"The reviews [of Three Cheers For Sweet Revenge] were largely positive, though one negative one would stick in Gerard's mind. 'There was one criticism that I still remember,' he recalled. 'It said something like, "Why would you want to watch this guy run around onstage whining about his nana?" It was the one thing I read that made me think, "I hope this guy falls under a bus." How fucking shitty a human being do you have to be to say that?'"
— Tom Bryant's Not the Life It Seems: The True Lives of My Chemical Romance
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Our Lady of Sorrows - MCR Interviews
89.5 WSOU FM Interview - 7/11/02
7:32-7:46, 21:09-21:14, 22:20-22:28
Interviewer: I don't think I’ll be able to play track 5.
Gerard: Oh yeah, 5 (Interviewer laughs)
Ray: Probably not that one.
Interviewer: That’s alright ‘cause that’s gonna be one of those that uh, you know, kids are gonna hear this, and they’re gonna get the record, and then, track 5 is gonna be like the track that everyone loves (Gerard laughs) ‘cause it’s the one they didn’t hear.
Frank: (After being asked his favorite song) I like “Knives” a lot to play, and “Vampires” is always fun.
Gerard: My favorite song to play live is “Knives,” um, “Our Lady of Sorrows,” sorry. We’re using the old titles for songs, sorry.
Interviewer: (Overlapping) Another name change?
Gerard: Yeah, it’s called “Our Lady of Sorrows”. That’s my favorite.
/
Noise Theory Interview - 11/13/02
Page 2, paragraph 1
Interviewer: MCR’s music can be pretty varied, do you have a particular favorite song that you like to play live?
Ray: Hmm…live I think my favorite songs to play are Our Lady of Sorrows, just because of the pure energy in the song, and Vampires, because it has quiet parts that gradually explode and it’s fun to see kids whig out when that happens.
/
Alternative Press #197 - 9/17-20/04
Page 6, paragraph 1
The trio recorded a demo in Pelissier’s attic. “My attic had no walls,” he says, laughing. “It was a wooden, run-down piece of crap. I had a really cheap 16-track board, and we had a bunch of crappy mics. I basically had the drums and guitars playing upstairs and ran mics down the stairs and had Gerard sing in the bathroom.” What came out of those sessions were the blueprints for “Our Lady of Sorrows” (original title: “Bring More Knives”), “Cubicles” and “Turnstiles.” “You could hear that it was something really new, and it was kind of a weird idea, but for some reason, as poorly as it was coming together, it really worked,” remembers Gerard. “And a lot of people loved the demo.”
/
Kerrang #1045 - 2/16/05
Page 6, paragraph 2
Gerard: We always turn the houselights up during ‘Our Lady Of Sorrows’ because it’s a special song to us.
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FUSE Q&A with Bert McCracken and Gerard Way - 2/26/05
4:27-4:38
Gerard: My favorite lyric has always been my favorite lyric, and it is “oh, how wrong we were to think that immortality meant never dying” from ‘Our Lady of Sorrows,’ our first record. I don’t think I’ll ever top that line. It’s my favorite.
/
Zero Magazine Interview - December 2005
Page 5, paragraph 10 and page 7, paragraph 1
Gerard: There’s always a fear that people might overlook “I Brought You My Bullets…” Occasionally, when we play on this tour, with the exception of Vampires and Our Lady of Sorrows, we play 4 or 5 old songs, usually when the venue’s quietest - but then again, when we play the UK, those are some of their favorite songs. The UK was very accepting of Bullets, whereas America didn’t know about it. They like hearing it, they’re just not familiar with it.
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Not the Life It Seems: The True Story of MCR / Kerrang #1142 - 1/17/07
Page 33, paragraphs 3-4
“We met once a week for the next four weeks to practise,” said Gerard. “It seemed that anything was possible at that point. Ray wrote “Our Lady of Sorrows” – which was the second complete song we had. It fitted because it didn’t really fit. That was something we always wanted to do – to put songs together that shouldn’t work together but do. This song was really aggro and metal – there were bits we cribbed off Helloween in it. There were a lot of bizarre references around that time.
“The genesis of the sound came from sitting in Ray’s room in his Mom and Dad’s apartment that he shared with his brothers and sitting at his computer with two guitars and just talking about the sound a lot. We were completely on the same page about it, 100 per cent.”
Page 14, paragraph 3
Initially called ‘Bring More Knives’, this was written by Ray Toro and was the second song MCR ever completed. “There were bits we cribbed off (old school metallers) Helloween in it,” says Gerard. “It came from sitting in Ray’s room in his mom and dad’s apartment, sitting at his computer with two guitars and just talking about the sound a lot.”
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Kerrang #1350 - 2/9/11
Page 7, paragraph 8
Frida (Sweden): What are your favourite lyrics you have written? Are they still from ‘Our Lady of Sorrows’?
Gerard: Yeah, I think so.
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hi!! i was looking for a pdf of tom bryant’s mcr book and saw your post come up 😭 are you able to send that pdf or still have a link for it? thanks 🥺
hi im sorry i have not been on tumblr much due to my work hours and i was out of town the past couple days! but also, my posts about the book are my own iphone photos of my copy lol....not a pdf. although i have heard on exists!!! so if anyone sends the link in the replies or sends it to me i can rb this for you!
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
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