#Rossella Falk

[mariocki]

La tarantola dal ventre nero (Black Belly of the Tarantula, 1971)

"Yes, I've always told you to drop it, it's true. But now... you're not giving up. Not now. And I don't really care about the movie. If they're out to get you, it means the murderer is afraid of you. It means you know what you're doing. He's afraid of you."

[tina-aumont]

Summer 1965

L-R: Scilla Gabel, Lex Schoorel,  Rossella Falk, Joseph Losey, Monica Vitti, Dirk Bogarde and Tina Aumont during a break or after filming Modesty Blaise (Joseph Losey, 1966).

Photo from She Blogged by Night blogspot

[freshmoviequotes]

Modesty Blaise (1966)

[ladamarossa]

Seven Blood-Stained Orchids (1972)

[m4movies]

Timeless

[letterboxd-loggd]

8½ (Federico Fellini's 8½) (1963) Federico Fellini

May 25th 2023

[perfettamentechic]

5 maggio … ricordiamo …

5 maggio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Kenneth Welsh, attore canadese. Welsh aveva recentemente sposato Lynne Mcilvride.  (n.1942) 2020: Mimmo Sepe, all’anagrafe Domenico Sepe, attore e comico italiano. (n.1955) 2018: Adolfo Lastretti, attore e doppiatore italiano. (n. 1937) 2018: Vittorio Virgili, è stato un imprenditore italiano calzaturiero. (n. 1940) 2013: Rossella Falk, pseudonimo di Rosa Antonia Falzacappa, attrice…

[andersalsdieandern]

[byneddiedingo]

Marcello Mastroianni in 8 1/2 (Federico Fellini, 1963) Casti: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, Madeleine Lebeau, Eddra Gale, Guido Alberti, Jean Rougeul. Screenplay: Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi. Cinematography: Gianni Di Venanzo. Production design: Piero Gherardi. Film editing: Leo Catozzo. Music: Nino Rota.  At one point in 8 1/2 an actress playing a film critic turns to the camera and brays (in English), "He has nothing to say!", referring to Guido Anselmi, the director Marcello Mastroianni plays, and by extension to Fellini himself. And that's quite true: Fellini has nothing to say because reducing 8 1/2 to a message would miss the film's point. Guido finds himself creatively blocked because he's trying to say something, except he doesn't know what it is. He has even enlisted a film critic (Jean Rougeul) to aid him in clarifying his ideas, but the critic only muddles things by his constant monologue about Guido's failure. Add to this the fact that after a breakdown Guido has retreated to a spa to try to relax and focus, only to be pursued there by a gaggle of producers and crew members and actors, not to mention his mistress and his wife. Guido's consciousness becomes a welter of dreams and memories and fantasies, overlapping with the quotidian demands of making a movie and tending to a failed marriage. He is also pursued by a vision of purity that he embodies in the actress Claudia Cardinale, but when they finally meet he realizes how impossible it is to integrate this vision with the mess of his life. Only at the end, when he abandons the project and confronts the fact that he really does have nothing to say, can he realize that the mess is the message, that his art has to be a way of establishing a pattern out of his own life, embodied by those who have populated it dancing in a circle to Nino Rota's music in the ruins of the colossal set of his abandoned movie. The first time I saw this film it was dubbed into German, which I could understand only if it was spoken slowly and patiently, which it wasn't. Even so, I had no trouble following the story (such as it is) because Fellini is primarily a visual artist. Besides, the movie starred Mastroianni, who would have made a great silent film star, communicating as he did with face and body as much as with voice. It is, I think, one of the great performances of a great career. 8 1/2 is also one of the most beautiful black-and-white movies ever made, thanks to the superb cinematography of Gianni Di Venanzo and the brilliant production design and costumes of Piero Gherardi.

[agendaculturaldelima]

#ProyeccionDeVida

🎥 Kino Cat / Cine Tulipán, presenta:

🎬 “Ocho y medio” [8½ (Otto e mezzo)]

🔎 Género: Drama / Comedia / Cine dentro del cine / Surrealismo / Película de culto

⏰ Duración: 140 minutos

✍️ Guión: Tullio Pinelli, Federico Fellini, Ennio Flaiano y Brunello Rondi

🎼 Música: Nino Rota

📷 Fotografía: Gianni Di Venanzo

🗯 Argumento: Después de obtener un éxito rotundo, un director de cine atraviesa una crisis de creatividad e intenta inútilmente hacer una nueva película. En esta situación, empieza a pasar revista a los hechos más importantes de su vida y a recordar a todas las mujeres a las que ha amado.

👥 Reparto: Marcello Mastroianni (Guido Anselmi), Claudia Cardinale (Claudia), Anouk Aimée (Luisa Anselmi), Sandra Milo (Carla), Barbara Steele (Gloria Morin), Rossella Falk (Rossella) y Gilda Dahlberg (Journalist's Wife)

📢 Dirección: Federico Fellini

© Productoras:Cineriz & Francinex

🌏 Países: Italia-Francia

📅 Año: 1963

📽 Proyección:

📆 Martes 20 de Agosto

🕘 9:15pm. 

🐈‍ El Gato Tulipán (Bajada de Baños 350 – Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

[radiotusciaevents]

La sand art di Mauro Masi al teatro "Rossella Falk"

La sand art di Mauro Masi al teatro “Rossella Falk” Sabato 23 dicembre, alle 17 e alle 18,30, a Tarquinia, lo spettacolo a ingresso libero “Il racconto della Natività” Al teatro comunale “Rossella Falk” la sand art di Mauro Masi. Sabato 23 dicembre, alle 17 e alle 18,30, le abilissime mani dell’artista daranno vita alla sand art, cioè a disegni di sabbia per “Il racconto della Natività”,…

[delectablywaywardbeard-blog]

Teatro della Pergola omaggia la Maria Stuarda di Zeffirelli

È il 12 febbraio 1983. Nel giorno del sessantesimo compleanno di Franco Zeffirelli, al Teatro della Pergola di Firenze debutta la sua Maria Stuarda. Una scena rimasta epocale, che per la prima volta nella storia del teatro italiano prende tutto il palcoscenico e sontuosi sono i costumi di Anna Anni, creati sotto la direttiva del Maestro per le due regine, Valentina Cortese e Rossella Falk. E su…

[speakingparts]

8½ [1963 Federico Fellini] - set

[mariocki]

Giornata nera per l'ariete (The Fifth Cord, 1971)

"The next victim has already been chosen. The method of their death is precise. Beyond the celebration, there is something profoundly divine in being able to transform in one moment a suffering being into inanimate matter - for eternity."

[shesnake]

67/? costume design: Modesty Blaise (1966) by Beatrice Dawson

[glendajackson]

Behind the scenes of Modesty Blaise (1967)