i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
597 notes
·
View notes
Thinking about the Freecss family and losing my mind. A lineage of selfishness, a family of people who leave and are left behind.
Ging's father disappeared at sea, Mito's parents left the island only to die unexpectedly, Ging's famous abandonment, even further then that Don Freecs disappeared on the same quest Ging did 300 years ago. A 300 year old legacy.
Ging is who we see clearly abandon others, hides from friends and family alike and chases what he wants selfishly, but it's not just him.
Mito playing on the island as a kid, hiding away as Abe describes it "like she didn't want to be found,". Mito lies to Gon first about his parents' death, then again saying that Ging wanted to abandon Gon. She selfishly tries to steer Gon away, limit and box him so he can't abandon her too.
Mito abandoned Ging in a way too, didn't she? She'd been hurt from him leaving, so she tells him to never come back. She took what was supposed to be her babysitting Gon until Ging returns and tells Ging no, I'm not letting you abandon us again, I'm cutting you off first. She gets custody of Gon and tells Ging to never come back. The cycle of the abandoned becoming the abandoner.
Gon, of course, is the fresh blood in this cycle. He is abandoned by Ging, then abandons his home. His selfishness grows on his journey and hits a tipping point with Kite. He left Kite to die, so he should die too. Tunnel vision blocks out the fact that his death would mean abandoning Mito. Abandoning Killua.
"He's my son after all." Ging said and it must make you wonder, did Ging think the same of his father? Is that the weight the name Freeccs carries for its holders?
"Maybe I wasn't made to be a son" Gon said after returning to Whale island. It feels like a way of answering that question with no, to be a Freeccs does not mean you have to abandon and be selfish. Gon was not made to be Ging's son, after all, he came home didn't he?
269 notes
·
View notes
I'm thinking about radiodust again, but imagine. Alastor and Angel going on an outing for the hotel together.
(Forced bonding activity, maybe. Alastor tries to get out of it by claiming he had things he needed to do and pick up, and Charlie just said Angel can go WITH him instead for it to count.)
Angel is anxious because he KNOWS how it looks to go anywhere with someone. And despite his face he knows Smiles isn't one to take insults lightly.
Alastor, however, THRIVES off attention and people wanting to know what's going on with him. He loves this, it's fueling him. He might ask Angel to accompany him on ALL his outings from now on because the immediate reaction of everyone who sees them is Very Entertaining.
Once Angel realizes that Alastor isn't going to freak on him for all the attention they're getting just by virtue of being there, he starts to enjoy it. It's nice to do something as mundane as going out with someone (even if it ain't a date), without the expectation for how that will end.
PLUS while they're getting a lot of attention, this is one of the first times he's gone anywhere without someone catcalling him or yelling some version of "Slut!" from across the street. (Someone did happen to yell "The RADIO DEMON is fucking ANGEL DUST?!?!" but they didn't remain in the afterlife long, and since then no one has yelled a single thing at him. S'nice.)
It also until that very moment didn't occur to Angel just how much RESPECT he could garner just by being next to Alastor. He goes into a store to pick something up and is just dealing with his normal level of disrespect and harassment before Alastor pops up behind him to see what's taking so long.
It only takes one instance of a tilted head and focused eyes on the sales associate, with a casual "Is there something keeping you, Angel, dear?" for everyone on this side of the pentagram to immediately assume that messing with Angel Dust means messing with none other than the RADIO DEMON. (If it has the added benefit of pissing off the Vox, AND makes Val a bit more wary about messing with Angel, then that's just a bonus.)
You can take this as platonic or romantic, but Angel swoons a bit anyway at the Southern Gentleman treatment, in either case.
And this is the catalyst for them to begin getting along, without Angel feeling the need to put up his over-sexualized porn star persona as his safest way to interact with Alastor.
(IMO, both huskerdust and radiodust work so well because Angel deserves someone who treats him well and respects him for who he is, and not what he can do for them. He deserves a good ol' fashioned lover boy to take care of him, both romantically and platonically, and that's why I love both ships.)
204 notes
·
View notes