#That you'll be okay

[hamsterarts]

It always seems more quiet in the dark

[idliketobeatree]

i'm living the dream, in the dream, i'm buried alive two bed grave, one bath, car in the drive mirrored covered windows block the light feeding back reflection distorts life cut connection — jesca hoop

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

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[sciderman]

How did your meeting go with the surgeons?

it was memorable

[chattematsu]

[4.0 archon quest spoilers]

[simonbrain]

love the idea of reader just trying to fuck all her stress out with a random at the bar before returning back to her mundane life, and simon deciding he's going to keep her instead 🙂‍↕️

the prick doesn't budge when you try to kick him out; instead, he drags you back into bed and works his mouth to loosen you up again, and now you've forgotten why you were trying to haul his ass out of your home.

(you attempted to sound stern while telling him to get out of your house, but he merely chuckled, the sound so raspy and condescending that it stroked a heat within you that you thought was sated last night.

"this is our home. now get your arse back in bed, i'm fuckin' hungry.")

you had to really fist at his hair to pull him off of you, and that only turned him on if the deep groan rumbling out of him was anything to go by—you swear his tongue sunk deeper inside you. he only relented so he could fuck you dumb in the shower after, leaving you with trembling legs and feeling more dirty than clean (atta girl, don't you waste any of tha'—keep it all in).

you blink, and now suddenly you're seated as he spoon-feeds you a nice, hearty breakfast, huffing something like messy girl when toast crumbs get all over your face and the wooden table.

words can't express how flustered you are; you're too stunned to even continue telling the big man who's now feeding you scrambled eggs that he needs to leave. all you feel like you're capable of doing is opening your mouth to accept another spoonful, ignoring the ache you feel between your thighs when you catch his heavy stare and hear a low hum of approval.

then he's leaving (and it's not because of your nagging), muttering something about having to work those mutts to the bone today, all while you're trying to make sense of what's happening. he gives you a sloppy kiss to silence your questions and exasperation, one that makes you feel hot all over and almost melt into a puddle had it not been for the firm grip he had on your ass.

he licks his lips when he pulls back, eyes darting to where your shirt just barely covers where he'd rather be all day than having to go and train recruits. he stares for an uncomfortably long time and before you can speak up, face growing a little hot from the tension, he's turning around to finally leave.

before the door shuts, he says, "be a good girl, ay? see you tonight, birdie."

you're left with your thoughts and feelings of dread and anxiety. there definitely isn't any underlying interest or anything; the freak has fucked your brain out of your head, that's all. you're sure he didn't even mean it anyway. maybe. hopefully.

a drop of his come rolls down your thigh, and arousal shame burns through you. since when did you let one-night stands finish in you?

(your so-called one-night stand came home hungry and pissed, so worked up that he dragged you over to the nearest surface and played with you for a good hour. by the time you had half the mind to tell him about the dinner in the oven—your eyes nearly bulged out of their sockets at how much money he had sent you for groceries earlier, nevermind how he got ahold of your account details—he grunted and finally gave your poor pussy a break, scarred mug all slick and flushed.)

good luck when he takes you to meet his mates at the bar a week later, the same bar you brought him home from; the comments from them make you wish a hole in the ground would just swallow you right up.

"pretty thing ye caught, lt," johnny grins, a mischievous gleam in his eyes. he's a bit over the top, ogles your chest too hard, but overall he's... alright. you'd probably notice how perverted he really was if you actually looked at him longer than a few fleeting glances, but his stare is kind of unnerving.

kyle—perfection personified—hums in agreement, a warm smile on his face that puts you at ease. somehow you don't pick up on the ulterior motive behind his gaze running over your body, eyes roaming over your chest more discreetly than johnny but just as appreciative. "pretty indeed. you don't mind sharing, do you ghost?" kyle teases, pretty eyes glancing over at simon, who only huffs at that and shakes his head (much to your confusion).

who the fuck is ghost? you only know big guy and simon.

there's a deep chuckle and your focus flits over to the man seated in front of you, captain john price. if you thought simon was scary, john's a man who demands respect and attention just by being in his presence. "you chose the wrong dog to bring home," john hums, voice deep and gravelly and making you shamefully squeeze your thighs together.

"but that's alright, sweetheart. you have three others now, yeah?" the purr that comes out of his mouth is sinful, and when you nod and stammer out a yes, sir as if you were one of his soldiers and not the sweet girl that simon has brought to his captain, looking for approval of his newest toy, he only smiles.

simon's hand squeezes your thigh underneath the table, trailing upwards, and you're slowly understanding what it is that you've gotten yourself into.

[fiendishartist2]

guy who doesnt dance x guy who will drag you onto the dance floor

[babacontainsmultitudes]

save me, hot Glenn holidays. hot Glenn holidays. hot Glenn holidays, save me.

[atalana]

so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with

but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."

[faunandfloraas]

Changbin: You sure you don't want to bite him to death?

[eskeptical]

imagine you accidentally get hurt once and suddenly ghost is walking behind you at all times like a bodyguard (or maybe he does it just because, you can't really tell with him).

he'll keep his distance to allow you your space, and although you initially protest, wanting to walk beside him, you eventually get used to it and just go about your business in public.

the worst part is that the man keeps a minimum of ten feet distance at all times so girls come up to you every now and then, asking if you're okay and telling you to keep an eye out because a strange man with a mask keeps following you around and staring at you creepily. on days simon looks particularly menacing, cashiers will heavily hint that they can have a security guard walk you to your car if you need it.

[bellabrady]

911 characters + text posts part idk

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[fixyourwritinghabits]

How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

[sainztander]

charles and carlos about their relationship | sky sport italia