#Reduce Damage

[stuckinapril]

It really is so true that you never know what someone’s going through behind closed doors. I’ve made being gentle and kind my default bc I’ve had super put together friends disclose the most harrowing time of their lives to me and it’s like oh?? You were going through that???? I would’ve never guessed

[werewolf-transgenderism]

saying again that if a mobility aid or piece of assistive tech or whatever will improve your quality of life and make it easier to get through your day just fucking use them!! you don’t need a diagnosis to use something that will make your day-to-day life easier. a diagnosis will maybe give you some more specialized ideas for what assistive devices or mobility aids might be useful but you do not have to wait until you have one to start using things that reduce symptoms or make life easier to manage.

[a-dinosaur-a-day]

Every time someone refers to dinosaurs as "lizards", when a) dinosaurs are archosaurs, not anywhere closely related to lizards in the slightest (birds, however, ARE a form of dinosaur) and b) lizards are their own uniquely adapted thing that isn't just "generic reptile", I take 260 million points of damage you know, the amount of time its been since dinosaurs and lizards shared a common ancestor

[dovalore]

the radiance's fluffy defence

[wyrdle]

One small thing in the F&C finale that was very augh for me was just ... what Simon needed. I mean, yes, therapy good, but I dislike the line of thought that it's some cure all— where is Simon's entire support system??? Marceline, Finn...? Even the old wizards, Gunther etc would've been incredibly relevant to mesh into that final quick cut montage of him healing. Just one little scene of him talking to Marceline, tearing up and getting a hug/comforted, would have tied up that bit in Episode 2 where he feels like he doesn't have anyone/feel needed.

[3-inch-doodles]

haha what if i made a new silly little au

i already drew him in the V1 pose but that wasn't enough this motherfucker needs cool robot wings

alternate colors

[lavernius]

Locus and Lopez vs. dehumanization and seeing your own humanity through someone else

AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.

It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.

I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.

For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.

And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.

Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.

They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.

Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.

The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"

It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.

They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.

After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."

It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.

[kaasiand]

finally. orange pikmin

[tacodemuerte]

my fave moment of election season is when disenfranchised ppl and people of color are like 'we dont wanna vote for democrat bc they continuously lie to us and dont do anything to stop republicans' and every white person on here pretends they don't see our posts n are like 'SO ARE YOU JUST GONNA LET POOR PPL AND GAYS AND POCS DIE???? BIDEN IS OUR ONLY HOPE'

[the-silver-chronicles]

Siblings Q&A | Silva & Elsa Omar ONESHOT

Tagged by @raresbaby and @inafieldofdaisies

Tagging @voidika @icecutioner @socially-awkward-skeleton @derelictheretic @shallow-gravy @direwombat @strangefable @strafethesesinners @rhettsabbott @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @aceghosts @turbo-virgins @shellibisshe @deputy-morgan-malone @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @sleepyconfusedpotato @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries and @nightwingshero + anyone else who wants to join. Taglist here.

Hey guys, SimpleGenius here! Decided to turn this short Q&A into a legitimate Oneshot for The Silver Chronicles, involving two OCs of mine; Silva and her younger half-sister, Elsa, set in a time in Hope County where Silva had no knowledge of Eden's Gate and the Omar's experienced a time of normalcy. There should be nothing but fluff, yes-siree. Oneshot below the cut:

The buzz of the worn-out camcorder complimented the numbing visuals of the frozen static, but swiftly the unused device booted up.

The specter on the screen was both haunting and ethereal, a memory from a time so much simpler. A normality so sparse in time.

With her trusty camcorder in hand, Elsa admired herself in the mirror. Hair twisted in many small blonde braids, wearing a white sundress laced with magenta patterns that looked like flowers.

The camcorder fizzled, the screen going blank for a moment. She gave it a good whack, faded red paint dusting her black gloves, and the camcorder proceeded to work like normal.

Elsa carried the camcorder away from the mirror, passing through into a lounge. Her hermana, dressed in a yellow flannel and black jeans, her dark hair flowing past her shoulders, seated on their couch having a cup of coffee.

"You ready, Sylvie?" Elsa asked, shuffling cards out of frame. Sylvester placed her cup onto the coffee table, laced gloves fixing creases on a dress she's not wearing. Realizing this, she stops the action and awkwardly cups her knees.

"Si, uh, seguro," Sylvester muttered out, clearing her throat, "How does this work?"

"Essentially, from what Rae-Rae told me, this is a fun little game where siblings answer questions for that net-work mambo-jumbo," Elsa explained, and again shuffled the flash cards she prepared.

"And since we're both sane enough to not invite people to put their noses into where they don't belong, I thought maybe, instead of doing this for strangers, we do it for Persephone," Elsa elaborates further.

Sylvester blinks, grey eyes staring at her younger hermana like a doe caught in headlights. She tilts her head, her right cheek sunk in, chewing her inner cheek.

"Elsa, she's una," Sylvester points out.

"Yeah, I know that," Elsa sighs, understanding but exasperated, "But she won't be for long. When she's older, we can show her this. Let her get to know her mamá and tía some more."

Sylvester's lips didn't quite frown, but she wasn't unconvinced either. "Derecha," she nodded, still wrapping her head around the camcorder's functions.

Elsa was likely grinning behind the camcorder, "Exactly! Now, to make this a bit more fun, I shuffled the questions out of order. Now let's begin."

Elsa showed the flash cards, the shuffle complete, and flipped over the first one.

"Question 19: Who has the worst ideas?" Elsa asked aloud.

Sylvester snorted, uncharacteristic of the person she's supposed to be, a small teasing smile on her healing chapped lips, "Well we both know who that is."

Elsa let out an exaggerated gasp, feigned offense, "Why Sylvie, I am but a respectable, humble and pious shopkeeper. Do you insinuate that I am anything but?"

"Bold words coming from the local daredevil who likes to worry her hermana to near-death," Sylvester retorts, arms crossed.

"...I'm guessing Rae-Rae snitched about my escapes on her roof?"

Sylvester had no need to answer, though Elsa must have seen that she had nothing to worry over, as Sylvester's smile held only amusement.

"Next question," Elsa declared, moving on, "Number 7: Most stable romantic life?"

Both wondered briefly, and Elsa states, "I gotta give this one to you Sylvie. You managed one relationship with Irene far longer than any ones I've had in our time here."

Sylvester narrows her eyes at Elsa, raising a quizzical brow, "Is that so? You and Ezekiel were like two peas in a pod every time you both talked with each other."

"That was brief, and we weren't official. Just some one-upping through flirtation. And he had been a real jerk at first, remember? At least you and Irene had a better start," Elsa deflects, waving a hand onscreen as she desperately denied her hermana's accusations.

Sylvester merely nods her head in feigned agreement as Elsa brings out the next question.

"Question 12: Best memory together?"

Sylvester leaned back on the couch, looking up for a moment. With Sylvester pondering which memory she liked the most, Elsa already found one.

"I'd say buying this residence," Elsa admits, "A place we can forever call our home. Wouldn't you agree?"

Sylvester looked to Elsa, and gave a short nod, "Si, it is up there. But... I'd say my favorite would be when it first rained. Just... playing and dancing like kids do... like we should have been allowed to do."

Elsa must have sensed the solemness in her voice, and replied, "At least we got to do it."

Sylvester hummed, appreciative of that fact.

"Question 15: Would you rather not being able to shower for a month or have the same clothes for a month?"

Sylvester was immediate in her response, "Not shower for a month, obviously. We can just bathe in baths instead."

Elsa laughed, cheerful and loud, "Never thought you'd be the one to take advantage of a loophole Sylvie."

Sylvester smile wholeheartedly, grey eyes sincere as she admitted, "I learned the best from my crafty little hermana."

"Aww," Elsa lightheartedly cooed, and proceeded forward, "Question 5: Who sleeps the most?"

Sylvester raised her hand, "Mother of one very curious and fussy niñita, right here."

"No arguments there," Elsa replied, "Question 14: Dream trip together?"

In a moment of synchronized thought between hermanas, they both state, "Spain."

"Question 16: Who's the older one?"

Sylvester raised her hand once again. Elsa flipped to the next flash card, "Question 10: Who had a weird phase?"

Both pondered for a moment, trying to think of any moment in their lives of such a phase.

"I don't think we were ever given a chance to do so," Elsa states. Sylvester hummed in agreement, shaking her head in confirmation.

"Alright then! Question 6..."

Elsa paused, reading the flash card: 'Who's Mom and Dad's favorite? (If there is one?)'

Sylvester waits, worry building in her gut, and asks, "What's the question?"

Elsa hesitated, but responded, "Who's.... mo- ahem, father's favorite..."

Sylvester briefly gaped, but recovered, stating, "Well, we both know the answer to that question is neither of us."

Elsa hummed, throwing the card away as she proceeded with the next one, "Question 18: Role Model? Mine's you, of course. But who's yours Sylvie?"

"I'd have to say Paul," Sylvester mustered out, clearing her throat, "He saved me after all. Raised me. Gave me something that we were denied."

"I wish I got to meet him," Elsa admits, "From what you told me, he was funny and dramatic."

Sylvester smiled at Elsa's words, "You two would have adored each other."

Allowing Sylvester a moment to keep herself together, Elsa proceeded to the next card, "Question 3: Who eats the most?"

She raised her hand this time, the various rings displayed for the camcorder to catch, "That'd be me! Speaking of which..."

Sylvester cringed, swiftly adding, "I had a sandwich earlier."

But Elsa was not deterred, "While that's good, you skipped breakfast nor have you had any fruits or snacks prior to lunch."

"I'll have something later," Sylvester flimsily promised. Elsa, not satisfied, retorts, "I'll hold you to that."

"Question 8: Worst habit of each one?"

Sylvester sighed, "Well, you already know mine. Though your recklessness is concerning considering your condition Elsa."

"I'm not made of glass, Sylvie."

"Elsa, your bones are brittle and break easily."

"...Okay I'm a little like glass, but I'm not stupid. I can take care of myself. I know what I'm doing when I climb a tree, or go bungee jumping or help Rae-Rae around her farm," Elsa defends. Her hermana replies, "I... I know that Elsa, but even so, you've been seeking out riskier and riskier thrills lately, and I can't... help but worry."

"I appreciate it," Elsa assures, and adds, "But you worry way too often."

Sylvester doesn't argue, and Elsa takes advantage of the momentary silence, "Question 4: Who has been on the weirdest situations?"

Neither hermana could think of either one being in a "weird" situation. Sylvester opted to gesture to Elsa, "Well, given your escapades so far, I vote you."

Elsa huffed, "Seeking thrill is not the same as getting stuck in chance and strange situations."

"And how likely am I going to be in such situations?"

Elsa mumbles, indistinctly playful, and moves on, "Question 20: A GIANT insect is on the wall, who's taking care of it?"

Sylvester raises a brow, "Whoever finds it first."

"Pfft, a bug ain't that scary," Elsa comments, "Question 17: Describe each other in three words."

Elsa and Sylvester held gaze for a moment blurted out their answer.

"My badass worrywart-hermana." "Daring little hermana."

There was a silent beat before both responded to such descriptions.

"Surely that is four words, Elsa," Sylvester argued, but Elsa interrupted with her pointer finger as she replied, "Ah, but you forget my lovely older hermana, the power a hyphen holds."

Sylvester shook her head in disbelief, but did not debate further as Elsa brought forth the next question, "Question 1: Who looks the... ah mierda, another one?"

'Who looks the most like dad?' the question read.

"Is it another relating to... him?" Sylvester tested, her lips pursed in a thin line, her voice softer and quieter than normal. Her grey eyes dulled, hands clenched into her jeans.

Elsa sighs, a hand going out of the camcorder's view, probably to play with her blonde locks, and most likely undo a braid in the process.

"I... Do you mind if we skip this one?" Elsa asks, and Sylvester eagerly nods, much to Elsa's relief, "Question 11: Best cook of the family?"

Elsa answers before Sylvester could have a chance, "Yeah, I can't cook for shit, that's you right there, Sylvie."

Sylvester closes mouth, making no comment on Elsa's lack of culinary skill. Elsa flips the next flash card, "Question 9: Who's the most dramatic?! Why that would be me!"

Sylvester nodded with absolute certainty.

"Question 8: Worst habit of each one?"

Sylvester beat Elsa to the tea, "I got this. I'm a nagging worrywart who forgets her own needs sometimes, and you, mi querida hermana, are a crafty daredevil with a big ego that often gets you into trouble."

"Hah! Wow, you know me so well," Elsa said, flipping to the next flash card, but mentions, "However, you're wrong in your description; you're not a nagger."

Sylvester doesn't visibly react to this, but she seems to be stuck in a forlorn gaze. However, the next question snaps her out of this odd pause, and Sylvester listens attentively.

"Question 13... uh, worst memory together?"

Sylvester and Elsa pondered together, brainstorming.

"Our entire childhood was jodido and never the best," Elsa mentions. Sylvester frowns, and points out, "Si, but the run for the docks weren't any better."

Elsa couldn't not hum in agreement, and she moves on, "Last Question. Number 2: Who looks the most like mom...?"

Sylvester looks baffled as Elsa blows a raspberry, "Irrelevant. We've never met nor did we have the same mother."

Elsa throws away that flashcard out of the camcorder's view, much to Sylvester's visible annoyance.

"And... that's it. We finished the game. Yay!" Elsa lightly cheered, her camcorder focusing on Sylvester, "So... food for thought?"

Silva watched herself, younger and with so much more innocence, more hope, than she had now. The camcorder in her gloved hands was running hot, the flashing sunset-red indicating a coming end, but she could care less, holding onto the memory in her hands for as long as she could.

Sylvester chewed her inner cheek and said, "Besides two nosy ones, I'd say it was... nice?"

Elsa's mock offended gasp was as exaggerated as the younger hermana's mannerisms had always been, "Just 'nice'? This is a memorial moment for the both of us. It is evidence for Persephone to watch and rewatch for years to come."

Elsa placed the camcorder on the coffee table, and sat down next to Sylvester on the couch, a big grin spread out, pearly teeth shown. She grabs a hold of Sylvester's laced gloved hands, despite the latter's exasperation over the former's words.

"Wasn't it you who emphasized the importance of this? To immortalize ourselves through memories our family can visit decades after we're gone? Whether it be through ink, our voices or our image? You have to agree that this is quite a viable way to do that," Elsa assures Sylvester, who's doubt dissipated the longer she thought.

The camcorder began to buffer, the orange-red blinking faster, but Silva continued to watch, wanting to savoir this for as long as she could.

Sylvester's grey eyes looked to Elsa, softly asking, "Okay. But I have to ask; are you sure?"

Elsa laughed, her dimples caught by the camcorder's lens, as she says-

Nothing.

The camcorder's screen was blank, only reflecting Silva. The blinking light gone, the heat prevalent, and despite desperately pushing the power button repeatedly, Silva knew she wouldn't get those reassuring words she needed to hear. Not now. Nor ever again.

Silva's shoulders slumped, still sat down on the old wooden floor in the decrepit corpse of her home. The home she had taken care of for almost a decade. Even after her hermana's death, despite the ache for her visits. Even after Persephone's passing, though the yearning for her hija's laughter echoing in the halls hurt more and more with their absence.

And now... her residence, her home, was nothing more than a burned and decrepit husk full of dust and debris. All the memories that mattered, all the memories she held close to her, the journals, the photos, the shrines they rested under, were all tattered and ripped and frayed and singed and gone. Just gone.

And now... with exception to Silva's own visage of Elsa... the last thing of her hermana that she could have shown to her familia, could no longer function. The Collapse had reduced the resources required to charge such a small device to ash. Even if something survived, the camcorder was aged, and had some bugs.

Silva flipped the lid screen closed, clutching the little camcorder in her gloved hands, pushing it against her chest as she let out a shaky breath. The foliage that claimed her house rustled as a breeze swept past.

She shook where she sat, holding onto the pain, the knowledge that change has come and another chance away from her before she could appreciate it.

The wood creaked, and Silva didn't want to look at her amor's beautiful face, didn't want to shoulder her with more of her own pain and grief. But a dainty hand cupped her face, and Silva couldn't resist, relenting to her beloved's request.

Her tearful grey eyes connected with the warm green of Faith's. Her beloved, her esposa, her amor. Her Faith.

I am hers. And she is mine. As we both vowed.

And Silva wouldn't hide herself away from her. Couldn't. Even if she tried. How could she? They both knew the best and worst of each other. Intimately.

There was no judgement pitting them against one another anymore. Like now, there was only understanding. The grief for a present that they could no longer return to.

Silva did not resist the tears that fell across her cheeks. Nor did she push away Faith when she wrapped her arms around her. An embrace that held a strength that others underestimated about her. Both possessive and a comfort. All to tell Silva, I'm here.

Silva felt two more pairs of arms hold around her. The first was of her inventive Azriel, her grip unyielding as she buried herself into Silva's shoulder, just like she had done when she found her at age nine.

And the second came from her youngest. Her Mercy, clutching onto her with small hands, light-brown hair nuzzling into her body, perhaps not quite knowing why her madre was sad now that they were out of the bunker, but doing her best to lighten the load with her presence.

Silva placed down the old camcorder, and did her best to compensate in the embrace by wrapping her arms around her Faith and precious hijas. Her familia.

The grief was ever present, but this time, Silva would not be lost to it.

[A/n] I lied, the fluff was merely a front, there's only angst here. Well, mostly at least. Set before Old Dusk (the New Dawn WIP), with only a camcorder showing pre-Silva's Hope stuff. They probably only recently left Silva's bunker and well, Silva's obviously gonna be depressed about the state of everything. At least she has her family to keep her grounded? Also I haven't written in a while, so if it was repetitive or tone death, my bad, I've been trying to get my motivation back. Anywho, hope you enjoyed this lovely (and angsty) oneshot, and see y'all in the next one!

[valtsv]

can i ask how you're waterproofing your suede boots?

nikwax suede proofing spray

[mingot-studios]

Am I the only one who feminism is kinda idk like exclusionary?

i feel like by focusing solely women's rights (cis white women in particular) it kinda leaves behind those who also suffer under patriarchy (i.e. gnc transwomen, enby people, men, poc people etc.)

I say this because at least in the West, cis white women have been at the forefront of the movement since it's start back in the the 1910s with the suffragettes fighting for the right for women to vote Specifically WHITE CIS women, women of color were not included.

And don't even get me started on terfs

I feel like we need a new more inclusive movement that includes everyone who's suffered under patriarchy not JUST Women.

[i-love-ropes]

I FOUND THIS STRANGE OLD MAN ON MY LAWN

Note:

(Unknown if this is cannon in the Rope MF timeline)

HE TOLD ME THAT HE WAS LOST AND NEEDED HELP FINDING HIS WAY BACK 

SO I AGREE TO HELP HIM

AND WHILE WE WERE WALKING HE TOLD ME ABOUT HOW HE IS A WAR MAN, A LEADER AND FOUNDER OF SOMETHING

I DON’T REMEMBER!

AND WITH WAR BEING ALL ABOUT SURVIVAL

I TOLD HIM THAT ROPES ARE GREAT TOOLS IN SURVIVAL SITUATION

BECAUSE IT’S TRUE!!!

DID YOU KNOW ROPES CAN BE USED AS A MAKESHIFT SLING FOR YOUR ARM?

IT CAN ALSO BE USED TO BUILD SHELTERS

IN MANY WAYS!!!

IF YOU HAVE A TARP, YOU CAN TIE IT BETWEEN TWO TREES AND PUT THE TARP ON TOP OF IT. AFTER THAT, YOU SPREAD THE ENDS OF THE TARP TO MAKE A TENT SHAPE AND NAIL OR HAVE SOMETHING HEAVY TO KEEP THE CORNERS DOWN

IF YOU DON’T HAVE A TARP, YOU CAN GATHER A BUNCH OF TWIGS AND USE TWO TWIGS TO MAKE A TRIANGLE SHAPE FROM THE GROUND TO TOUCHING EACH OTHER AND DO THE SAME ON THE OTHER SIDE, MAKE SURE THE TOP OF THE TRIANGLE CROSSES EACH OTHER A BIT. AFTER THAT PLACE A TWIG ON TOP OF BOTH TRIANGLE AND TIE A ROPE WHERE THE TWIGS TOUCH. AFTER THAT USE THE REST OF THE TWIGS TO FILL THE EMPTY SPACE BETWEEN EACH END OF THE SHAPE. USE LEAVES, OR ANY MATERIALS (I PREFER ROPES) TO COVER THE TOP AND TO COVER ANY HOLES THAT SHOWS THEMSELVES.

IT COULD BE USED TO SUSPEND YOUR FOOD IN THE AIR, SO IT MAKES IT HARDER FOR WILDLIFE TO STEAL YOUR FOOD.

YOU CAN ACHIEVE THIS BY-

(The rest was cut off. Simplified: you can also use ropes to fish, make snow shoes, build floating vessels, start fires, and make snares.)

WHILE I WAS TALKING ABOUT ROPES, HE INTERRUPTED ME!

WHICH IS VERY RUDE BY THE WAY!

I WAS IN THE MIDDLE OF TALKING ABOUT ROPES!!!

HE SAID SOMETHING ABOUT NEEDING TO GO TO THE BATHROOM AND THEN STARTED RUNNING

HE’S BEEN GONE FOR A WHILE

I’M TYPING THIS WHILE HE’S GOING

IF I’M BEING HONEST HERE,

HE’S VERY LOUD.

(Link to the sequel at the Kirby OC tournament)

@quanblovk

[genghisthebrain]

gale being the prim reaper is the most hilariously incorrect take I’ve ever heard in my life

[meyerlansky]

did they KNOW they were making an entire game about bodily autonomy and the trauma that comes from being denied it

or did that just happen to come out as a theme in the wash

[michelangelos-last-judgement]

GUESS WHAT CAME OUT AS I WAS WRITING ABOUT EXY 🗣️🗣️