#toh storyboards

[dannydanoninoo]

He did fell first

BUT OH MY FUCKING GOD HE FELL HARDER TOO

[slightecho]

You know what really kills me about this storyboard in particular?

It’s not the fact that his ears are pinned back. It’s not the fact that Caleb wasn’t supposed to be in the mirror in the original version of this scene…

It’s the fact that in this image, with his hair grown out and looking like this…

He actually DOESN’T look like Caleb. At all.

He looks like Belos.

And that THAT’S why he was scared.

[justkeepwalkingnothinghere]

This. This storyboard.

Look at the pizzazz, the joy, the whimsy. They are all on track to die in roughly 48 hours, yet Raine is hamming up this rebellion name reveal just to (presumably) cheer up Luz after she thought she and Eda had been captured. Raine is thinking ‘I gotta make a good impression on my ex’s kids’ and their idea is to do jazz hands.

Raine may be a massive dork, but they’re my our massive dork. And that’s why I love them <3

[adhd-coded-hedgehog]

STOP I’M HAVING NIGHTMARES

[let-us-cultivate-our-garden]

I just remembered the "Please. I don't want to see another human life destroyed by this place” line, and honestly did they have scenes of Luz starting to wonder if Belos' had a point and going into the island did destroy her life? If not, they should have had.

No, they did not have Luz ever wonder how the isles affected Belos--except in the storyboards:

Luz still calls him out for trying to destroy the isles and being a hypocrite but there's still that moment of empathy in which she asks point blank: "What do you think they DID to you?!" She briefly contemplates just why someone would go so far to destroy an entire population and what his mindset might be. Unfortunately, this was not included in the final version and Belos' expression is blank instead of pleading.

Then there's this storyboard from For the Future in which Luz, Eda, and King explain to the Collector how people like Amity and Lilith became their friends:

Luz's line about "people being complicated" is in the episode but the entire exchange between her and the Collector is not even though it opens up a lot of interesting ideas and themes. Without it though, the show becomes straight up hypocritical when it states that people are complicated but reduces its villains to generic archetypes and its hero characters as being simply misguided or victims of the villains.

And no, this doesn't mean that the show should have excused Belos' actions or even forgiven him; but they could have and should have acknowledged the complexity of his character by keeping this nuance in and how the characters react to it. By doing so, the message of "people are complicated" becomes clear and strengthens the other characters as well. Luz gets to self-reflect on how she sees other people and learn that even the worst people among us are incredibly complex and have driving forces that are uncomfortably close to our own, thus making it much harder to demonize them. The Collector--instead of being a Giant Star Baby--keeps both his childlike bluntness and keen observational skills that he had in season 2, thus fleshing out the character instead of devolving him.

Regrettably, that nuance is absent from the show and we have a rather black-and-white narrative about Good vs. Evil; people are only ever really "bad" if someone tricked them or if there was a misunderstanding and all the Real Bad People are just selfish jerks who are power hungry and controlling.

This is not compelling storytelling; this is a tale as old as time. And the worst part is that there was a great story in The Owl House but it was left in the rough drafts.

Storyboards by Yasmin Khudari and King Pecora

[imsosocold]

Belos looks so genuine.

I really wish there was more dialogue like this.

He takes time to process what she said, we get to see the hurt sink in.

Look at that form.

[seyfertgalaxy]

THIS STIRYBOARD

[mocatbj4]

The Final

My first time making a storyboard

Not quite like it but at least I made it :)

[meltingchaos]

A compilation of storyboard Philip looking goofy as hell and resembling a wet cat even more

[kindestegg]

Analyzing all the differences in the storyboards posted by Yasmin Khudari and the final product! - Part 1: No Collector Edition

Hello everyone!! Today I bring you a different kind of meta post than usual... I'm sure some of you are already aware that Yasmin Khudari who worked on The Owl House has posted quite a lot of storyboards for episodes in season 2B and For the Future as well. I will reblog this post with the link to her site later (as if I believe correctly the issue with posts with external links on them getting shadowbanned still is not fixed).

But for now! Under the cut, I will point out every difference between the storyboards and the final cut and what this could mean! There's a lot of exciting stuff to go through, so much so in fact that I will have to cut this post in half to showcase the Collector related storyboards elsewhere because there is just! So much ground to cover! And the 30 image limit would burst!!! (I know this because I've literally tried.)

(A small side note... I have elected to sometimes to not show picture evidence of things changing because we do have a 30 images limit here and I want to hopefully talk about all the changes!)

Starting with Season 2 Episode 12, Elsewhere and Elsewhen, we have this cute little scene of Lilith cutting some branches out of the way while Luz follows her and does a little twirl. I imagine this was just cut because it wasn't very necessary, but it is cute as hell.

In the final episode, they cut directly to the scene where Lilith is looking at her book showing the Pools of Time entry.

Another subtle difference likely cut for time, Lilith originally would sniff the seaweed brought by her palisman that ended up on Luz's head. In the final episode, this little action is absent.

Something that was not cut but rather added this time! In the storyboards, Lilith only goes "Eh?" when she thinks she failed in finding the time pools, whereas in the final episode, she goes into her whole spiel about how she "triple checked all her calculations, her equipment is first rate". It's possible that while the moments seen before were cut, this was added instead.

There is also another slight divergence in dialogue. In the final episode, Lilith's monologue goes: "Maybe the blood was too dry? Is it not algae blooming season?" Whereas here Lilith wonders if the map was outdated or if the oak was a bit more of a pine before wondering if it's not algae blooming season.

And finally, there is a moment that was also cut from the finale episode where Luz is wowed by the discovery of the prehistoric Boiling Isles, but finds out she can't breathe in there. This would explain why in the final episode she is heard coughing before pulling her head back out.

I do think it's a shame this was cut as it would better explain why she was coughing and would be a neat little nod to the fact the air would have been different in that era of time.

Next, we have another set of boards for Elsewhere and Elsewhen, this time showcasing Luz and Lilith traveling with Philip to the head. I'm excited to get to this one because this has some juicy changes I want to discuss.

And our first change already shows exactly what I mean: there is no mention of The Collector in these boards. Instead, both Luz and Philip are seeking something called "The Song of Stars".

And equally, Luz doesn't refer to it as a "he" who can tell them how to clear the mist, but rather just something that can grant them power.

Is it possible that at the point in time these boards were getting done, the Collector was not yet meant to be a character? Maybe the Song of Stars was rather some kind of powerful spell, something that would grant Philip a power similar to the draining spell.

Smaller detail but just something I thought was cute: In the original boards, Luz did not say "snap snap snap" out loud, so I'm glad that was added in the final cut. It's cute!

But you know what did not make the cut? Philip being a suck up to flatter Luz and Luz being absolutely adorable about it. He calls her crab language "beautiful" and says both her and Lilith are very brave and that they're like warrior princesses, which sure makes Luz happy. Oh, if only her happiness could've lasted.

A blush and happy tears!! My god girl!! I am so sorry your idol turned out to be a douche! You deserved to have kept that happiness!!!

I do have some theories as to why this was cut. Could have been reworked for time, or could have been that they didn't think people may get the reference (this reads like a Xena Warrior Princess one to me at least), or even that it might seem odd for him to have that concept...

I do think the blush here is interesting, we have seen characters in the show blush in contexts that aren't romantic such as when they are embarrassed, looking up to someone or think something is cute. So this isn't too odd, Luz is meeting what at the current time is a big idol for her and he is saying very nice things to her, which would understandably get a strong reaction.

Minor change: Luz goes "what!" in the original storyboards before asking if Philip uses glyphs too. Again, very minor change, but! Cute!!!

Interesting change here: In the original boards, Philip does not comment that it took years for him to find the glyphs and that it was almost as if the world wanted to hide them from him.

Instead, he comments he "didn't realize there was one for light as well".

This is REALLY interesting to me, because it also makes me wonder if the subtle theme of it being ambiguous whether the Titan's consciousness lingered and somehow hid the glyphs from Philip or if he was just that disrespectful and stubborn towards the B.I culture and wildlife that the only way he could rationalize his hardship was through the world being against him... was way less present in an earlier draft of the story.

He also does not comment "a warrior and a scholar, truly impressive" at Luz after she tells him she also found a glyph in a snowflake, just being quiet instead. I think that part may have been added to make more thematic sense with Lilith having a small quiet moment of looking weirded out by Philip's flattery right after.

Another minor detail: Luz also blushes in this storyboard when gushing over teaching Philip the light glyph, but this is absent in the final cut. I wonder if this was done so people wouldn't get the wrong idea, or, rather, if "my idol is so cool" gushing would be considered to be something that wouldn't be worth blushing over.

Another instance of The Collector being replaced by The Song of Stars. I find it funny in a silly way that it's in all caps, makes me think of how RPG games will write important key items or boss characters in all caps.

And that's all for the differences in this episode! But before we move onto the next, I wanted to talk a bit more about the Song of Stars because this all just... fascinates me? Coupled with that one storyboard we have seen from The Owl Beast nightmare that showed what seemed to be three figures instead of one, I wonder if back then they were toying with the idea of the celestial magic opposing earthly magic from the titans and the collectors as a species being the reason why titans are gone, but they didn't think to actually have a collector as a character back then, only have them as some distant threat and adding to the lore. The song of stars could have been some kind of powerful spell or weapon left by then way back when, perhaps even what killed the titans.

Maybe we will know once the series ends and we can ask all about the cut storylines that ended up being discarded in favor of the current one. I certainly want to know!

For, Them's The Breaks, Kid, now, we have one minor dialogue change. Eda adds a "honestly", when she says she thought there'd be more (to her misdeeds). Maybe they took it out because she WASN'T being honest? LMAO.

This is an interesting cut line: In the storyboards, before saying she'll be separated from Lilith, Eda says her parents "will kill her". While we know this is classic Eda hyperbole, I think this is interesting because to me it may have been cut due to the fact that this could be seen as odd when her parents have been shown previously to be pretty understanding... or maybe there is more to the Clawthornes than we think of.

I'm definitely not saying Dell and Gwen would be abusive, fucking hell no, but Gwendolyn has at the very least been pretty overbearing on Eda at times, and has made Lilith feel left out, presumably even before the curse if Lilith's desperation to stand out above Eda is anything to go by. Maybe, even without meaning to, Eda and Lilith's parents were pretty strict about getting them a good enough education and nudging them to join the Emperor's Coven. I mean... where do you wonder their aspiration to it came from?

Or, again, I'm just looking too much into this and this line was cut precisely because this wouldn't reflect Dell and Gwen well.

Small detail, in the storyboards, Eda said "I'll do anything to make up for this" instead of just "I'll do anything". I think it's possible they cut this because it made more sense to imply she'd do anything to stay rather than "make up for" things she wasn't truly sorry for.

More small details! Faust doesn't say "no child is beyond redemption", but rather "no one". This is interesting to me because it would imply Bump's life philosophy extends to adults as well, and in my opinion nods to the goodness in his heart.

Also! In the storyboards Eda doesn't laugh nervously, just raises her hand at Bump.

"IFWOT" also used to not have its name be said in the storyboards when Faust explained it to Eda and Bump, instead he simply called it a "special training program for gifted students of the Isles". I think this was more of a change to let us know of the name really, and it's possible they didn't have the name when it was boarded.

And finally, Faust was I guess supposed to laugh offscreen when he walked away, but this is absent from the final episode. I guess they either thought he might not be the type or they just forgot to add it, after all it would require someone to remember to record the line and add an offscreen sound effect.

Another set of boards for the same episode also shows Lilith and Eda in their studying together.

For starters, instead of Lilith saying "Trials for the Emperor's Coven are just around the corner", she says "The Emperor's Coven will be here *any* day" in the storyboards, which to be fair isn't a big difference, specially since the storyboards afterwards continue the same way with Eda pointing out seven months isn't any day/just around the corner.

Also something interesting, when giving Eda her question, Lilith specifies a potency the Leadfoot potion would have. Does this imply that potions can be mixed with varying potency, making some purposefully weaker or purposefully stronger? Maybe as a way to create balance?

Also it is barely a real difference, but I thought it'd be criminal to not let you all know Lilith is described to be "slightly envious" in the storyboards when stating that Eda is correct lol

She also had EEE on her dialogue before saying "imagine us both getting" on the storyboards which I'm sad didn't make it in!

Also there was no dialogue for Lilith pointing to the clock in the original storyboards! I'm guessing they added "look we're gonna be late" as a way to clarify what pointing anxiously at a clock meant lol

The storyboards then cut to way later in the episode, with Raine having transferred to Hexside and Eda meeting them in the cafeteria. Another slight dialogue change is Raine used to simply say their parents were surprisingly cool about it, rather than they hated the cold on the knee like they do in the final product.

It is very faint, but there is also a cut frame of Eda blushing at Raine while smiling here. Very cute!

Raine also used to take a sip while saying "give me the rundown of this place" while cutting that sentence in the middle and going "blegh" because of the taste, rather than in the final cut where they say the full sentence and then take a sip.

I think this may have been cut simply because it made the pacing of the dialogue way too awkward.

And finally, Raine used to laugh at Eda commenting on how much she liked the apple blood, which I think is just cute.

Next up, Labyrinth Runners! We have three different sets of storyboards for this one to get through!

First of all! After Bump takes a fighting stance, the coven scouts look at each other and shrug, which was cut in the final version. Guess they'd usually not think much of Bump huh...

Another set of storyboards shows us a pretty different look at the scene where Adrian has Gus held inside the gym: First of all, for some reason this set of boards is missing all of Adrian's dialogue, which makes it hard for us to infer just how much changed about that from the storyboards to the final cut, but we can see a glimpse of a different storyline with Gus' one line in all this:

"I'll never join your coven"... does that mean, originally, Adrian would try to force Gus to join the illusion coven, and Gus was resisting because he probably figured out by now getting coven sigils is bad news? But then again, I can imagine this was cut and quickly reworked into something a little less convoluted and more straightforward: Gus wouldn't know yet just how bad joining a coven is and about the draining spell, and Gus DOES specialize in illusion, so it could look odd that he is resisting this much.

There's another set of boards of when Hunter wakes up at the infirmary, and sadly this one is also missing dialogue. But we can still infer some differences!

First of all, after Skara tells him it's not an illusion and he is in the healing homeroom, Hunter opens his mouth briefly, maybe speaking words of relief or just sighing in relief really.

Also minor thing: it's a bit hard to tell with how these storyboards are with missing chunks, but it seems like Willow would have walked up to Hunter to defend him without him having to have brought up Gus' breathing exercise.

And for the last board in this, uhm, I don't... think this was meant to make it into the final cut but. LOL. LMAO.

Moving onto King's Tide!

Originally, we would've seen Luz use her safe fall spell when dodging Belos' attacks!

Also, instead of saying that it took him years to figure that (combining glyphs) out, Belos instead says it took him years to "harness their strength"... and he does NOT say anything about it being almost as if the titan was hiding it from him. Hmmm. Perhaps, more fuel to the fire of the theory that back then, there was no subtle implication of either the titan's consciousness lingering or Belos attributing his own disdain and lack of care to the titan?

This also curiously alters the next bit of dialogue: he still says "though you're still decades away from beating me", just earlier. And soon after, he says "that was almost impressiv-" getting cut out when Luz sends fire out at him. Not gonna lie, I almost wish this was kept because I like the idea of Belos getting cocky and immediately getting blasted, unable to finish his sentence. But oh well!

Speaking of dialogue differences!

Here, Philip says "And I'm giving you a chance to be saved, Luz. To go home!" instead of "And despite our differences, I want to help you, Luz. I can send you home." I consider this more or less the same, really, but it is an interesting change. He leans more on the saving aspect here.

And there is a pretty big cut scene also with how Luz responds to "I don't want to see another human life destroyed by this place".

Here, she snaps that he's the one destroying things, and wonders what it is all for, and then asks "what do you think they DID to you?"

Only after this, in the storyboards, does she go on to her "you're such a hypocrite" lines.

To me, this is a bit of a shame for having been cut out, because I feel like it brings up a good point about how Philip self justifies his wrongdoings by believing that the Boiling Isles residents are all inherently bad by the way they simply are, and that this divergence he cannot understand could somehow justify the drastic violent measures he takes.

I think it could have been this was cut for time, or maybe the crew thought this addition would be a bit confusing for some audiences to understand the implications it is trying to set up. It IS indicative of a bigger exploration of Philip's psyche after all.

Another incredibly interesting change: in the storyboards, Luz used to not have the petrification spell continue crawling up her, and is able to shake it off okay. I imagine they changed this to maybe make the situation look more dire and up the stakes a little, otherwise the scene might be too stale and anticlimactic with just Luz being able to keep talking and not having time ticking down on her life.

She also shuffles to her feet and is able to stand up while facing him, while in the final episode she can't get up due to the petrification spell still crawling up on her. Not gonna lie, I almost wish we did get this one, because the way she controls the situation with Philip here kind of feels more satisfying like this, while in the final product, you're busy going "shit shit shit LUZ OH NO".

She also used to cry a lot more on the boards when begging for the deal... I wonder if they added the petrification continuing really to just hammer home the desperation and make her crying have a "reason", though uh... hot take, I think she has reason enough to cry considering the Draining Spell threatening to kill everyone.

Also! Belos used to "chuckle" as the boards call for it when he was about to shake Luz's hand, but he doesn't do so in the final cut.

And finally for this batch: there's a small cut moment of Belos saying "you" with pained effort at Luz after she fucking booms him and gets the sigil on him, and she fucking STARES back with the most ominous badass look. I'm kind of sad that didn't make it in. Yeah it's minor but I like every time it's very clear Luz is being a thorn on his side and he is actually really fucking bothered by it actually.

Next batch of storyboards for this ep shows the fight with Belos on the bridge! First difference I can think of is that Luz was supposed to say "Philip" very quietly before getting jumpscared by him showing up behind her. It may have been cut similarly just because of them not getting audio for it or something or it not being necessary.

Bigger dialogue change: Instead of saying "we don't belong here", Belos says "I wanted to save you", which adds more fuel to the fire that they used to put a lot more emphasis on Philip's psychology of seeing himself as the one who gets to decide who is saved and seeing himself as a savior and martyr, and also someone done wrong by the demon realm.

I can't really know for sure why this was reworked and why more emphasis was put on rather Philip seeking to relate to Luz in their humanity. A lot of these boards seem to put even more emphasis on them as foils, standing up as equals against each other, and I do kind of lament we lost that? I mean, don't get me wrong, I can totally see that STILL lingers in the final product, but it feels way stronger in these.

By the way, if you're wondering, Luz does not say "I'm nothing like you" here either, it just cuts right onto Willow grabbing Belos with vines.

Also! When the gang shows up, they used to have no dialogue about how they're here to help and all, just cutting to Luz saying "you guys!!" (in the final product, she says "You guys are literally the coolest"). I do like the final product more, it's cute and adds more I think.

This one deserves to get shown: there's a cut little moment after Amity covers Luz where they look at each other and blush and it is! So cute! Why did it not make it in!! WHAT! Just because it "isn't the time to be gay"? Bullshit! Yuri time is all the time!

But for something that wasn't in the boards but made it in! Hunter protecting Willow was added in the final product!

And that is it for King's Tide... and so I ask that you tune in next time for when I analyze the For the Future boards!! I am VERY excited to get through those, specially because even between the roughs and cleans for a scene, there's so many little differences!!! And I want to talk about it ALL!!

[pandoratheprocrasticreator]

(Storyboards by Stu Livingston)

Initially the Grom dance was going to be to another song! I like the one in the episode better but this one is also really good.

(I needed an excuse to watch the Lumity Grom dance again lol)

[wowa-bublord]

[slightecho]

Daun Han storyboarding Hunter: SHREDDED BEEFY PROTEIN SHAKE DRINKING BRO WITH PECS AND A SIX PACK

Daun Han storyboarding Caleb: this twink can fit so many bird puns in his goofy pilgrim shoes!!

[palismet]

hunting palismen ending storyboards you will always be dear to me. it always makes me feel something so soft and forlorn. that lil smile? the gentleness of it all, even as it fades into something more pensive?

the cradling of flapjack's staff, the ease already at his presence; tinged with fear and hesitance, but the comfort still there. to finally have something that is freely given, that doesn't have to be continually earned. to have a friend that chose you, even where you are now, even at your most contrasted against the story? to be chosen. not destined, or fated for something, but chosen, freely, wildly, as in i am here, with you, of my own volition. i am yours above all else - i choose you.

no wonder he wasn't expecting that, no wonder he immediately held it close, and then at a wide distance. what do you do in the face of a feeling you have never felt, never really truly believed you'd earned before? you hold it as close as you can. you dream of one day earning it. you push it as far as you can, because you know, you know - it is a day that will never come.

and then it does, it does, it does.

[toxins-very-gay-thoughts]

Don't think about the fact that, in this version, Raine and Darius would've seen Hunter panicking and running. That they would've heard Luz's slow change from soft sobs to gut wrenching cries to where she could hardly breath. They would see her fall, unable to hold it in any longer. The heavy guilt begin to rest on their shoulders and creep its way to their heart and stomach. And without any idea of what happened they could only ask, "what have we done to these kids?"

[let-us-cultivate-our-garden]

The Tale of the Brothers Wittebane

Masha: Let me tell you the eeriest unsolved mystery of Gravesfield...

The Tale of the Brothers Wittebane.

The year is 1613.

Two orphaned brothers arrive in Gravesfield.

Their names? Philip and Caleb.

Caleb did his best to take care of his younger brother.

They tried to fit in with this strange town...and its unsavory practices.

The brothers became witch hunters.

Gravesfield's history of witch hunting is an ignoble stain!

And yet...

local lore suggests that the Brothers Wittebane

met a REAL WITCH from another WORLD!

Her name was Evelyn.

Ripped pages from Philip's diary say the older brother was SPIRITED away.

She'd send Caleb strange SYMBOLS that led him unwittingly towards her WITCH'S LAIR.

Philip sets out to pursue the evil witch himself!

And neither are ever seen again...

Maybe he saved his brother and they went on to lead peaceful lives...

Or maybe they're all LOST IN A REALM OF HORROR AND STRIFE!

To me, sounds like big bro got a girlfriend and lil bro was terrified of losing the town's respect.

but that's just me!

Storyboards from The Owl House episode "Thanks to Them," by Inbal Breda.