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tiledis · 5 months ago

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"Tea and Sympathy" and "Returning Home" were the filming codenames for Broadchurch S2 and S3.

Tea and Sympathy? It really fits the vibe of S2, and it sounds quite cute.

I've known about this for a long time, but never really thought about it seriously until I did some research and discovered that the old-fashioned phrase 'Tea and Sympathy' is actually a 1953 Broadway stage play by Robert Anderson, which was also adapted into a film directed by Vincente Minnelli.

ThIS play addresses the harmful effects of toxic masculinity and the neglect and suppression of women. It's still very relevant today, even though some of its content may seem a bit outdated. But this is a play from seventy years ago, from a time still governed by the "Hays Code."

In the play, the protagonist, a student named Tom, struggles to fit in with other boys because he doesn’t conform to traditional masculine norms and is bullied for it. His favourite teacher, Laura, shows him care and understanding, offering him comfort and sympathy. Tom’s identity is deliberately blurred; we never know whether he’s queer, and that doesn’t really matter—he is, in any case, part of the marginalized group. I thought, well, our Alec Hardy is actually a character who strays from traditional toxic masculinity—a kind of outsider—and in S2, Ellie Miller helps him.

I thought, okay, this could just be a coincidence. Then, when I read about the director Vincente Minnelli... He's known for his musical films, and his signature style includes the use of 16:9 widescreen and vivid colours.

As a former costume and set designer, Minnelli had a deep understanding of colour aesthetics and how to use them to guide the audience’s attention. Especially in the Tea and Sympathy, the two protagonists, Tom and Laura, are associated with colors that represent traditional men (blue) and friendship (yellow).

Laura’s outfits are in shades of yellow and orange, her curtains are yellow, her flowers are yellow; Tom wears a light blue shirt, blue pajamas, a blue suit, his costume is blue, and he sends blue flowers. At the film's climax, Laura changes into a green dress, as if blending her yellow with Tom’s blue. It is in this dress that she first romantically proposes to Tom, though she hesitates at the last moment. In the final scene, she meets Tom in a lush green forest. The whole world turns green, but Laura abandons yellow and chooses pink instead. She no longer offers friendship but instead presents herself as an independent woman. [x]

Doesn’t this sound a lot like Alec Hardy and Ellie Miller? Ellie’s home is filled with yellow, and she often wears a signature bright orange jacket; Alec Hardy dresses in dark colours, but he is generally associated with blue: light blue shirts, a blue sweater, the small blue house in S2.

As their relationship develops, they begin to assimilate. In S1, Alec wears black clothing while Ellie wears grey. Later, Ellie’s clothing becomes darker until she starts wearing black, and Alec begins wearing grey ties. By the start of S3, Ellie Miller has a blue jacket.

The use of colors in Broadchurch has been confirmed by the show’s costume designer Ray Holman.

The play even has a character named Ellie (Martin), who, like Tom, seems to be slandered with rumours and becomes an outsider in the town—just like our Ellie.

You can read the script of this play here.

#Broadchurch #analysis #my stuff #Alec Hardy #Ellie Miller #Tea and Sympathy

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jomiddlemarch · 1 year ago

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The Black Widow

“I think I’ve been too hard on Blaise’s mum, all these years,” Hermione said, her shoulders slumped instead of maintaining her usual impeccable, McGonagall-inspired posture, her chin held in the hand that wasn’t curled around a cup of tea. It was actually a very fine cup of masala chai that Padma had made using the Patil family’s own karha recipe and Hermione had chosen it over a glass of Shiraz and the two fingers of bourbon that had also been offered and perhaps foolishly declined. She took a breath, tried to let the scent of the spices soothe her.

No dice.

“Maybe you’re, I don’t know, exaggerating a bit?” Padma said carefully.

“She means you’re being more dramatic than Celestina Warbeck and Sarah Bernhardt put together, darling,” Theo said. They were her two most rational friends, Theo a hatstall for Ravenclaw, Padma properly Sorted and also Second Wrangler for her year at Cambridge. It had made sense to come to them and not, say, Harry, who was pants at validation, or Ginny, who only ever wanted salacious details and sulked when Hermione wouldn’t share, or Luna, who might say something daft or something that was as sharply acute as an Unforgivable, with the additional burden of being Unforgettable, and who was also in Svalbard. It had made sense and yet now Hermione was considering she could have just gone to any wine-bar in Soho and gotten sloshed without any incisive commentary.

“Incisive, I like that,” Theo said as Hermione had evidently voiced that bit of her internal monologue aloud.

“I always said she must be a dreadful person and now I’m the dreadful person,” Hermione said. Was there a slight moaning quality to her tone? She had come seeking tea and sympathy. “I should have understood the cards were stacked against her and that she couldn’t fight the patriarchy of the Wizarding world by herself—”

“I’m not discounting the point about the patriarchy, but I don’t think you and Madame Zabini are much alike. Nor are your circumstances,” Padma said.

“She means you haven’t murdered any of your men,” Theo said, peering at Hermione through his glasses. “In case you were too addled to make out what she meant by circumstances. You’re still a Gryffindor, you often need things told to you point-blank. Or at wandpoint, but that seems unnecessary.”

“He’s right,” Padma said. “Though to be unfair, there’s no confirmation about several of Madame Zabini’s husbands’…demises. There was no body recovered for the last one and she’s always spoken fondly about Blaise’s father. She’s allowed to have some bad luck and there have been two wars—”

“Come off it, Padma, the witch is a bloody menace and even Riddle was scared of her. That’s why Blaise didn’t have to get the Dark Mark,” Theo said. “Tom was into Dark magic, but Madame Zabini knows the Old Ways.”

“Fine,” Padma said. “Still, Hermione, it’s not the same.”

“First of all, no one you’ve dated is dead,” Theo pointed out.

“Anthony said I was a life-ruiner,” Hermione replied.

“As if he had a life worth ruining, the tosser,” Theo said, scoffing. “So full of himself.”

“Ron got cursed at the Final Battle because he was trying to protect me,” Hermione said.

“He’s been getting free rounds of drinks off that injury for the past twenty-odd years,” Padma said. “If he’d listened to anyone, he could have had it repaired at St. Mungo’s that first week instead of relying on a field dressing by a fifth year Hufflepuff. He’s only still got the limp and the scar because he waited and then it was permanent.”

“Bill said that too,” Hermione admitted.

“And just because Viktor Krum hasn’t been heard of in about nine years, that’s nothing to do with you,” Theo said. “I know you’ll mention that last letter of his, where he wrote about Ioanna and her amber halo, but really, that could mean any number of things. And also, again, not confirmed dead and not at your hand.”

“McLaggen had it coming to him,” Padma said and sniffed. “You were helping out all female-presenting creatures and beings when you hexed him.”

“I don’t feel that bad about him,” Hermione said.

“Good. That’s progress, love,” Theo said. “You’re not still counting Snape, are you?”

“I mean, I let him die, Theo. I was right there—”

“You had a crush on him during sixth year but I don’t see how he counts as one of you men. I think he would rather have died again, more gruesomely, as Nagini kibble, than have a relationship with any student, let alone a Gryffindor like yourself,” Theo said.

“You couldn’t have saved him,” Padma said more softly. “You were with him when he went, his portrait said as much. He doesn’t bear you any ill-will. Quite the contrary, I think he’s a bit fond of you now, though he’d say this was a bunch of bloody sentimental shite. And probably take one hundred points from Gryffindor and call you a silly cow.”

“Death has not softened him up much, has it?” Theo said. “Good old Snape. Or Bad old Snape. Whichever. That was his thing, double-agent, et cetera, wasn’t it? But he’d never see himself as one of your victims.”

“I appreciate you are both trying to cheer me up,” Hermione said. She took a gulp of the chai, which was at the perfect temperature, because Padma had used the good Charmed china.

“We are trying to reason with you, brightest witch of our age,” Theo said.

“Neville—” Hermione said, breaking off.

There was a moment of silence, respectful, sincere, thoughtful. Sort of like Neville had turned out to be, besides being the Prophecy’s spare, the slayer of Nagini, champion wearer of Fair Isle jerseys and well-worn cords, strider of moors, Sprout’s successor. Hermione’s former almost-fiancé.

“It never would have worked out,” Padma said.

“I know. I just loved him so much, he was so dear,” Hermione said. “When he proposed, it was like a dream—”

“He fell in a bog and broke both his legs,” Theo said. “Again, Not Dead. Perhaps terminally embarrassed, especially since he lost the ring in the bog and now the bog kassapu won’t give it back and Madame Longbottom is furious—”

“His gran didn’t mind that much,” Hermione said. “But she did say it was a sign. And that because Neville broke his legs in an enchanted bog, it wasn’t something St. Mungo’s could heal up easily and I wasn’t to think twice about refusing the offer. Neville said the same thing.”

“I suppose you could wait for him,” Padma said. “You are a witch. Another couple of decades—”

“We agreed it was for the best, ending it. We’ll stay friends, close friends, but he saw what was happening,” Hermione said. She’d often been told, dismissively by Slytherins, that one could read her face like a book; at the moment, it must be a torrid, fraught romance, albeit one without any ripped bodices or irascible, secretly wounded dukes.

“It’s not like you and Draco planned to meet at St. Mungo’s,” Theo said. “It’s not like you orchestrated it for him to be on-call when you and Neville arrived and for him to be the one who sat up with you the whole night while the other Healers stabilized Nev. It’s not like you tried to fall in love with each other, former rivals and adversaries who had more in common than they’d admit until they couldn’t any more, wouldn’t—”

“Even though the rest of us could see it coming from a mile away. Years before. Since that first night at the pub,” Padma said. “Harry saw it. George Weasley’s had a bet going since you went to the loo that night, the pot could buy a lovely holiday villa in the Algarve by now. Minerva—”

“You call her Minerva now?” Theo whistled. “I thought that was reserved for the brightest witch here.”

“I advise some of the more gifted Arithmancy students who are beyond Vector’s skills,” Padma said. “Hermione might have done, but she had that Potions torch to carry and then Bill roped her into the side-gig at Gringott’s. Minerva told me she didn’t want to be called Professor by a colleague, certainly not one who made a better pot of tea than she did.”

“She said that?” Hermione exclaimed.

“I made the masala chai. She’s not stupid,” Padma said. “She said she’d wondered about you and Draco since the Yule Ball and that if Dumbledore had simply managed the Voldemort situation better, we could all have spent our Hogwarts years waiting to see if the two of you would get together.”

“Oh my,” Theo said, laughing. Hermione made a face, scrunching up her nose, then shoved back the hair that had come loose from the combs she’d used to pull it back.

“I guess the truth is, I’m afraid,” Hermione said. “I’m thirty-eight years old and I’ve never had a successful romantic relationship, they’ve all been unmitigated failures, well, maybe I get a pass on Neville, but otherwise it’s all been utter shite and I don’t want to mess anything up with Draco. I don’t want to hurt him. I don’t want to be the Black widow and Walburga has been giving me the evil eye since she heard—”

“There it is,” Padma said.

“You cannot let that blasted portrait bother you,” Theo said. “Draco ought to be able to shut her up, heir to the House and all.”

“You’re not going to mess anything up. At least, you won’t do it by yourself. This is about you and Draco, what’s between you. What you make with how you care about each other,” Padma said. Theo nodded.

“And for the record, Draco has done a superlative job of keeping himself alive in situations that would have killed any lesser being. He survived Riddle as a houseguest. He survived Bellatrix changing his nappies. He survived Lucius finding out you’d beaten him in every class and Harry winning the Tri-Wizard Tournament,” Theo said. “You can’t take him out, darling girl, even if you try.”

“You should talk to him,” Padma said.

“I don’t know, he’ll think I’m being silly or that he has to take care of me,” Hermione said.

“You are being silly and he does have to take care of you,” Theo said. “So, yes, he’ll think that. But I am confident that he will express himself most eloquently on the topic.”

“How care you be so sure?” Hermione asked.

“Because this isn’t the first pot of masala chai I’ve made that one of you hasn’t drunk this week,” Padma said. “You’re the more secure of the two of you though—he went to Harry first.”

“And then to Millie,” Theo added. “She has not become more patient with age. It was a near-fatal error.”

Bonus image of my Madam Zabini fancast:

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