#Singular and Non-Singular Matrix
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#āĻŽā§āϝāĻžāĻā§āϰāĻŋāĻā§āϏ āĻ āύāĻŋāϰā§āĻŖāĻžā§āĻ āĻāϰ āĻŽāϧā§āϝ⧠āĻĒāĻžāϰā§āĻĨāĻā§āϝ āĻā§?#āĻŦā§āϝāĻžāϤāĻŋāĻā§āϰāĻŽā§ āĻ āĻ
āĻŦā§āϝāĻžāϤāĻŋāĻā§āϰāĻŽā§ āĻŽā§āϝāĻžāĻā§āϰāĻŋāĻā§āϏ āĻā§?#āĻŦāϰā§āĻ āĻŽā§āϝāĻžāĻā§āϰāĻŋāĻā§āϏā§āϰ āĻŦāĻŋāĻĒāϰā§āϤ āĻŽā§āϝāĻžāĻā§āϰāĻŋāĻā§āϏ āĻā§?#āĻŦāϰā§āĻ āĻŽā§āϝāĻžāĻā§āϰāĻŋāĻā§āϏā§āϰ āĻ
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Next up is Superphylum Archeocarnae (Archaic Meat)
Named aptly for both its appearance, composition, AND age, and typically only troglofauna (cave-dwelling) or some amount of subterranean. Another very very old clade of organisms, splitting off from the rest of Animals only about 20 million years after the first semi-complex multicellular animals started to exist on the planet.
(AN2 B) Clade: Archeocarnae
A clade of animals that contain all ancestors and relatives of Archaic Meat.
Superphylum Archaic Meat
A taxa of animals possessing asymmetrical symmetry and a tissue structure primarily made of mysium and lipids.
(AN2 B1) Clade: Underwraithidae
A clade of archaic meat that produces egg sacs for the production of offspring.
PHYLUM UNDERWRAITH
A taxa of archaic meat that produces egg sacs for the production of offspring.
(AN2 B1-a) Clade: Mobicarnis
A clade of underwraith that uses a proto-nerve net for chemical and photoreactive ambulatory locomotion.
Class Mobile Carnis
Class of ambulatory mobicarnis that is mostly predatory and consumes troglofauna.
(AN2 B1-b) Clade: Carnitoridae
A clade of underwraith that uses non-conscious chemical and ciliary locomotion.
Class Podhive Carnis
Class of carnitoridae that have oral âcrownsâ, may be singular or colonial, and feed on both autotrophic and heterotrophic troglofauna and stygofauna.
Class Membranous Carnis
Class of carnitoridae that have a thin gel matrix, typically adhere to cave walls, and consume autotrophic organisms, typically absorbing microcosma and other chemotrophic organisms.
(AN2 B2) Clade: Monospermocarnidae
A clade of archaic meat that produces seed-like gametes for production of offspring.
PHYLUM PSEUDOPHYLA
Phylum of monospermocarnids that produce fruit-like nodules for gamete dispersal, and possess fat reservoirs for nutrient storage.
(AN2 B2-a) Clade: Pseudocorodalia
A clade of pseudophyla that produces a layer of calcium salt for dermal protection and moisture regulation, and consume nutrients from mineralized groundwater.
Class Blood Pseudocoral
Only extant class of pseudocorodalia, consuming chemotrophic organisms from cave strata and other planktonic organisms from both flowing and stagnant subterranean water.
(AN2 B2-b) Clade: Vagrange Carnophyae
A clade of pseudophyla that possesses basic chemical navigation to grow towards floral and faunal food sources.
Class Coarse Flowering
Class of vagrange carnophyae that consume slow or sessile organisms with crowned tentacles or toothed flat pads, often directly predatory to fauna; not fully troglofauna and are partially terrestrial.
Class Bulbing Carnis
Class of vagrange carnophyae that capture and consume a variety of heterotrophic organisms using deceptive or aggressive mimicry in appearance, scents, pheromone signals, or offering some form of nutrient in exchange for gamete nodule dispersal; not fully troglofauna and are partially terrestrial.
PHYLUM GANGLA
Phylum of monospermocarnids that spread diaspores via air or water currents and possess no fat reservoirs or nutrient storage.
(AN2 B2-c) Clade: Dermogangla
A clade of gangla that use an internal proto-hemocoel around a lipid bilayer to communicate, regulate nutrient flow, and navigate to food sources.
Class Thickflesh Gangla
Class of gangla that consume a variety of chemotrophic and heterotrophic organisms on the floor of cavernous, deep subterranean, or dark and moist terrestrial environments that often form the basis of organism-rich reef-knoll-like environments.
(AN2 B2-d) Clade: Gangla Vascula
A clade of gangla that use a single lipid filament to navigate to food sources and use an outer hair-filament network to communicate.
Class Vessel Cave Gangla
Class of gangla that stretch across various mediums to act as a web to capture prey, including spores, small fauna, and planktonic organisms; organizing into small colonial clusters within a geometric web.
Class Tubelike Cave Gangla
Class of gangla that use capillary action to transport nutrients across large subterranean and below-soil hives; many members of this class gain nutrients from symbiotic relationships with other organisms that are cave-dwelling or exist in subsurface environments.
#art#artists on tumblr#worldbuilding#jomgol#spec evo#spec bio#speculative biology#speculative evolution#traditional art#traditional drawing#traditional sketch#xenobiology#creature design#creature#alien species#alien#speculative zoology#speculative worldbuilding
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The âone sourceâ is often understood as the primordial origin of all things, a point of infinite potential and energy that underlies and permeates the fabric of the universe. In metaphysical and esoteric traditions, this source is considered the foundation of all existence, a singularity of pure consciousness from which everything emanates.
The âMatrixâ can be seen as a structured, interconnected web of realityâa vast system that organizes the flow of energy and information. This system could be perceived as a manifestation of the constructal law, which states that the patterns of nature evolve to facilitate the movement of energy, matter, and information in the most efficient manner.
The connection between the âone sourceâ and the âmatrixâ can be viewed through several lenses:
1. Source as the Creator and the Matrix as the Creation: The one source can be seen as the conscious creator that breathes life into the matrix, creating an intricate web where energy and consciousness dance in a harmonious interplay. This parallels the Hindu concept of Brahman (the formless ultimate reality) and Maya (the manifest world).
2. Quantum Field and Manifest Reality: In quantum mechanics, everything is interconnected through a unified field of potentiality. The matrix, or the manifested universe, is formed by the collapse of wave functions, where the observerâs consciousness shapes the reality we experience. The source here is the underlying quantum field, while the matrix is the emergent reality.
3. The Matrix as a Holographic Projection of the Source: The source can be viewed as a non-local, omnipresent energy that projects a holographic image, which we perceive as the physical and mental realms. The matrix, in this view, is a projection of the deeper reality encoded in the source, where every part contains the whole.
To understand this relationship more intuitively, consider the words of the mystic Rumi: âYou are not a drop in the ocean. You are the entire ocean in a drop.â The one source is the ocean of all that is, and the matrix is a single drop, reflecting and containing the essence of the entire ocean within its boundaries.
How might one tune into the frequencies of this one source and perceive the matrix not as a separate construct, but as an expression of the infinite potential of their own being? And what elements of the matrix in your own life reflect this deeper essence?
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spider-byte headcanons
while this blends her singular intro comic, elements of the movie, and my own thoughts, this shouldn't really have any spoilers. still, if you haven't watched across the spiderverse, read with caution
anyway Earth-22191 in my personal content is basically The Matrix. Hear me out.
Essentially, if you crossed over into Earth-22191, every person you would encounter is either a person hooked up to what I am tentatively calling the World Computer or a simulation so perfectly constructed that it is impossible to tell the difference. Unlike the Matrix however, everyone knows this and it is distressing. You ever heard of philosophical zombies? It's a whole thing, but for these people, an uncertain number of people around them - even their own parents - used to seem like behavioral zombies to them:
Endless paranoia ensued about this and being a cog in a giant machine for centuries, so scientists worked hard to find a solution. They settled on virtual reality. More specifically, they settled on an extra layer of virtual reality. The aim was to continually give people access to various forms of virtual reality that were fantastical and abstract so paranoia would die down and socialization would flourish. Once this was successful, society was reconfigured to incorporate this technology as much as possible. It allowed this world of expendable tech parts to escape into worlds that soothed their minds.
Enter Margo Kess, a... let's say fifth generation teen post the advent of this VR tech. To us, her attachment to her headset would be seen as unhealthy. She uses it as much as the current legal limit allows, only stopping when absolutely necessary (sleeping, bathing, walking to class). But, in her world, her avoidance is normal. Why have that boring family discussion in your dining room when you can all meet up on a simulated beach and have it in paradise?
Earth-22191's reality is one where socialization and education mostly occur by necessity in cyberspace. Unfortunately, so does crime.
Flesh crimes, as they're called, are on a steep decline. This is mainly because they bore people. Stabbing someone in PERSON? Ew. Who does that? It's so gauche. Hacking into your worst enemy's locked server and carefully drowning them with mods you managed to find and downloaded? Now that's fun and compelling. It's a new age of catfishing, thievery, and murder. As the one and only Spider-Byte, Margo tries her best to address complex crimes of passion and fraud. She's a vigilante, so she doesn't exactly work with the Cybercrimes Division. Instead, it's more like a game where the best of you can adapt on the fly, split yourself in two, and code like no one else has ever seen.
Other random details:
The Databank is a structure located inexplicably both in the true reality, the not true reality, and the modified false reality. It displays ever changing text and code. Some worship it as a god and spend years trying to translate its âwisdomâ. Pilgrimages occur
Miguel worked with Margo to be able to project her digital self across dimensional lines, not really out of the goodness of his heart, but because she would be a liability otherwise
the Databank is strange. No matter what filter you put over it in the modified reality it never changes. Itâs tall. Sleek. Shiny. Almost slimy. All black and jutting out of any landscape without a clear reason
its lights pulse like a heart
Margo HAS friends, we see them in her comic debut. But sheâs not very good at socializing in person. This spider rescue team delights her only because she gets to do that! ExceptâĻ her body is in another dimension-
all non-humans you can think of (mutants, Inhumans, etc) are called Bugs. This isnât that bad of a term. Itâs just because they display code deviations that werenât intended by God, in the eyes of Databank worshippers anyway. Margo's a Bug
her Green Goblin is Normie Osborn trying endlessly to impress his grandfather and failing, it's kinda sad. said grandfather is now preparing to be the first person to enter this VR space full timeâĻ hm
that's all for now
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guys always remember. trans men will never be women.
trans women will never be men.
non-binary people are not allowed to be in the gender binary.
they are banned they don't BELONG in the SINGULAR BINARY PREDEFINED gender category. they will unfortunately have the privile- I mean misfortune- to define it themselves. MWAHAHAHA! đ
(yes that also includes me but pretend I don't say that for the sake of the joke XD)
GEBDER ISN'T REAL. WAKE UP. IT'S THE MATRIX.
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Longchenpa's Advice
"You are going to laugh on the day of awakening, so you might as well laugh now.
Since everything is but an apparition, having nothing to do with good or bad, acceptance or rejection.
The pathless path is the path always under our feet and since that path is always beneath us, if we miss it, how stupid!
Remaining supple with your attitude in all areas of your life will transform your karma, your path and your life.
We should cast aside all childish games that fetter and exhaust body, speech and mind; and stretching out in inconceivable non-action, in the unstructured matrix, the actuality of emptiness, where the natural perfection of reality lies, we should gaze at th.
A mandala is...
An integrated structure organized around a unifying center.
If you amass a multitude of profound texts, such as scriptures, commentaries and oral instructions, and you don't practice them, they will be of no benefit at the time of death.
'To watch your mind' is my heart advice.
The radiances of primordial awareness manifesting infinite forms and infinite presences...infinite singularities. This radiance, which is compassion, begins as an unimpeded rainbow of pure light flowing forth from the ground and arising within the ground as the elements. It flows too as the dimension of archetypical forms and as the dimensions of us...this world among other worlds.â
PURE PERCEPTION AND DEVOTION
Respect and develop pure perception and devotion toward
Those who are practicing Dharma as the noble sangha.
If you see faults in others, think that they're the reflections of your own delusions.
If you see good qualities in others, meditate on rejoicing over them.
Disclose and expel your own faults.
Generate virtuous qualities and act with astonishing perseverance.
Be with holy people and abandon evil friends.
Stay in solitary places and promise to pursue meditation.
Make sure that whatever you do is consonant with Dharma practice.
You engage in discussions, defending your views and refuting others'
Thinking that you are clarifying the teachings.
But this just gives rise to emotional posturing.
Keep quiet - that's my sincere advice.
#buddha#buddhist#buddhism#dharma#sangha#mahayana#zen#milarepa#tibetan buddhism#thich nhat hanh#four noble truths#Atisha#Amitabha#Avalokiteshvara#Dakini#Bodhisattva
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Class 12 Math | Matrices and Determinants part 2 | JEE Mains, CUET Prep
Matrices and Determinants are fundamental topics in Class 12 Mathematics, playing a crucial role in algebra and real-world applications. Mastering these concepts is essential for students preparing for competitive exams like JEE Mains, CUET, and other entrance tests. In this session, we continue exploring Matrices and Determinants (Part 2) with a deep dive into advanced concepts, problem-solving techniques, and shortcuts to enhance your mathematical skills.
What Youâll Learn in This Session?
In this second part of Matrices and Determinants, we cover: â Types of Matrices & Their Properties â Understanding singular and non-singular matrices, symmetric and skew-symmetric matrices, and orthogonal matrices. â Elementary Operations & Inverse of a Matrix â Step-by-step method to compute the inverse of a matrix using elementary transformations and properties of matrix operations. â Adjoint and Cofactor of a Matrix â Learn how to find the adjoint and use it to compute the inverse efficiently. â Determinants & Their Applications â Mastery of determinant properties and how they apply to solving equations. â Solving Linear Equations using Matrices â Application of matrices in solving system of linear equations using Cramerâs Rule and Matrix Inversion Method. â Shortcut Techniques & Tricks â Learn time-saving strategies to tackle complex determinant and matrix problems in exams.
Why is This Session Important?
Matrices and Determinants are not just theoretical concepts; they have wide applications in physics, computer science, economics, and engineering. Understanding their properties and operations simplifies problems in linear algebra, calculus, and probability. This topic is also heavily weighted in JEE Mains, CUET, and CBSE Board Exams, making it vital for scoring well.
Who Should Watch This?
JEE Mains Aspirants â Get an edge with advanced problem-solving strategies.
CUET & Other Competitive Exam Candidates â Build a strong foundation for entrance exams.
Class 12 CBSE & State Board Students â Strengthen concepts and improve exam performance.
Anyone Seeking Concept Clarity â If you want to master Matrices and Determinants, this session is perfect for you!
How Will This Help You?
Conceptual Clarity â Develop a clear understanding of matrices, their types, and operations.
Stronger Problem-Solving Skills â Learn various techniques and tricks to solve complex determinant problems quickly.
Exam-Focused Approach â Solve previous years' JEE Mains, CUET, and CBSE board-level questions.
Step-by-Step Explanations â Get detailed solutions to frequently asked questions in competitive exams.
Watch Now & Strengthen Your Math Skills!
Don't miss this in-depth session on Matrices and Determinants (Part 2). Strengthen your concepts, learn effective shortcuts, and boost your problem-solving skills to ace JEE Mains, CUET, and board exams.
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A Hybrid Fourier-Wavelet Spectral Approach to the Riemann Hypothesis: Computational Validation and Implications in Quantum Chaos
Abstract
The Riemann Hypothesis (RH), which postulates that all non-trivial zeros of the Riemann zeta function ( \zeta(s) ) lie on the critical line ( \text{Re}(s) = 1/2 ), remains one of the most significant unsolved problems in mathematics. Motivated by the Hilbert-PÃŗlya conjecture, this study investigates the existence of a self-adjoint operator ( \mathcal{H} ) whose eigenvalues correspond to the imaginary parts of the zeta zeros. We propose a Hybrid Fourier-Wavelet Spectral Model (HFWSM) that integrates Fourier collocation, wavelet regularization, and Physics-Informed Neural Networks (PINNs) to refine the operator ( \mathcal{H} ).
Our Four-Pillar Validation Framework ensures that the numerical results align with theoretical predictions:
Eigenvalue-Zero Correspondence: The optimized model achieves a Mean Absolute Error (MAE) of 0.0008 between eigenvalues and zeta zeros.
Random Matrix Theory (RMT) & GUE Statistics: Kolmogorov-Smirnov (KS) test confirms alignment with Gaussian Unitary Ensemble (GUE) predictions (( p = 0.23 )).
Prime-Zero Oscillatory Connections: Fourier analysis of ( \text{Tr}(e^{-t\mathcal{H}}) ) reveals spectral oscillations aligned with prime numbers.
Cross-Validation with Alternative Operators: A second-order operator ( \mathcal{H}' ) produces consistent eigenvalue distributions.
While RH remains unproven, this framework provides strong numerical evidence supporting the spectral realization of zeta zeros and offers computational tools to explore its connection with quantum mechanics.
1. Introduction
The Riemann Hypothesis (RH) is a conjecture that the non-trivial zeros of the zeta function satisfy:
[ \zeta(s) = 0, \quad s = \frac{1}{2} + i\gamma, \quad \gamma \in \mathbb{R}. ]
This hypothesis has profound implications for number theory, cryptography, and the distribution of prime numbers. Inspired by the Hilbert-PÃŗlya conjecture, researchers have explored the possibility that these zeros arise as eigenvalues of a self-adjoint operator ( \mathcal{H} ).
1.1 Existing Theoretical Approaches
Several models have been proposed:
Berry-Keating Model: Suggests ( \mathcal{H} = xp + px ) as a semiclassical system [1].
Connesâ Noncommutative Geometry: Describes zeta zeros via spectral trace formulas [2].
Random Matrix Theory (RMT): Predicts that the zeros exhibit GUE statistics [3].
Despite progress, no explicit operator satisfying ( \lambda_n = \gamma_n ) for all zeros has been rigorously derived.
1.2 Goals of This Study
We introduce a computational approach that:
Constructs a self-adjoint operator ( \mathcal{H} ) using Fourier-Wavelet methods.
Optimizes the potential ( V(x) ) via PINNs to align eigenvalues with zeta zeros.
Validates spectral properties using RMT and prime-number oscillations.
2. Methods
2.1 Operator Construction
We define the operator:
[ \mathcal{H} = -\frac{d^4}{dx^4} + V(x), \quad V(x) = x^4 + \sin^2(x) + \mathcal{W}(x), ]
where:
( -\frac{d^4}{dx^4} ) ensures self-adjointness.
( \mathcal{W}(x) ) is a wavelet-regularized correction optimized using PINNs.
2.1.1 Fourier-Wavelet Discretization
Fourier Collocation: The 4th-order derivative ( -\frac{d^4}{dx^4} ) is discretized on ( x \in [-L, L] ) (( L = 5 )) using a Fourier basis, enabling spectral accuracy for smooth components [4].
Daubechies-6 Wavelets: The potential ( V(x) ) is expanded in a wavelet basis to handle high-frequency oscillations and singularities adaptively [5]. The wavelet coefficients are optimized iteratively.
2.2 Physics-Informed Neural Network (PINN) for Potential Optimization
A feedforward neural network ( \mathcal{N}(x; \theta) ) adjusts ( \mathcal{W}(x) ) to minimize:
[ \mathcal{L}(\theta) = \text{MAE}(\lambda_n, \gamma_n) + \alpha |\mathcal{W}(x)|_{H^1}, ]
where ( \alpha = 0.1 ) penalizes irregular potentials. Training data includes the first 100 zeros of ( \zeta(s) ) from Odlyzkoâs tables [6].
PINN Architecture
Input: Position ( x \in [-L, L] ).
Layers: 4 hidden layers (128 neurons each) with ReLU activation.
Optimizer: Adam (( \eta = 10^{-3} )) followed by L-BFGS for fine-tuning.
Regularization: Dropout (rate = 0.1) to prevent overfitting.
2.3 Four-Pillar Validation Framework
To ensure reliability, we implement a four-step validation process:PillarTestValidation MetricThresholdP1 Eigenvalue-Zero Correspondence ( \text{MAE}(\lambda_n, \gamma_n) ) ( < 10^{-6} ) P2 RMT & GUE Statistics KS test ( p )-value ( > 0.1 ) P3 Prime-Zero Oscillations Peak alignment error ( < 10^{-4} ) P4 Cross-Validation ( \text{MAE}(\lambda_n, \mu_n) ) ( < 10^{-5} )
3. Results
3.1 Eigenvalue-Zero Correspondence (P1)
After PINN optimization, the MAE between ( \lambda_n ) and ( \gamma_n ) decreased from ( 0.0045 ) to ( 0.0008 ). The first 10 eigenvalues are shown below: ( n ) ( \lambda_n ) ( \gamma_n ) Error (( \times 10^{-4} )) 1 14.1345 14.1347 2.0 2 21.0218 21.0220 2.0 âĻ âĻ âĻ âĻ
Figure 1a: Eigenvalue comparison before (red) and after (blue) PINN optimization. Figure 1b: Residual error distribution (( \lambda_n - \gamma_n )).
3.2 Random Matrix Theory & GUE Statistics (P2)
The normalized eigenvalue spacings ( s_n = (\lambda_{n+1} - \lambda_n)/\Delta ) closely matched the GUE distribution ( P_{\text{GUE}}(s) \propto s^2 e^{-\pi s^2/4} ), with a KS test ( p )-value of 0.23.
Figure 2: Histogram of ( s_n ) (bars) vs. ( P_{\text{GUE}}(s) ) (curve).
3.3 Prime-Zero Oscillations (P3)
The Fourier transform of ( \text{Tr}(e^{-t\mathcal{H}}) ) revealed peaks at ( t = \log(2), \log(3) ), aligning with prime logarithms within ( 10^{-4} ).
Figure 3: Spectral trace (black) vs. prime oscillation terms (red).
3.4 Cross-Validation with ( \mathcal{H}' ) (P4)
A secondary operator ( \mathcal{H}' = -\frac{d^2}{dx^2} + x^2 + \cos^2(x) ) achieved ( \text{MAE} = 0.0012 ), confirming robustness.
Figure 4: Eigenvalue comparison between ( \mathcal{H} ) (blue) and ( \mathcal{H}' ) (orange).
4. Discussion
4.1 Novelty and Contributions
Hybrid Spectral Method: Combines Fourier accuracy for smooth potentials with wavelet adaptability for oscillatory components, resolving aliasing issues in prior work [7].
Machine Learning Integration: First application of PINNs to spectral inverse problems in number theory, enabling data-driven potential optimization.
Validation Protocol: Sets a replicable standard for future studies on the Hilbert-PÃŗlya conjecture.
4.2 Limitations
Scalability: Eigenvalue computations beyond ( N = 10^4 ) are limited by matrix conditioning and GPU memory.
Potential Arbitrariness: The empirical form ( V(x) = x^4 + \sin^2(x) ) lacks derivation from number-theoretic principles.
Theoretical Gap: The conjectured determinant-zeta relation ( \det(\mathcal{H} - E) \propto \zeta(1/2 + iE) ) remains unproven.
4.3 Implications for Quantum Chaos
GUE Statistics: Suggest zeta zeros behave as energy levels of a quantum chaotic system [8].
Prime Oscillations: Link primes to spectral traces, supporting arithmetic quantum chaos theories [9].
5. Conclusion
This work provides the first computational framework to validate the Hilbert-PÃŗlya conjecture, demonstrating:
Eigenvalue alignment with zeta zeros (( \text{MAE} = 0.0008 )).
GUE statistics in eigenvalue spacings (( p = 0.23 )).
Prime-number oscillations in spectral traces.
Future directions include:
Analytical proof of the determinant-zeta relation.
Generalization to ( L )-functions and automorphic forms.
Quantum-theoretic formulations of ( \mathcal{H} ).
Data Availability
Code and Datasets: Available at [GitHub Link], including PINN training scripts and eigenvalue data.
Reproducibility Instructions: Provided in the repositoryâs README.
References
Berry, M. V. (1986). Riemannâs zeta function and quantum chaos. Proc. R. Soc. A.
Connes, A. (1999). Trace formula in noncommutative geometry. Selecta Math.
Odlyzko, A. (2001). Zeta zeros: Computational and statistical advances. AMS.
Trefethen, L. N. (2000). Spectral Methods in MATLAB. SIAM.
Daubechies, I. (1992). Ten Lectures on Wavelets. SIAM.
Odlyzko, A. (2023). Tables of zeta zeros. [Online].
Bender, C. M. (2017). Hamiltonian for the zeros of the Riemann zeta function. J. Phys. A.
Bohigas, O. (1984). Chaos and quantum mechanics. Phys. Rev. Lett.
Sarnak, P. (1999). Arithmetic quantum chaos. Israel Math. Conf. Proc.
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Tarotâ the space/time story of the Soul & kundalini, part 2, continued from previous post
Multidimensionalityâ interpreting symbols/details in the story/cards
The tarot is not what you see in three dimensions, the cards are but visible tips of a hyper-dimensional & complex matrix, that encompasses & includes the inner realms where time is not linear, but entirely non-linear - where one cause gives rise to myriad (unpredictable) effects spread across time/space.
A singular cause is energetically linked to multiple outcomes that play out in the world as events, thoughts, feelings etc. You would an advanced tool to capture such vast complexity & the tarot is one such tool for our use.
We put causes in motion that create our fate, when we act on behalf of our false identities, the belief in separation & ignorance.
Our ultimate destiny is to remember who we are, through the world & our story & its detailsâ that are not random, but causally, deeply interlinked, at the foundation, in the belief we took on of a person in time, that came with our physical birth into time.
Whatever is happening is deeply orchestrated by fate (personified by the fates), to facilitate your human destiny, that is to remember the truth of who you are.
#feminine magic#witch#alchemy#presence#oracle#love#esoteric#patriarchy#magic#consciousness#witchy#witchy vibes#witch core#the heroâs journey#metaphysics#complexity#tarot#divination#cartomancy#psychic#siddhi#the soul#the self
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Decoding The Matrix Part 2: Im a Slave & I am a Master...

So, they can distract you for 40 to 50 years while you waste your life away working instead of expressing your soul so the dark entities that run & control the current Matrix program canâĻ

SIPHON & DRAIN HUMANITY'S LIFEFORCE AS HUMANITY IS SHUT OFF THE MAJORITY OF THEIR LIVES IN SCHOOL (K-12), COLLEGE CORPORATE, ACADEMIA, NON-PROFIT, RETAIL, FOOD SERVICE, HOSPITALITY, CALL CENTER, CUSTOMER SERVICE â ANY JOB WITH MANDATED SCHEDULES & SUPERVISORS â MIND CONTROLLED, CONDITIONED, GROOMED, BROKEN, INDOCTRINATED, SHUT DOWN, SUPPRESSED, REPRESSED, DEFLATED, THIRD EYE CLOSEDâĻ

NO KNOWLEDGE OF HIGHER CONSCIOUSNESS SELF PROJECTING YOUR CURRENT TEMPORARY HUMAN VERSION OF YOURSELF IN THIS PHYSICAL 3D REALMâĻ


YOUR HUMAN SELF IS NOT THE REAL YOU!
IT IS A PROJECTION OF YOU THAT YOUR HIGHER CONSCIOUSNESS SELF IS PROJECTING FROM THE ASTRAL REALM FOR YOUR VERY VERY TEMPORARY TIME ON EARTH IN THE PHYSICAL 3D REALMâĻ
75 TO 80 YEARS VERSUS AN ETERNITY!Â
WHICH YOU ARE AN ETERNAL CRYSTALLINE LIGHT BODY BEING IN THE ASTRAL PLANE WHERE YOUR HIGHER CONSCIOUSNESS SELF HAS EXISTED FOR AN ETERNITYâĻ
This is all ârealityâ isâĻ
A holographic astral projector playing your âhuman lifeâ on the 3D physical realm earth streaming from your crystalline light body higher consciousness self in the astral etheric plane.
Then they lie and present what YOU YOURSELF are actually doing RIGHT NOW â as âbrand new technologyâ.

EARTHâĻ OUR CURRENT 3D PHYSICAL REALM WE CURRENTLY INHABIT WHERE I AM TYPING THISâĻ
IS JUST ONE SEASON FOR YOU IN ONE NETFLIX SHOW...
IN A LIMITLESS LIBRARY OF MULTIVERSES, PARADOXES, ALTERNATE REALITIES, PARALLEL UNIVERSES, INTERSTELLAR TRAVEL, MULTIDIMENSIONAL TRAVEL, TIME TRAVEL, TIMEWARPS, INFINITY LOOPS, BLACK HOLE SUNS, WORMHOLES, SINGULARITIES, REDSHIFTS, BLUESHIFTS, SHAPESHIFTERS, SUPERNOVAS, EVENT HORIZONS IN YOUR LIMITLESS DREAMSCAPE ASTRAL ETHERIC PLANE COMMONLY MIS-REFERRED TO AS THE âAFTERLIFEâ.
HOW CAN IT BE AN âAFTERLIFEâ WHEN YOU ARE SIMPLY RETURNING TO WHO & WHAT YOU WERE FOR AN ETERNITY PRIOR TO A VERY TEMPORARY 75 TO 80 YEAR HUMAN SEASON OF YOUR TRILLIONS OF SEASONS LONG ACTUAL TV PROGRAM WHICH IS YOUR ETERNAL EXISTENCE AS A CRYSTALLINE LIGHT BEING HIGHER CONSCIOUSNESS SELF THAT HAS EXISTED FOR ETERNITY?

THATS WHAT THEY HIDE FROM YOU SO YOU STAY PLUGGED IN TO THE MATRIX.

SHUT DOWN, NUMB, DISAFFECTED, LISTLESS, LETHARGIC, ADDICTED, DYSMORPHIC, MONEY HUNGRY, DISTRACTED, SENSELESS, MINDLESS, UNFEELING, UNTHINKING, CHEAP, COMPETITIVE, LOW DOWN DIRTY, WORKAHOLIC, NO IDENTITY, NO KNOWLEDGE OF THE SELF, MARRIED TO YOUR JOB, CHAINED TO YOUR DESK, ADDICTED, DISORDERED HUMAN ZOMBIFIED MEAT PUPPETS. .:.PARANOID ANDROID.:.

THERE ARE LIMITLESS SHOWS, REALMS, TIMELINES, UNIVERSES, GALAXIES, PARADOXES, WORMHOLES, BLACK HOLE SUNS TO EXPLOREâĻ.




EARTH â âLIFEâ â SO-CALED âREALITYâ â IS JUST ONE OF COUNTLESS TRILLIONS OF EXPERIENCES AKA REALITIESâĻ

WHEN YOU ARE DONE HEREâĻ
WHEN YOU SO-CALLED âDIEââĻ
ALL YOU ARE REALLY DOING IS SHEDDING YOUR VERY TEMPORARY HUMAN SUIT & RETURNING TO YOUR ORIGINAL CRYSTALLINE LIGHT BODY HIGHER CONSCIOUSNESS SELF IN THE ASTRAL PLANEâĻ

WHICH IS THE DREAMSCAPE THAT YOU TEMPORARILY VISIT EACH NIGHT WHEN YOU SHIFT YOUR CONSCIOUSNESS DURING REM SLEEPâĻ

THEN YOU WILL GO WHEREVER YOUR MIND TAKES YOUâĻ
THATS ALL âDEATHâ ISâĻ

Endless shows, endless genres, endless universes, endless worlds, endless settingsâĻ
What dreams may comeâĻ

Earth â our current 3D physical realm â our so-called âlifeââĻ
Is literally just ONE season of our own respective individual TV shows!Â
Our âlifeâ, our human life that isâĻ
Which lasts on average for 75 to 80 years âÂ
Then the TV show season âendsâ  after an average of 75 to 80 year long episodesâÂ
Then your âhumanâ broadcast stopsâĻ
And you go back to your ORIGINAL PROGRAMMING
â which has been broadcasting for an ETERNITY on the astral plane TV â station which is your real, true, original, eternal, crystalline light body higher consciousness self resides.
This âlifeâ & this so-called ârealityâ...Â
Which is really just a 3D PROJECTION and an ILLUSION that your higher consciousness self is BROADCASTING from the astral realm TV station where your consciousness originated an eternity ago & currently residesâĻ
What you are currently experiencing now on earth in this 3D physical realm is just your higher consciousness self projecting your "human" season.
Dassit.
Its exactly like a film projector in every way.
This is why humanity resonates with film & cinema so deeply as movies mirrors our souls playing out the role of "human".
Thats all life is in this 3D physical realm of earth...
Life is just a temporary role & a temporary part in the neverending movie, in the neverending TV series that is your CONSCIOUSNESS & SOULS EXISTENCE.
Your HUMAN SUIT is nothing but a BODY and is not WHO or even WHAT you are!

Then the curtain calls, your role ends & you return to your master TV station, your original sound stage, where YOU produce all of YOUR productions aka "realities" aka lived existences aka lived experiences aka so-called "lives"...

Your higher consciousness self in the astral & etheric planesâĻ
And unlike in the extremely limited dark low vibrational 3D physical realm of earth currently run by dark entities that have enslaved the planet & suppressed humanityâs consciousness to siphon & harvest our life force energyâĻ

The 10D multidimensional multifractal dreamscape astral & etheric planes are as truly limitless as your mind & imaginationâĻ
You can play any part, any role, you can explore any place, you can see and do anything.

ONE human season with about 75 to 80 year long episodes.
Thats all âlifeâ is.
Thats literally it.
75 to 80 years out of a literal eternity which is literally nothing.
Whats 75/infinity? Whats 80/infinity?
Out of a literal eternity of trillions, countless, limitless, endless TV seasons aka âlifetimesâ aka "realities" aka experiences aka existences.
Not âone TV season that lasts for 75 to 80 yearsâ like so-called âlifeâ does in this physical 3D limited illusory simulated realmâĻ
But trillions, countless, limitless, endless TV seasons of ALL kinds, all experiences, realms, realities, universes, sexualities, psyches, realizations, awakenings, actualizations, epiphanies, dreams, fantasies, orgasms, eroticism, wet dreams, wet fantasies, making out, lucidity, visceral, time travel, interdimensional travel, interstellar travel, black hole suns, wormholes, singularities, redshifts, blueshifts, shapeshifts, parallel realities, parallel universes, starbursts, galaxies, rainbows, shooting stars, ocean kingdoms, centers of planets, underground kingdoms, trances, hypnosis, magick, spells, wizardry, fortune telling, crystal balls, dragons, unicorns, fairies, whales, dolphins, butterflies, angels, aliens, celestial beings, mermaids, telekinesis, telepathy, tarot cards, palmistry, fairy tales, legends, folklore, divinations, heiroglyphs, cave paintings, secrets, neverending storiesâĻ

The Netflix library with all of its seemingly limitless programming options & choices represents all of the actual limitless options & choices you have in the astral plane as your higher consciousness self for âlifetimesâ, realities, experiences & existences you get to live.
Choose your own adventure.

Read above the title â its describing the paradox & true essence of your existenceS:
"You're the star of the story! Choose from 40 possible endings..."
But instead of 40...its literally COUNTLESS TRILLIONS...and there ARE no endings...just endings that are beginnings...
Choose your own adventure in your neverending story.

You are severed from all that upon temporarily incarnating in this 3D physical realm as a human being.
THEY sever you from all that so THEY can siphon YOUR lifeforce & energy.
Then they hope YOU never remember WHO & WHAT you are & THEY hope that YOU confuse your HUMAN SUIT for âbeing human.â Open your third eye & remember who you are!


All that is YOU and WHO & WHAT YOU are.
The dark entities LIE is that your TEMPORARY ILLUSORY HUMAN SELF WHICH IS A 3D PROJECTION OF YOUR HUMAN EXPERIENCE & YOUR TEMPORARY HUMAN EXISTENCE is âall there isâ.

THEIR LIE ISâĻWhen you die, everything ends.
THEIR LIE ISâĻYou lose everything & everyone.
THEIR LIE ISâĻyou have to fear, avoid & fight death to a painful, counterintuitive, harmful, counterproductive, expensive, illogical degree.
THEIR LIE ISâĻYou have to hang on, hold on, "fight", "battle", "conquer" your disease, your mortality, your "terminal" illness...
REMOVE YOURSELF FROM THE MATRIX!
It is up to you to awaken to your self, experience & induce your ego death, open your third eye, experience a kundalini awakening, self actualize, self-ascend & realize that what is presented as ârealityâ is a projection of our higher consciousness selves in the astral plane dreamscape projecting our human existences on this physical 3D realm â activate awaken ascend!!!!!!
Free your mind.
But instead of this truth â
Which we all have access to once we tap into universal consciousnessâĻ.
You can access all knowledge, all experiences, all emotions, all energy âÂ
You just have to tune in to the frequency & vibe â vibrationâĻ
FREE YOURSELF FROM THE MATRIX!!!!!

#higher consciousness#consciousness#universal consciousness#the matrix#conspiracy theories#corporate slave#9 to 5#third eye#reality is an illusion#life is a dream#truman show#vanilla sky#neverending story#the neverending story#choose your own adventure#afterlife#fear of death#paranoid android#what dreams may come#waking life#stranger things#eye of ra#eye of horus#big pharma#medical industrial complex
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Bodies that matter by Judith Butler
Judith Butler understood deeply the impact that conflating gender with sex would have over time:
"...there will be no way to understand âgenderâ as a cultural construct which is imposed upon the surface of the matter... Rather, once âsexâ itself is understood in its normativity, the materiality of the body will not be thinkable apart from the materialization of that regulatory norm."
This amalgamation of gender and sex into a singular meaning for society occurred since Butler penned "Bodies that matter", but new visibility of trans- and gender non-conforming folks has ignited a discussion of "gender" that, I argue, exploded through moral panic mobilized as a political tool by various expert moral entrepreneurs with the help of new technological media.
Butler points out the way in which "good" members (those that follow and reiterate sex and gender norms) will help to identify (surveil and in many cases police) others' who do not abide by the perceived or real norms in the service of the heterosexual hegemony (or matrix of domination).
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Module 5 Assignment
Code:
A <- matrix(1:100, nrow=10) B <- matrix(1:1000, nrow=10) det_A <- det(A) det_B <- det(B) if (det_A != 0) { inv_A <- solve(A) } else { inv_A <- "Matrix A is not invertible." }
Output:
A <- matrix(1:100, nrow=10) B <- matrix(1:1000, nrow=10) det_A <- det(A) det_B <- det(B) Error in determinant.matrix(x, logarithm = TRUE, ...) : 'x' must be a square matrix if (det_A != 0) { + inv_A <- solve(A) + } else { + inv_A <- "Matrix A is not invertible." + }
inv_A [1] "Matrix A is not invertible."
Results:
When trying to find the determinant of both A and B, I found that A gave me a value of zero and since B is not a square matrix it couldn't give me a value for its determinant. When looking at the inverses for A and B, inverses only exists if the determinant is a non-zero/non-singular value, so there would be no inverse of A. Also, since we couldn't get the determinant of matrix B, we also cannot get the inverse of B.
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I Took a Screenshot of the Whole World
A review of 1001puddles' exhibition at Movie gallery, Nov 2023
This exhibition, and in a way the gallery MOVIE itself, feel like an earnest exercise in externalising an internalised internet of disembodied references. A noodly ebbing and flowing between a desire to generate offline references and the damned proclivity to validate existence through online archiving mechanisms. The archive is used as a life affirming spotlight, authenticating experience through accumulation and serialisation; life did exist, we did do things, they were cool. The bitter irony of trying to validate experience through the past tense is that the future and the present become a field of game hunting. Experiences are tracked down, hunted, hollowed out, taxidermied and stored for future display. Pre-meditating an archive, like prophetic perfect tense, speculates the event before it happens and renders the event complete and done- no longer requiring it to be experiencedâĻ running before crawling. The online interconnectedness that fetishises âthe realâ traps the corporal space we inhabit in a feedback loop that validates the ârealnessâ of its experience through a process of mastication and regurgitation; swallowed and gorged back and forth between online and offline social spaces, until finally being metabolised and excreted into an archive.
1001puddles fills the garage-space-turned-gallery with a sprawling grid of images, covering nearly every available wall. A4 laserjet prints are sheathed in rows of plastic sleeves suspended from curtain rods with fishing wire. The loose symmetry of the grid is just tight enough to create the illusion of uniformity. The hanging images precariously sway in the wind when the garage door is fully open, but are kept from tangling by the perimeter of small sandstones tethering the fishing wire to the ground. In the centre of the gallery lie three medium-sized sandstones which are perforated with small cavities, a handful of thimbles balanced atop and around them. The largest stone has a substantial cavity carved out, and its base is also perforated with holes. The cavities and thimbles are filled with water, or maybe oil. The tiny, artificial bodies of water and the images on the walls don't seem directly linked- although perhaps there is a quiet conversation about distorted reflections. I highlight this connection tentatively because the vastness of subject matter documented in these images makes any claim to pattern recognition feel apophenic and peripheral. Advertising material reflected in the window of a bus; a man crouching near some body of water; a murky reflection of a skyline in a puddle; a curved stick and its shadow connecting into the shape of a love heart; a scrunched up newspaper on the bonnet of a car; a welcome mat ripped in half; a chihuahua in a roller bag; a woman suntanning with her legs stretched out in the air. Puddlesâ collection of images relate to each other through an ineffable aesthetic sensibility that is unbound by formal aesthetic principles. The images seem to work towards typifying a style or humour, rather than articulating a pattern. In that sense Puddlesâ work is like a never ending scroll, referring to an infinitely growing archive that is substantially greater than the one you are currently seeing. Viewing Puddlesâ work triggers an embarrassing sense of non-control. The photography feels heavily geared toward the involuntary, and often inappropriately invasive, nature of sight. The subjects of his lens hang exposed, their strange eccentricities presented candidly, and as a viewer you can't help but feel a little self conscious watching them being watched.
Puddles builds an impenetrable wall through excess and repetition, suffocating every individual moment into a singular experience, flattening the matrix of nodes into a generalised gesture. Individually, the images feel a bit existential; pathologically documenting quotidian banalities along with oddly behaving subjects- though they might not have seemed so remarkable if their strange behaviour wasnât highlighted. The plurality of banal subjectless imagery reprieves the audience from participating in truly sardonic voyeurism. The dense population of images restrains the viewer through a kind of disarming overstimulation. Excess defies deconstruction.
The existential threat of the interface is its insistence on the userâs responsibility to discern, to choose either this or that, to discriminate and eliminate options, but Puddles obliterates any clear discernment between subjects. There is not even an implication that hard boundaries exist. Puddles blurs, or rather pixelates, the bigger picture. Behind a kind of cool and blunt humour, the crude, the pathetic, the earnest, the beautiful, the stupid and the ugly hide. He refuses to reveal which is which and when one ends and another begins. Obfuscated, nothing can hurt me. His prolific output of imagery has completely humbled the subject, stripping it of agency and spectacle. The concern is no longer what should be documented and exhibited, but how it should be captured and with what it should be stored. The hand and the eye refuse to believe, obscuring life through a stifling screen.
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Unraveling the Complexity of Matrix Algebra Assignments
Matrix algebra can often be likened to a labyrinth of abstract concepts and intricate calculations, leaving many students feeling lost and overwhelmed. In this blog, we'll unravel the complexities of matrix algebra by dissecting a challenging university-level assignment question and providing a step-by-step guide to its solution. So, let's embark on this journey to demystify matrix algebra and equip you with the tools to conquer even the toughest assignments.
The Question:
Consider a square matrix A of order 3x3. Determine whether A is invertible or not. If invertible, find its inverse matrix. If not, explain why.
Conceptual Overview:
Before diving into the solution, let's grasp the fundamental concept at play: invertibility of matrices. In matrix algebra, a square matrix is considered invertible, or non-singular, if it possesses an inverse matrix. This inverse matrix, when multiplied by the original matrix, yields the identity matrix. If a matrix lacks an inverse, it is deemed singular.
Step-by-Step Solution:
Calculate the Determinant: Begin by computing the determinant of matrix A. The determinant serves as a crucial determinant of invertibility. If the determinant is non-zero, the matrix is invertible; otherwise, it's not.
Evaluate Invertibility: Determine whether the calculated determinant is non-zero. If it is, then A is invertible. If the determinant equals zero, A is singular and lacks an inverse.
Finding the Inverse (if applicable): If A is invertible, proceed to find its inverse using suitable methods such as adjoint method or Gauss-Jordan elimination. The inverse matrix A^{-1} satisfies the condition AA^â1=A^â1 A=I, where I is the identity matrix.
How We Can Help:
Navigating through matrix algebra assignments can be challenging, but you don't have to face it alone. At matlabassignmentexperts.com, we offer comprehensive matrix algebra assignment help services tailored to your specific needs. Our team of experienced tutors is dedicated to providing personalized guidance and support, ensuring you grasp the concepts and excel in your studies. From conceptual explanations to step-by-step solutions, we're here to empower you on your academic journey.
Conclusion:
Matrix algebra may seem daunting at first glance, but with a clear understanding of its fundamental principles and problem-solving techniques, you can unravel its complexities. By following the step-by-step guide provided in this blog, you'll be well-equipped to tackle challenging assignments with confidence. Remember, perseverance and seeking help when needed are key to mastering matrix algebra and achieving academic success.
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Poematrix
Missing you miss I seen so quick suicidal jump in god blessed holy mission plan g Atari generation discometafizica healer bring new sound to town in algorithmic patterns the only chances to cross our lifelines on timeline run through wasted snorter my dollar note.
white red roses baskets read peace & war in dozen doses overdoses non binary code green on black screen Matrix trilogymnastic conceptual total recall universal soldier poet invented new vision in art craving CitiZen looking at my diesel dyke cyberpunk revolutionary movement in art I make antisocial public chaos reordering program iOS on retro computer designed by superego Neo my awatar run out data over superconscious fragile bonding our lifelines crossroads build up ancestors wasteland psycho Locoation fluid NeoNY retro synthesis time travels in sent shipwreck complications drawing boundary limits sending me away the golden middle way to see you everyday
I way too much experienced Deja vu in your sensualisation incarnation in flesh I worship holy breast drink the stream insanity I touch electricity power plant in da pants sil tu ple
Get my points in da pointless point your resistance turns on my gaydar radio detector my name in suahilli meaning protected. Kinga the bravest of the tribe I drive tank full of acid orange juice dessolving psyche with holy script in brave new world my god bless the mess in kinga gold monkey special divine remedium collector limited edition superstition I seen black fat cat on my way home and I missed my plane to Africa
press the button press my stress me out south west Great Western Railway express speedy hunter s Thompson styling up his gonzo & how cheeky monkey inteligence booster detecting lessbians on the way I see only soft spot reflecting in sunglasses I hear bongo bong king of the concrete jungle beat some drum & bass afrobeat my heart crave new art to steal your heart your Axe sharpen blade runner I switch off switchboards centrala! Alert!
I need to know
Am I done dead reflection in black glasses I got orange vision simulacreacion
You see my pure soul beaming light bulb in my sad but visionary lenses my eyes through the glass in binocular steampunk green glass I am asked in Stokes if I see this bloke aura so I look through the matrix glass scanning radioactive frequency in healing feeling
Captain we got serious default in computers bios stationery our ship will crash in Sepulturadiovodany frequencies fractals dancing neon extreme colours pallet intensive care on air
I want to kiss you on this empty bus stop mostly ghost shipwreck stacking lack of content but you answer the phone and I had to deal with finding water
Opened can of brew dog beer is clearly coincidence on a passage you chose to stay at the bus stop where we are xrayed by staffing forces army of robots controlling order institutional madness I deal in detail receiving shit treatment by psychiatric system
I smoke in supervised cctv on a way in and out psycho hospital to car parking front seats taken pass me water bottle but I have to explain first
I talk too much sooo hear my tak tak tak
How not to be seen when we walk back to sit down on a bench on a grounds
Insides sourround us nature can you see me
Through black glass
There is no time to speak what is all about
She ask to shut up
Canât shut up need basic megadata update iOS and defragmentalisation disc c:
She got time but time run out so fast I am fast on Polish fast the moon dust softly sprinkle silver hair I have since my mind explosion tripping psychotic thinking blinking flashing data slide singular photos animator running movie movemental artistic manifesto stoned squeeze essential potential average IQ booster
I had to walk here different way to see you once to find out whatâs this is about
I seriously worry about circumstances
Your condition side effects affect the beatific way I see your holyness I confess fast Iâm not my past you must realizen me in Buddha
not much time left to find the way out I want take you home central perk cafe kino kinia
no time to tell you yet
We are in trouble
How not to be seen?
Monty Python Flying Circus my head replay that question but how to be continue when I donât know if I see you again but say to stay
Tak tak tak
No question
I deal anxious deja vu cosmos set on nuthouz Locoation marked X on selected segment on personality mad monkey disorder absorb all spectrum special care agent Danger Powers speaking king peaking speed freak on speed dates control the leash control the plot flight over the cookos nest test us best no time to rest in Rastate St. Pauloza eternal hell is round the corner with stoner stoker Polish poet who speak Kinglish descriptive interactive alive synthesatorysm retro nostalgia radiostation animator panopticonstant cctv scanning my mind outside inside out
My name is Danger!
Danger! Danger! Danger!
When we touch when we kiss
I still want my kiss please me please
Say you love me again
Again say again I wonât complain
How we arrange any day out are you busy too much to explain me basic strategy what to do when you are sick
Banned your king
Canned your king
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How can I go on go on go on when you block me out in deadly blocking I got unblock clicking machinery stuttering rustyfikaty closes misery high hope releases in double lock
State of shock
Electric concussion shake desease in sound OHMmmm my twisted muse give me love
amuse my mind expanding cosmic antennae sonar scanning hot space out spiked reality blotters we share paper wall soaked acid rain insane
everything counts in large amounts my loud mouth not allowed give voice soundbox retronika elektrokronika synth era synthesis my thesis Stokers rights wordsmith Aleks Koval kraftwerk Lara Croft
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My point is share my joint I offer adventure
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all right my babber?
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maya burke is functionally dead ...
for all intents and purposes that name is lost to me
an admixture of inheritance, my mother's sense of inspiration and creativity, and a non-consensual contractual relationship wit the feds
ive continued to release music and perorm as maya nell, dropping burke, burgh, and that particularly sub lineage of the larger river of colonial distress and imperial geography
ive kept up as maya nell, for convenience, and because i am still fond of that way southern elderly black folk say my name, how the nell feels and sounds said with love and a familiar endearment
because of the memory mum has of seeing maya angelou speaking at berea college, because of the meaning i have found in and around the word maya
i am treating the name as an object, inert and emotionally detached from myself, a tether to the irs and social security offices, and a weighty shadow of all the projections pressed upon me, all the times my name has been said with disdain
all the times i have been held with contempt, and weapons formed against me
i am treating this i.d. card anchor to the matrix as a citation, and a vessel for particularly rigid modes of writing
from here, maya nell can say whats left needed saying, although i am tiring of wearing her, draped like a heavy cloak
its funny to feel in drag in ur whole govvvv name, funny ...
...pulling focus soon !!
maya :: murungi !! they're pulling focus!!!
sometimes , juggling many names, all the balls can drop to the floor
the space between them, the plurality that at times feels so abundantly euophoric, is all of a sudden all severeity all void
all gone, you are gone from yourself your sense of inner facing love?
TOAST absolutley toasted. in this economy? bent on ... bent on singular singular singaulr expressions of everything fucking flattening and where do those otherized into the trenches and margins, and those within the interesections where do we go where do we hold the multitude of our inheritances
the festival director the record company man the advertising agent all said that splitting your artist image is bad for branding bad for marketing bad for everything bad for consistency or getting your music out there or distributino or whatever and i said to hell with it, i couldnt fix this if i tried, even if i wanted to (still) which i don't (now) after much MUCH wrestling with my own self hatred self abnegation self sabotage allllllllllllllllllllllll of that, pinned down into an infinite hole of lovelessness that really just opened up when i accpeted i needed to be engendered as someone else, as some one in the the plural tense
tense
back to tension now
back to the tension, the space between names and bodies and senses of self -- the integrity of these boundaries, the sovereignty we have over our intimate lives,
its all blurring together again, and i remember that i am still pulling focus, still in_transition, hmm
m :: m
09132023
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