#Textual Identity

[omegaphilosophia]

The Ontology of Text

The ontology of text refers to the study of the nature, structure, and being of text, focusing on what text is at its most fundamental level. This exploration can span several philosophical and theoretical perspectives, often addressing questions about the existence, identity, and categorization of text as an entity. Here’s a breakdown of key aspects:

1. Text as an Ontological Entity:

Material vs. Abstract: Text can be considered both as a material object (e.g., a book or a written document) and as an abstract entity (e.g., the content or meaning conveyed by the text). The ontology of text thus involves understanding how these two aspects coexist and relate to each other.

Text as a Work vs. Text as a Document: The distinction between a text as a work (the conceptual or intellectual creation) and as a document (the physical or digital manifestation) is crucial in ontology. For instance, different editions of a book may be considered different documents but the same work.

2. Identity and Persistence:

Sameness and Variation: The ontology of text deals with the question of what makes a text the same across different instances or versions. What remains consistent between different editions or translations of a text? How much can a text change before it is considered a different text?

Temporal Aspects: How does the identity of a text persist over time? This includes considerations of how historical context, authorial intent, and reader interpretation might affect the identity of a text.

3. Structure of Text:

Hierarchical vs. Network Structures: Text can be seen as having a hierarchical structure (e.g., chapters, paragraphs, sentences) or a network-like structure (e.g., hypertext or intertextuality). The ontology of text examines how these structures are constituted and how they affect the nature of text.

Units of Text: What are the basic units of text? Words, sentences, paragraphs, or perhaps even smaller or larger units? The ontological inquiry involves defining and categorizing these units.

4. Function and Intent:

Authorial Intent: The role of the author's intention in the ontology of text is a major consideration. Is the meaning of a text tied to what the author intended, or does it exist independently?

Reader Interpretation: The ontology of text also considers the role of the reader or audience in constituting the text. Is the meaning of a text something inherent, or is it something that comes into being through interpretation?

5. Intertextuality and Contextuality:

Intertextual Relations: Texts often reference or build upon other texts. The ontology of text considers how texts are related to one another and how these relationships affect their existence and identity.

Contextual Dependency: The meaning and existence of a text can be dependent on its context, including cultural, historical, and situational factors. The ontology of text examines how context shapes what a text is.

6. Digital and Hypertext Ontology:

Digital Texts: The advent of digital texts introduces new ontological questions. How do digital formats affect the nature of text? How does hypertext, with its non-linear structure, change our understanding of text?

Versioning and Fluidity: Digital texts can be easily modified, leading to questions about the stability and identity of texts in a digital environment. What does it mean for a text to have a version, and how does this affect its ontology?

7. Philosophical Perspectives:

Structuralism and Post-Structuralism: These schools of thought provide frameworks for understanding the ontology of text, focusing on the underlying structures of language (structuralism) and the fluidity and instability of meaning (post-structuralism).

Phenomenology: This approach might consider the experience of the text, focusing on how it appears to consciousness and the role of the reader in bringing the text to life.

The ontology of text is a rich and complex field that intersects with many areas of philosophy, literary theory, linguistics, and digital humanities. It seeks to answer fundamental questions about what text is, how it exists, how it maintains identity, and how it relates to both its material form and its interpretation by readers.

[joseigamer]

Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.

[5-htagonist]

is it gay to make sure another mans history is passed on?

[accirax]

Did you know? The letters in LGBT actually stand for Leden G Bwhit Tnico

[theprinceandthewitch]

I don't think I mentioned this... but in Ashes of Memory, Alice receives a letter from Orpheus addressed as "Eury Lamb"

Lamb is the last name of the man who adopted her and experimented on her. It also serves as a reference to Little Girl's "Source of Evil" cosmetic, which is lamb themed.

"Eury" is a reference to Eurydice. People have theorized "Eury Lamb" is the name her adoptive father, Villhelm Lamb gave to her to keep her true identity a secret. But that's not rlly relevant...

What is relevant is that this makes Orpheus' alias choice even MORE obvious he loves Alice... this mans got romantic interest in her...

People who use that adoption letter as proof that the writers want you to view their relationship as sibling-like are so cringe. That letter is literally the direct opposite of "sibling-like".

Folks missed the part called "context": Orpheus [who was 17 at the time] knew she was being abused at the orphanage and tried to get her out in the least stressful way possible... and he couldn't even adopt her to begin with because the orphanage thought it would be best for her to be taken in by a blood relative. Which was a lie, because they ended up giving her to Villhelm Lamb to be used as his lab rat.

Like idk man... the writers have made it so abundantly clear Orpheus doesn't see her as a sister. That One letter doesn't prove he sees her as a sibling because if they wanted to make them siblings... then.... they would have... ya know, made them siblings... but they don't because.... they're not siblings and they're writing a tragic romance LMAO.

As for Alice, in AoM she calls him a playmate... granted she doesn't know Orpheus and her playmate are the same person, but she remembers him as her friend and not her brother... because.... they were never adopted siblings...

But yeah It's so crazy to think Orpheus doesn't love her... I'm over here losing my mind at That Scene in AoM where Orpheus asks Alice if she could play a song for him on her father's favorite piano.

What gets me is that this scene shows how much Orpheus missed her. He buys everything her relatives sold off so he can rebuild the mansions' interior to how it was when they were children. He also goes out of his way to fix her father's favorite piano. The piano didn't just need fine tuning - it was straight up destroyed during the raid. It was a really, really expensive thing to repair. Even though Alice's father had other pianos, some of which could have survived the raid, he rebuilds the one which holds alot of sentimental value to her... LIKE???

REALLY... You guys really want me to think Orpheus did all this JUST out of a sense of guilt for unintentionally causing the raid? You are rlly gonna look me in the eyes and tell me Orpheus using "Orpheus" as his alias while addressing Alice as "Eury" is totally platonic?

Are u rlly gonna say that to me knowing this official artwork made Norton and Melly wear their Pluto and Proserpina/Persephone outfits while Frederick, Orpheus, and Alice are dressed normally? My brother in Christ... will you rlly look me in the eyes and tell me Orpheus [AND THE BIRDS] holding flowers is platonic symbolism...

THIS ISN'T EVEN SUBTLE LOOOOL

How much more evidence do people need that these two aren't siblings AND they're on a whole romantic journey together...

[bellshazes]

kind of feeling like what is the point to trying to write strange currencies 2 (the sequel to t4t ethubs fic strange currencies) when i can ask you all very politely to imagine a three-color block gorgeously rendered Works Progress Administration-style PSA poster advertising the life series with a traffic light but the text reads DON'T DIE WONDERING and it's a play on green light as permissive.

[fallowyrm]

That Fearful Worm 🐉🌿🏰 moodboard I made for the cover of my alterhuman playlist!

image sources: 🏰🌿🐉⭐; all other images are sourced from public domain engravings and illustrations

[seaslimes]

Remembered today that out of the many fatherly OCs which MacK the Great & I have constructed, there is only one that has withstood all measures of "decent dad" and that is Lewdy. Sometimes a happy family is a single widower and his trans daughters with multiple neuroses.

[gigantomachylesbian]

Tbh I'm at a point in my life when I'm thinking about vampires with like. 10% of my brain at any given moment

[lifesizedmuppet]

i need to hear your essay on how balladeer casting changes the show 👀👀

<3333 hi yes i did not forget about this, i’ve been hit with the infamous “5-day headache” spell (never ending psychic damage) so unfortunately i do not have the brain cells to phrase this in the way i want :/

all in all, i think it’s very interesting to look at how the balladeer inserts themself as this audience tour-guide/teacher throughout the ballads. the verse that begins with “listen to the stories/hear it in the songs” in the ballad of booth is the best example i have off the top of my head. that in tandem with the balladeer as the personification of the american dream carries a very specific tone for audiences (‘who is it telling us as audience members to pay attention, and what are they trying to tell us, and who are we within the world of the show?’ kinda deal!) the same goes for the proprietor as a character, and how the balladeer and proprietor are played against each other throughout the play.

not to boston assassins post on my personal read of the balladeer, but it was veeeeryyy interesting to hear the director’s thoughts on the balladeer and proprietor as well! the boston production was done w thrust staging, so there were many moments where the balladeer and the proprietor entered during scenes and just sat and watched the show silently next to audience members. idk!! i think the relationship between the balladeer, the proprietor, and the audience in terms of casting and blocking is so incredibly important to the show :)

[dreampearls]

youve heard of nahida trans allegory without being trans now get ready for furina closeted allegory execpt she is very much actuslly closeted

[monards]

never let anyone take away the joy of kinNing from you

[pochapal]

haunted and vexed by the way this man is forcing me to reconsider the definition of "furniture"

[nathanalbright151]

Book Review: Linguistic Fingerprints

Linguistic Fingerprints: How Language Creates And Reveals Identity, by Roger Kreuz This book has a highly interesting premise. Can we determine, with the aid of modern technology as well as a bit of intuition and insight, the particular voice of an author? Can we use knowledge of such matters as word and sentence length and specific choices in terms of vocabulary whether words attributed to them…

[janmisali]

Super Mario Bracket: FINAL ROUND

"You're about to have a really terrible experience!"

Vivian

SEED: 1 (215 nominations)

PREVIOUS OPPONENT: Daisy

SPECIES: Shadow

DEBUT: The Thousand-Year Door

BIO: Vivian is one of the main characters of Paper Mario: The Thousand-Year Door for the GameCube and its 2024 remake for the Switch. while she is introduced as an antagonist along with her sisters, she later joins Mario, at a time when all of Mario's friends have abandoned him.

Vivian's arc is one of the most memorable parts of one of the most critically acclaimed games in the greater Super Mario franchise. the 2024 remake of The Thousand-Year Door was specifically praised by critics and fans alike for making Vivian's transgender identity textually explicit in the English-language release, which had been censored in the original 2004 localization.

in the Super Mario Bracket, Vivian has consistently been one of the strongest competitors, from before the bracket even began. in the preliminaries, she received over twice as many nominations as the second most nominated character, Luigi. she has yet to finish a match with anything less than 70% of the vote, as can be seen in her previous matches against Dribble & Spitz, Goomba, Kamek, Count Bleck, Big Bertha, and Daisy.

[Super Mario Wiki article]

"I'm The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens."

The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens

SEED: 38 (17 nominations)

PREVIOUS OPPONENT: Luigi

SPECIES: Human

DEBUT: The Super Mario Bros. Super Show!

BIO: The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens is a character from the live-action segment "The Great Hereafter" from The Super Mario Bros. Super Show!. she is a spirit medium who brings Mario and Luigi into contact with the ghost of their deceased grandmother.

The Super Mario Bros. Super Show! is, among English-speaking Mario fans, one of the most well-known of the Super Mario franchise's non-video game works. its live action half-episodes were either paired with animated Super Show! episodes, or (as is the case for "The Great Hereafter") with episodes of the Legend of Zelda animated series.

The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens is introduced after Mario suggests to Luigi that they should talk to "the old lady with the evil eye that she could tell fortunes and she could tell things before they happen", just before the woman in question rings the doorbell and says her full title out loud.

in the Super Mario Bracket, The Old Psychic Lady with the Evil Eye Who Reads Fortunes and Knows Everything Before It Happens has gained a notable dedicated following, winning new fans over almost entirely from her name alone. her pure appeal has led her to win against Ms. Mowz, Funky Kong, Yoshi, Elvira, Rosalina, and Luigi: a remarkable achievement.

[Super Mario Wiki article]

[link to all polls]

[sodacowboy]

gOD why can’t people just know stuff about me why do i have to tell them