#Surya Puja

[jeevanjali]

Surya Dev Puja: सुख और समृद्धि के लिए इस विधि से करें सूर्यदेव की पूजाSurya Dev Puja: सूर्यदेव, जिन्हें भगवान सूर्य, आदित्य, सविता, मित्र और विवस्वान भी कहा जाता है, हिन्दू धर्म में एक प्रमुख देवता हैं। वे देवताओं के राजा माने जाते हैं और उन्हें जीवन का आधार माना जाता है।

[newspatron]

Unveil Makar Sankranti's Secrets: Sun, Sweets, & Celebrations

Share your Makar Sankranti memories, questions, or favorite recipes! Let's celebrate together!

Dive into the vibrant tapestry of Makar Sankranti! Discover the sun’s triumphant journey, delectable treats, and joyous traditions of this Indian harvest festival. Kissed by the Sun: A Journey Through the Vibrancy of Makar SankrantiMakar Sankranti 2024 HighlightsDateTimeImportanceRitualsDo’s and Don’tsGupta Lakshmi PujaScientific Explanations for Makar SankrantiScientific Reasons Behind the…

[kdcreation]

May Bhagwan Surya and Chhath Maiyya shower their immense blessing upon everyone on this Chhath Pooja!

Call:- 8013395610

Visit: https://www.kdcreation.co.in/

[vaikunth]

Balancing Energies with Surya Grah Shanti Puja

Surya Grah Shanti Puja is a powerful ritual to balance cosmic energies and bring harmony into your life. Dedicated to the Sun God, this puja counters negative planetary effects and boosts positive energy. With Vaikunth, you can find skilled Vedic Pandits and Aacharyas to perform this puja, helping you align with cosmic forces and enhance your well-being and prosperity.

[scprabhakar]

[vizthedatum]

What even is this year? This whole year has been intense.

Solar eclipse, Ghatasthapana Muhurat (can I even pull it off?), Navratri/Durga Puja, Lunar eclipse, Samhain...

Leaps of faith are the scariest thing because they make you confront your fears and your lack of self-confidence. They're grounding, yet you must believe and trust that the outcomes are both mysterious to you now and for your benefit. It's not about the outcome, even though you desire it - it's about the process.

It's all about connecting with yourself, but that doesn't mean it isn't turbulent, terrifying, fulfilling, and completely life-changing. Life has already been that.

I will keep working on my goals and try to have more trust in myself.

[bestcareerprection]

Dakshinayan and Uttarayan: भारतीय संस्कृति में एक वर्ष को दो भागों में किया गया है विभाजित। उत्तरायण व दक्षिणायन के नाम से प्रसिद्ध है ये काल। सूर्यदेव 06 महीने के लिए उत्तरायण रहते हैं और बाकी 06 महीनों के लिए दक्षिणायन। 21 दिसंबर से शुरू हो रहा है उत्तरायण काल

दक्षिणायन को याम्यायन व उत्तरायण को सौम्यायन कहा जाता है.सायन सूर्य के मकर राशि में गोचर/Sun Transit in Capricorn करने से शुरू होता है उत्तरायण काल.हिंदू संस्कृति में सूर्यदेव को माना गया है एक प्रत्यक्ष देवता।इसीलिए सनातन संस्कृति में सूर्यदेव से जुड़े हुए कई व्रत-त्यौहार मनाने की है परंपरा।उत्तरायण काल को माना जाता है बेहद पवित्र।उत्तरायण काल को देवताओं का दिन कहा जाता है.उत्तरायण काल के दौरान पवित्र नदियों में स्नान व दान करने का है बहुत अधिक महत्व।उत्तरायण काल में किए गए दान व गंगा स्नान से मिलता है अनंत कोटि पुण्यफल।उत्तरायण काल से शुरू हो जाते हैं शुभ व मांगलिक कार्य।उत्तरायण काल में शरीर त्यागने से मिलता है मोक्ष।इसलिए शर-शैय्या पर पड़े हुए भीष्म पितामह ने उत्तरायण काल में त्यागा था शरीर।

यदि आप 2023 पुजा शुभ मुहुर्त पढना चाहते है तो हिंदु पंचांग/Panchangam देखे अथवा अपनी राशि का वार्षिक राशिफल/Yearly Horoscope 2023 पढना चाहते है तो यहा क्लिक करें।

[ravikugupta]

Chhath Puja Fair In Bangalore

Chhath Puja Fair In BangalorePhotography Link – https://www.facebook.com/100063784820316/posts/pfbid02xwTHLvufVutiFbnWCkD3wAHtNyRPvnSHX358rnHhrBu8wiit2PjNJcK4GDBTHBrml/?sfnsn=mo Vlog Links – Location – -Ravi Kumar Gupta.

[ardra-astrology]

A demon ate the Sun

Another word for Vedic Astrology is Jyotish which means Science or Study of the Light. The Darkening of the Sun is considered an inauspicious occurrence. In Vedic Astrology the Solar Eclipse happens when Rahu swallows the Sun. However, Rahu being only the severed head of the snake demon, can’t hold onto the Sun. The Sun is eventually able to pass through the opening of Rahu’s neck, and end the eclipse.

Sun Fears None But Rahu

It is also believed that an eclipse creates a portal - one in which dark entities can pass through and enter the Earthly plane. Because of this theory it is recommended to not observe it but rather stay inside and go somewhere safe. Spiritual practices are considered to be very beneficial during this time. Also good are prayers and puja for the Sun/Surya to support Him during this possession.

This eclipse in particular is being highly Ritualized. The elitists are sending 3 NASA rocket ships at it. Why??! They talk so much about climate change and the broken ozone layer then spend ALOT of money & time to hurl unnecessary fire-y objects into space? What are they trying to conjure up?

Prayers for Surya 🙏🏻

Om Hraam Hreem Hraum Sah Suryaya Namaha

I Salute the Great Sun God for his Divine Grace

[srbachchan]

DAY 5754

Jalsa, Mumbai Nov 18/19, 2023 Sat/Sun 1:13 AM

Chhat Puja (Pratihar Sashthi/Surya Sashthi) Sunday, 19 November

Birthday - EF Rubina Mulchandani ; Ef Pravin Ahuja (noida) 'poet sahab' Sunday, 19 November ... birthday greetings to you and the affection f the Ef family .. ❤️

.. that strain again .. and again .. and again ... at this hour of having just finished work .. no work no play .. yes .. began at 7 am and now in completion .. that is and be the essence of day of us that work .. no work no play .. without it , like the sun never came out .. clouded in its translucent obliquity .. 'abrupt and angular but the very' ... aahh forgot those precious words of Hrish Da's brother on set on one of his films .. 'soul of magnanimity and rectitude' .. found it .. yaaaayyyy !

abrupt and angular but the very soul of magnanimity and rectitude ..

.. he had described the character I played in 'NamakHaram' .. Hrishi Da's film with Rajesh Khanna .. an Indian Becket .. that incredulous film with Peter O' Toole and Richard Burton , playing King and his confidant a commoner , almost .. christenned in the Court much to the dislike of the Church Archbishop .. but what an envious casting and performance abilities of these two giants .. and what a story .. ably adapted by Hrishikesh Mukherjee in the local version of a business tycoon, his empire and his dear friend, whom he has trusted to death and who turns the tide when he discovers the inappropriateness of the labour force that works for his friend's factory and the continued conflict that arises between these two inseparable friends ..

.. the description of the character .. but how mutedly significant in the environment of the day, when the surya devta plays truant ..

o .. lost my thought process .. in the wonderment of the days of this shoot at Mohan Studios .. now sold and converted into a multi storied real estate monstrosity , like many others .. never a word or thought of the massive creativity it encountered during its functionality .. Bimal Roy and his genius, Hrish Da, Prakash Mehra and their huge structured films and so many many others .. lost and gone to the concrete .. but in the memories of archives , now finding it difficult to survive ..

but life and work as I said needs to go on .. each day and enthusiastic run for the glory of the audience- the ones that made and make you !!

i retire ..

Amitabh Bachchan

[vishnavishivaa]

VaasudevaVasudaa Chapter 1: A Deciding Wish

This book will have only three main POVs: Krishna, Rukmini and Satyabhama. This story is a retelling of Their story, without distorting the main events of Harivamsa and Mahabharata.

********

She had awakened before the Sun rose. 

Now wrapped in Her comfortable green saree, Satyabhama sat on the cool balcony floor, gazing at the East, waiting for the Sun to rise, a kundala next to Her. She was waiting to do Surya Puja, and had been up earlier than usual, though Her habit was to arise before the Sun dawned completely. 

In fact, Satyabhama rarely slept for a long time, which had been the case since She was a seven year old girl, and had decided that She had to gain Knowledge of anything and everything that existed, triggering Her journey into the sacred scriptures of Sanatana Dharma, each of which, along with various other skills, were taught to Her by Guru Garga and his disciples, all of whom resided in Mathura. 

The restlessness of Nature was ever present in the pores of Her body, Satyabhama knew, as She stood up, swaying with the pre-dawn wind, which caressed Her gently, curly strands of hair gently escaping the loose plait that ran down Her back, settling to frame Her face, as if leaves that protected the blooming flower. She did not move the position of the stray curls, rather, letting them take their own course, more interested in the start of sounds, the awakening of animals coming together with the slow rise of the Sun. 

The large ball of fire never rose at once, rather choosing to first cast its rays into the dark Sky before slowly rising, indicating that Purusha followed Prakriti, for the Sun’s rays were often likened to Harini, Hari the Sun Himself. 

Smiling gently, She grabbed the kundala She had placed on the floor, now standing almost on Her tiptoes, bouncing in happiness as the Sun rose. 

Closing Her eyes and pouring the water in the small golden vessel, She started Her prayers, easily flowing through Her usual prayers of welcome and greeting, the Aditya Hrudhayam included in Her prayers, a feeling of familiarity washing over Her, though Her heart was focused on the wish that She was going to request of the Yadava Sabha that day. 

It was a big and important day, and She knew that only with the Universal God by Her side would She achieve Her goal. 

***

“Sakhi Satyabhama, do you have to proceed with this plan?” asked Madhavi, gently folding the pallu of Satyabhama’s saree, as Satyabhama adjusted the brooch that Her mother had given, which was a elegant peacock pin at the junction of Her neck and shoulder, ensuring the cloth was tightly wrapped around Her, refusing to let anyone outside Her close circle see Her in anything but the neatest dressed form of Herself. 

“I do, Madhavi,” Satyabhama smiled at Her friend, both grateful and reassuring, understanding the worry of Her friend. She knew well that if Satyabhama continued with the plan, Her existence will be known in a broader way throughout Aryavarta, which might cause more complications than Satyabhama frankly needed, owing to Her continuous wish to learn more, as well as very sharp intellect, which could easily see everything in a piercing way that was rarely seen amidst the Yadavas. Satyabhama continued, “From what I have heard of Devakinandan, He is very very appreciative of women and their wishes, as well as accepts them with sincerity. Taara Bhagini, who is His sister, says so, as does Sushila, who has been in love with Him since She has seen Him. And you know how much I trust both, given that They never embellish anything They tell me, come what may. That, put together with the opinion of every Yadava, including Pitashree and Jyeshta Bhrata, as well as a very powerful feeling of trust that is shooting through my heart, I believe that Vaasudeva Krishna will listen to my plea, and mostly accept my wish.”

“It is true that He does have a particularly unbiased opinion, and has been hailed by every single Yadava. But..”

“Madhavi, I can understand your worry,” Satyabhama reached out to pat Her close friend’s hand, gently holding as well, giving Madhavi strength. “But I am confident. Additionally, Pitashree and Bhrata agreed to my wish as well, and will be helping in this process.”

“But what about the chieftains of the Kula, Satyaa?”

“They are Yadavas, are they not, Madhavi?”

Satyabhama did not want to believe that Her elders would protest this wish of Hers, though it did sound much more practical than Her confidence that She would get to do as She had hoped. However, She also felt that the Yadava Kula is very understanding of the equal power of the Feminine as compared to the Masculine, which is why they believed that women deserved the same opportunities as men. Of course, Kamsa was not of the same thought, for he treated women horribly, even if he gave his now widows a lot of freedom. 

Which could also be due to who their father was, Satyabhama mused, Her face darkening. She sighed when Madhavi looked at Her in worry, smiling small to reassure Her. 

“Just thinking about the reason this has to be done, Madhavi. Indirectly, at least.”

“But Sakhi,” Madhavi said. “We all worry that your future will get complicated if the truth of your skills comes out.”

“My skills are not hidden among the Yadavas, Sakhi,” Satraajiti replied. “They may not be discussed, but they are well known. Pitashree personally has informed the King about it, and the King has also graciously accepted them. There is no need to fret.”

“But do the others know every detail?”

“Even I do not know the entire details yet, Madhavi,” Satyabhama said, sitting down on the settee, patting the seat next to Her for Madhavi, who gingerly sat down, though her eyes gleamed with curiosity. Smiling, the daughter of Satrajit continued, feeling Her face expand as She spoke. 

“My powers could be because I was not born of the womb,” Satyabhama said softly, looking at Madhavi. “I was found in a Lotus, a thousand petalled one, no less, by Pitashree. One found in the Yamuna, floating like it was meant to be there.”

“A thousand petalled Lotus is said to be present only for the most special of people, Sakhi,” Madhavi said after some moments of silence, as she now seemed to try and read Satyabhama’s every pore, something that had not been possible to anyone who was not Taara or Sushila before. 

“To me, it is Hari’s blessing that I am how I am,” Satyabhama whispered, standing up and tucking Her dagger into Her waistband, shaking Her head mildly at Her friend’s partially disapproving look. 

“What if..”

“I will manage, Sakhi,” Satyabhama said firmly, a confidence boost that held the power of the Universe entering Her. She could feel Her entire form being enveloped by a glow, a glow that She felt indicated the peak of the Divine Feminine. With a soft smile and half hug at Her childhood friend, Satyabhama walked out of the chambers, confident in stride, like a lioness and protectress, Her only aim being to reach Her father’s court, ready to go to the Yadava Sabha with him. 

******

“Are you sure, little sister?” 

Satyabhama huffed playfully, looking at Bhangakkara, whose face held both protectiveness and resignation. She giggled, especially seeing the latter emotion, knowing that he had already known that She would continue with Her plan, something She had come up with during a spontaneous discussion, everything ironed out in less than half a prahara. 

“I am Bhrata,” She smiled gently, patting his arm, their father smiling affectionately at the banter. She continued softly, “Madhavi addressed her worries as well. She believes my life might get complicated after this.”

“I know you can manage it, my child,” Satraajita said. “But I want you to be sure to proceed, Satyae.”

Satyabhama looked at Her father, smiling at the nickname. 

Satyae. 

Truth. 

“I am, Pita,” She smiled, feeling happiness fill Her. She gently took his mildly weathered hand in hers, squeezing it with utter love, giving him a boost of confidence, which reflected on his face. 

“If there is something I am proud of, that we are proud of, it is that you are part of our family,” Satraajita said, gladly holding on to Satyabhama’s hand. “That is why we are all very protective of you.”

“That, and my powers as well, which only seem to expand,” She divined, a small smile gracing Her face to show Her father that She was in no way offended. 

“Satyaa,” Bhangakkara started, looking sheepish when She shot a sweet smile at him. He picked up his words, saying, “We know you are capable of taking care of yourself. But you are the eldest jewel of this family, and it is due to Your coming that we were blessed with the births of Vratini and Praspavini.”

Satyabhama smiled again, this time a soft, delicate thing, which brought out the inner elegance of Her very self. She could feel the Sun’s rays flitting through the curtains, gently touching the tip of Her hair, lighting it brightly, the smile that was already present on Her face widening. She lightly touched the tip and turned to Her brother. 

“Bhrata, I understand your protectiveness. But it has to be me, does it not? The Yadavas can easily hold their own against Jarasandha, and I have no doubt that the two sons of YaduShiromani Vasudeva can easily fight and win against the King of Magadha’s armies, as they easily have done these past fourteen times. But would it not help the Yadavas if there are more warriors?”

“You are a fourteen year old, Satyaa.”

“How does that make a difference if I have the skill to fight, Bhrata?” She persisted, nodding back when he nodded in acceptance at Her words. 

“Satyaa, I agree that you will be one of the biggest assets on our side, which is why I agreed to your proposal without much argument,” to which Satyabhama smiled acceptingly, remembering Her brother’s quickly accepting nature, when he let Her make Her own choices, though he did make valid points, which She had thought of before making Her plan. 

“I am just overprotective,” Bhangakkara said. “Mainly because you are well known by name and nature through ear rather than actual sight. While the Yadavas know that you are indeed Satraajiti, your training has not made it easy for anyone to see you. Vratini and Praspavini, on the other hand, do know and are known by the Yadavas by sight as well. They have even met Vaasudeva Krishna.”

Krishna. 

Satyabhama had to stop Herself from involuntarily shivering, His name sending a thrill that She had never experienced before through Her body. Every time She heard His name, She felt as if Her own Soul sang a song of emotions to Him, a song that She seemed to know from the get go, and yet a song Her conscious did not seem to understand. She had never met Him officially. 

She had seen Him before He broke the Shiva Dhanusha, and had later, once… 

She forced Her thoughts down, before She could go down that memory, which would make Her blush, redder than a hibiscus at its healthiest. 

“And they do like Him,” She responded instead, patting Her father’s palm, which were clenched in worry for his girls. She looked at Satrajita, and softly said, “Pita, they are still young. Do not worry so much.”

“But they are my girls, like you are, Satyae.”

“While that is true, even you have told me multiple times of the pure goodness that comes from Devakinandan. So why are you worried? I doubt that He would hurt them in any way, whether He reciprocates their sweet affection or not.”

Satyabhama did not say more on the matter, not wanting Her father to get even more protective. She knew well, from the lyrical waxing of Krishna’s miracles from Her sisters, that They were well in the journey of loving Him, the man called the Enchanter. 

Do not go into that thought process, Satyabhama, She chided Herself mentally, forcing down the memory that came to Her fore once more, not wanting to think of it just yet. 

Which was ironic, considering She was going to meet Him once more, this time officially, in front of the entire Yadava Sabha. 

“You are right, as always, Satyae,” Satrajita said, moving forward. “Come, my children. It is time for us to head to the royal palace.”

*******

There is a ton of symbolism in this series, which will have indications of why it is so.

@ahamasmiyodhah @mahi-wayy @yehsahihai @theramblergal @krsnaradhika @ramayantika @achyutapriya @thegleamingmoon @nidhi-writes @houseofbreadpakoda @hum-suffer @kanhapriya @kaal-naagin @krishna-priyatama @willkatfanfromasia @celestesinsight @arachneofthoughts @idllyastuff The first chapter is a bit late, but it is up! Do let me know what you all think!

[jeevanjali]

Surya Dev Puja: रविवार को क्यों करते हैं सूर्य देव की पूजा? जानिए महत्वSurya Dev Puja: हिंदू धर्म में, रविवार का दिन सूर्य देव को समर्पित होता है। इस दिन सूर्य देव की पूजा करने का विशेष महत्व है। सूर्य देव, जिन्हें भगवान सूर्य, विवस्वान, आदित्य, भास्कर, और सविता भी कहा जाता है

[madhubniart]

The Evolution of Madhubani Art Over Time

Madhubani art (also Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchstick. The paint is created using natural dyes and pigments. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.

Madhubani painting (or Mithila painting) was traditionally created by the women of various communities in the Mithila region of the Indian subcontinent. It originated from Madhubani district of the Mithila region of Bihar. Madhubani is also a major export center of these paintings.

This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments that led to the term “Madhubani art” being used alongside “Mithila Painting.”

Mithila paintings mostly depict people and their association with nature and scenes and deities from the ancient epics. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. In this paintings generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.[citation needed] Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women .

It is still practiced and kept alive in institutions spread across the Mithila region. Asha Jha of Madhubanipaints in Darbhanga,

Vaidehi in Madhubani, Benipatti in Madhubani district and Gram Vikas Parishad in Ranti are some of the major centres of Madhubani painting which have kept this ancient art form alive.

Contributions:

The Madhubani painting tradition played a key role in the conservation efforts in India in 2012, where there was frequent deforestation in the state of Bihar. Shashthi Nath Jha, who runs the Gram Vikas Parishad, an NGO, started the initiative as an attempt to protect local trees that were being cut down in the name of expanding roads and development. The main reason behind this was that the trees were traditionally adorned with forms of gods and other religious and spiritual images such as those of Radha-Krishna, Rama-Sita, scenes from Ramayana and Mahabharata and other mythologies.

Darbhanga MP Gopal Jee Thakur started the tradition of honouring people with Mithila Painting in Indian Politics.

Awards:

Madhubani painting received official recognition in 1969 when Sita Devi received the State award by Government of Bihar. Mamta Devi from the village Jitwarpur has also got National Award. Jagdamba Devi from Bhajparaul, Madhubani was given Padma Shri in 1975 and the National Award to Sita Devi of Jitwarpur village near Madhubani.

Jagdamba Devi’s foster son Satya Narayan Lal Karn and his wife Moti Karn are also well-regarded Mithila artists, and they won the National Award jointly in 2003. Sita Devi received the Padma Shri in 1981. Sita Devi was also awarded by Bihar Ratna in 1984 and Shilp Guru in 2006.

In 1984 Ganga Devi was awarded by Padma Shri. Mahasundari Devi received the Padma Shri in 2011. Baua Devi, Yamuna Devi, Shanti Devi, Chano Devi, Bindeshwari Devi, Chandrakala Devi, Shashi kala Devi, Leela Devi, Godavari Dutta, Asha Jha and Bharti Dayal were also given the National award.

Chandrabhushan (Rasidpur), Ambika Devi (Rasidpur), Manisha Jha were also given the National award.[citation needed] In 2020, Madhubani artist Dulari Devi won the Padma Shri for contributions to art.

Styles:

Mithila art has five distinctive styles:

Bharni

Katchni

Tantrik

Godna

Kohbar

In the 1960s Bharni, and Tantrik styles were mainly done by Brahman women in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses paintings. People of other castes included aspects of their daily life and symbols, the story of Raja Shailesh (guard of the village) and much more, in their paintings. Nowadays Madhubani art has become a globalised art form, so there is no difference in the work on the basis of the caste system. They work in all five styles. Mithila art has received worldwide attention.

The paintings were traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.

Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Thus, Madhubani painting has received GI (Geographical Indication) status. Madhubani paintings use two-dimensional imagery, and the colors used are derived from plants. Ochre, Lampblack and Red are used for reddish-brown and black, respectively.

For more info visit our Website — https://madhubniart.com/

Best Madhubani art near me, Cheapest Madhubani art, Cheapest Madhubani art near me, Madhubani art gallery, madhubani art history, Madhubani art information, madhubani art about, madhubani art book, madhubani art types, Madhubani Art Pen Holder, Madhubani Art Beautiful Jar, Madhubani Art Bowl, Madhubani Art Ceramic Mugs

[riseandinspire]

Chhath Puja is an ancient Hindu festival dedicated to the worship of the sun god, Surya, and Chhathi Maiya. It involves a series of rituals and takes place six days after Diwali.

Harmony with Nature: Chhath Puja's Sunlit Reverence

Chhath Puja is an ancient Hindu festival dedicated to the worship of the sun god, Surya, and Chhathi Maiya. It involves a series of rituals and takes place six days after Diwali.

The festival is significant in Bihar, Jharkhand, Eastern Uttar Pradesh, and parts of Nepal. People offer prayers to the setting and rising sun, expressing gratitude for life and seeking blessings for well-being.

#CulturalTradition

#FestivalRituals

#GratitudeInPrayer

#BiharTraditions

#JharkhandCulture

#EasternUPCelebration

#NepaliHeritage

🌾 "Fueling Positivity" (RiseNinspireHub)

[lamyaasfaraini]

Day 18 - A song you discovered this month

30 days song challenge

Pastinya ini song of the month bgt lahhh.. Last songnya Beatles cuy. Udah aku bahas jg sebelumnya. Udah ku repeat jg berjuta kali. Menikmati skali euforianya~

Hype sekali yah ini series Gadis Kretek. Termasuk OST nya. Nadin Amizah coverin Kala Sang Surya Tenggelam nya Chrisye, walapun gabisa ngebandingin ya krn seleraku ttp Chrisye atulah magis sekali. Kalo Nadin mah ya begitu lah pasarnya gen Z, tp ini beneran stuck in my head krn jadi intro seriesnya. Aransemennya oke! Cuma ini yg gengges nih din (ikrib manggil din)

Monmaap aku sepakat sama twit ini wkwk.. Diantara puja puji buat Nadin, adaaa weh yaa yg beda sendiri tp kaya eaa jg sicchh.. Takut ah nnti dikata haterrZZzzzZzzZ. Peace~

[newzquest]

Chhath Puja: A Sacred Celebration of Sun Worship

Introduction: Chhath Puja, also known as Surya Shashti, is a vibrant and deeply spiritual festival celebrated predominantly in the Indian states of Bihar, Jharkhand, Eastern Uttar Pradesh, and some parts of Nepal. This ancient Hindu festival, dedicated to the worship of the sun god, is a unique blend of rituals, devotion, and community spirit. Historical and Cultural Significance: Chhath Puja…