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#Nicolas Poliakoff
midnightbasilisk99 · 8 months
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An expansion to my previous post, what elements would Sissi, Herve, Nicolas, Milly, Tamiya, & Jim bend in an Avatar style AU?
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Code Lyoko Sexuality Headcannons
Aelita “Stones” Schaeffer-Demi
Anthea Schaeffer-Straight
Elizabeth ‘Sissi’ Delmas-Straight
Franz Hopper-Demi
Herve Pichon-Straight
Hiroki Ishiyama-Gay
Jean-Pierre Delmas-Straight
Jeremy Belpois-Demi
Jim Morales-Pan
Millie Solovieff-Pan
Nicolas Poliakoff-Ace
Odd Della Robbia-Bi
Suzanne Hertz-Bi(Female Leaning)
Tamiya Diop-Gay
Ulrich Stern-Bi
William Dunbar-Bi
Yumi Ishiyama-Bi(Male Leaning)
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panpuk · 3 years
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Screenshot redraw ~
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punk-63 · 3 years
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Nicolas's middle name is Sergey and Herb's is Antoine.
Only they know about each other's middle names, they think they're too embarrassing. Herb suggested telling Sissi but Nicolas soon shot down the idea.
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tamacatifieddesigns · 3 years
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Finally I got the time to finish these useless b*tches
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Joking, I love you all *hugs them
So... Here comes the bullies from Code Lyoko and I love them
Elisabeth (Sissi) Delmas
Female (she/her)
12 y (S 1-2) 13 (S 3-4)
Pridefull, moody, actually good (deep inside)
Primadonna
She is the bully (and the principal's daughter)
Hervè (NOT Herb! F*cking useless name readaptations) Pichon
Male (he/him)
12 y (S 1-2) 13 (S 3-4)
Grumpy, moody, smart
Dumb
He had the same potential of Jeremie, but since act like a piece of s*it full time, nobody cares
Nicolas Poliakoff
Male (he/him)
12 y (S 1-2) 13 (S 3-4)
Calm, slow ... And nothing else to say about, since he is rude because he is in Sisdi's gang (at least I think so)
Dumber
I got say he is the Kronk or three Goofy of Code Lyoko but he is rude so... As I stuff nothing very much to say
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coloursofmyroom · 4 years
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De retour du Musée des Beaux-Arts de Dijon
Récemment rénové, c’est l’un des plus beaux musées des Beaux-Arts que j’ai eu l’occasion de visiter (malgré le parcours un peu déconcertant...), qui m’a impressionné tant par la qualité que par l’ampleur des collections : 46 salles, de l’Antiquité à la seconde moitié du XXe siècle. Les salles consacrées à l’art médiéval sont parmi les plus riches. Ce panneau d’un polyptyque de Konrad Witz, L’Empereur Auguste et la Sybille de Tibur est une évocation particulièrement saisissante de l’espérance et de la foi, tandis que les toiles de nombreux peintres primitifs suisses et allemands, plutôt rares dans nos musées, partagent un style insolite, “rebondi”, coloré et truculent, attentif aux détails (Retable de la Passion du Maître à l’oeillet de Baden ; Chevauchée des Rois Mages du Maître de la Déploration de Saarnen).
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Mais le clou de cette section médiévale est à chercher du côté des six salles consacrées au Moyen-Age bourguignon : la série des portraits des quatre ducs ; les extraordinaires retables en bois doré commandés en 1390 à deux flamands,  Jacques de Baerze et Melchior Broederlam, pour la chartreuse de Champmol, qui sont d’une richesse, d’une souplesse et d’un raffinement extraordinaires (voir ci-dessous) ; et, naturellement, les deux tombeaux de Philippe le Hardi et de Jean Sans Peur et Marguerite de Bavière, dont les pleurants en albâtre, tous différents, émeuvent par leur détresse silencieuse.
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La Renaissance est également bien illustrée : Pontormo, l’Ecole de Fontainebleau, Titien et surtout Véronèse avec son admirable Moïse sauvé des eaux (ci-dessous) aux coloris éclatants, à la touche vive, à la composition théâtrale dont l’harmonie ‘exclut pas un goût pour le bizarre, avec le nain et le jeune valet noir. Pour revenir au foyer bourguignon, il faut mentionner encore l’étonnante armoire du sculpteur et ébéniste Hugues Sambin (auteur également de la Maison Maillard et d’une porte du Palais de Justice de Dijon) qui développe un langage ornemental d’une grande profusion marqué par des influences antiquisantes et italianisantes.
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Moins touché par les collections des XVIIe et XVIIIe siècles, je retiendrai toutefois le Souffleur à la lampe de Georges de La Tour. A l’étage inférieur, belle salle des Statues néoclassique, dominée par l’admirable Hébé et l’aigle de Jupiter de François Rude. Une salle entière est ensuite consacrée au sculpteur dijonnais et à son épouse, Sophie Frémiet, peintre en vogue sous le Second Empire. C’est toujours un plaisir de découvrir les artistes locaux : Félix Trutat, dont la triste et troublante Bacchante annonce l’Olympia de Manet, François Pompon ou Félix Ziem, dont le Constantinople (ci-dessous) conjugue une lumière turnerienne et une touche riche et empâtée.
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Gustave Moreau, Jean-Jacques Henner (avec un émouvant Réveil de l’enfant), Courbet, Guillaumin, Monet, Tissot complètent, entre autres, ces salles très agréables. Le XXe siècle est composé presque exclusivement de la donation Granville, où la Seconde école de Paris est abondamment représentée : nombreux Maria Helena da Silva, Bissière, Poliakoff, Estève, Soulages, Pagava, Manessier, Bazaine... Mais surtout une dizaine de toiles de Nicolas de Staël, réalisées entre 1945 et 1952, durant une période de retour à la figuration, sensible dans la très belle série des Footballeurs, dont le ballet heurté tente de s’extraire de la pesanteur de la matière.
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tawneybel · 5 years
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Male Cartoon Characters Who Get Possessed
Note: Or infested. (I use the term “cartoon” loosely.) Live-action list. Be free to suggest more.
Acid Breath from Ben 10 (“Ghostfreaked out”)
Thumbskull from Ben 10 (“Ghostfreaked out”) 
Kurosaki Ichigo from Bleach (Added 9/14/2023.)
Shiba Kaien from Bleach
Shiro Fujimoto from Blue Exorcist (Added 3/13/2022.)
Tom Dubois from The Boondocks (“Stinkmeaner Strikes Back”) 
agents from Code Lyoko (XANA possesses so many characters, I’m not keeping track of the episodes.) 
Jérémie Belpois from Code Lyoko (“Mister Puck”)
biker gang from Code Lyoko  (“Dog Day Afternoon”) (Added 3/10/2023.)
Jean-Pierre Delmas from Code Lyoko (“Ultimatum”)
demolition worker from Code Lyoko  (“The Secret”) (Added 3/10/2023.)
William Dunbar from Code Lyoko (“Fight to the Finish,” “Final Round”)
Peter Duncan from Code Lyoko  (“Common Interest”) (Added 3/10/2023.)
Jim Morales from Code Lyoko  (“Final Mix”)
Herve Pichon from Code Lyoko  (“Cousins Once Removed”) (Added 3/10/2023.)
Nicolas Poliakoff from Code Lyoko  (“The Chips Are down”) (Added 3/10/2023.)
scientists from Code Lyoko  (“Lab Rat”) (Added 3/10/2023.)
Ulrich Stern from Code Lyoko (“Nobody in Particular”) 
various from Code Lyoko  (“Lyoko Minus One”) (Added 3/10/2023.)
Eustace Bagge from Courage the Cowardly Dog (“The Demon in the Mattress”)
Elder Kettle from The Cuphead Show! (“Joyride”) (Added 3/10/2023.)
Ribby from The Cuphead Show! (“Joyride”) (Added 3/10/2023.)
Sherman from The Cuphead Show! (“Joyride”) (Added 3/10/2023.)
Mugman from The Cuphead Show! (“Joyride”) (Added 3/10/2023.)
Dash Baxter from Danny Phantom (“Parental Bonding,” “Public Enemies,” “What You Want”)
Jack Fenton from Danny Phantom (“Bitter Reunions,” “Parental Bonding”)
Tucker Foley from Danny Phantom (“Parental Bonding”)
Arthur from Ghost (Forever) 
Ling Yao from Fullmetal Alchemist
Blendin Blandin from Gravity Falls (“Dipper and Mabel vs. the Future”) 
Dipper Pines from Gravity Falls (“Sock Opera”)
Billy from The Grim Adventures of Billy & Mandy (“Big Trouble in Billy’s Basement”)
Valmont from Jackie Chan Adventures (season 2)
Jorgen von Strangle from The Jimmy Timmy Power Hour 2: When Nerds Collide 
Batman from Justice League Unlimited (“Dead Reckoning”) (Added 3/22/2023.)
Superman from Justice League Unlimited (“Dead Reckoning”) (Added 3/22/2023.)
Roger Radcliffe from The Life and Times of Juniper Lee (“It Takes a Pillage”) (Added 3/16/2023.)
Takuya Terada from The Liminal Zone (“Slumber”) (Added 12/17/2023.)
Java from Martin Mystery (“Beast from within”)
Marvin from Martin Mystery (“The Body-Swapper”)
Martin Mystery from Martin Mystery (“Beast from within”/“The Body Swapper”/“Curse of the Necklace”/“Pirates of Doom”)
Tomura Shigaraki from My Hero Academia (Added 3/10/2023.)
Homer Simpsons from The Simpsons (“Treehouse of Horror IX”) (Added 3/10/2023.)
Eric Cartman from South Park (“A Ladder to Heaven”) (Added 3/10/2023.)
Beast Boy from Teen Titans (“Switched”)
Cyborg from Teen Titans (“Switched”)
Robin from Teen Titans (“Switched”)
Senri Shiki from Vampire Knight 
Clay Bailey from Xiaolin Showdown (“The Evil within”) (Added 9/14/2023.)
Ryou Bakura from Yu-Gi-Oh! 
Marik Ishtar from Yu-Gi-Oh! 
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lostprofile · 5 years
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NON-AMERICAN POSTWAR ART VIII
JEAN-PAUL RIOPELLE
In the late 1940s and ‘50s, québécois painter Jean-Paul Riopelle took part in many of the rebrandings of the European art world, which had been disrupted by the war and then displaced by what Irving Sandler has called “the triumph of American painting.”
Riopelle’s conception of art as the unconscious rendered in abstract forms through the agonistic confrontation with the canvas perfectly mirrors the uneasy cohabitation of lingering indigenous Surrealism and emergent Action Painting à l’américaine in the École de Paris.
Riopelle’s art also participates in another major strain of that catch-all movement, which might be called Post-Post Impressionism. What began in the early 1950s the outright imitation of Jackson Pollock’s direct application of paint from the tube on to the canvas transformed into heavy impastos applied by palette knife in serried rows of hatchmarks–Cézanne crossed with Van Gogh, or a glamourous. extroverted Nicolas de Staël.
New York School refugee Joan Mitchell showed Riopelle the way past Abstract Expressionism. Living next door to Giverny, both ex-patriates profited from prolonged proximity to the Nymphéas.
NON-AMERICAN POSTWAR ART SERIES: I: Pierre Soulages II. Renato Guttuso III. Guiseppe Capogrossi IV: Nicolas de Staël V: Paolo Scheggi VI: Takeo Yamaguchi VII: Serge Poliakoff
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Nicolas Poliakoff (Russian/French, 1899-1976)
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ecrisettaistoi · 5 years
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09/11/18
.
.
.
L’avantage de voir les choses en
gris,
c’est que
quand on aime Poliakoff,
Vieira da
Silva
et ce grand échalas de
Nicolas,
ça en fait des nuances
infinies
à parcourir tout au long
de la journée
en attendant
qu’enfin,
le noir 
soulage,
étouffe
les cris
dans la nuit.
.
.
.
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ceramicaddict · 2 years
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Stunning cubist nude by Nicolas Poliakoff (1899-1976). Russian painter based in France and from the “Ecole de Paris”. If you look carefully you will notice that on top of color mastering and cubism wizardry Nicolas Poliakoff also gave his various colored spaces different textures & movements, using almost a ceramicist skills such as sgraffito, by carving various areas of the canvas with his brushes….👀 1950s Oil on canvas. 65 x 54 cm —————————————————- A vous couper le souffle ce grand nu cubiste du peintre russe , naturalisé français, Nicolas POLIAKOFF (1899-1976). Peintre faisant partie de “l’Ecole de Paris”, Nicolas Poliakoff fut l’élève d’Andre Lhote … bien sûr… En plus de sa maîtrise des couleurs et de l’espace je suis soufflé par le travail qu’il fait sur la matière, presque comme un Ceramiste et sa technique du sgraffite … topissime… (zoomer pour apprécier) Huile sur toile signée en bas à droite En très bon état. Dimensions: 65 x 54 cm à vue. ——————————————————— #modern #modernart #ecoledeparis #artmoderne #poliakoff #expressionism #cubisme #cubism #andrelhote #nicolaspoliakoff #CrozonAntiquites #Crozon #modernhome #moderndecor #1950s #decorateur #bretagne #designer #designers #interiordesign #ukraine #colors #bretagne #paris #belgrade #abstractiongeometrique #geometricabstraction #artcollector #bretagnetourisme https://www.instagram.com/p/CaM1-CvIa3x/?utm_medium=tumblr
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punk-63 · 4 years
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suzylwade · 3 years
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Serge Poliakoff Serge Poliakoff was born the 13th child of 14, on January 8, 1900 in Moscow. His father bred horses and supplied the czar’s cavalry. Raised by a religious mother, Poliakoff attended church almost daily as a child. The strong colours and contemplative, mimetic power of religious icons would fascinate him for his entire life. He took drawing lessons from age 14, part of a cultured upbringing that abruptly ended with the 1917 Russian Revolution. He fled the ‘Moscow Institute of Painting, Sculpture and Architecture’ eventually arriving in Bulgaria. There, he began to tour Europe during the early 1920s styled as a Russian cabaret entertainer. He continued to perform for the next three decades to supplement his nascent painting career. Poliakoff settled in Paris in 1923 and began to study painting in 1929 at the ‘Académie de la grand chaumière’, ‘Académie Colarossi’ and ‘Académie Frochot’ where he took classes with Othon Friesz, a former ‘Fauve' who may have influenced Poliakoff’s interest in saturated colour. Poliakoff’s first group show occurred at the ‘Galerie Drouant-David’ in 1931 and his first solo exhibition in 1937 at ‘Galerie Zak’ both in Paris. He briefly moved to London in 1935 registering at the ‘Slade School of Art' in 1936. Returning to Paris in 1937 Poliakoff attended Thursday open salons at Robert and Sonia Delaunay’s studio in 1938 and 1939 and further befriended Vasily Kandinsky. Exposure to this milieu confirmed Poliakoff’s interest in colour, one founded on an admiration for Giotto, Simone Martini, Paul Gauguin and Otto Freundlich. Poliakoff exhibited his first abstract painting in 1938 at his premiere ‘Salon des Indépendants’ in which he participated regularly until 1945, when ‘Galerie L’Equisse’, Paris presented a solo exhibition of his work. Alongside Jean Dubuffet, Hans Hartung and Nicolas de Staël (the latter’s commitment to nonobjective art especially influencing the artist. Poliakoff is regarded as a member of the “new” ‘École de Paris’ (‘School of Paris’) following World War II. (at Paris, France) https://www.instagram.com/p/CNpCT28l-39/?igshid=1vvpwmd6ti63o
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a-queenoffairys · 6 years
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Kisses: clones
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milenaolesinska · 7 years
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Exposition Art Blog  Geometric abstraction Jean Dewasne
“French painter, writer and sculptor. He began painting at the age of 12 and was producing pointillist works at the age of 18. He studied architecture for two years at the Ecole des Beaux-Arts in Paris as a preparation for his painting. In about 1943 he began painting abstract works, and he remained an abstract painter for the rest of his career. He was associated with the group of abstract artists who exhibited at the Galerie Denise René in Paris, including Hans Hartung, Nicolas de Stäel and Serge Poliakoff, and he himself exhibited there from 1945 to 1956. Together with Sonia Delaunay, Hans Arp, Antoine Pevsner and others he was a co-founder of the Salon des Réalités Nouvelles in Paris in 1945. In the following year he was awarded the first Kandinsky prize “
www.exposition.com.pl
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