#Mario Buccellati

[dozydawn]

Mario Buccellati, 1987.

Model: Claudia Huidobro.

[perfettamentechic]

5 maggio … ricordiamo …

5 maggio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Kenneth Welsh, attore canadese. Welsh aveva recentemente sposato Lynne Mcilvride.  (n.1942) 2020: Mimmo Sepe, all’anagrafe Domenico Sepe, attore e comico italiano. (n.1955) 2018: Adolfo Lastretti, attore e doppiatore italiano. (n. 1937) 2018: Vittorio Virgili, è stato un imprenditore italiano calzaturiero. (n. 1940) 2013: Rossella Falk, pseudonimo di Rosa Antonia Falzacappa, attrice…

[dumb-teambucciarati-headcanons]

Giant snowball fight headcanons (but it’s all of passione and they aren’t trying to kill each other)

Giorno: he didn’t make an alliance with anyone and no one really knows what they should expect from him, and if they should be scared or not. He built a snow fort to hide in and attack from, and his plan is to leave it when there are not many people left so that he might be able to uncover who the boss is.

Bruno: also doesn’t have an alliance with anyone, but isn’t gonna get any of his team out. Uses sticky fingers to avoid snowballs and detaches his arm to send them flying further. He hides in trees to ambush people when they aren’t expecting it.

Abbacchio: he was the first one out and willingly, and now he is just drinking wine and enjoying the peace and quiet.

Mista: used the pistols to send the snowballs wherever he wants. Was in an alliance with Narancia and Trish. He got out really fast by one of his own snowballs.

Narancia: used Aerosmith to see where the others were and ambush them. Somehow managed to catch things on fire. Got out quickly because he is silly. He wanted to get Fugo out, but couldn’t find him.

Fugo: is hiding.

Trish: the only one in her alliance still in because everyone is too afraid to get out the bosses daughter. Also her ability to make things soft has been useful in getting missed snowballs to bounce back on people.

Polpo: is in jail, so they got him out pretty fast.

Zucchini or whatever his name was: Got out really fast. Was in an alliance with Sale of course. Narancia took him out right after Abbacchio got out.

Sale: is still in because he has been making the snowballs freeze mid air before they reach him. Is very afraid of Bruno because he has been hiding in them trees.

Formaggio: is small.

Illuso: he got out really fast by his teammates. They were mad at him because he left his hair in the shower drain.

Prosciutto: is in an alliance with Pesci and Risotto. He wanted to use his stand, but Risotto didn’t want to have to deal with wrinkles and back pains.

Pesci: very scared, he built a fort for himself to help protect him from the scary snowballs.

Melone: Ghiacco got him out really fast because he was being annoying.

Ghiacco: this is his territory. He doesn’t even need to make snowballs, his stand can provide them. Might actually win this.

Risotto: he started out being a really scary opponent, being able to turn invisible and all. But now he is cold and wants someone to get him out but everyone is too scared to.

Squalo and Tiziano: they are partners and they are on a date. Scary opponents but a little distracted. Built a snow shark together. Now they are eating chocolate. Not out yet though.

Carne: out so fast they barely remember him being there.

Scary chocolate man: has sent several people to the hospital already. Needs to be stopped.

Secco: isn’t allowed to melt the ground and is sad because of it. Hasn’t gotten anyone out yet because he is too busy complaining about not being allowed to use his stand.

Doppio: no one knows this kid is part of passione, but they let him join the fight because he really wanted to. He got out in the middle and is now playing Mario kart at home.

Diavolo (the boss): everyone is aware that he is playing, but they don’t know what he looks like or where he is. But they can see he hasn’t gotten out yet. He is at home because Doppio got out and is playing Mario kart. Wins by default.

[arthistoryanimalia]

For your #WorldPenguinDay festivities:

A Pair of Italian Silver #Penguin-Form Magnum Wine Coolers

Mark of Mario Buccellati Sr., Milan, 1934-44

H 17 in. (42.5 cm); 290 oz. (9,023 g)

[chicinsilk]

US Vogue November 15, 1954 ❤️❤️❤️❤️❤️

Handbag, a Gladstone in black calfskin, from Gucci. Silk umbrella by N.Y.Umbrella. Cocoa suede gloves from Kislav. Bracelet and earrings in hammered gold, by Mario Buccellati. Balenciaga suit in black basket weave.

Sac à main, un Gladstone en cuir de veau noir, de Gucci. Parapluie en soie par N.Y.Umbrella. Gants en suède cacao de Kislav. Bracelet et boucles d'oreilles en or martelé, de Mario Buccellati. Tailleur de Balenciaga en natté noir.

Unidentified Model/Modèle non identifié Photo Horst P. Horst vogue archive

[fortrove]

Check out this listing I just added to my Poshmark closet: Vintage Mario Buccellati 18k Yellow White Gold Geminato Large Button Earrings.

[steliosagapitos]

~ "An attractive tiara in an elaborate openwork of mounted silver and gold, embellished with diamonds in a delicate Belle Époque design as well as a subtle Mughal influence created by Mario Buccellati, Italy 1927." ~

[augustinaleathers]

What Sets Buccellati's Pieces Apart?

Remaining true to Mario's innovative manufacturing techniques, Buccellati's craftsmanship showcases elaborate gold embellishments, textures influenced by Venetian lace, Etruscan motifs, and designs inspired by the beauty of flowers, insects, and animals found in nature. The Estate Buccellati Jewelry is crafted using the finest precious metals and gemstones available.

If you get Buccellati Jewelry for Sale Carmel CA, you should grab the chance.

Trafato or Tylle Creations

This is a technique used to create a pierced gold effect that is often used as a setting for precious stones like cabochons, emeralds, rubies, and rose-cut diamonds. The result is a piece that resembles a honeycomb or delicate lace, giving it a textured and intricate appearance as if the surface has been intricately engraved.

Rigato Finish- The Rigato finish is a distinctive design element commonly found in Buccellati creations. It involves the meticulous carving of parallel lines onto the surface of the precious metal, resulting in a glossy and almost silky appearance. This technique adds a touch of elegance and sophistication to the piece.

Powder/Mirror Compact- Buccellati is renowned for its exceptional craftsmanship and attention to detail, not only in jewelry but also in other items like makeup compacts. The compacts created by Marion and Gianmaria Buccellati, especially during the period from the 1920s to the 1950s, are highly sought after as valuable investment pieces. An exquisite example is the vintage diamond 18K yellow gold compact box from the 1940s, designed by Mario Buccellati. It features a diamond accent closure in 18K white gold adorned with rose-cut diamonds. The case itself is crafted in Buccellati's signature lattice style design using 18K yellow gold, showcasing the brand's timeless elegance.

Inspired From Nature

Nature serves as a constant source of inspiration for the exquisite designs of Buccellati jewelry. From delicate flowers to graceful animals and intricate insects, our pieces beautifully capture the essence of the natural world. Take, for example, our vintage thistle flower gold and silver clip-back earrings, which exude timeless elegance. And let's not

forget our latest addition, the remarkable Mario Buccellati 18K Yellow Gold Maple Leaf Pendant Necklace, a true testament to the unparalleled craftsmanship and attention to detail that Buccellati is renowned for.

Wrapping Up

Buccellati jewelry is not only a symbol of luxury but also a wise investment. In 2019, WWD reported on the most expensive fashion-related items listed for sale. Jewelry reigned supreme on the list, and Buccellati proudly claimed a place of honor. Our collier, priced at $106,575, a Buccellati collar at $106,500, and a ring at $78,517 secured the sixth position. This recognition further solidifies Buccellati's status as a brand synonymous with opulence and prestige.

[desimonewayland]

Two Italian Silver Mushroom-Form Salt and Pepper Shaker Sets, Mario Buccellati, 20th century

Sotheby’s

[vysjewelry]

Gold, white gold, diamond, and sapphire cuff bracelet, Mario Buccellati, c. 1960s (at 1stdibs)

[fawnvelveteen]

1950s MARIO BUCCELLATI Ruby Sapphire Yellow Gold Butterfly Pin Brooch

[fashionbooksmilano]

I tesori della Fondazione Gianmaria Buccellati

a cura di  Rosa Maria Bresciani Buccellati

Skira, Milano 2018, 252 pagine, 424 illustrazioni a colori,  ISBN:885723435

euro 85,00

email if you want to buy: booksinprogressmilano@yahoo.it

A tre anni dalla scomparsa di Gianmaria Buccellati e in occasione del decennale della nascita della Fondazione da lui istituita, il volume illustra un secolo di storia dell’arte orafa attraverso gioielli, lavori di oreficeria e di argenteria della Fondazione Gianmaria Buccellati, nati dal genio di due tra i nomi più significativi del panorama orafo mondiale, eredi della illustre tradizione italiana, fiorita nel Rinascimento con Benvenuto Cellini.Un secolo di produzione creativa di alta oreficeria, esempio straordinario di cultura d’impresa che ha portato la capacità artigiana del XX secolo a misurarsi con gli antichi maestri rinascimentali. Una storia italiana, che si snoda lungo tutto il Novecento, un protagonista del Made in Italy, un successo di arte e di tecnica, di estro artistico e di capacità artigianale.  Il libro ricostruisce l’affascinante storia artistica e imprenditoriale di Gianmaria Buccellati anche attraverso i ricordi di chi l’ha conosciuto non solo come geniale creativo e imprenditore, ma anche come uomo sensibile e curioso, dando ampio spazio alle creazioni sue e di suo padre Mario. Fu proprio seguendo i canoni rinascimentali che Mario  Buccellati, definito da Gabriele d’Annunzio, di cui fu amico e sodale, il “Principe degli orafi”, creava le sue opere,reinterpretandole in modo assolutamente personale e facilmente riconoscibile. A lui, va assegnato il merito di aver fatto conoscere lo “stile Buccellati” capace di diventare un mito dell’arte orafa, apprezzato dai membri delle case regnanti, da pontefici e uomini di cultura.

22/05/20

orders to:     booksinprogressmilano@yahoo.it

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[perfettamentechic]

5 maggio … ricordiamo …

5 maggio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Kenneth Welsh, attore canadese. Era meglio conosciuto come il cattivo Windom Earle in Twin Peaks, per i suoi ruoli nei film The Day After Tomorrow, Adoration, Survival of the Dead e, come il padre di Katharine Hepburn (interpretata da Cate Blanchett), in The Aviator. Welsh aveva recentemente sposato Lynne Mcilvride.  Welsh è morto, all’età di 80 anni, di cancro. (n.1942) 2020: Mimmo Sepe,…

[jenniedavis]

[starry-blue-echoes]

So I was having more Jotaro In Italy thoughts and.

I’ve just been having so many thoughts of Jotaro being an the most confusing thing ever because how how he’s both incredibly secretive but also rather obvious about what his Stand does.

Jotaro does not trust these people as far as they could throw him. He met Giorno about a day ago and everyone else a few minutes ago. He knows that they are part of a literal mafia in which the boss seems to have been the direct cause of his best friend’s disappearance, and he is currently plotting to kill that boss alongside Giorno.

So he sure as hell ain’t going to go out of his way to trust them. He won’t antagonize them, but he’s not going to go and tell them his skills or abilities.

And this gets. Interesting very quickly.

First there’s the piss teacup that Abbaccio tries to do, and Jotaro just uses Star to make it seem like there was never any “tea” in it at all. The Gang know he has a Stand, so this starts their guessing.

Then it’s time to leave for the boat. And they realize that they can’t actually fit everyone in the car.

So Jotaro says he’ll walk.

Bucciarati asks if his Stand has travel abilities. Jotaro says no. The Gang are, naturally, skeptical and Abbaccio tells Joot that if he isn’t there by the time they arrive, they’re leaving without him.

Imagine their surprise when Jotaro is waiting for them by the time they get there. After all, being thrown over rooftops mixed with the occasional time stop makes for quite efficient travel.

But of course, he doesn’t explain.

Then the boat. Oh joy the boat.

So a few hours in, Bucciarati starts explaining what exactly they’re doing all the way out here. Jotaro mostly hangs back since he doesn’t see any need to get closer and he can hear Bucciarati just fine from where he is.

This also means he’s able to see Soft Machine popping out and do something about it.

and just. Jotaro accidentally being absolutely terrifying

He’s holding Soft Machine with what appears to be his bare hands, a tiny shimmer of purple being the only thing to betray the usage of his Stand. His words are calm and collected, not betraying a single thought. Maybe the Stand tries stabbing him, only to get its wrist snapped like a twig without any seen cause

of course, once Zucchero’s caught, they’re a bit distracted by having to deal with the fact that a Stand User is going to be waiting for them to kill them so they don’t have time to ask questions.

In fact, it probably isn’t until sometime after Trish that they actually see Star properly

and until them, Jotaro is simply a terrifying enigma

[mademoiselleclipon]

Buccellati Gold Torchon