#Promise? | Explore Tumblr posts and blogs

nanihirunkits · 5 months ago

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When I’m back, there’ll be more nights like this. Promise?

THE HEART KILLERS | EP6

#the heart killers #the heart killers the series #fadelstyle #joongdunk #joong archen #dunk natachai #stylefadel #theheartkillersedit #thkedit #my edits #gmmtv #PROMISE?#JUST RIP MY HEART OUT WHY DON'T YOU???

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bikerbutchbait · 3 months ago

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butch showing you the nastiest dirtiest video and going “that’s what i’m gonna do to you.”

#promise?#lesbian #sapphic #wlw #wlw post #lesbianism #lesbian blog #butch bait #butch appreciation #butch lesbian #dykeposting

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thatoneaspie · 8 months ago

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One of the next Agatha All Along episodes has to be try not to have gay sex with your ex lover that you have a complicated past with challenge (failed)

#promise?#mcu #agatha harkness #agatha all along #kathryn hahn #aubrey plaza #marvel #marvel studios #agatha x rio #agathario #agatha harkness (mcu)#wlw canon #thank you marvel thank you

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singemall-stayallnight · 5 months ago

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Jimmy Page 2023 Guitar Player Interview

“I Owe It to All of Them”: Jimmy Page Explains How His Love of the Blues Fueled the Fire for One of Rock’s Biggest Bands

You can read the full interview at the link above.

“The blues is scary,” Jimmy Page says. “It’s threatening. It’s saying: ‘I’m coming to get you.’”

“The blues – I mean, it’s just undeniable,” Page says. “It was just an undeniable element of everything that was going on in Led Zeppelin. If there hadn’t been that sort of movement in Chicago, back in the ’50s, and all that sort of riffing, then you wouldn’t have got what came through in various bands later – certainly for me and how it affected me in Led Zeppelin.

“In those days, all the guitarists were learning from records. I was lucky that I had a blues collector called Dave Williams. Through him I got to hear stuff like Elmore James. You weren’t going to hear that on the radio.”

Given his legacy, Page doesn’t owe anything to anyone as a guitarist, but he waves away the notion. “I owe it to all of them,” he explains. “That’s how I learned. My breakthrough was when I understood how to do bottleneck guitar. That’s the point when open tunings first come in for me. Boom! That’s it. And that whole world opened itself up for me. I wasn’t actually trying to play note for note what anyone else had done.”

How did Zeppelin’s treatment of the blues differ from, say, John Mayall’s and Eric Clapton’s three years before? “Well, it’s the atmosphere and it’s the attitude that’s created on something like Muddy Waters’ ‘Standing Around Crying,’” Page says. “It’s like Howlin’ Wolf: When you hear Wolf, he’s not messing about. It’s like, ‘I’m coming at you – and I’m gonna get you!’ And that’s why I love him.

“So let’s put it this way: Whether it was the first album or whether it was ‘Since I’ve Been Loving You’ [from Led Zeppelin III] or ‘Tea for One’ [from Presence], whenever Led Zeppelin do a blues, it’s not like anybody else doing the blues.”

Remarkably, Page says he wasn’t Zeppelin’s biggest blues fan. “We all had our roots,” he explains. “Each and every one of us had played the blues in some sort of department or other.

“What I would say is that Robert was a blues aficionado, but he was very into the country blues. He was a damn fine harp player.

“He was used to playing that acoustically, but I was keen to get him playing it through an amp. So then you get things like ‘When the Levee Breaks,’ which is really gonna scare the pants off you with what he does on harmonica.”