#Shin Shia

[goddesspharo]

LAMORNE MORRIS: How far would you go for a hundred million dollar paycheck? GLEN POWELL: How far would I go? LAMORNE MORRIS: Would you break your shins? GLEN POWELL: Like Shia, like tear his teeth out? [...] Um, I'm gonna be honest with you. I don't think I'd go very far. LAMORNE MORRIS: You heard it, folks. A hundred million dollars doesn't sway this man here. GLEN POWELL: No. No, this guy's gonna half ass it all the way to the top. [x]

[battyaboutbooksreviews]

🌈 Queer Books Coming Out in April 2024 🌈

🌈 Good morning, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!

[ Release dates may have changed. ]

❤️ Spring on the Peninsula - Ery Shin 🧡 When I Arrived at the Castle - Emily Carroll 💛 Bloodline - Jenn Alexander 💚 Grey Dog - Elliott Gish 💙 Every Time You Hear That Song - Jenna Voris 💜 I'm in Love with the Villainess v. 2 - Inori and Hanagata ❤️ The Caravaggio Syndrome - Alessandro Giardino 🧡 Leather, Lace, and Locs - Anne Shade 💛 Firebugs - Nico Bulling 💙 I Married My Female Friend v.2 - Shio Usui 💜 The Final Curse of Ophelia Cray - Christine Calella 🌈 A Sweet Sting of Salt - Rose Sutherland ❤️ The Selected Shepherd: Poems - Reginald Shepherd 🧡 Rough Trade - Katrina Carrasco 💛 Aubrey McFadden is Never Getting Married - Georgia Beers 💚 Taming of a Rebel - Eada Friesian 💙 Dayspring - Anthony Oliveira 💜 The Titanic Survivors Book Club - Timothy Schaffert ❤️ Orphia And Eurydicius - Elyse John 🧡 The Fellowship of Puzzlemakers - Samuel Burr 💛 A Good Happy Girl - Marissa Higgins 💙 Winnie Nash Is Not Your Sunshine - Nicole Melleby 💜 Here We Go Again - Alison Cochrun 🌈 Women! In! Peril! - Jessie Ren Marshall

❤️ Blood City Rollers - V. P. Anderson and Tatiana Hill 🧡 The Prospects - KT Hoffman 💛 Crazy Like a Fox: Adventures in Schizophrenia - Christi Furnas 💚 WATCHNIGHT - Cyree Jarelle Johnson 💙 Love From The Sidelines - Tuesday Harper 💜 The Pleasure in Pain - Roxie Voorhees ❤️ Mal - Perla Zul 🧡 The Black Girl Survives in This One - Desiree S. Evans and Saraciea J. Fennell 💛 Darker by Four - June C.L. Tan 💙 Otherworldly - F.T. Lukens 💜 Hearts Still Beating - Brooke Archer 🌈 Tryst Six Venom - Penelope Douglas

❤️ Teenage Dirtbags - James Acker 🧡 The Heart Wants What It Wants - D.M. Batten 💛 Something Kindred by Ciera Burch 💚 Sheine Lende - Dr. Darcie Little Badger & Rovina Cai 💙 Rainbow Overalls - Maggie Fortuna 💜 Flowers for Dead Girls - Abigail Collins ❤️ Canto Contigo - Jonny Garza Villa

❤️ Court of Wanderers - Rin Chupeco 🧡 Molten Death - Leslie Karst 💛 Triad Magic - ‘Nathan Burgoine 💚 You, Me and Bad Movies - Twoony 💙 The Faithful Dark - Cate Baumer 💜 A Case for Discretion - Ashley Moore ❤️ Party of Fools - Cedar McCloud 🧡 The Last Love Song - Kalie Holford 💛 This is Me Trying - Racquel Marie 💙 Dear Wendy - Ann Zhao 💜 Sun Eater - Dre Levant 🌈 The Breakup Lists - Adib Khorram

❤️ Bad Dream - Nicole Maines & Rye Hickman 🧡 If We Were Stars - Eule Grey 💛 The Broken Lines of Us - Shia Woods 💚 Eye of the Ouroboros - Megan Bontrager 💙 Henry Henry - Allen Bratton 💜 Dear Bi Men - JR Yussuf ❤️ Paige Not Found - Jen Wilde 🧡 Mechanic Shop Femme’s Guide to Car Ownership - Chaya Milchtein 💛 Wide Awake Now - David Levithan 💙 Merciless Saviors - H.E. Edgmon 💜 Smile and Be a Villain - Yves Donlon 🌈 Crash Landing - Charmaine Anne Li

❤️ Call Forth a Fox - Markelle Grabo 🧡 Central Avenue Poetry Prize 2024 - Beau Adler 💛 Good Bones - Aurora Rey 💚 Curiosities - Anne Fleming 💙 Someone You Can Build a Nest in - John Wiswell 💜 Revisiting Summer Nights - Ashley Bartlett ❤️ Bright Spring - Emmaline Strange

❤️ Girls Night - I.S. Belle 🧡 Late Bloomer - Mazey Eddings 💛 Withered - A.G.A. Wilmot 💚 A Wolf Steps in Blood - Tamara Jerée 💙 It Always Finds Me - Anthology 💜 Dulhaniyaa - Talia Bhatt ❤️ Moon Dust in My Hairnet - JR Creaden 🧡 Blood Justice - Terry J. Benton-Walker 💛 Relinquishing Control - J.J. Arias

❤️ Selamlik - Khaled Alesmael 🧡 Houseswap 101 - Jaime Clevenger 💛 Earthflown by Frances Wren & Litarnes 💚 Covenant v.1 - LySandra Vuong 💙 Honey - Victor Lodato 💜 The Dragonfly Gambit - A.D. Sui ❤️ Double Dyno - Sharon K Angelici & Taylor Rose

[girlactionfigure]

🔅 WED morning - ISRAEL REALTIME - Connecting to Israel in Realtime

( 1 / 2 )

⭕ SUICIDE DRONE attack at Eilat by IRAQ SHIA (Iranian) MILITIAS, interception failed but drone missed, hitting the sea.

 ▪️ON THE ULTRA-ORTHODOX DRAFT.. the Attorney General: The recruitment of 3,000 yeshiva students must be started immediately, all the ultra-Orthodox who are required to be drafted must report to the recruitment center, any budget that concerns those who do not enlist must be stopped.

.. COMMENTARY:  One of the principles for rabbis ruling for a community is not to attempt to uphold a law that the community will not keep - turning the community as a whole into violators.  Apparently the justice system believes if they declare it will happen?  Whether you agree with drafting Torah students or not, saying “do this” to a large group who is already refusing is… silly.

 ▪️RELATED - POLITICS & CONSCRIPTION LAW CHANGES.. Chairman of the Foreign Affairs and Defense Committee, MK Edelstein in the conscription law debates: "Either the adjusted conscription law will pass with broad agreement or the law will not pass at all."  (Hint: there is no broad agreement possible.)

.. The MK says: “I know that the High Court's ruling will not bring even one recruit - I will continue the committee's deliberations on the way to a correct, agreed upon and historic (conscription) law.”

 ▪️LEGAL WAR BLOCKERS.. The military attorney's office ordered not to eliminate Gazan citizens who participated in the Oct. 7th massacre. The reason: they are not defined as Hamas terrorists.  From the interpretation of the military attorney's office for the laws of war, it is claimed that only those who belong to a fighting force can be killed intentionally in war. Targeted elimination is a preventive measure, not a punishment, and therefore, since the "civilian" is not part of the fighting force, he cannot be killed in retaliation.

If the Shin Bet and the IDF learn of the location of Gazans who have murdered, looted, raped or kidnapped Israelis, they do not have legal authorization to eliminate them. (N12)

🔥ARSON ATTACK.. Overnight a huge wildfire fire broke out near the "Ofrit" base on Mount Scopus, believed to be started by Molotov cocktails from nearby Arab neighborhood of Jerusalem.  Damage to the Hebrew University Mt. Scopus campus.  Brought under control.

 ▪️AID - WATER.. In an official letter sent from the Office of the Minister of Defense to the Chief of Staff, the head of the Defense Ministry and the Ministry of Energy, the request is made - the desalination plant in Gaza must be connected to electricity for the first time since the beginning of the war, due to a humanitarian need that would allegedly prevent the sewage from flowing into the sea.

🔅 WED morning - ISRAEL REALTIME - Connecting to Israel in Realtime

( 2/ 2 )

▪️AID - FOOD.. for the 5th time so far, the United Nations threatens to suspend its humanitarian activities in the Gaza Strip, if the security of the aid workers does not improve while being attacked by Hamas again and again (( and therefore complaining to Israel? )). Over 1,500 trucks are backed up by Kerem Shalom.

▪️AID - ORDER 9 COMMENTS: The State of Israel continues to provide aid to an enemy that continues to spit in its face. Risking soldiers for treats to the terrorist organization that massacred our children is a terrible crime. The State of Israel must immediately stop aid to Hamas in its current form.”

▪️PROTEST - RETURN THE HOSTAGES!  Sderot Reger in Be’er Sheva.  Small crowd.

▪️IDF MANPOWER CHANGE - COMBAT PROFILES TO COMBAT.. hundreds with a combat profile destined for the intelligence and tech services will serve as combat fighters. Senior officials explained this is a change from the "small army" concept: "It would have been better for a genius to be in cyber and not a fighter in the paratroopers or in an elite unit”, with the idea "it is better for the army to have them in the offensive cyber at the expense of another fighter in the paratroopers or even in an elite unit”.  

But with the extended need for combat infantry, the combat rating must override the education and intelligence rating.

Intelligence unit 8200: “This may harm the quality of soldiers in our unique roles.”

▪️NOT WHAT THEY THOUGHT - CAPTURED TERRORIST DIET & THE COURT.. The Israeli Association for Civil Rights petitioned the High Court that the diet being served to mass murdering baby killing captured Oct. 7 massacring terrorists was “not healthy” and “included too many processed meats - unhealthy”.   The Prison Service sat with professional nutritionists: Instead of 4 slices of bread, they will get 3 in the meal with plain tahini.  Instead of processed meat (sausages), lentils.  

“The minister (Nat. Sec. Ben Gvir) made the conditions of the terrorists worse and is not ashamed of it. The food provided is the minimum required. If the judges want to care for the well-being of those who perpetrated the massacre - let them declare it in the hearing."

♦️IDF ATTACKS.. 3 airstrikes one after the other in a fire belt layout in the Al Dahani area in Rafah.

♦️COUNTER-TERROR - SILWAD (Ramallah area).. firefight.

⭕ HOUTHIS SAY.. struck cargo ship MSC Sarah V in the Arabian Sea, using new ballistic missile system.

⭕ HAMAS ROCKET.. at Sufa, near Gaza town.

[i-have-zero-social-skills]

Deleted Concept For My Time Travel Fix it AU

Okay, so even though this concept is kind of fun, what would be less fun for the Galaxy is a full scale Grysk invasion. And because I wanted a happy ending for my story, I scrapped the concept of said Grysk invasion entirely.

A few weeks before the Grysk War starts, Jedi Masters Sifo-Dyas and Yan Dooku are expelled from the Jedi Order in absentia, because they abducted Masters Vokara Che and Jocasta Nu, Initiates Sabine Wren, Ezra Bridger, Kiren Der, Kyle Katarn, Shira Elan Colla Brie, Wee Dunn, Mara Jade, Hedala Fardi, Galen Marek, Tash Arranda, Belandi Feearr, Reva Sevander, Sors Bandeam, Jeswi Ele, Shia Letap, Lagan Ismaren, Roganda Ismaren, Ana Tathis, Dhara Leonis, Jai Kell, Roo-Roo Page, Katsuni Tamm, Looca B’Nash, Shin Hati, Jarea Kaela, Nonia Daal, Shaskaa Vis, Zoni Arziass, Chatra Varrors, and Sekal Vlahiel, and Padawan Mill Alibeth.  

They also raided all the most important holobooks, holocrons, and relics from the Archives.  The items they stole were the Healing Crystals of Fire, the Great Holocron, the Tedryn Holocron, the Holocron of Destiny, the Heart of the Universe, the Codex of Tython, the Dakshee Holocron, the Holocron of Odan-Urr, the Holocron of Prophecy, Revan’s Mask, Exar Kun’s Lightsaber, the Darksaber, Darth Bane’s Holocron, the Holocron of King Adas, the Dark Holocron, the holobooks containing the Jedi Code, all the Memory Crystals, and a map of the Galaxy.  

[444namesplus]

Ba Baa Baas Bae Baes Bais Bam Ban Bao Baos Bau Baus Be Bees Bei Beis Bem Ben Beo Beos Beu Beus Bi Bias Bie Bies Bii Biis Bim Bin Bio Bios Biu Bius Bo Boes Bom Bon Boo Boos Bou Bous Bu Bua Bues Bui Buis Bum Bun Buo Buu Buus Chi Chia Chias Chie Chies Chii Chiis Chim Chin Chio Chios Chiu Chius Chu Chua Chuas Chue Chues Chui Chuis Chum Chun Chuo Chuos Chuu Chuus Da Daas Dae Daes Dais Dam Dan Dao Daos Daus De Dea Deas Dee Dei Deis Dem Den Deo Deu Deus Dha Dhaa Dhaas Dhaes Dhai Dhais Dham Dhan Dhaus Dhe Dhea Dheas Dhee Dhees Dheis Dhem Dhen Dheo Dheu Dhi Dhia Dhies Dhiis Dhim Dhin Dhio Dhios Dhiu Dhius Dho Dhoa Dhoas Dhoes Dhois Dhom Dhon Dhoo Dhoos Dhou Dhous Dhu Dhua Dhue Dhues Dhum Dhun Dhuo Dhuu Dhuus Di Die Dies Dii Diis Dim Din Dio Diu Dius Do Doa Doas Doi Dom Don Doo Doos Dous Du Duas Due Dues Dui Duis Dum Dun Duu Fa Faa Faas Fae Faes Fai Fais Fam Fan Fao Faos Fau Faus Fe Fea Feas Fee Fees Fei Feis Fem Fen Feo Feus Fi Fia Fias Fiis Fim Fin Fios Fius Fo Foa Foe Foi Fois Fom Fon Foos Fous Fu Fua Fuas Fue Fues Fui Fuis Fum Fun Fuos Fuus Ga Gaa Gaas Gae Gaes Gam Gan Gaos Gau Ge Gea Geas Gee Gei Geis Gem Gen Geo Geu Geus Gi Gia Gias Gie Gies Gii Giis Gim Gin Gios Giu Gius Go Goe Gom Gon Goo Goos Gous Gu Guas Gue Gui Guis Gum Gun Guo Guos Guu Guus Ha Haa Haas Hae Haes Hai Hais Ham Han Haos Hau He Hea Heas Hee Hees Hei Heis Hem Hen Heo Heu Heus Hi Hie Hies Hii Hiis Him Hin Hio Hios Hius Ho Hoe Hom Hon Hous Hu Huas Hui Huis Hum Hun Huo Huu Huus

Ja Jaa Jae Jaes Jai Jais Jam Jan Jaos Jau Jaus Je Jea Jeas Jee Jem Jen Jeo Jeos Jeu Jeus Ji Jia Jias Jie Jies Jii Jiis Jim Jin Jio Jios Jiu Jo Joa Joas Joe Joes Jois Jom Jon Joos Jou Jous Ju Jua Juas Jue Juis Jum Jun Juo Juos Juu Juus Ka Kaas Kae Kai Kais Kam Kan Kao Kaos Kau Kaus Ke Kea Keas Kee Kei Keis Kem Ken Keo Keos Keu Keus Ki Kia Kie Kies Kim Kin Kio Kios Kiu Kius Ko Koe Koes Koi Kois Kom Kon Koo Koos Kou Kous Ku Kua Kue Kues Kum Kun Kuos Kuu Kuus La Laa Laas Laes Lais Lam Lan Laos Lau Laus Le Lea Leas Lee Lees Lei Lem Len Leo Leos Leu Leus Li Lia Lie Liis Lim Lin Lio Lios Liu Lo Loa Loas Loe Loes Lom Lon Loo Loos Lou Lu Lua Lue Lui Luis Lum Lun Luo Luos Luus Ma Maa Mae Maes Mai Mam Man Mao Maos Mau Maus Me Mea Mee Mei Meis Mem Men Meo Meu Mi Mias Mie Mies Mii Miis Mim Min Mios Miu Mius Mo Moa Moas Moe Mois Mom Mon Moo Mous Mu Mua Muas Mues Mui Mum Mun Muo Muu Muus Na Naa Naas Nae Naes Nai Nais Nam Nan Nao Naos Naus Ne Nea Neas Nee Nees Neis Nem Nen Neo Neos Neu Neus Ni Nii Niis Nim Nin Nio Nios Niu No Noa Noas Noe Noes Noi Nom Non Noo Nou Nous Nu Nua Nuas Nues Nui Nuis Num Nun Nuo Nuos Nuu Pa Paa Pae Paes Pai Pam Pan Pao Pau Paus Pe Pea Peas Pee Pees Pei Peis Pem Pen Peo Peos Peu Pi Pias Pie Pii Piis Pim Pin Pio Pios Piu Po Poas Poe Poes Pois Pom Pon Poo Poos Pou Pous Pu Puas Pue Pues Pui Puis Pum Pun Puo Puu Puus Ra Raa Raas Rae Rai Rais Ram Ran Raos Rau Raus Re Reas Ree Rees Rei Reis Rem Ren Reo Reos Reu Reus Ri Ria Rii Rim Rin Rio Rios Riu Rius Ro Roa Roas Roe Roes Roi Rois Rom Ron Roo Roos Rou Rous Ru Rua Rues Rui Ruis Rum Run Ruo Ruos Ruu Ruus Sa Sae Saes Sais Sam San Sau Se Sea Seas Sees Sei Seis Sem Sen Seos Shi Shia Shias Shie Shies Shii Shiis Shim Shin Shio Shios Shiu Shius Shu Shua Shuas Shue Shues Shui Shuis Shum Shun Shuo Shuos Shuu Shuus Si Sia Sii Siis Sim Sin Sio Sios Sius So Soe Soes Sois Som Son Soos Sous Su Suas Sui Suis Sum Sun Suo Suu Suus Ta Taa Taas Taes Tai Tais Tam Tan Tao Taos Tau Taus Te Tea Teas Tees Tei Tem Ten Teo Teu Thi Thia Thias Thie Thies Thii Thiis Thim Thin Thio Thios Thiu Thius Thu Thua Thuas Thue Thues Thui Thuis Thum Thun Thuo Thuos Thuu Thuus Ti Tias Tie Tiis Tim Tin Tio Tios Tiu Tius To Toas Toe Toes Toi Tom Ton Toos Tou Tous Tu Tua Tuas Tue Tues Tui Tuis Tum Tun Tuo Tuu Tuus Va Vaa Vaas Vae Vaes Vai Vam Van Vaos Vau Vaus Ve Vea Veas Vee Vees Vei Vem Ven Veo Veos Veu Veus Vi Vie Vii Viis Vim Vin Vio Viu Vo Voa Voe Voes Voi Vois Vom Von Voo Voos Vou Vous Vu Vue Vues Vui Vuis Vum Vun Vuo Vuus Wa Waas Wae Wai Wam Wan Wao Waos Wau Waus We Wea Wees Wei Weis Wem Wen Weos Weus Wi Wia Wias Wie Wies Wii Wim Win Wio Wiu Wo Woa Woe Woes Woi Wois Wom Won Woos Wou Wu Wua Wuas Wue Wui Wum Wun Wuo Wuos Wuu Wuus Za Zaa Zaas Zae Zaes Zai Zais Zam Zan Zaos Zau Zaus Ze Zea Zeas Zee Zees Zei Zeis Zem Zen Zeo Zeos Zeu Zeus Zha Zhaa Zhae Zhaes Zhai Zhais Zham Zhan Zhao Zhaos Zhau Zhaus Zhe Zhea Zhee Zhees Zhei Zheis Zhem Zhen Zheo Zheos Zheu Zheus Zhi Zhia Zhie Zhies Zhii Zhim Zhin Zhio Zhios Zhiu Zhius Zho Zhoa Zhoas Zhoe Zhoes Zhoi Zhom Zhon Zhou Zhous Zhu Zhuas Zhuis Zhum Zhun Zhuos Zhuu Zhuus Zi Zia Zias Zim Zin Zio Ziu Zius Zo Zoe Zoes Zois Zom Zon Zoo Zoos Zou Zous Zu Zuas Zue Zues Zuis Zum Zun Zuos Zuu

[jessicabryants-blog]

Yuna shin-

yuna Shia is a 3D Artist from Seoul,Korea who I found on behance She is a Small artist who uses blender to create stunning characters,They have a Slight every vibe to it all,what really drew me in wos how she creates faces and Hair,I’d really like to lncorperate this into my own work

[fyeahkoreanphotoshoots]

Shin Shi Ah - W Magazine July Issue '22

[irlsocks]

iiii i I I SCREAMED WHEN I WATCHED THE LIVE STAGE COF SOLAR ECLIPSE AND HE. HAD THIS RED HAIR BITCJ YES FINALLLY U EUNHO WITH DD'S ARK HAIRJRJIRDBAKA

[pyonzzz]

*burst through your front door* DID SOMEBODY SAY ALICE MARE?!!!! (God it's been so long now I want to replay that... I remember it being very short and mostly just creepy, made me feel constantly on edge due to the atmosphere at some places)

Also I feel like I need to ask... What amnesia?

Uuuh I think it's from the same series due to naming convention, but I'm pretty sure aside from Heart no Kuni no Alice I've seen at least Spade and Clover no Kuni no Alice. I don't know how big the series is though and I don't know if you knew about the series or just the Hearts one.

I know there is an otome called Shiro to Kuro no Alice which plays with the concept of the looking glass sort of? and separates the typical characters of Alice in Wonderland into two groups depending on what "Alice" you choose to play as, but I don't think it's translated really ;;; I just saw an MV one day with the CGs of the game and thought the character designs and the illustrations were pretty.

Ah... I feel like I should know more because I adore the concept as well but my memory doesn't want to cooperate right now ;;;-;;; (also I know I've seen different games called American McGee Alice but I never really got too into it so is it like... A series??? Because I remember seeing two and one of them definitely looked newer in graphics)

Um... Sorry for the long ask Robin ^^;

shia this is why were friends HEHE alicemare was made by miwashiba who i adore to death and back and will rant about for hours if you give me the chance

amnesia uhm i dont remember much about except for some tsundere red-coloured guy ( shin ?? i think ??? ) and a blue guy named ikuto ( ?????? too lazy to look it up ) but like the mc had amnesia or something and i only vaguely remember it and there were like playing card deck motifs with the 4 guys and i think my brain is trying to twist it into an aiw twist kinds thing HAHAHA

SPADE AND CLOVER MY BELOVED AUGH i recently went to a mall and actually managed to find one of the manga im so happy ( alice in the country of heart : the lizard aide btw ) and AUGHRBDOSHD i used to have a major hyperfix on this game years and years ago before the eng tl got discontinued and taken off the app store and then quinrose got axed and I LOVE THIS ADAPTATION theres a spin off for each suit so you have the main ( heart ) , and then clover spade diamond and then you also have alice in the country of JOKER and UGH I LOVE JOKER and then theres like ?? reverse ??? i think thats the looking glass insp but like we see the main cast except alice iirc as kids / younger but that mmmmmiight be a joker thing .... theres a lot in this series im so sad it never picked up steam because there was so much content that im pretty sure is just lost or super obscure and hard to find now

THAT SOUNDS SO COOL ill def have to look into it !! the name definitely rings a bell like im pretty sure a pal mentioned that to me recently because of one of the vas ( shouta aoi is haunting me ) ( so is toshiki masuda but thats not the va my pal mentioned iirc )

yaya theres 2 released games for amga ( how i shorten it ww ) and a 3rd that im pretty sure is in development hell last i checked !! there was about a 10 year gap between the 1st and 2nd game and i never played them but i loved looking up videos about them when i was younger because i love horror and alice in wonderland hehehe

you think your ask was long . i dont know what " being quiet " or " summarizing your points " mean

[newtypezaku]

P-P-P-Power Rankings!!

Maybe one day I'll be back on my usual schedule.

Shinkalion Z (Last: 1): GENBU TRIED TO TEACH SHIN ABOUT TEAMWORK BUT THAT WAS SIDELINED WHEN HE LEARNED ABUTO WAS FLYING THE BAD ROBOT.

Dragon Quest (Last: 2): Killvearn convinced Myst to retreat but also lured Popp into the Field of Death, forcing Dai to fly to the rescue.

Godzilla: Singular Point (Last: 4): Mei made a quick deduction about the archetype's properties while Otaki Factory investigated the Rodans.

Getter Robo Arc (Last: 3): The gang followed some ghosts to the old lab and were given a replay of events from 19 years earlier.

Kageki Shoujo!! (Last: 6): Yamada overcame her crushing feelings of inferiority with the timely intervention of the music teacher.

Sonny Boy (Last: 7): Mizuho and Nagara played detective and worked through some character issues via mutual annoyance.

The Dungeon of Black Company (Last: 8): Ninomiya's unorthodox methods got results as Shia dealt with their ideological divide.

How a Realist Hero Rebuilt the Kingdom (Last: 5): Souma faced his toughest challenge yet: a mandatory vacation day with Liscia.

Aiming for eight each week cuz eighters gonna eight. [Full Watch List]

[thecrownnet]

Photo: Dan Kennedy/ The Hollywood Reporter

'The Crown' Star Vanessa Kirby Hits Fall Festival Circuit With Two Buzzy Indies: "I Felt Ready to Lead a Movie"

After breaking out in Netflix’s hit global series and stealing scenes in 'Mission:  Impossible' and 'Hobbs & Shaw,' the British actress about to display her range with frontier romance 'The World to Come' and gut-wrenching drama 'Pieces of a Woman.'

Vanessa Kirby was two days away from shooting Mission: Impossible 7 in Venice — reprising her role as the glamorous gunrunner known as the White Widow — when Paramount halted production. It was late February, and Italy had just recorded Europe’s then-worst outbreak of the novel coronavirus, at the time not officially labeled a pandemic. Tom Cruise’s billion-dollar blockbuster franchise had become the first major Hollywood casualty.

Seven months on, and with the film industry appearing irreversibly changed, Kirby is preparing her return to Venice. But it’s not for Mission: Impossible (she starts shooting that later in September). With The World to Come and Piece of a Woman, filmed almost back-to-back in late 2019 and early 2020, the British star, 32, has the rare honor of having two films compete against each other in the Biennale, the first A-list film festival to physically take place since cinemas — and much beyond — shut their doors.

Appearing alongside Katherine Waterston and Casey Affleck in The World to Come — a frontier romance set against the rugged and patriarchal terrain of the mid-19th century American Northeast — Kirby plays flame-haired Tallie, who sparks an intense and liberating affair with a farmer’s wife, played by Waterston.

Photo: Andre Chemetoff/Cinetic

But it’s Pieces of a Woman — also heading to Toronto — and her quietly powerful and gut-wrenching turn as Martha, a woman dealing with towering loss after a home birth that goes wrong (shot in one hugely impressive yet frequently hard-to-watch half-hour take), that marks yet another new chapter for the actress, who already has condensed what many would consider a lifetime’s worth of career milestones into just a few years. A critics’ favorite on the British stage; Emmy-nominated and BAFTA-winning for her global screen breakout as Princess Margaret in the opening seasons of Netflix’s smash hit The Crown; part of two of the biggest action franchises around (she also appeared in Fast & Furious spinoff Hobbs & Shaw last year); and, for her next act, independent cinema’s newest leading lady.

Even before the reviews come in, Pieces of a Woman — also starring Shia LaBeouf, Ellen Burstyn and Sarah Snook — has found a fan in Martin Scorsese, who recently came aboard as executive producer.

“I haven’t stopped smiling,” says Kirby, speaking from the south London home she shares with her sister Juliet (a theatrical agent) and two close friends. “It’s such a mind-blowing thing.”

The actress was originally shown the script in L.A. by filmmaking couple Sam and Ashley Levinson (Ashley is producing the film for Bron Studios). Within 24 hours, she'd jumped on a plane to London, then Budapest, to meet director Kornél Mundruczó. “You know when you’re supposed to do something. ... It felt so right,” she says. “I wanted to show up and tell Kornél face-to-face how much I loved it and how much it touched me.” [...]

Photo: Pieces of a Woman/ Venice Film Festival

The Crown creator Peter Morgan recalls going “rogue” when he chose Kirby, overruling the other show execs’ preferred choice for Princess Margaret. She had turned up to the audition looking like what he describes as a “catastrophic mess”; fake tan smeared haphazardly on her shins and hands stained orange (she’d forgotten to wash them after applying the tan).

“But she had an electrifying presence. ... You realized you were in the company of a rare and special talent,” he says, adding that her chaotic appearance plus visible nerves evoked the essential vulnerability he was looking for. “It was very Annie Hall.”

Subsequent screen tests — and the public reaction — confirmed what Morgan first saw, that Kirby was a “high-impact booking,” much like the royal she was taking on. “There was no room in which you were not conscious that Princess Margaret was there.”

To craft her Margaret, in which Kirby laid the largely unknown foundations that would support the royal’s more brash and defiant public persona in later life, she absorbed everything she could, seeking out footage where the princess thought cameras had stopped rolling, plastering her walls in photos and even listening to her favorite music on repeat (including a version of “Scotland the Brave” played on the bagpipes, much to her housemates' dismay).

“It was so exciting to play someone that was so complicated and so conflicted, who was really struggling with a sense of who she was,” she says. “But I also had to chart this journey carefully, across 20 years of a person's life, and try to make it believable and also set her up for the rest of the seasons that were coming.”

Photo: Robert Viglasky/ Netflix

Mission: Impossible came off the back of The Crown, sometime in the middle of season two. “I think Tom had watched it, because he watches everything,” says Kirby, who was surprised to be warmly welcomed into the “Mission Family” during her first meeting with Cruise and director Christopher McQuarrie. “On my way home I rang my agent going, ‘I think I got the job, I’m not sure.’” 

[...] Kirby has also used the months of lockdown to consider her next creative step and dream: setting up her own production company.“I feel so excited by the thought that there’s so many female stories that haven’t been told. And so many that have examined the psychology of a man in a particular situation, but not the woman,” she says. “I feel like there’s so much opportunity for that and that we do actually have a responsibility. Changing that space is very important to me.”

This story first appeared in the Sept. 2 issue of The Hollywood Reporter magazine.

It is also announced today that Joel Edgerton, Marion Cotillard, Mark Rylance, Sebastian Stan & Vanessa Kirby To Lead Brady Corbet’s Sweeping Immigrant Drama ‘The Brutalist’ (Deadline Exclusive)

[vanessakirbyfans]

After breaking out in Netflix’s hit global series and stealing scenes in 'Mission:  Impossible' and 'Hobbs & Shaw,' the British actresses about to display her range with frontier romance 'The World to Come' and gut-wrenching drama 'Pieces of a Woman.'

Vanessa Kirby was two days away from shooting Mission: Impossible 7 in Venice — reprising her role as the glamorous gunrunner known as the White Widow — when Paramount halted production. It was late February, and Italy had just recorded Europe’s then-worst outbreak of the novel coronavirus, at the time not officially labeled a pandemic. Tom Cruise’s billion-dollar blockbuster franchise had become the first major Hollywood casualty.

Seven months on, and with the film industry appearing irreversibly changed, Kirby is preparing her return to Venice. But it’s not for Mission: Impossible (she starts shooting that later in September). With The World to Come and Pieces of a Woman, filmed almost back-to-back in late 2019 and early 2020, the British star, 32, has the rare honor of having two films compete against each other in the Biennale, the first A-list film festival to physically take place since cinemas — and much beyond — shut their doors.

Appearing alongside Katherine Waterston and Casey Affleck in The World to Come — a frontier romance set against the rugged and patriarchal terrain of the mid-19th century American Northeast — Kirby plays flame-haired Tallie, who sparks an intense and liberating affair with a farmer’s wife, played by Waterston.

But it’s Pieces of a Woman — also heading to Toronto — and her quietly powerful and gut-wrenching turn as Martha, a woman dealing with towering loss after a home birth that goes wrong (shot in one hugely impressive yet frequently hard-to-watch half-hour take), that marks yet another new chapter for the actress, who already has condensed what many would consider a lifetime’s worth of career milestones into just a few years. A critics’ favorite on the British stage; Emmy-nominated and BAFTA-winning for her global screen breakout as Princess Margaret in the opening seasons of Netflix’s smash hit The Crown; part of two of the biggest action franchises around (she also appeared in Fast & Furious spinoff Hobbs & Shaw last year); and, for her next act, independent cinema’s newest leading lady.

Even before the reviews come in, Pieces of a Woman — also starring Shia LaBeouf, Ellen Burstyn and Sarah Snook — has found a fan in Martin Scorsese, who recently came aboard as executive producer.

“I haven’t stopped smiling,” says Kirby, speaking from the south London home she shares with her sister Juliet (a theatrical agent) and two close friends. “It’s such a mind-blowing thing.”

The actress was originally shown the script in L.A. by filmmaking couple Sam and Ashley Levinson (Ashley is producing the film for Bron Studios). Within 24 hours, she'd jumped on a plane to London, then Budapest, to meet director Kornél Mundruczó. “You know when you’re supposed to do something. ... It felt so right,” she says. “I wanted to show up and tell Kornél face-to-face how much I loved it and how much it touched me.”

Mundruczó, a Cannes regular who won the top prize in the 2014 Un Certain Regard sidebar for White God, also was taking something of a career leap, Pieces of a Woman marking his first English-language feature. But he found the right partner with whom to “take the big risk together,” likening Kirby to his favorite screen siren, Catherine Deneuve. “She’s someone who can express emotion for the unseen, and that’s very difficult,” he says. The World to Come director Mona Fastvold is equally praising of her star, describing her as an actor “who can truly disarm us” and their work together “one of most fulfilling creative partnerships I've had so far.”

Kirby, who cites Gena Rowlands as her cinematic idol (she has a photo from Rowlands’ 1980 drama Gloria in her room), says she had been “biding her time” waiting for such an opportunity: “I felt ready to lead a movie for a long time, but to actually do it was such a gift. Now that I’ve done it, it feels like a new stage for me.”

While there were few thespian genes in her family (her father is a top prostrate surgeon and her mother once edited Country Living), an 11-year-old Kirby caught the bug after watching a production of Chekhov’s The Cherry Orchard. “I suddenly realized the power of telling these stories is that they can make you feel differently about yourself when you leave,” she says. “And I think that’s always been a goal for me since.”

Countless school plays — including an all-girl Hamlet (Kirby as Gertrude) — would follow, continuing on into college, where spare periods and evenings would be spent relentlessly rehearsing and putting on shows with friends (including Alice Birch, who recently adapted Normal People for TV). Audience numbers didn’t matter – several struggled to make it through a four-hour Eugene O’Neill adaptation, while there were definite walkouts when a group of them took Shakespeare's Julius Caesar to Edinburgh (“Why would you take Julius Caesar to a comedy festival?” she laughs).

It was all for the discovery, experience and thrill, which is why — just a few years later — when Kirby received her first paycheck, having picked up an agent and signed on for her first three professional productions, it felt strange.

“I still have the vision in my mind of holding that white paper and being like, why are you paying me? Someone’s paying me for this? Because I’ve done it so much.”

Performances of As You Like It, Edward II and A Streetcar Named Desire and collaborations with directors like Benedict Andrews would quickly establish Kirby as one of the U.K.’s hottest stage talents in the early 2010s. But by this point, screen had already come calling. BBC drama The Hour — a small part as a troubled young aristocrat alongside a pre-Bond Ben Whishaw — was her TV debut in 2011, landing four years before being cast in her most famous role to date.

The Crown creator Peter Morgan recalls going “rogue” when he chose Kirby, overruling the other show execs’ preferred choice for Princess Margaret. She had turned up to the audition looking like what he describes as a “catastrophic mess”; fake tan smeared haphazardly on her shins and hands stained orange (she’d forgotten to wash them after applying the tan).

“But she had an electrifying presence. ... You realized you were in the company of a rare and special talent,” he says, adding that her chaotic appearance plus visible nerves evoked the essential vulnerability he was looking for. “It was very Annie Hall.”

Subsequent screen tests — and the public reaction — confirmed what Morgan first saw, that Kirby was a “high-impact booking,” much like the royal she was taking on. “There was no room in which you were not conscious that Princess Margaret was there.”

To craft her Margaret, in which Kirby laid the largely unknown foundations that would support the royal’s more brash and defiant public persona in later life, she absorbed everything she could, seeking out footage where the princess thought cameras had stopped rolling, plastering her walls in photos and even listening to her favorite music on repeat (including a version of “Scotland the Brave” played on the bagpipes, much to her housemates' dismay).

“It was so exciting to play someone that was so complicated and so conflicted, who was really struggling with a sense of who she was,” she says. “But I also had to chart this journey carefully, across 20 years of a person's life, and try to make it believable and also set her up for the rest of the seasons that were coming.”

Mission: Impossible came off the back of The Crown, sometime in the middle of season two. “I think Tom had watched it, because he watches everything,” says Kirby, who was surprised to be warmly welcomed into the “Mission Family” during her first meeting with Cruise and director Christopher McQuarrie. “On my way home I rang my agent going, ‘I think I got the job, I’m not sure.’”

Hobbs & Shaw arrived via another route, Kirby approached by creative duo David Leitch and Kelly McCormick after she led a 2018 summer run of August Strindberg’s Miss Julie at the National Theatre.

While different adrenaline-fuelled vehicles, Kirby used both blockbusters to creatively “subvert” the usual expectations for female characters in action films, particularly within the typically masculine Fast & Furious world. “I was like, I don’t want to have to be saved ever, I don’t want to have to wear anything compromising, I want her to have her own emotional journey.” Her efforts were rewarded when a journalist wrote that Hattie — Kirby’s fearless MI6 operative in Hobbs & Shaw — had been her son’s favorite character. “How cool is that?” (She found the writer’s email to thank her).

As Kirby waits to start on Mission: Impossible 7 (and also 8 — she says the White Widow will likely “float in and out” of upcoming storylines), and for audiences in Venice and Toronto to see her first lead role, this philosophy is set to continue into what could be yet another career progression.

Alongside a daily film club with her housemates (with titles ranging from a list she found of the Dardenne Brothers’ favourite films to the cult so-bad-it’s-good hit The Room), Kirby has also used the months of lockdown to consider her next creative step and dream: setting up her own production company.

“I feel so excited by the thought that there’s so many female stories that haven’t been told. And so many that have examined the psychology of a man in a particular situation, but not the woman,” she says. “I feel like there’s so much opportunity for that and that we do actually have a responsibility. Changing that space is very important to me.”

[girlactionfigure]

🔅Wed morning - ISRAEL REALTIME - Connecting to Israel in Realtime

( Update 1 of 2 )

🔻AIR ATTACKS.. 

.. North - Hezbollah

ROCKETS at Gesher HaZiv, Nahariya, Sa'ar, Hanita, Ya'ara, Metzuba, Shlomi, Betzet, Lehman

ROCKETS at Margaliot

ROCKETS at Even Menachem, Zarit, Netua, Fassuta, Shomera, Shtula

ROCKETS at Alkosh, Matat, Netua, Fassuta, Hurfeish 

Interceptions without alarm reported over the Kinerret

.. South East - Iranian Shia Militias of Iraq

SUICIDE DRONE at Kushi Rimon

.. South West - Hamas

ROCKETS at Kissufim

▪️TERROR - KOCHAV YAIR.. ramming attack - 4 policemen were injured and the terrorist was shot dead.

▪️VIOLENT ANTI-GOVT PROTESTS JERUSALEM.. MK Zeev Elkin:  Hard pictures in Jerusalem. There is no place for breaking the law and harming the police! There is no place for police violence and excessive use of force!  Please stop! We are not enemies to each other. Hamas, Hezbollah, Iran are the enemies! We are in the middle of a war against a murderous enemy who wants to destroy all of us, the supporters of the government and its opponents.

Head of Shin Bet.. “The violent discourse on the Internet and some of the scenes we saw tonight in Jerusalem, go beyond the accepted rules of protest, harm the ability to maintain public order, may lead to violent friction with the security forces, hinder them from fulfilling their duties and even harm secure individuals.

There is a clear line between a legitimate protest and a violent and illegal protest. This is a worrisome trend that may lead to dangerous areas that should not be reached."

And our enemy watches Al Jazeera and laughs.

▪️IDEAS.. Head of Yisrael Beitenu, former Minister of Defense, MK Avigdor Lieberman:

"The Israeli government must make two immediate decisions:

1. In the security field, there is no justification for purchasing aircraft for a total amount of approximately NIS 35 billion. It is impossible for militias in sandals to be able to launch cruise missiles and UAVs (suicide drones) towards Israel, while in order to attack in Yemen, the Israel needs to put an entire squadron into the air for a flight thousands of kilometers south.

Therefore, instead of purchasing airplanes for approximately 35 billion shekels, you can purchase airplanes for approximately 20 billion shekels, and invest 10 billion shekels in establishing an effective missile force that will meet the security challenges, and five billion shekels to strengthen the land army.

2. In the economic field, we must immediately bring to Israel about a quarter of a million foreign workers, who are needed in the construction, industry, agriculture and hotel industries.

After almost half a year of war, it's time to change mindsets.”

( Update 2 of 2 )

🔻AIR ATTACKS.. 

.. North - Hezbollah

ROCKETS at Alkosh, Matat, Netua, Fassuta, Hurfeish 

▪️CEASEFIRE LEAKS.. The Lebanese Al Mayadeen from a "senior source in the resistance": The new proposal submitted by Israel today does not provide an answer to the main issues that Hamas insists on and therefore there is no progress in the talks.

Al-Arabiya: Israel showed some flexibility proposing establishing 3 safe crossings to the north of the strip, but demanded health checks on the hostages in return.

▪️MORE INFO ON ARAVAH DRONE ATTACK.. At around 1 a.m., a suspected drone flying from the eastern direction entered Israeli airspace in the Arabah region, just north of Eilat, according to the IDF.

The "suspicious aerial target" set off sirens at a popular roadside store in the area.

The IDF says it fired an interceptor missile at the target, although it is not clear if it was shot down. (Fabien)

▪️MORE INFO ON THE RAMMING ATTACK.. a 26-year-old man from the Arab city of Tira rammed his vehicle into four cops near the town of Kochav Yair, police say. One of the officers was seriously wounded.

The assailant then fled to a nearby West Bank checkpoint, where he allegedly tried to stab the guards there. The guards at the Eliyahu Crossing returned fire, killing the suspect.

His family: our son has mental disorders. It was not on a nationalistic basis.

▪️IRANIAN SHIA MILITIA SAYS ATTACKED HAIFA?  The Shia militias in Iraq claim: We attacked the airport in Haifa early in the morning with a UAV.  No such attack.

▪️PASSOVER ECONOMY.. Min. Of Economy found a 32% gap between expensive and discount grocery chains on the ‘average basket of Passover foods’.  It also noted an overall 4% increase from last year.

[artycloudpop]

1hey are u bored at home, wanna chill and netflix....... but just can’t find some thing nice to watch? here’s a list of movies for u watch

A Ghost Story (2017)

Director David Lowery (Pete's Dragon) conceived this dazzling, dreamy meditation on the afterlife during the off-hours on a Disney blockbuster, making the revelations within even more awe-inspiring. After a fatal accident, a musician (Casey Affleck) finds himself as a sheet-draped spirit, wandering the halls of his former home, haunting/longing for his widowed wife (Rooney Mara). With stylistic quirks, enough winks to resist pretension (a scene where Mara devours a pie in one five-minute, uncut take is both tragic and cheeky), and a soundscape culled from the space-time continuum, A Ghost Story connects the dots between romantic love, the places we call home, and time -- a ghost's worst enemy.

Airplane! (1980)

This is one of the funniest movie of all time. Devised by the jokesters behind The Naked Gun, this disaster movie spoof stuffs every second of runtime with a physical gag (The nun slapping a hysterical woman!), dimwitted wordplay ("Don't call me, Shirley"), an uncomfortable moment of odd behavior ("Joey, have you ever seen a grown man naked?"), or some other asinine bit. The rare comedy that demands repeat viewings, just to catch every micro-sized joke and memorize every line.

A24

American Honey (2016)

Writer/director Andrea Arnold lets you sit shotgun for the travels of a group of wayward youth in American Honey, a seductive drama about a "mag crew" selling subscriptions and falling in and out of love with each other on the road. Seen through the eyes of Star, played by Sasha Lane, life on the Midwest highway proves to be directionless, filled with a stream of partying and steamy hookups in the backs of cars and on the side of the road, especially when she starts to develop feelings for Shia LaBeouf’s rebellious Jake. It’s an honest look at a group of disenfranchised young people who are often cast aside, and it’s blazing with energy. You’ll buy what they're selling.

Anna Karenina (2012)

Adapted by renowned playwright Tom Stoppard, this take on Leo Tolstoy's classic Russian novel is anything but stuffy, historical drama. Keira Knightley, Jude Law, Aaron Taylor-Johnson, Domhnall Gleeson, Alicia Vikander are all overflowing with passion and desire, heating up the chilly backdrop of St. Petersburg. But it's director Joe Wright's unique staging -- full of dance, lush costuming, fourth-wall-breaking antics, and other theatrical touches -- that reinvent the story for more daring audiences.

NETFLIX

Apostle (2018)

For his follow-up to his two action epics, The Raid and The Raid 2, director Gareth Evans dials back the hand-to-hand combat but still keeps a few buckets of blood handy in this grisly supernatural horror tale. Dan Stevens stars as Thomas Richardson, an early 20th century opium addict traveling to a cloudy island controlled by a secretive cult that's fallen on hard times. The religious group is led by a bearded scold named Father Malcolm (Michael Sheen) who may or may not be leading his people astray. Beyond a few bursts of kinetic violence and some crank-filled torture sequences, Evans plays this story relatively down-the-middle, allowing the performances, the lofty themes, and the windswept vistas to do the talking. It's a cult movie that earns your devotion slowly, then all at once.

Back to the Future (1985)

Buckle into Doc's DeLorean and head to the 1950s by way of 1985 with the seminal time-travel series that made Michael J. Fox a household name. It's always a joy watching Marty McFly's race against the clock way-back-when to ensure history runs its course and he can get back to the present. Netflix also has follow-up Parts II and III, which all add up to a perfect rainy afternoon marathon.

NETFLIX

The Ballad of Buster Scruggs (2018)

The Coen brothers gave some big-name-director cred to Netflix by releasing their six-part Western anthology on the streaming service, and while it's not necessarily their best work, Buster Scruggs is clearly a cut above most Netflix originals. Featuring star turns from Liam Neeson, Tom Waits, Zoe Kazan, and more, the film takes advantage of Netflix's willingness to experiment by composing a sort of death fugue that unfolds across the harsh realities of life in Manifest Destiny America. Not only does it revel in the massive, sweeping landscapes of the American West, but it's a thoughtful meditation on death that will reveal layer after layer long after you finish.

Barbershop (2002)

If you've been sleeping on the merits of the Barbershop movies, the good news is it's never too late to get caught up. Revisit the 2002 installment that started Ice Cube's smack-talking franchise so you can bask in Cedric the Entertainer's hilarious wisdom, enjoy Eve's acting debut, and admire this joyful ode to community.

NETFLIX

Barry (2016)

In 1981, Barack Obama touched down in New York City to begin work at Columbia University. As Barry imagines, just days after settling into his civics class, a white classmate confronts the Barry with an argument one will find in the future president's Twitter @-mentions: "Why does everything always got to be about slavery?" Exaltation is cinematic danger, especially when bringing the life of a then-sitting president to screen. Barry avoids hagiography by staying in the moment, weighing race issues of a modern age and quieting down for the audience to draw its own conclusions. Devon Terrell is key, steadying his character as smooth-operating, socially active, contemplative fellow stuck in an interracial divide. Barry could be any half-black, half-white kid from the '80s. But in this case, he's haunted by past, present, and future.

Being John Malkovich (1999)

You can't doubt the audacity of screenwriter Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Anomalisa), whose first produced screenplay hinged on attracting the title actor to a script that has office drones discovering a portal into his mind. John Cusack, Catherine Keener, and Cameron Diaz combine to create an atmosphere of desperate, egomaniacal darkness, and by the end you'll feel confused and maybe a little slimy about the times you've participated in celebrity gawking.

A24

The Blackcoat's Daughter (2017)

Two young women are left behind at school during break... and all sorts of hell breaks loose. This cool, stylish thriller goes off in some strange directions (and even offers a seemingly unrelated subplot about a mysterious hitchhiker) but it all pays off in the end, thanks in large part to the three leads -- Emma Roberts, Lucy Boynton, and Kiernan Shipka -- and director Oz Perkins' artful approach to what could have been just another occult-based gore-fest.

Bloodsport (1988)

Jean-Claude Van Damme made a career out of good-not-great fluff. Universal Soldier is serviceable spectacle, Hard Target is a living cartoon, Lionheart is his half-baked take on On the Waterfront. Bloodsport, which owes everything to the legacy of Bruce Lee, edges out his Die Hard riff Sudden Death for his best effort, thanks to muscles-on-top-of-muscles-on-top-of-muscles fighting and Stan Bush's "Fight to Survive." Magic Mike has nothing on Van Damme's chiseled backside in Bloodsport, which flexes its way through a slow-motion karate-chop gauntlet. In his final face-off, Van Damme, blinded by arena dust, rage-screams his way to victory. The amount of adrenaline bursting out of Bloodsport demands a splash zone.

Blue Ruin (2013)

Before he went punk with 2016's siege thriller Green Room, director Jeremy Saulnier delivered this low-budget, darkly comic hillbilly noir. When Dwight Evans (Macon Blair) discovers that the man who killed his parents is being released from prison, he returns home to Virginia to claims his revenge and things quickly spin out of control. Like the Coen Brothers' Blood Simple, this wise-ass morality tale will make you squirm.

WELL GO USA ENTERTAINMEN

Burning (2018)

Some mysteries simmer; this one smolders. In his adaptation of a Haruki Murakami short story, writer and director Lee Chang-dong includes many elements of the acclaimed author's slyly mischievous style -- cats, jazz, cooking, and an alienated male writer protagonist all pop up -- but he also invests the material with his own dark humor, stray references to contemporary news, and an unyielding sense of curiosity. We follow aimless aspiring novelist Lee Jong-su (Yoo Ah-in) as he reconnects with Shin Hae-mi (Jeon Jong-seo), a young woman he grew up with, but the movie never lets you get too comfortable in one scene or setting. When Steven Yeun's Ben, a handsome rich guy with a beautiful apartment and a passion for burning down greenhouses, appears, the film shifts to an even more tremulous register. Can Ben be trusted? Yeun's performance is perfectly calibrated to entice and confuse, like he's a suave, pyromaniac version of Tyler Durden. Each frame keeps you guessing.

Cam (2018)

Unlike the Unfriended films or this summer's indie hit Searching, this web thriller from director Daniel Goldhaber and screenwriter Isa Mazzei isn't locked into the visual confines of a computer screen. Though there's plenty of online screen time, allowing for subtle bits of commentary and satire, the looser style allows the filmmakers to really explore the life and work conditions of their protagonist, rising cam girl Alice (Madeline Brewer). We meet her friends, her family, and her customers. That type of immersion in the granular details makes the scarier bits -- like an unnerving confrontation in the finale between Alice and her evil doppelganger -- pop even more.

THE ORCHARD

Creep (2014)

Patrick Brice's found-footage movie is a no-budget answer to a certain brand of horror, but saying more would give away its sinister turns. Just know that the man behind the camera answered a Craigslist ad to create a "day in the life" video diary for Josef (Mark Duplass), who really loves life. Creep proves that found footage, the indie world's no-budget genre solution, still has life, as long as you have a performer like Duplass willing to go all the way.

The Death of Stalin (2017)

Armando Iannucci, the brilliant Veep creator, set his sights on Russia with this savage political satire. Based on a graphic novel, the film dramatizes the madcap, maniacal plots of the men jostling for power after their leader, Joseph Stalin, keels over. From there, backstabbing, furious insults, and general chaos unfolds. Anchored by performances from Shakespearean great Simon Russell Beale and American icon Steve Buscemi, it's a pleasure to see what the rest of the cast -- from Star Trek: Discovery's Jason Isaacs to Homeland's Rupert Friend -- do with Iannucci's eloquently brittle text.

Den of Thieves (2018)

If there's one thing you've probably heard about this often ridiculous bank robbery epic, it's that it steals shamelessly from Michael Mann's crime saga Heat. The broad plot elements are similar: There's a team of highly-efficient criminals led by a former Marine (Pablo Schreiber) and they must contend with a obsessive, possibly unhinged cop (Gerard Butler) over the movie's lengthy 140 minute runtime.  A screenwriter helming a feature for the first time, director Christian Gudegast is not in the same league as Mann as a filmmaker and Butler, sporting unflattering tattoos and a barrel-like gut, is hardly Al Pacino. But everyone is really going for it here, attempting to squeeze every ounce of Muscle Milk from the bottle.

NETFLIX

Divines (2016)

Thrillers don't come much more propulsive or elegant than Houda Benyamina's Divines, a heartwarming French drama about female friendship that spirals into a pulse-pounding crime saga. Rambunctious teenager Dounia (Oulaya Amamra) and her best friend Maimouna (Déborah Lukumuena) begin the film as low-level shoplifters and thieves, but once they fall into the orbit of a slightly older, seasoned drug dealer named Rebecca (Jisca Kalvanda), they're on a Goodfellas-like trajectory. Benyamina offsets the violent, gritty genre elements with lyrical passages where Dounia watches her ballet-dancer crush rehearse his routines from afar, and kinetic scenes of the young girls goofing off on social media. It's a cautionary tale told with joy, empathy, and an eye for beauty.

Dolemite Is My Name (2019)

Eddie Murphy has been waiting years to get this movie about comedian and blaxploitation star Rudy Ray Moore made, and you can feel his joy in finally getting to play this role every second he's on screen. The film, directed by Hustle & Flow's Craig Brewer, charts how Moore rose from record store employee, to successful underground comedian, to making his now-cult classic feature Dolemite by sheer force of passion. It's thrilling (and hilarious) to watch Murphy adopt Moore's Dolemite persona, a swaggering pimp, but it's just as satisfying to see the former SNL star capture his character at his lowest points. He's surrounded by an ensemble that matches his infectious energy.

The Edge of Seventeen (2016)

As romanticized as adolescence can be, it’s hard being young. Following the high school experience of troubled, overdramatic Nadine (Hailee Steinfeld), The Edge of Seventeen portrays the woes of adolescence with a tender, yet appropriately cheeky tone. As if junior year isn’t hellish enough, the universe essentially bursts into flames when Nadine finds out her best friend is dating her brother; their friendship begins to dissolve, and she finds the only return on young love is embarrassment and pain. That may all sound like a miserable premise for a young-adult movie, except it’s all painfully accurate, making it endearingly hilarious -- and there’s so much to love about Steinfeld’s self-aware performance.

FOCUS FEATURES

Eternal Sunshine of the Spotless Mind (2004)

Romance and love are nothing without the potential for loss and pain, but most of us would probably still consider cutting away all the worst memories of the latter. Given the option to eradicate memories of their busted relationship, Jim Carrey's Joel and Kate Winslet's Clementine go through with the procedure, only to find themselves unable to totally let go. Science fiction naturally lends itself to clockwork mechanisms, but director Michel Gondry and screenwriter Charlie Kaufman never lose the human touch as they toy with the kaleidoscope of their characters' hearts and minds.

The Evil Dead (1981)

Before Bruce Campbell's Ash was wielding his chainsaw-arm in Army of Darkness and on Starz's Ash Vs. Evil Dead, he was just a good looking guy hoping to spend a nice, quiet vacation in a cabin with some friends. Unfortunately, the book of the dead had other plans for him. With this low-budget horror classic, director Sam Raimi brings a surprising degree of technical ingenuity to bear on the splatter-film, sending his camera zooming around the woods with wonder and glee. While the sequels double-downed on laughs, the original Evil Dead still knows how to scare.

The Firm (1993)

The '90s were a golden era of sleek, movie-star-packed legal thrillers, and they don't get much better than director Sydney Pollack's The Firm. This John Grisham adaptation has a little bit of everything -- tax paperwork, sneering mobsters, and Garey Busey, for starters -- but there's one reason to watch this movie: the weirdness of Tom Cruise. He does a backflip in this movie. What else do you need to know?

A24

The Florida Project (2017)

Sean Baker's The Florida Project nuzzles into the swirling, sunny, strapped-for-cash populace of a mauve motel just within orbit of Walt Disney World. His eyes are Moonee, a 6-year-old who adventures through abandoned condos, along strip mall-encrusted highway, and across verdant fields of overgrown brush like Max in Where the Wild Things Are. But as gorgeous as the everything appears -- and The Florida Project looks stunning -- the world around here is falling apart, beginning with her mother, an ex-stripper turning to prostitution. The juxtaposition, and down-to-earth style, reconsiders modern America in the most electrifying way imaginable.

Frances Ha (2012)

Before winning hearts and Oscar nominations with her coming-of-age comedy Lady Bird, Greta Gerwig starred in the perfect companion film, about an aimless 27-year-old who hops from New York City to her hometown of Sacramento to Paris to Poughkeepsie and eventually back to New York in hopes of stumbling into the perfect job, the perfect relationship, and the perfect life. Directed by Noah Baumbach (The Meyerowitz Stories), and co-written by both, Frances Ha is a measured look at adult-ish life captured the kind of intoxicating black and white world we dream of living in.

NETFLIX

Fyre: The Greatest Party That Never Happened (2019)

Everyone's favorite disaster of a festival received not one, but two streaming documentaries in the same week. Netflix's version has rightly faced some criticism over its willingness to let marketing company Fuck Jerry off the hook (Jerry Media produced the doc), but that doesn't take away from the overall picture it portrays of the festival's haphazard planning and the addiction to grift from which Fyre's founder, Billy McFarland, apparently suffers. It's schadenfreude at its best.

Gerald's Game (2017)

Like his previous low-budget Netflix-released horror release, Hush, a captivity thriller about a deaf woman fighting off a masked intruder, Mike Flanagan's Stephen King adaptation of Gerald's Game wrings big scares from a small location. Sticking close to the grisly plot details of King's seemingly "unfilmable" novel, the movie chronicles the painstaking struggles of Jessie Burlingame (Carla Gugino) after she finds herself handcuffed to a bed in an isolated vacation home when her husband, the titular Gerald, dies from a heart attack while enacting his kinky sexual fantasies. She's trapped -- and that's it. The premise is clearly challenging to sustain for a whole movie, but Flanagan and Gugino turn the potentially one-note set-up into a forceful, thoughtful meditation on trauma, memory, and resilience in the face of near-certain doom.

A24

Good Time (2017)

In this greasy, cruel thriller from Uncut Gems directors the Safdie brothers, Robert Pattinson stars as Connie, a bank robber who races through Queens to find enough money to bail out his mentally disabled brother, who's locked up for their last botched job. Each suffocating second of Good Time, blistered by the neon backgrounds of Queens, New York and propelled by warped heartbeat of Oneothrix Point Never's synth score, finds Connie evading authorities by tripping into an even stickier situation.

Green Room (2015)

Green Room is a throaty, thrashing, spit-slinging punk tune belted through an invasion-movie microphone at max volume. It's nasty -- and near-perfect. As a band of 20-something rockstars recklessly defend against a neo-Nazi battalion equipped with machetes, shotguns, and snarling guard dogs, the movie blossoms into a savage coming-of-age tale, an Almost Famous for John Carpenter nuts. Anyone looking for similar mayhem should check out director Jeremy Saulnier's previous movie, the low-budget, darkly comic hillbilly noir, Blue Ruin, also streaming on Netflix.

The Guest (2014)

After writer-director Adam Wingard notched a semi-sleeper horror hit with 2011's You're Next, he'd earned a certain degree of goodwill among genre faithful and, apparently, with studio brass. How else to explain distribution for his atypical thriller The Guest through Time Warner subsidiary Picturehouse? Headlined by soon-to-be megastar Dan Stevens and kindred flick It Follows' lead scream queen Maika Monroe, The Guest introduces itself as a subtextual impostor drama, abruptly spins through a blender of '80s teen tropes, and ultimately reveals its true identity as an expertly self-conscious straight-to-video shoot 'em up, before finally circling back on itself with a well-earned wink. To say anymore about the hell that Stevens' "David" unleashes on a small New Mexico town would not only spoil the fun, but possibly get you killed.

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The Hateful Eight (2015)

Quentin Tarantino has something to say about race, violence, and American life, and it's going to ruffle feathers. Like Django Unchained, the writer-director reflects modern times on the Old West, but with more scalpel-sliced dialogue, profane poetry, and gore. Stewed from bits of Agatha Christie, David Mamet, and Sam Peckinpah, The Hateful Eight traps a cast of blowhards (including Samuel L. Jackson as a Civil War veteran, Kurt Russell as a bounty hunter known as "The Hangman," and Jennifer Jason Leigh as a psychopathic gang member) in a blizzard-enveloped supply station. Tarantino ups the tension by shooting his suffocating space in "glorious 70mm." Treachery and moral compromise never looked so good.

High Flying Bird (2019)

High Flying Bird is a basketball film that has little to do with the sport itself, instead focusing on the behind-the-scenes power dynamics that play out during an NBA lockout. At the center of the Steven Soderbergh movie -- shot on an iPhone, because that's what he does now -- is André Holland's Ray Burke, a sports agent trying to protect his client's interests while also disrupting a corrupt system. It's not an easy tightrope to walk, and, as you might expect, the conditions of the labor stoppage constantly change the playing field. With his iPhone mirroring the NBA's social media-heavy culture, and appearances from actual NBA stars lending the narrative heft, Soderbergh experiments with Netflix's carte blanche and produces a unique film that adds to the streaming service's growing list of original critical hits.

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Hugo (2011)

Martin Scorsese hit pause on mob violence and Rolling Stones singles to deliver one of the greatest kid-centric films in eons. Following Hugo (Asa Butterfield) as he traces his own origin story through cryptic automaton clues and early 20th-century movie history, the grand vision wowed in 3-D and still packs a punch at home.

I Am the Pretty Thing That Lives in the House (2016)

A meditative horror flick that's more unsettling than outright frightening, I Am the Pretty Thing That Lives in the House follows the demise of Lily, a live-in nurse (Ruth Wilson) who's caring for an ailing horror author. As Lily discovers the truth about the writer's fiction and home, the lines between the physical realm and the afterlife blur. The movie's slow pacing and muted escalation might frustrate viewers craving showy jump-scares, but writer-director Oz Perkins is worth keeping tabs on. He brings a beautiful eeriness to every scene, and his story will captivate patient streamers. Fans should be sure to check out his directorial debut, The Blackcoat's Daughter.

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I Don't Feel at Home in This World Anymore (2017)

In this maniacal mystery, Ruth (Melanie Lynskey), a nurse, and her rattail-sporting, weapon-obsessed neighbor Tony (Elijah Wood) hunt down a local burglar. Part Cormac McCarthy thriller, part wacky, Will Ferrell-esque comedy, I Don't Feel at Home in This World Anymore is a cathartic neo-noir about everyday troubles. Director Macon Blair's not the first person to find existential enlightenment at the end of an amateur detective tale, but he might be the first to piece one together from cussing octogenarians, ninja stars, Google montages, gallons of Big Red soda, upper-deckers, friendly raccoons, exploding body parts, and the idiocy of humanity.

Indiana Jones and the Raiders of the Lost Ark (1981)

With a bullwhip, a leather jacket, and an "only Harrison Ford can pull this off" fedora, director Steven Spielberg invented the modern Hollywood action film by doing what he does best: looking backward. As obsessed as his movie-brat pal and collaborator George Lucas with the action movie serials of their youth, the director mined James Bond, Humphrey Bogart, Westerns, and his hatred of Nazis to create an adventure classic. To watch Raiders of the Lost Ark now is to marvel at the ingenuity of specific sequences (the boulder! The truck scene! The face-melting!) and simply groove to the self-deprecating comic tone (snakes! Karen Allen! That swordsman Indy shoots!). The past has never felt so alive.

Inside Man (2006)

Denzel Washington is at his wily, sharp, and sharply dressed best as he teams up once again with Spike Lee for this wildly entertaining heist thriller. He's an NYPD hostage negotiator who discovers a whole bunch of drama when a crew of robbers (led by Clive Owen) takes a bank hostage during a 24-hour period. Jodie Foster also appears as an interested party with uncertain motivations. You'll have to figure out what's going on several times over before the truth outs.

DRAFTHOUSE FILMS

The Invitation (2015)

This slow-burn horror-thriller preys on your social anxiety. The film's first half-hour, which finds Quarry's Logan Marshall-Green arriving at his ex-wife's house to meet her new husband, plays like a Sundance dramedy about 30-something yuppies and their relationship woes. As the minutes go by, director Karyn Kusama (Jennifer's Body) burrows deeper into the awkward dinner party, finding tension in unwelcome glances, miscommunication, and the possibility that Marshall-Green's character might be misreading a bizarre situation as a dangerous one. We won't spoil what happens, but let's just say this is a party you'll be telling your friends about.

Ip Man (2008)

There aren't many biopics that also pass for decent action movies. Somehow, Hong Kong action star Donnie Yen and director Wilson Yip made Ip Man (and three sequels!) based on the life of Chinese martial arts master Yip Kai-man, who famously trained Bruce Lee. What's their trick to keeping this series fresh? Play fast and loose with the facts, up the melodrama with each film, and, when in doubt, cast Mike Tyson as an evil property developer. The fights are incredible, and Yen's portrayal of the aging master still has the power to draw a few tears from even the most grizzled tough guy.

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The Irishman (2019)

Opening with a tracking shot through the halls of a drab nursing home, where we meet a feeble old man telling tall tales from his wheelchair, The Irishman delights in undercutting its own grandiosity. All the pageantry a $150 million check from Netflix can buy -- the digital de-aging effects, the massive crowd scenes, the shiny rings passed between men -- is on full display. Everything looks tremendous. But, like with 2013's The Wolf of Wall Street, the characters can't escape the fundamental spiritual emptiness of their pursuits. In telling the story of Frank Sheeran (Robert De Niro), a World War II veteran and truck driver turned mob enforcer and friend to labor leader Jimmy Hoffa (Al Pacino), director Martin Scorsese and screenwriter Steven Zaillian construct an underworld-set counter-narrative of late 20th century American life. Even with a 209 minute runtime, every second counts.

It Comes at Night (2017)

In this post-apocalyptic nightmare-and-a-half, the horrors of humanity, the strain of chaotic emotions pent up in the name of survival, bleed out through wary eyes and weathered hands. The setup is blockbuster-sized -- reverts mankind to the days of the American frontier, every sole survivor fights to protect their families and themselves -- but the drama is mano-a-mano. Barricaded in a haunted-house-worthy cabin in the woods, Paul (Edgerton) takes in Will (Abbott) and his family, knowing full well they could threaten his family's existence. All the while, Paul's son, Trevor, battles bloody visions of (or induced by?) the contagion. Shults directs the hell out of every slow-push frame of this psychological thriller, and the less we know, the more confusion feels like a noose around our necks, the scarier his observations become.

WARNER BROS. PICTURES

Jupiter Ascending (2015)

Jupiter Ascending is one of those "bad" movies that might genuinely be quite good. Yes, Channing Tatum is a man-wolf and Mila Kunis is the princess of space and bees don't sting space royalty and Eddie Redmayne hollers his little head off about "harvesting" people -- but what makes this movie great is how all of those things make total, absolute sense in the context of the story. The world the Wachowskis (yes, the Wachowskis!) created is so vibrant and strange and exciting, you almost can't help but get drawn in, even when Redmayne vamps so hard you're afraid he's about to pull a muscle. (And if you're a ballet fan, we have some good news for you.)

Jurassic Park (1993)

Perhaps the only movie that ever truly deserved a conversion to a theme-park ride, Steven Spielberg's thrilling adaptation of the Michael Crichton novel brought long-extinct creatures back to life in more ways than one. Benevolent Netflix gives us more than just the franchise starter, too: The Lost World and JP3 sequels are also available, so you can make a marathon of it.

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Killing Them Softly (2012)

Brad Pitt doesn't make conventional blockbusters anymore -- even World War Z had epidemic-movie ambitions -- so it's not surprising that this crime thriller is a little out there. Set during the financial crisis and presidential election of 2008, the film follows Pitt's hitman character as he makes sense of a poker heist gone wrong, leaving a trail of bodies and one-liners along the way. Mixed in with the carnage, you get lots of musings about the economy and American exceptionalism. It's not subtle -- there's a scene where Scoot McNairy and Ben Mendelsohn do heroin while the Velvet Underground's "Heroin" plays -- but, like a blunt object to the head, it gets the job done.

Lady Bird (2017)

The dizzying, frustrating, exhilarating rite of passage that is senior year of high school is the focus of actress Greta Gerwig's first directorial effort, the story of girl named Lady Bird (her given name, in that "it’s given to me, by me") who rebels against everyday Sacramento, California life to obtain whatever it is "freedom" turns out to be. Laurie Metcalf is an understated powerhouse as Lady Bird's mother, a constant source of contention who doggedly pushes her daughter to be successful in the face of the family's dwindling economic resources. It's a tragic note in total complement to Gerwig's hysterical love letter to home, high school, and the history of ourselves.

A24

The Lobster (2016)

Greek style master Yorgos Lanthimos' dystopian allegory against romance sees Colin Farrell forced to choose a partner in 45 days or he'll be turned into an animal of his choice, which is a lobster. Stuck in a group home with similarly unlucky singles, Farrell's David decides to bust out and join other renegades in a kind of anti-love terror cell that lives in the woods. It's part comedy of manners, part futuristic thriller, and it looks absolutely beautiful -- Lanthimos handles the bizarre premise with grace and a naturalistic eye that reminds the viewer that humans remain one of the most interesting animals to exist on this planet.

Mad Max (1979)

Before Tom Hardy was grunting his way through the desert and crushing tiny two-headed reptiles as Max Rockatansky, there was Mel Gibson. George Miller's 1979 original introduces the iconic character and paints the maximum force of his dystopian mythology in a somewhat more grounded light -- Australian police factions, communities, and glimmers of hope still in existence. Badass homemade vehicles and chase scenes abound in this taut, 88-minute romp. It's aged just fine.

Magic Mike (2012)

Steven Soderbergh's story of a Tampa exotic dancer with a heart of gold (Channing Tatum) has body-rolled its way to Netflix. Sexy dance routines aside, Mike's story is just gritty enough to be subversive. Did we mention Matthew McConaughey shows up in a pair of ass-less chaps?

The Master (2012)

Loosely inspired by the life of Scientology founder L. Ron Hubbard -- Dianetics buffs, we strongly recommend Alex Gibney's Going Clear documentary as a companion piece -- The Master boasts one of the late Philip Seymour Hoffman’s finest performances, as the enigmatic cult leader Lancaster Dodd. Joaquin Phoenix burns just as brightly as his emotionally stunted, loose-cannon protege Freddie Quell, who has a taste for homemade liquor. Paul Thomas Anderson’s cerebral epic lends itself to many different readings; it’s a cult story, it's a love story, it's a story about post-war disillusionment and the American dream, it's a story of individualism and the desire to belong. But the auteur's popping visuals and heady thematic currents will still sweep you away, even if you’re not quite sure where the tide is taking you.

NETFLIX

The Meyerowitz Stories (New and Selected) (2017)

When Danny (Adam Sandler), Matthew (Ben Stiller) and Jean (Elizabeth Marvel), three half-siblings from three different mothers, gather at their family brownstone in New York to tend to their ailing father (Dustin Hoffman), a lifetime of familial politics explode out of every minute of conversation. Their narcissistic sculptor dad didn't have time for Danny. Matthew was the golden child. Jean was weird… or maybe disturbed by memories no one ever knew. Expertly sketched by writer-director Noah Baumbach (The Squid and the Whale) this memoir-like portrait of lives half-lived is the kind of bittersweet, dimensional character comedy we're now used to seeing told in three seasons of prestige television. Baumbach gives us the whole package in two hours.

Monty Python and the Holy Grail (1975)

The legendary British comedy troupe took the legend of King Arthur and offered a characteristically irreverent take on it in their second feature film. It's rare for comedy to hold up this well, but the timelessness of lines like, "I fart in your general direction!" "It's just a flesh wound," and "Run away!" makes this a movie worth watching again and again.

A24

Moonlight (2016)

Chronicling the boyhood years, teenage stretch, and muted adult life of Chiron, a black gay man making it in Miami, this triptych altarpiece is at once hyper-specific and cosmically universal. Director Barry Jenkins roots each moment in the last; Chiron's desire for a lost lover can't burn in a diner booth over a bottle of wine without his beachside identity crisis years prior, blurred and violent, or encounters from deeper in his past, when glimpses of his mother's drug addiction, or the mentoring acts of her crack supplier, felt like secrets delivered in code. Panging colors, sounds, and the delicate movements of its perfect cast like the notes of a symphony, Moonlight is the real deal, a movie that will only grow and complicate as you wrestle with it.

Mudbound (2017)

The South's post-slavery existence is, for Hollywood, mostly uncharted territory. Rees rectifies the overlooked stretch of history with this novelistic drama about two Mississippi families working a rain-drenched farm in 1941. The white McAllans settle on a muddy patch of land to realize their dreams. The Jacksons, a family of black sharecroppers working the land, have their own hopes, which their neighbors manage to nurture and curtail. To capture a multitude of perspectives, Mudbound weaves together specific scenes of daily life, vivid and memory-like, with family member reflections, recorded in whispered voice-over. The epic patchwork stretches from the Jackson family dinner table, where the youngest daughter dreams of becoming a stenographer, to the vistas of Mississippi, where incoming storms threaten an essential batch of crops, to the battlefields of World War II Germany, a harrowing scene that will affect both families. Confronting race, class, war, and the possibility of unity, Mudbound spellbinding drama reckons with the past to understand the present.

NETFLIX

My Happy Family (2017)

At 52, Manana (Ia Shughliashvili) packs a bag and walks out on her husband, son, daughter, daughter's live-in boyfriend, and elderly mother and father, all of whom live together in a single apartment. The family is cantankerous and blustery, asking everything of Manana, who spends her days teaching better-behaved teenagers about literature. But as Nana Ekvtimishvili and Simon Groß's striking character study unfolds, the motivation behind Manana's departure is a deeper strain of frustration, despite what her brother, aunts, uncles, and anyone else who can cram themselves into the situation would like us to think. Anchored by Ia Shughliashvili's stunningly internal performance, and punctured by a dark sense of humor akin to Darren Aronofsky's mother! (which would have been the perfect alternate title), My Happy Family is both delicate and brutal in its portrayal of independence, and should get under the skin of anyone with their own family drama.

The Naked Gun (1988)

The short-lived Dragnet TV spoof Police Squad! found a second life as The Naked Gun action-comedy movie franchise, and the first installment goes all in on Airplane! co-star Leslie Nielsen's brand of straight-laced dementia. Trying to explain The Naked Gun only makes the stupid sound stupider, but keen viewers will find jokes on top of jokes on top of jokes. It's the kind of movie that can crack "nice beaver," then pass a stuffed beaver through the frame and actually get away with it. Nielsen has everything to do with it; his Frank Drebin continues the grand Inspector Clouseau tradition in oh-so-'80s style.

The Notebook (2004)

"If you’re a bird, I’m a bird." It's a simple statement and a declaration of devotion that captures the staying power of this Nicholas Sparks classic. The film made Ryan Gosling a certified heartthrob, charting his working class character Noah's lovelorn romance with Rachel McAdam's wealthy character Allie. The star-crossed lovers narrative is enough to make even the most cynical among us swoon, but given that their story is told through an elderly man reading (you guessed it!) a notebook to a woman with dementia, it hits all of the tragic romance benchmarks to make you melt. Noah's commitment to following his heart -- and that passionate kiss in the rain -- make this a love story for the ages.

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Okja (2017)

This wild ride, part action heist, part Miyazaki-like travelogue, and part scathing satire, is fueled by fairy tale whimsy -- but the Grimm kind, where there are smiles and spilled blood. Ahn Seo-hyun plays Mija, the young keeper of a "super-pig," bred by a food manufacturer to be the next step in human-consumption evolution. When the corporate overlords come for her roly-poly pal, Mija hightails it from the farm to the big city to break him out, crossing environmental terrorists, a zany Steve Irwin-type (Gyllenhaal), and the icy psychos at the top of the food chain (including Swinton's childlike CEO) along the way. Okja won't pluck your heartstrings like E.T., but there's grandeur in its frenzy, and the film's cross-species friendship will strike up every other emotion with its empathetic, eco-friendly, and eccentric observations.

On Body and Soul (2017)

This Hungarian film earned an Academy Award nomination for Best Foreign Film, and it's easy to see why. The sparse love story begins when two slaughterhouse employees discover they have the same dream at night, in which they're both deer searching the winter forest for food. Endre, a longtime executive at the slaughterhouse, has a physically damaged arm, whereas Maria is a temporary replacement who seems to be on the autism spectrum. If the setup sounds a bit on-the-nose, the moving performances and the unflinching direction save On Body and Soul from turning into a Thomas Aquinas 101 class, resulting in the kind of bleak beauty you can find in a dead winter forest.

NETFLIX

The Other Side of the Wind (2018)

Don't go into Orson Welles' final film expecting it to be an easy watch. The Other Side of the Wind, which follows fictional veteran Hollywood director Jake Hannaford (tooootally not modeled after Welles himself) and his protegé (also tooootally not a surrogate for Welles' own friend and mentee Peter Bogdanovich, who also plays the character) as they attend a party in celebration of Hannaford's latest film and are beset on all sides by Hannaford's friends, enemies, and everyone in between. The film, which Welles hoped would be his big comeback to Hollywood, was left famously unfinished for decades after his death in 1985. Thanks to Bogdanovich and producer Frank Marshall, it was finally completed in 2018, and the result is a vibrant and bizarre throwback to Welles' own experimental 1970s style, made even more resonant if you know how intertwined the movie is with its own backstory. If you want to dive even deeper, Netflix also released a documentary about the restoration and completion of the film, They'll Love Me When I'm Dead, which delves into Welles' own complicated and tragic relationship with Hollywood and the craft of moviemaking.

Pan’s Labyrinth (2006)

Guillermo Del Toro’s dark odyssey Pan’s Labyrinth takes a fantasy setting to mirror the horrible political realities of the human realm. Set in 1940s Falangist Spain, the film documents the hero’s journey of a young girl and stepdaughter of a ruthless Spanish army officer as she seeks an escape from her war-occupied world. When a fairy informs her that her true destiny may be as the princess of the underworld, she seizes her chance. Like Alice in Wonderland if Alice had gone to Hell instead of down the rabbit hole, the Academy Award-winning film is a wondrous, frightening fairy tale where that depicts how perilous the human-created monster of war can be.

Paranormal Activity (2007)

This documentary-style film budgeted at a mere $15,000 made millions at the box office and went on to inspire a number of sequels, all because of how well its scrappiness lent to capturing what feels like a terrifying haunted reality. Centered on a young couple who is convinced an evil spirit is lurking in their home, the two attempt to capture its activity on camera, which, obviously, only makes their supernatural matters worse. It leans on found footage horror tropes made popular by The Blair Witch Project and as it tessellates between showing the viewer what’s captured on their camcorders and the characters’ perspectives, it’s easy to get lost in this disorienting supernatural thriller.

UNIVERSAL PICTURES

Poltergeist (1982)

If you saw Poltergeist growing up, chances are you’re probably equally as haunted by Heather O’Rourke as she is in the film, playing a little girl tormented by ghosts in her family home. This Steven Spielberg-penned, Tobe Hooper-directed (The Texas Chainsaw Massacre) paranormal flick is a certified cult classic and one of the best horror films of all time, coming from a simple premise about a couple whose home is infested with spirits obsessed with reclaiming the space and kidnapping their daughter. Poltergeist made rearranged furniture freaky, and you may remember a particularly iconic scene with a fuzzed out vintage television set. It’s may be nearly 40 years old, but the creepiness holds up.

Pride & Prejudice (2005)

Taking Jane Austen's literary classic and tricking it out with gorgeous long takes, director Joe Wright turns this tale of manners into a visceral, luminescent portrait of passion and desire. While Succession's Matthew MacFadyen might not make you forget Colin Firth from 1995's BBC adaptation, Keira Knightley is a revelation as the tough, nervy Lizzie Bennett. With fun supporting turns from Donald Sutherland, Rosamund Pike, and Judi Dench, it's a sumptuous period romance that transports you from the couch to the ballroom of your dreams -- without changing out of sweatpants.

NETFLIX

Private Life (2018)

Over a decade since the release of her last dark comedy, The Savages, writer and director Tamara Jenkins returned with a sprawling movie in the same vein: more hyper-verbal jerks you can't help but love. Richard (Paul Giamatti) and Rachel (Kathryn Hahn) are a Manhattan-dwelling couple who have spent the last few years attempting to have a baby with little success. When we meet them, they're already in the grips of fertility mania, willing to try almost anything to secure the offspring they think they desire. With all the details about injections, side effects, and pricey medical procedures, the movie functions as a taxonomy of modern pregnancy anxieties, and Hahn brings each part of the process to glorious life.

The Ritual (2018)

The Ritual, a horror film where a group of middle-aged men embark on a hiking trip in honor of a dead friend, understands the tension between natural beauty of the outdoors and the unsettling panic of the unknown. The group's de facto leader Luke (an understated Rafe Spall) attempts to keep the adventure from spiralling out of control, but the forest has other plans. (Maybe brush up on your Scandinavian mythology before viewing.) Like a backpacking variation on Neil Marshall's 2005 cave spelunking classic The Descent, The Ritual deftly explores inter-personal dynamics while delivering jolts of other-worldly terror. It'll have you rethinking that weekend getaway on your calendar.

NETFLIX

Roma (2018)

All those billions Netflix spent paid off in the form of several Oscar nominations for Roma, including one for Best Picture and a win for Best Director. Whether experienced in the hushed reverence of a theater, watched on the glowing screen of a laptop, or, as Netflix executive Ted Sarandos has suggested, binged on the perilous surface of a phone, Alfonso Cuarón's black-and-white passion project seeks to stun. A technical craftsman of the highest order, the Children of Men and Gravity director has an aesthetic that aims to overwhelm -- with the amount of extras, the sense of despair, and the constant whir of exhilaration -- and this autobiographical portrait of kind-hearted maid Cleo (Yalitza Aparicio) caring for a family in the early 1970s has been staged on a staggering, mind-boggling scale.

Schindler's List (1993)

A passion project for Steven Spielberg, who shot it back-to-back with another masterpiece, Jurassic Park, Schindler's List tells the story of Oskar Schindler, a German businessman who reportedly saved over 1,200 Jews during the Holocaust. Frank, honest, and stark in its depiction of Nazi violence, the three-hour historical drama is a haunting reminder of the world's past, every frame a relic, every lost voice channeled through Itzhak Perlman's mourning violin.

A Serious Man (2009)

This dramedy from the Coen brothers stars Michael Stuhlbarg as Larry Gopnik, a Midwestern physics professor who just can't catch a break, whether it's with his wife, his boss, or his rabbi. (Seriously, if you're having a bad day, this airy flick gives you ample time to brood and then come to the realization that your life isn't as shitty as you think.) Meditating on the spiritual and the temporal, Gopnik's improbable run of bad luck is a smart modern retelling of the Book of Job, with more irony and fewer plagues and pestilences. But not much fewer.

WELL GO USA

Shadow (2019)

In Shadow, the visually stunning action epic from Hero and House of Flying Daggers wuxia master Zhang Yimou, parasols are more than helpful sun-blockers: They can be turned into deadly weapons, shooting boomerang-like blades of steel at oncoming attackers and transforming into protective sleds for traveling through the slick streets. These devices are one of many imaginative leaps made in telling this Shakespearean saga of palace intrigue, vengeance, and secret doppelgangers set in China's Three Kingdoms period. This is a martial arts epic where the dense plotting is as tricky as the often balletic fight scenes. If the battles in Game of Thrones left you frustrated, Shadow provides a thrilling alternative.

She's Gotta Have It (1986)

Before checking out Spike Lee's Netflix original series of the same name, be sure to catch up with where it all began. Nola (Tracy Camilla Johns) juggles three men during her sexual pinnacle, and it's all working out until they discover one another. She's Gotta Have It takes some dark turns, but each revelation speaks volumes about what real romantic independence is all about.

The Silence of the Lambs (1991)

The late director Jonathan Demme's 1991 film is the touchstone for virtually every serial killer film and television show that came after. The iconic closeup shots of an icy, confident Hannibal Lecter (Anthony Hopkins) as he and FBI newbie Clarice Starling (Jodie Foster) engage in their "quid pro quo" interrogation sessions create almost unbearable tension as Buffalo Bill (Ted Levine) remains on the loose, killing more victims. Hopkins delivers the more memorable lines, and Buffalo Bill's dance is the stuff of nerve-wracking anxiety nightmares, but it's Foster's nuanced performance as a scared, determined, smart-yet-hesitant agent that sets Silence of the Lambs apart from the rest of the serial killer pack.

THE WEINSTEIN COMPANY

Silver Linings Playbook (2012)

Jennifer Lawrence, Bradley Cooper, and David O. Russell’s first collaboration -- and the film that turned J-Law into a bona fide golden girl -- is a romantic comedy/dramedy/dance-flick that bounces across its tonal shifts. A love story between Pat (Cooper), a man struggling with bipolar disease and a history of violent outbursts, and Tiffany (Lawrence), a widow grappling with depression, who come together while rehearsing for an amateur dance competition, Silver Linings balances an emotionally realistic depiction of mental illness with some of the best twirls and dips this side of Step Up. Even if you're allergic to rom-coms, Lawrence and Cooper’s winning chemistry will win you over, as will this sweet little gem of a film: a feel-good, affecting love story that doesn’t feel contrived or treacly.

Sin City (2005)

Frank Miller enlisted Robert Rodriguez as co-director to translate the former's wildly popular series of the same name to the big screen, and with some added directorial work from Quentin Tarantino, the result became a watershed moment in the visual history of film. The signature black-and-white palette with splashes of color provided a grim backdrop to the sensational violence of the miniaturized plotlines -- this is perhaps the movie that feels more like a comic than any other movie you'll ever see.

Sinister (2012)

Horror-movie lesson #32: If you move into a creepy new house, do not read the dusty book, listen to the decaying cassette tapes, or watch the Super 8 reels you find in the attic -- they will inevitably lead to your demise. In Sinister, a true-crime author (played by Ethan Hawke) makes the final mistake, losing his mind to home movies haunted by the "Bughuul."

NETFLIX

Small Crimes (2017)

It's always a little discombobulating to see your favorite Game of Thrones actors in movies that don't call on them to fight dragons, swing swords, or at least wear some armor. But that shouldn't stop you from checking out Small Crimes, a carefully paced thriller starring the Kingslayer Jaime Lannister himself, Nikolaj Coster-Waldau. As Joe Denton, a crooked cop turned ex-con, Coster-Waldau plays yet another character with a twisted moral compass, but here he's not part of some mythical narrative. He's just another conniving, scheming dirtbag in director E.L. Katz's Coen brothers-like moral universe. While some of the plot details are confusing -- Katz and co-writer Macon Blair skimp on the exposition so much that some of the dialogue can feel incomprehensible -- the mood of Midwestern dread and Coster-Waldau's patient, lived-in performance make this one worth checking out. Despite the lack of dragons.

Snowpiercer (2013)

Did people go overboard in praising Snowpiercer when it came out? Maybe. But it's important to remember that the movie arrived in the sweaty dog days of summer, hitting critics and sci-fi lovers like a welcome blast of icy water from a hose. The film's simple, almost video game-like plot -- get to the front of the train, or die trying -- allowed visionary South Korean director Bong Joon-ho to fill the screen with excitement, absurdity, and radical politics. Chris Evans never looked more alive, Tilda Swinton never stole more scenes, and mainstream blockbuster filmmaking never felt so tepid in comparison. Come on, ride the train!

The Social Network (2010)

After making films like Seven, The Game, Fight Club, Panic Room, and Zodiac, director David Fincher left behind the world of scumbags and crime for a fantastical, historical epic in 2008's The Curious Case of Benjamin Button. The Social Network was another swerve, but yielded his greatest film. There's no murder on screen, but Fincher treats Jesse Eisenberg's Mark Zuckerberg like a dorky, socially awkward mob boss operating on an operatic scale. Screenwriter Aaron Sorkin's rapid-fire, screwball-like dialogue burns with a moral indignation that Fincher's watchful, steady-handed camera chills with an icy distance. It's the rare biopic that's not begging you to smash the "like" button.

SONY PICTURES RELEASING

Spider-Man: Into the Spider-Verse (2018)

In this shrewd twist on the superhero genre, the audience's familiarity with the origin story of your friendly neighborhood web-slinger -- the character has already starred in three different blockbuster franchises, in addition to countless comics and cartoon TV adaptations -- is used as an asset instead of a liability. The relatively straight-forward coming-of-age tale of Miles Morales (Shameik Moore), a Brooklyn teenager who takes on the powers and responsibilities of Spider-Man following the death of Peter Parker, gets a remix built around an increasingly absurd parallel dimension plotline that introduces a cast of other Spider-Heroes like Spider-Woman (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Peni Parker (Kimiko Glen), and, most ridiculously, Spider-Ham (John Mulaney), a talking pig in a Spider-Suit. The convoluted set-up is mostly an excuse to cram the movie with rapid-fire jokes, comic book allusions, and dream-like imagery that puts the rubbery CGI of most contemporary animated films to shame.

Spotlight (2015)

Tom McCarthy stretches the drama taut as he renders Boston Globe's 2000 Catholic Church sex scandal investigation into a Hollywood vehicle. McCarthy's notable cast members crank like gears as they uncover evidence and reflect on a horrifying discovery of which they shoulder partial blame. Spotlight was the cardigan of 2015's Oscar nominees, but even cardigans look sharp when Mark Ruffalo is involved.

The Squid and the Whale (2005)

No movie captures the prolonged pain of divorce quite like Noah Baumbach's brutal Brooklyn-based comedy The Squid and the Whale. While the performances from Jeff Daniels and Laura Linney as bitter writers going through a separation are top-notch, the film truly belongs to the kids, played by Jesse Eisenberg and Owen Kline, who you watch struggle in the face of their parents' mounting immaturity and pettiness. That Baumbach is able to wring big, cathartic laughs from such emotionally raw material is a testament to his gifts as a writer -- and an observer of human cruelty.

SONY PICTURES RELEASING

Starship Troopers (1997)

Paul Verhoeven is undoubtedly the master of the sly sci-fi satire. With RoboCop, he laid waste to the police state with wicked, trigger-happy glee. He took on evil corporations with Total Recall. And with Starship Troopers, a bouncy, bloody war picture, he skewered the chest-thumping theatrics of pro-military propaganda, offering up a pitch-perfect parody of the post-9/11 Bush presidency years before troops set foot in Iraq or Afghanistan. Come for the exploding alien guts, but stay for the winking comedy -- or stay for both! Bug guts have their charms, too.

Swiss Army Man (2016)

You might think a movie that opens with a suicidal man riding a farting corpse like a Jet Ski wears thin after the fourth or fifth flatulence gag. You would be wrong. Brimming with imagination and expression, the directorial debut of Adult Swim auteurs "The Daniels" wields sophomoric humor to speak to friendship. As Radcliffe's dead body springs back to life -- through karate-chopping, water-vomiting, and wind-breaking -- he becomes the id to Dano's struggling everyman, who is also lost in the woods. If your childhood backyard adventures took the shape of The Revenant, it would look something like Swiss Army Man, and be pure bliss.

NETFLIX

Tallulah (2016)

From Orange Is the New Black writer Sian Heder, Tallulah follows the title character (played by Ellen Page) after she inadvertently "kidnaps" a toddler from an alcoholic rich woman and passes the child off as her own to appeal to her run-out boyfriend's mother (Allison Janney). A messy knot of familial woes and wayward instincts, Heder's directorial debut achieves the same kind of balancing act as her hit Netflix series -- frank social drama with just the right amount of humorous hijinks. As Tallulah grows into a mother figure, her on-the-lam parenting course only makes her more and more of a criminal in the eyes of... just about everyone. You want to root for her, but that would be too easy.

Taxi Driver (1976)

Travis Bickle (a young Bobby De Niro) comes back from the Vietnam War and, having some trouble acclimating to daily life, slowly unravels while fending off brutal insomnia by picking up work as a... taxi driver... in New York City. Eventually he snaps, shaves his hair into a mohawk and goes on a murderous rampage while still managing to squeeze in one of the most New York lines ever captured on film ("You talkin' to me?"). It's not exactly a heartwarmer -- Jodie Foster plays a 12-year-old prostitute -- but Martin Scorsese's 1976 Taxi Driver is a movie in the cinematic canon that you'd be legitimately missing out on if you didn't watch it.

FOCUS FEATURES

The Theory of Everything (2014)

In his Oscar-winning performance, Eddie Redmayne portrays famed physicist Stephen Hawking -- though The Theory of Everything is less of a biopic than it is a beautiful, sweet film about his lifelong relationship with his wife, Jane (Felicity Jones). Covering his days as a young cosmology student ahead of his diagnosis of ALS at 21, through his struggle with the illness and rise as a theoretical scientist, this film illustrates the trying romance through it all. While it may be written in the cosmos, this James Marsh-directed film that weaves in and out of love will have you experience everything there is to feel.

There Will Be Blood (2007)

Paul Thomas Anderson found modern American greed in the pages of Upton Sinclair's depression-era novel, Oil!. Daniel Day-Lewis found the role of a lifetime behind the bushy mustache of Daniel Plainview, thunderous entrepreneur. Paul Dano found his milkshake drunk up. Their discoveries are our reward -- There Will Be Blood is a stark vision of tycoon terror.

Time to Hunt (2020)

Unrelenting in its pursuit of scenarios where guys point big guns at each other in sparsely lit empty hallways, the South Korean thriller Time to Hunt knows exactly what stylistic register it's playing in. A group of four friends, including Parasite and Train to Busan break-out Choi Woo-shik, knock over a gambling house, stealing a hefty bag of money and a set of even more valuable hard-drives, and then find themselves targeted by a ruthless contract killer (Park Hae-soo) who moves like the T-1000 and shoots like a henchmen in a Michael Mann movie. There are dystopian elements to the world -- protests play out in the streets, the police wage a tech-savvy war on citizens, automatic rifles are readily available to all potential buyers -- but they all serve the simmering tension and elevate the pounding set-pieces instead of feeling like unnecessary allegorical padding. Even with its long runtime, this movie moves.

STUDIOCANAL

Tinker Tailor Soldier Spy (2011)

If a season of 24 took place in the smoky, well-tailored underground of British intelligence crica 1973, it might look a little like this precision-made John le Carré adaptation from Let the Right One In director Tomas Alfredson. Even if you can't follow terse and tightly-woven mystery, the search for Soviet mole led by retired operative George Smiley (Gary Oldman), the ice-cold frames and stellar cast will suck you into the intrigue. It's very possible Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, Mark Strong, and Benedict Cumberbatch are reading pages of the British phone book, but egad, it's absorbing. A movie that rewards your full concentration.

To All the Boys I've Loved Before (2018)

Of all the entries in the rom-com revival, this one is heavier on the rom than the com. But even though it won't make your sides hurt, it will make your heart flutter. The plot is ripe with high school movie hijinks that arise when the love letters of Lara Jean Covey (the wonderful Lana Condor) accidentally get mailed to her crushes, namely the contractual faux relationship she starts with heartthrob Peter Kavinsky (Noah Centineo). Like its heroine, it's big-hearted but skeptical in all the right places.

Total Recall (1990)

Skip the completely forgettable Colin Farrell remake from 2012. This Arnold Schwarzenegger-powered, action-filled sci-fi movie is the one to go with. Working from a short story by writer Philip K. Dick, director Paul Verhoeven (Robocop) uses a brain-teasing premise -- you can buy "fake" vacation memories from a mysterious company called Rekall -- to stage one of his hyper-violent, winkingly absurd cartoons. The bizarre images of life on Mars and silly one-liners from Arnold fly so fast that you'll begin to think the whole movie was designed to be implanted in your mind.

NETFLIX

Tramps (2017)

There are heists pulled off by slick gentlemen in suits, then there are heists pulled off by two wayward 20-somethings rambling along on a steamy, summer day in New York City. This dog-day crime-romance stages the latter, pairing a lanky Russian kid (Callum Tanner) who ditches his fast-food register job for a one-off thieving gig, with his driver, an aloof strip club waitress (Grace Van Patten) looking for the cash to restart her life. When a briefcase handoff goes awry, the pair head upstate to track down the missing package, where train rides and curbside walks force them to open up. With a laid-back, '70s soul, Tramps is the rare doe-eyed relationship movie where playing third-wheel is a joy.

Uncut Gems (2019)

In Uncut Gems, the immersive crime film from sibling director duo Josh and Benny Safdie, gambling is a matter of faith. Whether he's placing a bet on the Boston Celtics, attempting to rig an auction, or outrunning debt-collecting goons at his daughter's high school play, the movie's jeweler protagonist Howard Ratner (Adam Sandler) believes in his ability to beat the odds. Does that mean he always succeeds? No, that would be absurd, undercutting the character's Job-like status, which Sandler imbues with an endearing weariness that holds the story together. But every financial setback, emotional humbling, and spiritual humiliation he suffers gets interpreted by Howard as a sign that his circumstances might be turning around. After all, a big score could be right around the corner.

Velvet Buzzsaw (2018)

Nightcrawler filmmaker Dan Gilroy teams up with Jake Gyllenhaal again to create another piece of cinematic art, this time a satirical horror film about the exclusive, over-the-top LA art scene. The movie centers around a greedy group of art buyers who come into the possession of stolen paintings that, unbeknownst to them, turn out to be haunted, making their luxurious lives of wheeling and dealing overpriced paintings a living hell. Also featuring the likes of John Malkovich, Toni Collette, Billy Magnussen, and others, Velvet Buzzsaw looks like Netflix’s next great original.

COLUMBIA PICTURES

Walk Hard: The Dewey Cox Story (2007)

Oscar-baiting, musician biopics became so cookie-cutter by the mid-'00s that it was easy for John C. Reilly, Judd Apatow, and writer-director Jake Kasdan (Jumanji: Welcome to the Jungle) to knot them all together for the ultimate spoof. Dewey Cox is part Johnny Cash, part Bob Dylan, part Ray Charles, part John Lennon, part anyone-you-can-think-of, rising with hit singles, rubbing shoulders with greats of many eras, stumbling with eight-too-many drug addictions, then rising once again. When it comes to relentless wisecracking, Walk Hard is like a Greatest Hits compilation -- every second is gold.

The Witch (2015)

The Witch delivers everything we don't see in horror today. The backdrop, a farm in 17th-century New England, is pure misty, macabre mood. The circumstance, a Puritanical family making it on the fringe of society because they're too religious, bubbles with terror. And the question, whether devil-worshipping is hocus pocus or true black magic, keeps each character on their toes, and begging God for answers. The Witch tests its audience with its (nearly impenetrable) old English dialogue and the (anxiety-inducing) trials of early American life, but the payoff will keep your mind racing, and your face hiding under the covers, for days.

Y Tu Mamá También (2001)

Before taking us to space with Gravity, director Alfonso Cuarón steamed up screens with this provocative, comedic drama about two teenage boys (Diego Luna and Gael García Bernal) road-trippin' it with an older woman. Like a sunbaked Jules and Jim, the movie makes nimble use of its central love triangle, setting up conflicts between the characters as they move through the complicated political and social realities of Mexican life. It's a confident, relaxed film that's got an equal amount of brains and sex appeal. Watch this one with a friend -- or two.

PARAMOUNT PICTURES

Zodiac (2007)

David Fincher's period drama is for obsessives. In telling the story of the Zodiac Killer, a serial murderer who captured the public imagination by sending letters and puzzles to the Bay Area press, the famously meticulous director zeroes in on the cops, journalists, and amateur code-breakers who made identifying the criminal their life's work. With Jake Gyllenhaal's cartoonist-turned-gumshoe Robert Graysmith at the center, and Robert Downey Jr.'s barfly reporter Paul Avery stumbling around the margins, the film stretches across time and space, becoming a rich study of how people search for meaning in life. Zodiac is a procedural thriller that makes digging through old manilla folders feel like a cosmic quest.

13th (2016)

Selma director Ava DuVernay snuck away from the Hollywood spotlight to direct this sweeping documentary on the state of race in America. DuVernay's focus is the country's growing incarceration rates and an imbalance in the way black men and women are sentenced based on their crimes. Throughout the exploration, 13th dives into post-Emancipation migration, systemic racism that built in the early 20th century, and moments of modern political history that continue to spin a broken gear in our well-oiled national machine. You'll be blown away by what DuVernay uncovers in her interview-heavy research.

20th Century Women (2016)

If there's such thing as an epistolary movie, 20th Century Women is it. Touring 1970s Santa Barbara through a living flipbook, Mike Mills's semi-autobiographical film transcends documentation with a cast of wayward souls and Jamie (Lucas Jade Zumann), an impressionable young teenager. Annette Bening plays his mother, and the matriarch of a ragtag family, who gather together for safety, dance to music when the moment strikes, and teach Jamie the important lesson of What Women Want, which ranges from feminist theory to love-making techniques. The kid soaks it up like a sponge. Through Mills's caring direction, and characters we feel extending infinitely through past and present, so do we.

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russian forenames and cities + quenya names

Abil Abim Abindor Afta Aganiki Agards Aglina Agrafon Aindo Ainov Ainovoye Ainquë Ainsk Aldangs Aldar Alneysk Alpet Alpirna Alsk Amagandë Amaitonen Amaltili Amanno Amar Amasnouga Ambabrs Ambo Anallight Anazadozh Andov Ankaráto Anovo Antireur Apin Apow Aracen Arannim Aransk Arasusina Araton Ardlen Argingor Aril Arinsk Artovsk Atey Athebsky Aulenikhay Aulyove Avder Avendil Avlamon Avlavala Avoyatemo Avrolovsk Avrovorods Axanyor Barine Barp Barsa Bashevo Beinovot Beka Beli Belinsk Betano Biperix Bokus Bolem Bolsk Borsk Briil Briones Broftacen Bushits Calada Caladyazar Calamil Calend Call Castrod Chatkinoy Chil Chinsk Cilië Colle Comirrov Comwe Corty Cronikond Damsk Deepandan Delya Demolov Devenina Dezha Dienieles Dilin Dminér Dolvian Dynd Eagertsy Eagorel Eashch Eassë Echestari Eldesta Elemes Elen Elevsk Eleyshalwë Elmiron Elmë Elodis Elperfalë Elvetsaf Endersk Enelneshan Enta Erchovo Eruhar Estall Etyakinwë Evinsk Evitha Exil Faka Fatayar Fino Finsk Fold Folli Folma Fologolev Foremysk Fori Forië Forlië Forsk Fortsy Fresnozma Fria Frudo Golexeyar Golonov Goreldo Gori Grachandú Grakotross Grevelómë Hairoit Halmë Hein Hele Heleka Herbir Hernarme Hersk Hims Hísilosk Ilmanotka Ilúvë Ingalmë Ingle Inksaly Inol Insk Inónards Iremnanar Iril Iryefins Isiba Iven Izelperaya Judgelen Kallë Kemnatkado Khor Kinsk Kinórë Kirdamossë Kirzh Klyon Knozamirë Kolya Koroft Kotky Kovsk Koyeleyk Kozher Kranna Krant Kuman Kuvo Ladilukot Laina Lanazraxë Lanild Lanwë Laty Lazoy Leata Lendobrsk Lenië Liddlenna Limel Lina Linefts Lorind Lufinsk Luin Luinado Luinorshta Lyorsk Lómiklië Lómilda Lórey Mach Majosse Mand Mandiel Margindië Melendleng Mglor Miccildal Micon Mikovsk Mini Minovrenna Minsk Mirë Mister Mite Mithánusha Mootkalmë Moralzhny Mors Mougany Mury Míristīrē Namaindino Namodil Narro Nedvin Negolyur Nels Nesh Nestirs Neto Netto Nieloda Nikir Ninsk Nobov Nogor Nokht Nokhte Nollave Nortië Nozelovsky Nyuris Nísë Nólamessim Nólamírof Nóri Númelosema Númente Oamikhosle Ohínakov Oion Oksankinsk Oldom Olgor Olómë Omon Ondilyando Ondushlip Onezhsk Onnoyanna Ordoluzno Oren Oroi Oross Oser Osobied Ostsk Palas Pandeleye Parochiry Pattast Pelen Pelent Pellov Peor Pereakha Perer Petutar Pinóna Poll Poloc Poser Potmandië Pransk Priinwë Pukothi Pusitsynsk Pusta Quetetiny Rals Rash Raychecil Reaul Reftama Repvata Rinsk Roambod Romed Rosland Rovsk Rozyorovsk Russar Rzheki Rzhelmë Rímaindim Rínaye Rúats Salcoly Sanousam Sarsta Saryaur Seecolsk Setur Shang Sharmë Shchundórë Sher Shia Shin Shinulina Sian Slanisevka Smacolo Snov Sokirds Somp Sonsk Sornë Souninsk Sovy Starmary Stovagafin Stru Sund Sverifey Svets Sworsusi Sysk Súriumsk Súrëan Tafaniky Tana Taruhansk Tarë Telderza Terli Tetuksiyer Thal Tiluga Timinopay Tinkosky Tiya Toloks Toly Tongwan Tourë Tovsk Trom Tulerda Tulyugav Turast Turemeht Turthsk Turuinwë Turule Twitsk Tyessë Tyevka Túrië Uinquest Uinsk Unaxan Undond Ungarinsk Uressa Vagry Valatary Valin Valye Valë Vana Vanday Vanóri Vart Versk Vets Vinegtya Vinores Vinyan Vlace Vodō Vorsk Vëanáriárë Walailda Welimang Wetsk Willatov Winge Wistar Wring Yalinsk Yansk Yarómen Yavo Yearnë Yerimitton Yertarass Yever Yevkalis Yevsk Yokin Yubar Yukon Yusenika Yuzeres Yéna Zava Zelervo Zlorty Zmorsk Zubor Ñorsk Úmadak

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Shin Shi Ah - W Magazine July Issue '22