#Sonntag Berlin

[sonntagberlin]

Marion Andrieu // COCONUTS & BUTTERFLIES

Marion Andrieu participated with COCONUTS & BUTTERFLIES at Sonntag, taken place at a private apartment at Prenzlauer Allee 214, 10405 Berlin-Prenzlauer Berg, on Sunday 19 March 2023.

[abba-enthusiast]

Are you KIDDING me.

[selina1105]

[benkaden]

"Ich komme am Sonntag den 3.10.72 um 20:50 Uhr mit dem D-Zug."

Ansichtskarte

Brandenburg/Havel Neubaugebiet Brandenburg Nord

Berlin: Graphokopie H. Sander KG, 1071 Berlin (B 8/72 Best.-Nr. D 3119)

1972

[loeewenzahn]

Tatort Saarbrücken who?? Ich glaub ich wechsle die Konfession

[letsbealone-together]

Rewatche "Das Opfer" um mich auf die Doppelfolge vorzubereiten. Wow, das tut so weh...

[deinbester089de]

Berlin A-Z

https://polakomonaco.jimdofree.com/travel-insp/

Falls du #heute als #Tourist #InBerlin bist. Nicht nur das EM - #Finale hat die #HaiptStadt zu bieten. #Attraktionen , #Hotels #Hacks #Tricks #Tipps #Guide usw..

#VisitBerlin #Travelling #FussballTouristen #Euro2024Final #FernsehTurm #Spree

#Explorepage #FürDich #FoyYou

[rwpohl]

die seefee, hubert hoelzke 1975

[tante-litfass]

… und im Winter tust du weh …

[bdsmsub67]

[sonntagberlin]

Nick Crowe & Ian Rawlinson // # # I AM NOT JUST A TOOL, I AM THE EMBODIMENT OF CAPITAL

Nick Crowe & Ian Rawlinson participated with # # I AM NOT JUST A TOOL, I AM THE EMBODIMENT OF CAPITAL at Sonntag, being hosted at a private apartment in Berlin-Neukölln, on Sunday 1. September 2024.

[sonia-clark1019]

“In order to be irreplaceable one must always be different." - Coco Chanel • • • • • • • #fitxchemnitz z #wochenende #fitx #pumpen #fitfamgermany #vonnixkommtnix #fitnessjourney #cleverfit #bodyengineers #gymshark #chemnitz #berlin #sonntag #machdichkrass #leipzig #imnotlikeyou #music #sachsen #stuttgart #munchen #köln #leipzig #zecplus #frankfurt #iwill #underground #0711 #machdichwahr #sonia😎😘 (at Tofino, British Columbia) https://www.instagram.com/p/CoEdR6dO61d/?igshid=NGJjMDIxMWI=

[dissociationstudystation]

Sunday|Sonntag

08.09.2024

"happiness is not found, it is created."

Journal:

It is 2 weeks into the semester and I have unfortunately fallen behind. I dearly wish the daycare system here wasn't so convoluted but I know it's worth it considering the care is free, it just means that I need to work on a schedule to balance study time with caring for my daughter while my partner isn't home. I'm going to be updating my Notion pages today to try and encourage that organization. I'm also considering using this page to keep track of my work in each class. Making checklists for each course and such. Asides from being behind on my work, I'm hoping to start making some friends here soon. I feel this will be easier once we get approved for a place in Berlin, but getting there has been difficult.

German word of the day:

Antworten [ˈantvɔʁtn̩] - To answer

Listening to:

I wish you all luck, we are all doing as best as we can.

[benkaden]

"Nun habe ich schon die Hälfte meines Urlaubs hier verlebt und Sonntag geht es weiter in die DDR nach Wandlitzsee wo wir uns in einem Landhaus am See noch weiter erholen werden."

Ansichtskarte

Berlin - Stalinallee mit Gaststätte "Frankfurter Tor"

Heringsdorf, Berlin: W. Stange / Heringsdorf – Felix Setecki, Berlin (T 163/57 Liz.-Nr. 172 Best.-Nr. 0105)

Foto: Jacobson

1957

[olgalenski]

happy tatort berlin sonntag

[herrlindemann]

Sonic Seducer - February 2003, interview with Till

Thanks to ramjohn for the scans!

Till Lindemann doesn't like to talk. Since 1995, the Leipzig-born Berliner-by-choice has been sharing what he has to say with the lyrics of his band Rammstein, using his very own imagery to the music world, which is now taking notice around the world. There were almost never any explanations; Misunderstandings and misinterpretations, on the other hand, by the meter. His first volume of poetry, Messer, was recently published. Now we must speak. Plain text with Till Lindemann.

Probably only a few local bands of popular music have been misinterpreted, misunderstood or simply slandered to a similar extent as Rammstein, who already with their first album 'Herzeleid' more or less intentionally became the typical German problem child from supposedly violence-glorifying Leni Riefenstahl aesthetics meets Bodybuilding studio sledgehammer charm support Teutonic lyrics of the most morbid color and international mega rock stardom. One of the main people responsible: Frontman and lyricist Till Lindemann, who now gives an insight into collected poems from a good two decades in 'Messer' and who today, after many years of reluctance, publishes such as Der Spiegel, Focus, Welt am Sonntag, TAZ and similar speech and answer stands. Escape to the feuilleton or the real end of the cold (information) war?

Lindemann, the eternally misunderstood one.

« Neither of the two. The fact is that I very rarely and very reluctantly give interviews about my work. So many things have been overrated in the past that I actually don't feel like expressing myself anymore. But this time there are unfortunately not five colleagues who could represent me at this point. It's not that I'm still annoyed by any rumours, half-truths and strange interpretations, but I don't have to actively contribute to their creation. In the case of Rammstein, the success proves us right and makes us above any stupid accusations. There is this typical German calf-biting mentality of wanting to pee on everyone's leg. We now smile at this with a clear conscience. Certainly, with 'Messer' I make myself vulnerable again in a certain way. If the media are not able to reproduce my statements in the actual context this time either, there will probably be no more statements from me in the future. »

Clear words. However, one should be all the more free with the poems in 'Messer', which, roughly in the manner of Rammstein, express in their very own way Lindemann's fondness for explicit and metaphorical depictions of the primal instincts of violence, sex and death, which are often misunderstood, and thus express the millennia-old Reflect the engine of human development between plush pink prose and the gnarliest gutter expressionism in all its range. Lindemann, the versatile one. Strictly speaking, a rather unusual career that began in 1979 in the then workers' and farmers' state as the son of a writer from Schwerin with an apprenticeship as a carpenter and defined itself over the years through the intersections of carpenter and basket maker. Subsequent work as a gallery technician, drummer for the punk band First Arsch and ultimately Rammstein's lyrical and visual figurehead left their mark. Today: Till Lindemann 2003 - artificial figure or multifunctional personal union of musician, lyricist, lyricist, entertainer, rock star, artist?

“Definitely not an artificial figure. Basically, I see myself as a copywriter who is currently making the first steps as a poet. The whole book is a kind of flashback; a conclusion, a showcase. Comparable to the existence of a band that, after 20 songs, decides to immortalize the whole thing on an album. The publisher Gerd Hof and I made a selection from more than 1000 poems from a good 15 years, which we wanted to publish in Messer. Like probably every artist, I am to a large extent inspired by my environment. In a way, the texts represent a reckoning with myself, revenge on myself and also a coming to terms with myself. It doesn't matter whether this is caused by dreams, nightmares, films, books and just a walk. I'm actually a 24/7 receptive medium who usually has my notepad within reach. My type of texts is almost exclusively subconscious. When I sit down with the thought of writing something positive, something dark comes out of it anyway, because there seems to be some kind of automatic negative flow inside me. » Which in the final form of the text can of course not be enjoyed without the necessary, tongue-in-cheek and often neglected distance and, on closer inspection, does not want to deny certain (albeit dark) humoresque intersections with 1960s comedy icon Heinz Erhardt. ‘Herzeleid’ without sheet music? Lindemann does not play melodies. But he laughs and nods. And vowels aren't rrrrolled this time.

« That is indeed a very good paraphrase. Surely the lyrics are superficially characterized by violence and every kind of provocation. But a closer reading also reveals a latent, almost comic-like joke that most people go unnoticed. Although the lyrics are almost exclusively created subconsciously from a word, a vague idea or a story, I still leave a kind of back door open somewhere, so that you can usually still somehow smile about the lyrics. This is certainly most evident in the poem 'Big In Japan', which I wrote after visiting a night bar in Tokyo. There was an artist there who hung really enormous weights from his cock. It is well known that the Japanese aren't very well endowed by nature, but the whole thing was raised so big that the pastiche based on the Alphaville song was simply compelling. There is nothing more satisfying and interesting for an artist than creating friction, polarizing and observing the many different reactions. In the case of Messer, this ranges from fear to dismay to genuine pleasure. I'm sure I ask myself from time to time: what kind of monster did I actually create? But on the other hand, you also chuckle to yourself now and then and are happy about your little, dirty, black something. »

So willful provocation combined with negligently conjured up misinterpretation as a stylistic device to intentionally break a taboo? The name Rammstein was used more as a battle cry than as an elementary contextual component, and not only in the chorus of the debut single ‘Wollt Ihr das Bett in Flammen sehen’? Till Lindemann: Federal citizen terror. Enfant terrible. Gigolo of morbid eroticism.

« We/I don't aim to be misunderstood at any price, but on the other hand it's always very fun to watch how people get upset in this country and what waves this band is making. Otherwise, the tool of provocation is no longer as interesting for us today as it was after the fall of the Berlin Wall. Back then it was almost all about being as evil, provocative and bold as possible; just doing something new and wacky in German. Today it's about other things, the art and the overall result are our top priority. On the other hand, it's not my thing to interpret my texts in a great way and to give content a certain direction. It's much more exciting for everyone when people can make up their own minds about art such as pictures, texts or sculptures and the artist doesn't also have to be enlightened. I've found that many people have been disappointed in the real meaning of my lyrics since they've already made up their own minds and my final explanation must have seemed far more unspectacular than they imagined. Some things are better left unsaid... »

The specially made photos also play an important role in 'Messer', which show Lindemann in an unusual pose in the midst of a whole army of naked mannequins as an androgynous outsider - supposedly far removed from the self-chosen, superficial gloomy macho image of the muscle-bound pyromaniac on the prowl female prey. « The interpretation is completely free in the context of the poem/photo and vice versa. It is a very interesting experiment to see how the perspective on the poems changes with the help of the photos, what different variations are possible. There is no direct correspondence between the two art forms, but if you want, a small dialogue can be established. The pictures certainly show me from another side that you may not have known about me before... », but which, on closer inspection, reveal exactly the individual who, at its core, constitutes the true protagonist in Lindemann's work: the vulnerable one, looking for affection and security the craving oddball, the outcast freak, the sensitive love killer in search of fulfillment - there are many role descriptions in his very own personality pattern, potential misunderstandings always included.