in a row on September 16 and 17 in hall 3 of the NDK. Over 180 artists, whose works will be judged by the jury, which this year has a remarkable composition, namely - one of the oldest tattoo masters in Bulgaria - Roman Todorov, the well-known throughout Europe as an artist and jury Barthez and the international tattooist with over 25 years of experience Costi Azoitei.

Especially for Bulgaria Tattoo Expo, one of the most respected and experienced tattoo masters - Roman Todorov - will fly from Italy. Roman's creative path began at the age of 3, passing through the National School of Fine Arts "Ilia Petrov" and the University of Veliko Tarnovo "St. Cyril and Methodius", where he graduated with a degree in "Fine Art". He started tattooing thanks to a friend of his, practicing on himself and his father, with whom at that time he made his first tattoo machine. He is inspired by European art and the Orient, which are the basis of his work.

Next to him as a member of the jury will stand another Bulgarian, known throughout Europe - Barthez! With his participation in various international conventions both as an artist and as a jury, Barthez is among the tattooists whose works write the history of this art in Bulgaria. His preferred styles are Japanese, American traditional and neotraditional.

The third member of the jury is the internationally recognized artist with over 25 years of experience – Costi Azoitei. With serious experience both as a participant (18 years) and as a judge in contests all over the world (12 years), Costi comes to Bulgaria to give his professional assessment of all tattoos made during the eighth edition of Bulgaria Tattoo Expo.

The jury will evaluate all participants in several categories on the different days of the event. On Saturday, tattooists can participate in the competition program in the following directions: "Monochrome", "Color", "Avant-garde", "Neo-traditional", "Lettering", "Best of Saturday", and on Sunday: "Traditional", "Japanese/Oriental", "Realism", "Fantasy", "Collaboration", "Best of Sunday" At the end of Sunday, it will be clear who will receive the most recognition from the event in the "Best of Bulgaria Tattoo Expo" - the winners of "Best of Saturday" and "Best of Sunday" compete in it.

Thus, visitors will have the opportunity to see the best of the world of tattoos in one place and, if they have not yet chosen the artist for their dream project, to do so on the spot. On the other hand, the event will become a center for the exchange of experience of professionals from all over the world. For this purpose, within the framework of Bulgaria Tattoo Expo, the special seminar "Soul and Body" will be held with speakers Katerina Boyadzhieva and Pavel Kaloyanov - Epic. For two days (14 and 15 September) they will share techniques, secrets and approaches they use in the tattooing process.

The eighth edition of Bulgaria Tatto Expo will offer its visitors an impressive and diverse entertainment program, which includes fire and freak show, pole dance, tattoo quiz and thematic stand-up comedy performed by Filiph "Kadraviya" from Inside Joke. During the rest of the time, visitors will be able to enjoy delicious food, refreshing drinks and pleasant music, as well as shop from a variety of artists and stores.

Tickets for the event can be purchased from the official website of Bulgaria Tattoo Expo: https://www.bulgariatattooexpo.com/ ________________

@adaptive--manipulator get pics if you go,

[mccarthymolly]

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[jordanterri]

Supertuxkart where are the graphics options

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS APK#

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS DRIVER#

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS ANDROID#

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS CODE#

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS TRIAL#

To accomplish this the adb run-as command is used to run commands with the user id of the application. For a non-rooted device gatord needs to be run by the user id of the application so it has permission to profile the application. In Android, each application has its own Linux user id.

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS ANDROID#

Installing the gator daemon onto the device for profiling the Android application requires it to be placed in the home directory of the user id for the application. Clicking OK on this dialog will change a device from "unauthorized" to "device". On the first connection a dialog may pop up on the device asking for authorization. If the list is empty then no devices were found.Īlso, make sure it doesn't show "unauthorized". Plug in a device via USB and confirm adb can find it. Confirm USB debugging is enabled to allow adb and Streamline to connect. The structure of the settings is a little different depending on the device but tap on the Build Number seven times to enable developer options. Go to the Configuration settings on the device and find the About Phone section and then find the Build Number. Make sure Android devices enable developer options. Streamline will do this automatically if adb is already installed and found in the search path. This allows Streamline to find adb and connect to a device. Start Streamline and use the Window -> Preferences and select External Tools to set the ADB Path. The first step to profile an Android application is to setup the path to adb in Streamline.

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS APK#

It is also not recommended to install the Android apk which comes with Streamline because gatord needs specific options for Android application profiling.

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS DRIVER#

It is not necessary to install the gator Linux kernel driver to use Streamline for Android application profiling. Building from source is helpful if any problems occur and more information is needed.

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS CODE#

The source code and instructions to build the gator daemon can be found on GitHub. Compiled versions of the daemon are included in the DS-5 release, so it’s not required to compile the daemon from source. Streamline uses a daemon, known as gatord, running on the target hardware to collect profiling information. Readers likely have their own applications to profile so the SuperTuxKart build details are included as an appendix. Let’s assume the SuperTuxKart Android application is already built from source and the apk is ready to install. I installed the Android NDK and Android Studio to build and profile SuperTuxKart. It is assumed Android developers will already have these tools and more. Streamline setupįor Android application profiling the Android SDK Platform Tools are needed for the Android Debug Bridge, adb. More information on the installation process is available in the DS-5 Getting Started Guide.

#SUPERTUXKART WHERE ARE THE GRAPHICS OPTIONS TRIAL#

A 30-day trial is available on the Downloads page. To confirm the DS-5 configuration use the Help -> Arm License Manager dialog box. If this is not done Streamline may give a license error when connected to an Android device. After the installation is done I recommend starting “Eclipse for DS-5”, or just run eclipse from the Linux command line, and make sure the selected toolkit is “DS-5 Ultimate Edition”. It’s important to configure DS-5 for the Ultimate Edition for Armv8 support. To get started make sure DS-5 is installed. Let’s build it and use Steamline on non-rooted devices to understand the setup and profiling features. SuperTuxKart, a popular Linux racing game which is now available for Android, is a representative application that can be built from source as an Android developer would do it. To demonstrate the new application profiling features let’s go through the steps to use Streamline on an Android application. Full details can be found in the release notes on the Downloads page. Streamline 6.7 provides new sample-based profiling for applications as well as CPU hardware counter information.Īdditional features in Streamline 6.7 include support for new Arm IP such as the Cortex-A76 and Mali-G76, support for up to 128 cores, and compare and merge capability. Android application developers typically don’t root devices for testing because it can be a tedious process and they have many devices to test with. This is a significant improvement for mobile developers building Android applications and testing them on a wide variety of devices. DS-5 Development Studio version 5.29 updates the Streamline performance analyzer to version 6.7 and greatly improves functionality when running Android applications without root access.

[tvishatechblogs]

How to import project in Android Studio?

Migration of your projects to Android Studio needs you to adapt to a new project structure, IDE functionality, and build system. Suppose you are migrating a project in Android Studio from Eclipse. In that case, Android Studio will offer you an import tool to move the existing code into the Android Studio project and Gradle-based build files. Before discussing further on how to import project in Android Studio? Let us understand what Android Studio is.

What is Android Studio?

The official Integrated development environment(IDE) for Android app development is Android Studio. It is based on Java integrated development environment for Software called IntelliJ IDEA. It includes code editing and developer tools. It utilizes code templates, GitHub integration, emulator, and support app development within the Android operating system.

So let’s learn here how to import a project in Android Studio. There are 4 steps mentioned here to place the project in Android Studio.

Open your Android Studio and if any project is opened just close it (Go to File?Close Project) then you'll see a small window like this:

Step: 1

To import a project in Android Studio, you should open Android Studio Project: Click on "Open an existing Android Studio project" to open the Android Studio Project.

Select your Android Studio Project directory from the 'Open file to Project' dialogue and click on the OK button.

Wait until the project sync and builds project in Android Studio.

Step:2

Open Gradle or Eclipse ADT project: Click on “Import Project(Gradle, Eclipse ADT etc)” to open Eclipse build project for placing the project in Android studio without fail.

Here, browse your project in Android Studio by navigating the location where you kept your project, your project’s folder will appear with an Android logo on it like this:

Select the app and click OK, this will take some time for the Gradle to build, wait for the loading time. (You might get an error here stating the different SDK location, the error looks like this):

In case of the above error just go to Project Directory and you’ll then find the file named “local.properties” in the root folder of your project. Open this file and scroll to the last 2 lines “ndk” and “SDK” and change the location with the one of your SDK and save the file.

Again open the Android Studio Project or else if already opened in Android studio, go to Gradle->Rebuild.

Step: 3

To build and run your app: In the toolbar, select your app from the run configurations drop-down menu.

From the target device drop-down menu, select the device you want to run your app.

Note: If you don't have any devices configured, then you need to either connect a device via USB or create an AVD to use the Android Emulator

Click on the Run button in Toolbar or Select the Run menu in the menubar

Step:4

Edit project :

By default, while you import project in Android Studio, the Android Studio displays your project files in the Android view. This view does not reflect the actual file hierarchy on disk, but is organized by modules and file types to simplify navigation between key source files of your Android Studio Project, hiding certain files or directories that are not commonly used. Some of the structural changes compared to the structure on disk include the following:

Shows all the project's build-related configuration files in a top-level Gradle Script group.

Shows all manifest files for each module in a module-level group(when you have different manifest files for different product flavors and build types).

Shows all alternative resource files in a single group, instead of in separate folders per resource qualifier. For example, all density versions of your launcher icon are visible side-by-side.

Within each Android app module, files are shown in the following groups:

manifests: Contains the AndroidManifest.xml file.

java: Contains the Java source code files, separated by package names, including JUnit test code.

res: Contains all non-code resources, such as XML layouts, UI strings, and bitmap images, divided into corresponding sub-directories. For more information about all possible resource types, see Providing Resources.

Gradle Scripts: Two types of Gradle file are used in android projects One type is Project level Gradle which contains application repositories, dependencies, and project-level variables, Second type are modules level Gradle which contain app version name, version code, min version, application ID, dependencies for this module, debug and release build types, build flavors, etc

Conclusion

It is a simple process to migrate your project to Android Studio. So follow these steps, which show you how to import projects in Android Studio.

[moonpie1220]

What even is a confidence?

I had so much fun with this video I accidentally put off another video I was gonna submit to NDK instead

The rules were that we had 2 weeks to edit a video using 3 different requirements that were set up at random. For this contest, we the wheels decide on a video theme, a genre of music, and one random element. This time, the wheels determined we would make:

-An action video

-With a 2010's song

-And at least 10 seconds of the beach episode

ENJOY! :D

[thegameslave]

The Gameslave Podcast - Ep. 259 - Legacy of Voice Acting

Today’s episode is a leftover from NDK 2022, which I didn’t manage to get edited in time to post last year. This penultimate podcast from NDK is a panel with John and Olivia Swasey, and father and daughter who have both found careers in voice acting. They talk about working with each other, finding your niche in the VO industry, and how the industry has evolved from the time that John started working to now. A warning, there is one, very loud instance of the F-word being used in this recording. If you prefer not to hear that, we recommend that you consider skipping this episode.

[someawesomeamvs]

Warning: Potential spoilers

Title: the gay seal and polar bear video for NDK

Editor: Seal

Song: Montero (Call Me By Your Name)

Artist: LIL NAS X

Anime: A Polar Bear in Love

Category: For fun

[pendingpendulums]

NDK adventures! I took all the Persona 5 photos I could lmao and not much of anything else

[worldsload154]

Java Jdk Osx

I solve the problem by changing the paths inside: edit-preferences-external tools To point to the correct version as I download a different version for the SDK, NDK and JDK when using the hub. This can be done by ticking the checkboxes.

Example: For Java 8 Update 65 (8u65) the file to download is jre-8u65-macosx-x64.pkg. Notifications about disabled Java and restoring prompts. The installer notifies you if Java content is disabled in web browsers, and provides instructions for enabling it.

Java Jdk Linux Install

Apache NetBeans is much more than a text editor. It highlights source code syntactically and semantically, lets you easily refactor code, with a range of handy and powerful tools.

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Java Jdk Linux Install

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[shutthyface]

Here's my first cosplay from Nan Desu Kan (NDK) 2019!

I chose our lovely and luminous White Diamond, hopefully I did her justice!

I handmade my headdress, and then thrifted and edited my dress and shoes 💎🖤

I really wanted to give her that 20's goddess vibe I get from her.

Anyway, I hope you all like it!

[brondoesart]

I'm kinda just editing pictures as I want to post them because there are so many shoots I need to go through... But I love how warm and bright this shoot was! This was a couple days after ndk I think? It was fun to put these costumes on again knowing that so many people loved their debut ✨⭐🌸 My lovely Syaoran: @captainnowherecosplay Photo credit: @nepenthesvet https://www.instagram.com/p/B2ep455HILF/?igshid=10fo35xpg1ksk

[nickki-d-k]

I've had this in my head for a very long time, and now thanks to @sunshineafter for posting the perfect screencap ... This finally happened. 😁 Yes, I know it would make more sense for a Bergen to be Jaws but I don't care 😜

[yourfavoritescoundrel]

Yellow & Blue

| Left 4 Dead 2 Cosplay |

Nick: @yourfavoritescoundrel

Something I messed with a long while back while trying to edit photos with some not so great lighting. Taken a hundred million years ago at NDK 2013.