level 90 at last!
so! about black mage
i've been thinking how to describe playing black mage, and i think the simile i used this morning in chat works well enough:
black mage feels like trying to run with a pot full of boiling water in my hands. with other jobs i feel light and agile, but black mage plays like how seeing emet selch as solus run would feel. look at that guy go. i didn't know spines could do that! you can hear his knees crunch, also
mechanically, it's really not nearly as bad as i feared it to be, even though i don't think i'd managed to figure out a decent rotation myself on the first or even third try so, thank you internet people for the guides!
anyway, the boiling pot wheezing trot sensation is not unique to it, though it is the most noticeable of all the casting classes i've played. i'd say rdm>summoner>whm>>blm in increasing awkwardness
so, while i acknowledge that blm is an optimizer's paradise to get the Biggest Booms, probably, playing it feels like it's almost fighting against the game instead of flowing with it and due to that it's just not very enjoyable, for me. it's got the same inflexible rotation that makes dragoon my least played class despite it being very canon for mitr'a
and from a physical perspective my fingers are not very precise on the keyboard, so i tend to fuck up the routine by accident quite often and then i have to correct it or start over and eeeehhhhhh. and my can't-remember-to-click-despair situation. dunno what the problem is with that one, to be quite honest. brain said no i guess :( that one's on me
woops this got longer than i thought so have a readmore
the good:
aforementioned big damages, when i manage to keep the rotation on track. sadly not as much of a plus for me, personally, but it's relevant still
against one enemy, getting immersed in the rotation can be pretty fun, until the 5 aoes come, the boss leaves the arena, and i sigh deeply while creakily running around, not casting
lasso spell goes brrr. it's got a very funny sound effect, in my heart
the 'return to leylines' spell is also great. i've used it mostly to instantly dodge when there's more than 2 sequential aoes. you can play around with these two spells
shoutout to the simplified job gauge for letting you actually understand anything about it. sure it's 3.5 things to keep track of, but for 2 of them you get informed about their readiness with convenient sounds and flashing borders so whatever
big staff to hit people with
cone hat funny
big lb meteorites. very good very cackling
the bad:
moving feels heavy, even when using the instant cast abilities. i keep lagging behind the group even in normal content, and sometimes clicking the right person to yeet to can be a bit hard in alliances or wall to walls. this class needs to do some cardio
clicking fire IV 3 times, then 1 fire I then fire IV 3 more times is. very boring. sorry. rotation 40 years long and rigid like the brutalism. the funnest parts are the thunder procs and the ice phase before going back to fire and the occasional instant cast. oh you sneezed and misclicked and dropped your fire badge thingies on the floor? sorry idiot you get to start over from the top, but sadder this time
this one i only noticed here at the end, but i feel it's very important, maybe more than the rotation: the best and biggest animations it has are the ones for the ice spells, which you use the least. xenoglossy, foul and flare are also good. amplifier, manafont and triple cast feel nice and dramatic to use. paradox i just got but it's also nice with the color mix. the rest i don't even remember, had to go cast them on a dummy. it's fireballs and fire columns it's all fireballs! the blm animations have a lot of boom but they need more heft, if that makes sense? more flying shit going from you to the target, shit shrapneling from the target, rings of fire, fiery eldritch runes, anything. if rdm can shoot 50 explosive roses at a guy for some reason and drk can summon shields of runes, blm can do something fancy also. casting a finisher skill called 'despair' should look like i'm sucking their souls out through a straw
also more casting positions. summoner has a lot and they're pretty different! they got floating symbols and shit. blm has 'slightly crouched' and 'staff held high' in variation 1 and 2, and that's about it from what i can tell besides the selfbuff ones. add some evil runes at least. the paradox wide armed one (i think you float a little?) is a good addition though
anyway, final verdict: it's a good class, but it's very rigid and inflexible to get Big Damages, which is not an exciting exchange, for me. i prefer to be nimble and do less damage but have a more varied and forgiving rng based rotation. also more utility skills! i miss peloton or having a group shield or heal, or even rdm's rez; makes me feel actually useful instead of being just a giant cone hat that produces flamethrower on command. i don't think i'll play it too often, i'm afraid, even though it's a perfectly alright class, and i'm sure i'll get better with time
HOWEVER. if dawntrail allows blm to throw meteorites outside of lbs i might reconsider. they can be small! even magical molotov cocktails if we must. but i want physical flamming objects to hit my enemies and i want to see the animations do that with some flair. just ole fire and spite booms and a couple icicles is not enough. i want to flatten them
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I watched an mdzs animatic with a song from wicked, and something in my mind finally clicked and now I want to scream about how similar my current and my past hyperfixations are.
"Good news, the witch is dead!" like
"No good deeds" is such a "character pushed to their limits" song. Imagine it before the nightless city. The first scream, as Wen Ning and Wen Qing walk away. The chanting as he lies there, unable to move, praying for them to be well. Memories of people he loves: Jiang Cheng and Jiang Yanli, Lan Zhan, the Wen siblings.
"Was I really seeking good, or just seeking attention?" -- as he looks at the burial mounds and leaves.
"If I cannot succeed, Fiero, saving you, I promise no good deed will I attempt to do again." -- as he learns about Wen Qing and Wen Ning's death.
Ending with him arriving at Nightless city and pulling out the flute.
I want to see it animated so much!
My skills are so annoyingly not up to the task. Maybe if my hyperfixation survives long enough that I learn drawing and animating things well? It'll be the third mdzs animatic I really wish to do one day. Maybe one day.
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Imagine you're inside a RPG game (medieval-like)
I already say sorry, please don't take it too personal, take it easy, there are almost infinite classes and maybe some of them up here are a bit generic, but you can always choose the last option and specify your idea clearly, just have fun.
Also I would like to make other polls in this style, like to build the perfect RPG character with your most chosen answers from all of these polls at the end, it could be cool!
Feel free to suggest any poll you would like to see via chat or comment or ask :)
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this woman in my class today is SO concerned with grainlines and fabric and what if there isn't a selvedge edge to rely on, and what if the pattern goes this way do i cut it that way and what fabric is bias to cut a sleeve on (i was explaining how to cover an arm hole, not a sleeve) and
this is probably a foreign language if you're not a sewist i know but like. it's not that deep my guy (gn), it's not the end of the world if something isn't on an exact grain and most patterns SHOW you what direction to position something and I REALLY can't answer nebulous questions about grainlines on nebulous patterns I've never seen because the answer is IT DEPENDS ON THE PATTERN and also i'm a visual person and can't get cardinal directions right on the best of days PLEASE don't get so hung up on it
(also typically if you're buying fabric new, it comes with a selvedge edge to work out grainline from and if you're working on an upcycle it either doesn't matter as much, or is taken care of by the original piece)
i like to tell people about grainline so they know what i'm talking about, but good gods this became the lady's whole day
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