#THIS MOVIE WAS MADE FOR ME AND OTHER ASIAN IMMIGRANTS FOR REAL FOR REAL!!!!
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I'll forever be upset about how Elemental (2023 Pixar movie) flopped so hard, and it's not even its fault.
Let's be real, going against Across the Spiderverse would be a deathblow for any animated movie, but the marketing team REALLY didn't help matters. Not only did the trailers barely show up (to the point my friends DIDN'T EVEN KNOW IT EXISTED), the trailers also did such a poor job representing its actual story.
A lot of people were turned off by the "unoriginal premise" as well as the "forbidden romance", and I can't even blame them but no!!! The story is so much more than just "ooo they can't fall in love because they're (gasp) FIRE AND WATER?!?!?!?" and "what if (insert concept) has emotions but elements this time"!!!!!
At the heart of it all is a personal immigrant story. A story about two fire people moving to another place in order to start a new and hopefully better life (aka literally immigrants). A story about their daughter who feels in debt to them for making the sacrificd to leave their home. A story about her feeling like she'll have to sacrifice her whole life and her dreams in order to repay them and make them happy.
Not to mention how Asian-coded it is!!! The director, Peter Sohn, is clearly writing from his perspective as a Korean-American immigrant, and as an Asian immigrant, I resonated so unbelievably hard with Ember's story. It really felt like the movie held up a mirror in front of me. I've never felt this seen in a movie before this one.
And it feels so good!!! I'm so sad that a lot of people will be missing it out because the marketing team did such a terrible job at their literal jobs. If more people gave it a chance, they'll likely find a story that truly made them feel heard.
Also the romance is really cute. Like I don't typically seek out romance stories, but damn that was good food, that was good fluff. I think it's also a great allegory for interracial couples, but I'm not in an interracial relationship, so I won't overstep too much!
Long story short, if you're unsure on whether you really want to see this movie or not, hear it from me who saw it twice:
Go Watch Elemental!!! You will not regret it!!!
#THIS MOVIE WAS MADE FOR ME AND OTHER ASIAN IMMIGRANTS FOR REAL FOR REAL!!!!#also obviously it's not perfect#I understand the concerns with how fire is dangerous so the allegory may be flimsy#but they addressed it in the film!!!#also honestly there's also a good disability angle to look at here?#especially with how fire people are trying to live in a world that refuses to accomodate them#and would rather discriminate them#or shun them from society to the point they have to make their own community#but I'm not disabled so again#i won't overstep!!#elemental#pixar elemental#elemental 2023#pixar#review#rant#opinion#commentary#chris p fried rambles
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Cape Comics and the Unsung exploited creatives that make them
Here's something that happens a lot. A superman fan finds me through my supes fan comics, and so they look up the rest of my blog. They're surprised that I don't fanboy over Superman 24/7. That a lot of my biggest write ups about the character are critical of how he's written. They're also taken aback by how I don't like My Adventures with Superman, Absolute Superman, and that I'm not tripping over myself to praise James Gunn's upcoming Superman movie.
So they tough it out. They like my fan comics and just skim past the times I'm critical of the things I like. This is fine of course, no one has to engage with everything I make- no one's forcing you to do that. But sometimes it really gets to this fan how "wrong" I am for being critical of Superman. How dare you make such nice, hopeful, optimistic Superman fan comics and be critical of all the nice Superman media there is now! Across-the-social medias but especially on twitter, is where I get this kind of reader. I'm pigeonholed as "the fan artist with great art but bad takes." You might recall on here it's the "this blog is too smug and superior to be worth wading through to read the good comics." incident. They're far from the only one.
Something that's always struck me about this kind of fan is how uninterested they are in the artist behind the art. If you're so surprised at how you've never seen an Immigrant Superman take like mine, wouldn't you be curious about the thought process that made an interpretation like that possible? I've seen readers who like my clois comics that then go on to read posts like my "Failure of Asian Lois Lane" essay. These kind of readers then discover that my take on Lois exists because I'm unsatisfied with how most Asian!Loises are handled in canon. That my comics exist as critique to the canon material. There's a recognition that these fan comics are informed by my personal experiences. I love these kind of readers. They're the type who eat up the homework posts I put under my fan comics and seek out context. That's good intellectual curiosity to have.
But this other kind of fan -the ones who like my fan comics but hate the critical thought and personal experience that make those very comics possible- is culturally representative of how a lot of cape comic fans are. They don't engage with my comics as art, but as content of their favorite character. They see me post comics that present Superman positively and think it's hypocritical when I'm negative about the character. Just enjoy the content, ignore the artist. Ignore what they bring to the character. That's how this fan copes.
DC as a company loves fans like this. It's a type of brand loyalty corporations dream of. On bluseky, I briefly talked about how hard it is to make and find criticism of modern Superman stuff because he exists in a culture war that's quick to place any nuanced criticism of his bright optimistic new media as "bitter snyderbro talking points". And I'm met with multiple Superman white knights who take it so personally that I'm critical of a fictional character they like. They moralize their love for Supes. Disliking Superman isn't an opinion someone can just have, it has to be secretly reflective of how bad you are as a person. If I say "Superman's boring sometimes" I get people making a big show of unfollowing me. That's the kind of loyalty to intellectual property money can't buy.
When you value a fictional character more than the real human artists behind them, you become this kind of fan. Remember when that Harley Quinn fart comic was announced? A bunch of comic fans on twitter decided to write a letter to DC comics protesting the title, spammed it everywhere while others harassed the woman writing that comic. Regardless of how bad a comic is, a fictional victim is never going to be more important than the real person writing them. But when you're obsessed with the dignity of these characters over the wellbeing of the artists behind them, this is normal behavior.
Cape media is such a bleak industry for comic artists. A character you created can be making billions as a blockbuster in the box office while you're still crowd funding for health care. Your contributions to Batman could be completely lost to history, uncredited, if it weren't for your son and granddaughter campaigning for that recognition. You're eternally a freelancer with no stability, and many of your peers die young. And it's a thankless job. Because most of your "fans" have that geek consumerism-as-an-identity mindset where they value Superman more than what you as an artist brought to him. The corporation doesn't respect its artists, and neither do the fans. The fact that you can experience this even when you make fan art -even when you don't work for the company- is proof of how pervasive this kind of culture is.
Today's meta thoughts came about from the fan discussion surrounding Peter David's (creator of Miguel O'Hara/Spiderman 2099 among many accomplishments) passing. His family still needs help recovering from medical debt of his long-term care. My Superman rambles tend to do well, so if I can help share his family's fundraiser even a bit, I'd be happy. No creator with this heavy an impact on the media landscape should be struggling financially.
Similarly! Share and support the Hero Initiative! They do great work with financially supporting aging comic creatives who have very little safety net due to the exploitative nature of the comics industry.
Calling out the cape comics industry isn't "attacking" your fictional fave. If you feel defensive whenever conversations about how exploitative this industry is come about, that's brand loyalty talking. The interior lives of these creatives shape the characters you love. Don't let them be forgotten.
#ramblings#jesncin dc meta#feeling all sorts of existential dread for the state of the comics industry and how fandom spaces perpetuate this#im known for my superman and clois fancomics on here so i wanted to start discussion from that point and expand
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Washington Post Opinion by Lucy Liu: My success has helped move the needle. But it’ll take more to end 200 years of Asian stereotypes.
Lucy Liu is an award-winning actress, director and visual artist.
When I was growing up, no one on television, in movies, or on magazine covers looked like me or my family. The closest I got was Jack Soo from “Barney Miller,” George Takei of “Star Trek” fame, and most especially the actress Anne Miyamoto from the Calgon fabric softener commercial. Here was a woman who had a sense of humor, seemed strong and real, and had no discernible accent. She was my kid hero, even if she only popped up on TV for 30 seconds at random times.
As a child, my playground consisted of an alleyway and a demolition site, but even still, my friends and I jumped rope, played handball and, of course, reenacted our own version of “Charlie’s Angels”; never dreaming that some day I would actually become one of those Angels.
I feel fortunate to have “moved the needle” a little with some mainstream success, but it is circumscribed, and there is still much further to go. Progress in advancing perceptions on race in this country is not linear; it’s not easy to shake off nearly 200 years of reductive images and condescension.
In 1834, Afong Moy, the first Chinese woman known to have immigrated to the United States, became a one-person traveling sideshow. She was put on display in traditional dress, with tiny bound feet “the size of an infant’s,” and asked to sing traditional Chinese songs in a box-like display. In Europe, the popularity of chinoiserie and toile fabrics depicting scenes of Asian domesticity, literally turned Chinese people into decorative objects. As far back as I can see in the Western canon, Chinese women have been depicted as either the submissive lotus blossom or the aggressive dragon lady.
Today, the cultural box Asian Americans and Pacific Islanders find themselves in is more figurative than the box Afong Moy performed in, but it is every bit as real and confining.
Recently, a Teen Vogue op-ed examining how Hollywood cinema perpetuates Asian stereotypes highlighted O-Ren Ishii, a character I portrayed in “Kill Bill,” as an example of a dragon lady: an Asian woman who is “cunning and deceitful ... [who] uses her sexuality as a powerful tool of manipulation, but often is emotionally and sexually cold and threatens masculinity.”
“Kill Bill” features three other female professional killers in addition to Ishii. Why not call Uma Thurman, Vivica A. Fox or Daryl Hannah a dragon lady? I can only conclude that it’s because they are not Asian. I could have been wearing a tuxedo and a blond wig, but I still would have been labeled a dragon lady because of my ethnicity. If I can’t play certain roles because mainstream Americans still see me as Other, and I don’t want to be cast only in “typically Asian” roles because they reinforce stereotypes, I start to feel the walls of the metaphorical box we AAPI women stand in.
Anna May Wong, my predecessor and neighbor on the Hollywood Walk of Fame, lost important roles to White stars in “yellowface,” or was not allowed to perform with White stars due to restrictive anti-miscegenation laws. When Wong died in 1961, her early demise spared her from seeing Mickey Rooney in yellowface and wearing a bucktooth prosthetic as Mr. Yunioshi in the wildly popular “Breakfast at Tiffany’s.”
Hollywood frequently imagines a more progressive world than our reality; it’s one of the reasons “Charlie’s Angels” was so important to me. As part of something so iconic, my character Alex Munday normalized Asian identity for a mainstream audience and made a piece of Americana a little more inclusive.
Asians in America have made incredible contributions, yet we’re still thought of as Other. We are still categorized and viewed as dragon ladies or new iterations of delicate, domestic geishas — modern toile. These stereotypes can be not only constricting but also deadly.
The man who killed eight spa workers in Atlanta, six of them Asian, claimed he is not racist. Yet he targeted venues staffed predominantly by Asian workers and said he wanted to eliminate a source of sexual temptation he felt he could not control. This warped justification both relies on and perpetuates tropes of Asian women as sexual objects.
This doesn’t speak well for AAPIs’ chances to break through the filters of preconceived stereotypes, much less the possibility of overcoming the insidious and systemic racism we face daily. How can we grow as a society unless we take a brutal and honest look at our collective history of discrimination in America? It’s time to Exit the Dragon.
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Fast Boob Nation
pairing: Brian (Fast Food Nation) x fem!southasian!reader
fic type: crackfic, drabble
word count: 325
sypnosis: the new transfer student never wears a bra and Brian is only a horny teenaged boy. where else is he supposed to look?
author's note: wrote this just to get it outta my system. ive been indulging myself with emo paul dano movies for like, a few days now so heres a shitty drabble abt an immigrant manic pixie dream girl and a yearning loser. they dont even interect lmao
"Is there a reason why you're not wearing a bra, little miss?"
Brian looks up from his phone then, hidden by the blocky textbook he never bothers to read through until exams came.
It's the creepy history teacher that said this, singling out the poor transfer student that was probably also an immigrant. A real cute south asian he's been eyeing in the cafeteria and talking (correction: gossiping) to his friends about.
Her boobs were the first thing he knew about her, he admits to himself with a little bit of shame. And that was because she never wore a bra. It shocked him it even took this long for anyone to mention it.
"I don't know, why are you looking at my tits?" then, she adds belatedly, "Sir."
"Excuse me?" she could only stare up at him with those dark, dark, eyes. "Could you repeat that?"
"I asked you why you were looking at my boobs, sir. Or do you want me to say it again louder for the back?"
He has a crush, yeah. He's man enough to at least be honest to himself.
"Lady, I'm not sure if you've noticed, but you're not in your country anymore." Brian winced. There it was. The racist came out of the creep. "We don't flash our tits out for anyone to see here, unlike what you've been used to." the pedo teacher twisted his face, he looked uglier than ugly like that. "Our women here are modest–"
"Can anyone see my tits?" she asked the class this time and he could hear the AC buzzing in the silence. "Is my boobs out? I didn't even notice, I have to be sure... is it out?"
His classmates looked at each other hesitantly, unsure if they should humor the new student they barely even know or attempt to placate the teacher in charge of their dismissal.
Luckily, Brian made that decision for them. "Nah, you have to pull up your shirt to do that I think."
They were both given detention.
#fast food nation#brian#brian fast food nation#paul dano#paul dano fic#fast food nation fic#shameless self insert lmao#jazz writes
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Key Player by Kelly Yang

I recently found myself with an unusually large swath of free time. Unsure of what to make of it, I was wandering around my house when I came upon Key Player by Kelly Yang, the latest installment in her Front Desk series, lying inconspicuously on a coffee table. I know that upon entering high school, most students -- including myself -- develop a bizarre and sudden aversion to children’s books of any kind (which I wrote an article about recently!), but the Front Desk series is near and dear to my heart. I was utterly charmed by the first book when I was in sixth grade and have followed the series for the past five years, so I felt an emotional obligation to read this one.
Because Key Player is the fourth book in the series, I’ll have to mention a few spoilers for the first three. Proceed with caution! First, a bit of context: the main character is Mia Tang, a spunky and lovable middle schooler whose family emigrated from China when she was young. Mia and her parents live and work in the Calivista Motel in Anaheim, California, where they have all sorts of adventures with a hilarious cast of characters, including Lupe, Mia’s best friend and math whiz; Jason, chef extraordinaire and Mia’s ex-nemesis; and Hank, a former weekly (a long-term resident of the motel) and Jason’s mentor.
Key Player takes place around the 1999 Women’s World Cup between the USA and China. Mia struggles to reconcile her dual identities as an American girl as well as a Chinese girl (a recurring theme throughout the series) and resolves to get an interview with either soccer team for her school newspaper. Along the way, she learns the true meaning of sports and the significance of this soccer match for women. Meanwhile, Lupe and Mia’s mom (a math teacher) work to beat a rich private school to the Math Cup, Hank tries to become successful through his burger recipe, and Jason struggles to please his strict father.
I’ve always been a fan of Kelly Yang’s portrayal of the Asian American experience in the Front Desk series. This series is about the other, very real side of things that isn't commonly portrayed: the immigrant community living in poverty; the supportive, loving parents; the dueling identities that immigrants struggle with. Key Player also touches upon the topic of intersectionality flawlessly so it doesn’t seem forced like in many other books or movies. The book discusses sexism in women’s sports, racism, poverty, and LGBTQ rights naturally and realistically, just as people in real life would experience them.
As always, Kelly Yang’s writing style was absolutely hilarious. Key Player was just comical enough to be amusing while also tackling significant societal issues. I had a lot of fun keeping up with the characters' antics and found myself rooting for each of them while they overcame their obstacles and proved the bullies, the racist guidance counselor, and the privileged private school kids wrong. Hope and optimism were huge ideas in this book, and it was refreshing to see the characters succeed through hard work and willpower while recognizing that even if everything is stacked against you, “you can’t win if you don’t play.” (That’s a quote from the book!)
“Don’t give up” is a central idea of probably every novel out there, and the Front Desk series does it more effectively than most books I’ve read. Seeing the characters support each other’s dreams in the face of terrible prejudice was super inspiring for me. Mia’s determination to pursue her dream of becoming a writer -- despite everything telling her that she can’t succeed -- made me want to go for my own dreams as well as wonder about the dreams I’ve dismissed.
Even if standards dictate that my “reading level” is supposed to be far beyond books like Key Player, I’ve concluded that good books will always be good books. I won’t shy away from reading something I’m too old for anymore, because as Key Player has shown, there’s always something new and meaningful to be realized, no matter what book you read.
~tania
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Opinion by Lucy Liu April 29, 2021 at 7:00 a.m. EDT Add to list
Lucy Liu is an award-winning actress, director and visual artist.
When I was growing up, no one on television, in movies, or on magazine covers looked like me or my family. The closest I got was Jack Soo from “Barney Miller,” George Takei of “Star Trek” fame, and most especially the actress Anne Miyamoto from the Calgon fabric softener commercial. Here was a woman who had a sense of humor, seemed strong and real, and had no discernible accent. She was my kid hero, even if she only popped up on TV for 30 seconds at random times. As a child, my playground consisted of an alleyway and a demolition site, but even still, my friends and I jumped rope, played handball and, of course, reenacted our own version of “Charlie’s Angels”; never dreaming that some day I would actually become one of those Angels. I feel fortunate to have “moved the needle” a little with some mainstream success, but it is circumscribed, and there is still much further to go. Progress in advancing perceptions on race in this country is not linear; it’s not easy to shake off nearly 200 years of reductive images and condescension. In 1834, Afong Moy, the first Chinese woman known to have immigrated to the United States, became a one-person traveling sideshow. She was put on display in traditional dress, with tiny bound feet “the size of an infant’s,” and asked to sing traditional Chinese songs in a box-like display. In Europe, the popularity of chinoiserie and toile fabrics depicting scenes of Asian domesticity, literally turned Chinese people into decorative objects. As far back as I can see in the Western canon, Chinese women have been depicted as either the submissive lotus blossom or the aggressive dragon lady. Today, the cultural box Asian Americans and Pacific Islanders find themselves in is more figurative than the box Afong Moy performed in, but it is every bit as real and confining. Recently, a Teen Vogue op-ed examining how Hollywood cinema perpetuates Asian stereotypes highlighted O-Ren Ishii, a character I portrayed in “Kill Bill,” as an example of a dragon lady: an Asian woman who is “cunning and deceitful ... [who] uses her sexuality as a powerful tool of manipulation, but often is emotionally and sexually cold and threatens masculinity.” “Kill Bill” features three other female professional killers in addition to Ishii. Why not call Uma Thurman, Vivica A. Fox or Daryl Hannah a dragon lady? I can only conclude that it’s because they are not Asian. I could have been wearing a tuxedo and a blond wig, but I still would have been labeled a dragon lady because of my ethnicity. If I can’t play certain roles because mainstream Americans still see me as Other, and I don’t want to be cast only in “typically Asian” roles because they reinforce stereotypes, I start to feel the walls of the metaphorical box we AAPI women stand in.
Anna May Wong, my predecessor and neighbor on the Hollywood Walk of Fame, lost important roles to White stars in “yellowface,” or was not allowed to perform with White stars due to restrictive anti-miscegenation laws. When Wong died in 1961, her early demise spared her from seeing Mickey Rooney in yellowface and wearing a bucktooth prosthetic as Mr. Yunioshi in the wildly popular “Breakfast at Tiffany’s.” Hollywood frequently imagines a more progressive world than our reality; it’s one of the reasons “Charlie’s Angels” was so important to me. As part of something so iconic, my character Alex Munday normalized Asian identity for a mainstream audience and made a piece of Americana a little more inclusive. Asians in America have made incredible contributions, yet we’re still thought of as Other. We are still categorized and viewed as dragon ladies or new iterations of delicate, domestic geishas — modern toile. These stereotypes can be not only constricting but also deadly. The man who killed eight spa workers in Atlanta, six of them Asian, claimed he is not racist. Yet he targeted venues staffed predominantly by Asian workers and said he wanted to eliminate a source of sexual temptation he felt he could not control. This warped justification both relies on and perpetuates tropes of Asian women as sexual objects. This doesn’t speak well for AAPIs’ chances to break through the filters of preconceived stereotypes, much less the possibility of overcoming the insidious and systemic racism we face daily. How can we grow as a society unless we take a brutal and honest look at our collective history of discrimination in America? It’s time to Exit the Dragon.
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watched a movie called Nico at the BFI Flare (queer film festival) about a young woman who takes up karate after being beaten up in a racist hate crime, and I'm like... see this is the place where I have to extend disbelief when watching Cobra Kai, and is by far the Biggest thing for me that affects a lot of other elements in it/means that it can never get as deep as otherwise
the lack of real-life grounding in the very intense violence depicted in the narrative (a real-life grounding that comparatively does exist in the first two Karate Kid movies)
and I'm not necessarily against it, apart from the times where it passively depicts the only Asian-American kid (to start with - Kyler) as the bully in a show that's built off the back of a movie series that includes themes of specifically racism against Asian people in America, or it shows a group of white kids (twice) ganging up on the single Black main character (first Aisha and then Kenny) without acknowledging that in real life bullying and violence is often grounded in racism (and other bigotry)
I do think Cobra Kai never makes a claim in-story that it's going to get that deep, and I quite enjoy pulling on the strands it unconsciously offers without expecting anything else in the narrative-proper, but it is interesting watching another piece of media that is grounded in a similar opening (violence drives a person of colour to learn karate under a shouty middle-aged white man, who secretly has a heart of gold) but to see the difference when the media goes "and this happened because of racism"
Two other things.
1. the queerness of the main character exists as a by-the-by, the themes of racism and xenophobia and anti-immigrant sentiment directed at her love-interest who's a Macedonian woman without residency papers are what drives the plot, which is another form of conscious decision-making to admire -- the creator/main actor knew what reality underlined the themes she was creating a story around, and was also like "and she's not straight, because why does she have to be?"
2. They did a mix of casting actors and non-actors and it made everything feel a lot more real. Especially this one elderly woman whom the main character cares for is a person you never see onscreen, but do see often in real life everywhere in the world. Immediately made the movie feel intensely real
The karate sensei was also a real sensei, who'd actually been the figure of a documentary, because he'd had a very turbulent life that had eventually led him to teaching karate as a form of healing, which I think may have influenced his lines in the film -- when he talks about holding onto anger as continuing violence, we know he means it
#this is semi a review of the movie and semi about cobra kai but also yes I watched this one BECAUSE i wanted to see karate#because of cobra kai -- and i was interested in whether i would have these exact feelings of comparison... and i did hey#i think writers have to be honest -- like i said i can work with cobra kai i enjoy it intensely#but if i could choose writers would always try to be honest -- and not be afraid of naming something#we eternally think about the scene where we discover that miyagi's wife was killed by an american internment camp#tkk would not be the same movie -- it would be lesser without it
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andi mack friendom, are you interested in some more thoughts about my andi mack / american girl crossover (which is actually just a thinly veiled info dump about american girl history and drama)? if so, you're in the right place!
the andi / buffy / cyrus doll set i designed would be a contemporary line.
CONTEXT (forewarning, this is basically just an ag info dump about the 2017 contemporary line) (also, tagging @kirstensleepey because i think this write up might be useful for the ag project you're working on <3):
so in 2017, american girl did a brand new thing. they released 3 dolls who were contemporary characters but not girls of the year. (prior to these dolls' release, which are called "the contemporary line" by the ag fandom, the only categories of ag dolls were historicals, girls of the year, and just like yous.)
the contemporary line was controversial for many reasons.
first, we have our main character, tenney grant. (tenney is basically taylor swift as a doll, if taylor were uncool and a r*publican lol.)
one of the reasons why tenney is so controversial is that she overshadowed the girl of the year (henceforth abbreviated as goty) 2017, gabriella mcbride.
tenney was released only one month after gabriella's release. ag's social media gave much more focus to tenney than gabriella. upon tenney's release, gabriella's store displays were downsized (which is unheard of for a goty). tenney even had a larger collection than gabriella!
why are we mad about tenney overshadowing gabriella? well, gabriella was ag's first (and as of 2021, ONLY) black goty. also, gabriella was ag's first doll to have an explicity confirmed disability - her stutter.
BRIEF INTERMESSION - SOME STATISTICS ABOUT DIVERSITY IN CHARACTER DOLLS:
only 7 out of the 22 total historical characters have been dolls of color. only 3 out of 22 historicals have been black (one of which is now retired). only 2 out of 22 have been aapi (one of these dolls, ivy, was just a best friend doll and is now retired; and the other doll, nanea, has a problematic face mold. i wrote an essay about why her facemold is problematic here!). only 1 historical doll, josefina, is hispanic, and ag has actually misspelled her name as "josephina" on their social media before.
only 1 doll EVER has been native american, kaya'aton'my, who is a historical character from 1764. (not even any of the just like you dolls have had kaya's face mold! kaya is truly the only indigenous doll!) in fact, ag has had more colonizer characters than indigenous characters. felicity and elizabeth are white character dolls from 1776, and their books fail to address the issues surrounding colonization and treatment of native americans. and kirsten is a swedeish immigrant to wisconsin in 1854. her book does acknowledge the existence of native americans, and kirsten has an indigenous friend named singing bird. (i haven't read kirsten's books and i'm not indigenous, so i can't comment on this storyline.) ag actually had a controversy about kirsten just this year - in 2021, the t-shirt design for kirsten said "settlers gonna settle", and ag actually ended up changing the design to "cabin sweet cabin" after backlash.
moving on to the girl of the year line - out of 21 goty dolls, gabriella is the ONLY black goty. only 6 out of 21 gotys have been dolls of color. there have been 2 hispanic characters (luciana, who is generally regarded as an excellent doll; and marisol, who is controversial because her book talks about how her family moved from pilsen chicago - a real area of chicago that is home to many hispanic immigrants - to a white suburb due to crime. this storyline involves racist stereotypes.) also, goty 2016 lea clark (slightly tan skin, blonde hair, light green eyes) is 1/8th brazilian, and some brazilian ag fans consider the emphasis on lea being 1/8th brazilian racial feticization. next, there have been 3 aapi gotys. one of these dolls, sonali, was one of two best friend dolls for chrissa (goty 2009) - yep, you heard that right, yet another doll of color that is a side character! sonali is the bully in chrissa's books, but she gets a redemption arc. to this day, sonali is ag's only south asian character doll. [additionally, there has been some criticism that all of the aapi gotys are mixed race - jess mcconell (goty 2006) has a japanese mother and an irish/scottish father, kanani akina (goty 2011) has a french/german mother and a japanese/hawaiian father, and sonali matthews has an indian mother and a father of unknown race/ethincity. perhaps notably, the only aapi historical doll who is not currently retired (nanea) is also mixed race (hawaiian mother and scottish father).]
as for the disability thing i mentioned - ag also has a disappointing track record regarding disability representation, lol. it was very lightly implied that mckenna (goty 2012) had a learning disability, but that was never confirmed. mckenna's tutor, who used a wheelchair, was ag's first big disability rep, but she was just a side character in mckenna's story. then, many ag fans were disappointed when mary ellen, a historical character released in 2015, was able-bodied (in canon, she had polio as a child, so it would make sense for mary ellen to be disabled and use mobility aids). finally, in 2020, goty joss gave us some disability rep - she has a hearing aid.
ag's lack of disability rep is very frustrating, especially considering that doll companies, like our generation, have made some really cool disabled dolls. and ag has been doing this ad campaign with the paralympics that feels performative to me - like, they want to seem inclusive by featuring dolls with prostetic legs, but they don't even sell dolls like that!!!
lastly, religious diversity - iirc, there are three jewish dolls (rebecca, goty 2001/2002 lindsey, and goty 2009 chrissa). the rest of the dolls are either christian or of unspecified religion. there has never been an explicitly muslim, hindu, or buddhist doll, or a doll who is a member of any religion other than judaism/christianity/unspecified. (there is some hope that we might get a muslim doll, though, since an outfit with a hijab was leaked, and ag trademarked a persian name that i can't recall off the top of the head at my moment. but take these with a grain of salt - ag trademarks a ton of stuff that they don't use, and the leak could be false or just a truly me outfit.)
END OF INTERMISSION - BACK TO THE TENNEY/GABRIELLA CONTROVERSY:
so, we get our first black goty, and she's being totally overshadowed by tenney.
here's where a conspiracy comes in:
we can track when ag trademarks their character names. goty names are usually trademarked early in the year prior to their release (by may). but gabriella mcbride wasn't trademarked until october, iirc.
and gabriella is a very underdeveloped character in comparison to most gotys. one of her main hobbies - dancing - was the same main hobby as both marisol (goty 2005) and isabelle (goty 2014). her store displays were underemphasized in comparison to tenney's, as i mentioned before. she was the first goty who didn't get a movie in six years (since kanani, goty 2011). and gabriella didn't even have a big ticket accessory item available until summer!
so, we get our first black goty, and she's underdeveloped, underemphasized, seems to have been rushed (due to her trademark date), and overshadowed by tenney just one month after her release. why is that?
well, some people think that tenney was actually supposed to be goty 2017! (i agree)
tenney was trademarked earlier, had more development, had a bigger collection, etc. we think that tenney was supposed to be goty 2017, but ag decided to do a doll of color (gabriella) at the last minute. (keep in mind the climate of 2015/2016 - ag probably wanted some clout for doing a black goty, and they also probably heard the ag fandom's demands for more dolls of color.)
so that's tenney.
next we have logan everett. logan was ag's first boy character doll. i'm glad that ag had a boy character doll, but logan kinda missed the mark for me. the main source of controversy surrounding logan is his face mold: he, a white boy, uses the kaya face mold. !! it kinda felt like a slap in the face to many indigenous ag fans - kaya is literally The Only Doll with the kaya face mold, and when we finally get another doll with her face mold, he's not even indigenous.
lastly, we have z yang my beloved <3. z yang was done dirty - she is yet another doll of color who is a mere side character, and also, she was available for only a total of 20 months before being retired!
so, that's everything i have to say about the 2017 contemporary line.
now i'm going to talk about the 2021 contemporary line :3
so, it's summer 2020. the black lives matter is becoming more mainstream. brands are now getting clout for appearing "woke."
so, admist this climate, ag is (as always) facing demands from its fandom/collectors to diversify its doll line. so they announce that they're going to be doing a new contemporary line, to be released in "the second half of 2021"!!!! and they promise that the contemporary line will have a black lead character
fast forward to modern day. thanks to ag's trademarks, we can safely assume that the new contemporary line will be called "world by us." we can safely assume that the line will have 3 characters. the 3 characters all live in washington dc and are best friends :) we can safely assume that the characters will be maritza ochoa, evette peeters, and makena williams. i talked about makena and maritza on that ask regrettable-username sent me about my andi mack/ag headcanons! personally, i'm excited for world by us, and i think it has a lot of potential!
alright sawyer, that's the end of the ag info dump fhjhdhfskf.
now for my andi mack friends:
i think the andi/buffy/cyrus line would be structured similar to world by us: andi is the main character, and buffy and cyrus are her best friend dolls :) all 3 dolls would be released at the same time. andi would have 3 books that have buffy and cyrus as side characters, and buffy and cyrus would have one book each.
the big ticket item for this collection would be andi's andi shack. i'm imagining its design sort of like kira's tent mixed with lanie's camper mixed with blaire's farm. andi the walls of andi shack would open up so that when it's fully opened, the four walls are on an even plane with the back wall and extended out like wings. you remove the roof before opening up the walls. the shack is tall enough that the doll can comfortably stand up even with the roof still attached, and wide enough that all three dolls (andi, buffy, and cyrus) can comfortably stand next to each other inside of andi shack.
andi shack would come with a ton of craft supplies inside of it. it would also come with a little flower box that has cece's african violets, like blaire's flower box. (thanks to regrettable-username for coming up with the african violets idea fdjfsj.)
alright i have to go now, so these are all my andi mack/ag thoughts for now, but i might be back later with more thoughts fhdfjs (hopefully not though, since typing this out took me over three hours [sweating emoji]).
sorry for any typos and sorry for how scatterbrained this is! also this may have some forgotten things/mildly incorrect things bc my only source is my brain (and a photo of all the dolls so i can count how many dolls for the statistics portion) and my brain is not the most reliable thing on earth lol.
#long post#american girl dolls#i feel kinda bad about putting this in the andi mack tag since it's mostly ag related; but it does include info about my andi mack/ag au#and the friendom has seemed to be really enjoying the andi mack/ag au (nostalgia i guess) so uhhh hopefully you guys will enjoy this? lol#andi mack
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Do you think TTS has more diversity like, Attila probably from Magyar region, Vladimir from Ruthenian region, Lance and Xavier likely from Romani people, as I think General Mattias Frozen 2 for me is Romani People because proximity with European land.
Tangled the Series has more diversity, full stop, regardless of where people are from, because it has POC at all, whereas the movie has nothing but white people, even in the background.
I don't know why you're assuming the Black people are all Romani, especially given that Black people have migrated and immigrated for thousands of years without being Romani, but you do you. Tangled does not take place in our universe, as Corona is not a parallel to Germany the same way that Arendelle is supposed to be Norway. The directors of the movie have confirmed that Corona is a mix of multiple places, not to mention the fact that there's a whole lot of made up countries and kingdoms in the series. I don't feel comfortable saying that anyone besides The (real) Giovanni comes from a country that we have in our world.
But besides that, TTS has Black characters, Asian characters, and other POC, with entire kingdoms dedicated to representation. So, yes. TTS has more diversity than the movie.
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Feeling Deeply
Genre: Fluff so much fluff. Arranged Marriage fic.
Pairing: Namjoon x OC
A/N: Aaaaaa this is the first fic I'm posting ever ever. It's basically a way to follow the red thread of my desires. OC is named Brishti. She's Indian. She's Bengali & curvy & an introvert. This whole fic is 90% going to be a slow burn fluff fic about two introvert nerds getting to know each other. Seriously there's like hardly any real angst, maybe slight angst about okay when are these two going to bang - if you look very carefully but basically its just slooooow fluuuufff. Hopefully you all like it. Please let me know what you think. Current Chapter: This one is loooong. Remember this is all happening in the 1960s. OC & Namjoon are both really well off first gen immigrants. In this chapter we have our couple coming closer together - talking about some issues they've both had in their lives. Also this is the chapter where you'll get to know one of my favourite Namjoon songs and like why the OC is named what she's named. Also just a reminder because im a bit paranoid - Rim Jhim (referred to as Rim) is our OC Brishti. Its a pet name that's introduced in this chapter. And Namjoon being the wordsmith that he is makes it shorter, with the korean meaning of the word.
Previously in Feeling Deeply: Preface-ish Chapter 1
Chapter 2
And so it went for the next few days, the two of them quietly discovering each other. They were finding out the normal, casual, small things - how he didn’t like mint chocolate, how she loved bitter black coffee. Since both of them worked, they decided to split the chores at home. It worked out great because Namjoon liked to sweep & Brishti loved to do the dishes. They both struggled to cook but they decided to learn how to cook each other’s cuisines. So she was learning how to make kimchi (the green onion one) & he was learning how to prepare daal (the yellow one). They split the rent & decided to create a separate bank account for their savings. Talking about money increased warmth because they discovered that neither valued it excessively.
Slowly, they began talking about things a little more intimate. Meanings of names were revealed. She was impressed that his name meant genius. And he loved that hers meant rain. Pet names were introduced. He called her Rim - an even shorter version of her daak naam Rim Jhim. He told her to call him Joon. She looked away, smiling, then - silently telling him they’re not there yet. What he didn’t tell her was that he was already making up a fairytale about Joon, the genius & Rim, the brilliant jade that makes him so.
They spoke about books the most. Between them, they had half the globe's literature covered. She had read Indian authors & Russian & Spanish ones. He loved Korean authors, Japanese literature & all the Greek Classics. He geeked out about philosophy & poetry while she nerded over nature writing & music. They spoke about how they might take a look at other European writers & musicians together. To that end, Namjoon brought home a book of love poems by Rilke.
He hadn’t told her that he wrote poetry too. He hadn’t mentioned anything because it seemed like an indulgence of the past, poetry. But that night everything changed. After a late dinner, Brishti had asked to read aloud from the book he’d brought. As she read ‘To Music’, Namjoon saw tears float in her eyes. Secretly, something inside him had wept too. And just like that, he knew he would begin writing soon.
Each week the two watched late shows of classic hollywood musicals in a nearby theatre because they’d decided against a tv in their home - opting, instead, for a record player. Meeting for a movie each of the two Fridays they’d spent together so far was an experience both looked forward to - not only for the movie. In the darkness of the movie theatre, they experienced the first glimpses of intimacy. Soft smiles, whispering, silent glances, hands caressing each other. He loved how she laughed with abandon. She loved that he would tear up during the emotional scenes.
Her smile was getting wider, warmer toward him, Namjoon noted everyday. He’d been sleeping separately since their wedding night because he wanted her to feel safe. He was mostly okay with that except if he thought about it… If he thought about a time when he would get to touch her - Namjoon almost felt dizzy with feelings.
This happened the most when he saw her read by the window, he ached to touch her. That was her - Brishti - that was who she was at her core. Reading, running her fingers through her short hair, staring out the window, thinking, looking at clouds & then going back to reading. She was still quiet, but less so. She spoke about the rain and the trees and when she was happiest, he learned, when she really trusted that no one was going to judge her, she spoke about the moon. It had happened twice in the last few days.
He couldn’t stop looking at her. As though that needed reasoning, he thought about it at the office too. It wasn’t the only answer he could come up with but Namjoon had never seen a body like hers. She didn’t seem brittle or delicate, the way most women looked - or were “supposed to look”. She didn’t care what a body is supposed to look like, at least, it seemed that way to him. Brishti’s curves were not subtle. She was short and while almost everyone was shorter than him, Brishti was just… sexily so. She’d do these things… seemingly normal, everyday things but they would quickly, embarrassingly, inspire an arousal in him. Like, that thing she did, when she stretched after waking up or even if she stretched her arms or her neck… for some reason that turned him on so much, he’d have to hide… or excuse himself. His breath hitched, everytime he thought about how he hadn’t still actually seen her body.
Brishti, too, enjoyed looking at him from afar. Sharing, creating a living space with a man was never something she thought she would enjoy. They had exchanged the basic stories of how they had reached each other.
Namjoon had said, “I’d met a couple of women… girls… but they just seemed either plastic or porcelain… you know? I mean, not all of them could have been that but that's how they… presented themselves? You… I saw your photos in a pile that the matchmaker labelled ‘rubbish’”
“What?!”
“Yeah… I’m sorry but it’s actually a compliment to be labelled ‘bad’ by a matchmaker. That’s why I was looking in that pile in the first place… when I heard you wanted to keep working… Honestly I was so relieved...”
She smiled, “At least you got a look at me… I didn’t even know what you looked like till we met. I had no choice at all. A boy had agreed to marry me - despite… me… so that was the end of it. That was the bargain with my brother… otherwise I wouldn’t have been allowed to work either.”
“Wow… I’m so sorry, Rim. That’s really… really unfair.”
“Hmm yeah… I just figured if I can keep earning & the man turns out to be wrong, at least I can leave.”
“That’s… thanks for not leaving...”
Brishti smiled, “I got lucky...”
Namjoon understood, then, that Brishti might be an introvert but that did not mean she was shy. She made him blush & laugh. She made him speak without inhibition. The more time he spent with her, his feelings poured out.
“Thanks… It’s been really nice to share this home with you. Just to have you to talk to… My life was not going that great...” he said.
Brishti nodded, even though she already knew this. Whatever he said, strangely, she could see a deeper melancholy behind it. They spoke about being strangers in a strange country. She told him how she had to fight at the library for Tagore to be considered classic literature. How she was slowly but surely, being accepted in the oddball group that ran the library. She was not the only non-english person there, so things were easier for her. Besides, true readers had always been more accepting of the different.
Something made her regret sharing her happiness about this because his struggle in this foreign land was far more intense… she could sense pain behind the words he used. Namjoon did not enjoy his job the way she did. He worked overtime most days and came home bone-tired. Kim Namjoon was in many ratraces at the same time - races Brishti felt he didn’t want to participate at all. Being a lawyer, being an asian - the ‘model minority’, being a slightly well-off Korean in a sea of white men, in a sea of less fortunate asians who were being treated much worse than him. Trying to create a name, an identity of his own was wearing him out... chipping away at his soul.
Brishti sometimes saw him and saw a great banyan cutting itself down, trying to be a shrub just to fit in. When she asked him how his day was, he always smiled. It was real, the smile and yet it couldn’t hide the sadness in his eyes. Something that was beginning to bother Brishti more and more, these days. He... had begun to matter more and more these days.
Now, about two weeks into their marriage, she was experiencing butterflies about the smallest things; Things like watching him sleep on the fold out, bringing him coffee in the morning. She felt a pull deep inside her take over when he would come out of the shower in the bathrobe, skin glistening from the shower & musky man-scents launching her body in a fantastical arousal & her mind in overdrive. Somedays, Brishti even went for a shower after he’d been, just so she could soak in his essence & bathe in a trance she had never felt before.
On their third weekend together, Namjoon didn’t have to go to work the whole weekend. He’d spoken to his superior at the firm to let him have weekends free - after all, he was married now. Post lunch that Saturday, Brishti and he kept unpacking, organising while talking (well, later on, it was just coffee & talking) into the early hours of Sunday. They spoke about things they loved, people they had loved. About fictional crushes and real ones. Both of them spoke about their past relationships. Something Brishti was delighted about - especially since Namjoon told her he was not the type to hold someone’s past against them.
Brishti couldn’t believe it when Namjoon had correctly guessed, “It was the photographer, right?”
“What-?! How- Where- How did you…?” Brishti couldn’t even form a question.
“Your photos, at the matchmakers… something was different. All the other pictures women give out for arranged matches seem... fake. Yours were… real… private. You looked comfortable… looked like you were being teased...” What he didn’t say was how much it seemed in those pictures like she was with someone she truly liked… maybe even loved.
Sat on the ground opposite Namjoon, Brishti kept her gaze on him. It unnerved Namjoon that she could really see him. She unnerved him further when she said, “You should say what you aren’t saying… or… asking?”
“Did you love him?”
“Not really… it was just... a different kind of friendship… ended almost as soon as it began. But I- I don’t regret it. It wasn’t the kind of love-” she trailed off. She looked away, smiling but trying to hide it. The same way she had in the photograph.
He pressed further just to tease her “Kind of love...?” Namjoon was intrigued because she was blushing now & he wanted to plant a thousand pecks on her. Instead he said, “So you can just… stop what you were saying? Mmm. Okay. I see.”
She looked at him then, “I’m feeling… a lot… of… different things these days. Especially because of a couple of dimples...”
Just like that, she turned the tables & his dimples appeared. He blushed, “Yeah… same. I mean… you don’t have dimples but I’ve-”
She nodded to let him know she understood. And then asked, “Uhm... Have you… had sex?”
Namjoon bit his lip, “Yeah… yes. I... had a girlfriend in law school. It… uh… wasn’t serious… for her.”
Brishti looked away nodding, as if stopping herself from saying something.
He looked at her… knowing what she probably wanted to say. He wanted to hug her but he only said, “It doesn’t matter, does it? For me it doesn’t. Doesn’t matter if you’ve had sex too… I know how people can be about virginity… I- honestly… it's just another way to control people.”
She looked at him with a mixture of emotions. She took a minute to compose herself & then said, “I’ve never met a man like you… and it's a little confusing and annoying… Not that you are annoying… not at all. It’s just the world is annoying because this is how low the standard is for a man. A man accepting that the woman has a past makes him… forward…? But of course the woman has to… because, well, he’s a man and he has needs. We’re all told that… Shirley... who works with me… she knows it too. Women just aren’t supposed to talk about their pasts. All women.”
She paused & got flustered further because of how dedicatedly Namjoon had been listening. It really seemed as if he was taking notes. The serious expression on his face, it made Brishti's ears feel hot. Almost as a distraction, she went on -
“It's crazy but that seems to be the only thing THE WHOLE WORLD has agreed on - they can’t agree on one way to make bread but they all agreed that women are inferior. It’s such a basic thing to just let me work… because I want to… but it's annoying that it makes me feel lucky. My best friend had to go through hell because she thought she could trust her husband with the truth about her past… so it makes me feel lucky that… you won’t…”
Namjoon could see the pain in her words. Maybe that’s how she could always sense the pain in his words, he thought.
After a calming silence passed over them, he spoke - “I won’t. I don’t really know what it’s like for a woman. And… maybe you won’t like to hear this, but… I was the same, Rim... I was the man my society had trained me to be. Everything changed when I came here. When, for the first time in my life, I understood what it’s like to be treated inferior. Since then, I just… I cannot be the cause of a feeling like that within anyone... So… you’re right. I’m not doing anything everyone shouldn’t already do. All of this should be normal. Expected. Hopefully the world learns a bit faster…”
Brishti smiled at Namjoon. She chuckled when tears pooled up in her eyes. He instinctively reached out for her & placed a hand on her leg, just below her knee. A jolt went through Brishti and she looked surprised. He did too. Namjoon retracted his hand immediately & looked away, blushing. That’s when Brishti laughed out loud. She stood up. And asked him to stand up, silently.
He did. It always made Brishti’s heart flutter just how gorgeous and tall he was. Someday, she would tell him. Someday, she would show him. For now, she couldn’t help feeling bashful as she asked, “Can I get a hug, Joon?”
This was the first time she’d used the pet name that he’d asked her to call him by. This was what his family called him. And her using this name assured Namjoon of just that - she was becoming family. Her question had made his heart flip. He moved without really thinking, because this is what his body had wanted since the day he saw her. He pulled her up in his arms. He felt like he was melting. She was soft. Warm. Beautiful. And in his arms.
Brishti gasped a little when Namjoon had scooped her up in his arms. She was on her toes, literally & figuratively. She held onto him, less as a hug & more as support… at first. Then, she felt his arms… the strong arms that she had been ogling at, around her. It was as if a knot came undone, within her, suddenly. And in its place, the softest silk suddenly flowed through her body.
She closed her eyes and breathed him in. The same essence that she’d been soaking in after he had showered, that she had been breathing in whenever he would pass by or reach past her. The essence that she had now become so hungry for that she had been secretly sleeping with the shirt he’d worn from the laundry basket. That essence was now all over her. Her chin turned up, resting on his shoulders, her cheeks touching his, her hands - on their own - reached the nape of his neck and began to play with his hair.
When she did that, Namjoon held her tighter, pressed her on to him. He felt her body react to his. One hand reaching her shoulder around her back, he moved the other closer to her waist, so his hands could fold over her curves. He could feel her breath hitch when he did that.
Brishti was revelling in the feeling of his hands, his fingers, feeling his fingertips press into her - that was a feeling she could never have imagined making her so... so... drunk. She was drunk. She ran her hands up and down his vast back, all the way up to his hair. All of a sudden she could feel herself overcome with emotion. Tears began pooling in her eyes again. And she said, before it was too late, she said, “Thank you, Joon, for everything… thank you.”
When he heard the tremble in her voice, Namjoon pulled away, just so he could see her. Brishti quickly retracted too - to wipe off her tears, trying to laugh off the silliness, apologising. Namjoon replied, “It’s okay… I understand… I… Thank you, Rim. I hope you… you know what I mean...” What he wanted to say, what he hoped she understood was that she was what was helping him come alive. But being unable to, Namjoon knew someday he would. Someday soon.
Brishti nodded to say she understood. Namjoon tried to lighten the atmosphere, saying, “You’re not… just anyone, you know? So… maybe you should tell me something I could do which is… not just basic decency, but something that can be considered truly feminist, you know. I’d love to do that for you.”
Brishti smiled and nodded. She suddenly felt tired & almost of its own accord, her body stretched into a yawn. She said, “I’ll think of something. We- I should go now… Do you want- anything?...” Brishti was delighted about how drunk she had gotten from one hug. It was exciting that she knew she’d be sleeping with the sweater he had tossed in the laundry basket tonight. She decided to take a bit more time to enjoy being intoxicated without a substance, together and alone.
Later that night, as Namjoon laid on his fold out sofa, alone, he thought of how great it had felt to have Brishti in his arms. To have someone who wanted to know about his day. To feel her heartbeat, like raindrops, knocking on his chest like it was a window pane, almost as if asking to be let in…
Thoughts like these, they made Namjoon reach for the notepad & pen that he always kept close by. He wrote. He wrote of being world weary and suddenly having a friend. Suddenly feeling like the world wasn't rushing him, that he didn’t need to run, that he could take time, be slow, be a poet. His heart tugged at his pen as it wrote lines about what it felt like to have someone cry for him. To have someone be full of feelings for him, to have someone to embrace his weary body. He wrote about how he missed that embrace and yet it was okay… as long as she was still here, maybe not just next to him, yet. Maybe someday. It was okay because she asked how he was every day and Brishti was here, forever. Namjoon felt tears run down his own face, as he titled the first poem he’d written in almost five years - Forever Rain.
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Oooooh god you read it?! Thank you so much! Please please let me know what you thought! Get into my messages about it! I would love nothing more than to hear what you felt about this!
#bts kim namjoon#fanfic#namjoon fluff#namjoon arranged marriage#namjoon x oc#arranged marriage#slow burn#slow burn fic#fluff fic#bts fanfic#bts#indian oc#red thread fics#forever rain#brishti
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Digital Portfolio
1. Written Media Analysis
This is an analysis from a scene in the film, ‘Crazy Rich Asians’.
https://www.youtube.com/watch?v=ipgt1MnQni4
Crazy Rich Asians, a truly Asian and expertly crafted movie by Mr. Jon M. Chu, has completely captivated my thoughts. The perfect amalgamation of family drama, relatable immigrant lifestyles, and the characters' tremendous energy spiced up the emotion-rich movie showing the best Asian-American weddings in the history of cinema. The most intricate details like three kids paving the way for the bride, the wedding venue- a church that looked nothing less than a beautiful island with an indoor garden, and palm trees that illustrated the country's slogan, all demonstrated the real essence of the art. But as the instrumental version of an old classic played in the background, the water flowed through the aisle, and the heads turned to welcome the bride dolled up in a shimmery white gown, it was mesmerizing. The mixed emotions of the couple showed genuine love and happiness. Although the actors play a significant role in giving life to the script, I realized how the creative team and visual effects make a scene so extravagant. Over and above, the Chinese fans and sculptures along with thousands of Swarovski crystals covered in a reflective, mylar-like fabric laminated onto waterproof marine plywood and lined with orchids, bromeliads, and ferns gave a surreal look to the entire scene. The designers were able to bring out the stories they were trying to tell beautifully with the set designs, props, and visual effects that they used on stage. This ten-minute scene taught me about the various processes involved in the production of the picture. I learned that development, pre-production, production, post-production, and distribution play a vital role in conceptualizing a single task. It is amusing to realize how cinematic techniques like the camera angle and theatrical elements like costumes and props can intensify the movie's impact on the audience.
2. Sample of 2 media works
Duality (2019)
Size- 45 height x 30 Width x 20 depth
Medium- Paper Mashe
This is a three-dimensional sculpture made using eco-friendly and biodegradable objects to show the different kinds of culture in India. One face shows royalty, Indian kingdoms, and the richness that existed since the beginning of time. The other face shows paintings, flowers, animals and clothing that people wore since the beginning of time. It also shows 'Vedas (Indian Scripture)' which are a huge part of our country's culture. This means how our culture has been enriched with time.

Food Wars (2020)
Medium- 3D Computer Graphics
This is a three-dimensional digital brochure I designed based on one of my favorite Netflix shows. This show named 'Food Wars' is based on a diner so I designed a take-away brochure and menu if a real-life diner existed. This show has helped me understand my creative potential in so many different ways. I illustrated this piece in the form of graphic design by using the software Adobe Photoshop. The main objective of this piece was to showcase digital marketing by using these brochures that are designed using computer software.



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I know you hate race-bending but is it bad to do it to something like Arthurian legend or Sherlock Holmes or not because of their importance to English culture?
Well, I don't hate race bending only for Greek culture but for every culture. I don't see the point in racebending established characters in any situation. (Well, unless you want to make a statement and make some changes based on the race of the character. I will elaborate on this later). Established characters who are very important for cultures shouldn't bend to represent the minorities. A hypothetical example: imagine there is a very famous character of an epic of Ghana, known by Ghanaians for hundreds of years. Should we make this character Korean because there is a Korean minority in Ghana? Isn't it better to keep the character as he was imagined and depicted by the Ghanaian people, to more properly represent them? It was a tale made by them, for them. Imagine there is a famous literature work from south India with an Indian character beloved worldwide. But India also has a Greek minority. Should we change this character to fit this minority of Greeks?
And no, it's not more "virtuous" to racebend in cultures who have historically opressed people (Mongols, Arabs and Chinese are amongst those oppressors as well, even though in a different way than the English). And you cannot make a scale of "who is the worst of colonizers/oppressors in the world" to racebend. Either you respect culture or you don't. The Turks have greatly oppressed the Greeks but I would never accept race bending of a middle eastern Turk.
If the culture itself overwhelmingly supports a specific race bending then I personally won't have a problem (because who am I to tell the majority of a people of a culture how to feel?) But as long as I see many people of a culture being negative about it or being afraid to not talk about it because they will be labelled as racist, then I know the race bending is against the wishes of the people.
I understand wanting to see poc on screen and I applaud the efforts of people who strive for that. Anti racebending doesn't mean anti representation! It's just that, in my mind, racebending is a kinda disrespectful and futile way to achieve seeing poc on screen.
Just on YouTube there are a dozen youtubers of color who detest that kind of "representation" and speak against it. I know that many agree with race bending but there is also a big portion who disagrees and shouldn't be ignored.
Those people want to see characters who look like them but they don't want hand-me-downs. They want real change in cinema and new characters of color who will be memorable and beloved. Not the "Sherlock was also Brown for one movie". I agree with them that this little change isn't going to change something. You can instead write a book or a movie about a new brilliant new detective who isn't your average English man. Many writers of color actually do that and I would prefer seeing their fresh stories on screen than a "Sherlock Holmes but we will slap a different race on". Or rather, I would prefer seeing epics and folklore of non British cultures than just a race bending. Let the British audience familiarise themselves with another culture in depth, instead of merely changing the appearance of a character.
As I said, a different race adds a different experience. I wouldn't like "Sherlock Holmes but a different race" but I would like "What if Sherlock Holmes was a Black man, carrying the history of the British Black community with him?" It would be like a story experiment and perhaps would bring differences to his character.
Similarly, Arthur being of, let's say, of south asian descent, would add another layer to the story. First of all his father or his mother should be South Asian or both of them could be South Asian. How did that come to be? Was it because of an alliance? Was it because of love? Etc. Plus, in 5th-6th century England there was, of course, immigration but a few South Asians could go that north. This would make him part of an extremely small minority in the area and lots of his subjects could have resentment or mistrust for him. So many times poc have said that other races cannot understand the experience of other races because it is different. So why do we pretend that race bending Arthur wouldn't bring any changes for the story? He could still take the sword and defeat the Saxons but maybe his character and maybe some of his decisions would be different.
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What Foreigners Really Think of The U.S. Right Now
The other night, after the kiddos went to bed, we decided to watch the second Borat movie that just came out (have you seen it?). It was insane and hilarious all at the same time, but it got me wondering: what do folks who don’t live in the U.S. think of The United States of America right now? What is their perception of us?
So I decided to pose this question on Instagram and wow. Y’all did not hold back. I want to thank everyone who submitted for your candidness and honesty, even if some of these were hard to swallow. It’s important to note that just because these are their opinions of America, it doesn’t mean it is all necessarily true. Regardless, it was interesting to read everyone’s thoughts and get an outsider’s perspective.
We received hundreds of submissions and couldn’t post them all, but below, people from all over the world share what they really think of the United States at the moment.
Leadership is out of touch with reality and messing things up real bad, not just for the U.S. but also for the world. What’s worse is that half the country is being misled successfully. It just shows poorly on the country all over. -Annonymous
Your president is a disaster when it comes to foreign politics and corona. No class, no knowledge. A joke. Very scary to watch. But half of the voters are happy with it. And that is even more scary. Very difficult to understand the hate and ignorance in your society right now. -Mikkel
It’s just weird. Everything basically. I totally understand now why the U.S. is described as '“flawed democracy” in the democracy index. It’s just a crazy system which is not providing equality among people- regarding the vote especially. This system leads to the fact of the two big parties (similar in the UK basically). But democracy is about diversity in opinions and options. Not just two. -Max
The US is more divided than ever. The two parties cannot work together nor do they appear to want to. The government is no longer run by reason, facts, and policy aiming for the betterment of the entire country and or world in the long or medium run; rather it’s instant gratification for the few who benefit from nepotism. Lies and misinformation are used to build a dictatorship hiding in the form of “patriotism”. And those who could act as a check or balance focus on their own personal gain, putting their needs above those of the persons they should be representing. -Joel
I personally don’t think there is a very good atmosphere in the USA, especially right now, Trump’s administration does not protect the American people or the economy. He only cares about himself and his male-white supremacy. The worst of all is that lots of Americans think Trump is actually a good leader (idk why, honestly). But thank God that people are starting to wake up and fight about what they believe. We can see it through BLM protests, feminist movements, and so on, and the whole world is proud about those people fighting for their rights. America was once the land of dreams, but nowadays (with all that is happening) it is even scary to go there. Lots of things have to change and those changes have to start, voting and defending your rights and your beliefs are the first step. Greetings from Spain. -Antonio
The main reasons I can think of are vote suppression/gerrymandering, expensive health care wealth inequality, racism, lack of fun control… -Brian
Definitely find the hypocrisy of the Republicans so annoying, Trump still being in office, the fact that there has been no police reform or justice for Breonna Taylor, the gun laws, and the COVID numbers just to name a few. -Brian
Here in the UK it seems like CARNAGE over there..don’t get me wrong, it’s wild here too but Trump is insane and it’s really odd seeing so many Americans supporting him. -Dan
Really worried about the fact that you might go for 4 more years with Trump and the fact that he’ll for sure contest the results if he loses. Add to this, all the racial violence and in particular the way some policemen act without being condemned by any judge. And finally the pandemic which seems to be even more out of control than in other countries. This is coming from someone who lives in France where we’re going to be under lockdown for the second time since the beginning of the pandemic (2nd lockdown starting tomorrow evening and will last at least until December 1st 😢). -Estelle
To put a long story short, let’s just hope Cheeto doesn’t get reelected otherwise our UK trade deal will be a disaster and we don’t need any more negative influences in the UK around gender and sexual equality.-Christian
I think with this administration, the US has demonstrated how to shipwreck a whole nation economically, ideologically, socially, and politically within a really short period of time. After just 4 years, we’ve come to associate the US with widespread narrow-mindedness, a lack of respect and courtesy to other nations (and minorities in its own country for that matter), short sightedness when it comes to global phenomena like environmentalism or migration patterns, and a celebration (by some at least) of almost barbaric notions of violence, oppression, and backward thinking, all under the camouflage of its constitution and socio-historic heritage. We’ve really admired the Obama administration over here in Europe, which-despite its flaws and shortcomings- has opened up the US to international partnerships and has established an ongoing discourse shaped by mutual respect and politeness…the contrast couldn’t be more pronounced these day…-Sebastian
I look at our Prime Minister and government and then see Trump and think we really could have it so much worse! Vote!! -Ant
As an American living in London, I can tell you that the news coverage here makes the US look like an absolute joke. Mainly due to 45, his lies, his bigotry, and his insane desire to make covid seem as though it’s a falsehood “created by the left” while hundreds of thousands of Americans have ben victimized by this pandemic. What was once seen as a country of opportunity and freedom, is sadly no longer held to that level of greatness in comparison to its neighboring countries. It saddens me because I had plans to move back home within the next year or so, but if the US continues on its path, I can see myself in London for the unforeseeable future. I can’t live in a country where I am seen or believed to be lesser than another because of my sexual preference. I can only hope and pray that this election brings the change we need to be that country of greatness once again. -Rob
Very poor to be honest. And I’m not necessarily [talking about Trump]- I think the immediate reaction is to blame him. Though, he is pretty awful. There was obviously a huge level of social and other problems in the US, and the current administration has exploited them to the breaking point. Whereas more “skilled” past administrations had the ability to leverage those issues for their benefit, but not let it boil over. I actually thought Trump would be a positive for the US and world- in that his incompetence would force other world leaders to step up. Meaning more equity in how disputes etc. are assessed and the US wouldn’t bully smaller nations. I think the US has hit the point in its journey with capitalism that the USSR hit with socialism in the late 80’s that led to its collapse. Does that mean collapse for the US, I don’t know but the system isn’t providing equity and equality for all as it stands. -Paul
Worried but also hopeful for you guys because I don’t think all citizens in America reflect the current administration. It’s been really great to see people voting early and making their voice heard. No matter what happens just know you did what you could in this moment in time. Even though the current administration provides a scary outlook for the future. As long as the current and future generations lead with love, there will hopefully be a brighter future. Love from Canada. -Ajetha
I've been subscribing to all of the US News since the Black Lives Matter Movement commenced and honestly, it made me scared as a Filipino Asian to step foot in the States ever since. I have big dreams of flying over there and probably working there as an immigrant after I finished college. However, when I found out about the racial injustice that is currently ongoing in the country, I became hesistant of still wanting to live there. Although, I'm positive that there are still people like you two that will be open about working immigrants, I really hope that racism, sexism, homophobia and transphobia will end for good among every human beings in the US and also around the world. I do wish and pray that the 2020 US election will make certain amends to the current situation y'all are experiencing because it's getting pretty scary out there. -Harvey I’m an American living overseas working for the US government. I’m trying my hardest to stay overseas so my family and I don’t have to come back to the mess that is the US right now. From politics to COVID, it’s not a good time. While the virus may be surging again in Europe, at least the people comply with the government rules. Sometimes I believe Americans take freedom and liberty a bit too far, especially when it comes to the greater good. -Anonymous
Allthough on social policy the US is no real example for us (I think there is more social ‘security’, more justice, high standards in education for all in most of the EU countries), they always have been a ‘safe haven’ in big international politics. It now feels like ‘they have our back’ doesn’t imply anymore. -Jasper
Well personally I think the country seems in total disarray, instead of focusing on the real issues in the streets both house of the capitol are focused on bashing each other during the election campaign which is a circus due to the sitting POTUS. The obsession with the right to bare arms and the gun culture bewilders most other countries, you have teenagers walking into schools with Assault weapons and yet people still want guns to be available, worst still you ban one type of assault rifle but another just as powerful is kept on sale, it’s plain weird. -Philip
Neither candidate represents their party well. As an outsider looking in, it just baffles me that either of these men could potentially be the leader of the free world...It genuinely feels like worrying times are ahead for the US. -Marc I'm from India and living in Germany at the moment. The race problem in the US is as bad as the class/caste problem in India. Even if I don't have money I can go to a government health center in India. I just had an operation and stayed at the hospital for 18 days here in Germany, I had to pay only 180 Euros, everything else ( the operation and the many tests and scans that followed) was covered by the insurance. When my friends at the US heard about it they were shocked about low the hospital bill. There are really great labs (I'm a researcher) that I would like to work but I have no intentions of working/living in the US for a longer period of time. -Maithy
I think the US has become a joke to the rest of the developed world. Neither candidates running for president are fit to run such a powerful country. I can't help but feel after the election if Trump wins the left will riot and if Biden wins the right will riot. The country might just rip itself apart. American politics has zero empathy and zero morals. Honestly its terrifying. -Andrew
The US has always been a bit confusing to me - the two party system, the focus on religion, the divide in income and possibilities- as well as being the beacon of light in the fight for human rights, the strong personal pride in creating caring societets, the blending of and openeses for ethnicities and cultures... But for a while politics have become not at all about politics, religious beliefs are taking charge in policy work, the wealthier part shows little companion towards the less wealthy, the public spending is way above budget year after year while health care seems to be crazy expensive and not for all. The intrusion of US interest in politics in other countries are blunt to say the least, creating conflict where human lives have no value if they’re not US lives... School shootings that seems to be acted upon as that is part of normal lives, and schools to expensive for even middle class kids to study at... This is a shift in trust and soft power that affects all of us. -Olof
To be honest, I couldn’t come to the US right now, it scares me. The leadership, the gun laws, the violence and the divide of the nation. It sucks, because I love America and have been there 7 times in the last two years from Australia for work... but not anymore. I’m not coming back now until peace wins. -Anonymous
The fact that such a hate filled government is presiding over what is one the greatest countries in the world is scary. And it is seriously mind blowing that out of such a powerful country filled with some of the greatest minds in the world it’s these two men are the best you can do to be your next president. Unbelievable. Seriously unbelievable. -Rachel
I think the orange dude in office is making you guys look bad. But also, good (?). Seeing the black lives matter movement and so many of you stand up to the problems your country faces has been inspiring. One thing our countries have in common is how we are divided into very distinctive opposites sides. I mean, where do all these racists, bigots, utterly, madly conservites people came from? I few like a few years ago things did not seem so much as a boiling pan about to explode. Or maybe they were all hiding and when a lunatic like them rose to power (how that happened still boggles my mind) they all showed their true colors. It’s scary. I hope Trump doesn’t get reelected. Brazilians loooove to imitate americans🙄, so if he gets reelected it makes that much probable that our lunatic will also be in office for four more years. P.S. have you guys watched the show Years and Years from HBO? A really good watch is this election times! ☺️ -Taty
Re. The US atm. Unfortunately your president has made your country a laughing stock around the world and he's destroyed relationships with allies. It's gonna take time to rebuild all of that. He's also moved an entire branch of your government to the far right, even though the majority of the country if left/centr of left. So you've a supreme court that doesn't represent you and it's looking like they're going to try and take away rights from people. You have a healthcare system that doesn't look out for its people and there's this bizarre fear of universal healthcare that seems insane to every other 1st world country. If if Biden wins (and I really hope he does for everyone's sake), there's going to be a lot of work in undoing the damage Trump has done before he can even get into what he wants to do. All the while you've an ultra conservative highest court. There's also the massive political division and the systemic racism. It's a lot. It's not impossible, but it's going to take so much time and people who want it to change. -Ciara
I’ve been sitting here for an hour thinking about your question and there are many different outlooks I could raise so I’ll keep it generic. I’ll start with the elephant in the room known as Covid. Each day, our morning news informs us of what your leaders are doing and daily case numbers in the US. We sit here completely shocked at how your government has let it reach this point. You may have heard that Melbourne has just come out of one of the strictest and longest lock downs in the world. I wouldn’t wish that upon anyone to have to do, but I will say, I feel much more comfortable to be able to go to the shops knowing the numbers are at about 2-3 a day instead of in the thousands. I do think that your government does need to address this now, could even be making it compulsory mask wearing. It’s hard for me to comment about your economy as we don’t here much about it, but I will say Trump ‘says’ make America great again, let’s get more jobs, they are pro life, yet how is someone who is prolife not doing anything to stop a virus that is killing people? Isn’t your unemployment rate worse (pre-covid) than what it was when Obama was president? I think as a generic outlook, if change isn’t made in the election, the outlook from a Australian does not look like it would be something you’d want to be apart of. I love America. Have visited a couple of times, even thought about moving there, but at the moment, I’ve never been more thankful to not be there. -Ben
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Loveless: Chapter 1
Loveless: Index Ship: Reader | OT7 Description: Spy/Men in Black!AU | You worked at an institution that dealt with aliens- aliens that were the fictional creatures we were told were from fairy tales. The job entailed love only for it, and nothing else. That’d all change when a mission goes wrong. Warnings: Future Smut, Mentioned Smut, Gore, Violence, Death, Sexual Tension, Bad Comedy Word Count: 6,348
Let's get one thing absolutely clear: aliens are real and they walk among the Earth.
They have for eons, really, swooping down on our little planet to play a visit or reside temporarily, typically hiding in plain sight or beneath humans' noses. The times they were discovered, though, alluded to a lot of ancient folklore and paranormal sightings.
Vampires? Aliens. Sensitive to sunlight and needing blood to sustain themselves, they went to Earth, a small clan that wreaked enough havoc to start a horrible movie franchise centuries later.
Ghosts were more common, mainly harmless save for the small group of "poltergeists". In reality, they were aliens from a planet that had become destroyed, resulting in their migration to your planet. Humans tended to latch the familiar onto them once they were sighted, confusing them with their own dead and such, or even creating mysteries surrounding them.
Loch Ness monster? A true monster that had been dumped from its home planet to Earth.
Demons? They originated from a fiery hellspawn of a planet, led by their leader Lucifer to your planet. Because of their horrifying appearance and deadly habits, they earned a bit of a bad rep, becoming intertwined with stories of religion. They were perhaps the most asshole of the immigrant aliens on Earth.
Fairies? One of the more diverse races, from pixies to dwarves, they had as many different races as humans did. Gnomes, banshees, leprechauns, brownies, hobgoblins, gnomes, and more. Some dwindled over time, however, due to natural selection.
There were some beasts that were raised in the wild or as pets by the aliens, from dragons, griffins, unicorns, pegasi, and more. The dragons were the hardest to tame, though, as they were the wildest by nature. That is why they are shown in both Asian and medieval European culture.
Mermaids were from the same planet as the Loch Ness monster, the great drought of 1488 BC bringing them to Earth. It was perfect, seeing as 3/4ths of it was covered in water, soon to be more with the rate of global warming.
Werewolves were one of the few that could attempt to live among humans, their appearance far closer save for the full moon. Some speculated that the reason for this was because the more human of their kind decided to mate with the dog-like beasts of their planet, and for them their genitalia was compatible.
There were far more where that came from, many continuing to flow in even now. They couldn't reside in the public with humans, however. Throughout history, there had been one thing that humans kept consistent: ignorance. If they couldn't even accept their own species for the color of their skin or their own preferences, how could one expect them to accept the foreign that lived amongst them?
And so there was one section that dealt in that aspect of Earth. A secret international organization that dealt with the affairs of humans and aliens alike, monitoring the immigration and crime and whatnot. Manage, monitor, and hide. That was the profession of the EAA- Extraterrestrial Affiliation Agency.
Where you happened to work, as it turned out.
They recruit only the most talented, lethal, and brilliant of agents to join the agency. Those who have exemplified skills that could bring them above and beyond, spies that could trick and fight anyone and anything, no matter how many arms. So prestigious, in fact, that there were never more than 26 agents at a time. From the ones filling the places managing to stay alive or those dying out quickly. They only accepted the best of the best, but sometimes even they found their betters.
They also only accepted those truly willing to commit. This meant no personal lives outside of the agency. All men were expected to get vasectomies, and women to get their tubes tied. Children were a distraction. No serious relationships inside or outside of the agency, though flings could be allowed. Should one even consider the possibility of love with someone or break the rule, they'd be invited out of the agency with their memories wiped. Relationships were a distraction. One must even fake their death to their family and friends, forbidden from having contact with them. They were a distraction. Love was a distraction.
Everyone within the agency was young. Young enough where they wouldn't be able to miss anything once they abandon their lives. Young enough to want to join a special task force that would make them feel at the top of the world, almighty and all powerful. In their physical and mental prime. No one had to worry about growing out of the job, either. That was fine, though. Another condition was to be willing to die for one's planet no matter what.
You yourself were Agent Q, your code name out of the alphabet. You specialized in the more so spy aspects of the jobs, remaining invisible and acting deceitfully in order to obtain information. Cold and cunning, you had learned long ago that the true trick to being a spy was in the acting. You had learned how to skillfully slip into any persona or personality, up to the point where you forgot which one you really had.
You had caught the eye of the agency when you were far younger, just beginning adulthood. You were a master of deceit, getting into both the FBI and CIA, at some point even forging a British identity to get into MI5.
All of it was considered training, however, when you were recruited for the EAA. Government agencies certainly had a thing for three digit acronyms. You were certainly one of the top agents, if not the top, excelling in each area applicable. Not to brag, but you had saved the world perhaps half a dozen times, whether it was Incubi who were attempting to seduce the leaders of the world to their every whim in an attempt to rule Earth or a group of yeti who were trying to escape Anartica by hijacking one of the traveling planes and causing a rampage in New Zealand. That was one of the many reasons why no one was allowed to fly over the South Pole, per international law.
You remembered your first few weeks as an agent, your mentor being none other than one Kim Namjoon, otherwise known as Agent B. At the time he was on the cusp of celebration, finally arranging a treaty between the zombies and satyrs, two species that had disgusted each other since the beginning of time. Pesky creatures.
Namjoon specialized in the more analytical parts of the job. He could see through anyone's lie with a mere glance. He easily had one of the highest IQs within the agency, which was saying a lot for an agency of your caliber. No one was by any means average in any area. Except for dick size- you knew personally. Namjoon was one who could do the math on the likelihood of immediate death within a second, and every prediction and calculation he had made turned out true. A god's death? Correct. The following plans for a pact of golems planning to invade Hong Kong? Easy. Which species humans could strike a reasonable deal with, perhaps reaping the benefits of their resources? Done. It was even said that he once outsmarted Death himself, though it was really an alien that originated the legend of the Grim Reaper.
He was a good mentor, letting you see how to settle or work around conflict without using trickery or fists. He had opened your eyes to endless possibilities of dealing with people and aliens, even tutoring you on each and every species known to man. Their tells, their weaknesses, their history. One must learn from the past in order to move on in the future. At least that's what the poster in his office claimed. Despite the fact he was barely older than you he seemed to be eons older in wisdom and smarts. You got to learn early on in the missions where you shadowed him.
Even after you excelled past the point of tutoring, you'd spend time with him, knowing each conversation would bring about new information. You still teased him on your first interaction, reflecting back on it in comparison to your well established and current friendship.
The head of the board had brought you down to the main facility, and you were too busy looking around at the creatures you had thought before to only be mythology to notice the handsome man before you.
"Agent B, this is our newest recruit, Agent Q. I expect you to train her until you feel that she is good enough to operate on her own. As a senior agent, I trust you'll train her well. She's excelled in physical combat and the arts of personas, but I'd like for you to specialize on the teachings of the different species as well as alternative routes such as negotiation tactics. Sprinkle in a bit of economy while you're at it."
Namjoon studied you for a minute. "She looks a bit soft for an agent."
You fumed inside but did your best to keep your composure. Still, you couldn't help but quip. "Would that make you hard in comparison? I'm certainly flattered, Agent B, but I would insist that you take me to dinner first."
The head of the board showed no reaction, instead turning away. "I'll leave you two to it."
You were left alone staring at your tutor, the man showing no reaction to your quip. Instead, he simply smirks, as though amused rather than offended. "Sense of humor, huh? Let's just hope that doesn't die along with everything else around here."
He begins walking, and you trail after him, right on his tail. "You're not that much older than me- how is it that you're already a senior agent?"
He laughed at that, dry rather than finding it humorous. "Agent Q, around here 30 is considered old enough to retire. Ancient, even."
"Well you know the saying," you sighed, "'I'm here for a good time, not a long time.'"
Namjoon's laugh was outright that time, genuine and boisterous, the smile reaching his eyes. He looks at you with a sincere amount of newfound fondness, patting your head jokingly, ruffling your hair in the process. "You're cute, you know that? Real cute. Smart mouth on you, too. Perhaps we need a bit of that around here."
"I told you before, Agent B, take me to dinner first before you try to get into my pants."
God, whenever you teased him about that he'd still get so flustered, leaving you with tears in your eyes and aching cheeks from smiling so much. Truth be told, you had a bit of a crush on Namjoon for the longest time. You never pursued it, however. You figured that through the training and tutoring he had seen you as nothing more than a little sister. Besides, flings were the most that were allowed, and you knew that if you were to sleep with Namjoon you'd fall. What was there not to admire? So you simply kept that bit of information to yourself, instead referring to him fondly as Agent Bitch whenever he said something to erupt butterflies in your stomach.
He wasn't the only one who had sent you in a daze, though. Perhaps it was the fact you couldn't interact with anyone outside of missions, which usually ended with them dead. Or maybe it was the fact that so many of the male agents around you happened to be extremely young and attractive, as hot as they were lethal.
Take Hoseok, for example, Agent A. (Agent Asshole when he was being a bit of a snippy prick.) He had been in the agency the longest. The way it had happened was quite amusing, too. One of the entrances to the base was disguised as an antique hat shop. A robot ran the place, an old lady by the name of Barbara.
She'd ask anyone the question who walked in, "What brings you to a tacky little hat shop like mine?"
The answers would vary, and anyone with the wrong answer would simply be treated as a regular customer, but the answer would be, "Because I like Howl's Moving Castle."
How was the EAA supposed to know that a little boy would say that?
And so a little boy, no more than ten, had gotten swept down to a base full of mythological creatures and men and women in black suits. Instead of wiping away his memories, however, the board saw an opportunity, in the young boy. He was an orphan, meaning no one would miss him. If they could train an agent from the age of ten, who knew how skilled they'd become? Perhaps he'd give way to more of his kind in the future.
And so in a sense, they adopted him into their agency, the boy donning a black suit similar to the adults around him, handling guns and speaking to species of all kinds. Years later and he was by far the most skilled agent in all of EAA, even set to inherit it in the future, acting as a future leader. This was the only life he knew. His specialization was in assassinating, desensitized to the screams and pleas of victims, alien or human, that he'd become a cold-blooded killer within a millisecond. Outside of the job, the boy was bright and bubbly, still rather childish in nature, though you suspected it was because of the childhood that was stolen from him. When you mentioned the cruelty of him being taken to a place like this at such a young age, practically groomed, he grew frustrated, angry with you and refusing to discuss the matter further. You respected his wishes, but you knew he had wondered what would've happened if he had simply said something else that day. Perhaps he'd be normal. He had every species' blood on his hands.
You remember the first time you had partnered with him. It was a straightforward kill mission. Make it clean, not sloppy. Hoseok's specialty. It had been for a political leader of the ogres, urging many to come out of hiding to live among humans, accepted or not. Whether or not his morals were correct, it wasn't something you could risk. The best way to resolve the question was to take him out, as negotiation wasn't an option. The ogre, 10 feet tall, was rather violent, killing the last two agents who had come to try to strike a deal.
You had known Hoseok for a while by now, though you had never seen him in action. You were so confused as to how this man could be a supposed killer, with the highest body count in the entire agency's history. He seemed to kind to be raised from childhood as a cold-blooded killer. He seemed to loud to be a spy, hiding in the shadows. He wasn't at all what you expected. You liked him a lot for this, truthfully, another silly crush. He was more light-hearted than the bastards that ran this place, and you couldn't wait for him to inherit the place. You couldn't imagine him being as cold as them.
That was before that day, however.
It was your first mission without Namjoon, your training just finishing. The board thought it'd be best to keep you with partners for now as you gained footing, perhaps learning more in the process. You were ecstatic that it would be Hoseok, doing a yell of glee once you were in private. You two had snuck into the bedchambers of the ogre, deep in a cave near the Pacific. You had snuck past the guards easily, quiet as you stayed in the corners, distracting them from their posts. It was easy, really. After Namjoon's lessons on each species, you had perfected each mating call to a T, so much so that you prided yourself in getting even a two-inch pixie to want to bone you. With the echoes of the cave, it was known that it'd take the ogres more than enough time to search for the mate in question.
You stood over his form, quiet, listening to his snores. You looked to Hoseok, his eyes trained on the ogre's chest rising up and down, the final breaths he'd be taking. "So should we wake him up? Give him one more chance-"
Hoseok didn't give you time to respond, pressing a specialized ray to the ogre's forehead and firing. The body lit up with electricity, bright blue as it convulsed and twitched, jerking wilding on the bed. You smelt burned and charred flesh, the ogre's body slowly darkening as Hoseok continued to fry him. Finally, it stopped, and you looked to Hoseok in horror, his eyes cold.
He simply held out his hand. "Dagger."
Ah, that's right. Ogre's still had to have at least one of their hearts cut out after being burned. With shaky hands you give him the dagger, frozen as you watch him plunge the knife into the corpse's chest without hesitation, expert cuts that let him carve the large organ out, almost as though he were scooping ice cream. The entire time he wore an indifferent expression, almost as though he were bored.
The color drained from your face. You knew everyone had this sort of side to them- cold. You should've known- even you did. You killed a few yourself, even back in the public government agencies. Then why did it shock you so much to see Hoseok's side? The same man who would do funny faces or dances in attempts to cheer you up after long drills? Who pinched your cheeks seeing the newest agent?
Hoseok held the heart for a minute, the organ still beating ever so slightly in his palm. He squeezed it as its insides gushed out, spilling onto the floor. You stepped back, letting him drain its contents, what was once someone's life.
He dropped it to the floor, grinding it with his foot as though to rub it in the dirt. "Alright, I suggest we leave now. Lord knows the ogres outside will be pissed seeing their boss dead, and sexually frustrated on top of that."
You say nothing, following him out, in the shadows. You can only stare at the back of your head, slowly processing what happened. It was only on the getaway boat that Hoseok seemed to sense something was off.
"Are you alright, Agent Q?" He seemed like himself again. Kind. Concerned. Caring. Human.
"I just... I was just surprised."
He furrowed his brows, confused. "I thought you knew that was how you kill an ogre? You've killed a few aliens with Agent B, I'd figure you'd expect stuff like that."
"I mean, I know but... I..." You bury your face in your hands. "God, it's so stupid. I feel like an idiot."
"What is it? You can tell me." He reaches forward to hold your face in his hands, but you flinch. He catches wind of it, his voice quiet. "Did I do something wrong?"
"No! I just... God this sounds so dumb. It's because it's you," you whisper, feeling guilty that you're making him feel bad. "I know your history and your reputation, but I never could quite believe it, you know? Everyone here can be cold or desensitized, even I am at times. You're so happy and loud and lively I guess I just thought you were different."
"Oh." He's quiet at that, following your words. Processing them. "I'm still the same Hoseok, you know."
"Of course I know! Nothing can change that. I guess it subverted my expectations. You did nothing wrong, Hoseok, really. It was my fault for being naive and ignorant. I should've seen it coming. It's part of the job, after all. It was a kill mission and nothing more. You were just doing your job."
He nods slowly but says nothing. This time it's your turn to hold his face, making him stare you in the eye. "Hey," you say, "it means nothing to me, ok? I'm just still getting used to this job. It's not you, I swear."
He licks his lips slowly, hands coming up to yours. You can feel the ogre's blood on his fingers, still warm. You say nothing.
"I guess I never thought about it much before. I've been doing this since I was ten. I should've been more mindful of your reaction."
"Agent A, absolutely not!" You let your thumb caress his cheek. "We'll have to do a lot more of that. Best to get used to it now, right? You're still kind and caring and sweet. You're still my friend."
For the first time, you could swear you saw an agent begin to tear up. You were sure however that it was a trick of the light.
He squeezes your hands, letting his head hang low. "I'm your friend?"
"If you want to be," you smile. "You're still the Hoseok I and everyone else adores. I wouldn't have you any other way."
He looks up at you, and you swear his eyes are shinier than usual, glassy almost. "Thank you, Agent Q."
"Please, call me Y/N. Agent Q was my mother's name," you smirk, earning a hearty laugh from him.
After that mission you had grown closer, your following missions running far more smoothly. You communicated a lot better, but you always noticed how Hoseok would look to you before killing the target, as though asking for your permission. In response you'd always place your hand on his shoulder, a weak attempt to pour your support into him.
It wasn't long after that that Namjoon got his next trainee. A young man by the name of Taehyung, easily one of the most gorgeous men you've ever seen. Apparently, he had heard about your agency and had gone out searching for it. How he wasn't caught and had his memories wiped was beyond you, but as usual, the agency found usefulness out of those who came to them. It impressed them, which was saying something.
You had hopped into Namjoon's office, giddy at the news of his newest student. Admittedly you were a bit unprofessional, barging in to get an eyeful of the boy. "I hear Agent B's got a new apprentice!" you say. The boy had been here for three days, but you were shooed away by others who insisted you'd scare him off or intimidate him. Truth be told you were sure they'd think you'd want to jump his bones the second you saw him- and you couldn't deny it. The man was the definition of beauty. The moment your eyes landed on him you were stunned, eyes wide. "Holy shit."
Namjoon sighed, running a hand down his face. He knew this was inevitable. "Hello to you, too, Agent Q. I'd like to introduce you to Agent V, our newest recruit. Agent V this is the one I most previously trained, a major pain in the agency's ass."
"Oh please, Agent Bitch, he's more than welcome to call me Y/N." You smile at Agent V, his eyes trained on you, and truth be told you enjoyed the attention from the handsome man. "What made you want to pursue a place like this? Were you a huge Star Wars fan when you were younger or something?"
Taehyung smiled weakly at that, a rectangular smile you couldn't help but melt at. "I've been dreaming about this sort of thing my entire life. I was considering joining the CIA, but I came across the extraterrestrial, and long story short it led to you."
You laughed at that. "CIA's for pussies anyway. I should know. The pay isn't that good either. I specialize in identity and personas, essentially the best actor in this entire cult they call an agency."
"Oh, I specialize in weaponry," he says, taking your outreached hand to shake it.
"Weaponry?" You quirk a brow at that, looking to Namjoon.
"He can take a rock and a stone and make it a Sonic Blaster 5000. Kid's impressive."
"I'd think so, seeing as he's here." You turn to him, winking a bit as you give his hand a firm squeeze. "I look forward to working with you, Agent V. Maybe you can make me a few other kinds of weapons."
"He's not going to make you a vibrator, Agent Q. Now will you please annoy someone else?" he huffed, shooing you out.
"It was worth asking-" You didn't get much else out as he proceeded to slam the door in your face. That was fine, though. You ended up working with Taehyung on various missions and even heard from Namjoon about the young man's crush on you. You were flattered of course but never pursued the mutual attraction in fear that he'd fall for you in turn. You never let his tiny crush on you get in the way of friendship, dubbing him with the name of Agent Vagina on a mission to Greece, where you'd interact with many of the creatures from Greek Mythology (a subject you were thankful you passed back in school).
There were others, however, who were far more open about their attraction to you.
Take Agent C(unt) for example, AKA Kim Seokjin, specializer in medicine and healing.
You had to admit he was the most beautiful man you had ever seen in your life. You checked out his ass about as many times as he checked out yours, if not more. Even if it wasn't as round as a few other agents, you couldn't help but let your eyes wander whenever he picked something up.
However, Kim Seokjin had to be the cockiest bastard you knew. (Part of the reason you nicknamed him Cunt instead of Cock was to get under his nerves. He was so proud of how much he ate pussy anyway.)
He was hot and he knew it. It was rumored that he got a siren to fall for him, though you wouldn't be surprised if he spread that rumor himself. Some did speculate however that he had some siren blood in him- that or incubus. He was also the biggest flirt you knew, sexual jokes accompanying many of his annoying puns, and you'd never let him know, but you always did your best not to crack up hysterically. He might have the worst dad jokes ever, but you liked them nevertheless.
It was at some point during a mission of kidnapping a local succubus that he wouldn't shut up about letting you borrow her. All while she was tranquilized in the back of the agency's jet, for crying out loud!
"I mean I'm not sure if you swing that way, but I'm sure you can use a good lay, Agent Q," Jin smirked, knowing exactly how to tease you.
"Dear God, Jin, fuck you!" you say, though both of you knew you weren't angry in the slightest.
"You offering? I mean I'll take her place if that's what you want." He wiggled his brows for emphasis.
"Agent Cunt, last I checked you'd fuck anything that walked on two legs."
"Last I checked you walked on two legs."
"You've got to be kidding me," you say, shaking your head in disbelief.
"Come on, Y/N, you know you're attracted to me. Just look at my face!" He takes on hand off the wheel to blow an exaggerated kiss, which you catch and crush beneath your palm.
"As if." You roll your eyes. "Get over yourself, Jin."
"Or you could get under me."
"Ew! You're shameless, aren't you?"
"C'mon, we could do it in your office! Right on your desk! Facetime the bitchy Head of Board while we're at it," he jokes.
Truth be told you would've. Jin was right to say you were attracted to him, and you couldn't picture him as a relationship type. Honestly, the only reason you hadn't jumped his bones yet was to spite him for his arrogance.
There was one coworker who you had a tryst with. An agent by the name Park Jimin, code name Agent P. The man specialized in alien communications, fluent in every language known to man and above. He was one of the sweeter guys in the business, a soft personality everywhere but in bed. You were attracted to him of course- and who could blame you? He was gorgeous. Or maybe it was because you seemed to be attracted to every man in the agency. Nevertheless, it was after a work party, a celebration after winning a battle against the band of gorgons. You had lost five agents in the process, but your agency had to look on the bright side. It could've been more. No one could truly mourn their loss, so they chose to celebrate their achievements.
After all, rule #1. No distractions.
You and Jimin had gotten drunk, and truth be told it was far better than expected. You would've figured you'd given into Jin's flirting that night, but instead found yourself bent over your desk by a completely different man. No facetiming your boss, though, unfortunately.
It did make the mission right after a bit awkward, however, but the two of you agreed that you'd stay friends and eventually the awkwardness faded. Whenever you wanted Jimin to shut up when he was on one of his rants about a coworker, you'd simply tease him about the fact he came first. Worked every time, despite the fact that he made it up to you by eating his cum out of you.
You remember the most recent argument when the two of you were arguing over who'd get to convince Lucifer himself to go to a meeting with the agency. Neither of you wanted to do it.
"You speak every language! Maybe speaking in demon will make him a bit more pliant!" Usually you yourself would be up for the challenge, but there was a reason why Lucifer was never depicted wearing clothes. It was always weird for you to look up from his flaccid red willie just swinging about.
"What about you? You specialize in identity and personas- that means you're the best liar in the entire world! You do it!" He argued back.
"No way! One, I prefer to call it acting, not lying. Secondly, man to man would be better. Maybe you can communicate by doing the helicopter."
"You're insane! I don't think the wooshing of our dicks in the air is gonna convince him to come to the base and have the director and head of board chew him out for going over the quota of stolen souls."
"It's not like I know how to speak demon talk! I tried and failed. I only speak a little bit of gnome and parseltongue- neither of which he speaks."
"Parseltongue- are you shitting me woman?!" His eyes bugged out of his head.
"Big talk for a guy who blew his load first."
"I swear to god I'll have you cum enough times where you beg me to stop next time, just to get you to shut your trap about that."
"Oooh, Agent P, are you mentioning a next time?" You wiggled your brows, teasing him as his cheeks flushed red. "I'll have to check my calendar! Will this make us official fuck buddies?"
He groaned, burying his face in his hands. "Fine, I'll do it. Jesus Christ."
"Thanks, Jiminie! Just for that, I won't call you Agent Pussy for at least a week," you say, giving him a peck on the cheek out of gratitude.
"Whatever, Agent Quip. You're lucky I like you so much."
That's true. Everyone seemed to like you in the agency- save for a certain Min Yoongi. AKA Agent D(ick). He specialized in torture- an area of the field that you weren't exactly the keenest about.
You two wouldn't have the most friendly of bantering, a bit closer to bickering. He'd get frustrated with you when the two of you were torturing a target, trying to get information out of you. You were annoyed with him because he'd nap through important meetings and never seemed to be listening to anyone. The two of you were archenemies, but admittedly you worked well together.
"Agent Q, would you please look where you're putting that?" Yoongi grumbled, swatting your hands away to take the tool. "Makes me wonder how you made it in here in the first place."
You grimaced, staring at the target. The New Jersey Devil, tied down and carved into, refusing to spit about the whereabouts of its colleagues. "You're one to talk. All you do is nap in your office and during meetings. Your entire specialty is based on sadism."
"You're lucky you're not the one on this table, Agent Q, otherwise I'd have you broken within five minutes," he grumbled back.
"Why Agent Dick, is that a proposition for kinky sex?" you guffawed.
He snorted. "Keep dreaming, baby."
"Pet names now? Such a charmer," you continued, your voice laced in sarcasm as you ran your hand down his back, mainly trying to distract yourself from the scene in front of you. "I knew that mask of annoyance was to hide your attraction to me."
He stiffened, rolling your touch off him. "Rule number one, Agent Q."
"This isn't distracting you, is it?" You toyed a bit with his tie before leaving him alone, taking the tool in hand as you decide to stop bothering him. "Alright, I can handle this bit. I just need to get used to this."
"Be my guest," he says, watching you as you finish where he left off.
It isn't long before you feel his fingers thread up your hair, slender fingers running up your scalp in a smooth massage.
"Yoongi," you breathed, your voice soft.
"What is it?" You feel his hot breath hit your ear from his position behind you. "This isn't distracting you, is it?"
You stiffen as he gets about a fistful, and you anticipate the yank, but it never comes. He lets go, laughing at your tense form, frozen and awaiting his actions. "Figured you'd like a taste of your own medicine," he chuckled.
You shoved him, rolling your eyes. "You're such a dick."
"It is your nickname for me," he smirked, letting you continue your work until the New Jersey Devil began to squeal and kick. "I think it's ready to talk. Bring in Agent P."
It had been a few years after joining the agency that you finally got your own trainee. Jeon Jungkook, Agent Z, nickname pending. His specialty was combat, and he was surprisingly more buff and thick than most of the guys around here, though they weren't anything to scoff at by any means.
He had a softer look in the face than you were expecting from an agent. For a moment you were brought back to the moment you and Namjoon had met. You got it now, especially with his doe eyes and bunny teeth. He looked too pure.
However, the skills he had shown, even beating you in combat to prove himself. In fact, he beat everyone in one on one combat, an effort to prove himself. You should've known by the busted knuckles that he was more than his eyes gave away. You had expected him to be slow, but he was quicker than you. You expected him to be less agile, but you were wrong there too.
And by God, by the end of it, you were ecstatic to work with him.
He had finished battling Seokjin, managing to keep his pretty face intact (thankfully). You had jumped into the fighting ground and flew into Jungkook's arms, who caught you easily. You smiled and squealed like the childish girl you were, pinching his cheeks. "This is my baby everyone! My trainee, mine!"
"You haven't even started training him yet, dumbass!" Yoongi called back.
"Shut up!" you replied, letting Jungkook put you down. "That was amazing kid, really! I'm so excited to tell you everything I know."
Jungkook laughed at that. "You're not at all what I expected an agent to be like."
You rolled your eyes. "I get that a lot. Where'd you learn moves like that anyway? I fought for CIA, FBI, and MI5 and I still didn't beat you!"
"Underground boxing, dad in the military who taught me a few moves, and later on I moved on to the black market. Shady business like that gives you a lot of random fights, and some fight dirty."
"Well I look forward to working with you, Agent Z!" you beamed happily.
It was a few years after that when you got the news that would change your life forever.
"Agent Q, I want you to be leading this mission. There's an unknown form of extraterrestrial beings that have landed on Earth- unlike anything we've ever seen before. I want you and seven others to go out and check on the premises and see these extraterrestrial. We don't know what they're capable of, and can't take chances. I picked the top eight agents in the business. You, Agent A, B, C, D, P, V, and Z."
You had led missions before, sure. But this was unusual. Nothing of this caliber had ever happened, and it shocked you to your very core. New lifeforms? You had only known the species that already resided on this Earth, never before anything new. Also, so many agents? At most, there were three, perhaps five if there was a need for backup. Never eight. Your agency knew to conserve numbers just in case, not wanting to lose too many.
You looked to the Head of Board. "Are you sure you want to send this many agents?"
"We need our very best, and I believe you eight can get the job done. If you can't do it, no one can. You'll be expected to depart in the morning."
"Understood."
#bts smut#bts x reader#jungkook#namjoon#seokjin#yoongi#taehyung#jimin#hoseok#jin#jhope#suga#agust d#jeon jungkook#kim seokjin#rm#rap monster#kim namjoon#kim taehyung#min yoongi#jung hoseok#bts#bangtan#park jimin#jungkook smut#taehyung smut#namjoon smut#seokjin smut#yoongi smut#jimin smut
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Breaking Legs, Crushing Dreams
Witches, haunted opera houses, small-town diners, the founding fathers, and a magical Scottish town. These unusual topics are dazzling Broadway musicals loved by thousands. Musicals are a brilliant show of song, dance, and story that almost everyone can relate to. Every theatre kid has a role they would do anything to play. Unfortunately, casting bias based on race, gender, or sexuality, could make it difficult . In the past, most characters could be played by straight, white, cisgender actors. In today’s theatre world, that is being challenged. Why should there be a “basic” type of actor, and why should they get all of the parts? When people see themselves represented, it matters. It is especially important in youth development. Casting people of color, LGBTQ+ actors, and gender swapping, can change lives. A recent challenge to the status quo is the historical hip-hop musical, Hamilton. Casting a black man as George Washington, an Asian woman as Eliza Hamilton, and a Puerto Rican man as Alexander Hamilton himself, shocked audiences everywhere and opened up eyes to the possibilities of casting shows.
Ten years ago, a black man playing George Washington was unheard of. Why did modern day genius, Lin-Manuel Miranda, decide to challenge that? To tell “...the story of America then, told by America now.” What exactly does that mean though? Miranda wanted to tell the almost unbelievable story of America’s creation. But he wanted to tell it through the mouths of the immigrants the country was built on (Quiñónez). The founding fathers were young, rebellious, and brave. They went against their king to fight for freedom and justice for all, but to them, “all” was all white men. Through Hamilton, the people left out of “all men were created equal” get a chance to tell the story. The good, the bad, and everything inbewtween. Black men get to tell the story of soldiers fighting for the abolition of slavery, Latinx, Asian, and Black women have the opportunity to pay respects to some of the first feminists, and continue to spread the message of equality to the next generation.
The characters in Hamilton are all based on real people. Because of this, there is debate about whether there should be a line between fantasy and reality in casting. A popular example is Wicked. The story takes place before the events in The Wizard of Oz and includes many of the same characters. Wicked has been on Broadway for 16 years. This year, the first woman of color portrayed the deuteragonist, Glinda. Why did it take so long for this to happen? It’s unlikely that is was malicious. The casting directors did not sit in their offices and throw every woman of color’s headshot in the garbage. It is also quite unlikely that it was completely by chance. The reason was most likely somewhere in the middle. In 2003, Kristin Chenoweth originated the role of Glinda. Chenoweth is tiny, blonde, and white. This description was used in casting every Glinda after her, and very rarely changed. As stated in the Wicked Wiki page, there have been 32 Glindas on Broadway. 32, and only one was a woman of color. So when it did change, people noticed. Brittney Johnson made history in January 2019. She became the first woman of color to play Glinda on Broadway. She made headlines in the theatre community, and made hearts swell, as she gushed about how much it meant to be playing the character. In an Instagram post, the actress told about her excitement, “My hope and prayer is that people see my story and have faith that they can achieve their dreams too. Nothing is impossible! And no dream is too big.” The dream she speaks of, is crashing through the stigma of a white woman playing a beloved character. Through this, she shows kids, adults, and everyone in between, that they too can bring a character to life.
Aside from race, there are several other factors that could cause someone to not get a role in a show. Gender is a debated trait in modern theatre. Should characters be able to be gender swapped? Most argue that there are some roles that can be gender swapped, and some that cannot. And some believe that all characters should be cast as written. A recent example of gender swapping in a professional role is the character Old Joe in Waitress. Up until late 2018, the role was for a man, and played by one. In December 2018, the writers and directors decided to change that. When beloved actress June Squibb came to see the show, the creative team got an idea. They immediately decided to change the role to Old Josie, and cast Squibb in the part. “In this moment of time, it seems like a wonderful brush stroke to make the owner a woman-a strong, savvy business woman who is trying to help another woman find her footing.” says book writer, Jessie Nelson. Old Josie was loved by audiences and actors everywhere. But would the same love go to other characters?
In the recent past, I acted in a production of The Little Mermaid. A friend of mine tried out for Ursula, and had a shot at the role, except that this friend is a boy. He has the vocal range, the acting skills, and everything else necessary to play the character. But unfortunately, he wasn’t considered for the role. There are a lot of possible reasons for this. The conservative town, the young audience, or the views of the casting team, but it all comes down to the same reason. Our brains are trained to think that boys should play boys and girls should play girls. But is that even a factor here? The casting of mythical creatures has always been interesting to me. They’re fake, so there’s no reason for people to put any restrictions on who can play them.
Religion is another casting factor in theatre. Most of the characters in the famous show, The Fiddler on the Roof are Jewish. Does this mean they should only be played by those of Jewish faith? In most cases, religion isn’t an issue in casting. But when it comes to religions that have been discriminated against, there are arguments. Religions such as Islam, Judaism, and Hinduism are the most argued about. Because the people of these religions have been treated so poorly and given so little chance to be represented, when a character identifies as one of them, it’s important. Some argue that a person not of these religions should not play characters that are, because the young people of the religion deserve to see someone like them, playing someone like them. This is especially important for hijabi characters. Women who wear the traditional headdresses are tormented in public, have their hijabs ripped off, and are mocked and laughed at for their choice. So to put a random actress in a hijab for a show, seems wrong to those who undergo the discrimination every day.
Although America is supposed to be a haven for people of all backgrounds, racism is still a frequent issue. The iconic retelling of star crossed lovers, West Side Story, has been subject to a lot of whitewashing. To whitewash is to cast a white actor in a person of color’s role. In the 1961 film version of the show, the lead female character, Maria, a Puerto Rican girl, is played by Natalie Wood, a Russian woman. This casting, though common in it’s time, was offensive to the entire Latin community. Essentially telling them that their actresses were not good enough to play the character. However, the show is getting another chance. Set to be released in 2020, Steven Speilberg’s remake of West Side Story stars Rachel Zegler, a Colombian teenager, ready to take on the world as Maria. Zegler has spoken out several times about how important representation is. Millions of fans are awaiting seeing a true Latin Maria on the silver screen.
Sexuality is becoming a more and more important factor in casting every day. Recently, the Tony winning show, The Prom, has been in talks to become a movie. The show centers around two girls who want to go to prom together as a couple, but the school administration shuts down the prom in retaliation. Young queer kids everywhere were thrilled when the movie was announced. They were less thrilled when the casting possibilities were announced. When it was announced that Ariana Grande would be playing the main character, Alyssa Greene, fans were not happy. In the Broadway show, Alyssa was played by a queer woman of color, and as far as we know, Grande is neither. Casting LGBTQ+ actors as LGBTQ+ characters is extremely important to the audience. If a character is “straight-washed” it takes away part of the identity the original actor brought to the stage. It also takes a role from an actor that could play it with more honesty, emotion, and feeling, because they have shared experiences with the character.
Kelli Jolly has been involved in theatre for a long time. From growing up a dancer and actress, to choreographing shows, to becoming the president of a theatre organization, she pretty much lives and breathes it. When asked how casting has changed in her time in the theatre, Jolly said that it has changed a lot. “Directors are casting in creative ways to bring a story to life in a different way than the story has been portrayed in the past. It is exciting to watch different versions of the same play or musical with non-traditional casting.” Those like Jolly, who have theatre in every part of their lives, are excited to see change and creativity in shows. They are also excited to watch what the new generation of actors tell the same stories, in a whole new way. A group of 16 actors, directors, and stage managers were asked if (aside from characters that are written with a specific race, sexuality, or religious belief) casting should be blind, and 94% said yes. The world is changing, and theatre is changing with it.
Casting should be based on talent first. Casting an actor that does not deserve the role is wrong, no matter their race, gender, or religion. Characters can and should morph as the times change. Aiming to be more inclusive and to better represent the world around them. But if a character is a certain way for a reason, the actor should reflect that. Seeing yourself represented in media is important. Having diverse actors can help make that a reality for more people.
Works Cited
Fierberg, Ruthie. “Why Sara Bareilles, Diane Paulus, and Jessie Nelson Changed Waitress' Old Joe to Josie.” Playbill, PLAYBILL INC., 18 Nov. 2018, www.playbill.com/article/why-sara-bareilles-diane-paulus-and-jessie-nelson-changed-waitress-old-joe-to-josie.
Person, and ProfilePage. “Brittney Johnson on Instagram: ‘My Heart Is Bursting with Gratitude. Thank You, Thank You! God Is so Good! I Am so Humbled to Be the First Black Glinda and Honored to...".” Instagram, www.instagram.com/p/BsgWkRehCVo/?utm_source=ig_embed&utm_campaign=dlfix.
Rogo, Paula. “This Actress Just Made History As First Black Woman To Play Glinda In Broadway's 'Wicked'.” Essence, Essence, 14 Jan. 2019, www.essence.com/entertainment/this-actress-just-made-history-as-first-black-woman-to-play-glinda-in-broadways-wicked/.
Samberg, Joel. “Fiddler on the Roof.” My Jewish Learning, My Jewish Learning, 6 Jan. 2004, www.myjewishlearning.com/article/fiddler-on-the-roof/.
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31 Stories in 31 Days: Home
What is this? As part of celebrating Asian American & Pacific Islander Heritage Month (May), I am writing a story a day about my experiences as a Chinese Malaysian immigrant in America. My friends and family have provided numerous one-word prompts to help me create these stories. Today’s word prompt was contributed by Susan S. and the word is “Home”. Thank you Susan for your contribution and thank you everyone who stopped by to read my story today.
I grew up in a small suburb called Seri Petaling. The house I lived in was a two-storey terrace house where every house was connected densely and your roof tiles were interconnected with both your neighbor on your right and your left. The only thing separating the houses was a wall made of cement.
Our house had a large metal gate, a wire fence that served as partitions between houses, a small entrance that could comfortably fit two cars and a small garden in the back of the house. The garden had a large mango tree, a coconut tree, a variety of cacti, hanging orchids, Ixora bushes and a small area of green grass that felt like a soft pillow every time you stepped on it. My favorite part of the garden was a metal swing for two and I spent many days on that swing as my playground. My least favorite chore while living in this house was washing my white shoes by hand -- this was part of my primary school uniform.

This house holds a lot of memories inside. From late night movies to great conversations and laughter and also my first kiss. I have stopped calling it my home after my last stay in that house. It was during my trip home to Malaysia in 2012. The last time I was home prior to 2012 was in 2006, when I had just completed by bachelor’s degree and returned home to find a job. I remember that trip in 2012 well because it was my first trip I took around the world in eight days. My flight plan: Chicago > Korea > Malaysia > Sri Lanka > Dubai > Egypt > London > Chicago. I would never do this flight plan again, especially in eight days and it was an emotional trip overall.
My husband didn’t travel with me because we couldn’t afford both of us to visit Malaysia at that time. He was extremely supportive and knew this was an important trip for me to see my family. During this trip I had the opportunity to stay in my old room. Everything was still the same — from old trinkets, books, sunflower blanket, hair clips, trophies and even my collection of yo-yos. It really felt like home. I can’t quite describe it completely but it’s that sense of security, comfort and familiarity of what I called home. When I slept I was able to see all the glow in dark stars I had put up all over the walls of my room and drift off to sleep in the sky. The room was air conditioned optimally cold, especially for the hot sunny muggy weather in Malaysia.
My mom had given me a head’s up that she was going to sell the house and move to smaller condo closer to where my siblings lived so that she could be closer to the grandkids. She also said to get rid of anything that I didn’t want in my room and take the things I wanted with me when I returned back to Kalamazoo. I found myself throwing a lot of things away into trash bags, such as school trophies, gifts from old crushes and clothing that did not fit me anymore. While I was sorting through things in my room, I walked down memory lane with smiles and tears. It was such a surreal experience because I didn’t want my mother to sell the house. I wanted this house to be mine forever. I remember every thing that transpired in that house, even the loose wooden tiles on the floor and the cool touch of the marble floor in the main living room.
I eventually brought myself to accept the circumstances because I didn’t have time to process or even bargain for more time. So I packed the memories I wanted to keep, threw away what I didn’t want to remember and left the rest to my mother to sort out. In hindsight, leaving whatever that was left to my mother to sort out was a great burden to her. She didn’t know what to do with everything in the house once the house was sold. She did what I would have done, which is just to throw everything away because everything had a memory. Throwing away a memory was easier than unpacking it or even processing it because dealing with it would mean many bottled emotions would erupt and the shame that came with it. This was just how we handled complex emotions at home. It wasn’t healthy and often we would get hurt along the way.
When I left Malaysia, I was distracted by the remainder of my trip to places I had never been and an amazing dessert to explore. By the time I reached Kalamazoo, it finally sunk in that my home was gone and I could never go back anymore to that house. It was a difficult thought to fathom and still is today. It brings tears to my eyes when I do think or talk about it. I also understood that I needed to make a new home for myself — a place that gave me those same feelings of security, comfort and familiarity — especially now that I have a husband who is now the closest family and person to me in America.
We had moved into a house in downtown Kalamazoo when we got married in 2008 and we lived on the top floor while we rented the first floor as apartments as part of my husband’s venture into real estate holdings. I remember thinking how temporary this living environment will be and one day we will find a house that we can build our home together. When I returned from my trip to Malaysia in 2012, I changed my perspective that this was no longer a temporary house. This is now my home and I will fill it with all the memories I want. We would create our own adventures, define and redefine what living would look like in our home.
I remember one day when I was talking to my husband on the phone, he was on third shift at a security job. I said, “I can’t wait for you to come home.” I remember catching myself during the call that I said this house in Kalamazoo is my home. My husband caught it too and he said it made him smile to hear me say that our house was my home, our home.
Now, whenever someone asks me where are you from, I have never hesitated to say “Kalamazoo.” Even though sometimes I still get the same variety question of “Where are you really from?”, “You don’t look like you’re from here…” or “You speak so well, where did you come from originally?” In the past, I would brush this inquiry off and just say Malaysia. However I would re-state to the person that Kalamazoo is now my second home, which seemed to make a lot of sense to the other person but I felt that Kalamazoo was my main home. Why would I have to defend my choice of home by saying it’s my second home?
I have learned that home is what you make of it and you carry it with you wherever you go. It doesn’t have a ranking order nor does it matter what it looks like, you know its home because you feel it in the pit of your stomach, you feel it in your heart and you know in your mind that this is where you are meant to be.
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