#Philip Bloom

[thingsdavidlikes]

Photos from Fujikina 2022 in New York by Philip Bloom https://flic.kr/p/2nKY82f

[wtfgaylittlezooid]

I absolutely adore the "freak masked twink" vibe dcs got goin on within the niche villains

[belovedindierock]

[lilborealis]

Songs that I think fit characters, ships, oc’s etc (pt.1???)

(As you can tell, I’m very bored)

Iwaoi-Jenny by The Studio Killers

-this is pretty self explanatory if you know the lyrics. They have been best friends since childhood. When it says “why I never like your new boyfriends, oh, your love for them won’t last long”. I can definitely imagine Oikawa not understanding why Iwaizumi doesn’t like his new girlfriend. She’s incredibly nice, why wouldn’t anyone like her? Oikawa brushes it off as he just dismissed as Iwa being his grumpy-self, little does he know, his best friend has been in love with him for the longest time.

Philip Graves-Ick by Lay Bankz

-Graves slander till I DIE

The Frye Twins-3005 by Childish Gambino

-I’m pretty sure Childish Gambino actually did write this song about he and his sister! Anyway, I could definitely see this song from Jacob’s pov, as his twin seemed so much more “established” in life, while he is “falling behind”. Yet, he loves his sister and she’s the only family he’s got left. He doesn’t want her to leave for India but wants her to be happy.

Emily Denning (ac syndicate oc)-Hazy Miss Daisy by Kid Bloom

-for a bit of context, Emily was an assassin raised thief that became indebted to the Blighters. She originally was an antagonist towards the Frye twins before joining them (after they showed her evidence that could send her to prison) and picking up the blade again. Hazy Miss Daisy talks about Daisy, who is struggling with various emotions and learning that her actions truly have consequences. Emily is forced to deal how much damage her working for the blighters caused.

The Bad Batch-A L I E N S by Coldplay

-The Bad Batch themselves have been forced to run from the empire. You could argue that the clones feel like “Aliens”, out of place, as they’ve never really had a “set” identity. Their “home” isn’t necessarily a real place, it’s just peace that they can never really find, due to being “property” and born of the empire.

Kei Tsukishima-Alien Boy by Oliver Tree

One lyric I’d definitely like to emphasize is “I fell down to earth, from a hundred miles away, and somehow, I still make it work, but it’s overrated and somehow, played out”. Tsukishima was once a happy little kid until he “fell down to earth” when he realized his brother was a fraud. He still joins the volleyball team obviously but he believes it’s “overrated” and pretends not to care.

Shoyo Hinata-What Was I Made For? by Billie Eilish

I immediately thought of Hinata calling himself “the new tiny giant” as he pursues his own character in the series. After Karasuno looses against Kamomedai, against “the new tiny giant” he is despondent. It’s only when Takeda has his talk with him that Hinata truly has to question who he really wants to be.

Lionel Poussin x Georgette Chevrolet(Ac Unity Oc’s)-Cooler Than Me by Mike Posner

-to put it plainly, Lionel is a shameless flirt+reckless while Georgette is very uptight+cautious. Georgette is basically forced to babysit Lionel (who is a lower rank than she is) and he is definitely not mad about being paired with a pretty swordswoman. You can read more about them in my fic Cœr d’acier 👀 (pinned at the top of my page!)

Aya of Alexandria and Bayek of Siwa-Always Forever by Cults (I love them so much you have no idea)

-you absolutely know they still loved each other, even when they had to part. Even when they had to split up, you KNOW either would come running of the other was in trouble. “You know you’ve got me in your pocket, you don’t just have to wait around”. And Ubisoft if you see this give us a Bayek sequel rn

[sepublic]

Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

[imagopirateversion]

Pirates of the Caribbean: Dead Men Tell No Tales; Why It Shouldn’t Exist

Or how I invested time and energy into an analysis of a relatively dead franchise instead of doing it for my actual media analysis university course.

An essay by: a bitter and obsessed PotC fan since they were 7, with a lot of free time.

Lads, this is going to be long. You have been warned.

The Beginning

At the very beginning of the movie, we see a young Henry Turner looking for his dad.

Now, we're not talking about characterization problems or how likely it is that a ten-year-old child would risk his life to look for a man he technically only saw once; we're talking about plot problems, actual logical fallacies. My questions are:

How? The Flying Dutchman is a legendary ship, impossible to be found unless She wants to be found. The only reason we see Her in Dead Man's Chest is because Davy Jones himself is looking for Jack to collect his debt, and in that occasion the Dutchman's captain wasn't even doing what he was supposed to do, so he was most definitely in the living world. Will otherwise, he's doing the job Calypso gave him, so he's constantly in between. Is the movie trying to convince me that a kid was able to do something no one in the history of piracy was ever able to do? And even if he did, why hasn't anyone explained me how? He simply looks at a map and throws himself on the bottom of the ocean. How did he know The Dutchman was there? How did he know it would've come to surface?

Where is his mom? We got to know Elizabeth in the first three movies; we know she's a smart woman and we can assume she's an attentive mother. She didn't notice her son preparing himself for a trip in the middle of the ocean to go look for his dad? Was she distracted? Was she outsmarted by a 10ish-year-old? Or is she just not contemplated in this scenario?

Why does Will look like that? Will is doing his job, so... why does he look like he's slowly corrupting? That kind of corruption is the punishment Calypso reserves to The Dutchman's crew when the captain fails her, which isn't the case. Did they forget about it? Was the idea of putting algae on Orlando Bloom's face just impossible to resist to?

Alright, this isn't actually from this movie but it's bothering me, so I have to write it; also, it would make this whole movie unnecessary, so it's somehow related to it. Why (and I can't stress this enough) can't Elizabeth be on the Dutchman? Why can't they do the job together? Is it because she's not a pirate? I'm pretty sure se actually is. Is it because she's a woman? Last time I checked she was the KING. She wants to stay with Will forever, Will wants to stay with her forever, they can literally live forever on the same ship. Why aren't they?

Whatever the Hell Happened to Jack Sparrow

Imagine creating a character that is so iconic whenever you ask a person who was a kid in the early 2000 to imagine a pirate, they imagine said character.

Now imagine fourteen years pass and you decide to ruin that character by making him the most hideous, annoying, idiotic person in the whole saga, and we're talking about a saga that has Philip the Missionary in it. Why? Jack Sparrow is THE anti-hero. Never on the right side, but never on the wrong one. You can tell he's doing something morally questionable, but you still find yourself rooting for him. He's stupid enough to make you laugh, but he's secretly clever enough to always get away with it. Now he's just... drunk. And that's not even an excuse for this horrendous new characterization, because he was always drunk. The guy FORGOT HE WAS ROBBING A BANK, the same guy just one movie earlier was able to escape from the King of England's palace and steal a lady's earring (by pretending to be a literal slut) in the process. He just switched from the iconic drunk bi bestie everyone loves to my cringe uncle that drinks too much at Christmas parties and makes everyone uncomfortable. Please, if the risk is ruining an entire generation's beloved character, either don't make the movie or find a better explanation than "Bad luck dogs you day and night".

The Pearl in The Bottle

So... what you're telling me is that Jack Sparrow, the guy who was able to defeat Hector Barbossa, Davy Jones and Blackbeard thanks to his slyness, and who loves his Black Pearl more than anything else in the world, had said ship in a bottle in his pockets for FIVE YEARS... and he never thought about breaking the bottle to free Her. That's what you're telling me. This is the pivotal point upon which the entire Jack's plot hinges. I... I don't even know what to say. Was this supposed to be funny?

What an Incredibly Lucky Coincidence

A guy needs a treasure to save his father. To find it, he needs the help of a notorious and legendary pirate. He looks for him everywhere, sailing on dozens of ships just so he has the remote chance to stumble across the pirate. The last ship he's been on has sinked, he's the only survivor. He's been found in the middle of the ocean and someone brought him to the nearest city. Which city? I mean, the one that has both the pirate he was looking for and a lady who's the only person in the whole planet who's able to find the treasure he was looking for! And, oh my... he finds the both of them! In that same city! Without even LOOKING FOR THEM! A hell of a coincidence, if you ask me. Also known as lazy writing.

What's Wrong With the Guards?

Now, I know Pirates of the Caribbean isn't exactly known for its accurate historical reconstructions, but why are the guards in this movie acting like they're some sort of hellhounds ready to kill anyone in sight? Even pirates and traitors as Jack and Henry were supposed to stand trial before being sentenced to death. It would've probably been an unjust and barbaric trial, but there should've been one. We literally saw it, in the previous movie. Why's Jack been sentenced to death for simply existing here? He gave pirate vibes and they decided that was enough?

Paul McCartney

This is not an actual point of the analysis, I just wanted to remind people that Paul McCartney is in this movie and that's the only valid reason to watch it.

Salazar

I am confused. Once again, I have questions.

El Matador Del Mar was so good at his job he had almost defeated piracy. "The last ones joined together to try and defeat me". The last what? Pirates? There were no pirates left? This happened when Jack was young, so a lot of time before the first movie, right? Where were, I don't know... Blackbeard? Davy Jones? Barbossa? All the other Pirate Lords? I might be wrong, but I guess Salazar didn't kill them, did he? Why weren't they there during that "last battle" in which "the last ones joined together"?

The Devil's Triangle. I just don't understand what's the logic behind it. So, this is a cursed place. Whoever enters there, can't get out. One would think it means that if you get there, you die; and Salazar does die, but he somehow also becomes a ghost whose only purpose is to find Jack Sparrow and have his revenge. So, do people become ghosts when they get in The Devil's Triangle? We have to assume people have gotten stuck in there before; otherwise, there wouldn't be legends around the place. So why isn't it like full of spirits ready to haunt people? Why are Salazar and his crew the only ones?

Poseidon or Calypso?

What's the Trident of Poseidon? Does Poseidon exist? Isn't Calypso the Goddess of the sea? Breaking the Trident, you break all the curses of the sea, so the Trident must be more powerful than Calypso, which leads to a question. Where is she? She IS the sea, right? So she must have known someone was about to find the Trident and brake all curses, including her one. She just decided it was okay? It really feels like someone decided to suddenly change the world's mythology without giving explanations.

The Compass

This is possibly the most blatant plot hole in the whole saga. Probably the most blatant plot hole I've ever witnessed, and man, I watched all the Harry Potter movies. In Dead Man's Chest, Jack meets Tia Dalma in her "shop" and he tells her he's looking for the Davy Jones' key. She asks him "The compass you bartered from me, it cannot lead you to this?", making another pivotal point of Dead Men Tell No Tales factually senseless.

That man couldn't have given his compass to Jack, because that wasn't his compass.

So either Salazar is lying while telling his tale or they forgot about that line in the second movie. Anyway, let's pretend that line doesn't exist; even if that captain gave Jack his compass in that exact moment, why would it be the key to free Salazar, exactly? How is the compass in any way related to The Devil's Triangle or to Salazar? In the movie, they try to explain it with a sentence: “if you betray it, your greatest fear comes true”. So, is Salazar Jack's greatest fear? I really doesn't seem right, Jack almost didn't remember Salazar when Henry mentioned him. To Jack, he's only a guy he outsmarted decades earlier. Also, Jack technically already gave the compass away, twice: to Elizabeth in Dead Man's Chest, to make her find the chest, and to Beckett in At World's End, when they're negotiating.

That's... That's Just Body Shaming, Mate

Let's talk about her. So, the woman's ugly. It can happen that a woman is ugly. Was it necessary to build an entire scene around some blatant body shaming? This scene wants to mimic the similar scene in Dead Man's Chest: Jack's on an island, running from the main villain, and he's forced to do things he doesn't want to do until someone saves him, then it was Will, now it's Hector.

Except in Dead Man's Chest it was LITERAL CANNIBALISM he was facing, and yet he looked LESS TERRIFIED and DISGUSTED. What's exactly the message here? Lads, is marrying an ugly woman worse than cannibalism? I don't know... that was just bad.

Justice for Hector Barbossa

If you know me (you probably don't, but if you do) then you know about my obsession with Hector Barbossa. I truly believe he's the best written character in the saga, and he's in my top five of the characters I love the most in all media. I watched The Curse of the Black Pearl when I was seven and I am autistic, so I had all the time to develop a literal relationship with these characters in my head. As much as Geoffrey Rush's interpretation was impeccable, as always, it really hurt to watch Hector in this movie. He just doesn't sound like him. First of all, why isn't he on the Queen Anne's Revenge? Why's he letting someone else sail around on his ships? He would've never. Why's he just sitting on a throne and shooting musicians instead of, I don't know... being a pirate? Being a pirate is the only thing that matters to him. He says it at the end of On Stranger Tides, and he even says it in this movie, to the witch. "I'm a pirate. Always will be".

So, why isn't he pirating? What happened to him? And what about the pact with the witch? He made her curse all his enemies; that's honestly the most out-of-character thing he could've done.

Seriously, watch this movie, and then The Curse of the Black Pearl and tell me he sounds like he's the same character. Then there’s his death... was it necessary? And I don't mean if it was necessary to the plot (it wasn't), but the way he died, did it make sense? He takes the sword and sacrifices himself to kill Salazar, but WHY? Salazar was back a mortal. They could've brought him to surface and then shoot him. What was the point of his death, Disney? I will never forgive you.

I would've preferred if they never showed him again. He's alive and living his best life in Tortuga, if you ask me.

How does Carina Smyth exist?

Let's do the math. Carina Smyth has approximately the same age as Henry Turner, who was born around nine moths after the end of At World's End. At the end of that movie, Barbossa once again stole the Black Pearl (he's iconic we stan a legend), so we have to assume it is during that time (between the At World's End and On Stranger Tides) that he conceives Carina. He stays with this woman during the whole pregnancy, bacause he says he was there when she died. So nine months, at least, right? Except; Jack makes it clear that he and Barbossa met Carina's mom, Margaret, together.

When, exactly, did this happen? It can't be between On Stranger Tides and Dead Men Tell No Tales, because Hector himself says only five years passed between the two, and Carina doesn't look like a five-year-old;

it can't be between At World's End and On Stranger Tides, because we know Jack and Barbossa weren't together, and Hector was too busy losing a leg and planning his revenge by working for the King of England; it can't be during At World's End, because Barbossa was too busy rescuing Jack and then slaying (literally and metaphorically) Beckett's men to save piracy; it can't be during Dead Man's Chest, because he was dead; it can't be during The Curse of the Black Pearl, nor during the ten years before it, because he was... he was a skeleton, I hardly believe he could reproduce, despite what’s written in some fanficions; it can't be before, of course, because Carina would be too old. The only chance, but it's a stretch, is that Hector and Jack met this Margaret Smyth years and years before, and that at a certain point (while he was still busy slaying, losing a leg or planning his revenge), for some reason he decided to come back to her and accidentally had a daughter. That would mean that Jack remembered Margaret Smyth's name DECADES after he met her.

The Post-Credit Scene: What?

WHY'S DAVY JONES BACK? The Trident technically broke all the curses of the sea. He is THE cursed man of the sea. AND HE'S DEAD. The only answer I was able to give me, is that the moment the Trident broke the curses, the curse that said if you stab his heart he dies was also broken, so he technically didn't die, but it makes even less sense, because if the curses just aren't real anymore, then a man shouldn't be able to... carve out his heart and put it in a chest, right? (Which by the way, makes Will Turner being alive senseless as well). Even if so, Davy should've come back as a human.

My conclusion is that this movie should not exist, and we, as a community, should pretend it was never made. Hector is alive. Bye.

Imago

[buckttommy]

hot cocoa

Summary:

"I bought Eddie a ring." Bobby, to his credit, doesn't even flinch. He brings his cup of cocoa to his lips and takes a long, languid sip. He moves the mug from his mouth but doesn't put it down. Just watches Buck with a slight tilt of his head. "You freaking out?" "No. Yes." Buck gets to his feet, suddenly so full of manic energy, he feels like he could burst. "No. I don't know. I mean, why should I be? It's Eddie." or; Buck is freaking out about proposing. He gets an assist from Athena, Bobby, and. Well. Eddie himself.

This is dumb. 

Buck doesn't know what he's doing here for several reasons, starting with the fact that, despite the rapid erosion of any and all workplace norms, Bobby is not actually his dad and ending with the fact that this is not actually Bobby's problem. But the thought of going to Philip with this makes Buck want to break out into hives and, although Maddie would be willing to sit and listen to him vent and moan, she's far too busy with her own life. His only other friends might as well be family for all that they live in each other's pockets, but then there's also the fact that Bobby is... well, he's Bobby. Buck may not know what he's doing here but he knows he wants to be here and that's more than enough reason to have him sitting on Bobby's back porch with his feet perched on the patio chair, knees pulled up to his chest despite (or maybe because of) the dirty look Athena is shooting him when she looks up from her book from her spot in the living room, with a mug of hot cocoa in hand. 

Bobby studies him, curious but at ease, willing to take his time with whatever it is Buck's got cooking up in his brain. And that's a good thing because Buck has no idea where to start. He could start with the fight he and Eddie had a couple nights ago. Well, it was actually less of a fight and more of a very heated argument. On their way to work, they got started going about politics or God or something or someone that doesn't really matter anymore, and Buck could start with the way he forgot what he was saying mid sentence as he looked at Eddie—really looked at him for what felt like the first time in his life—and saw his whole future blow wide open.

He could start with the fact that he watched Eddie gesticulating with his hands out of the corner of his eye as he went on an impassioned rant, spit flinging from his lips (not that that deterred him) and thought, I want to argue with you every day for the rest of my life. Or he could start with the fact that he bought a ring six months ago, that it's been hitching a ride in the glove compartment of Eddie's truck because Eddie rides shotgun in his jeep more than he drives his own car. Or he could start at the beginning with a vow, with a promise to have each other's back, but Bobby was there or at least close by which means he's already got a SparkNotes version of that tucked somewhere in the back of his mind.

So Buck starts with the first thing that comes to mind:

"This is good cocoa."

"Thank you." Bobby grins, that little smile that says he's trying to cling to stoicism by the tips of his fingers instead of glowing with pride. Buck knows it well. Bobby nods at his mug. "Secret ingredient. Why don't you go ahead and give it a try. Tell me what it is."

"My palate is for shit."

"I know."

But Buck takes a sip because this is the game they play, this is the version of life that suits them best—the one where Bobby is his dad and Buck is his son and none of the extra details matter. Buck smacks his lips as he tries to figure out the taste. Sugar, sugar, more sugar—

"Is that cardamom?"

Bobby's eyebrows raise. He lets that smile bloom on his face and raises his mug. "I'm impressed."

"I bought Eddie a ring."

Bobby, to his credit, doesn't even flinch. He brings his cup of cocoa to his lips and takes a long, languid sip. He moves the mug from his mouth but doesn't put it down. Just watches Buck with a slight tilt of his head. "You freaking out?"

"No. Yes." Buck gets to his feet, suddenly so full of manic energy, he feels like he could burst. "No. I don't know. I mean, why should I be? It's Eddie."

"It is."

[read the rest on ao3]

[forthegothicheroine]

How Other Great Detectives Would Solve the Riddler Murders

A series I do sometimes. This is based on The Batman (2022). I will be assuming that none of these universes have already established superheroes and supervillains unless it's also in that canon.

Sam Vimes: The Watch as a whole might solve the case, but Vimes is going to be in the wrong headspace. Carcer was bad enough as playful serial killers go, but a serial killer who liked Sam Vimes and wanted to be his best buddy? I think that would make Vimes need his own stay in Arkham.

Sam and Peter: This one is my favorite, it works so horribly well! The Riddler, having been a huge fan of American Vandal, addresses his messages to these two teenage goobers (and it is in fact in the form of vandalism.) Selina ends up saving their lives due to secondhand embarassment when she sees them trying to interview Carmine Falcone about whether he was on any Gothamite subreddits. (Oswald Cobblepot was happy to talk to them about it!) It all comes down to whether the pressure of stopping a serial killer causes the boys to bloom or break, and I'd like to hope it would be the former.

Phryne Fisher: I totally get why the Riddler would fixate on and write letters to Phryne, she's a very good person to fixate on and write letters to! (I've often said she's like if Catwoman were Batman.) Phryne sleeps with Selina and gets surprisingly flirtatious with Oswald. Having already taken down a cocaine ring, she knows enough to honeypot her way into the lower floor of the Iceberg, and very narrowly avoids death at the hands of Falcone. She can solve riddles easily enough, though I don't know if she'd put them together in time to stop the flooding of the city. I'll call this success with a similar casualty rate to Batman's.

Sammy Keyes: This one is a real dick move on the Riddler's part. Addressing your serial killer messages to a tween girl who'd been involved in catching other criminals, thus revealing she's living in an apartment illegally and potentially getting her taken away by social services? It's absolutely something he would do to make a broader social point, but still it's a serious dick move. I think Sammy is way out of her depth here but I want her to succeed because I love the idea of subsequent Sammy Keys books having recurring characters that include the one cop slightly sympathetic to her, the junior high mean girl, and the serial killer who sends her cryptic letters from incarceration.

L: I just know that somehow this is going to involve Edward Nasthon, Forensic CPA, being on the team to catch the Riddler and him and L having a vaguely but unconsumatedly homoerotic dance between friend and enemy. I don't think he'd want to kill L, though, since he'd rather have him alive to acknowledge him as the smartest coolest guy ever, so I'll give L the edge here.

Jane Marple: No matter how I twist it, I just can't see a scenario in which the Riddler would send serial killer messages to Miss Marple. Instead, I think Edward Nashton would just meet her at a tea shop, they'd have a friendly conversation about the novel she's reading, and then she'd call up the police and tell them she's found the Riddler.

Columbo: This isn't a great setup for Columbo, since his method of detection is all about catching people in their lies, which is hard to do with a killer who is a nobody and who keeps to the shadows. He would definitely put Falcone away in the course of the investigation, but I don't know if that's enough to stop the grander scheme in play. If he does catch him, though, he would stop the flood because Edward Nashton would be SO vulnerable to casual conversations about hypothetical approaches to crime.

Philip Marlowe: I think Marlowe would kind of work his way backwards here. He'd get deep into the grime of Gotham, end up stopping a plot to flood the city, follow that up by an investigation into the mob and unconsummated sexual tension with Selina, just barely escape getting murdered by Falcone, get hit on the head by Cobblepot and have hallucinations involving penguins with umbrellas, then finally catch Edward Nashton, the petty little nobody who killed people to make himself feel like somebody.

Dale Cooper: This is a good case for Cooper, lots of subplots that lead into other subplots, nothing overtly supernatural but a vague general feeling of curses and doom. He would find deeper meaning in all the coded riddles that pointed to dark truths about the universe, topped off with dreams of cats and penguins doing his taxes. I sure hope the Riddler is willing to wait for all that before flooding the city, because Coop works at his own damn pace.

Hercule Poirot: I can see Poirot fitting in to the art deco Gotham of the animated series, but the modernist urban grime of the 2021 film is viscerally unpleasant to imagine him in. He could solve the riddles and aid the police, certainly, but more than any of the other detectives, my mind is rebelling against my attempts to imagine these people in the same room at the same time.

Sam Spade: Selina Kyle hires him to help get her friend out of a jam at the same time as Cobblepot hires him to get a few murders discreetly solved before the cops get too nosy, and then Falcone tries to have him whacked when he gets too close on both accounts. The Riddler would take him completely by surprise, but I'm having so much fun imagining Edward Nashton looking up at him with big Peter Lorre eyes and babbling about what crime really means that I'll allow him to at least stick around for that. I think he can get out of this still alive, but it would be a close call.

Kinsey Milhone: Why her, she wonders? Sure, she's a detective, but she's hardly a household name. She goes through all her files to see if this could be connected to anything she's ever worked on, and lo and behold, back when she was an insurance fraud investigator, they always worked with a forensic CPA named Edward Nashton. Now, what could have ever become of that guy...

Sherlock Holmes: Sherlock Holmes either immediately solves this or fails utterly, and it all comes down to how quickly you think he could decode things using a computer.

[tintagel-or-cockleshells]

WIP Wednesday

Oh good lord. @kiwiana-writes, @sherryvalli, you don't know what you've unleashed. @clottedcreamfudge does, though. For shame.

So @clottedcreamfudge jokingly told me she was going to come up with some AUs because my wedding was at a very picturesque place. We did not realise that actually an AU would bloom due to my wedding coordinator flippantly mentioning that she's never liked by venue staff.

And... yeah, okay, my wedding coordinator saw me nude about three times getting me ready, it's unlikely to be a man, but to be organised and really good at your job even if it pisses people off? That's an Alex trait.

Without futher ado:

Alex is always happy to help a panicked bride and groom. Or bride and bride. Or groom and groom. Gender isn’t something he fusses over when it comes to those seeking his services, which is about making sure two people enjoy their wedding day. And things were going so well with Sophia and Killian. He’d found himself actually laughing with them, making a genuine connection - right up until Sophia said their big day was booked at Mountchristen Manor. He’s a professional: he doesn’t let his distaste show. But venue staff hate wedding coordinators, and the staff at Mountchristen are worse than most. First there’s Mary, whose idea of a good wedding is full 1950s: receiving line and a polite tea-dance, absolutely no deviation from the norm. Catherine, who’s disorganised and scatty and has forgotten to cue the first dance before. Philip, who’s a stick in the mud and not a fan of plans changing, and Beatrice, best of a bad bunch. But his number one nemesis is Henry.

I am tagging: @cha-melodius, @dumbpeachjuice, @rmd-writes, @welcometololaland, @orchidscript, @celeritas2997, @everwitch-magiks, @cheesecurdsgravyandfries, @three-drink-amy, @indomitable-love and anyone who wants to join!

[modelsof-color]

Trans Models

Valentine Alvarez

Emmanuel Adjaye

Grace Valentine

Magdaleno Delgado

Joakim Gjemmestad

Zair Cheseaux

Moses Battiest

Leyna Bloom

Aaliyah Hydes

Nadia Blocker

Ariel Nicholson

America Gonzalez

Charlie Nishimura

London Scully

Ceval Omar

Qi Han

Anjali Lama

Nico Grigley

Bin Wang

Venuz Lee

Olivia Lee

Mathias Lamin

Eleazar Ibarra

Aaron Philip

Nathan Westling

Oslo Grace

Justin Xavier

[kindestegg]

Analyzing all the differences in the storyboards posted by Yasmin Khudari and the final product! - Part 1: No Collector Edition

Hello everyone!! Today I bring you a different kind of meta post than usual... I'm sure some of you are already aware that Yasmin Khudari who worked on The Owl House has posted quite a lot of storyboards for episodes in season 2B and For the Future as well. I will reblog this post with the link to her site later (as if I believe correctly the issue with posts with external links on them getting shadowbanned still is not fixed).

But for now! Under the cut, I will point out every difference between the storyboards and the final cut and what this could mean! There's a lot of exciting stuff to go through, so much so in fact that I will have to cut this post in half to showcase the Collector related storyboards elsewhere because there is just! So much ground to cover! And the 30 image limit would burst!!! (I know this because I've literally tried.)

(A small side note... I have elected to sometimes to not show picture evidence of things changing because we do have a 30 images limit here and I want to hopefully talk about all the changes!)

Starting with Season 2 Episode 12, Elsewhere and Elsewhen, we have this cute little scene of Lilith cutting some branches out of the way while Luz follows her and does a little twirl. I imagine this was just cut because it wasn't very necessary, but it is cute as hell.

In the final episode, they cut directly to the scene where Lilith is looking at her book showing the Pools of Time entry.

Another subtle difference likely cut for time, Lilith originally would sniff the seaweed brought by her palisman that ended up on Luz's head. In the final episode, this little action is absent.

Something that was not cut but rather added this time! In the storyboards, Lilith only goes "Eh?" when she thinks she failed in finding the time pools, whereas in the final episode, she goes into her whole spiel about how she "triple checked all her calculations, her equipment is first rate". It's possible that while the moments seen before were cut, this was added instead.

There is also another slight divergence in dialogue. In the final episode, Lilith's monologue goes: "Maybe the blood was too dry? Is it not algae blooming season?" Whereas here Lilith wonders if the map was outdated or if the oak was a bit more of a pine before wondering if it's not algae blooming season.

And finally, there is a moment that was also cut from the finale episode where Luz is wowed by the discovery of the prehistoric Boiling Isles, but finds out she can't breathe in there. This would explain why in the final episode she is heard coughing before pulling her head back out.

I do think it's a shame this was cut as it would better explain why she was coughing and would be a neat little nod to the fact the air would have been different in that era of time.

Next, we have another set of boards for Elsewhere and Elsewhen, this time showcasing Luz and Lilith traveling with Philip to the head. I'm excited to get to this one because this has some juicy changes I want to discuss.

And our first change already shows exactly what I mean: there is no mention of The Collector in these boards. Instead, both Luz and Philip are seeking something called "The Song of Stars".

And equally, Luz doesn't refer to it as a "he" who can tell them how to clear the mist, but rather just something that can grant them power.

Is it possible that at the point in time these boards were getting done, the Collector was not yet meant to be a character? Maybe the Song of Stars was rather some kind of powerful spell, something that would grant Philip a power similar to the draining spell.

Smaller detail but just something I thought was cute: In the original boards, Luz did not say "snap snap snap" out loud, so I'm glad that was added in the final cut. It's cute!

But you know what did not make the cut? Philip being a suck up to flatter Luz and Luz being absolutely adorable about it. He calls her crab language "beautiful" and says both her and Lilith are very brave and that they're like warrior princesses, which sure makes Luz happy. Oh, if only her happiness could've lasted.

A blush and happy tears!! My god girl!! I am so sorry your idol turned out to be a douche! You deserved to have kept that happiness!!!

I do have some theories as to why this was cut. Could have been reworked for time, or could have been that they didn't think people may get the reference (this reads like a Xena Warrior Princess one to me at least), or even that it might seem odd for him to have that concept...

I do think the blush here is interesting, we have seen characters in the show blush in contexts that aren't romantic such as when they are embarrassed, looking up to someone or think something is cute. So this isn't too odd, Luz is meeting what at the current time is a big idol for her and he is saying very nice things to her, which would understandably get a strong reaction.

Minor change: Luz goes "what!" in the original storyboards before asking if Philip uses glyphs too. Again, very minor change, but! Cute!!!

Interesting change here: In the original boards, Philip does not comment that it took years for him to find the glyphs and that it was almost as if the world wanted to hide them from him.

Instead, he comments he "didn't realize there was one for light as well".

This is REALLY interesting to me, because it also makes me wonder if the subtle theme of it being ambiguous whether the Titan's consciousness lingered and somehow hid the glyphs from Philip or if he was just that disrespectful and stubborn towards the B.I culture and wildlife that the only way he could rationalize his hardship was through the world being against him... was way less present in an earlier draft of the story.

He also does not comment "a warrior and a scholar, truly impressive" at Luz after she tells him she also found a glyph in a snowflake, just being quiet instead. I think that part may have been added to make more thematic sense with Lilith having a small quiet moment of looking weirded out by Philip's flattery right after.

Another minor detail: Luz also blushes in this storyboard when gushing over teaching Philip the light glyph, but this is absent in the final cut. I wonder if this was done so people wouldn't get the wrong idea, or, rather, if "my idol is so cool" gushing would be considered to be something that wouldn't be worth blushing over.

Another instance of The Collector being replaced by The Song of Stars. I find it funny in a silly way that it's in all caps, makes me think of how RPG games will write important key items or boss characters in all caps.

And that's all for the differences in this episode! But before we move onto the next, I wanted to talk a bit more about the Song of Stars because this all just... fascinates me? Coupled with that one storyboard we have seen from The Owl Beast nightmare that showed what seemed to be three figures instead of one, I wonder if back then they were toying with the idea of the celestial magic opposing earthly magic from the titans and the collectors as a species being the reason why titans are gone, but they didn't think to actually have a collector as a character back then, only have them as some distant threat and adding to the lore. The song of stars could have been some kind of powerful spell or weapon left by then way back when, perhaps even what killed the titans.

Maybe we will know once the series ends and we can ask all about the cut storylines that ended up being discarded in favor of the current one. I certainly want to know!

For, Them's The Breaks, Kid, now, we have one minor dialogue change. Eda adds a "honestly", when she says she thought there'd be more (to her misdeeds). Maybe they took it out because she WASN'T being honest? LMAO.

This is an interesting cut line: In the storyboards, before saying she'll be separated from Lilith, Eda says her parents "will kill her". While we know this is classic Eda hyperbole, I think this is interesting because to me it may have been cut due to the fact that this could be seen as odd when her parents have been shown previously to be pretty understanding... or maybe there is more to the Clawthornes than we think of.

I'm definitely not saying Dell and Gwen would be abusive, fucking hell no, but Gwendolyn has at the very least been pretty overbearing on Eda at times, and has made Lilith feel left out, presumably even before the curse if Lilith's desperation to stand out above Eda is anything to go by. Maybe, even without meaning to, Eda and Lilith's parents were pretty strict about getting them a good enough education and nudging them to join the Emperor's Coven. I mean... where do you wonder their aspiration to it came from?

Or, again, I'm just looking too much into this and this line was cut precisely because this wouldn't reflect Dell and Gwen well.

Small detail, in the storyboards, Eda said "I'll do anything to make up for this" instead of just "I'll do anything". I think it's possible they cut this because it made more sense to imply she'd do anything to stay rather than "make up for" things she wasn't truly sorry for.

More small details! Faust doesn't say "no child is beyond redemption", but rather "no one". This is interesting to me because it would imply Bump's life philosophy extends to adults as well, and in my opinion nods to the goodness in his heart.

Also! In the storyboards Eda doesn't laugh nervously, just raises her hand at Bump.

"IFWOT" also used to not have its name be said in the storyboards when Faust explained it to Eda and Bump, instead he simply called it a "special training program for gifted students of the Isles". I think this was more of a change to let us know of the name really, and it's possible they didn't have the name when it was boarded.

And finally, Faust was I guess supposed to laugh offscreen when he walked away, but this is absent from the final episode. I guess they either thought he might not be the type or they just forgot to add it, after all it would require someone to remember to record the line and add an offscreen sound effect.

Another set of boards for the same episode also shows Lilith and Eda in their studying together.

For starters, instead of Lilith saying "Trials for the Emperor's Coven are just around the corner", she says "The Emperor's Coven will be here *any* day" in the storyboards, which to be fair isn't a big difference, specially since the storyboards afterwards continue the same way with Eda pointing out seven months isn't any day/just around the corner.

Also something interesting, when giving Eda her question, Lilith specifies a potency the Leadfoot potion would have. Does this imply that potions can be mixed with varying potency, making some purposefully weaker or purposefully stronger? Maybe as a way to create balance?

Also it is barely a real difference, but I thought it'd be criminal to not let you all know Lilith is described to be "slightly envious" in the storyboards when stating that Eda is correct lol

She also had EEE on her dialogue before saying "imagine us both getting" on the storyboards which I'm sad didn't make it in!

Also there was no dialogue for Lilith pointing to the clock in the original storyboards! I'm guessing they added "look we're gonna be late" as a way to clarify what pointing anxiously at a clock meant lol

The storyboards then cut to way later in the episode, with Raine having transferred to Hexside and Eda meeting them in the cafeteria. Another slight dialogue change is Raine used to simply say their parents were surprisingly cool about it, rather than they hated the cold on the knee like they do in the final product.

It is very faint, but there is also a cut frame of Eda blushing at Raine while smiling here. Very cute!

Raine also used to take a sip while saying "give me the rundown of this place" while cutting that sentence in the middle and going "blegh" because of the taste, rather than in the final cut where they say the full sentence and then take a sip.

I think this may have been cut simply because it made the pacing of the dialogue way too awkward.

And finally, Raine used to laugh at Eda commenting on how much she liked the apple blood, which I think is just cute.

Next up, Labyrinth Runners! We have three different sets of storyboards for this one to get through!

First of all! After Bump takes a fighting stance, the coven scouts look at each other and shrug, which was cut in the final version. Guess they'd usually not think much of Bump huh...

Another set of storyboards shows us a pretty different look at the scene where Adrian has Gus held inside the gym: First of all, for some reason this set of boards is missing all of Adrian's dialogue, which makes it hard for us to infer just how much changed about that from the storyboards to the final cut, but we can see a glimpse of a different storyline with Gus' one line in all this:

"I'll never join your coven"... does that mean, originally, Adrian would try to force Gus to join the illusion coven, and Gus was resisting because he probably figured out by now getting coven sigils is bad news? But then again, I can imagine this was cut and quickly reworked into something a little less convoluted and more straightforward: Gus wouldn't know yet just how bad joining a coven is and about the draining spell, and Gus DOES specialize in illusion, so it could look odd that he is resisting this much.

There's another set of boards of when Hunter wakes up at the infirmary, and sadly this one is also missing dialogue. But we can still infer some differences!

First of all, after Skara tells him it's not an illusion and he is in the healing homeroom, Hunter opens his mouth briefly, maybe speaking words of relief or just sighing in relief really.

Also minor thing: it's a bit hard to tell with how these storyboards are with missing chunks, but it seems like Willow would have walked up to Hunter to defend him without him having to have brought up Gus' breathing exercise.

And for the last board in this, uhm, I don't... think this was meant to make it into the final cut but. LOL. LMAO.

Moving onto King's Tide!

Originally, we would've seen Luz use her safe fall spell when dodging Belos' attacks!

Also, instead of saying that it took him years to figure that (combining glyphs) out, Belos instead says it took him years to "harness their strength"... and he does NOT say anything about it being almost as if the titan was hiding it from him. Hmmm. Perhaps, more fuel to the fire of the theory that back then, there was no subtle implication of either the titan's consciousness lingering or Belos attributing his own disdain and lack of care to the titan?

This also curiously alters the next bit of dialogue: he still says "though you're still decades away from beating me", just earlier. And soon after, he says "that was almost impressiv-" getting cut out when Luz sends fire out at him. Not gonna lie, I almost wish this was kept because I like the idea of Belos getting cocky and immediately getting blasted, unable to finish his sentence. But oh well!

Speaking of dialogue differences!

Here, Philip says "And I'm giving you a chance to be saved, Luz. To go home!" instead of "And despite our differences, I want to help you, Luz. I can send you home." I consider this more or less the same, really, but it is an interesting change. He leans more on the saving aspect here.

And there is a pretty big cut scene also with how Luz responds to "I don't want to see another human life destroyed by this place".

Here, she snaps that he's the one destroying things, and wonders what it is all for, and then asks "what do you think they DID to you?"

Only after this, in the storyboards, does she go on to her "you're such a hypocrite" lines.

To me, this is a bit of a shame for having been cut out, because I feel like it brings up a good point about how Philip self justifies his wrongdoings by believing that the Boiling Isles residents are all inherently bad by the way they simply are, and that this divergence he cannot understand could somehow justify the drastic violent measures he takes.

I think it could have been this was cut for time, or maybe the crew thought this addition would be a bit confusing for some audiences to understand the implications it is trying to set up. It IS indicative of a bigger exploration of Philip's psyche after all.

Another incredibly interesting change: in the storyboards, Luz used to not have the petrification spell continue crawling up her, and is able to shake it off okay. I imagine they changed this to maybe make the situation look more dire and up the stakes a little, otherwise the scene might be too stale and anticlimactic with just Luz being able to keep talking and not having time ticking down on her life.

She also shuffles to her feet and is able to stand up while facing him, while in the final episode she can't get up due to the petrification spell still crawling up on her. Not gonna lie, I almost wish we did get this one, because the way she controls the situation with Philip here kind of feels more satisfying like this, while in the final product, you're busy going "shit shit shit LUZ OH NO".

She also used to cry a lot more on the boards when begging for the deal... I wonder if they added the petrification continuing really to just hammer home the desperation and make her crying have a "reason", though uh... hot take, I think she has reason enough to cry considering the Draining Spell threatening to kill everyone.

Also! Belos used to "chuckle" as the boards call for it when he was about to shake Luz's hand, but he doesn't do so in the final cut.

And finally for this batch: there's a small cut moment of Belos saying "you" with pained effort at Luz after she fucking booms him and gets the sigil on him, and she fucking STARES back with the most ominous badass look. I'm kind of sad that didn't make it in. Yeah it's minor but I like every time it's very clear Luz is being a thorn on his side and he is actually really fucking bothered by it actually.

Next batch of storyboards for this ep shows the fight with Belos on the bridge! First difference I can think of is that Luz was supposed to say "Philip" very quietly before getting jumpscared by him showing up behind her. It may have been cut similarly just because of them not getting audio for it or something or it not being necessary.

Bigger dialogue change: Instead of saying "we don't belong here", Belos says "I wanted to save you", which adds more fuel to the fire that they used to put a lot more emphasis on Philip's psychology of seeing himself as the one who gets to decide who is saved and seeing himself as a savior and martyr, and also someone done wrong by the demon realm.

I can't really know for sure why this was reworked and why more emphasis was put on rather Philip seeking to relate to Luz in their humanity. A lot of these boards seem to put even more emphasis on them as foils, standing up as equals against each other, and I do kind of lament we lost that? I mean, don't get me wrong, I can totally see that STILL lingers in the final product, but it feels way stronger in these.

By the way, if you're wondering, Luz does not say "I'm nothing like you" here either, it just cuts right onto Willow grabbing Belos with vines.

Also! When the gang shows up, they used to have no dialogue about how they're here to help and all, just cutting to Luz saying "you guys!!" (in the final product, she says "You guys are literally the coolest"). I do like the final product more, it's cute and adds more I think.

This one deserves to get shown: there's a cut little moment after Amity covers Luz where they look at each other and blush and it is! So cute! Why did it not make it in!! WHAT! Just because it "isn't the time to be gay"? Bullshit! Yuri time is all the time!

But for something that wasn't in the boards but made it in! Hunter protecting Willow was added in the final product!

And that is it for King's Tide... and so I ask that you tune in next time for when I analyze the For the Future boards!! I am VERY excited to get through those, specially because even between the roughs and cleans for a scene, there's so many little differences!!! And I want to talk about it ALL!!

[idobebeinggay]

I definitely did not watch the second half of bridgerton 3 this morning when i was intending to revise.

But actually I have now watched it for the actual plot. (Sped through the scenes) will go back and watch for the plot later.

But i have thoughts. Many.

…. Will update in a moment i am actually going to revise

I’m back. So spoilers from here on out

1) POLIN POLIN POLIN YAY SO CUTE AAAA

that ending was actually too cute. I hope we still have Julie Andrews tho, unless she wants to actually retire in which case more power to her xxx do what you want queen.

PENELOPE BRIDGERTON YES

Portia move from being a bad mum to pen to being a bad mum to the other two. That tracks. Their ball was so sweet i actually love them now. (Am coming round to prudence)

2) VIOLET!!! I love her so sweet, her and Marcus!!! Also I love u lady Danbury but u have no leg to stand on u shagged her dad. Generally love her have thoughts for an other post as well.

3) hyacinth and Gregory being people!! Loving their blooming personalities!

4) John is so cute!!! He’s so great I love him. Him and Francesca are cute.

4.5) MICHAELA??? Ok so I love the gender swap, saw someone suggest they might do it but DIDNT THINK THEY ACTUALLY WOULD. But I hope we don’t get any actual like falling for her until after John’s … ya know. Orr never kill him and her and Eloise can get together. That might be my preference. But I did enjoy the gay panic. I just hope we don’t get any cheating and that John and Francesca can have an actually loving cute relationship. So I might have preferred if we didn’t meet her until later??

5) Eloise is going to Scotland??? Ngl my creloise heart is broken but still confused.com.

I get the vibe they might not end her with Philip?? Kinda hope not. Sooo maybe she learns about queerness from Michaela, I honestly don’t see them as endgame?(from the 3 seconds) also I kinda jumped up and ran a round when Michaela appeared so may readjust after rewatching.

6) Benedict my love.

7) CONFIRMED BI BENEDICT LIVING THE BI BENEDICT DREAM

Honestly just take away the other guy and put me in and it’s my literal dream. I will not stop thinking about g about this ever again. I love Tilley I’m so glad they didn’t make her evil or something. Her and Benedict…………….. is affecting my functioning

8) is it gonna be his season next??

It has to be right? We’ve got Antony, Benedict, Colin, Daphne, Eloise, Francesca, Gregory, hyacinth. Of which Antony married check. Colin married. Check. Daphne married check. Francesca married yup has to have a year or so b4 she has her actual season??? Right, Eloise I got the vibe that she’s not quite there yet??? Right?? Gregory and hyacinth are still kids. So we all knew it’s Eloise or my love. Right??

OMG I HYST THOUGHT MAYBE HE DOESNT ACTUALLY WANT TO GET MARRIED FOR THE FIRST LIKE BUNCH OF THE SERIES BUT MEETS SOPHIE AND FALLES IN LOVE AND CANT HELP HIMSELF!!!!!!

Ok that makes sense now.

I might have more thoughts after my rewatch….

[lgbridgertonqa]

LGBridgerTonQA Week 2024

It's that time of year again - happy pride, Bridgerton fandom!

We invite you to join us from JULY 7TH - 13TH 2024, to celebrate all queer Bridgerton content, canon or not. For the third year in a row, all week long on our twitter we will be posting queer headcanons, fics, edits and art about all of our favourite Bridgerton characters, as well as posting fun activities for you to all join in the fun - and we would love nothing more than for you to be a part of it. Any creativity is welcome!

As part of our introduction to our theme this year, we received help in the following mysterious letter from Sir Philip Crane...

We invite you this year to be inspired by the language of love through flowers! And if you're looking for some inspiration through prompts, look no further: below is our daily schedule for characters, tropes, songs, themes, and most importantly flowers, to help inspire you to get involved somehow.

These are all obviously just a guide or a starting off point for anything you might want to create. If any characters you want to create something for aren’t featured, or you want to use a theme for a character on a different day - don’t let that limit you! Post as and when you please - just be sure to let us know with a tag or link of some kind so we can boost you!

Come join us in the garden - love is in bloom!

Important Links: - Our Twitter Account - Our About Us Page - Our ask box - Our Ao3 Collection for LGBridgerTonQA Week 2024 (TBC closer to the launch) - Our Ao3 Collections from previous years and celebrations (Gay Week 2023, Gay Week 2022, Gay Bridgerween 2022 & LGBridgerTonQA Holiday Gift Fic Exchange 2023)

[girlfriendsofthegalaxy]

tuesday again 3/19/2024

boy hope i never run out of zelda games to play or my mental health is going to Tank. there are very vague endgame stuff spoilers (not where zelda is, but some of the time fuckery) but i am going to spoil a bit of the rito sage quest. nothing is rot-13'ed. i feel like that's a fair compromise since this game has been out for about a year? please let me know YOUR opinions on recent game spoilers

listening

Thanks A Lot But No Thanks from the 1955 musical It's Always Fair Weather, sung by Dolores Grey. this was Dolores Grey propaganda in the @hotvintagepoll. i love a sugar baby song and this is sort of an. anti-sugar-baby song? a satitrical sugar baby song? she thanks suitors for increasingly improbable gifts (the state of Maine, et al) before killing them??

the PIPES on this woman!!! the comedic timing!!! she pulls out a gun and shoots suitors dead while thanking them for an autographed picture of john wayne!!! she pulls a big lever and they all fall under the stage!!! ive been having kind of a Time in the depths of unemployment and this made me genuinely laugh (not one short sharp bark of laughter, full on cackling).

thanks for the darling uranium mine indeed

reading

the moonstone by wilkie collins (and philip). this has been my falling asleep reading book. this is decidedly not a cozy mystery but the stakes are not like. so high i have to keep reading through the night to find out what happens. i'm having a good time with it, currently about halfway and still very irritated with rachel, the main character right now. i have not revised my "spoiled brat" opinion and i look forward to seeing if i ever revise it.

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watching

The Three Musketeers (2011, dir. Paul W.S. Anderson). thank you mackintosh (this is a discard from my hometown library and no one needs to know where that is thanks). it's pretty widely available on free platforms rn which is how you know it's good. it's not Good is the thing but it is extremely fun. it is straight up the three musketeers but with an airship. milla jovovich jumps off an airship into the channel. milla jovovich does some assassins creed shit. luke evans does some assassins creed shit. there is an airship fight and an airship chase. it is So cheesy and unfortunately never got another sequel. it also inexplicably has some of the finest cinematic swordfighting since the golden age of hollywood.

this was a really successful impromptu movie night pick for a more widely varied gang than usual, including some teens. my bestie also enjoyed it, which i am So pleased by bc she has extremely exacting movie taste. this cast is so stacked for no good reason: orlando bloom, luke evans, christoph waltz, mads mikkelsen, matthew macfayden...

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playing

i have a post in my head about breath of the wild and tears of the kingdom and their dialogue with each other about loss and grief, but i think that's going to have to wait until i have a little bit more brainpower. perhaps i can talk a little bit about how they make me feel about loss and grief, and how i was upset for zelda and her hundred-year siege in the last one but i am so so so desperately sad for zelda in tears of the kingdom.

i played through breath of the wild with a constant background sense of loss and grief. this is only partially due to the real-life severe depression and joblessness. i think this is a personal brain thing and not a game thing, but i did feel guilty when fucking around in breath of the wild and not actively doing main quests to save zelda. like i would look at the castle off in the distance and feel kind of bad. the champions (and zelda!) telling link as soon as physically possible that it wasn't his fault made me cry in real life every time. i get it's like a month max of in-universe time between games, but it still feels like he has once again missed SO much. i think this is sort of a larger symptom of depression in that i look at [REDACTED] in tears of the kingdom and get a bit hopeless about [REDACTED] and it's like. well i might as well go pick golden apples and not do main quests. time is meaningless.

i am really glad they kept the shrine of resurrection on the plateau in tears of the kingdom. if that hadn't been there i the player would have felt very unmoored. i cannot begin to think how unreal and depersonalized it would have made link feel.

enough of that! the hero's path function is so funny. there are such huge swathes of the map i looked at and said No Thanks! Not Yet!

my depths map is even funnier. eight lightroots so far. no thank you! too scary still! i thought until VERY RECENTLY that all the caves and wells led to the depths and was avoiding them. mistake! cool shit in caves and wells! some horrible boys as well but they are vastly outnumbered by the cool shit.

the rito sage quest fucked SO severely. i had so much fucking fun with that boss fight even though it took me a real life two hours to get up to the arena with the puzzles to unlock the boss fight. i also surprised myself and did not have to look up how to beat any of the puzzles or the boss! just entered a state of flow and looked up and it was three hours later! i know a lot of people are very grumpy about how this was not a totally new game with a totally new map, but i have nothing but praise for the mechanics in this completely new section. knocked my socks off. made me think but wasn't too frustrating. made me use all my powers and all my weapon types. it was simply a great deal of almost frictionless fun! some over the top sick as shit stuff that is the whole point of video games as a medium imo

unlocked all the geoglyphs and i am Upset. i am UPSET.

and now for some horse talk (TM): i kept the very first horse i caught out of nostalgia even though these stats are not very good. i think the naming scheme for this game will be H (the last game was C). the breath of the wild giant ganon horse is so funny. you can't do shit with this horse. you can't change the mane. you can't change the tack. you can't increase his stats. he's just There. Large.

tangential horse talk: why is this lynel in the wetlands. his feathering and fetlocks are going to rot off. he is going to founder

some places ASCEND works where i didn't expect it to: tree. water you can stand in.

i stumbled across the last power completely accidentally while trying to deliver some eyes to a mysterious god and this was so fucking funny. i DID throw this guy down a big pit in the last game and he never came back. i forgot about that.

also people were fucking gaga for rauru but why didn't i see people talking about either of these two last summer on this, the -girl affix site and the scruffy shredded boy site

some other bits and bobs:

i was so annoyed patricia was part of the compendium in the last game i fucking got her this time ok

very hashtag relatable languages moment

unrelated to either of those things, i have done the gerudo sage quest except for the boss battle and i missed two huge swathes of hashtag tunnel gameplay (going to find riju through the tunnels. simply went overland) and getting to the central temple chamber (simply used ascend). whoops

there's a little tower concept art piece in purah's room in the ancient lab! that's a fun little touch i really love, it really helps differentiate the games and show changes in the overworld between games in a very cheap and east way for the devs

bc i play these games like dressup simulators, i also want to note that misko's tents are also really fun, they really feel like they're from a much earlier era and i'm stumbling across an untouched archaeological site

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making

garden update: growing along okay, it has been so so so wet lately and i should have bitten the bullet and bought the big expensive bag of perlite, the drainage is not terrific. i should elevate all the planters and that would help a bit too. tomatoes are bit leggy, i moved them out of the partial shade on the end of the balcony and in front of the window. i am a bit concerned about them getting scorched, but again it's been so wet lately they need all the help they can get. i feel like they're established enough to be pruned a bit to make them bushier but i am Afraid. there are worse things in life than leggy tomatoes

the pic on the left below: these bush beans are looking a bit strange as well. the four shorter ones came up, promptly withered their cotyledons, and i thought they died until they popped out their first true leaves. the larger ones i think may have some kind of mosaic virus but it's a little early to tell. these are bins that haven't been used outside (they stored clothes in for the move) and new dirt from home depot. either the dirt or the seed stock itself may have been infected? very strange. the cucumbers in the bin in the back (hidden by the beans) are also taking forever to get going. at least the sweet peas are doing fine. the spinach i planted in that back bin withered where the stems met the soil and died. i think it was simply to early and too damp for them.

anyway on the right pic above: these normie peas and normie climbing beans seem to be doing fine. that's dill in the gray pot and basil in the bucket, they also seem to be doing fine. just sort of a perplexing corner on the other side of the balcony.

[cleolinda]

Weekend Links, March 17, 2024

My posts

We have had another Trespasser Weirdness Incident at my house, so. Suffice it to say that the Hot & Vintage Movie Women tournament is my primary coping mechanism at this point, and bless @hotvintagepoll for all their work. All 257 polls are up, although many of them have already closed on a rolling basis these last two weeks. Hedy Lamarr vs Sonja Henie was the very last one, and it is a blowout like I have not seen since the time I asked if people throw away their movie theater trash. I think round 2 starts a week from Monday? I would like to apologize for reblogging every single poll, except that I’m not the least bit sorry. 

I posted propaganda several times--sometimes just because a contestant didn’t have much and I wanted to chip in (still in play: Juanita Moore and Martha Sleeper). But I also showed up specifically for Norma Shearer, Claire Bloom, Tallulah Bankhead, Deborah Kerr, a little bit for Joan Fontaine (poll here), Julie Christie (on my mom’s behalf), Gene Tierney, Paulette Goddard, and Ava Gardner. My loyalties will shift as we see who progresses, but I'm wearing the Ava jersey at this point.

Reblogs of interest

A couple of serious links:

The Jewish filmmakers who won an Oscar for The Zone of Interest, a Holocaust film, used their speech time to condemn what’s happening in Gaza. (It helps to read the quote as “as men who refute {their Jewishness and the Holocaust} being used as justification.” “Refute their Jewishness” jumps out weirdly at first glance and confused people.)

I can’t tell if the JKR defender/Holocaust denier in this ask knows they’re lying or just really didn’t know that transgender health books and surgery did, in fact, exist, and that the Nazis targeted them. If you need photographic evidence for future discussions, here you are. Side note: Don't believe everything your favorite childhood author tells you.

Posts that are not serious links or hot lady polls:

Of course, this week we celebrated the Ides of March. (Happy birthday to... Chocolate Guy Amaury Guichon??) Featuring:

Southern Mark Antony

If Mark Antony was Gen Z

“Oh not you as well, Brutus!”

Also, happy birthday this fine St. Patrick’s Day to Hozier, who was on the Wiggles once, and has a new EP coming out this Friday. Please join me in not being the least bit normal about it. 

The bredlik that the Fairy vs. Walrus debate needed

“Started tone matching my Iraqi corner store guy,” bless everyone involved

A fanfic summary that will hit you like a brick to the face

“Intrigue, Ink, and Drama Grip the Fountain Pen Community”

The Arthur Conan Doyle approach to fic comments

The Kate Middleton Mysteries (”The extent to which this is not Philip Marlowe’s problem is unbelievable”)

Noted power couple/chaos elementals Merchant Ivory

Help improving color in your art

Doggust 2023: the art of Jonathan Wesslund  

Video

Honestly the best part of “I’m Just Ken” at the Oscars for me is Margot Robbie fighting for her life not to laugh

This domino project is honestly really upsetting to me, lmao (THE TIME IT MUST HAVE TAKEN!!)

Death: the bees told her

Puma chirps

A seal’s relaxing ice bath

The sacred texts

The reason we celebrate the Ides of March on Tumblr

Happy birthday to the Old as Balls gifset

A cat’s dating profile

Personal tag of the week

pixel art, because there are some incredible artists on here.

[franki-lew-yo]

TW: Blood and gore/implied self mutilation

Eve and the Witnits - Grimmaker at Large

Grimmakers/Grimmkeepers were a dying breed even in the Deadwardian era but we all know that canon Belos was one of the last practiserners. In "Eve and the Witnits" he still is a Grimmaker, it's just he does it as a side business and to himself (he's missing part of his leg because of it).

Should any of the grimwalkers fail or fall apart before blooming, he feeds what's left to Voolly and has her keep the remains of ones he wants to make a disguise out of.

It'd be cruel to rob Philip of his necromancing for the sake of an AU, especially after I finally have seen Re-Animator this last fall.