#THATS SO LIKE UNIQUELY MODERN LIKE

[adhd-languages]

I have a lot of new followers so just to make it clear I love trans people and neopronouns are cool as fuck and linguistically interesting and it/its pronouns are also awesome and whatever pronouns or language you use to describe yourself is real as fuck.

[nomaishuttle]

btw in my theoretical peculiar rewrite that Will not ever happen bc im not a writer anymore i left that life behind in 2017. but in my theoretical one its rly mostly just a rewrite of likee. maybe a bit of book 3 and then Completely rewriting books 4-6

[cruelsister-moved2]

can we talk about revival religions i want to talk about it... i like cant stress enough how concerning it is that people cant tell the difference between a closed practice that you need to belong to a certain community to understand vs. a revival invented by hobbyists for fun based on the texts of a dead (or...made up) tradition that everyone has equal access to & say things like “percy jackson is problematic because there are people who worship apollo” & get taken in by racists and nationalists bc they say shit like “we need to reclaim our marginalised indigenous heritage”. if u think thatbeing born in a nation state thats landmass roughly corresponds with the collection of ancient city-states that produced some of the most widely-disseminated literature in the world somehow puts you in the same position as an indigenous person begging white neopagans to stop burning white sage you really really need to unpack that... 

[robotsafari]

why is gigas blast the only good kh3 remix

[v3rm1nn]

i dont go there anymore but i miss how pretty much any mcyt art community made character designs. idk what crack ya'll smoked but they always looked SO GOODDDD

[angelmotifs]

me if bringing up araki / dog day afternoon / that one show at any social function was illegal

[chesthighwater]

by the outsider it cannot be happening again. tumblr user chesthighwater canNOT be inventing more overseer lore purely for sexual purposes

[seven-stars-in-his-palm]

analyzing some images (for fun)

so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)

everything under the cut !

unique traits

aziraphale:

1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm

2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr

3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)

4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.

5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭

crowley:

1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧

2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3

3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT

4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it

5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞

6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH

similarities

mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….

1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos

2) chateauneuf de pape wine bottle labels! (crowley’s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….

3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….

4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever

5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃

6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,

okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔

[googiekitsch]

i saw someone in a post i made about wdw parks history lamenting the 20000 leagues under the sea ride that closed down and i have GREAT news i have been WAITING for a chance to talk about this

i would love 2 take this chance to bring to the wider public's attention TOKYO DISNEYSEA, aka the best disney park objectively- at this park, they actually have a modern incarnation of 20k leagues but updated with a lot of very clever engineering tricks and a gorgeous steampunk-adjacent aesthetic but one with a lot more whimsy. its aesthetically a lot like the tommorrowland at disneyland paris, actually

they even have the kraken still in there! updated to seem a lot more visually menacing. i believe the eye on it even moves!

and hey you know how 20k leagues in its original incarnation had a lot of issues with people finding the design of the subs claustrophobic since the seating was so cramped? that's been updated too! you can clearly see that this ride vehicle was designed with the comfort of larger groups in mind, while also still feeling like its a rusty old submarine.

ok this is cool right. like surely thats cool on its own-

yeah no this ride is also connected to a journey to the center of the earth ride. and not a dark ride either this thing is almost comparable to a roller coaster combined with a dark ride. its a really unique ride system.

also the ride itself is built into a volcano structure with a beautiful waterfront in front of it (beautiful waterfronts are disneyseas whole thing actually)

ALSO the ride is really notable for having this GIANT CREATURE ANIMATRONIC in there thats REALLY reminiscent of the alien encounter animatronic! (or at least the documented records of it)

and the coolest thing is the entire park is brimming with this amount of creativity. you see, disney doesnt actually own the tokyo resort. they dont have complete control that they do over, say, the orlando resort. the oriental land company owns it because they own the land it was built on. so instead of disney mandating them to put certain things in, they license their properties to them. i assume that because disneys grip is a lot more loose on this park, the designers are able to take a lot more creative liberties and experiment with this sort of stuff (not entirely sure on that, but given just how different this park feels from anything else disneys ever made i can only assume that'd be the case. if anyone knows any other details on how this park turned out like it did aside from this, lmk!)

like, even the areas that are licensed have very creative things going on with them - look at this little mermaid area thats designed to resemble the architecture of the castle from the film

and even the area for the toy story ride is gorgeous, its designed to resemble coney island era carnival boardwalks!

this whole park is so fascinating to me because its very evident that the designers for this park repurposed a lot of the concepts they never got to make. even the parks name is a reference to a cancelled west gate to disneyland called disneysea, which is, like the one in tokyo, a sea/maritime themed park. and even outside of that, if youre at all familiar with disney history you can clearly tell which cancelled projects the designer of this park were inspired by!

this is concept work of the og disneyland disneysea^

i dunno, this whole park has captivated me a lot when i was younger because its like a bunch of these crazy passion projects the engineers were rooting for for years that only existed within concept art finally brought to life after years, maybe decades. ive always found it really beautiful that the creative team behind these parks found a way to make their ideas truly work in a park. i think its a shame that more disney park history enthusiasts straight up do not know that this park exists just because it's not one of the US resorts since those always get all of the attention in discussions of wdw history. hopefully this post can change that!

[choccy-milky]

Status update on the dark relic nsfw comic please ma'am 🙏 my family is dying

ITS DONE!! 🎉🎉🎉🎉...well, the DRAWING part is as of yesterday BAHAHA. now im just adding all the dialogue/speech bubbles/sfx, SO ITS DEFINITELY GONNA BE SOON!! DEFS BY THIS WEEKEND!! ive just been very nitpicky on the font which i cant decide on LMAO and im also nitpicky abt other final touches LOL. i didnt wanna show anymore cuz ive already shown so much but HERES THE FINAL SNEAK PEEK

and speaking of fonts, i normally use handwriting by jeremy paz!

oh man its so random, but i either use the name lumi or clora for everything whenever i play rpgs (baldurs gate 3, dragon age, you name it) and clora originated from rune factory 4 LOL. theres a character named 'clorica' and i really liked that name, it sounds so elegant and fantasy ish, so i eventually just shortened it to clora bahaha. now its my go-to. i like how simple it is but it also sounds unique and works in modern AND fantasy settings, imo

my first and ONLY playthrough was as clora! i originally did try to make myself at the start, but i have short brown hair and straight across bangs, and they didnt have a style that felt 'me', so i went with just making a ravenclaw that i liked, and then gave her my go-to name of clora HAHA. and yea, i built up her and sebs relationship in my head as i was playing, especially with all the running around the castle i did. i just liked to imagine her constantly out of breath and flushed and seb just watching like ....🧍girl chill...

AND SPEAKING OF MY DARK RELIC COMIC/SMUT, my biggest advice for writing smut id say is to have a reasoning behind it, i guess? i focus a lot on their headspace/WHY they're fucking at that moment when i write it LOL instead of just the movements/sex for the sake of sex. in your case, the sexual tension leading up to the first time gives you SO much to work with, since you can just be in his head with how much hes looking forward to it, how much hes savouring it, how he's also nervous but enjoying it and trusting the other person, etc. the thoughts are hotter than the actual deed a lot of the times (which is why when clora and seb did it for the first time it ended up being like, 15k words of just foreplay and build up from sebs perspective LMAOO) so yeah id just try to focus on their emotions and desires if you can! and a lot of the times with consent stuff it CAN feel forced, and you dont even really need your characters to talk about that stuff verbally, at least not too much. you can do it in body language, or just something as simple as 'ill stop if you want'. it doesnt have to be a long therapist-like conversation about consent, which CAN tend to sound a little awkward and unrealistic (esp in the heat of the moment), if thats the problem you're having. HOPE I COULD HELP

also i love this for you and for me. YES GO ON AND MAKE A BUNCH OF CLORA CLONES, I COMMAND IT👉👉👉

and last but not least the most important question. honestly i like plain sweets a lot with no icing/filling. im a slut for shortbread cookies and also just plain glazed donuts. and also custard/portugese/egg tarts, which i also forced clora to like in my fic HAHA. IF YOU HAVENT HAD THEM YOU HAVE TO, THEYRE SO GOOD😩😩💖💖

[philtstone]

been trying to put words to why i find psych so unique and effortless in the world of comedy tv and i think ive cracked it. theres a truly excellent approach to storytelling that goes something like this: you pick a high stakes Setting. examples from some Classic media include ancient egypt, space pirates, and in the case of psych: homicide mysteries. all the examples im thinking of are also arguably homages or adaptations to an existing Version of the setting that has expectations or assumptions associated with it. the mummy (1999) was a reimagining of the original horror movie. guardians of the galaxy (2014-2021) borrows and subverts so much of what the audience already knows about classic movies like star wars. (psych is, of course, sherlock holmes). anyway; the setting predisposes itself to more dramatic plot bc inherent to that setting are Stakes. instead of going with the setting-appropriate tone, you commit 200% to comedy through — not the plot — but the DNA of your characters. true, a talented writer will include many deliberate jokes, but the comedy never really turns on and off because your core premise is “watch me put a group of unhinged yet endearing idiots in this major situation and go along with them for the ride”. the more unhinged and idiotic they are, the better, but they have to be setting-appropriate. they have to have the skills and tools to navigate that setting competently or it all falls apart. they’re not bad at their setting, they’re just deeply chaotic. cuckoo bananas. generally stupid (affectionate). they have SO many (complementary) issues.

now comes the most critical part. you tie the whole thing together by also committing 100% to multiple other genres in your already mishmashed genre. when you do romance you do High Romance. when you do drama it is hitting at these characters emotional CORES. and it works because your setting is high stakes and your characters are already three dimensional by being simultaneously hypercompetent and major dumbass. id argue this is a bit different than the more generic works in the indian masala genre or western superhero movie approach because often in those movies its a jack of all trades type situation where there are inserted tracks into a movie thats fundamentally genreless. what im talking about here has fully embraced all 5 of its genres with GUSTO. it’s not slipping in little quips or including one comedy track, it’s always funny. it’s not pairing off two characters for the sake of it, the romance is integral to the core plot of the story and character motivations. its emotional moments are built into the fabric of the story and never afterthoughts.

finally, in order to make the writing work effortlessly (because real life people don’t talk like that) you need a cast with chops and chemistry that makes it all feel organic. there are no breaks or looks into the camera or starts and stops to the emotional and comedic action because the actors embody the spirit of the story so dynamically and work off of each other so well.

like i said, some of my favourite examples of this kind of ensemble comedy-in-a-high-stakes-setting stories are classics like the mummy and more modern works like guardians of the galaxy. it clicked for me the other night that psychs writing reminds me of those stories a lot, but its doubly clever because psych does homage settings inside its already an homage setting and still manages the “watch these idiots in this high stakes situation” bit so well. it’s an entirely different experience from watching a sitcom because the writing never takes you by the shoulder and says “you’re in a sitcom, time to laugh”. id actually argue that psychs weakest episodes are the most sitcom like in flavour. at these stories’ best you’re just dunked into this truly chaotic situation thats made effervescently funny yet also deeply emotional and compelling and dramatic by dint of the characters being Exactly Who They Are All Together. it takes a very talented kind of writer and a special kind of cast to pull this type of storytelling off but when they do. it is so so fun and so so worth it.

[reachartwork]

[private please, if thats alright] i used to follow you for your ai stuff back in 2021/22 when things were first kicking off (actually i thought you'd quit because of all the scandal lol) and the models and output were a lot 'sloppier' and kinda illegible but as far as i can see the stuff you're working on now is clearer looking and more coherent, so i was wondering - do you have any thoughts on the 'aesthetics' of AI and what specifically brings it unique merits and strengths as an art tool? for example i personally find a lot of modern ai art to be boring and soulless looking because it has neither stylistic interest (compared to the blatant 'inhumanity' of older models) nor a human person making base-to-base decisions about what it looks like, but i also havent been really paying too much attention to the AI scene except when it comes up in images searches. also, sorry if its not a question you want to answer, but do you do any more traditional styles of art as well? i find my art sensibilities are really effected by the mediums i work with so i would love to know if you have any similar experiences wrt ai and non ai works. thank you!

this is a side account so i can't answer privately, but, that being said;

i actually agree! for general purpose arting i preferred the secret horses style of total illegibility, and my main goal in my secret projects is to be able to reorganize around that style but with sharper, crisper lines and higher resolutions. part of why the whole "secret horses" style of ai medium fell through the cracks was because a: diffusion models were significantly faster and b: diffusion models scale upwards significantly better - they can produce higher resolutions and perform upscaling, which CLIP + VQGAN (the old method that made all the jank we all used to love) can't really do.

i think people whose sole interest in ai is making shitty advertisement images, or giant anime boobs, or some other lowest common denomenator slop, like... okay. you do you, the saying is "90% of everything is shit" for a reason, but obviously i think that's incredibly boring. i think the reason we see a lot of it is because a: the Good Artists who use AI are still effectively social pariahs, particularly on twitter and tumblr, just via dint of their medium, and b: ai puts art making in the hands of EVERYONE and it turns out not everyone has good taste (see: 90% of everything is shit), so you just see a lot more shit by volume.

anyway in terms of "traditional art" i am an author (READ CHUM) and a bassist, although i haven't been in a band in many years as my arthritis prevents me from playing for very long or very well anymore. if you mean traditional art as in like... paint and easel, or pen and paper, the answer is no. i've never had the ability to comfortably grasp anything with my hands even before the arthritis happened and now i lack not only the fine motor skills for it but also the pain threshold. i do like legos though, and i'd love to start making lego dioramas.

thanks for asking :)

[warcholica]

i really like the how the olgimskys designs in the first pathologic play around with material. obviously – mainly with fur.

big vlad has his huge fur coat – it's very much in spirit of his hes bourgeoisie caricature like design. it's arguably not the best looking and i dont think that's intentional – his coat in patho 2 is clearly supposed to look very cozy and nice. i actually like how symmetrically the fur falls in the upper back of the original design. it's charming. overall the coat really emphasizes this very old school idea of wealth.

it reads to me clearly as fashion, not as an uniform – alexanders outfit is very elaborate as well, but it does read very, well, governorish. vlads quite extravagant compared to the other rulers.

and that design philosophy is not really typical for pathologic, i don't really think it is – grief does fall into it a bit, but that's all. it makes vlad stand out in some really cool ways, as he has an unique silhuette. it's kind of insane how well theyre able deal with a character that has to overpass the barriers of their standard design. everyone knows that his face in p2 is like. insanely well made. but did you maybe notice how good his voice acting in the original pathologic is? ridicoulously good compared to like. anna. it really makes me wish they decided on more variety regarding other characters. oh well.

let's talk p1 kapella because shes obviously a showstopper. besides her obvious cuteness, i like how much it focuses on jeans as a material. it is, i think, a symbol of wealth in her case. i am polish and for me there was always this idea floating around than during the PRL period jeans was considered to be a luxury good.

(here it is represented in ryszard zamorski's sculpture "playboy"-- a pop art image of a smiling man covered in jeans from head to toe. fun. hip. well-off)

and so she is draped in jeans, just like her father is draped in fur – her wealth manifests clearly as well.

its also worth noting, that she has fur details on her collar too. that plays into the visual identity of them as a family – she is his daughter, she is a successor. i love her biig satin bow. so cute. makes her look like a very pretty rich girl. old-school wealth with a modern-ish twist.

and i think you already know where i'm going with this. yeah... vlad jr does not have any fur element in his p1 outfit. i like to overinterpret that.

like in the context, i feel fur represents mainly wealth – but it's also worth noting that it's a material foreign to the setting. i really like the spindle touch quote from p2

and i think it works for fur in p1 as well, although, obviously, every textile material comes from outside town.

but whats fur outside of that? lets think fur as a symbol a cruelty that also connects man with nature. fur as a terribly sensual material. ​

and vlad doesnt wear it: what are the reasons for that?

1. hes working with dirt. it would get dirty

2. he doesnt really like looking wealthy – hes not like the other olgimkys! the unusual simplicity is, to me, kind of reminicent of what victor is wearing – and vlads a successor to victor. in utopian ending hes supposed to tame maria/nina a little with his normalguyness. when you choose to do an utopian ending as artemy, he notes that maria will be dangerously wild without a husband

3. i think he denies himself luxury. because of how his shed looks i think hes an utopist that separates himself from the reality of his feelings – and so he separates himself from such a sensual material. but thats reallly a material for another, much more headcanonish post in which i will incorporate fragments from czesław miłosz's biography. i will make that one when ill play p2.

and btw: its a strange model, right? but i like it, i actually really do. i like how obviously blonde he is -- it is a soft callback to victoria. hes similar to her. her son.

also, i dont think it was intentional, i like how big he is in game. it feels like there is too much room for his soul in this body and so it echoes. i have the same feelings about like. ross from friends so thats more like a throwaway point.

it does manage to make him very much like a bussiness man – and vlad sr in his bourgouise caricature swag is very bussinessmannish as well. so maybe in that way he takes after him too? just a bit.

this is all very surface level analysis, but i do think about it a lot. i think p1 managed to communicate what it wanted to do with those characters very clearly through visual language.

[rauberrauber]

line up baby

wanted to make a sort of ref for everyone so i can keep track of everyone's designs, heights, etc

side hcs below cuz i wanna ramble lol

fyi any links are just for pictures to help visualize what im trying to say

also add to these with ur own i love reading hcs :]

general:

the sides work with a kind of cartoon logic (kinda like who framed Roger rabbit) which is what their shape shifting and such is, they can survive pretty much everything, dont bend to reality type thing

i also dig playing around with the idea that they just arent human, they dont need to eat, sleep, even breathe or blink if they dont wanna. They just play more human around thomas so they dont freak him out (everyone but remus at least, dude doesnt give a fuck lol) they all have their priorities regarding that kinda stuff. like logan doesnt eat or sleep almost at all (there r exceptions tho obvi (crofters))  while patton rly likes to cook and bake so why not eat the stuff you make? meanwhile remus eats literally anything he can find

they can also float if they wanna, same thing where they just dont around thomas. this came about me just imagining remus consistently floating around in the mindscape instead of walking for whatever reason? so yeah they can do that

theres a core mindscape and a ‘dark’ mindscape, that sorta works like the upside down from stranger things (as in the dark mindscape is like literally upside down and mirrors everything, like this)

everyones also got their own unique doors to their rooms. logans is very sleek and modern, pattons in more childlike and almost vintage, romans resemble castle doors while remus’ is more like a dungeons, virgils is typically angsty teenager with tons of posters and ‘keep out’ signs, and janus has tons of locks on his

design wise the core sides have straight teeth and fluffier hair while the dark sides have sharp teeth and rougher(?) hair (since changing, virgil has vampire-esque fangs)

logan:

square rimmed glasses

loves the rain

unintentionally fidgets with his clothes, always adjusting his glasses or rolling his sleeves up and down or messing with the buttons or his tie

playing more into the whole ‘sides dont have to eat thing’ he finds food kinda nasty lol, again only rly eats stuff thats very good to him (ultimate picky eater basically) patton has tried and failed many times to get logan to try and like new foods

roman was the one who got him to try crofters

watches those long ass video essays about random topics on youtube for background noise

patton:

round glasses and heart eyes

has roller blades/skates! specifically these ones that retract the wheels. good way of getting energy out (even if hes super clumsy with them)

tallest + dad bod

tons of bandages, kinda playing around with the phrase ‘broken heart’

him and janus play video games together (both of them are terrible lol)

definitely listens to dad rock/dad music

roman:

starry eyes!

crown can float on its own (same w/ remus’)

has one of these couches in his room to dramatically faint onto

him and remus dont share a room, but they have a sort of portal to each others rooms if that makes sense. a big mirror but instead of reflecting, its showing into the other room and only the twins can go thru

wants to be his own side after the split

roman and remus pierced each others ears when they were younger

virgil:

decently tall but slouches a lot which hides it (slouching hes shorter than the twins but still taller than janus) also rarely stands or sits straight at all so it kinda shocked the core sides when he showed them how tall he rly was (queue roman being mad cuz hes actually the shortest of the main four lol)

has stereotypical emo hair and still has some purple dye in it

hot topic skeleton fingerless gloves and muddy sneakers (idk why it just feels right)

tons of random bruises

draws his nails black with sharpie

listens to metal music to calm down. remus got him into a lot of numetal, screamo kinda music when virgil was still one of the others, it was one of the few times theyd hang out and virgil wasnt 100% freaked out by remus

definitely experimented with scene fashion when thomas was a teenager

drinks tons of energy drinks

janus:

shortest ha

yellow eyes

bow wrapped on his hat

long flowy cape and heeled shoes with spats (thats what theyre called right?)

uses the staff from pof as a walking cane

speaks fluent pig latin, remus and logan are the only ones who can somewhat understand what he says (remus cuz hes been around janus so long, and logan wanting to research and understand whatever the hell janus is saying) it also has always drove virgil up the wall cuz hes never been able to get it, janus will start speaking it just to annoy him

only rly relaxes when by himself, always kinda putting on a mask with the others and thomas, regardless of how trustworthy he considers them

constantly coming up with proper plans and schemes, typically wouldnt let remus near them with a 10 foot pole (affectionately)

knows how to lockpick

scared of the ocean

remus: 

broken crown

eyes can go all crazy, pupils can be different sizes and such (there was a cartoon that did this where the eyes would go red and have a ton of rings around the pupils like spirals kinda? i cant find a pic of what im rly visualizing rip i hope that makes sense)

ton of rings (one of em is an eyeball ring)

is like half an inch taller than roman and will never let him live it down

enjoys all the ‘bad’ disney/pixar movies. (cars, home on the range, etc) and like unironically enjoys them. prolly started ironically to mess with roman but he genuinely find those ones the best and cant fathom why theyre disliked (totally not self-indulgent cuz some of those movies are my favorites)

comes up with random weird plans and ropes janus into them whenever possible, janus plays along best he can

somewhat wants to fuse back with roman (even if hes unsure why)

remus and virge used to make fun of roman together all the time

remus is the one who gave virge his septum and gages

[arminreindl]

So something that a lot of people are seemingly unaware off is the "rostral boss" or simply face bump seen in some American Crocodiles (Crocodylus acutus). I've seen it a few times now that folks are really surprised to see it, so I think its worth sharing a bit on that and its importance to understanding how crocs came to America.

For starters, the rostral boss is a large bump that is located on the snout of some crocodiles just before the eyes, covering the back of the nasal bone and areas of the prefrontals, lacrimals and parts of the frontal bone. This boss, among modern crocs, is most prominent in the American Crocodile. Sidenote, I know its a pain, but here American Crocodile (capitalized C) means Crocodylus acutus. When meaning the crocodiles of America, I'll use Neotropic crocodiles. Also tho I'm usually liberal with the term, here crocodile specifically refers to the genus Crocodylus. Good? Good. Anyhow, this kinda gives them a look thats been likened to the Triassic phytosaurs and makes individuals with said bump really distinct. Below are some pictures which show different indivudals with less and more pronounced bosses.

Now this feature is not unique to American Crocodiles (again meaning C. acutus, I know the terminology is confusing), but can be seen in at least some other neotropic Crocodylus species. Now I've yet to see images of either Morelet's or Orinoco Crocodiles with the same and they don't appear to have been recognized with them by older literature, but there are some Cuban Crocodile skulls also showing a slight boss. If you look at the two photos below, you can see an American Crocodile skull on the left and several skulls of Cuban Crocodiles on the right (from the Quaternary Sawmill Sink on the Bahamas). It's comparably subtle in the Cubans, but there is a boss present in these skulls.

The fun part is that this isn't just a random trait that these crocodiles got out of nowhere. No, the rostral boss is actually a trait thats likely to be ancestral to ALL Crocodylus species of the Neotropics (so again, Morelet's, Cubans, Orinocos and Americans). The oldest known Crocodylus species from the Americas is Crocodylus falconensis from the Pliocene of Venezuela. And guess what, it had that very same bump on its face.

But that's not where the trail ends. No. Back in the 1940s a crocodile was found in Miocene sediments of Northern Africa that had a similar bump. Meaning on the other side of the Atlantic. This was largely ignored at the time, despite the similarities to American and Cuban Crocodiles and their rostral bosses being known back then. But more recently, scientists have taken a second look at this species, Crocodylus checchiai, and concluded that it is a likely ancestor to today's Neotropic crocodiles.

We already knew that African crocodiles (Nile Crocodiles and Sacred Crocodiles) were more closely related to Neotropic crocodiles than to Australasian ones (like Salties, Freshies and Muggers), but this essentially provided some really solid evidence for how crocs got to America. Sometime between the Miocene and Pliocene, Crocodylus checchiai (or a relative or descendent) swam across the Atlantic and landed in the area around the Caribbean, spreading and giving rise to the four true crocodiles that still inhabit the region. Which I personally think is really cool.

[ganondoodle]

as i was awake in the middle of the night for like 2 hours bc i felt sick i had more somewhat random totk thoughts

one being that i really hate how raurus response to concerned zelda is, after sonia died in that almost funny how little impactful it was way, "im sure you are here for a reason" (actually, i hate how often this sentence is used in general to .. idk i guess its supposed to be inspiritational???)

bc what does that mean actually? him saying that to someone who got there absolutely by accident really just sounds like "i dont care go figure it out yourself bc i dont want to think about anything concerning you or your troubles lol" i guess its meant to sound like OOOOH fate has BROUGHT you here bc you have to furfill a role you dont know yet (spoiler its being a sacrifice girl with no personality) and besides me hating the 'inescapable fate' trope in general (at least the way its usually done in these games, which is not to struggle against it but willingly accept whatever you are told and pretend thats good) its really jsut goddamn boring and is really only an excuse to well .. ignore her and her trouble; shouldnt you, if you were actually such a cool guy like the game wants me to believe so bad, do everything in your power to get zelda back to her own world before shes pulled even further into the war you caused now that her only ""mentor"" that could help her get more use of her pretty much useless sudden powers is gone too?? i know shes basically dead wife sonia replacement (can of worms ugh) but it still grinds my gears whenever i think of that cutscene, bc i cant help but hear it as the lamest excuse in existence to not care about her and just kinda .. see what happens which in this case means leave zelda completely on her her own since both rauru and mineru die as well (honestly shouldnt rauru have thought about like .. any plan to defeat gan besides dying himself, given hes the oh so cool and goodest guy king whos only mistake was not stabbing gan the second he stepped into their kathedral castle thing, like even if you had a plan it can still fail but it seemed like he just kinda went in with a handful of people that didnt seem to know each other at all, never got names or faces -or unique voices for that matter- to fight gan face to face inlcuding the girl that came from a different time and had nothing to do with any of this conflict and couldnt even really control her sudden new powers just seems pretty stupid)

thought 2

how totk really feels like botw but for the people who didnt like shiekah tech, its not a sequel, its botw again, but version of only sonau, its like a pokemon game that had two versions but one has weirdly incoherent story and acts like the other never existed jsut as a whole its like retreading the same points but worse, all shiekah tech that was so integral to the world and had such a long history just vanishing and no one caring about any of it like it never happened, HELL the titans were called divine beasts in english but i guess they werent divine or important enough to keep around LOL champions WHO and isntead a never before seen or even heard of race for that matter showing up and planting their ass in every place the shiekah were before, dare i say it feels weirdly manipulative, like either them or some outside force erasing every fact about the ancient shiekah and replace them with sonau stuff bc they are the hot new shit now

this is a point that just doesnt stop bothering me, how the shiekah tech seemed so carefully designed and integrated into botws world and story, its a difficult to keep balance after all, integrating high tech stuff into a medieval setting, but they made it work! and then totk comes around and throws a bunch modern day tech into it puts some vague greenish stone filter on its exterior and call that even better more ancient tech; why did they even bother to make pottery inspired laser shooting spider legged robots so well integrated when they throw a car and rockets into the next game without a thought and call it a day, what was the fucking point

it feels like someone was dead set on having a set of legos thrown into the game it had no place in, if you want players to build whatever they want make a building game instead!! especially if you are just gonna throw it in with seemingly no consideration how out of place it feels togehter with the fACT THAT YOU ALREADY HAD AND ANCIENT HIGH TECH CIVILIZATION WITH A VERY DISTINCT AESTHETIC THAT WAS ALREADY WELL INTEGRATED INTO THE WORLD YOU ARE PLANNING TO REUSE WITH ALOT OF MYSTERY AND UNKOWN STUFF ABOUT THEM TO EXPLORE FURTHER YOU COULD HAVE USED!! but i guess they just "didnt want to play with you anymore" and that so much so that they went out of their way to erase every trace of it, i dont think the words shiekah tech are ever used in the game, and the purah pad and her towers just drive me more isnane bc they are the same shit but called different and also much worse, liek the purah pad isnt some more developed shiekah stone, no its a glorified camera with a teleport function and thats it

(i know i said this before but i really cant stand how obsessed every single NPC is with sonau shit, you get told to your face every second line of dialog that they are so cool and are so mysterious that it just makes me annoyed of them even more, the game is obsessed with shoving them everywhere and telling you over and over you too should obsess over them, they werent weird like that about the shiekah stuff in botw?? the biggesst talking point in botw was calamity ganon ..... which makes sense and in totk its like ... gan is mentioned what, in a newspaper article??? once???and then not even by name i think???)

aside from that big point which will never let me go, its also just .. its not moving forward anything, it actively walks BACK the progress that was made in botw, call me dumb but i dont really count moving one step up in the social roles of each race as a character development (for the side characters like the champions desc- ahem SAGES) but mainly zelda ... god how dirty she was done, totk pretty explicitely makes her regress any development she made in botw aside from she likes link uwu and some people like her too, but also not enough to notice that that weird zelda being all evil and weird isnt her (INLCUDING THE CHAMP- SAGES WHO YOU ARE SUPPOSEDLY FRIENDS WITH??? you dont have to be a genius to pick up on that my god, were you all given the mc dumbo potion or what)

she gets put back to square one, back into the little itty bitty princessy maiden role forced upon her by her royal parentage, this time rauru edition, back into a white little dress, back into the scared puppy eyed teenager, back into a situation she cant handle, back into losing everyone around her (tho honestly botw made me care more about rhoam than totk did about rauru), back into being forced to do a big sacrifice- but worse actually

in botw she went to FIGHT AND HOLD GANON IN THE CASTLE SO LINK HAD TIME TO RECOVER AND IT WOULDNT DESTROY THE LAND!! and you are telling me in totk rauru takes up her botw role and she bascially killed herself to ... restore the mastersword.

......... she ... she did that only to be a glorified version of the stone pedestal in the forest. and then she gets returned to normal itty bitty girly no problem via magic sparkle beam at the end and

DOESNT

EVEN

REMEMBER.

it really is just botw but worse, you even get yet another ghost king of hyrule to guide you around (rhoam did it better fight me ... we dont talk about the questionable choice to make himself darker skinned when posing as just some guy)

i honestly dont think i was ever truly taken aback by anythign that happened in botw, while in totk, the further i played, the more i had to fight with myself to keep the feeling of unease, disappointment and betrayal down

its such a god damn shame, totk should have stayed a DLC, i will forever mournfully dream of a game that explores more of the ancient shiekah, doesnt erase integral parts of the world, developes characters more instead of making them regress back and make them end up even less developed than at the start of the game, dives into buried secrets and mistakes of dark pages of history without giving into a weirldy nationalist(imperalisitc?) narrative and lets characters have some agency for once

if it werent for the yiga i might have actually considered refunding the game, just to be at peace with myself

anyway, aboslutely incoherent word vomit.