#Programming assignments

[writesmarter]

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[citricacidprince]

I noticed that their dynamics were so similar… what if they swapped for a bit

As a treat (For Swansea and Daisuke) and a punishment (For Stan and Soos, but also me, because that shit hurted)

Also, bonus doodle under the cut but be wary of Mouthwashing Spoilers!

[jaggybot3000]

CHONNY'S CHARMING CHAOS COMPENDIUM FAUX ALBUM+BACK COVER!!!!!!!💥💥💥💥

AKA CONCEPT ART OF AN ALBUM COVER FOR A CONCEPT ALBUM OF A COVER ALBUM!!!!

(aka a final for an illustration class:])

some mockups+ illustrations without text:3

[eggplantgifs]

2024 Japanese National Championships: Top 12 Women

Kaori Sakamoto 228.68

Mao Shimada 219.00

Wakaba Higuchi 206.40

Mone Chiba 205.69

Rino Matsuike 204.00

Mako Yamashita 200.25

Rinka Watanabe 198.55

Rion Sumiyoshi 197.53

Saki Miyake 196.55

Kaoruko Wada 195.63

Hana Yoshida 195.27

Yuna Aoki 194.07

[buglaur]

for a girl whose never built anything from scratch before i'd call this a triumph

[watkinsglen]

As some of you may or may not know, I recently left my job as a reporter at a major newspaper to sell out (go corporate lol). In honor of my time in news (7 years) and with all my newfound creative energy now that I’m not writing 24/7 for work, here’s a teaser of a galex newsroom au

After midnight, the lights in the newsroom turn off if they don’t sense movement.

So when Alex is plunged into darkness -- the only light coming from the sickly gleam of Adobe Premiere on his desktop and the Times Square billboards through the office windows -- he just sighs.

Alex sticks his arms over his head, waving like a car dealership blow-up man. That always does the trick.

As the lights click back on, Carlos, a video strategist, peeks his head out from the miniscule glass-walled pod he was occupying a few rows down, balancing his tiny Macbook in one hand. It was hard not to be jealous as Alex’s behemoth of a video-editing desktop whirs. Covered in dust, one desk over, a particularly cheerful trout grins from the fish-of-the-day calendar Logan left behind.

Carlos scrubs his hand across his face, flexing his jaw. “Ay, how’s the edit coming? How did it get so late?”

Alex huffs. The strategy guys have no respect for the process. All they care about is how big they can make arrows on thumbnails, and then telling the bureau chiefs that that’s what made Alex’s mini-doc get 2 million views on YouTube.

The edit was, actually, coming. Kinda.

It hadn’t started until 4:00pm -- even though Alex had gotten to the office at 9:58am, sliding straight into the clump of reporters in the back of the 10:00am daily news briefing unnoticed.

His executive producer James had surreptitiously waved his phone from his seat up front next to the other chiefs, and Alex dutifully pulled up Slack on his phone.

10:02am:

James Vowles (EP): Looking like they want a video on the new tariff ruling to run tomorrow morning.

Alex Albon: lol

Alex Albon: but like what about the ruling

Alex Albon: like a legal explainer or a political rundown or what

James Vowles (EP): Christian’s pushing for a markets explainer on the international trade implications.

Alex holds back a groan. Susie, the London Bureau Chief, is in the middle of talking up her reporter Dorianne’s article on the food supply in Gaza, clearly trying to get the headline bumped higher on the paper’s home page. Unfortunately, the room in New York was entirely focused on a less-worthy but more clickable story: this morning, a national trade court had invalidated a bunch of tariffs. Because they just couldn’t do it after Alex had his morning coffee.

Alex Albon: crying-sunglasses-cowboy

Alex Albon: but horner hates working with us

Alex Albon: dont tell me they want max to be the interview

James Vowles (EP): Yup. More visibility for their big story on it tomorrow, I guess.

Alex Albon: kk well i cant start drafting the video script until max has his article drafted

Alex Albon: i guess ill ping him about it

James thumbs-upped his message, leaving Alex to deal with the Econ desk alone.

When Alex had g-chatted Max about it -- some particularly uppity reporters insisted on it for the 24-hour-message deletion, worrying they’d be held to whatever verbiage they used yesterday -- Max had brushed him off.

10:12am

alexander.albon@thetimes.com: hey max! Just wondering when you can share the draft of your story for tomorrow. I’m producing a video on it that we’re trying to get published tonight

maximilian.verstappen@thetimes.com: i’ll send when it’s finished

alexander.albon@thetimes.com: any idea when that’ll be? We’d like to get you on camera to be interviewed for it after

10:20am:

alexander.albon@thetimes.com: hey! Bumping this

maximilian.verstappen@thetimes.com: 2p maybe

alexander.albon@thetimes.com: okay just a reminder that we don’t need the article to be complete to start drafting the script! Could we get a copy by 12?

10:45am:

alexander.albon@thetimes.com: hey, just checking in on this!

11:23am:

alexander.albon@thetimes.com: hey max, any chance we could get that draft?

Anyway, Alex didn’t get his cameras rolling until 2:30pm, didn’t get the transcript of Max’s interview until 3:00pm, and didn’t have the script locked until 4:00pm.

But the real work didn’t start until after the rest of the team had gone home -- the cameraman Patrick slapping Alex on the back in solidarity as he left to catch the train -- because, of course, Max and Christian and the econ guys had forgotten their desk wasn’t the center of the universe, and still had to run their article by Standards.

Every newspaper worth reading had a Standards desk, of course, but their overwhelming reach and power at The Times still blew Alex away, even though he’d been at the paper for three years. Their job was to read the most important stories, the stories that could move markets -- and make sure every word was so phenomenally buttoned-up that the paper could never, ever, be accused of falsehood.

So while James reviewed Alex’s latest cut of the video, AA_2025_tariffs_boogaloo.mp4, he decided to take a jaunt across the newsroom to the Standards desk and see George.

[raininyourblackeyes]

A you just had to be there moment in figure skating

[aropride]

if you've used it in middle/high school And in college, vote for the most recent one

[itslilacmoon]

some more Luz and hunter shitpost doodles done during class <3 i am so behind on my assignments pray 4 me

[akiretv]

cant stop singing sans and papyrus animatic i left very unfinished more than a year ago

my style has changed A LOT and im still without a proper animation program but this thing calls me like the goblin mask, should i try to finish it sometime?

[jesterofthecourt]

I was going to color it but *sigh* here's your guy

also, Kyoya, Kyoya in my sketchbook,

[ihavesomejays]

quick shapey sunday thing i painted to procrastinate on my drawing assignment

detail shot under keep reading

[whoreiorcats]

Eustice was an Empathy Fellow. Seth was leading Innie Reforms. Eustice is meant to go on to work in Global Reforms. They’re two of the three people of color we see in Lumon Management, Natalie being a talking head who defends the ethics of severance.

They’re all basically part of the Lumon DEI initiative and like, as someone who’s basically been made de facto DEI reformer by virtue of being the only person of color in the room… yeesh.

[eggplantgifs]

Saki Miyake: Think of Me » 2024 Japanese Nationals

[cent-scratchnsniff]

it was just going to be a few warmup doodles but then she infected the rest of the page like the ever eternal and spreading spores. hod!!! hod. hod :)