#Sorry if this is really long btw

[francy-sketches]

sorry I got posessed by the wattpad demon I'm normal now (lying)

+alt version that didnt fit the #aesthetic but it better represents my #vision of them ^_^ hashtag couplegoals

[duckmessiah]

wait youre doing these in mspiant????!!!! holy cannoli my guy thats awesome. you are awesome

if you have time and or motivation would you consider drawing some pepsicola for my soul? :)

yeah i just like to use mspaint sometimes as a fun challenge + i think it's really suitable for homestuck fanart. i'm drawing on a tablet so it's not that hard

personally i don't ship it but i am really picky about shipping in general and i'm trying to stop being a hater so here's my attempt

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[kinerxy]

Feralytosis

The werewolf disease

Different specimens of the primate order can be affected by this rare sickness.

The main symptoms are a total change in the anatomy of the body, increase in size, elongation of the muzzle and a great appetite for meat, preferably of the species of the infected subject.

lýkos-protanthropos Primordial Were-man.

The Protanthropos is a cuadrupedal animal with great intelligence and are very sociable, they're often found in big groups or tribes, ruled by a dominant (Alpha) pair.

These creatures can spread the sickness throught bites and corporal fluids, altought the percentage of surviving a direct attack of any of these beasts is close to none.

lykánthropos Homo sapiens lycaon.

The illness is believed to have spread to the human world when the outcast Lycaon started his reign over Arcadia, Greece.

Starting generations of disease that stretches into modern times, despite this, werewolves are nearly extinct due to the extensive hunt made by humans.

(top to bottom) lýkoseráida & lýkosnános

These are examples of small variations of the sickness, these are rather exotic due to the spreading method of the disease.

these creatures are often formed by experimentation rather than a natural contagion.

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[mxi-88]

anyone else think about simon's case 2 dialogue about knightley thats definitely about more than just knightley? just me? ok

[stressfulsloth]

Thinking about Disco Elysium and stars. Something about communal experience and simultaneous isolation, hope and idealism, fear and beauty and terror and burning. The inherent horror in the vast romantic starscape of the sky, the melancholy and loneliness inherent in the untold distance, a communal experience of something too enormous to fathom. Stars bear witness to humanity, to the millions of tiny people crawling on the face of Elysium. They watch the people, and the people watch back, and make up stories about the stars. Stars symbolise love, hope, something unreachable and unattainable.

The way that the light of the stars reaches every single being in Elysium, from human to phasmid, but no matter how far it reaches it is still a cold and distant glow, always on the verge of going out. A moral brilliance, a holy light to strive towards, something always at risk of burning out, but there's a dichotomy too. A duality between the stars as brutal unfeeling observers, moralists even, like the aerostatics flying overhead, tiny dying lights that watch impassively over every terrible thing in the world, and the flipside; stars as the burning kernels of hope, furious burning flames that parallel Harry and his golden-orange forest fire nature. Stars as the light of communism, the star-and-antlers. They're hope and dreams- a million years in the stars. Rockstars and superstars. The light of a brighter future (however short-term that future might be) coming towards them at the end of the tunnel. It makes me think of Sacred and Terrible Air and the light pollution in Vassa- ending light pollution as the world ends. "You may laugh at this, but in the evening, when the big world in the distance swells into a bloody maelstrom, families come out into the street in Vaasa and are insignificant together. Only distant explosions disturb the deep peace of the winter night, its flawless starry sky. Everyone watches, heads tilted back." The stars are a shared experience. Something that everyone watches, insignificant together, when there's nothing more that can be done. Light in the face of darkness, community in the face of inevitability. Togetherness. The stars are there in the church with the ravers. They're there watching Harry and Kim together. Insignificant together. In dark times, should the stars also go out?

[thosewildcharms]

We talk a lot about Rick saying he knew he was in love with his son's best friend, but we need to discuss Michonne's love for, and loyalty to this man since they met. He's always been the one for her.

oh for sure, she chose him from the beginning even if she wasn't fully aware of doing so. btw, if you haven't seen it already, i would recommend this post by @glamaphonic (which is basically required reading in my opinion) for the full trajectory of michonne's feelings for rick.

while I don't necessarily think she was in love with him since day one, you're absolutely right in that it was building from the moment they met. these are the things that stick out to me but let's be real it's not a comprehensive list because she loves him so much. she loves him so so much!

the way she pretty much instantly decided the prison was safe and that she wanted to stay there because of rick. not just by understanding why he was mistrustful of her, but by seeing how he had built a legitimate family from the way he reunited with carol and thanked daryl for taking care of judith. it took her five minutes to clock him as a legitimate leader and has supported him ever since. so much so that in 7x12 she tells him, completely honestly, that he should lead all of the communities. she genuinely admires him, and thinks there is no one better or more capable than him (of course, that's not true: she is lol i'm always so ticked by how surprised she is when he asks her to lead with him in 7x12).

when she sees rick having hallucinations, instead of treating him like a wild animal that you should only approach slowly and carefully (like everyone else did) she sees herself in him and goes out of her way to make him feel better. if anything it actually makes her trust and understand him more. and she gets him to crack a joke and smile!

the fact that not only was she not angry, but told him she completely understood that he had to consider giving her up to the governor, who she *knows* is a psychopath. that SHE of all people was the one to empathize with him for having to make that choice? that is truly bonkers when you think about it. a level of loyalty and understanding and care that makes very little sense considering how they still barely knew each other then. but it ~*~must have been something else then~*~

the way she bursts into tears of joy and looks to the sky in thanks after finding carl and rick after the prison. you know she would have been glad to find anyone when she started following that trail but you could tell that those two are who she wanted to find more than anyone else. and the fact that doing so seemed to restore her faith? shut up???

after she finds rick and carl she asks him "is this home? or just a stop along the way?" she was willing to stay put and build a home with just him and carl without bothering to look for anyone else. as @glamaphonic said, she claims them right then and there. (btw i noticed that a similar conversation happened with carol and tyresse in The Grove, and also with sasha and abraham in...some later episode idk which one, but they're in an office building. i just thought it was interesting! i wonder if the carol/tyreese instance was a nod to the comics?)

rick thinks that killing a man with his throat is the worst thing he's ever done. certainly carl saw it as monstrous (as it made him think he was a monster too, for being too similar to rick) even daryl backed away from it. only michonne saw it for the heroic act it was and it made her fall in love with him. and she made him feel better too. again, she sees a kindred spirit in him as someone willing to do anything, including things most people would not do, to protect his child.

she is always ready to back him up and fight with him, as well as for him. the only time she disagrees with him is when she knows there is a better option for them, and even then she's gentle and supportive while she convinces him there's a better way (directing the group to alexandria, "i'm still with you", the fight against n*gan, the end of towl 1x04, probably more that i'm forgetting). she considers him her equal in every way, and considering how self-reliant michonne is, that says everything.

okay but seriously the EASIEST way to piss michonne off is to talk shit about rick, talk shit to rick, put your hands on rick, or even just look at rick in a way she doesn't like. she just starts yelling and/ swinging, which is hilarious because she's normally so collected.

on the other hand the only thing that makes michonne lose her shit completely and genuinely panic is if rick is legitimately in danger (the end of 6x09, the bridge)

if she thinks he's dead, she straight up just. stops. mid battle. just drops her weapon and stops. i'm almost glad we never got flashbacks to the time immediately after the bridge because it might have been too devastating to watch.

she never rejects him. even when they're at odds, she's still goes out of her way to show him she still supports him (5x16, their kiss in 7x08).

rick straight up would not have survived losing carl if he hadn't had michonne. she is so loving and patient and gentle with him even through her own grief it's incredible. she loves him SO much (and i have to point out, rick is the same for her. as devastating as carl's death is, watching them work through it together was beautiful).

she is always trying to ease his burden and be a legitimate partner to him. there are countless examples of this but the big one for me is how she considers n*gan her responsibility after season 8. rick made the call but she backed him and kept backing him even though everyone was against them, even when they both had doubts. she completely meant it when she said she wanted for them to make all of their decisions together and for once he's not completely alone as a leader.

speaking of the n*gan thing. michonne stands in maggie's way until maggie asks her what she would have done if it had been rick who had been butchered in front of her, if she could have just let that go. definitely, the answer was no. just like rick couldn't have if it had been michonne.

(because she can't live without him anymore than he can live without her).

she was flipping over dead walkers for months after the bridge and did not move on for over 6 years because she could *feel* he was still alive despite all evidence to the contrary and also simply because there was no one else she wanted. it's him or no one. just as it's her or no one for him. you can actually see her flinch a little toward the end of her kiss with ezekiel.

wearing his clothes and wrapping them around herself like a hug when she really really missed him

talking to him long after he was gone

setting off to find him on foot over nothing more than a hint that he was alive

all of the ones who live. like, that would honestly need its own post but do we even need it? that show dialed this love story up to like a twenty. she spent an entire episode saving him from himself. almost died trying to find him in the first place. jumped his ass out of a helicopter. her faith in him and them saves the entire world.

truly, her response to his proposal/vows is spot on: "it could only ever have been you." it was always him, it was only ever going to be him. it's him, or it's no one.

[softpine]

Elaine: Am I bringing you home? Asa: Yes, please. Elaine: What are you doing after? Asa: [...] Elaine: You're still keeping secrets? Asa: Sorry. I wish I could tell you. I really do. Elaine [laughing]: You know, if Griffin hadn't been murdered in the 80s, I would think you did it. Weirdo.

[transcript]

[comradejoanmir]

2024 grid (almost)

[xuxudio]

My piece for @chewydolls for the QSMP art trade! I've wanted to draw something for the wedding for a while, and what better occasion to get Roier and Cellbit looking their best <3

And of course, thank you @applehearted for hosting the event! :D

[pantpisser9000]

happy holidays, everyone!

[papabearbobbynash]

So... no one is going to talk about how the line "I don't understand it, i understand too well, because right now the only thing holding me up right is rage" is also a callback to when Emmet died?

Because that woman spent years holding up until she finally catch her fiance's murderer, and now she is on a similar situation where she is feeling like losing her husband due a criminal intent... I mean, imagine how Athena must be feeling going through the same situation again and then upscale the pain with her probably believing she has fault at this (because she is obviously going after Amir first before finding out it's not him i hope)

[nyxofdemons]

“one day im going to have to make like a three hour long video essay that's just called In Defense of Helluva Boss” Please do. I see more anti videos than I do with defense ones. Like the ones that say season 2 is terrible even though it’s barely completed and the ones that say Stolitz is a bad despite them barely having a relationship.

no literally i am sick of seeing more anti content than actual appreciation videos but the anti talking point i see most that drives me up the fucking walls is that it's "bAd RePrEsEnTaTiOn," as if that is all that queer people are allowed to have; just the vague nebulous concept of "Rep(TM)." the fact that if a straight character is a bad person then it's just that This Character is a bad person, but if a queer character is a bad person then This Is Bad Representation Of The Community And Is Homophobic. can we not just HAVE characters?? vehicles to tell a story??? tools to craft a compelling narrative??? this is part of why Helluva/Hazbin being adult shows is such a THING because i see this get shut down a lot under the guise of "uhh well just because it's an adult show doesn't mean that it can handle whatever topic it wants however it wants" and like. yeah buddy! that's true! and that's not what this is fucking about!! when people say "it's an adult show" what they mean is that it's made to be engaged with under the assumption that you would know better than to take information to shape your worldview and perception of other real life people from a fucking cartoon! the show doesn't NEED to tell you that Um Hey Guys Just So You Know This Isn't Actually Meant To Reflect How All Real Life Gay Relationships Are because you are an adult who should already be able to discern this.

"bad rep" doesn't mean "characters that are nuanced, morally gray, or just bad people." "bad rep" would be if helluva boss was a show that said "the REASON these characters are in toxic relationships / are bad people is BECAUSE they are queer, or at least directly correlated to that fact." which is. you know. very fucking different than "these characters are in toxic relationships / are bad people because they 1) live in a classist society that actively encourages them to be their worst selves and 2) are extremely traumatized."

[ketavinsky]

tavstarion/masqstarion art for @loyalhorror because im .... lowkey i am obsessed with the ship........ some progress shots below...

great googley moogley this took A LONG LONG LONGGG time to complete! for some truly absurd reason i decided to take this piece as an excuse to practice blues (something i never use) and a new brush set id ... again never used.... but finally heres something i can proudly present to you! the cage/chapel is referenced off a really cool art installation ill link once i find it because it is sO DOPE-- originally i was going to have hands reaching for them from beyond the chapel structure, but i thought that was a little on the nose considering their ThemesTM so instead heres some huge amorphous ambivalent serpent/bird coiling shape in the background! the masqstarion dynamic really strikes me, i really love everything about them, and i use birds and serpents as symbols of freedom, breaking cycles, finding kinship in places previously thought barren and loveless, and grappling with defining one's sense of self, in my own work so i thought hehe....... sneaky little nod to the Themes and Motifs....i regret that the serpent coil is so indistinct in the final piece of art bc i was FIGHTING FOR MY LIFE PAINTING IT!!! but i wanted to look as if the huge coil is converging on them in the distance, but it hasnt quite throttled them yet. in this moment theres still light in the sky. the inevitable thing hasnt closed in yet. the eternal thing hasnt closed in yet. theyre safe now, and happy.

[makabray]

some postal dude gender headcanons since someone was interested hehe (i'm mostly talking about p2 here, but these could apply to any of the dudes probably)

trans postal dude is really fascinating to me cause i think he'd be quite a different character from a lot of modern trans rep. like, dude is a (relatively) older guy from from rural arizona, who was likely raised in a fairly conservative and religious household, so i think it's safe to assume that he wouldn't have access to much of the resources or terminology that we have now. growing up, he might've known a little about queer people from word of mouth and the few magazine articles he could find on the topic, but for the most part it was a lot of figuring things out on his own.

his adolescent years were really messy and all over the place, he definitely did a lot of experimentation during that time. a lot of sneaking out of his parent's house after dark to hang out in the back alleys with the other weirdos like him. during this time he was still closeted and figuring things, i don't think he really started presenting and identifying as a guy until his mid 20s when he moved away from his parents, and even then he had to go stealth. though keep in mind that's he's a broke bastard living in the middle of nowhere, so he had to DIY a lot of shit.

surgery of any kind is not an option, so that meant he had to work with what little he had. fortunately for him, he's able to pass fairly well with a sports bra, some rolled up socks, and baggy clothes. it's why he almost never takes off that huge trench coat he's always wearing, aside from it just generally being a source of comfort and pride for him. he also started taking hormones when he moved away from his parents, which i like to think uncle dave helped him acquire (albeit through dubiously legal means).

so maybe dude wouldn't make for "good" trans rep, but he's alive and himself against all odds and that's what i love about this headcanon

for dude, transitioning has its ups and downs. on one hand it's incredibly liberating to dress and act and be the way you've always wanted to, but on the other hand it can be quite lonely and difficult too. dude already has to constantly keep his guard up, constantly be vigilant of the people around him and how he's being perceived, but being one of the few queer people in a small town compounds that even further. plus i imagine that he probably has a lot of complicated feelings about his gender and sexuality that he doesn't really know what to do with on account of being really repressed and all that.