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#The Songful Banquet of Cherry Blossoms
jordanianprincesses · 5 months
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Which wedding was more your style? Mateen and Anisha, Rajwa and Hussein or Iman and Jameel? I personally loved Iman and Jameel!!! I think it will take a long time for another bride to look as perfect as Iman. :)
I liked Hussein and Rajwa's the most. Specially the parade. Till this day , I rewatch it from time to time in youtube. The way they recreated the Jordanian flag was brilliant. And the music played by the army was sooooo good!
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There were so many performances. I LOVED this Circassian one and the music 👌
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Than the banquet with the tiaras, royal guests, gowns and glamour....
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Iman's wedding was intimate and beautiful. I loved its aesthetics. I love spring weddings and I adore cherry blossom 😍🌞
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And Elissa's song about Iman and the video clip released by Queen Rania were so dreamy 😍
Anisha and Mateen's wedding was luxurious. I loved their traditional outfits and their Asian culture like the powdering ceremony.
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Berry in the Big City Music Facts!
Some random trivia about the songs in BitBC that I learned about. continued under the cut.
1. There have been 28 episodes that feature the characters singing, but only 22 are musical episodes.
The 22 musical episodes are:
2 Strawberry Shortcake songs -No Ordinary Berry -Berry Perfect Kind of Day Part 1
3 duets between Strawberry and another berry -Lucky Berry (with Orange) -Bake-Off Part 2 (with Raspberry) -Meet Huckleberry Pie (Huckleberry Pie)
1 Orange Blossom song -Superberry
2 Lime Chiffon songs -Be Your Berry Best -Any Way You Slice It
6 group songs -Beat the Heat -Music In Our Hearts -Let The Good Times Roll -Crabapple Jam Part 2 -A Splash of Fun -Turn Things Around
4 holiday songs -Fright Fall -Berry Merry Melody -Scary-oke -The Magic is You
2 Aunt Praline songs -Berry Bounty Banquet Part 1 -Bad Day Blues
1 Purple Pieman song -Peculiar Purple Partner Part 1
1 Cherry Jam song -Find Your Voice
The 6 non-musical episodes that feature singing in any capacity are:
Berry in the Big City Part 1 (Strawberry Shortcake briefly sings "No Ordinary Berry" before being interrupted by Aunt Praline)
New Year's Wish (Raspberry Tart sings a variation of "No Ordinary Berry" before realizing Strawberry heard her)
Keylime Time (Huckleberry Pie sings part of an unknown song to some coffee beans before Strawberry interrupts him)
Huck's New Job (Bread Pudding and Huck briefly sing "Contrary Berry" at the end)
Best New Year's EVER (Orange Blossom sings part of "Contrary Berry")
Sweet and Sour (Sour Grapes sings part of an unknown song before being interrupted by Strawberry)
While Meet Huckleberry Pie and Music in Our Hearts also briefly feature "Lost Little Berry" sung by Huckleberry, these examples are not counted as Huck sings a full song in the same episodes.
2. Lost Little Berry, Contrary Berry, Raspberry's New Year's song, Huck's coffee bean song, and Sour's song are the only songs in BitBC to never be heard in full.
3. Of the 8 main characters, Lemon Meringue, Blueberry Muffin, Bread Pudding, and Sour Grapes are the only main characters who have not received a musical episode that focuses on them. So far, they have only sung in group songs.
4. Bread Pudding is the only main character who has NEVER been heard singing without another berry accompanying him. Berry Merry Melody, Huck's New Job, Beat The Heat, Let The Good Times Roll, Scary-Oke, Sweet Victory, A Splash of Fun, and Turn Things Around all have him sing as part of an ensemble or in a duet with someone else (usually Huckleberry)
5. This is a bar graph comparing each character and the number of episodes they've sung in (as of Turn Things Around).
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As you can see, Strawberry has sung the most at 22 times, while Sour Grapes has the lowest at 7.
6. Huckleberry Pie is the only main character whose debut is also a musical episode.
7. Purple Pieman, Aunt Praline, and the Berry Fairies are the only non-main characters to receive music episodes, being villain, supporting, and minor characters respectively.
Aunt Praline has 2 full songs (Berry Bounty Banquet Part 1 and Bad Day Blues)
Purple Pieman technically has 2 songs, but his second is the intentionally bad rap he had in Hot, Fresh, and Trending, which was not a music episode
The Berry Fairies also technically have 2 songs, Find Your Voice and Contrary Berry (which is stated to be theirs by Orange Blossom in Best New Year's EVER), however, none of the Fairies have ever been heard singing the latter song.
8. Sherry Bobbleberry, despite being the Berry Fairies' (former) lead singer, is the only member of the band who did not sing at any point. Ironic, ain't it?
9. The episodes where each character first sings are:
Strawberry Shortcake: Berry in the Big City Part 1 (first song), No Ordinary Berry (first musical episode)
Orange Blossom: Fright Fall
Lemon Meringue: Fright Fall
Lime Chiffon: Fright Fall
Blueberry Muffin: Fright Fall
Raspberry Tart: Berry Merry Melody, New Year's Wish (solo voice)
Huckleberry Pie: Meet Huckleberry Pie
Bread Pudding: Berry Merry Melody
Sour Grapes: Berry Merry Melody, Beat The Heat (solo voice)
10. The only musical episode where only one berry sings is Peculiar Purple Partner Part 1, as Purple Pieman is the lone singer for the entire song. Every other song in Berry in the Big City is an ensemble, a duet, or a solo with backup/additional singers.
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jokertrap-ran · 4 years
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SinoAlice: Guild Co-op Event - The Songful Banquet of Cherry Blossoms Translation
*Spoiler free: Translations will remain under cut *Welcome to my whims. Hameln is fine.
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問題デス。春ずむ゚バ Question, question! What does Spring entail?
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モチロン朮干狩りずキャンプですネ It’s got to be clamming and camping, of course!
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確かに以前の春は朮干狩りデシタが   アレは春むベントに氎着ヲ出せト蚀われたプランナヌが苊シ玛れに考えたモノ。 I know we did clamming last year for the Spring Event, but that was only because the Planner managed to come up with the idea of swimsuits after much turmoil...
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蚀わば産みノ苊しみノ歎史なのデス。 ゜レを思い出サセルのは鬌畜の所業デスよ In other words, it’s the dark history of how it came to be; one of pain and suffering. Only a demon would make one shudder to remember such a time!
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゜ンな内情をブチマケラレたしおも   Even if that’s how it truly is on the inside...
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トニカクやり盎しデス。春ずむ゚バ In any case, let’s start from the beginning again. When it’s Spring, it’s-!?
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゚、゚゚ット  お花芋  ずか Um, errrr
Flower viewing, perhaps...?
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ピンポヌン正解デスBingo! That’s right!!
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゚ッ、本圓に゜ンな正攻法でむむノ Huh? What!? Something as straightforward as that does it!?
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ええ。タマにはストレヌᅵᅵᅵも必芁デス。 Of course. Simple is best, sometimes.
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ワむお花芋オ花芋、楜しいナ嬉しいナ Yay~! Flower viewing~! We’re going to be flower viewing! Oh, how fun! How exciting!
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䜙興ノ人員も揃えマシタ。 たずはグレヌテル、さらにシンデレラ、そしおハヌメルンです。 The entertainers have already been gathered. First, we’ll have Gretel, followed by Cinderella and Hameln.
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スゎむ最初から混乱しか予想デキナむ That’s amazing! I can foresee the chaos and confusion they’ll bring right from the get-go!
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お花芋ナンテおかしくなったモン勝ちデスよ。 The one who makes for the most chaotic Flower Viewing wins.
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じゃア、この3人ニハ早速䜙興ヲ──ん 誰か来たペりですが   コレは   Should we get the 3 entertainers started now then? Hmm? There seems to be someone headed this way? ...This is
?
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  ナルホド。たあむむでしょう。飛び蟌み参加モ倧歓迎デス ゲストを迎えテ楜しくダリたしょう I see...Well, that works too. Any last minute participants are welcomed to jump in anytime! Let’s all enjoy ourselves together with the guests!
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゜りですネ。トテモ楜しくナリそうデス。 ゚゚。ずおも  ネ。 Yes, this looks like it’ll be real fun. Absolutely so, indeed...
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䞀床だけ。 友達に連れられお、アむドルのラむブに 行った事がある。 Once. Just once, did I ever attend an Idol’s concert at the insistence of my friend who dragged me along.
それはたさに、倢の䞖界だった。 It was a world akin to a dream; something I never thought possible.
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「みんなヌ今日は ハ ナ のラむブに 来おくれおアリガトりハナにピッタリ のこの堎所で、最っ高の歌を聎いおいっ おね」 “Everyone~! Thank you all for coming to     Hana’s     live today! I’ll grace your ears with the best and greatest song out there in this perfect place of mine!”
薄玅の花びらが舞う、酒に䌌合いの颚景 に安劂ずしお乱入しおきた『ラむブラリ  No.1の ア む ド ル 』ずやらば、 ク゜が回぀くようなくッッッッ゜ ド䞋手な歌を勝手に歌いだした。 The scenery was well-suited to a cup of sake, the air aflutter with the pink petals of the cherry blossoms. If only the place hadn’t been jacked by the “Library’s No.1    Idol   ” Speaking of, she’s so bad at it that she's about a 100 times shittier than what’s already considered crap; singing shitty songs all on her own accord and wrangling ears everywhere.
 「これは  聞くに堪えたせんね  」 “This...I don’t think I can stand listening to this anymore
”
「おい、ナルシスト。あの女を消せ」 “Hey, Narcissist. Erase her.”
「私が手を䞋す必芁ないかず」 “I doubt I’ll even have to do anything, really.”
そういっお、ナルシストが指を瀺した倱 では、極床の音痎に我慢の限界を迎えた ナむトメアたちが 怒 り を募うせおいた。 That being said, he pointed his finger at something. A group of nightmares were already     seething     in     anger     at the hellish ear grating they were forced to suffer through; already reaching to the limits of their patience.
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さくら↑舞う↓ 景色↑↑のぉ↑ The fluttering~↑ dance~↓ of the~↑↑ Sakura in the background~↑
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↑↑ 歌りノダメロォ NOOOOOOO↑↑ Stop singing!
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ロォ↓マンス↑ 恋のぉ神↑↑ Ro~↓ mance~↑ The god~ of love~~↑↑
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耳ガ腐ルゥゥ助ケテェェ My ears are about to drop off! Someone, save me!!
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「あたしの歌で螊りだしたくなる気持ち は刀るけど、暎れるのはダメだぞぅ✰」 “I understand that my singing makes one feel the urge to dance but rampaging? That’s a big no-no✰ ”
ナむトメアの蹎散うした ハナさんずやらば、その堎で軜やかに タヌンをしおヌヌ Kicking the Nightmare away, she did a light twirl on the spot.
「 ダ ン ス ならこう螊らなきゃ」 “You’ve got to     dance     like this if you’re going to do it!”
この䞖のものずは思えぬ醜い歌に合わせ、 心を抉るような 前 衛 的 な螊りを 始めたした。 She started to dance     Avant    -    garde    , coupled with the horrid song that was out of this world; one so appalling that it almost felt like someone was gouging my very heart out.
「眩暈がしおきた  」 “I’m actually starting to get dizzy from seeing this
”
艶やかな耐色の肌を持぀シンデレラさん の殺意の倱わせるほどの醜悪な歌ず螊り。 A horrible, ear-grating song and an equally unbeautiful dance. One that actually made the glossy brown-skinned Cinderella lose all the killing intent that she wielded.
これには、さすがの私も蟟易です。 That being said, this also repulses me, of course.
しかし、䞍思議な事に、綺麗な足を持぀グレヌテルさんだけは 魅 入 ら れ  たように歌に聞き入っおいたのです   But the strangest thing was that Gretel, the one with beautiful legs, seemed     utterly     charmed     and     entranced     by the song...
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垭なんお、ステヌゞからもの凄く遠い スタンドだったけど。 The seats were so far from the stage itself. Rather than seats, it was actually more like a stand.
そこから芳る䌚堎はサむリりムの光に 包たれお、たるで花畑みたいだった。 Watching the stage surrounded by psyllium lights from afar, it bore a resemblance to a flower garden of sorts.
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ステヌゞでアむドルが歌う。 あたしの垭から顔なんお芋える蚳ない んおに、それでも笑顔だずわかる。 The Idol sung atop the stage. I knew that they were smiling, even though I can’t possibly see them from my seat.
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「ねえ兄様。あの歌   懐かしくありたせんか 昔、兄様ず二人で過ごした倜の 森で、冷たい月明りの䞋で聎いた  」 “Hey, brother? Isn’t this song nostalgic
? It’s the same song we heard at night, back in the forest where we lived together. Under the cold, icy moonlight
”
「森の奥から聞こえおきた、歌  」 “The same song that resonated deep within the forest itself
”
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ダダダダメダメダメダメロメロンヌ SSSST- STO- STOP STOP STOP-!
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オカシクナルルルルルルリルレロ I’M STARTING TO GO CRRAAAAZY!
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わあ斬新なコヌルアリガトヌ Wow! Thanks for new cheer!!
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ハハハハナハナハ ナヒヒヒヒヒヒヒッ HAHAHAHANAHANAHA-- HIIE!!
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アむドルの歌ず螊りに合わせお、䌚堎が 揺れる。アむドルはキラキラしおいお、 ずおも可愛くお。それを芳るみんなも、 ずおもキラキラしおいた。 The venue broke out in an uproar in response to the Idol’s song and dance. The idol was shining in the limelight and absolutely adorable. And the audience shone too, as they looked on.
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ク゜䞋手音痎女 ハ ナ の歌ず螊りは 戊意を倱わせた。怒りを抱く事すら 勿䜓ないろいうか   Listening and watching the shitty tone-deaf woman     Hana     singing and dance made me lose all the fight in me. Or, more like...It would be a waste to even feel rage at this...
そういうレベルにたで達しおいるのは、 ある意味芞術ず蚀っおもいいのか もしれない。遠のく意識ず芖界が、 珟実を拒吊するように段々ず霞んでいく。 It might even be called art, considering just how bad she was. My consciousness slowly faded as my vision grew hazier, as if rejecting reality itself.
「スモヌクいいわねもっず焚いお 䌚堎をハナ色に染めちゃっおヌ」
“The smoke’s looking good! Keep it coming! Fill the area with colour―!”
音痎女の声に呌応するように呚囲の朚々 が揺れた。そこから 黄 色 い 煙 が倧量に 吐き出される。 The surrounding trees shook, seemingly responding to the tone-deaf girl’s command. And then, a     yellow     smoke     spewed forth.
「これは   花 粉   」
“Is this
    pollen    
?”
暪にいたナルシストがそう呟いたような、 そうでないような  なんだ頭が  
I feel as if the Narcissist beside me had muttered something like that...or not
? What’s this? My head... 
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倧量の花粉がこれはむケマセン A large amount of pollen! This won’t do!!
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桜の花粉ッおコンナに飛ばないのデハ I thought the pollen from cherry blossoms wasn't this bad?
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ラむブラリの桜ですカラ。 Well, it’s the Library’s cherry blossoms.
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その䞀蚀デ説明が枈むの、最高デスネ Nice! The explanation’s done and settled in a single breath!
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こんな事もアロりかず。ハむ花粉ブロック 99.9花粉を遮断機胜性も抜矀デス Well, I did think this might happen. So...here! Pollen Block! It’s 99.9% effective!
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呌吞も99.9遮断死ヘノ片道装備デス But that prevents breathing itself by 99.9%! It’s a one way ticket to death itself!
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 ラむブが終わったあず、䌚堎から出っおいく みんなは、ずにかく笑顔だった。 あたしも、もちろんその䞀人。 Everyone left the venue with a smile on their face once the Live ended. I, of course, included.
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その少女は、歌を歌った。 皆を笑顔にしたいのだず、そう笑った。 それがあたりに玔粋で、 あたりに無邪気で。 だから私は、圌女に新しい歌を教えた。 The girl sang, and sang she did. She laughed about wanting to make everyone smile. All so innocent, all so pure. Thus, I taught her a new song.
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アむドルっお凄いなっお思った。 たった䞀人で数䞇人を笑顔にできる、 そんなアむドルに、あたしは憧れた。 I thought that Idols were amazing. Just one person, able to bring smiles to countless others. I admired Idols; they were my admiration.
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その少女の声には力があった。 我らに掻動を促す力が。 そうヌヌ 我らの時代を、もう䞀床取り戻す力が。 That girl’s voice held power. The power to urge us to motion; to act. That’s right―— The power to reclaim our reign once more.
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あたしは小さい頃から病気がちで。 人退院の床に、呚りに迷惑をかけおいた。 誰かを笑顔にする事より、 誰かを悲しい顔にする事の方が倚かった。 I was always sickly ever since I was little. I only inconvenience those around me, whenever I get admitted to the hospital. Rather than making people happy, I made people sad, more often than not.
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「スモヌク焚きすぎちゃっお道が芋えな いわ。誰か道案内しおくれないかしら。 これからオヌデむションがあるのよね」 “There’s too much smoke; I can’t see the way. Could I perhaps, get someone to lead the way? I’ve got an audition on the way.”
ハナさんは、こちらをじっずみお蚀いた した。぀たり、私達に案内を芁求しおい るのでしょう。その気配を察したシンデ レラさんは、冷たい声で拒絶したした。 Hana spoke, keeping eye contact with me the entire time. In other words, she’s probably asking us for help. Cinderella coldly refused after having grasped the situation.
「金はあるᅵᅵᅵのたあ払われおも断るけど」 “Is there money in this? Well, not that I’d take it either even if you offered.”
「そんなぁ  ひどいですぅ  」 “No way...how mean
!”
ハナさんの泣き声に呌応しお、䞀局花粉 がず飛散したす。これは宜しくありたせん。 More pollen was scattered upon her cries. This isn’t appreciated at all.
「少しくずも、あなたの姿は矎しい。 私が 案 内 いたしたしょう」 “You’re a beautiful one, at least. Allow me to     lead     the     way.”
「ありがずう貎方、お名前は」 “Thanks! What’s your name?”
「ハヌメルン、ずお呌び䞋さい」 “Call me Hameln.”
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ハヌメルン  メルちゃんねよろしく Hameln
? Mel, then! I’ll be in your care!
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メル   Mel
?
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ずころでぇ  メルちゃんは──ハナず手を繋いではくれないの By the way...Won’t you join hands with me, Mel?
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こうしおあなたの手を取っおいたすが── ? But aren’t I already holding onto your ha...nd
?
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──テヘッ。 ──Tee-hee.
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花粉のせいで芋間違えたしたね。倱瀌。醜い。 I’ve blundered due to the pollen in the air. Pardon me, that was unsightly.
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ギャアッ勘違むシタノハ゜ッチナノニヌ Gyaah! You’re the one at fault though!
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こんなあたしでも。アむドルになれば 誰かを笑顔にできるのかな。 知らない人にも、幞せを感じおもらう事ができるのかな。 I wonder if I can bring a smile to someone else’s face too, if someone like me can become an Idol. I wonder if I can make people that I don’t know feel happy too?
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䌚堎いっぱいに咲くサむリりムの光の花 に包たれお、可愛いドレスを着た わたしがステヌゞで歌を歌うヌヌ そんな未来を倢芋ながら 桜の朚に向かっ歌っおいたある日、 頭の䞭に玠敵な歌が流れおきた。 The venue was blooming with Psyllium Flowers of light. Dressed in a cute dress, I sang; and sang I did―— I continued looking on, holding onto that dream for the future. One day, while I was singing to the Cherry Blossom Tree, a beautiful song sounded in my mind
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入院した病宀の窓から桜が芋える。 その桜の朚に向かっお、あたしは 歌を歌った。 桜が散る頃には退院しお、 オヌデむションを受けに行くんだ。 I can see the Cherry Blossoms from the window of my Hospital Room. I sang to the Cherry Blossom Tree and sang I did. When the Cherry Blossoms scatter and I get discharged from here, I’ll go for an Audition.
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少女は倢を抱いおいた。 しかし、少女は病も抱えおいた。 やがお少女に声は枯れ果おお、 その儚き倢も叶うこずなく――
だから、私はその身に呜を蕟を宿した。 The girl held onto a dream. However, sickness also had a clutch on her. Eventually, her voice faltered and faded, that fleeting dream of her’s never coming to pass.
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――桜が咲いお、散っお。 入院しおから䜕回目かの満開を迎える。 あたし、少しは歌が䞊手くなったかな 早くオヌデむションを受けたいな。 ――The Cherry Blossoms bloomed and scattered. I’ve seen many a cycle of it coming into full bloom ever since I was admitted. Have I gotten a little better at singing? I want to hurry and go for an Audition.
━━━━━━━━━━∘◩ ♯ ❀ ♯ ◩∘━━━━━━━━━━━━━
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これ以䞊、あのク゜䞋手音痎女のせいで 花粉を巻き散うされちゃ堪らない。 仕方なく、私達は手音痎女を案内しおいた。 しかし―― I can’t stand being showered by more Pollen because of the shitty tone-deaf girl. I suppose we don’t have a choice but to show her the way. But――
あのブラコン、やけに倧人しいな (That Bro-con is being unsettlingly quiet.)
ハヌメルンず手を繋いでご機嫌な音痎女 の埌るに歩くグレヌテルが、普段よりも 劙に静かで気にかかる。 い぀もなら「兄様、兄様」ず䞀人でぶ぀ くさ蚀っおいるはずなのに。 His unusual silence caught my attention, as he walked along behind Hameln, who had joined hands with the joyous looking tone-deaf girl. Usually, he’d be muttering “Brother, brother” all by his lonesome.
「  あ」 “
Oh.”
そのグルヌテルが、小さな声を䞊げた。 That very Gretel made a small sound.
「兄様に   花 が咲きたした  」 “    Flowers     are blooming
on Brother..”
籠の䞭の『兄様』からは、党く䌌合わな いファンシヌな花が咲いおいた。 Fancy unfitting flowers were blooming in the cage where “Brother” was held.
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䜕やら呻き声も聞こえたすね。 I seem to hear something akin to moaning.
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そんな事どうでもいい兄様、兄様 There’s absolutely no way that’s the case! Brother, brother!
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でも意倖ず䌌合っおんじゃないその花。 But don’t you think that suits him surprisingly well? That flower, I mean.
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䌌合っお  ああ  兄様、可愛いです   It suits him
? 
Ahh
Brother, you’re so cute

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ねぇ、ドラゎンがいるんですけどぉヌ。 Hey, there’s a dragon here though―
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グり  ズズッ  錻ガ詰マッテ   Ugh
sniff, sniffle
My nose’s all stuffed up

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呻き声はコレでしたか。䜕ずも矎しくない   So this was the cause of all the moaning. It’s not the slightest bit beautiful at all

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――桜が咲いお、散っお。 あず䜕回、この景色を芋られるだろう。 歌おうにも声が出ない。 也燥した唇が裂けお、血が滲んだ。 ――The Cherry Blossoms bloomed and scattered. I wonder how many more times I must witness this scene? No sound comes out even if I sing. My dry, chapped lips crack as blood oozes out.
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少女の顔は矎しい。䌞びた四肢も矎しい。 そしお少女から挂う匂い。 これは――ああ、 今たで花粉で気付きたせんでしたね   The girl had beautiful features. Her limbs were all so beautiful as well. Then came the smell that came along with her. This is―― Ahh, I never noticed due to all the Pollen flying about up till now

「この腐臭は、矎しくない」  “This smell of rot is not beautiful in the least.”
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――桜が咲いお、散っお。 今幎も、䜕ずか芋届けられた。 来幎たで頑匵ろうね、ず 気気遣う看護垫の声がする。 ――The Cherry Blossoms bloomed and scattered. I somehow managed to see the petals off again this year. I hear the kind, caring nurse telling me to do my best again next year.
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い぀の間にか桜の朚の䞋に来おいたした。 そこには、人の圢をした怍物が、綺麗な 花を咲かせおいく぀も立っおいたす。 Before I knew it, I was already standing below the Cherry Blossom Tree. There were many human-shaped plants, all with stunning flowers blooming on them.
「兄様。兄様ず同じ花ですよ」 “Brother. It’s the same flower as the one blooming on you, Brother.”
花が咲いた兄様ず、花の咲かない私。 それがなんだか、ずおも悲しい。 Brother, who had flowers blooming on him, and me, who did not. That was utterly saddening, in a sense.
「それなら お 揃 い になっおみる」 “Then how about you try becoming a     pair    ?”
どこからか、歌う声が聞こえおきたす。 二人で過ごした、森の奥でも聞いた声。 あの時、兄様は近づくなず蚀ったけど。 I could hear singing coming from somewhere. A voice that I heard even back in the depths of that forest; back during the time I spent together with Brother. I recall telling whoever that had been to stay away from Brother, back then.
「じゃあ、願いを叶えおあげるね」 “Then, let me grant your wish!”
兄様、私はあなたず䞀緒がいいのです。 Brother, I want to be the same as you.
「ブラコン」 “Bro-con!””
誰かが叫んでいるけど、邪魔しないで。 私は今、ずおも 幞 せ なのだから―― Someone was yelling. Don’t get in the way; For I’m extremely    happy    right now――
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あい぀、花に寄生されたのか That guy; Is he being parasitized by those flowers!?
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花を咲かすグレヌテルさんも、たた矎しい。 Gretel’s beautiful even with flowers blooming on their being.
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アンタも、頭に花を咲かせおもらえば How about we make one grow on your head too?
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それも良いですね。きっず矎しいでしょう。 That might not be too bad of an idea. It’ll be a dazzling sight to behold, I’m sure.
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嫌味が通じないのか。このナルシスト   Can’t you tell sarcasm when it’s in front of your face, you narcissist...!?
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――冬なのに、桜が咲いおいる。 ああ、枝に積もった雪がそう芋える んだ。それでもいい。 最期に芋られお良かった   ――The Cherry Blossoms bloomed and scattered. Ahh, so that’s how the branches look like with snow piled on them. This is fine. I’m glad that I managed to see it in the end

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突然珟れた予定倖の乱入者。 歌に合わせお撒き散らされる倧量の花粉。 しかも思考を惑わすオマケ付き  ず くれば、異倉の 原 因 は明らかだ。 An intruder had appeared out of the blue; this was not planned. The large amount of Pollen being scattered around along with the song. Along with the added effect of addling your mind
 In conclusion, the     root     cause     of this was startlingly apparent.
「どう考えおもアンタだろ」 “No matter how you think about it, you’re the one behind all this, aren’t you?”
歊噚を突き぀け぀ろ、ハナは震えた。 Hana trembled as Cinderella pointed her weapon at her.
「ち、違うもんメルちゃん、助けお」 “N-No, you’re mistaken! Help me, Mel!”
「残念ながら、あなたからは腐臭がする。 倧倉醜い臭いです。私に助けられる 䟡倀は、地を這う虫ほどもありたせん」 “Unfortunately, there’s a rotting smell coming from you. It’s a horribly ugly scent. And I’m not obligated to help anyone or anything who’s worth is equivalent to a worm, crawling on the ground.”
「  っ」 “
Ngh.”
ハヌメルンの蚀葉に息を呑むず、音痎女 は掟手に笑い出し―― The tone-deaf girl sucked in a deep breath at Hameln’s words before breaking out into laughter――
「お前ら党員、花人圢にしおやる」 “I’m gonna turn all of you into Flower Dolls!”
矩姉ず同じくらい、
醜 く 顔を歪めた Her face distorted     uglily    ; it was almost as bad as Gishin’s own.
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みんな、あたしの歌を聎かなかっただから花人圢にしおやったのよ どうこれなら黙っお歌を聎くでしょう No one was listening to my song! That’s why I turned them all into Flower Dolls!! How’s that for a change? Now you’ll shut up and listen to my singing, right!?
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人圢にしなけりゃ聎いおもらえない歌なんお、アンタ才胜ないんだよ。 それだけの話だろ If no one’ll listen to you unless you turn them into a Doll, doesn’t that just mean that you don’t have the talent for it? That’s all there is to it, no?
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なのにアむドルを名乗るずは  ああ醜い。 And still, you dare call yourself an Idol
Ahh, how ugly.
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違う  あたしは、アむドルなのおぉ No
I’m
I AM an Idol!
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――あたしは、アむドルになりたかった。 満員の䌚堎で、光の花に囲たれお、 楜しそうに歌うアむドル   だっお   みんあの 笑 顔 が、芋たかったから。 病気がちのあたしの呚りには、 悲しい顔しかなかったから―― ――I wanted to be an Idol. An Idol, singing happily in a full-house venue, with flowers of light blooming all around
 Because
 I wanted to see the     smiles     on everyone’s faces. Because there was nothing but sad faces around me, due to my sickly nature――
「生たれ倉わったら、今床こそ  」 “Next time, if I’m reborn
”
そう呟いお、少女は光の䞭に 消 え 去 っ た 。 The girl murmured her last as she     faded     away     from the light. 
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  結局、この少女も 駄 目 だった。 確か、ᅵᅵれで人目だ。 それにしおも、笑顔を芋たいず蚀いなが ら、自分が芋られる事が目的になるずは、 たさに本末転倒   
That girl was a     no    -    good     either, in the end. I’m certain this makes it the 34th person now. Even so, to think that her goal would be for people to notice her despite how she’s always crowing about how she wanted to see everyone’s smiles
 She’s certainly got her priorities wrong.
しかし、これだからこそ人間は面癜い。 では、私は次の 苗 床 を 探すずしよう。 But this is precisely what makes humans all so interesting. Well then, I suppose I’ll have to find another     nursery    .
手始めに、少女を殺したあの人を―― How about those 3 who killed the girl, for starters――
━━━━━━━━━━∘◩ ♯ ❀ ♯ ◩∘━━━━━━━━━━━━━
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桜さん。今たであたしの歌を聎いおくれ お、ありがずう。アむドルになる倢は叶 わなかったけど、あなたはあたしの、 たった䞀人の芳客でした。 Dear Cherry Blossom, thank you for listening to my singing. I never fulfilled my dream of becoming an Idol, but you’re my one and only audience I ever had.
━━━━━━━━━━∘◩ ♯ ❀ ♯ ◩∘━━━━━━━━━━━━━ 
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黒幕はアノ桜の朚デシタ。 The mastermind was that Cherry Blossom Tree.
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朚にペル支配ずは、どこかで聞いたペりナ。 A tree that rules everything? I feel like I’ve heard about this somewhere

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゜ンな物語もドコかにアッタような I feel like a story like that exists somewhere out there.
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トコロデ、あの桜ハどうシマス By the way, what are we going to do with that Cherry Blossom?
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アア、゜レならすでに察凊枈みデス。倧事ナ兄様に花ヲ咲かせた朚ニ腹を立おタグレヌテルが根本カラ桜ヲぶち倒しマシテ。 Ohh, that’s already been dealt with. Gretel was mad that the tree had made flowers bloom on his beloved Brother and chopped it up, roots and all.
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゚ッ  黒幕を   Eh
He did that to the Mastermind
?
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゜ノ倒れた桜を眺めナガラ酒を飲ンでいた シンデレラが、「確か桜の朚は、スモヌク甚のチップずしお売れたな」 ず思いツキ、ハヌメルンに呜什シテ。  And then Cinderella was looking upon the fallen Cherry Blossom whilst sipping  on a cup of Sake pipped up, saying “Come to think of it, Cherry Blossom Wood  can be sold as Smoking Chips, right?” And thus, she ordered Hameln to procure it.
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゚゚  黒幕がスモヌク甚   Ehh
Using the Mastermind as smoking material
?
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ハヌメルンは「艶やかな肌の䞻の蚀う事なら」 ず、゜レは矎しく桜の朚をカットしお。 結果、ラむブラリ特補燻補甚桜チップずしテ芋事に高倀で売れマシタヌ ハむこれ売䞊報告曞。凄いデスペ。 “If that’s what the master of glossy skin wishes.” Said Hameln, and he beautifully cut up the Cherry Blossom Tree. As a result, the Library’s Special  Cherry Blossom Smoked Chips are being sold for an astoundingly high price!! Here’s the Sales Report. Amazing, isn’t it!
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゚゚゚  本圓ダ。黒幕メッチャ売レおる。 Ehhh
You’re right. The Mastermind’s selling really well.
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この売䞊デ燻補肉でも食べニ行きマセンカ How about we use the Sales earnings to go eat some smoked meat?
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行クヌ人ノお金で食べるオ肉倧奜き Count me in―! I love eating meat when someone else’s paying!
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燻補に䜿うチップはもちろん桜デ   The wood chips we’re going to use for the smoking will be Cherry Blossom, of course.
∘◩ -————❈ ❀  𝔉𝔊𝔫.   ❀ ❈————- ◩∘
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sl-resources · 3 years
Text
~ ~ ~ CARD REQUEST ~ ~ ~
Woodland Concert
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Ice Illusion Festival
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Haunted Nightmare Museum
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Twinkling Festive Decorations
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Happy New Year Felicitations and Blessings
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Happy New Year Rejoice and Celebrations
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Melty Pop Valentine
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Cherry Blossom Blizzard
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Unlimited Glory
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Birth of the Frontier
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Masato Hijirikawa
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Heart-Pounding Theme Park
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Nocturne of the Love Weavers
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Masato Hijirikawa
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Heart-Racing Resort Island
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Syo Kurusu
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Otoya Ittoki
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Birthday Celebration
UR
Otoya Ittoki
Masato Hijirikawa
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Syo Kurusu
Cecil Aijima
Reiji Kotobuki
Ai Mikaze
Camus
Touch the Sky
UR
Otoya Ittoki
Masato Hijirikawa
Natsuki Shinomiya
Tokiya Ichinose
Ren Jinguji
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Mythical Treats Halloween
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Ranmaru Kurosaki
Ai Mikaze
SR
Otoya Ittoki
Masato Hijirikawa
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Tokiya Ichinose
Ren Jinguji
Syo Kurusu
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Reiji Kotobuki
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Delightful Tea Break
UR
Tokiya Ichinose
Reiji Kotobuki
SR
Otoya Ittoki
Masato Hijirikawa
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Ren Jinguji
Syo Kurusu
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Shining Silver Christmas Gift
UR
Ren Jinguji
Ai Mikaze
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Otoya Ittoki
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Natsuki Shinomiya
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New Year Tiger Festival Light of Spring
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Syo Kurusu
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New Year Tiger Festival Cloud of Fortune
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Camus
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Masato Hijirikawa
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Valentine's Day Banquet
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Tokiya Ichinose
Ranmaru Kurosaki
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Otoya Ittoki
Masato Hijirikawa
Natsuki Shinomiya
Ren Jinguji
Syo Kurusu
Cecil Aijima
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Flowers in the Spring Sun
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Natsuki Shinomiya
Cecil Aijima
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Otoya Ittoki
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Romantic Hour
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Ren Jinguji
Syo Kurusu
SR
Otoya Ittoki
Masato Hijirikawa
Natsuki Shinomiya
Tokiya Ichinose
Cecil Aijima
Reiji Kotobuki
Ranmaru Kurosaki
Ai Mikaze
Camus
Pure Song of Joy
UR
Otoya Ittoki
Masato Hijirikawa
Natsuki Shinomiya
Tokiya Ichinose
Ren Jinguji
Syo Kurusu
Cecil Aijima
Reiji Kotobuki
Ranmaru Kurosaki
Ai Mikaze
Camus
Daybreak of the Ocean
UR
Masato Hijirikawa
Reiji Kotobuki
SR
Otoya Ittoki
Natsuki Shinomiya
Tokiya Ichinose
Ren Jinguji
Syo Kurusu
Cecil Aijima
Ranmaru Kurosaki
Ai Mikaze
Camus
White Flames Black Storms
UR
Otoya Ittoki
Tokiya Ichinose
SR
Masato Hijirikawa
Natsuki Shinomiya
Ren Jinguji
Syo Kurusu
Cecil Aijima
Reiji Kotobuki
Ranmaru Kurosaki
Ai Mikaze
Camus
If anyone pulls any of these cards and would be willing to record & submit their stories to our blog, let us know and feel free to do so! (: We’ll do our best to keep this list as up to date as possible and hopefully together we can complete the directory again in no time! ♥
We also have handy guides for recording and submitting, but if you have any questions please don’t hesitate to ask!
32 notes · View notes
piedpiperslists · 3 years
Text
Seokjin One Shots (V)
* s - contains smut
🀬 by @cinnaminsvga wc~2k / enemies to lovers Summary: Frenemy!Seokjin ft. E2L and the magnificent get-along sweater.
View by @noteguk s wc~2.1k / established relationship, PWP Summary: In which Seokjin likes to show people what is his.
Undercover by @cinnaminsvga s wc~5k / ft JJK, vampire!Jungkook, siren!Seokjin, bodyguard au Summary: The company banquets that your family loves to host are often drearier than you would like them to be. Lucky for you, your bodyguards have the perfect solution: why don’t you play a little game with them?
Cheap Seats by @alpacaparkaseok wc~3.5k / neighbors au Summary: “I pay half your cable bill. You wouldn’t survive without me.”
Cherry Blossom Avenue by @scriptaed wc~23k / old friends to lovers Summary: College would’ve been unbearable if it weren’t for your wallowing sessions with your best friend Jin over a shared “forever alone” woe, so it really was only a matter of time until the two of you sealed a shoddy promise to betroth the other at the age of 27. Perhaps it was only a silly joke to you then, but you should’ve known better nonetheless; because when a wedding invitation arrives five years later down the road with his name signed next to another’s, feelings that were once buried begin to blossom once again.
Clicking Into Place by @baojinnie s wc~5k / enemies to lovers, college au Summary: “So what are we?” “Friends?”
To a Tea by @hazytaezy s wc~3.9k / friends to lovers Summary: Jin is just your doorman. But he’s also your best friend. And you also want to fuck him.
Fast Lane by @yminie s wc~20k / Formula One racer!Seokjin, pit crew!reader, enemies to lovers Summary: “Disgruntledly, you think to yourself how frustrating it is he can be quite so awful of a person and still be so good looking.” Alternatively; Boy Toy racer Kim Seokjin lives to test; the laws of speed, how many women he can bag, how much money he can convince people to give him, and quite how far you can be pushed before you snap.
Not Like This by @evolmaze wc~5k / friends to lovers Summary: You go to a party ready to hang out with your friends, but your best friend has other ideas that involve you, a closet, seven minutes, and a close friend you swore you’d never tell.
There's No Way by @taleasnewastime wc~3k / friends to lovers Summary: Based off the song “There’s no way” by Lauv and Julia Michaels.
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xsugarysweetsx · 4 years
Note
Hi! Can I get a Leopold x reader? Where the reader is a very good pianist, and she is asked by the wizard king himself to play at a really important banquet for royals and nobles. And Leo is like *insert surprised pikachu face* and tries to flirt with her? Hope this makes sense 😂
I hope HCs are fine! Please enjoy!
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You’ve been playing piano since you were young and it’s been your passion ever since.
Even your parents could see this was your calling 
They did nothing but support you and your work
one day they came with a flier for a contest being held by order of the Wizard King 
the winner would be playing at the banquet that was coming up
this was your chance to be recognized and you all knew it, but your hopes were brought down to the fact that you were just a civilian. You have average magic and not too much money to get dressed 
Your father started to work extremely hard and scrapped up some money to buy you a beautiful lavender dress
You cried and thanked him and swore to make him proud
The day of the contest you saw so many young girls and boys and was worried about how you would do
You were so nervous but you would do your best over all
You’re parents simply just smiled and said “play”
As the before you finished up your felt your palms sweat and heart pound against your chest as you walk on stage.
You sit at the piano and let out a breath
Closing your eyes you fingers dance across the keys in a graceful and elegant way
I’m starting to think about Your Lie In April now
the crowd was in Awh at the beautiful gentle melody you produced
As a special touch you added in your magic
You made the leaves of near by tress dance along with the music and swirl and burst out with the end of the song
When you opened your eyes you were given a standing ovation. You couldn’t believe it
You were pulled from your thoughts when a hand lands on your shoulder
“Congratulations, you will be playing at the banquet two nights from now” he said with his smile
He seemed a lot nicer than you expected
“That is, if you accept” he said looking to you
You nod your head “y-yes! I’d be honored!”
“That’s wonderful time hear, ladies and gentlemen, she is the winner of contest” he announced to the crowd
Your parents were so proud of you, the knew you would make it
The next day you orcwtuced ans practiced your best prices and a sample the king gave you
It was very sofisticated compared to the lovely melodies you liked to play but you could handle it
The day of the banquet, you were picked up by his assistant Marx. He escorted you to the banquet where things were being set up
“This will be the piano you will play at the banquet. Meanwhile there is a practice room that she will show you” he introduced you to a maid who would help you get ready
You thanked him and got to work
The maid had done your hair and make up beautiful, you’ve never felt so important in your life
The king then came into the room as you warmed up. He and someone else stood by as you finished up and applaud your playing
“That sounds beautiful Y/N, I hope you’re ready for tonight”
“Reader as I’ll ever be”
Little did you know that Julius‘s guest had been watching very carefully amazed at the way you played
Who was this? It was none of the Leopold Vermillion other vermillion household
He was never one for classical music like that but he’s never heard anyone please so softly and so gracefully ever in his life and he was enthralled
He couldn’t wait to hear you play at the banquet
The first two hours you were allowed to do whatever walk around look at the place and even have some food although some people look at you strange they were also informed who you were and that you were going to be playing
Even with the scuffs and lugs that you got you were ready to prove them wrong and to show just how much telling you had to be here
Just before you go on stage to play real pool came up to you and saidᅩ
“Hey...good luck up there” send giving you a thumbs up as he blushed immensely and walked back to the crowd to watch you
ᅩᅩᅩᅩᅩas you sat down you readied yourself. Julius thought you would play your gentle music but you came up with something else
You start out soft and delicate slowly climbing into more intense notes and rhythm. Both new, elegant and exciting
You end it with a few more powerful notes and you magic came In with the cherry blossoms you requested and so was your performance
You look out into the crowd as they applaud with satisfaction on their faces.
Leo had a :0 look on his
As you come down from the stage you got a few compliments on how well you performed and even some requests to perform music at other events
Leo then came up to you
“You played...amazingly” he said with a dust of pink on his cheek
“Thank-“
“It’s not as amazing as you though...” he said, catching you off guard “I...um...you’re really cute!” He blurted out
Well he wa straight forward but you appreciated it, instead of leading you on with pointless flirting
“Thanks...I never got you name by the way I’m Y/N” you extend your hand
“Leopold” he gently took it and shook your hand
You both spent the night getting to know each other and dtalking
He did eventually take up those requests and some of them were in the Palace where you could see him often
On your free days he would come to your house and just watch you play and sometimes even try to play with you
I hope this was okay!❀ᅩᅩ
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gwoongi · 5 years
Text
euphoria
jeon jeongguk / reader genre: royalty au, fluff rating: general words: 3305 warnings: big ball of love, inspired by moon lovers + that one gorgeous scene in tangled a/n: this is a bit of my royal jeongguk au i was writing and never finished, and i wrote this whilst listening to jeongguk’s new solo song snippet and a version of euphoria that i never knew i needed (+ i love, please see my masterlist for the link). also, happy birthday jeongguk, i love you so much °₊·ˈ∗♡( ˃̶᷇ ‧̫ ˂̶᷆ )♡∗ˈ‧₊°
➾ To be betrothed to Jeongguk is not only a great business advantage for your families, but a great honour for yourself. To be betrothed to Jeongguk, and one day bound to him, would be your greatest glory.
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On Prince Junghyun’s birthday, it snows.
The first snowfall of the year, after a long haul of barren landscapes and dropping blossoms; Jeongguk feels like he’s been waiting forever for the snow to fall. Standing on the inside looking out, Jeongguk rests his hands on the cool stone of his bay window, stretching his body to peer out onto the courtyard of his keep. A thin layer of white lies peacefully over the once green grass outside by the cherry blossom trees, castle turrets stretching up into a grey sky littered with tiny flakes. He inhales the smell of the snowfall, the fresh smell that tickles his nose as he catches the scent.
Today is the day, he thinks, pushing himself back flat onto his feet and retreating towards his wardrobe, the solo door in the wall that opened out into a spare room converted for his luxury. Today is the day he will officially court you, and it has to be perfect.
Yewon had laid out his clothes for him, on a small square shaped stool that sits next to one of the cabinets in Jeongguk’s closet. He sees the set and smiles- perfect. Everything is perfect, including the day that follows him after he dresses, helped by his close servants who attach his armour and uniform, balancing a crown like thorns and barbed wire on top of his head. 
You weren’t to be expected until the late afternoon, when the L/N’s would cross the Border from the Badlands into the North, towards Ravens’ Keep where he and his family lived and looked over the lands. Beyond the Badlands were the other Kingdoms of Korea, including your own; Three Streams, a traditional Kingdom with rivers winding through the towns, a much prettier sight to see than the cobble that ran around his own. Jeongguk hoped that, given that his courtship to you went smoothly enough, he could one day visit and see the people that a marriage would inherit.
Late afternoon rolls around speedily, time passing in blinks and gasps, unreal speeds. Jeongguk almost feels unprepared when the raven brings news of a crossing at the Border, a royal carriage pulling through with an assembly and audience. His hands are clammy as he waits, pacing the royal hall out of anxiousness and anticipation, excitement at seeing you after so long. It had only been a few months, less than two. Enough for Jeongguk to miss you, and the way you smiled shyly at him after the news of your betrothal. 
Although nobody had known otherwise, Jeongguk was happy that you were no longer betrothed to his brother. If it hadn’t been for the Princess from Gwangju making an appearance at that same ball, he might have never got the chance to be with you. The thought sickens him. The thought of you with anybody but himself...he thought about it less and less as each day passed.
When you step down from the royal carriage, two hours later, when the moon says the time is past the hour of eight, Jeongguk feels his heart in his throat. The sight of your feet covered in an elegant black heel, followed by a gown that drags across the freshly sweeped floor, makes Jeongguk’s body shake out of nervousness. And it’s not in the Prince to get nervous easily. But, naturally, this occasion is made an exception.
“Lord and Lady L/N.” 
His own mother steps from her place above Jeongguk on the steps rising into their keep, out of protocol, and her hands reach for your own mothers. The two women embrace, old friends, and her gaze lands on you, sheepish behind your brother’s broad shoulders. “And, our wonderful Y/N. You look absolutely beautiful.”
“Thank you, your Grace,” you reply, meekly. She smiles tightly and turns away, out of politeness to invite you all inside, and then you look at Jeongguk. The way he looks at you is the way you look at him, and the sight invites you in with one deep breath.
He is beyond words. Jeongguk is beauty, the representation of hidden gorgeousness in the North, like the tales once said. The way he stands with his hands tucked in front of him, his thumbs nervously fighting as he bites his bottom lip has your breath pulled inwards. Regal in appearance, he wears his house colours and sigil sewn onto his breast, dark red and silver colours dappled with ebony covering his torso and legs, his sword slotted into the sheath shining as it catches the shine of your necklace, dipped into cleavage. He is too beautiful for his own good, a catch and a sight to behold. To be betrothed to Jeongguk is not only a great business advantage for your families, but a great honour for yourself. To be betrothed to Jeongguk, and one day bound to him, would be your greatest glory.
“My Lady,” Jeongguk calls, bowing his head and body as you take small steps towards him. Your heels clip, like tiny horse hooves echoing in the silent snowfall, and Jeongguk raises his gaze with a shy smile that you almost miss.
“My Lord,” you reply, following his gesture. When your gaze lifts to find his eyes, you see his hand reaching out for you, slender fingers outstretched like ornaments, like the branches on the sacred Tree of Tales outside Ravens’ Keep’s walls. 
When your hand slots into his own, you feel that he is cold; yet a warmth spreads across your body, a connection of electricity that has his hand tightening around yours, a promise of protection and his entire attention for the evening. You remembered from the last time that Prince Jeongguk was not a man of many words, his feelings and thoughts poured into physicalities that you had learned to translate.
The dinner that follows is, as expected to be, a success; the banquet is delivered within appropriate time and you eat quietly, speaking when spoken to, your gaze catching Jeongguk’s across the table when nobody was looking. With Jeongguk, while you are both expected to fulfil the promise of betrothal, there is also an expected level of professionalism and purity that you must keep. But looking into Jeongguk’s eyes when you’re supposed to be looking at something else feels like victorious rebellion, like the feeling of adrenaline after breaking the rules. The deep look of longing in his eyes, the love on his cheeks, a pink hue that you almost don’t see in the candlelight.
Jeongguk is so beautiful.
“There will be fireworks.” After spending far too long getting lost in Jeongguk’s silent smiles and eyebrow quirks, you finally return to the adult conversations at the heads of the table. The Queen Mother, Jeongguk’s mother, presses her chin into her palms as she discusses the traditions of royal birthday’s within this Kingdom, the ceremony that is planned for the hour of nine for Prince Junghyun. “I would ask that you attend the ceremony, as future in laws and as current allies to our Kingdom.”
“There would be no greater honour,” comes the honest reply of your father.
No greater honour indeed; Jeongguk’s smile widens at that, and when you grin back at him with your head ducked away from prying and imploring eyes, his shyness turns him back to staring at his plate.
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Following a trail of burning orange lanterns that glow in the moonlight, the ceremony for Prince Junghyun takes place in the royal gardens. It’s rustic and medieval, with high stone walls covered in snow and hanging lights from the trees. A free slot occupies the center of the space cleared for the ceremony, with bowls of ice and white blossom, the drinks required for the transitioning of age. The two royal families cross the length of the smaller courtyard within the main walls of the keep, and by the time they each reach the long staircase down into the gardens, a sudden hand tugging on your own makes you pause and take steps backwards, away from your family and Jeongguk’s.
You turn suddenly, bewildered that somebody might try and stop you from attending the ceremony of Prince Junghyun - yet, the sight of Jeongguk’s own bashful and mischievous face surprises you, and he tugs you further away from the stairs, behind one of the artistically trimmed hedges that is covered in tiny blue berries.
“My Lord?” you question quietly and curiously, and Jeongguk just continues to smile. His one hand that is wrapped around yours stays there, affectionately placed, meanwhile the other reaches for your cheek and pulls one of the loose long curls of hair away from your skin. The act leaves you breathless. Prince Jeongguk is not allowed to touch you until marriage. This is forbidden.
But, he does it anyway. His personal guard who is assigned to him at all times watches from the staircase, and then he slowly moves out of view of the royal family and steps closer to the pair of you.
“Don’t worry,” Jeongguk reassures you. You notice, now that you’re alone, that Jeongguk’s formalities have dropped. He sounds more normal than you have ever heard him. This stolen intimacy makes your heart race, the feeling of butterfly wings against the inside of your stomach.
“What are you doing?” you ask him, cocking your head to the side with piqued interest. “If my family notice that I am missing, or worse, yours-!”
“I will tell them the truth, that I stole you away for myself to get a better view,” Jeongguk replies, and now, the smile is so natural that when it drops, you miss it right away. “Lady L/N, my Y/N, I would like to offer you the best view in the kingdom for tonight’s ceremony. Would you do me the honour of joining me?”
“I would love that,” you reply, beaming in reply. 
The hand rested on your cheek tucks the hair behind your ear and his hand lingers there, gently stroking before falling. Perhaps he realised how intimate this really was, private conversations behind shrubbery in the knowledge of Jeongguk’s closest friend and trusted accomplice, his guard, Namjoon.
Either way, Jeongguk leads you by the hand and the heart towards a hidden stone staircase that sticks out of the wall, and with careful steps and a tight grasp of your hand, Jeongguk helps you up. The daunting trip is also closely followed by Namjoon, always one step behind, in case you should fall. You thankfully don’t, and the risk of danger is worth it by the time you reach the top, to where Jeongguk has prepared for you both to sit.
This is a rooftop, near one of the pointed turret roofs of one of the towers to decorate his keep. Namjoon stands near the staircase, respecting a well needed privacy between two betrothed and Jeongguk pats a space next to him on the cool stone. Out of care, he wipes the stone clean with his hand, removing the thin layer of snow that once covered it and like dust, it falls from the sky to the floor below. Apprehensive, you slowly drop to sit next to him, copying his position of legs hanging over the small wall, heels staring down at the drop.
The view is worth it. From where you are sitting, the view of Ravens’ Keep is breathtaking. You can see for miles, gazing at the snow haze hanging over the Kingdom and the buildings whose lights shine through glassless windows, glowing like fireflies in the night. It’s like a painting, colours paid close attention to and the smell of citrus and snowfall, faint aromas of bread from the bakery near the keep. Jeongguk observes your reactions to this freeing feeling of being on top of the world, and his chest tightens when you smile widely, a gasp leaving your mouth with a whisp of air.
“It’s gorgeous,” you comment. Jeongguk doesn’t look away.
“It is.”
Out the corner of your eye, you see his eyes on you. “I mean the view.”
“So do I,” he replies, and then you face him with raised eyebrows, a scandalised expression on your face. “What?” He laughs, “did I lie?”
“Sh,” you quip, and he laughs again. 
This he prefers, much more than the forced formalities of being royal. Jeongguk likes it best when you’re you, the candid natural beauty unmissable. It’s the same thing he desired when he first saw you that day with your handmaid, the normal and informal squabbling he thought of as more endearing than insensitive, something he wished he could do with you somebody. It’s the same thing Jeongguk likes most about you, the same thing he wants to see you do more.
He closes these thoughts as he looks away, staring at the glowing lights of the ceremony and the sight of the Kingdom that might one day be his. While his brother is now betrothed to marry the Princess of Gwangju, his fate as King of Ravens’ Keep remains uncertain. He might even move to the Capital when the war is over, and rule the entire country. That would leave Ravens’ Keep to Jeongguk, and by extension, to you, and your future family. That thought makes him wriggle with nervousness.
“I think it’s starting soon,” Jeongguk says suddenly. He sees a flame flicker, like they’re getting ready to release the lanterns. They do this every year for their birthdays; the people of his Kingdom will light silver and orange lanterns and release them to the sky, a rising parade of glowing lights to celebrate the birth and age of the princes, soon to be Kings, of the North. “I remember this from last year.”
“Oh?” You sit up, arching to peek at the courtyard. “I can’t see anything.”
“You will,” promises Jeongguk. When you look at him, he grins and grabs your hand again, “You’ll love it, I promise.”
“I’m excited,” you confess shyly. “Everybody’s told me a lot about the ceremony for your birthdays.”
“Yeah?” Jeongguk replies with a light laugh. “Have any of your memories come back, by the way? I know the last time we met, things were still unclear.”
“They still are,” you admit honestly, “but things are getting easier. I’m finally back to where I think I was before. It’s definitely less confusing.”
Jeongguk laughs genuinely. “That’s good to know. I thought the idea of betrothed marriage disgusted you.”
“No, never,” you insist, shaking your head. “It was...a surprise, yes. But, it’s not so bad.”
The prince smirks playfully, “no?”
“No,” you tease. “I think it’s going to work out fine for me.”
You have no idea, but the sound of that fills Jeongguk’s chest with joy, something so warm and tight and good that he almost wants to cry. 
Out of the corner of his eye, he can see the lights engulf the courtyard, lanterns being prepared. He wonders if they’ve noticed neither of you are there, or if they care- maybe they know their son well enough to understand what he’s done, where he’s taken you and what he’s about to do. Just before the first royal lantern is lit and lifted to the endless skies of ebony, clustered by blinking stars, Jeongguk’s fingers trace patterns on your skin and you pause, looking at him.
“My Y/N,” he starts, his voice unusually quiet and nervous. You try to meet his eyes but he ducks away.
“Yes?” you encourage, but he says nothing. You grasp his hand tighter, “Jeongguk?”
“It is expected of me to like you,” Jeongguk begins, and those starting words make you shudder cold, “and I’m sorry if this is...I don’t know...forward of me.” He sighs, gasping courage: “But I like you. So much.”
Your world pauses.
“And it would mean everything and more to me,” he continues with a deep and worried voice, “if you would take my hand. In courtship.”
When you say nothing, Jeongguk fears that perhaps you might not understand. He swallows the lump in his throat: “Um, Namjoon told me it’s also been called dating. We date. Like...a less intimate version of marriage, I think. Um-”
“I know what courting is,” you nod, unintentionally interrupting and his mouth opens to an ‘o’. He says nothing, feeling slightly embarrassed as time passes. His gut wrenches, he wants to cry and run away. But before he can do this, and before he can regret it, Jeongguk feels your body warmth closer to his and his eyes focus, watching as you gently lean forward and kiss his lips.
It is so gentle, and so fleeting, and missed greatly when you pull away. Jeongguk blinks, dazed, and as the lanterns in the courtyard are gently raised one by one in celebration of Junghyun’s birthday, Jeongguk leans himself forward as you join to kiss you again, one hand on his lap and the other cupping the side of your head, fingers in your hair, head in the clouds.
The sky is glittering and glowing with silver and orange, the sound of church bells and cheers in the Kingdom rising in the sky as they set off into the darkness. It is so beautiful, and peaceful as the colours engulf the sky, surrounded by the snow that falls lightly like a kiss, and in between each kiss comes the glimpse of silver from a lantern, the burst of life from fireworks that somebody is setting off deeper in the Kingdom. The colours are royal and gorgeous, reds and blues and whites and a bright gold, lost and missed between kisses as he closes his eyes, and yours, too.
Intimacy is sacred, something reserved for marriage, but after tonight, there is no way Jeongguk can resist the urge and need to be with you. You fill a space in Jeongguk that had otherwise been left empty and exposed, like a lost and found puzzle piece that completes the set. Eventually one hand on your head becomes two, and confidence inside Jeongguk is ripped through when your hands grasp his wrists, bringing him closer, the need and lust and yearning for one another so absolute and passionate that even Namjoon, who is still by the stairs, can feel the love. When Jeongguk finally realises he is being selfish, stealing your sight of the highly regarded birthday celebration, he pulls away and rests his forehead against your own, catching his breath.
He could shy away when he opens his eyes and sees your own looking right back at him, but he does not. Instead he smiles, so brightly that he resembles the life in the sky, and my Gods, he is so breathtaking, so divine and regal and beautiful that it hurts. The truth now is that meeting Jeongguk had been one of the biggest mysteries and accidents of your life, whilst also being the absolute completion of it. The sight of lanterns fills your eyes like a painting and Jeongguk notices that Namjoon is shuffling towards him, a lantern that he had fetched whilst you were otherwise occupied being thrust into his hands.
“Y/N,” Jeongguk calls quickly, and you catch sight of the lantern in his hands and smile widely.
Down below, from the courtyard dazzled with lights in the sky, Lady Jeon turns in awe at the sight, in circles staring at the sky. She pauses on her second rotation, her eyes piercing to gaze at the turret near Jeongguk’s bedroom; the sight of a lone silver lantern rising to the sky makes her heart burst with something new, something tight and relieving and warm. Everybody had noticed Jeongguk’s absence, along with your own, and it wasn’t hard to put together the pieces.
She smiles, knowing better. Oh, to be young and in love.
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for context, the au was inspired a lot by moon lovers + so y/n actually gets teleported //back in time?// and is thrown into a royal universe where she is betrothed to jeongguk. i hope this au can be born soon and i hope this context helps !!! (it’s also a lil bit game of thrones inspired oops)
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rubiaryutheroyal · 3 years
Link
Joeyxs submitted:
I found this song through The Sims 4 as there is a “simlish” version of it in game: https://www.youtube.com/watch?v=Dkcb_RcfliE
The real Japanese version is the other link I provided. Hopefully you’re able and willing to translate this, because there doesn’t appear to be any lyrics for it, at least not without some deep searching.
The Simlish version is hilarious, sounds like someone who doesn’t know Japanese trying to sing Japanese... in the funny way, I mean.
So, the original song is the opening theme from the dating visual novel game ~Miyako~ Snowfall Banquet. Surprisingly, even the JP wikipedia doesn’t have a game synopsis. But from what the CM shows, it looks like one of those Feudal Japan types of otome games where the MC suddenly shows up in the past and meets all these handsome young men who are probably based on actual historical figures or legends...
Anyway, this song is a serious bop. I don’t know how many times I’ve listened to it now.
As always, the Romaji lyrics and translations are below the cut. Japanese lyrics taken from this lyrics site.
Romaji lyrics:
hakanaki yoru no hazama de yureru awai yukiiro someta hanabira kawasareta inochi no kizuna
mikagami no kagayaki terasu michishirube yureru sakurabana
anata e no omoi sae mo kakushite shimaou
oboro ni setsuna ni yoru ga netsu o harami tayutau fuuga na yume taorarenu youni mamori tsudzuketai
ten no sadame o kuru utage wa kono omoi hitohira miseru kiseki taenaru shirabe michibiku mai kogare motome towa ni sasagu koigokoro
kin o matou tsuki ga anata o aeka ni terashite wa kaketa kokoro no naka ni kizanda hisoyaka na chigiri
todokanu kaeranu inori to nageku yoru netsujou ga nariyamazu kousa suru omoi in to you no ma ni
toki no sadame o yomu kotonoha setsu na negai awaseru kai moyou mune o irodoru shiki no naka de amai yume o utsutsu e kaete miseyou
hakanaki yoru no hazama de yureru awai yukiiro someta hanabira suzuyaka na hitomi ni towararete aragau sube nado ushinawareta
hakanaki yoru no hazama de yureru kinjirareta niwa ni saku enka kawasareta inochi no kizuna
ten no sadame o kuru utage wa kono omoi hitohira miseru kiseki taenaru shirabe michibiku mai urei aegi towa ni kogarete
toki no sadame o yomu kotonoha setsu na negai awaseru kai moyou mune o irodoru shiki no naka de amai yume o utsutsu e kaete miseyou
English translation:
Wavering in the span of the briefest night Petals dyed in pale snow white The bonds of lives that have crossed
The glistening of mirroring waters Shining upon the guidepost Fluttering cherry blossoms
Even the feelings meant for you Hide them away completely
In the haze, in the moment Pregnancy from the heat of the night The fluttering elegant dream I want to keep protecting it like it’s unbreakable
The banquet that turns the fates of Heaven A piece of this feeling, a charming miracle An enchanting melody, a guiding dance Yearn, wish, this eternal devoted love
The moon clad in gold that shines delicately upon you has waned The quiet vow carved into your heart
An unfulfilled, unhatched prayer and a lamentable night The passion rings without end, feelings crossing paths In the space between dark and light
The poem* that recites the fates of time An ardent wish met together like shells Amid the four seasons that color your heart Let's turn this sweet dream into reality
Wavering in the span of the briefest night Petals dyed in pale snow white Caught in sight of cold eyes All means to resist are lost
Wavering in the span of the briefest night The enka** that blooms in the forbidden courtyard The bonds of lives that have crossed
The banquet that turns the fates of Heaven A piece of this feeling, a charming miracle An enchanting melody, a guiding dance Grieving, panting, yearning eternally
The poem that recites the fates of time An ardent wish met together like shells Amid the four seasons that color your heart Let's turn this sweet dream into reality
* I chose “poem” to simplify because the words of a poem like a tanka aren’t cleanly translated into English without proper context. ** The enka is referring to the type of poem, but here it’s presented as a flower that can bloom.
This was a really nice song to translate because it not only reads like a poem, it’s even written with archaic prose to match the game’s setting. Thanks for the suggestion!
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strifescloud · 4 years
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utaawase opening ritual translation
hello it’s me and Christie again, finished all the songs so it’s just filling in the dialogue in between. another preview 
Houyou:
Tsuru (spoken): Songs are what people use to express their myriads of thoughts into words.  Sometimes the songs that these words express are not human. That is to say, they can also move the hearts of gods. 
The nostalgic scent of flowers. The birdsong melts into your ears. The wind scatters the leaves and the dew wets your sleeve. The thought of spring on a snowy moonlit morning. 
Every living creature born into this world is able to sing (1). Whether they’re humans, gods, demons, spirits....or even us.
Now, sing. Now, play!
Kamiasobi [songs offered to the gods]:
After inviting Amaterasu and entertaining her, how much sacred music and dance would it take to induce her to remain? (2)
The sparks fly from the fire This ceremonial flame must not be extinguished
Hold your pen ready Expose the true nature
Spell out the song Desires brought to light What is painted is the heart’s resolve
Hold your pen ready Threatening the natural order Spell out the song A line that must not be crossed
The brazier’s flame sways, the gods’ shadows dance Are you prepared? Are you prepared?
A song dedicated to the gods A song to be exchanged  Now, let’s begin A contest of songs A banquet of wild dance
Singing the song, the cherry blossoms bloom Dancing to the sound To the left, to the right In blue, in red By the will of the gods
Admiring the flowers, caressing the breeze, Suffering from love
To the left, to the right In blue, in red By the will of the gods Songs offered to the gods An utaawase with you
Notes:
(1) the wording leads me to believe this is an allusion to the foreword of the kokin wakashu - “The song of the warbler among the blossoms, the voice of the frog dwelling in the water - these teach us that every living creature sings.”
(2) this is a quote from a kagura hikyoku titled “hirume” - kagura hikyoku is an “imeperial secret song”, i.e. a sung form of prayer kept secret and passed down in oral tradition as it is solely for the use of the emperor and dedicated to the imperial ancestral deity, Amaterasu Oomikami. This translation is adapted from a paper by Michiko Urita which I found here, and is worth a read if you’re interested in this kind of tradition!
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Shokugeki no Soma: Fifth Plate - OP analysis
Hi guys! 
Since this week’s episode will be the last before the delay that has touched half of this Spring Season’s aired shows, let me present you the analysis of Shokugeki no Sōma’s last opening, “Last Chapter” by nano.RIPE. Keep in mind that this analysis will contain spoilers, so...
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If this doesn’t stop you, then let the fun begin.
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The OP starts with a purple curtain with Tōtsuki’s emblem, showing that the story happens in the theatre called the Tōtsuki Academy. It’ll be important a bit later.
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This shot (and some smaller ones concentrating on smaller groups) presents the established after the Regiment de Cuisine Elite Ten Council and new Headmaster. From right to left, it shows them in their seat order:
10th Seat: Megumi Tadokoro playing plates, which represent her famous hospitality
9th Seat: Nene Kinokuni playing a roller used in soba preparation
8th Seat: Etsuya Eizan shaking expensive wine bottles, showing his “Alchemist” side
7th Seat: Takumi Aldini holding his mezzaluna
6th Seat: Alice Nakiri dancing with a fork and a spoon, used in eating her molecular cuisine
5th Seat: Ryō Kurokiba with a pot used in cooking sea food
4th Seat: Akira Hayama playing on a frying pan with cinnamon
3rd Seat: Terunori Kuga playing his wok
2nd Seat: Satoshi Isshiki with chopsticks and a plank to serve his signature Japanese food
1st Seat: Sōma Yukihira holding his knife
Dean: Erina Nakiri conducting them with a ladle
The lyrics in this sequence is worth noting (source: https://www.animesonglyrics.com/food-wars-the-fifth-plate/last-chapter):
How beautiful the melody has to be To be able to reach that girl who's been hurt The girl is obviously Erina, hurt by her father’s ‘teaching’ and people’s attitude towards her becasue of the God Tongue, who, thanks to Sōma’s and their friends’ (but mostly Sōma’s) cooking, starts to enjoy cooking. This is the beautiful melody - sincere cooking.
One last note about the lyrics, because if I analysed it in its entirety, it would take me ages - the song is sung most likely from Sōma’s persperctive.
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The next shot shows Tōtsuki Academy hill on spring, sigifying the new year (most of our chefs are second years now) and new beginnings. At the front are the three Headmasters, though from Nakiri household, each of them is different. Senzaemon stands tranquil and firm, looking at the Jewel generations students, Azami looks as if he was trying to convince the world to change their ways - both of them are sure of their work, unlike Erina, who’s hands hugging her body and darkened eyes show her uncertainty.
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Next is the title panel, swiftly transitioning from fire to snow to finally sparkles and cherry blossom, showing Sōma’s path from conquering (usually he was the one to bring fire) to protecting - this will be important later. Also, Sōma seen in this frame has just begun to cook his dish.
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After the title, let’s skip to the big character exposition panels! First we have the peach themed frame with Nakiri girls: Erina, Alice, Ikumi (who, at the beginning, was working for the God Tongue) and Hisako. The peach may represent feminity, as there are only girls in here, and luck.
Next one’s the Polar Star Dormitory group shot with all of its residents present, with apples in the background. While apples may refer to various dishes cooked by Sōma and Megumi that included these fruits, apple symbolises youth, which is often brought up by Isshiki, Madame Fumio and Jun Shiomi. 
Then we have a lemon-themed shot with Sōma’s “rivals” (apart from Isami, he never was battling Sōma on his own - it’s a reference from their first encounter during the Hell Camp). One of lemon’s symbolisms is freshness, which perfectly fits each of their meetings, bringing freshness into their lives.
Finally, with cherries signifying maturity, we get to see the original Elite Ten Council members. 
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Each group pannel is separated by a dish frame. It’s important that only the white backgrounded frame has dishes prepared by various cooks - the rest were cooked by (from upper left to right) Sōma, Erina, Megumi and Takumi. This shows their strong connection forged in the Tōtsuki Train arc, where they were together, and predicts all of them participating in BLUE.
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Until now there was no clear shots focusing on strictly Sōma - now’s the time they are here. We get shots from his early past, reminding us also of the Karaage Wars arc, and from Stagiaire. Each time he’s standing in the bright light, surrounded by cherry petals, symbolising him being ‘spring’, beginning of the new era. The light here is very bright and yellom, as if he was standing on a stage - remember the opening shot with the curtain? Sōma is this story’s main hero, the one that iniciated the whole process of change in Tōtsuki.
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The contrast between Eishi and Sōma in this frame is spectacular - gourmet cuisine vs family diner, autumn vs spring, showing how Sōma became Eishi’s successor to the First Seat in the Elite Ten Council. Look at how gorgeous they look with flying maple leaves and cherry petals flying around them!
(keep in mind Tsukasa’s red kerchief/tie, this will be important later)
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The sequence right before the chorus is so full of hidden meanings! The first frame of this sequence is Sōma, standing in the light, probably on the top, reminescenting. His signature headband, now on his left wrist, is connected to...
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... his late mother, Tamako Yukihira! This is the first time we actually get to see her, besides the covered in light family photo from the very first episode. I love the gentle difference of colour shades between Sōma and Tamako - Sōma is bright as the light around him while dim shades of Tamako imply her being already in the realm of shadows, however she returns for a brief moment to life everytime he starts cooking. The frame is full of love and support Sōma got from her, showing how important she was in his life. His signature headband is most likely a memento of her - it’s the thing that keeps them tied after all these years.
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It quickly changes to Erina tasting one of Sōma’s dishes, seemingly taking pleasure from it. This screen (and two others, each getting closer to Erina’s blushed face) indicates Sōma’s desire to make Erina say ‘delicious’ - she’s the one he wants to make happy with his cooking. His mother was first btw :)
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Sōma’s knife is brightened by cherry petals - it shows his power coming from his cooking, cumulated in the cutting edge. This is the blade of change.
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Finally, Asahi Saiba appears! As you can see, he’s the one surrounded by flames, it’s not Sōma anymore. The leader of Noirs is the one who wants to disturb the balance. There is also some similarities between him and Sōma - their cooking look is similar, probably because both of them were raised (though differently) by Jōichiro. Also, he has a signature red kerchief around his neck, similarly to Eishi, however his kerchief isn’t loose on his neck, it’s tight and Asahi used it to cover his face, also covering his true intentions.
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This shot presents the famous BLUE fortress where the contest takes place. The frame shows the entire building, particularly the final building where the Bookmaster is staying, in the fantastic blue light, not calming as it may look like, but giving the one looking at it chills of excitement. The moon also reminds of the Autumn Selection and the Moon Banquet, taking place at approximately the same time as BLUE.
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Erina, held by Asahi surrounded by Noirs, is clue to one of this arc’s plot, as her freedom depends on Sōma’s ability to win against Asahi. Yes, it looks like she’s the damsel in distress - it’s direct parallel to Erina being ‘imprisoned’ by her father.
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There’s also a group shot of all of the WGO judges that we have met and the ones that we’ll meet during BLUE, of course on a blue background.
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This frame is very intriguing. There is a silhouette visible behind the two fighting cooks - it’s Mana Nakiri, Erina’s mother and the Bookmaster, the one behind all of this. There is an astonishing contrast between Asahi and Sōma - Yukihira wields a single, pink (like the cherry petals) blade while Saiba has two, which refers to his special ability, the Cross Knives.
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Finally, FINALLY Sōma gets his presenting shot. It’s worth mentioning that Erina was the first one to be presented - this is yet another way of showing their connection. She’s the beginning, he’s the end. Or maybe the other way? 
In both this and the following frame we can also see Sōma being on the top/looking at his opponent from the top, foreshadowing his victory against Asahi in BLUE.
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This screen presents the two possible destinies of Erina: the upper is with Sōma by her side - most of their bonding moments take place under the starry night, so this shot is really meaningful, the nether - Erina as Asahi’s bride. While they both stand in the same place, the upper destiny seems more realistic, as the nether looks like a mere reflection of what could happen and the duo from the top is the one that moves a bit the water.
Note: Sōma and Erina were supposed to get married at the end of the series, but creators didn’t have enough space. The couple however has been claimed as canon.
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This is the final group shot of all Tōtsuki students we came to love, watching sakura blossom at night. It’s simply beautiful, watching their silhouettes near the bright water, cherry blossom and Tōtsuki Academy. This frame is full of love and reminescense...
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The penultimate frame is a direct continuation of the ‘destiny’ shot. Sōma and Erina are standing here, together. It’s gorgeous, beautiful, showing how close they have become and that a bright future awaits them, written in the stars. The lighting of this frame, warm and delicate, gives us a sense of intimacy and fondness.
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The last shot presents a dim silhouette of Sōma who ended his cooking (it’s the position we often got to see either on the episode’s numer frame or at the end of the episode) and, most importantly, Sōma walking away in the sunlight. It predicts Sōma’s parting from Tōtsuki to travel around the world, just like Jōichiro once did, but with a difference.
There is no storm to swallow chefs who want to reach the top.
Sōma and his cooking dispersed it, saving himself, his friends and Erina from it.
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A Longer Trip Back Home
...
✜
Hey, have a cigarette?
She always asks me if I have a cigarette when she has emptied the last box. Of course I do not have it, she knows. My mother spends all her wages on cigarettes. My mother, a waitress at a café in the center of a suburban residential area at the edge of the world. In the afternoon, the café is filled with ladies. They are housewives coming from elegant houses at the edge of the world, killing time. Mother and the ladies play mah-jongg every Wednesday at the café, in the center of the town, where the smoke of cigarettes wafts stronger than the scent of coffee.
You must go straight home and study, Mother says, as a mother would.
I always stop by a used record store on my way home from high school. Music is the heart of my mind. Today, my favorite tune, “Running Away,” is playing in the store. The Raincoats’ version, not Sly & The Family Stone’s, which is actually called “Runnin’ Away.” I sing to the music.
Ha! Ha! Ha! Ha!
The vinyl collector is smiling wryly.
Delightful tune, but ironical lyrics, he says. I have a 30-year fixed-rate mortgage. I wonder how many more years I have to work. I want to sell this store and get away to San Francisco, the heart of the world. Why? You can see the ocean from the top of the hill. That is all.
His 11-year-old son, strangely mature, enters the conversation while listening near the cash register.
How about your boyfriend? No lover? If you are not in love yet, it is too late. But dad is too young for an affair.
The boy’s eyes twinkle with curiosity. There is a big Himalayan cedar in the back of the record store, and sometimes an owl appears on a branch. When I am staying in the store, forgetting time, I hear the owl tu–whit tu–whoo. A small river flows at the root of the cedar, and there is a small old church on the marsh.
When I was a child, a wedding was held by the side of this river. I was a bridesmaid, and the cedar was decorated like a Christmas tree. The guests carried an enormous red sea bream into the kitchen in preparation for the ceremony. My mother and the vinyl collector’s wife poached the eggs to a beautiful golden colour and boiled four dozen white asparagus as a side dish. On a Swedish glass dish in bas‐relief with dandelions, the butter slowly melted beside the radishes.
Yes. It was spring.
Someone knocked on the door of the kitchen. Ladies in aprons looked around. They thought the knock was the prank of a spring storm. But it was the bridegroom. He rushed to the kitchen sink and turned the tap to gulp down some water. An old woman named Eliza shouted to him from her house across the way.
Too late! The bride has gone somewhere! She is a wayward girl!
Too far! It took a million hours on a bus from Shibuya station! he joked, spouting water from his inflated mouth and soaking his bow tie. He was a chipmunk that came to this marsh on a gondola of chicory leaves.
The bride was beautiful. She was clinging to the cedar, and as she reached out to the star ornaments shining on the branches of the tree, a warm wind teased the hem of her champagne dress. Guests grew excited, little by little. The sky was getting dark. I was crouching alone on the bank of the river at dusk. The chipmunk ran away from the banquet and gave me a leftover chicory leaf like a tiny boat. The boat left my hand. The boat drifted on the river, far away.
Where does this river come from? I questioned the bridegroom.
A mountain? I do not know. Ha! he answered.
Where does this river go to?
The river reflected the sunset. The chicory boat was floating freely on the water.
The sea? Ah, Tokyo Bay, the Pacific? Ha! Ha!
Tokyo Bay? Little did I know a small river in my small town flows into the infinite ocean. I had never seen the sea.
A girl in a swimsuit with a yellow floral pattern is swimming in a murky pool. Someone beckons her, seduces her. She becomes a little fish and approaches him trembling with fear. No. The girl dives in the ocean for the first time. Not the pool. A blowfish hides at the bottom of the sea. White round blowfish like clouds shine in the sunlight breaking through the faint waves. The blowfish has poison. She keeps swimming in pursuit of poison. A blowfish with white belly inflated does not move. Is he dead? As he opens his eyes slowly, he laughs, showing his teeth.
All of us have a place in history. Mine is in the clouds, he says *[1].
Dad! she cries with joy. Her father died a drunk at fifty years of age. Everyone says it was a slow-motion suicide. No. Certainly, he lives his life at the bottom of the sea, or as the shadow of a cloud floating on the surface of the ocean. There is a Japanese proverb: control poison with poison. Her father was fighting the evil in his mind with his own poison. She remembers his rounded back. Late at night, or on a Sunday afternoon, he headed to his desk with a bottle of Johnnie Walker and read the collection of poems. She cannot remember the titles of foreign books. The poems were written in English or French. The girl begins to swim toward the sun. Petals scattering from her swimsuit shine in the water. Like cherry blossoms dancing in a cloudy sky.
The memory of the wedding at the root of the Himalayan cedar raised for me the riddle of a small river in my small town. I decided to explore the headsprings and the destination of this flow. I bought a 1950s map of Tokyo at Jimbōchō. At the ward office, I found historical documents about Shibuya Ward. The map showed that the source of river was a marsh under the church. One more place. I found a pond on the site of an old mansion, the place I always see on my way to school. No one seemed to live there, and unmanaged trees grew thick behind the high wall. The map said Davies House. Once a British trading merchant lived here. Mr. Davies sold his mansion and returned home in the 1980s. During the Edo period, in the 1600s, it was a pleasure garden called Oyama-en. The garden was not a place for children to play. There were no merry-go-rounds, roller coasters or kiosks selling gelato. It was the place where poets gathered, in the gazebo at the pond. Intellectuals enjoyed tea and spent time meditating.
The gate of the abandoned mansion had been closed for about 40 years. One fine Sunday, I found out that the site of the mansion was open to Shibuya residents, but only for the day. The garden was already full of people strolling with flowers in their hands. The petals shine with droplets, because the night before was rainy. The faces of people are shining with curiosity. Not only the vines of feral trees but also the ferns are crawling at my feet. I have difficulty walking. In the deep green woods, a lacquered bridge is painted a particularly bright shade of red. I stand on the bridge. Under it, spring water bubbles in a dry pond.
A chipmunk of about 12 centimeters fills his cheeks with buds and jumps off the zelkova tree. The chipmunk is eating mock strawberries growing around the pond.
This is cute Fraisier de Duchesne. Mock Strawberry is also called poison strawberry, but it is not poisonous. Try it. Ha! the chipmunk says to me proudly and plays in the pond using the red fruit as a beach ball. The bright red strawberry slips through his fingers and is swallowed by invisible swirls on the water. It disappears into the drain of the pond. There is a river, a culvert, beyond the drain. It was buried in concrete beneath the Metropolitan Area when the Olympics were held in Tokyo in 1964.
Fraisier de Duchesne left itself to the water. Sunlight melted into the Kōhone-River. The water was warm. Kōhone Flowers–East Asian yellow water-lilies–surrounding the river were swaying gently in the wind. Leaves were floating on the surface. Fraisier de Duchesne came out of the darkness in the groundwater and bathed in the sunlight on a leaf. A little boy and his father held hands and passed by Fraisier de Duchesne. They were singing a song.
A small river in spring is flowing smoothly *[2]  
To violets and milk-vetch flowers on the shore
While flowering gently in beautiful colour
Bloom please, bloom, While whispering
Fraisier de Duchesne, pretty in red, has no poison and knows nothing about poison. It will leave itself to the stream of water and time as ever.    
I am standing on Inari-Bridge near the Shibuya Station. All rivers leading to this bridge are culverts. Buildings are towering on both sides of the bridge, a forest of department stores, restaurants, brothels. Shibuya River flows under the bridge. I can see the water with my eyes. The river passes through the downtown. Various people come and go. Various voices are confused with various languages. The clear stream has revived on the Shibuya River before the Tokyo Olympics in 2020. I am moved by the truth that there is a sea called Tokyo Bay, if I will swim about 6.8 kilometers from here. The orange colour of the sun floating on the Shibuya River is the same as it on the nameless small river in my small town. The murmur of a stream whispers.
Shall we run away to the ocean?      
I have forever heard it. The music was played repeatedly on a late-night program on the radio. Maybe it is a melody signaling that a passenger ship is leaving port but is not suitable for departure. Colourful flags on the mast are fluttering in the blue sky. On the surface of the sea, reversed flags shimmer like stained glass. Their shadows are waving to the pulse of engines. I recall that this was my favorite song while looking at the port far away. On my way home, on the bus, I am listening to “Runnin’ Away” on my mobile phone. Sly & The Family Stone’s version, not The Raincoats’, which is anyway called “Running Away.”
San Francisco is too far. Ha! Ha! Ha! Ha!  
Murmuring aloud, I can see from the window that the huge rain cloud chases the bus. The cloud seems to be as high as Montmartre. The front window of the bus is sprayed with heavy rain and becomes completely white. Lightning and the sudden shower cut off my music. The bus has no choice but to stop at the station square. The smell of rain invades. I hear footsteps of seasonal changes. I know that I was pretending not to notice the change of seasons. A mother and child in the seat across the aisle are talking.
We left our umbrella in grandma’s home, but it will clear up soon.
They are looking at brand new shoes they just bought at the department store. Desert boots which are made of suede. I wonder if they are trying to transport themselves by supernatural force to a desert planet 900 light years from the earth. There is no sea on the other side of the moon. I am thinking of the sea.
Yes. Summer will come soon.
✜
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image: hiromi suzuki


*Quotations:
[1] The Tokyo-Montana Express, 1980 A collection of short stories by Richard Brautigan
[2] Small River in Spring, 1912 A song for schoolchildren Lyrics: Tatsuyuki Takano Music: Teiichi Okano (Translation: hiromi suzuki) Takano had his residence near the Kōhone-River (Yoyogi 3-chōme Shibuya-Ward, Tokyo) when he wrote the lyrics of Small River in Spring. At that time, Kōhone-River was running as a stream that supplied water to the fields, and joined the Shibuya River.


✜  ✜  ✜
A Longer Trip Back Home
© short fiction by hiromi suzuki
published in 3:AM Magazine (February 11, 2020)
 

 via 3:AM Magazine
✜
I am grateful to have been given this opportunity by Mark de Silva, the Fiction Editor for 3:AM Magazine.


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The promised neverland characters, Goldy Pond Resistance, with vocaloid quotes
Oliver:” He is not fighting to be loved, he’s fighting out of love, Even if all the people in the world are tormented by despair, even if the day comes where his body cracks and crumbles away, indeed, he will go, simply for justice”  (kagamine Len in that king was born from mud)
Violet: “Running through ring roads, always busy to be on the move, no big deal. Boys and girls being incomparably strong in warring states, as the way this transient world goes around. A thousand of Cherry blossoms are blooming in the night; your voice can not even reach, this banquet that surrounds is iron poison, see, leaping down to us from that big guillotine”.(Miku in Senbonzakura)
Nigel: “Screaming from the mob, echoing sound of a gunshot, How could you call something a life? With your breath dispersed into white puff, you muttered, “Let’s escape.” Back then, we used to dream that beyond this cage, warmth and love would exist; that we were going to fly there beyond this closed window. Just how many times had we immersed ourselves within such dreams?” (Rin in Jailbreak)
Gilian:” Umm, well
 if you dance more and more, Kalinka? Malinka? Just play the chord, what should I do about such feelings? Can’t you tell me, just a little? Loud and clear, 524. Freud? Keloid? Just hit the key. Everthing all’s to be laughed at, hurry, dance with all your foolishness”.(Miku and Gumi in Matryoshka)
Sandy: “Find a reason to sing! If I were to sing with You, I could forget time and lose myself in joy. Find a reason to sing! The one and only thing, the gift of talent that I was gived. Connecting, connecting, with your song; connecting, connecting, with your dream, connecting, connecting, with your life, connecting with you.” (Meiko, Kaito, Miku, Rin, Len and Luka in Connecting)
Zack: “You only have to double jump,take your feet and go forth, for to prove your courage one jump is not enough. You only have to double jump take your determination and run. Foor the proof your courage will surely be remembered “ Kagamine Len in You Only Have To Double Jump)
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and-then-yoi-happened · 6 years
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As I promised in my follower celebration post, I wanted to spread some love through a fic rec post! And now I finally came around to make it! ( ˵Ž ♡˵)
I’m sorry for not going into detail what I loved about them here or leave comments here, because I’m trying to keep the post’s length under control. All of these 17 fics (and 2 comics) deserve a commentary and a detailed recommendation post of their own and I hope I’ll find the time to do that for all of them one day.
Please share this post (and the love), so more people can see the recommendations. Also if you start reading some of these, please consider leaving the writers a Kudos and maybe even a comment. We writers love feeling recognised and cherished! It motivates us to write on ♡ The order in which I name the fics is random.
My Top Three Favourite Fics (all Multi-Chapters):
Listen, I love all three of them so much. I binge read them all when I found them. They all made me feel so many things and I might have cried now and then while reading any of them (for different reasons). Those are fics I would reread - I don’t even know how often. They are just so incredibly well done.
Empty Spaces Between Stars (WIP) by astudyinrose [ E | creator choose not to use archive warnings (mind the notes to the chapters!) | Victuuri | canon universe / AU canon divergence / fake relationship AU | 17/? | 185k ] Summary: Victor gets just as drunk as Yuuri at the Sochi Banquet, and they disappear together after the dance-offs. They wake up the morning after with rings on their fingers, and pictures of them kissing after getting married the night before are all over the tabloids... but neither of them remembers a thing. They decide to stay married for a while for the sake of Victor's sponsorships, and in exchange, Victor coaches Yuuri through nationals...
Dance of the Red Death by Strange and Intoxicating -rsa- [ M | no archive warnings (no MCD, despite the story dealing with AIDS, so read the FAQ and the tags first!) | Victuuri | canon universe / AU canon divergence | 11/11 | 80k ] Summary: Find something to live for.Viktor Nikiforov loved too much. What begins as a cough morphs into something that takes the shape of an unseen monster hiding in his very blood.  With the Russian government scrambling to sweep under the rug the worst of a crisis that's been thirty-five years in the making and a society that sees his disease as a death sentence, Viktor is left with figuring out his own way to survive.It starts as a way to escape— a youtube video of music and color and light, but quickly becomes something he never expected when Yuri Katsuki teaches him that surviving is not living. Yuri teaches him that living is taking the jump into unknown and accepting all that comes with it.This is not a story of anger. This is not a story of fear. This is not even a story of pain. This is a 21st Century love overcoming the obstacles of the 20th Century's politics of fear.This is a story of life. Complete + Epilogue + FAQ
Come Out of Hiding (I’m Right Here Beside You) by osaki_nana_707 [ M/E (not rated by the author) | creator choose not to use archive warnings (check the tags & notes!) | Victuuri | Music AU / Actors AU / Broadway AU | 33/33 | 84k ] Summary: After forgetting the words to his song during a vocal competition as a teenager, Yuuri Katsuki decided singing was not for him. Instead he went to NYU to study English. He never expected Viktor Nikiforov, Broadway star extraordinaire looking to direct his first production on the stage, would ever find his up-and-coming lead... in him.
Humour/Comedy (oneshots):
All of them brought me to tears, made me wheeze and lose my voice completely - that’s how much I had to laugh. If you have difficulties with second-hand embarrassment and it ruins the fun for you, then maybe skip “Bottom’s Up”.
Nikiforov’s Law by LavenderProse [ T | no warnings | Victuuri | CSI AU | 8.1k ] Summary: “I’m a garbage monster,” Yuuri tells Phichit, staring at Viktor through the glass walls of the lab. Viktor has not been in the same room with him since what the denizens of the lab are now calling The Belle Isle Incident. “He looks at me and he thinks dumpster decomp and swamp. I hate my life.” “You’re a very pretty garbage monster,” says Phichit, watching a centrifuge work. “A garbage monster he wants to fuck.” Yuuri Katsuki is a dime a dozen CSI with the Detroit Crime Lab who has never had a conversation with Detective Viktor Nikiforov that did not end in disaster. He's beginning to think that the entire universe is conspiring to make him a fool in front of handsome blond detectives. The universe is doing nothing to prove him wrong.
The Unknown Unknown by opalish [ T | no warnings | Victuuri | Superhero AU | 7.4k ] Summary: Yuuri never meant to become a supervillain.  These things just happen to him.
Night is Young and the Music’s High by opalish [ T | no warnings | Victuuri | post canon | 3k ] Summary: “Best press conference ever,” the Japanese Nationals silver medalist says when asked.  “Ten out of ten, would medal again.” “I would die for Katsuki-kun,” Minami declares, with terrifying sincerity.
The Katsulanont Guide To Life (series of oneshots) by xylophones [ G/T | no warnings | Yuuri & Phichit (friendship) | pre canon | 4.2k / 3k ] Summary: College life shenanigans brought to you by Yuuri and Phichit!
Bottom’s Up by lucycamui and cryingoverspilledvodka [ T | no warnings | Victuuri | Sochi GPF banquet | 3.3k ] Summary: At the Grand Prix banquet, Victor’s been asked to sign an autograph for a very enthusiastic fan. Unfortunately, there’s a distinct lack of paper around. Fortunately, Yuuri has a suggestion. Alternatively titled, “Ever Seen An Ass So Fine You Had To Sign It ‘Mine’? or "Autograph Me (Wherever You’d Like)”
Canon Universe (oneshots): 
Here’s some Fluff-therapy coming your way ჊ゝ◡╹ )ノ♡
Pink Leopard Print Pajamas by thishasbeencary [ G | no warnings | Victor & Yuri P. (friendship) | pre canon / developing friendship / cute tiny Yura and Victor fluff | 3.3k ] Summary: Yakov told Viktor that he had to socialize with more skaters. He didn't mean the ones who were too young to even compete as juniors. But he wasn't going to stop his top skater from inviting ten-year-old Yuri Plisetsky over to spend the night. He just... sort of thought that Yuri would refuse.
The Boy Who Watched by Rosie_Rues [ T | no warnings | Victuuri | pre canon | 12.5k ] Summary: Despite the fact they've been competing in the same competitions for years, Victor Nikiforov doesn't meet Katsuki Yuuri until the Sochi Grand Prix Final. On the other hand, there's a boy who's been watching him for years and Victor's desperate to know his name.In which Victor pines, everybody drinks too much, and Yakov deserves a sainthood for putting up with these idiots. Basically, it's a decade's worth of near misses, misunderstandings, and pure obliviousness.
Something So Wholesome About You by crossroadswrite [ G | no warnings | Victuuri | canon divergence AU / Vicchan lives | 3.5k ] Summary: It was supposed to be his year. He was supposed to-Celestino stops talking and squeezes his shoulder. Yuuri looks up at him, opens his mouth to say something when someone says his name. He freezes, holds his breath for a full second against the painfully familiar voice, not daring to hope. Then, very slowly, he turns towards the source, eyes going wide with disbelieve. “Mari?” (Or: in which Vicchan lives, Yuuri doesn't quite fail and doesn't quite get drunk, but manages to accidentally woo Victor Nikiforov anyway.)
The Way to a Man’s Heart-Shaped Smile by La_Temperanza [ T | no warnings | Victuuri | post canon | 6.1k ] Summary: In fact, it’s probably faster to list the foods that Viktor doesn’t like than all the ones he does. Except, Yuuri realizes one evening after he and Viktor are sharing a platter of gyoza and play-fighting for the last one--which Viktor wins, only because he cheated by tickling Yuuri’s ribs--he doesn’t know the answer to that, leaving a huge gaping hole in his Viktor Nikiforov database.This obviously needs to be rectified. (Or the one where Yuuri seduces Viktor with food without realizing it.)
Alternate Universe settings (oneshots):
A wild mix, but all are highly recommended!
Duetto Appassionato by astudyinrose [ E | creator chose not to use archive warnings | Victuuri | classical music AU / musician AU | 9.9k ] Summary: Yuuri Katsuki, 23, has been the Detroit Symphony Orchestra’s ace pianist for the past two years. Victor Nikiforov, violinist extraordinaire and living legend of the orchestral world, is the guest soloist for the DSO’s winter series. He asks Yuuri to play a duet he composed, titled On Love: Eros. Basically, this is shameless smutty musician au one shot (it was supposed to be a PWP, but I couldn’t resist adding in some plot) based on the Yuri!!! On Concert art that just came out. Enjoy!
Puppy Love by minsyah [ T | no warnings | Victuuri | neighbors AU / meet-cute | 15.7k ] Summary: Vicchan has a crush on their neighbor across the balcony, and so does his owner. Yuuri, certified Dog-Dad™, will do anything for his beloved poodle—even if that means constantly embarrassing himself in front of his devastatingly attractive neighbor.
Send Your Cutest Delivery Boy by domokunrainbowkinz [ G | no warnings | Victuuri | college AU / meet-cute | 2.5k ] Summary: Victor orders pizza and puts "send your cutest delivery boy" in the special instructions box, and Domino's does, indeed, send their cutest delivery boy. Based off this.
If This City Will Bloom by RennieOnIceCream (Hitsugi_Zirkus) [ G | creator chose not to use archive warnings | Victuuri | magical realism / Flower Spirit!Yuuri | 9k ] Summary: “Viktor, do you know what cherry blossoms mean?” “What they mean?” Viktor tilts his head, surprised at the sudden question. “They can mean beauty. Or a good education. Cherry blossoms generally bloom around the time the new school year starts.” Yuuri’s eyes are unwavering on Viktor, and the colors shift in the dark irises again. “But they also mean impermanence.” Impermanence -- transient. Not lasting forever.The word sends a ripple of fear through Viktor. (Or, the story where Viktor accidentally brings home a cherry blossom spirit from Japan, and his life and heart are turned upside-down.)
A Midwinter Night’s Dream (part one of a series, I’m still praying it gets continued) by persephoneggsy [ G | no warnings | Victuuri | fairy AU / fantasy AU | 7.1k ] Summary: Victor Nikiforov, Prince of the Fae Realm, meets a young blue fairy and thinks nothing of it. But then the years pass, and he meets him again.
Comics:
Because why not?!
My Reasons (WIP) by adreamorasong-art [ T (maybe E in the future) | no warnings | Victuuri | canon compliant / canon retelling ] This is an amazing comic series by my friend Mari. She draws in realistic style and completely retells season 1 (with added, missing scenes).
Bright Star by butleronice [ G | MCD (but apparently not what one would think) | Victuuri | galactic AU ] There is an accompanying fic. (I haven’t read that one yet.) Summary: Yuuri is a star, sparkling brilliantly in some far reaches of the galaxy. One day, his lonely life is changed, when a dazzling and brilliant comet enters his orbit.
Unfortunately I barely had time to read anything lately and my to-read list is... scaringly long by now. I’m thinking of making a similar post to this one, but with fics that I can’t wait to read! Anyway, you can find even more fics in my ao3 bookmarks, which I use to recommend fics. If you want to, you’re more than welcome to read my stuff as well. (჊ ÂŽâ—¡`)ノ♡
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chiseler · 6 years
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TIN PAN ALIAS
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They're no longer the household names they once were. In fact their names were not really their names. But between them Harry and Albert Von Tilzer were two of the more successful and prolific songwriters and publishers on Tin Pan Alley, and many of their songs are familiar today as icons of the so-called Gay Nineties and early 1900s. One of them still gets played every day there's a baseball game.
Harry and his brothers were not born Von Tilzers. Harry was born Aaron Gumbinsky or Gummblinsky to Polish Jewish immigrants in Detroit in 1872. He grew up in Indianapolis, where the brothers were all born. The family shortened the name to Gumm, leading to the often-repeated misinformation that Frances Gumm, better known as Judy Garland, was Harry's niece. In fact, her father Frank Gumm was not one of the Gumbinsky/Gumm/Von Tilzer brothers, but a cracker from Tennessee (and predominantly homosexual, interesting when you consider Garland's complex personal and professional relationships with gay men later, not to mention Liza's).
At fourteen Harry Gumm ran away to join the Cole Brothers Circus. He played piano and wrote songs for a traveling theater troupe and changed his name on the road, taking his mother's maiden name and adding the Von for a touch of class. His brothers, all of whom went into the music business after him, followed suit. Making for more confusion, in 1929 a Helen Von Tilzer would marry one of the Marx Brothers -- Gummo, of course. Because of that preposterous-seeming coincidence she's often written up as Harry's sister, but in fact she was born Helen Theaman in New York. Von Tilzer was her first husband's name, and he seems to have been a real Von Tilzer, also not related to Harry and the fake Von Tilzer clan.
Harry worked in burlesque, with medicine shows and in vaudeville, specializing, naturally, in "Dutch" (German) routines. In 1892 he arrived in New York City by train as a groom for a carload of horses. He had one dollar and sixty-five cents in his pocket. For the next six years he struggled, playing saloon piano and writing songs that Tony Pastor and others bought from him at two bucks each.
According to David A. Jansen's Tin Pan Alley: An Encyclopedia of the Golden Age of American Song, Harry wrote his first hit under some duress. He and lyricist Andrew B. Sterling were sharing a furnished room on East Fifteenth Street in 1898 and were "three weeks behind on their rent. When a final bill was slipped under their door, they used the paper to write a chorus and then a verse of what turned out to be their first successful publication, 'My Old New Hampshire Home.'" It was classic barbershop quartet treacle. William Dunn of the Orphean Music publishing company paid them fifteen dollars for it -- a week's rent on the room -- and proceeded to sell more than a million copies in sheet music.
Then Dunn was bought out by Louis Bernstein and Maurice Shapiro, founders of one of Tin Pan Alley's longest-lived hit factories -- it still exists as Shapiro Bernstein & Co., with a catalogue that includes "Ring of Fire," "Yes! We Have No Bananas," "Walk on the Wild Side" (the original, not Lou Reed's song) and the immortal "Wolverton Mountain." They paid Von Tilzer four thousand dollars, a considerable sum in those days, to join them as a partner in the firm. A few years later he would leave them and start his own publishing company.
In 1900 he was relaxing in a whorehouse (or just at a party, depending on the source), noodling on the piano to some lyrics handed him by the British lyricist Arthur Lamb. When Harry saw the girls around him crying, he figured he'd noodled up a smash hit. It was. "A Bird in a Gilded Cage" sold more than two million copies of sheet music, and was one of the most popular weepers of the age, a song we still associate more than maybe any other with late Victorian mawkishness. This time Harry earned far more than fifteen bucks.
He and Lamb collaborated on two more tearjerkers in 1902, "The Banquet in Misery Hall" and the equally lugubrious "The Mansion of Aching Hearts," which a few singers made into hit recordings. That same year a scrawny Jewish kid from the Lower East Side went busking in the saloons on the Bowery, belting out "Mansion" in a raspy tenor to the pie-eyed sailors and hookers who tossed pennies at him. That kid, Izzy Baline, went up to Tin Pan Alley on Twenty-Eighth Street to meet Von Tilzer, who hired him as a song plugger and "boomer." A boomer was a plant in the audience at the music hall or vaudeville house whose job was to cheer and shout "Encore!" when the publisher's new song was performed. Von Tilzer, who was an expert plugger and boomer himself, showed Izzy the ropes. Izzy, who would invent his own German-sounding professional name, Irving Berlin, went on to eclipse his mentor's fame.
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But Von Tilzer was no slouch. "Wait 'Til the Sun Shines, Nellie," "I Want a Girl (Just Like the Girl Who Married Dear Old Dad)," "In the Sweet Bye and Bye" and "I Love My Wife, But Oh You Kid!" were all major hits, and he wrote thousands more. That was not unusual. In the crowded Tin Pan Alley milieu, where publishing companies were stacked four and five stories high door-to-door, the competition was brutal, the pace ferocious and the ruling business model crudely simple: Throw as many songs at the public as you can possibly churn out, and hope one sticks once in a while. The lists of songs published on Tin Pan Alley in its glory years, roughly the 1880s through the 1920s, are stupefyingly long -- tens of thousands of songs, hurled at the public in live performances, as sheet music and piano rolls, on recorded wax cylinders, in early versions of coin-operated jukeboxes, on phonograph discs after the introduction of the affordable Victrola in 1906, and eventually on radio. Almost all of those tens of thousands of songs are forgotten now. In fact the vast majority barely made an impression when they were new. You just kept cranking them out, praying for a hit now and again.
Von Tilzer was out there pitching with the best of them. Like all serious Tin Pan Alley composers he jumped on every band wagon that rolled down Twenty-Eighth Street. He wrote Irish and "Dutch" numbers when they were fads, beer-drinking songs when they came into fashion (including one called "Under the Anheuser Busch"), schmaltzy kiddie songs, and songs capitalizing on every new dance craze, from the bunny hug to the turkey trot to the hesitation waltz. He threw three of them together in one song, "You Can Tango You Can Trot Dear but Be Sure and Hesitate." He wrote novelty songs like "The Ragtime Goblin Man" and topical ones like "Old King Tut," a hit for Sophie Tucker the year after Tut's tomb was discovered in 1922.
He also wrote several hit coon songs. Coon songs spun off from minstrel shows in the 1880s. In the 1890s and 1900s hundreds and hundreds of songs with "coon" in the title were published, usually sung to ragtime tunes. They often replaced the Old Plantation nostalgia of the traditional minstrel song with ruder, more overtly racist stereotypes. They were hugely popular, and Von Tilzer wrote his share, songs like "Alexander" (familiar to audiences then as a hifalutin' name for a blackface minstrel character), "Mammy's Kinky-Headed Coon," "My Lady Hottentot" and "Rufus Rastus Johnson Brown." Performers of old-timey music still record that one, though it may be best known for the 1970 funk version by the great Rufus ("Do the Funky Chicken") Thomas. In 1911, Berlin would upstage Von Tilzer's "Alexander" with his own ragtime-y coon song, "Alexander's Ragtime Band." Any similarity to his mentor's hit was purely intentional.
By the middle of the 1920s Von Tilzer had composed something like two thousand published songs, including a dozen million-sellers and as many as a hundred that sold half a million. His output slowed down in the later 1920s and 1930s, but he still credibly claimed to have written some eight thousand tunes. Like many Tin Pan Alley greats, including Berlin, he did it without ever learning to read or write a note of music.
Time and tastes moved on. Harry quietly lived out his last years in the Hotel Woodward, a Broadway establishment favored by show folk, and died there in 1946.
Meanwhile, Harry had brought Albert and the other brothers to New York. Jules worked for Harry. Will started a song publishing company, and Albert and Jack partnered in another. Albert was also a songwriter. He and vaudevillian Jack Norworth collaborated on the giant "Take Me Out to the Ball Game" in 1908; according to an unconfirmed but persistent legend, Albert never actually saw a ball game until the late 1920s. Some of Albert's other hits include "Put Your Arms Around Me, Honey," "I'll Be With You in Apple Blossom Time," the minstrel song "Down Where the Swanee River Flows" (a hit for Al Jolson in blackface), the Prohibition lament "The Alcoholic Blues" ("No more beer my heart to cheer/ Goodbye whiskey, you used to make me frisky/ So long highball, so long gin/ Oh, tell me when you comin' back agin"), the Hawaiian-themed ragtime hit "Oh, How She Could Yacki Hacki Wicki Wacki Woo," and another novelty hit, the zany bum-diddy-bum jungle number "Oh By Jingo!" with lyrics by Lew Brown. ("We will build for you a hut/ You will be our favorite nut/ We will have a lot of Oh By Gollies/ And we'll put them in the Follies.") Born Louis Brownstein in Odessa, Brown had fled the pogroms with his family and settled in the Bronx. In a long career he collaborated with many Tin Pan Alley and Broadway composers on classics like "Life Is Just a Bowl of Cherries," "You're the Cream in My Coffee," "Sunny Side Up" and "That Old Feeling." It was guys like Brown, the Von Tilzers and Berlin whom the rabid anti-Semite Henry Ford had in mind when he ranted, "The people are fed from day to day on the moron suggestiveness that flows in a slimy flood out of 'Tin Pan Alley,' the head factory of filth in New York which is populated by the 'Abies,' the 'Izzies,' and the 'Moes'..." Ignoring him, lots of people recorded the moron suggestiveness of "Oh By Jingo!" -- Danny Kaye, Spike Jones, Stephane Grappelli and Chet Atkins among them.
Following the addition of sound to commercial movies, the studios lured more and more of the music business out to Hollywood in the 1930s. After all, the first hit talkie, The Jazz Singer, was really a singie. Albert went too. He worked in film and tv, mostly contributing to soundtracks of now obscure pictures. He died in L.A. in 1956. By that point much of the Von Tilzer catalogue, especially the older and mushier songs, had faded away, except at ball games. Then in 1958 Lawrence Welk, than whom no one loved old-fashioned schmaltz more, bought the catalogue and engineered a Von Tilzer revival. When the Songwriters Hall of Fame began in 1969, Harry and Albert were among the first voted in.
by John Strausbaugh
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recentanimenews · 3 years
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Watch Shin Sakura Taisen the Stage Digest Movie with English Subtitles
    Avex Pictures' official YouTube channel has started streaming a ten-minute English-subtitled digest movie of Shin Sakura Taisen the Stage / Sakura Wars the Stage, the stage play adaptation of Sega's PS4 game Shin Sakura Taisen / Sakura Wars. The sixth entry of the 25-year-old Sakura Taisen / Sakura Wars game franchise was released in December 2019.
  Amid concerns about the spread of the COVID-19 pandemic, the much-anticipated stage play was performed at Hulic Hall Tokyo nine times from November 19 to 23, 2020, and its tickets were reportedly almost sold out. It was written/directed by Masami Ito, best known as Izumi Sena in Ensemble Stars! anime/game franchise, and Kohei Tanaka, who has been working on the franchise since its launch, provided the music.
    Digest movie:
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    PV:
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    Key visual:
    The main cast members:
  Sakura Amamiya: Yuuna Sekine (Filo in The Rising of the Shield Hero stage play)
Hatsuho Shinonome: Rina Takahashi
Azami Mochizuki: Yui Kanchiku
Anastasia Palma: Juri Hirayu (Sailor Lead Crow in Sailor Moon musicals)
Clarissa "Claris" Snowflake: Natsume Oki
        Meanwhile, the Flower Division's live concert titled "Shin Sakura Taisen the Stage ~Auka no Utage~ / New Sakura Wars the Stage ~Cherry Blossom Song Banquet~ is set to be held at Hulic Hall Tokyo twice on March 21, 2021. The five members of the Flower Division and the ten members of the Megumi Division (ensemble cast members' group) will perform popular songs from the past "Sakura Wars" series in addition to the ones from "New Sakura Wars."
    PV:
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    Source: "Shin Sakura Taisen the Stage" official website / avex pictures official YouTube channel
  ORIGINAL ©SEGA ©SEGA / avex pictures
  By: Mikikazu Komatsu
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bellatrixobsessed1 · 7 years
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Azula Ship Challenge
Week 5: Silk
Ship: TyZula
Song Rec:  The Flower Banquet by  䜚名 &  Withered Dreams by  䞍是兔子䞍是貓
TyLee learns to spin silk and gifts Azula with silky blankets in an attempt to comfort her and help her heal. 
Some time ago TyLee had taken an interest in silk in cultivating it and in sewing it. She dazzled Azula with her knowledge of caring for silkworms and how to best keep them producing the fiber, how to properly boil a cocoon and how best to extract the silk fibers from it. Azula didn’t care much for the process itself—the thought of having to play with worms was off putting as far as she was concerned. But watching her loosen the fibers and wind them around the wheel was a different matter. Seeing her hands work diligently and carefully to remove any debris; Azula apricated the tediousness and attention  she put into her work. She hardly ever saw TyLee so serious about anything.
Azula had come to discover TyLee’s secret talent a few months back. She was in a poor and pitiful state of mind, feeling meek and tired. The girl had come to her with a fold of cloth in her arms. She draped fine silk over Azula’s shoulders and told her that things would be alright. Not that Azula believed her nor wanted to believe her. At that time TyLee was still the girl who’d stabbed her in the back. TyLee sat beside her for a few minutes adjusting the silk until Azula’s lack of conversation prompted her to leave. But she would always come back, and with a new blanket of silk. The first one must have been a tester as it was only a sheet of bright red. The second one was of the same color but had threads of gold in the shape of fire curling all over the sheet. She removed the first blanket only to replace it with the second, wrapping it around Azula with a sort of care as she asked question after question about what Azula was feeling. The third one looked like the second but with the colors reversed. This time she asked if she could get Azula anything to eat or drink only to be waved off. She crafted a fourth blanket with a golden depiction of the palace garden. Azula noted how much time that one must have taken. She almost answered TyLee’s inquiries; but she wasn’t satisfied. She wanted TyLee to feel in full, what it was to be hated. The fifth time she came around, TyLee was holding a silk cloth of a deep blue. This one was a bit simpler; apparently weaving blue silk was somehow different than gold and red. Whatever the reason, she smoothed her gift around Azula’s body and then pulled her into a quite hug. That time she didn’t try for conversation. She just handed Azula her silk and went on her way. The sixth and seventh times went much the same. Her eighth attempt was a stunning piece. It was still of midnight blue. But this time with swirling flames of neon blue. Azula didn’t even realize that dye could show that brilliantly. She’d never seen such a vivid color, save for when she was bending. And perhaps that was the point, because that’s what the cloth depicted. A dragon wielding a blue flame like her own. The dragon spanned the length of the blanket and it’s flame just as much.
That time she took TyLee by the hand before she could leave. She didn’t say anything, she didn’t have much to say. But she let TyLee stay, listening to her talk about how she made the blankets and how much she enjoyed doing so. She invited Azula to leave her bedroom and join her, she hoped for some company and wanted to show Azula how it was done.
Azula had spun silk only once. That was when she was on the brink of falling apart. Despite the company, she had sunken well into her despair. The feeling that she would amount to nothing at all, had finally taken its toll. “You’re good at a lot of things.” TyLee reminded her only for Azula to dismiss the notion. “I bet you’d be good at this too, it takes a lot of time and a very elegant hand. It takes skill.”
She took the bait and let TyLee show her how to boil the cocoons. It had given her something to do, something to focus on. She wasn’t able to produce a blanket as fast as TyLee but she didn’t mind, she had every intention of prolonging this distraction. In due time she had crafted a fine white blanket. TyLee noted with pride that white was a hard silk to produce—at least for her. It had taken a good week and a half, so Azula was reluctant to let her work go. But TyLee seemed to love the cherry blossom design and the little petals Azula had sewn in, so she gave the girl her hard work.
From there TyLee stopped making blankets and on Azula’s birthday would bestow upon her, a luxurious silk robe and a matching pair of slippers. They were comfortable and went nice with her assortment of blankets and pillow cases. The girl didn’t ask for anything in return so long as Azula promised to forgive her and provide her with company as she spun her silk. At first it was boring and Azula admitted to dozing off. But it was relaxing and she had come to apricate the time spent—even if they didn’t speak to each other—TyLee to focused on her work, and Azula on her thoughts or on a book.
More than anything Azula apricated those evenings wrapped in silk, staring at a sunset, and listening to the wooden creaks as TyLee spun the fibers.  
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