#Peter

[reputayswift]

THE TORTURED POETS DEPARTMENT + literary references

(sources: cassandra, who's afraid of little old me, peter, the prophecy)

[piecesintoplaces]

forgive me, peter, my lost fearless leader.

[james-potters-dps-dvd]

Peter: When manga characters literally say "❤" out loud, I wish I could do that.

James: You can! Just put a little love in your voice! Smile even when you're talking on the phone! People will hear it and know!

Sirius: Moan.

Remus: The duality of man.

[chaxan08]

Kate: You got a haircut. Yelena: Oh, yeah. Do you like it? Kate: Looks okay— I guess. *later* Kate, sobbing into Peter's shoulder: She looks so good. Peter: I know. Kate: I'm so gay. Peter: I know…

[chemlock]

Here's a Peter Parker angst doodle, cause why not

[percyherondale]

“love’s never lost when perspective is earned” why must everything be about the black brothers???

taylor wrote “peter” for them btw, i was the guitar

[the-great-1989-cheese-disaster]

James: I spy with my little eye something that begins with the letter “s”.

Peter: *looks over at Sirius and Remus*

Peter: Is it “sexual tension”?

[midnightsslut]

the whole cardigan/Peter parallels are messing my head can u explain

okay so peter is actually one of my favorite songs on the album for this reason! I think it has parallels to a lot of other songs, not just cardigan. the first thing to get out of the way is the cardigan lyric about peter and wendy: ‘tried to change the ending, peter losing wendy.’ now, that line doesn’t make a ton of sense because peter losing wendy is the ending of peter pan (idk I’ve never seen it and never thought I’d spend this long thinking about them), but I think what she’s saying is that he tried to change the ending of *their* story to peter losing wendy. peter loses her because she outgrows him, while he remains a ‘lost boy’ forever. the cardigan demo has an alternate lyric where peter actually *leaves* wendy. this does not happen in the original story, and to me, it reads like betty (eh, I don’t think those characters existed when she wrote that song, but bear with me) is accusing him of trying to change their fate by leaving her. peter is meant to always come back to wendy. *she* is the one who eventually leaves him. either way, cardigan ends with them together. yay for betty and/or taylor.

now, peter was written 3-4 years later, and it is the conclusion of a story about outgrowing someone despite truly wanting them back. the ending was not, in fact, changed. she did outgrow him. very sad. I actually want to go lyric by lyric, but I’ll put a cut just in case.

Forgive me Peter

My lost fearless leader

In closets like cedar

Preserved from when we were just kids

Is it something I did

the song starts with taylor trying to figure out what went wrong. did she do something wrong to crush these dreams of theirs? she kept him in a closet of cedar (where unmarried women kept their belongings that they would want to take with them after getting married) in her mind, but things didn’t work out anyway. the first line being ‘forgive me, peter’ indicates that she is the one who pulled the plug, and she’s apologizing for it. again, she isn’t entirely sure what went wrong, which, to me, is a clear parallel to how did it end.

The goddess of timing

Once found us beguiling

She said she was trying

Peter was she lying

My ribs get the feeling she did

when they first met, the timing seemed to be perfect for their relationship (‘the goddess of timing *once* found us beguiling’), but that didn’t last. the goddess of timing claimed that she tried, but nothing could save them. taylor even wonders if she lied, which suggests a lack of faith in higher powers like fate or deities. this verse introduces timing as a major conflict in the story. ‘are you really gonna talk about timing in times like these?’

Said you were gonna grow up

Then you were gonna come find me

Words from the mouths of babes

Promises, oceans deep

But never to keep

peter went away, but he promised to come down once he was ready for a relationship. yes, this kind of applies to both of the main storylines on the album. you could take this to mean that they actually broke up a decade ago but promised to get back together, or you could assume there was some sort of break to their relationship, which she and joe did have. i kind of took it to mean that he wasn’t fully committed to the relationship, but he promised to be eventually. again, the renegade lyric, but also ‘i’m a fire, and i’ll keep your brittle heart warm if your cascade ocean wave blues come’ and ‘I’d hold you as the water rushes in,’ both of which are grand promises that neither party could keep.

Are you still a mind reader?

A natural scene stealer

I've heard great things Peter

But life was always easier on you

Than it was on me

he is charismatic. his magnetic field is a little too strong. he can read people. but he’s also fragile and inexperienced (‘he was a hothouse flower to my outdoorsman’). he may be able to read people, but things have been way too easy for him to ever understand a truly hurt person fully.

And sometimes it gets me

When crossing your jet stream

We both did the best we could do underneath the same moon

In different galaxies

And I didn't want to hang around

We said it was just goodbye for now

this is the thesis statement of their relationship to me. obviously, there’s the call it what you want parallel, but more importantly, it shows that the two people really wanted this to work. they just came from completely different places in their lives and perhaps the entire universe. this verse seems to reference the epilogue (‘resentment rotting away galaxies we created’ / ‘some stars never align’). they learned the right steps to different dances, if you will. she knew he needed time, so she left temporarily.

And I won't confess that I waited

But I let the lamp burn

As the men masqueraded

I hoped you'd return

With your feet on the ground

Tell me all that you'd learned

Cause love's never lost when perspective is earned

she does get with other men, but she keeps longing for him. she wishes that he would return with a grasp on reality and be the man she needs. if anything, the time away would give him the perspective he needs to ground himself. interesting parallel to ‘I said I don’t mind / it takes time’ in loml.

And you said you'd come and get me but you were 25

And the shelf life of those fantasies has expired

Lost to the lost boys chapter of your life

Forgive me Peter, please know that I tried

To hold onto the days when you were mine

But the woman who sits by the window has turned out the light

this is just devastating to me. well, first of all, both matty and joe were 25 when they first met her, which, lol. the dreams they had together have expired now. it’s been too long. she cannot keep holding onto a love from almost a decade ago. he took too long to return. he lost his lifelong dreams to what was only supposed to be a chapter of his life. she tried to hold onto the days when he was hers, and everything was right, but she had to turn out the light at some point. this is the moment when she gives up on their relationship. she apologizes for abandoning the ship, but she must do it.

overall, I think peter is a story about two people who genuinely did everything they could to be together, but their needs and their growth no longer aligned. there’s a sense of acceptance and lingering fondness here. she did everything she could not to bolt, but the ending was the same.

[iwachu]

Work night - YBG comic

Heyyy hi there, long time no see haha (geez I've been inactive for a long time sorry ;;;;)

Apparently I hadn't adapted very well to tumblr and I left it for a while to do other things, but when I wanted to make this comic I was looking for a good medium to publish it and that the quality wouldn't be affected. It was then that I remembered that I had a Tumblr account and well---- when I logged in I was surprised by the amount of reactions that my first and only publication had. I literally almost fell off my chair haha, I can't believe I had so much support. Seriously thank you so much to the people who liked my art and decided to follow me ;;;;A;;;. Sorry to leave you with a blog full of cobwebs.😔 But well, here I come back to show one of my comics of this beloved golf ball head.💙 I might use this tumblr to upload only comics or something like that, it will depend if people are still looking for more of this interesting character hehe or who knows. Anyway I hope you like it and enjoy the comic ✨

[stillgotscars]

the connection between “but the woman who sits by the window has turned out the light” in peter and “remember looking at this room, we loved it ‘cause of the light / now, i just sit in the dark and wonder if it’s time” in you’re losing me has me spiralling

[evermoredeluxe]

in peter, taylor spends the song talking about how she thought if she would just wait, the goddess of timing would fix things up and their time would come. he would grow up and come back to her, he would keep his promise of dealing with his shit and being there for her. in so much of her previous work, she talks about how he knew her so well, and now she is wondering if he can still read her. he was high above everything and could see the whole forest (her and her life) for what it was, but now he is so far high above that he can’t see it (her and their relationship) anymore while she’s still in the thick of it alone. they’re in the same difficult time, but their minds are working differently. same page, but on different lines.

she sings how she was fine with letting the lamp burn and waiting, she didn’t wanna come down, she kept her hope up, and she was okay with him being absent because she thought they’d gain perspective when he came back and it would’ve made their love better and it’d be worth it. but then she just realized that she doesn’t want that. she doesn’t wanna be betty, waiting 20 years of her life, thinking if he’ll ever be there. she wants more and she wants better. in their time together, he never grew up, so now she’s turning out the light and leaving.

[illustratus]

Jesus Praying in the Garden by Gustave Doré

[bratniadusza]

Starkid hyperfixation, it doesn’t take detective :>

[midnightsslut]

religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.

taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.

the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.

when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.

side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?

the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.

the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.

ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.

[oliviartist]

I have once again bestowed upon ye memes