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Concinnitas, Ampère's Law – Simon Donaldson, (aquatint; from a portfolio of ten), Curated by Dan Rockmore, Published by Bob Feldman of Parasol Press in collaboration with the Yale University Art Gallery and Bernard Jacobson Gallery, Portland, OR, 2014, Executed by the Harlan & Weaver, Inc., New York, NY
Exhibition: Concinnitas, Nancy Hoffman Gallery, New York, NY, December 17, 2015 – January 23, 2016
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so im taking that oil painting class rn right. i mentioned wanting to paint something original instead of just copying a reference bc that's all the teacher has had me doing so far and he agreed I'm probably ready and went off on this whole tangent about how i shouldn't be nervous to try to do something more original and creative and how he'll show me some original stuff his friends have painted and had shown in galleries etc etc, and... I think somehow he's been assuming that the reason I've been painting realistic stuff directly from photo refs is because that's the kind of art I like to do and that I'm nervous about trying something else??? instead of what he's been telling me to do?
which is really funny to me because apart from this class I haven't 1:1 copied a reference for years, I just haven't gone out of my way to show him any art I make in my own time because this is like a professional full-time oil painter who has paintings in galleries and shit, real high-brow art stuff, and idk how to tell him that left to my own devices I draw video game fanart and dragons and furry commissions and gay sex and cringe and i dont want to draw other things
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I have the opportunity to finally start gifting some of these away this coming weekend, so I bit the bullet and finished sanding all of my wood fire pots from June. They also got a scrub, something I neglected to do for my first batch of wood pots this past December. I won’t have grody ash/clay dust on them this time LOL
It also gave me the time to inspect some of the damaged and “oops” pots. Some were knocked into each other (and other potter’s work), while some I had foolishly put some slips on at the wrong stage and produced some sharp flaking. I’ll share more of those details, including what the pot is/is on the pot as well as general kiln location, once I get it all photographed and processed and up on my artstation.
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now that the amazing @agentshipzine is live (look at it right now please), i can finally post what i'm pretty sure is the most ambitious piece i've ever made for a zine. this thing took six months. please zoom in to look at details if you feel so inclined
shoutout to the lovely organizers and mods and everyone who participated in this project; it's been a joy to see it come together!!!!
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• The Migration of the Ealge Hunter • Altai Mountains, Western Mongolia. . ◣ Fine Art Prints available ◣ 📷© www.martinvogt.ch Edition of 5 {64 x 36 cm} Hahnemuhle PhotoRag paper, passepartout, white wooden frame Share it if you like it… . . #photo #photooftheday #photography #naturephotography #photoshoot #mongolia #asia #kazakh #animals #portfolio #landscape #landscapephotography #artist #art #fineart #winter #expedition #outdoors #hahnemuhle #gallery #wanderlust #travel #nature #travelphotography #eaglehunter #martinvogt #basel #switzerland #picoftheday (hier: Mongolia) https://www.instagram.com/p/Cmv_OhKorKY/?igshid=NGJjMDIxMWI=
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Dan Flavin, red and pink out of a corner (for fluorescent light), 1973-1974, (portfolio of four etchings with embossing and graphite on paper in vinyl binder), Multiples, Inc., and Castelli Graphics, New York, NY, 2014 [Art=Text=Art. © Stephen Flavin / ARS, New York. Photo: Laura Mitchell]
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