#Online ID Card Printing

[ivyprints123456]

Title: Empowering Identity: IVY Prints, Where Your PVC Cards Come to Life

In a world where first impressions matter and identities are the cornerstone of our interactions, there's something truly empowering about having a tangible representation of who we are. Enter IVY Prints, your trusted partner in PVC card printing, where we believe in bringing your identity to life through high-quality, personalized PVC cards. Join us as we explore how IVY Prints empowers identity and helps you make a lasting impression.

The Significance of PVC Cards

PVC cards may seem like simple pieces of plastic, but they hold immense significance in our daily lives. From student ID cards to employee badges, membership cards, and beyond, PVC cards serve as tangible symbols of our identities, affiliations, and achievements. At IVY Prints, we understand the importance of these cards and the role they play in empowering individuals and organizations.

Bringing Your Identity to Life

At IVY Prints, we're more than just a printing company – we're your partners in bringing your identity to life. From the moment you reach out to us, we're dedicated to understanding your unique vision and translating it into a personalized PVC card that reflects who you are. Whether you're looking for a sleek and professional design for your business or a vibrant and eye-catching design for your school or event, we have the expertise and resources to bring your vision to fruition.

Personalized Service, Exceptional Quality

When it comes to PVC card printing, quality is non-negotiable. At IVY Prints, we take immense pride in delivering PVC cards of the highest quality. From the durability of our materials to the precision of our printing techniques, every aspect of our process is geared towards ensuring that your PVC cards exceed your expectations. Our team of skilled professionals works tirelessly to ensure that every card we produce is a testament to our commitment to excellence.

Hassle-Free Ordering

Ordering PVC cards with IVY Prints is a breeze. You can reach out to us via phone or visit our website to get started. Our friendly and knowledgeable team is here to answer any questions you may have and guide you through the ordering process. Plus, as a token of appreciation for choosing IVY Prints, we offer an exclusive 20% discount on your first order. It's our way of saying thank you for trusting us with your PVC card printing needs.

Customer Satisfaction Guaranteed

At IVY Prints, customer satisfaction is our top priority. We understand the importance of your PVC cards and are committed to ensuring that you're completely satisfied with our services. From the quality of our products to the responsiveness of our customer support team, we go above and beyond to exceed your expectations. With IVY Prints, you can rest assured that you're in good hands.

Connect with IVY Prints

Ready to empower your identity with IVY Prints? Give us a call at 8588816148 or visit our website at ivyprints.in to learn more and place your order today! Whether you're looking for PVC cards for your business, school, event, or organization, we're here to help you make a lasting impression.

Conclusion

At IVY Prints, we believe in the power of PVC cards to empower identities and make lasting impressions. With our personalized service, exceptional quality, and commitment to customer satisfaction, we're your trusted partner in PVC card printing. Contact us today and experience the IVY Prints difference for yourself!

[ivyprints]

IVY PRINTS is the best quality ID CARD and Lanyard provider for corporate events, exhibitions, conferences, hotels, schools, and colleges. If you are looking for high-quality, stylish, and customizable lanyards, then IVY PRINTS is the best choice for you. Contact us today to get a quote on your ID CARD and Lanyard

[identity2110]

Upload your artwork and get customized carry bags and d-cut carrier bags with your business logo & details printed in bulk at the cheapest prices by DP Enterprise.

WhatsApp Us = 91 8920 951 048, +91 9873 455 131 Email Us = identity2110@gmail.com Address = D-21, 3rd Floor, Sector 10, Noida 201301 (U.P.) For More Info Visit Us = Printing Service Online

[digital-arnav2019]

Cheap and Sabse Sasta PVC ID Cards Quality at an Affordable Price

Cheap and Sabse Sasta PVC ID Cards: Quality at an Affordable Price In today’s fast-paced world, identification is crucial for security, access, and management purposes. PVC ID cards have become the standard for organizations across various sectors due to their durability, flexibility, and professional appearance. If you’re looking for cheap and sabse sasta PVC ID cards without compromising on…

[namebadgesindia]

Identity Cards Printing Near Mylapore, Chennai | Name Badges India

Are you looking for ID cards? Name Badges India is the best choice for all your ID card needs. Call now: +91 8939162422 or visit: www.namebadgesindia.in/standard-id-cards-and-lanyards-set/c259

[anomaly-hivemind]

Horror Convention || No. 9 Gloryhole w/ Horror Characters x Fem! Reader

Kinktober Masterlist

Word Count: 1995

Warnings: gloryhole, free use, exhibition, overstimulation, large cock, vaginal sex, gangbang if you squint, vagianl fingering, mask kink, stranger sex, cosplaying oral sex, blow jobs, hand job, spit as lube, multiple orgasms,

You were going to a horror convention, it was your first one and you couldn't be more excited to go. You were wearing a slutty freddy krueger outfit excluding the knife coves because they sold out at the spirit halloween. It was too late to buy any online. You were wearing a ripped up black and red cropped top, a jean mini skirt, some stressed thigh-highs and wedges.

When you finally got inside the convention center, there were a lot of things going on with an unsettling low amount of security personnel around. It was a bit overwhelming but you were going to push through it just fine. It was full of cosplaying horror characters, new and old, popular and niche. Even horror shorts films, tv shows and games.

“Can I take a picture with you? I really like the freddy outfit,” the muffled voice of a guy said behind an old respirator.

Oh yeah sure, I like your outfit too. It's from my bloody valentine right?” you lean into the guy so he could take the photo. The guy pulls you close to him for the picture, then he turns to face you.

“Yeah I've had this for a while now.” he laughs and crosses his arm.

“Well it's super cool, practically identical to the movie.” you look him up and down, he was a carbon copy of the original.

“A bunch of my buddies and staff are hosting an event on the west wing in an hour. You should totally go. “ The Harry warden cosplayer handed a pass for the event. ‘Glory Horror’ printed on the card.

“Yeah I will be there.” you nod and take the pass. You can't believe you got an event pass for free.

=========================================================================

An hour had passed, you had bought a scream poster, a friday the 13th shirt and the regret of your shoe choices. You push past the last part and make your way to the event. It was a ways away from everything else which was a bit suspicious but not enough for you to turn around. You show the bouncer guy your pass and ID, because you guess this is an 18 plus event.

You take a seat in the front, the seats were really comfortable. The lights were dim and the walls around the panel looked sound proof. This was super fancy for a panel. It makes you wonder what's going to happen, especially with how fast the room is getting filled with horror fans such as yourself. Most of them were wearing masks from what you can see in the dark space.

A bright red stage light hits the middle of the stage. The familiar guy from earlier that gave you your pass to this event walks to the center. Two other people dragged something onto the stage behind him, also dressed up, one looked like Amanda the pig from the jigsaw moves or the dead by daylight game. The other person was dressed like the monster from Jeepers creepers. There was a large box with a set of holes of different sizes, odd but you find the tv and cameras placed inside and outside the box.

“Welcome to this year's Glory Horror event. Many of you who know about this event already know what's up, but for our virgin Marys let me explain what’s up.” Harry warden cosplayer says through the microphone, his mask muffling his words.

“We’re going to pick a lucky Slasher Slut in the audience to go into the box.” The man snickered as the crowd went wild. Harry looked into the group of seated people, presumably to find someone to put in the box.

“Anything goes when you're behind the veil.” he points to the closed door.

You look around the audience that you were in and they all seemed excited to either be picked or see who was going to end up being picked. You just stare at everyone in confusion.

“You, are you willing to take a dive into carnal pleasures and try out the box?” He points to you from the crowd, when you point to yourself he nods. You stand up, nerves run down your spine as you walk onto the stage. You were surprised with how excited every person in the audience seemed to be that you got picked.

“What am I supposed to do?” you asked while looking at the box.

“It's pretty self explanatory, but you get in the box, the cameras are already set up, we gave you a screen to see the reactions you're giving people.” You nod at him and step into the box, it was large and you could stand up right without being seen by anyone, not counting the screen that was broadcasting you to the outside.

“You can strip down any point and if you want out of the box just push the button to unlock the door.

“You want me to do what now.” you asked from behind the wall, your voice muffled mostly.

“Strip, take off those slutty clothes and either open that pretty mouth or a hole. Prepared to get stuffed in whichever you choose and you can switch at whatever time doll.

You think for a moment, you could back out right now but a part of you wanted to see what happened. With a shaky breath you take off your freddy krueger fit and finally take off your dreadful shoes. You were just in your bra and underwear, taking a seat on your knees in the middle. The bigger hole was covered with a black sheet.

A knock on one of the sides catches your attention, you turn your head and your eyes widen. A veiny cock filled the hole, making it look smaller than it was and it makes your mouth water. You looked over at your screen to see what you're working with, a guy wearing a Michael Myers mask. Your lip quivers as you wrap your fingers around his length.

His balls twitch as you tighten the grip on this stranger’s cock. You use your saliva to wet the tip of his dick. You hear the faint groan of the Myers look alike, it was hot and a turn on for sure. You take his cock deeper in your mouth, almost gagging on it, using your hand to massage his balls and or stroke the rest of his meaty meat.

Another knock from the others size makes you pull your lips off Myer’s member. Someone else had slid their dick into the other hole, the screen splits so you can see the masked figure. It was Brahms, down to the black messy hair, even matches the drapes decorating the base of this man’s uncut dick.

You take your other hand and start to rub at his cute dick. Both of your hands were being filled with their cocks. You were soaking wet from how hot this was and if your hands went filled you would be touching yourself right now. You placed licks on both the dicks one after the other. Even the thought that there were a bunch of people on the other side of this box, watching and listening or maybe even waiting to take a turn with you.

It was hot, you felt hot and you wanted more of all of it. You squeeze the guys dicks as you jerk them both off with determination. Michael myers’ dick twitching was the only short warning you get before he shoots a hot load onto your chest. Your bra ruined with cum makes you pout for a moment before you take the thing off. You put your mouth onto the remaining man and take him down your throat. Brahms cums down your esophagus, his seed tasting weirdly sweet on your tastebuds.

You lick your lips after pulling away the dicks both gone from the holes, making you sigh. You slide off your panties and just as you thought you dripped in arousal. You rub yourself and let out short moans, a guy that was looking like Jason Voorhees pushed his phat cock through the hole. It looked heavy, craving your touch. You touch yourself with one hand while sucking off this fat dick. Even if you couldn’t fit all or even most of it into your mouth you sure as hell tried. You moan against the length of this Jason.

Your fingers thrust into yourself at a similar pace as you sucked and stroked his dick. You come to a stand and turn around, your wet cunt fluttering with horniness. Lining your slit with a guy who looked like a slasher’s dick. You let out a hearty moan as this fat cock stretches you out. You could feel his dick twitch and the man moan from the intrusion. He bottoms out in you, your walls clench around him and then he starts to move slowly in and out of you. You rub your clit as your hole gets pounded into. Another dick pops into the hole in front of you and wraps your hand around it with hesitation. Peaking at the screen in the box you see that it's a guy dressed up in a ghostface outfit.

“Ohshit ohshit ohfucking hell.” you were on the verge of coming and the mix of a Jason hitting all your spots with his girth was making it harder to focus on stroking the guy in front of you.

You try your best to get the other guy to completion but your own impending orgasm was a bit of a distraction to say the least. This Jason guy’s thrust was getting relentless and it was super hot to say the least. You hold on for as long as you could but when you feel the man’s load start to pool down your leg sends you down the edge. Before you could complain about how fast the guy pulled out another guy pushed into you, somehow even thicker and longer than the Jason guy.

You squeeze the hell out of the ghostface and your thumb pushes on his slit. It makes the guy come all over you and hand it a messy gush. The new masked covered hottie was fast enough to work you past that previous orgasm but Jason had given you but now you were getting a bit overstimulated. The faint tapping of the man's pyramid helmet on the box wall makes you giggle. Yet the humor in all of this was cut short from the brutal thrust this pyramid head was giving you.

You were already about to fall into another climax, you couldn't help but scream out a moan that you're sure everyone in the panel heard. Maybe even people outside nearby could hear your whorish moans and whales. This massive curved dick was rubbing your insides just right and your lower half couldn't take much more of it, not standing up like you are right now at least. You reach another chaotic mind altering, pussy spasming, leg trembling, back arching, toe curling climax that almost gives you whiplash an.

You feel the sticky seed fill your cunt and pull out with lackluster pace, almost like he didn’t want to leave your warmth so it takes a minute or so before he actually does . When the pyramid head finally pulls out, your body drops to the stage ground with a thud. You were panting like a dog, cum was dripping out of you and sticking to your thighs. Your heart is pounding in your chest as you try to catch your breath.

“This is the best Horror con ever.” you say breathlessly, as you look at another dick slipping into one of the holes. Checking your provided inside the box you see who it is, the host of this event… it’s Harry warden.

[randomishnickname]

I got really mad and saddened this week at the train station. I was approached by a pretty panicked foreign guy who didn't speak French well, and apparently had problems buying his train ticket (it was early morning so the train station's shop wasn't opened yet). He wanted a ticket for Paris (just a 90 minutes ride in that case), but was thwarted by the vending machines that didn't accept cash. I helped him book the ticket (vending machine operated only in French too, at least I didn't find an English menu) and had to put in

his name and birthdate

a phone number

an eMail address

I paid with my card, he gave me the money back in cash, and then he didn't even get a printout of the tickets but instead they were sent to him via eMail 💀💀💀

So in order to take the fast train for less than two hours in France you got to have

a smartphone that works and won't die on you halfway through the journey

internet access on your phone

an eMail address that works

enough technological competences to download PDF attachments from an eMail

or else someone who prints them out for you if you do it from home

an ID card

a working bank card to pay either online or the vending machine

So there's an entire category of people pretty much unable to take the fancy pansy French fast trains (at least unassisted). Even if you have the money to pay for it, there's still this huge list of criteria you have to fulfil just to take the fucking train. I'm glad I was able to help out this poor guy but I still think it's very messed up that he needed my help in the first place.

So yeah. Go public transports. But please not with so much state control mechanisms, what the fuck

[newwavesailor]

One year on Tumblr.

This is a bit late, isn't it?

So, today marks one year since I left the dumpster fire that was once Twitter and joined the re-emerging space of Tumblr. Whether or not this has been beneficial or detrimental I'm not entirely sure, but rest assured, I also do come bearing terrible news.

A few days ago, it was brought to my attention that KOSA (yeah, remember that?) was approved by the Senate, and is currently on its way to the U.S. House of Representatives for review. It pains me that I had to tell you this, but unfortunately, according to Fight for the Future, it is true.

You probably know the outset, but please, please contact your Representatives in some form. The more noise we make about this bill, the less of a chance it might have of passing.

[Image ID: A comic of Garfield, a cartoon plump orange cat with a pink nose, yellow mouth, and black stripes against a red background, saying "Stop KOSA right now! Kill the bill!" in a thought bubble. Garfield is pointing towards a QR code that links to the Bad Internet Bills website. /.End ID]

This is the "Garfield card" I created. Print out copies of this and share it with your friends. Share it online. Doesn't matter, just as long as it's being shared. The QR code links to Bad Internet Bills.

I am terribly sorry for more or less being silent about this whole thing, as well as being away from Tumblr as a whole. I'm going on vacation in Boston within a few days, so you may hear about my travels once I get back, but even then don't expect much.

Please speak out against KOSA.

I don't want my first year on Tumblr to be my last.

Thanks so much for listening, Max-

[revginapond]

I'm going to post this every week until the election:

Check your voter registration at http://vote.org

Register to vote if you haven't already and decide how you're going to vote. Do it soon, because vote-by-mail deadlines are fast approacing in the states that have it, not to mention just regular registration in some states. Also consider HOW you need to turn in your registration. e.g.: If you're in Texas, you CANNOT register online. You have to print it out and mail it!

Make sure you get that packet (if you don't get sent one, you can probably find them at libraries, city halls, etc) that has all the stuff about what you'll be voting on! These have a lot of information! If it's too overwhelming, find a Voting Buddy or group and go through it together! DOWN BALLOT RACES AND QUESTIONS/PROPOSITIONS ARE JUST AS IMPORTANT AS THE NATIONAL RACES. (PROBABLY MORE IMPORTANT, REALLY!!!)

Make your plans for however you're voting! Have stamps for your mail-in ballot (not all states make it postage paid). Arrange how you'll get to your polling place, either for early voting (if your state allows it) or on election day. Some states have laws that you can get paid time off for voting. However! It might be better to arrange time off!

ESPECIALLY IF YOU ARE VOTING OR HAVE TO VOTE ON ELECTION DAY: Be prepared for long lines!! Make sure you have your ID and voter registration card if your state requires it. I highly recommend bringing snacks and water! ALSO: DO NOT WEAR ANYTHING WITH POLITICAL STUFF ON IT!! While it's not technically illegal, some folks might see you as someone from a political organization trying to influence voters and tell you to move 150 ft away from the door. You DO NOT want to get kicked out of line, especially if you're close to closing time. Most states have the rule that if you're in line at closing, you'll still be able to vote, so DO NOT get out of that line!

IMPORTANT NOTE IN PRETTY MUCH ALL STATES, POLL WORKERS AND POLL WATCHERS SHOULD NOT HAVE ANYTHING POLITICAL ON THEIR PERSON. NO ONE, AND I MEAN NO ONE, INSIDE THE POLLING PLACE AND THE 150 FT RADIUS AROUND IT SHOULD BE TALKING TO YOU ABOUT HOW YOU'RE GOING TO VOTE! If anyone is harassing you at all at the polling place, you should report it to one of the poll workers. Always insist on a provisional ballot if there's an issue, too, since if they clear it up, your vote will still get counted.

Share this info with folks and help each other get to the polls safely! Help each other out!

Let's do this, friends!

[otakween]

Digimon Tamers - Volume 2

It turns out this series is super out of print and rare. My library only has the first 2 volumes, so I'll be reading the rest after this one online (if you want to buy it it's like $80-$100 per volume!) It's a little bit of a relief honestly, because the volume that I got from the library is pretty crusty and battered. I think I saw some dried shredded cheese on some of the pages 🤢 Really shows who the audience is.

Ch. 8

This manhua has really bad continuity and no sense of space. Characters will just pop out of nowhere. Culumon is the worst offender, but in this chapter there were a bunch of dramatic scenes between Rika and Renamon and then it just randomly turned out that Takato and Jian were watching the whole time but not saying anything? Riiiight.

I was really confused at the end and thought that Yamaki was saying he created a digimon but it was actually a really clumsy flashback to the original digimon programmers. Confusing panels...

Ch 9

Wow, the Devas arc already, it obviously felt like it took a lot longer to get here in the anime. I wonder if they'll do all the Devas or condense them/do some off screen?

At least one thing that's nice about this manga is that I can take in the Devas designs without them jumping around too much.

Ch. 10

Some of these jokes are flying over my head. Takato tries to name his group of friends "team rock" and he mentions "a skinny guy on TV who talks about the power of positive thinking." I wish they would cut out the unfunny, outdated material and just tell the damn story >:/

Worst boys Hirokazu and Kenta show up to reestablish themselves as part of the party...yaaay

Didn't realize that MegaloGrowmon was called WarGrowlmon in the dub. I guess it is kind of nice to keep the naming conventions more consistent. "Megalo" is sort of a weird prefix (megalomania?)

Ch. 11

I'm still obsessed with Jian's computer that can read trading cards as if they were CD-ROMs. I wish that technology existed!

Two perfect evolutions in one chapter? Pretty rushed but okay...they still looked cool. (Taomon and Rapidmon). I think the Wonderswan card game rot my brain a little cuz when I saw Rapidmon I was thinking about all the option cards I could use with him.

Ch. 12

Other than my fave Antylamon, I think Indramon is the most memorable of all the devas. His design is really unique, he's massive, and he kicks the shit outta Impmon. I like his emo hair too lol

When they realize that Hirokazu's homemade blue card works I'm surprised they didn't move onto a counterfeit card making scheme after that. I just it only works if it was made with pure intentions or something.

Ch. 13

Why is Juri's dub name "Jeri" when "Julie" was right there?

Damn, they really killed any suspense with Makuramon's intro there. In the anime he's presented as a kid at first but here they showed him as a kid but then slapped the name tag "Makuramon" right next to him...

They skipped a bunch because Juri just magically knows that Guilmon exists. They showed Hirokazu and Kenta meeting him, but not her. Oh well, I guess.

Ch. 14

Calling Juri, Hirokazu and Kenta "groupies" is pretty funny, not gonna lie. So accurate.

I like that they're clearly ID-ing each deva as its corresponding zodiac animal. I think there was a little bit of that in the anime, but not as spelled out as it is here. Usually I don't like to be spoon fed, but there's something satisfying about them saying "that's the boar, that's the monkey, etc."

[himbopunk]

quick rundown of different ways i've made patches

for @pescabianca cuz they asked lol

gonna start by saying i'm far from an expert on any of this, especially proper screenprinting and blockprinting. i'm just some guy that's been winging it for the past 3 years and it's just kind of what i do now? idk. here's the methods i've used for making patches

method 1: stencil and fabric paint

in which you're making a stencil and painting by hand. first time i made patches i hand carved out the letters on some cricut vinyl (i didn't have a cricut i just used a craft knife and taped it to my desk), put it down on top of a piece of fabric and sponged on some fabric paint. you can also use cardboard or cardstock you tape down for the stencil and tape down, whatever you got, i just find the vinyl was the easiest to make it not bleed as much. pretty simple, pretty accessible. the vinyl option is more for a single patch, smth like a cardboard stencil is better for multiple. make sure to use an iron to set in your paint once it dries

method 2: diy screen with mod podge

you can make a simple screenprint with mod podge, some kinda mesh fabric and an embroidery hoop. take voile or chiffon, pull the fabric taut on the embroidery hoop, and sketch on your design with a pencil (be careful as to not rip the mesh). remember that the flattest part goes down on your fabric, so make sure youre drawing inside the hoop.

paint on the mod podge in the negative space of your design, let dry. you can at this point use screen printing ink or continue with fabric paint, i think this was the time where i first bought screen ink. put your screen flat onto your fabric, some ink/paint at the top of the screen, then use an old gift card or id as a squeegee to do the actual printing part, dragging it down in a scraping motion. pull away and leave the patch to dry. you probably wanna iron it to set in the ink once you're done.

this is good esp if youre printing a bunch at once but doesnt wash very well so it can be kinda one and done sometimes? i used fabric mod podge so it lasted like 2 gos before getting all gross. but if you already have this kinda stuff laying around for other crafts, its pretty simple and introduces you to screeprinting somewhat without spending too much money

inspo/instruction link

method 3: screenprinting

getting/making an actual screen, you can just buy them online tbh, though it's not too hard to diy imo, especially if you're good with wood (haha) at all. i'm not, the way i diy'd it initially was finding some cheap wood picture frames from the dollar store or smth, pulling the screen mesh taut with a big embroidery hoop cuz i didn't have clamps and such, and using the staple gun to staple them onto the frame. it works just as well tbh, but i don't know how much i can speak on the longevity of dollar store frames or how well i attached the screen mesh, those are kinda skills in of themselves you gotta hone which is why this is all so much more involved

speaking of which, the next part is emulsion. i use jacquard emulsion fluid because it's cheap and i'm used to it. speedball is fine but i bought a bulk bottle once that was expired and i've never forgiven them for it. emulsion is a fluid thats mixed with a photosensitive fluid that causes it to cure and harden in uv light. you spread that across your screen, leave it in a dry, dark place to dry overnight (i used to use the bottom shelf of a bookshelf with a curtain over it, then the top drawer of a dresser. you can put it in your closet or something, depends on the space you have.) keep it in that dark place until you're ready to use it, otherwise you risk hardening it by accident.

once you've got a screen prepped, you want to have a transparency of your image in all black so light can get in everywhere but your design, and then expose it either to the sun or a lighting set up that you've bought/made. once you've cured it, you can then remove your transparency and you should be able to rinse out the emulsion fluid that was under it, leaving you with a screen to use!

for lighting setup, i use a flood lamp type thing that speedball sells that i bought years ago off of blick, i think? since the places i've lived have very specific times of day where you get direct sun to reliably use, at a certain point getting the lamp became worth it. depending on what you're using both in terms of your emulsion fluid and light source, the curing time can be very different, but this method allows for fine detail that can be difficult to attain by hand. stuff like screentones to create gradients, and the ability to make several screens for different color layers. it can be tricky to do sometimes but the ease of making more complex designs and having longer lasting screens can be worth it

also at this point you definitely want to be using actual screen printing ink, probably. you can buy a squeegee, i often still just use old credit cards and such, especially with my smaller designs, so it's up to you on that end. make sure you're using fabric ink, not acrylic ink, for your patches. just in general be aware of what type of ink you're getting, i use water-based inks that rinse out the screen easy with a spray bottle of water and some paper towels (you can also just rinse em in the sink but mine is too shallow lol).

i'll link to some tutorials i used when starting out, cuz this stuff is a lot easier with a visual aide and i don't think i explained it very well skdjf

youtube tutorial // tutorrial 2 // tutorial 3 // screens i used to get // emulsion fluid i use

method 3.5: screen filler

if you liked method 2, you can use the screen filler method to make screens, i've never done it but i understand it's similar in that you are basically panting on the negative space or something? again, i've never done it, i've just used emulsion after moving on from the mod podge method.

method 4: blockprinting

block printing is pretty straightforward, imo. basically you take a block of rubber or linoleum (or wood but i've. never done wood printing but it's fairly similar in basic method afaik) and trace or draw a design onto it. you then carve out the negative space of your design, leaving an impression of only the part you want to print. you then take a brayer/roller, roll it in ink until it's covered and then roll the ink out onto the raised part of the block that remains once you've carved it. take your fabric and press it flat onto the inked block, using something smooth like the back of a spoon to press it down and make sure your ink gets in there. i usually always make at least one more patch than i need with this method, since the first print often tends to be a bit rough/light and it improves over time. like your first pancake bein the worst one i guess. when you're done, you can wash the blocks with soap and water, maybe using an old toothbrush to get in all those crevices. but that's it, it's intense on focus, time, and physical effort, but pretty straightforward

note that when you blockprint something, the image will be reversed, so if you're drawing directly onto one keep this in mind. what i usually like to do is take some paper and put it over my original sketch, draw over it with a soft charcoal, then press it down onto the block to transfer the image. that way it makes sure your image is flipped, and it's a hell of a lot easier than any of the weird printer methods i've seen.

btw you can get a plate for rolling ink onto but i'll be honest? for about a year or two i just used like panes of glass i had from the picture frames i used for screens or i'd tape a piece of plastic or transparency down onto the table/desk. it's like, slightly easier now that i have an inking plate, but only just because it's a bit less waste, but it doesn't change much, imo. i even sometimes prefer using a gel printing plate, which is not really supposed to be used the way i'm using it! honestly, as long as your surface is flat and smooth it seems to be fine.

theoretically you don't even really need to use block printing ink, but i'd always struggled using other stuff? idk. if you're making patches, id suggest getting some fabric blockprinting ink. it'll take a day to dry, a bit longer than screenprinting ink, but it'd very sturdy. you can iron it to help secure it like the other stuff, but if you let it dry a couple days you might not even have to.

youtube tutorial/inspo // carving tools i use // some rubber blocks to start with // rubber brayers for rolling ink

note: if you can find any art supply exchanges, they're great for getting supplies for the latter methods on a budget. in chicago, there's a like, art supply thrift store of sorts called the waste shed where i got most of my early blockprinting supplies for pretty cheap, and if i didn't have those, i probably wouldn't have started making blockprints when i did.

note 2: this is all for printing on fabric, but you can also get acrylic screen printing ink or block printing ink for making prints on paper if you want!!

[cryptoagorism]

The dangers of the state's monopoly on identity

The state's monopoly on identity excludes vulnerable people from jobs, housing, healthcare and more.

This article originally began as a response to The Reboot's article, which discusses the dangers of perpetual tracking by Google, Facebook and Microsoft. [1]

While the tracking by Google, Facebook and Microsoft is definitely disturbing and can even put people in danger, the state's data economy is even worse, with far-reaching consequences. Few people talk about this, even though it affects millions of people's daily lives.

Via the government ID system, the state exerts a monopoly on identity and an obsession with tracking people from “birth certificate” to “death certificate”. Disproportionate KYC regulations actively exclude people without government-issued ID from necessary services, including jobs, housing and healthcare and even everyday things like online shopping, receiving mail, buying a sim card, doing volunteer work, taking classes, or visiting the gym or library.

Millions of people worldwide don't have access to government ID (the state refuses to print it for them) or can't show ID for safety reasons (e.g. they are a victim of abuse and don't want to be tracked down by the abuser). These people are often already in vulnerable situations (for example: stateless, undocumented or homeless people; activists, dissidents or refugees; victims of domestic abuse or adult victims of child abuse; or adults whose birth was not registered) and exclusion from basic needs makes it even more difficult to survive.

The state offers no alternatives nor solutions – if the state refuses to print a passport, national ID card or birth certificate for someone, this person can't appeal, get help from NGOs or lawyers, or find an alternative way to get ID. [2]

The state's system does not offer a procedure to register yourself, for example if you weren't registered at birth or your country of birth is dangerous to you. There are no steps you can take – no appeals, checklists, regularization, rehabilitation, special circumstances, friendly jurisdictions, nor identity issuer of last resort. You cannot earn access to ID via merit, vouches, oaths, good behavior, probation, community service, nor any other form of effort or compassion. Even if the individual would otherwise qualify for a skilled work, marriage or humanitarian visa and could provide a biometric photo and fingerprints, this is not enough.

Similarly, there are no non-state solutions. NGOs and religious organizations like the United Nations, Red Cross and Caritas don't issue alternative IDs; jurisdictional arbitrage such as Flag Theory requires an existing birth certificate or old passport; and non-government IDs from World Passport or Digitalcourage are not accepted. This lack of alternatives only cements the state's monopoly.

In the 1950s, the United Nations issued conventions on statelessness [3] and refugee status [4], but today countries still refuse to issue IDs for stateless people, people who weren't registered at birth, and people who have fled political, cultural or interpersonal persecution – whether by arbitrarily or discriminatorily denying applications for stateless status, refugee status or delayed birth registration, ignoring submitted applications, or not having a process for applications at all, while simultaneously criminalizing people without a legal identity. [5] In 2014, the UNHCR started a campaign to “end statelessness by 2024” [6], but today it is still impossible to get a stateless or non-citizen passport, and unlike the laissez-passer passports of the past, the United Nations no longer issues substitute IDs, despite that it could help millions of people to access necessities such as employment, housing and healthcare.

This condemns individuals purely and permanently to their circumstances of birth, which they could not influence and cannot change. As an adult, there is no way to enter the system. If you were born in the wrong place (e.g. stateless, refugee, dissident) and/or to the wrong people (e.g. child abuse, cult, no birth registration), there is no way to rise above your situation through effort, determination nor compassion.

The state's monopoly on identity is therefore an unethical, fatalistic single point of failure.

Even for individuals with ID, the name that the state prints on their ID may not correspond to the name that they use in real life, which could put them in danger. [7] Many countries restrict or even ban legal name changes, which endangers victims of abuse (such as adults who escaped from child abuse, domestic abuse, cults or gangs), who use a self-chosen name for a fresh start, to feel human, to recover from trauma or for physical safety reasons. [8]

As government ID is not universal and does not signify security or trust, government ID requirements only disproportionately and unfairly exclude people from services. [9]

Returning to the topic of “surveillance capitalism” – People can choose to stop using Google, Facebook, Windows or stock Android. There are many alternatives, such as DuckDuckGo, Mastodon, Linux and custom ROMs such as Lineage or Graphene. There are also ways to protect your privacy, such as reducing usage of social media, using a VPN or Tor, using a burner phone, using a pseudonym, or using cash or crypto instead of credit cards. [10]

In comparison, when the state coerces the vast majority of employers, landlords and hospitals to require government ID, there are only a few gray market alternatives left (e.g. under the table work, informal rentals for cash, doctors who accept out-of-pocket payments). [11]

It is a stark contrast: If you don't use Facebook for privacy reasons, you can still find different ways to keep in contact with friends and local events. If you can't rent most apartments because the landlord requires a passport or driver's license, you are very lucky if you can find a room in a shared apartment where your roommates deal with the contract for you and you pay rent to your roommates in cash. One thing can be an inconvenience, one thing can cause homelessness.

Many people believe government ID is the only way to trust that “someone is who they say they are”. [12] If someone admits that they don't have “proper ID”, they are often seen as untrustworthy, hiding something or even dangerous. [13] The equation of “ID = trust” not only leads to social stigma and exclusion, but can also lead to poverty and homelessness [14], threats of violence, or even indefinite detention (in many countries, cops can demand ID without a reason, and detain the individual until their legal identity is known – which can mean indefinite imprisonment for people who were never assigned a legal identity [15] [16]). Rather than “innocent until proven guilty”, this creates a situation of “guilty and no way to prove innocence”.

If innocence is not based on your actions, but purely on possession of government ID, it creates an impossible scenario when no jurisdiction agrees to print ID for you – from stateless people who literally have nowhere to go, to refugees who can't return to or interact with their country of birth for safety reasons, to adults whose births were never registered, to victims of child abuse, domestic abuse or cult abuse who don't use their birth name due to decades of trauma or worse the risk of being tracked down and returned. Instead of blaming authoritarian countries, uncooperative bureaucrats, abusive or neglectful birth parents, violent ex-partners or sociopathic cult leaders, the victim is blamed, distrusted and considered as a criminal.

In an ideal world, people would be judged on their actions and intent, rather than on circumstances of birth and decisions of bureaucrats. For housing, only your ability to pay rent would be relevant. For a job, only your skills and work ethic would be relevant. For healthcare, only your medical condition would be relevant (it would be against the Hippocratic Oath to deny medical treatment to people without ID, especially if they are paying out-of-pocket in cash).

For identity, it would be enough to say your name, get a vouch from a friend, landlord or employer, link to a social media profile, or use a non-government photo ID (such as from Digitalcourage or World Passport, which does not require birth registration or citizenship and allows self-chosen names).

For authentication, you would use a password or PIN (e.g. SMS code to pickup mail), physical key or card (e.g. mailbox keys, membership cards) or a cryptographic keypair (such as in PGP, Bitcoin or Monero).

For trust, word-of-mouth was the primary method before government IDs were invented (and made mandatory) in the 20th century. [17] [18] [19] Nowadays, word-of-mouth includes vouches from friends, online reviews, social networks, web-of-trust and memberships. Cash deposits and escrow systems (e.g. Bitrated) would protect against scams, theft or damage.

This meritocratic, non-government market is not theoretical. Permissionless free markets exist today – under the names of agorism [20], informal economies, black and gray markets, parallel economies and Second Realms – and offer hope and a means to survive to people in need. [21] [22] While NGOs have tried in vain to convince the state to print IDs for vulnerable people, these independent markets take a practical, grassroots approach to help people access work, housing and healthcare, even without government-issued ID. [23]

These free markets offer a way for people to take control of their situation. Human rights activists have campaigned since decades, while individuals have been left in limbo or excluded entirely from society, purely due to bureaucracy. In the 1950s, the United Nations called on nation-states to print IDs for stateless people, unregistered people and refugees – but seventy years later, the situation has only become worse, as more daily life necessities require government ID KYC every year, yet nation-states still refuse to print ID for millions of people.

Even worse, these people are not being accused of a specific crime and there is no real justification to deny printing IDs for them – their only “crime” is the vicious circle of not having papers because the state refuses to print papers for them. You would think economic exclusion – banned from employment, housing, healthcare, education, banking, travel, contracts, mail, sim cards and more – would be a punishment for only the most severe of crimes. But for stateless people, refugees, victims of abuse and people who weren't registered at birth, it is a punishment for being born. In this unforgiving situation, the informal economy provides an essential lifeline and way to survive.

Some examples include under-the-table work, informal apartment rentals, health clinics run by volunteers and anonymous sim cards. Most informal, agorist markets are local, based on word-of-mouth with cash-in-hand payments. The internet can also offer a place for an uncensored digital economy – such as for global trade [24], remote work, activism, fundraising [25] and community building – while cryptocurrencies like Bitcoin and Monero offer a way to send and receive money online without government ID or a bank account [26] [27] and withdraw to local cash when needed [28].

There are many reasons why people participate in agorist markets. It can be quicker and easier to rent out your spare room for cash, pay a doctor out-of-pocket instead of dealing with public health insurance, or hire an online freelancer for crypto. Bureaucracy doesn't just shut people out of the market, it also takes time and money to fill out forms, deal with months-long wait times, pay extortionate fees, and apply for government permission (which may be denied for arbitrary or discriminatory reasons). Agorism cuts the red tape, enabling people to access what they need in a truly free market.

As the state continues to ostracize and even criminalize vulnerable people, agorism provides not only hope of inclusion and equal opportunities, but a practical, proven solution which works today. For universal and safe access to daily needs such as employment, housing and healthcare, it is important to build and use agorist markets that are immune to the state's monopoly on identity, invisible to the state's data economy, and free for everyone to use.

The following books, articles and podcasts provide more information about agorism, as well as practical examples:

“An Agorist Primer” by SEK3 Book: https://kopubco.com/pdf/An_Agorist_Primer_by_SEK3.pdf

“Second Realm: Book on Strategy” by Smuggler & XYZ Book: https://ia801807.us.archive.org/34/items/second-realm-digital/Second%20Realm%20Paperback%20New.pdf

“Crypto Agorism: Free markets for a free world” by AnarkioCrypto Video: https://tube.tchncs.de/w/tPvohTaiocfg5LEsFjGqHN Slides: https://anarkiocrypto.medium.com/crypto-agorism-free-markets-for-a-free-world-d9c755e6ef11

“Fifty things to do NOW” by The Free and Unashamed Article: https://libertyunderattack.com/fifty-things-now-free-unashamed

Vonu Podcast Audio: https://vonupodcast.com

Agora Podcast Audio: https://anchor.fm/mortified-penguin

Monero Talk Podcast Audio: https://www.monerotalk.live

Hack Liberty Forum Link: https://forum.hackliberty.org

Sources:

[1] https://thereboot.com/why-we-should-end-the-data-economy/ [2] https://anarkio.codeberg.page/blog/roadblocks-to-obtaining-government-id.html [3] https://www.unhcr.org/what-we-do/protect-human-rights/ending-statelessness/un-conventions-statelessness [4] https://www.unhcr.org/about-unhcr/who-we-are/1951-refugee-convention [5] https://index.statelessness.eu/sites/default/files/UNHCR%2C%20Faces%20of%20Statelessness%20in%20the%20Czech%20Republic%20(2020).pdf [6] https://unhcr.org/ibelong/about-statelessness [7] https://blog.twitter.com/common-thread/en/topics/stories/2021/whats-in-a-name-the-case-for-inclusivity-through-anonymity [8] https://privacyinternational.org/long-read/2274/identity-discrimination-and-challenge-id [9] https://www.economist.com/christmas-specials/2018/12/18/establishing-identity-is-a-vital-risky-and-changing-business [10] https://anonymousplanet.org/guide.html [11] https://anarkio.codeberg.page/blog/survival-outside-the-state.html [12] https://sneak.berlin/20200118/you-dont-need-to-see-my-id [13] https://vonupodcast.com/know-your-customer-kyc-the-rarely-discussed-danger-guest-article-audio/ [14] https://www.statelessness.eu/blog/each-person-left-living-streets-we-are-losing-society [15] https://www.penalreform.org/blog/proving-who-i-am-the-plight-of-people/ [16] https://index.statelessness.eu/themes/detention [17] https://dergigi.medium.com/true-names-not-required-fc6647dfe24a [18] https://fee.org/articles/passports-were-a-temporary-war-measure/ [19] https://medium.com/@hansdezwart/during-world-war-ii-we-did-have-something-to-hide-40689565c550 [20] https://anarkio.codeberg.page/agorism/ [21] https://libertyunderattack.com/fifty-things-now-free-unashamed [22] https://medium.com/@Kallman/a-21st-century-introduction-to-agorism-5dc69b54d79f [23] https://kopubco.com/pdf/An_Agorist_Primer_by_SEK3.pdf [24] https://bitcoinmagazine.com/business/kyc-free-bitcoin-circular-economies [25] https://kuno.anne.media [26] https://c4ss.org/content/57847 [27] https://whycryptocurrencies.com/toc.html [28] https://blog.trezor.io/buy-bitcoin-without-kyc-33b883029ff1

[lavishy]

From Viaggio (Italian for travel) collection designed by vegan brand LAVISHY established since 2001, this cool printed unisex key ring coin purse features vintage style illustration of elephant on the background of old map. It's fun, functional & fabulous. Made with Eco-friendly vegan materials that are toxic-free, recyclable and biodegradable. This unisex key ring coin purse is great for everyday use, travel as well as an unique gift for your friends and family. Exterior: Vegan/faux leather Interior: Nylon - with key ring to carry keys - 1 ID pocket at the back for driver's license or metro pass - can hold credit cards Measurement: 5 x 3.9 inch / 13 x 10 cm Wholesale available at www.lavishy.com to wide ranges of retailers including independent brick-and-mortar gift shops, clothing & fashion accessories boutiques, book stores, hotel/resort & airport/ferries gift stores, museum & botanical garden gift shops, flower shops & garden centers, online boutiques, & specialty retailers in Canada, USA & the rest of the world since 2001. Reasons for whey this unisex key ring coin purse is a wonderful lucky / good luck gift idea for your loved ones: The elephant with its trunk raised is indeed considered a symbol of luck and good fortune in various cultures, especially in Eastern societies such as India and Thailand. Here's why:

Strength and Power: Elephants are known for their immense strength and power. In many cultures, they symbolize strength, stability, and resilience. When depicted with their trunks raised, they are seen as asserting their strength and overcoming obstacles, which is considered fortunate.

Wisdom and Intelligence: Elephants are highly intelligent creatures, known for their problem-solving skills and strong social bonds. Their association with wisdom and intelligence adds to the symbolism of luck. It's believed that having the trunk up signifies wisdom and foresight.

Good Luck: In some cultures, the elephant's trunk is seen as a conduit for good luck and positive energy. When the trunk is raised, it is believed to be gathering positive energy and spreading it around, bringing good fortune to those nearby.

Fertility and Prosperity: The elephant is also associated with fertility and prosperity. In Hinduism, the elephant-headed god Ganesha is worshipped as the remover of obstacles and the provider of prosperity. The raised trunk symbolizes fertility and abundance, making it a popular motif in Indian households and businesses.

Overall, the elephant with its trunk raised is considered a powerful symbol of luck, prosperity, wisdom, and protection in many cultures, making it a popular choice for decorative and symbolic purposes. 

[got-123]

Elevate Your Brand with Comprehensive Marketing Solutions

In today's competitive digital landscape, businesses must leverage advanced technology to thrive and stay ahead. Kleem Gotbay Media & Infotech PVT LTD emerges as a leader in providing cutting-edge software solutions aimed at empowering  

Kleem Gotbay Media & Infotech PVT LTD the best software company in Kollam. Excels in delivering bespoke software solutions tailored to meet diverse business needs.In today’s competitive market, effective branding and advertising are essential for success. Our agency specializes in a range of services designed to enhance your brand’s visibility and impact. Branding and Advertising: We create powerful branding strategies that resonate with your target audience. Our advertising solutions ensure your message reaches the right people, driving engagement and growth. Digital Marketing: Embrace the digital age with our cutting-edge digital marketing services. From SEO to social media management, we help you establish a strong online presence and connect with customers across digital platforms. Video Ads: Captivate your audience with compelling video advertisements. Our creative team produces high-quality video content that tells your brand’s story and engages viewers. Flex & Hoardings: Make a bold statement with eye-catching flex and hoardings. Perfect for outdoor advertising, these large-format displays are designed to grab attention and leave a lasting impression. Corporate Gifts: Strengthen business relationships with our premium corporate gifts. Thoughtfully selected and branded, these gifts convey appreciation and foster goodwill. Notices & Brochures: Communicate effectively with professionally designed notices and brochures. We ensure your printed materials are informative, attractive, and aligned with your brand’s identity. Digital Menu Cards: Modernize your restaurant or café with digital menu cards. Easy to update and visually appealing, they enhance the dining experience and streamline operations.ID Cards: Ensure security and professionalism with custom-designed ID cards. Our durable and stylish ID solutions are perfect for businesses, schools, and events. Training also providing At Kleem Gotbay Media & Infotech PVT LTD, our mission is to empower businesses with innovative solutions that drive success in the digital era. With our comprehensive suite of services and a dedicated team of experts, we are committed to delivering excellence and exceeding client expectations. our mission is to empower businesses with innovative solutions that drive success in the digital era. With our comprehensive suite of services and a dedicated team of experts, we are committed to delivering excellence and exceeding client expectations.

[songofsaraneth]

A question for my friends who sell art, especially commissions...

is there any kind of general standard/guideline on how much more someone should expect/offer to pay if they would like to also purchase rights to print/sell copies of the work? at some point, i would like to commission an artist or two for mermaid art of myself, that i could have printed as stickers to sell at the events i work at as a mermaid. but i'm not sure how to go about asking politely or how much to budget for that kind of thing. everyone i've commissioned before/the info i usually see from artists specifics they are just for personal use, and i respect that/would never try to print and sell anything without establishing terms and extra price for it first. Is 50% above the base price reasonable? Double the base price?? Some set dollar value on top of however much is being charged initially? I don’t want to come off as rude or contact people only to bow out because standard value is much higher than I’m capable of paying. 

all the info i'm finding online is guidance in regards to large volume/high distribution contracted work like for book covers or trading cards or so on, compared to how like, reasonably id expect to sell under 50 stickers per year probably. I only work 5-7 small local events per year usually, so very low volume/distribution, so I would rather not shell out like $500+ it’ll take me years to earn back. 

[mtg-card-of-the-day]

Today's Date is May 9th, 2024, and today's card is Improvised Armor.

Fun Fact of the Day: This was one of the first cards I bought online. I was still pretty bad at deckbuilding and I didn't know Standard wasn't my thing yet so the deck I bought it for was kinda all over the place. One of these days I'm gonna include it in a Commander deck, but who knows when.

[ID This card's art depicts a lady in a set of skimp improvised armor. There's lots of slabs of roughly carved wood and leather attached to her shins, thighs, belly, tiddies, and chest as well as her back and her butt. She also wears shells and more hide on her arms. She wears a headpiece made of those lake hotdog plants and bones. She even made a hood for herself to wear! She carries a makeshift axe and she is inexplicably wearing eyeliner and eyeshadow. She also maybe has fake eyebrows. Her hair is kinda dreadloc-y even though she looks pretty white to me. She sits on a grassy hill with her legs bent close to her chest. There's buildings behind the hill below her.

She's an Enchantment that costs 3 colorless mana and 1 White mana. Her rarity is Uncommon.

Her rules text reads "Enchanted creature gets +2/+5.

Cycling 3 colorless (3 colorless, Discard this card from your hand: Draw a card.)"

Her flavor text reads "I trust what I make for myself. Do you trust more what is made for you by another?"

Her artist is Alan Pollack and her print year is 1993-2002. She's from the set Onslaught. End ID.]