Your creativity + talent is honestly so refreshing to see, I love your artstyle and eye for colour co-ordination !!
I have a question about your artstyle though ! How long did it take to get comfortable in the one you have? It's one my all time favourites i've ever seen, how many different styles have you gone through until now? ଘ(੭˵ˊ꒳ˋ˵)੭
- 🫀🐻 Bearnon °❀⋆.ೃ࿔*:・
ouhhh , I like doing different things , I draw how I want in the moment , but I think(?) my way of coloring , shading and detailing remains the same usually !! It took aaages to get remotely comfortable with how I draw though , I never really had a point where I was super happy with things I made xT /lh !!
a looong time ago I hadn't even colored lines !! and then I had a really bright and toony(?) style , after that , my style became reeeeally weird n cutesy .. I mostly drew humans there ..
I quite like how I do things now though , even if I struggle with anatomy , posing , etc etc , drawing however i want is fuuun ~
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Oh! I nearly forgot, but can I ask the significance of this panel?
It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?
(Also, I just wanted to compliment you for this panel)
(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.
The second time I saw it, I started to wonder
Because Dee himself doesn’t really look aware of what is going on behind him.
And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.
Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)
Oh!!!
(Quick test of my ability to find which chapter stuff happens in)
I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.
I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)
So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)
And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!
Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...
I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂
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I forgot how to make posts, but don’t worry guys, I’m still alive-
Ghostly Assistance
Heyyy! I finally drew Leaf! (Plus a slight Aster redesign-) This took way too long, and I apologize for the delay and the overall messiness. She had been sitting in my drawing program as a sketch for two months 😅 but with the Flashbacks up starting in Missing Numbers, I finally got the will to finish it!
Leaf Aoyama belongs to @creatively-cosmic. They have a blog called @themissingnumbers, which you should check out, like—right now.
[Sketch + Extras below the cut!]
Here’s the cover of the book, if you wanted that- (I know it’s crap but I’m tired)
[And for those who are curious, some notes about the art:
-The book is Aster’s. He’s read the book cover to cover well over 25 times. It’s his favorite book on flowers, but he’s more than happy to lend it to someone who wants to learn about flora.
-The content of the art (because there was intended to be a background that got scrapped-) is that Aster was showing Leaf around his secret garden deep in the woods, guiding her so that she wouldn’t get lost and showing her the different flowers and such. (That’s why she has the book-)
-You know how in some video games, you can press a button and whatever special companion you have will show up to give you a hint? (Ex: Navi, Fi, Rotom, Olivia, etc) That’s what Aster is doing right now. Whenever Leaf had a question—he had the answers.
-And if you’re wondering—Yes. Aster did make her a flower crown afterwards. And Yes, he thinks she looks very beautiful with flowers in her hair.]
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