#To show a happy family that they become

[kalolasfantasyworld]

The birdies at the wedding 🕊️

A little one shot posted for 3000 hits!

Summary:

Helena, Nozel, Heinry, Noureen and Natalia attend the wedding of Asta and Noelle.

Just lots of fluff, pretty descriptions, spanglish and some silly jokes 💕

Yes, there is an illustration 🩵

Type: One shot

Word count: 2800

Author's note:

I mention other people's OCs. (Literally mentions, but I couldn't stop myself 😁.) They belong to @lyranova @thoughtfullyrainynightmare and @loosesodamarble.

The ceremony at Asta and Noelle’s wedding was simply beautiful. Helena could come up with multiple astounding adjectives to describe it, but she was sure that even all of them complied could not reflect on how she was feeling. She bawled her eyes out and was loudly sobbing, while using a handkerchief to wipe away her never ending tears of joy. 

Her children two nine year old boys Heinry and Noureen, and Natalia a three year old little girl would point out her emotional state. 

“Mama, why are you crying?” Heinry pulled on her dress. “Papa do something!” He would then bother Nozel, who just smiled softly and stayed quiet as all of them should have done through out the ceremony. 

After Asta and Noelle spoke their vows and finally said the long awaited ‘Yes’, the party was moved from the great chapel to the Silva Estate ballroom. As the Lady of the house it was Helena’s job to have it meticulously prepared. She obviously poured her heart out and countless hours at that, towards reaching her goal. The grand hall was lavishly decorated with white, pink, purple and blue flower bouquets, garlands, lights and all possible accessories. However it was not too much, just the perfect amount to not let anyone feel overwhelmed, but allow them to appreciate the interior. Helena cared for the good name of House Silva and she continued to fulfil that playful promise she had made to Nozel years ago, about pouring her dignified strength and giving her best for the prosperity and reputation of their House. Theirs. And now Asta joined the Silva family too. 

The newlyweds sat at a rectangular table, which was specially raised on a platform, so that everyone could see them. Kahono as Noelle’s bride’s maid and Yuno as Asta’s best man, sat on both of their sides. Next to Yuno there was one additional seat prepared for his fiancé Neva, but she disappeared somewhere within the crowd and had yet to join them. 

Helena and her familia were seated at the table to the right from the newlyweds. Next to them sat Solara and Fuegoleon with their own three cubs. They were engaged in some pleasant conversations and Fuego was completely drowning in the mesmerising green eyes of his wife. Helena watched them fondly, happy that everything seemed to have fallen in its right place. 

She turned towards her three birdies, whose sight filled her with joy and pride only a mother could understand and smiled. Noureen was fidgeting with the high neck of the white jabot that he was wearing. It contrasted with his pastel red, sleeveless blazer and chocolate brown strands of hair, that fell onto his shoulders. Under the blazer he wore a white shirt with golden bands gripping it at his wrists. Matching pants were straight pleat and golden sandals finished of his look. The red cross flory fitchy earring in his right ear proudly stated, which house he belonged to. Although everybody could probably guess it anyway, because his hair was styled almost exactly as Nozel’s. And those eyes of his, they were lilac, just like nana Acier’s and his papa’s. 

Heinry wore the exact same outfit, just that the accents were baby blue and the earring was on his left ear. He looked like a miniature copy of Nozel with his silver hair styled in an eagle like manner. However only looked, because when it came to his behaviour, nothing could scream louder the energetic atmosphere of the Drazels. 

Natalia sat on the other side of the table in a raised seat specially prepared for a three year old. Her silver hair was getting longer and it was neatly styled in soft waves. The dark brown eyes of the girl were excited as she tried manoeuvring towards her mouth a piece of duck using a small fork. Helena worried that she would drop it on her soft lilac dress and then they would need to leave the party to get her changed. Thankfully Nozel was there to save the day. With a flick of his fingers he created some mercury protecting the fabric. 

Classical ballroom music was being played by the band and Kahono, now a kingdom wide star, sang a love song for the newlyweds. Helena was immersed into the sound. She felt excitement rise in her chest and she knew, she wanted to join the dance. 

Helena turned towards her husband and a her lips formed a beautiful smile. 

“Would you like to dance mi amor?” She asked in a sweet tone. 

“I’m good,” Nozel answered flatly and focused on the roast duck, that was in front of him, completely not noticing an annoyed expression on his wife’s face. He had to not realise, that she was just asking out of courtesy. 

Helena furrowed her brows and huffed. 

“Are you suuure?” She elongated the word and made Nozel look up. His eyebrows raised and lilac eyes were questioning. 

“I want to finish this dish,” he said. “You know it’s my favorite.”

Yes Helena was aware, but she wished to be selfish and dance now.

“Papa helps me eat,” Natalia crinkled her tiny nose and now that it was two against one Helena knew she lost. Daddy’s girl was taking his side, since her youngest years. 

“I would like to dance with you mama,” Heinry jumped of his seat and approached her. He respectfully bowed down and then reached his hand towards her. The little prince, that he was, knew all the required etiquette and was pristine with his manners. Lilac eyes flashed confidently and Helena chuckled softly reaching out to her son. 

“At least someone knows how to be a gentleman,” she grinned at her husband, who just rolled his eyes affectionately, before once again swooping in to save Natalia’s dress. “What if you just feed her?” Helena added. 

“I can… myself,” Natalia found the right word and furrowed her brows, while gripping harder onto the fork, that she was holding. She was a smart three year old and certainly a feisty one. Wonder where she got that from?

“You heard our hija,” Nozel proudly gazed at his daughter.

Helena could not help the fond expression, that appeared on her face. Nozel was a great dad, despite his countless worries, that he was going to be an awful one, like his own father was. However both of them pushed through, they made mistakes, they learned from them and they did all of this together, supporting one another. Now the three little birdies were growing up in a warm and happy environment, something Nozel’s childhood was lacking after his own mother had passed away. 

Helena was pulled out of her thoughts by Heinry, not so sophistically dragging her towards the dance floor. He was very excited. When the next song began to play, she let her son lead her and even though he would make tiny mistakes, and slip from time to time, Helena knew that he was doing his best and it was all that mattered. 

When Kahono finished singing they moved slightly to the side, but did not leave the dance floor yet. Helena smiled at Heinry and he responded in the same way, flashing his white teeth. ‘That’s my niño,’ she thought.

Suddenly somebody ran up to them and grabbed Helena’s dress hiding behind her. 

“Woah, Noureen!” Helena exclaimed startled. “What are you doing hijo?” 

He poked out his nose, so only the upper part of his face and frantically searching lilac eyes were visible. 

“Tia Noelle wants to dance with me,” he whispered determined. “I’m running away.”

“Yhm,” Helena nodded and furrowed her brows at him. “And you think you will find shelter, while grabbing my dress?”

“Yeees?” Noureen raised his brow and Heinry chuckled, which earned him a poked out tongue from his exactly twenty four minutes younger brother. 

“Hijo,” Helena smiled and pulled his small hands off her dress. She then turned around to face him and knelt down so they would be levelled. Helena reached out her palm and pressed it to her son’s cheek. Noureen nuzzled into it and she smiled, noticing right away how similarly to Nozel he behaved. “It is tia Noelle’s wedding day. She doesn’t want to dance with you to make you miserable, but to share her joy with her nephew,” Helena’s voice was tender. “Consider it a little gift you can give to her. I know you want tia to be happy.”

“I do,” he nodded motivated, “but what if I trip and then ruin her dress?” Noureen asked. “She looks very beautiful, tio Asta just can’t take his eyes of her.”

“My sweet hijo,” Helena looked at him lovingly. “It will be alright. You know how to dance and if you trip, that’s simply it. It will be just fine.”

“Tia won’t get angry?” Noureen blinked his lilac eyes. 

“I don’t think there’s anything, that could ruin her mood today,” Helena winked and tapped his pointy nose. Her son softly giggled. “So go on now. Ask tia Noelle to dance.”

Noureen nodded determined and ran off towards the woman of the night. Helena and Heinry watched them for a minute, before deciding to head back to their table. 

How surprised they were when the only ones present were Cyraleona and Eleonora Vermillon. Their parents and their brother were gone mingling, or dancing, while Nozel and Natalia were nowhere to be found. 

Helena furrowed her brows. Where could these two had gone off to? 

“Maybe papa did not manage to save Natalia’s dress and they went to change?” Heinry said out loud.

“Probably,” Helena nodded and looked at him. “Since they’re not here would you like to dance again?”

“Mama,” he groaned annoyed. “You know I have to ask you that. I’m practicing being a gentleman.”

“You already are one,” Helena chuckled, but let Heinry ask her again. Court etiquette practice was always welcomed, while being raised in a Royal family. 

However as they moved towards the dance floor and then began swaying to yet another waltz, something drew Helena’s attention. Between the swirling dresses and moving legs, Helena noticed a familiar glint of silver. She guided Heinry towards it, walking past a pair, who Helena recognised as Josele and Nacht Faust, and then abruptly stopped, because her heart could not take the emotion, that it was experiencing. 

Helena smiled and watched the view in front of her, while the warm feeling inside of her chest bubbled joyfully. 

Just a few meters away Nozel and Natalia were dancing. However since their daughter was so small he had to lean down towards her in order to support her. Natalia’s movements were clumsy and she did not know the steps, so Nozel let her step on his feet, and with each move of his, she had no other choice but follow. Two dark orbs were staring and trying to analyse the dance, while brows furrowed determined. Silver hair beautifully framed her plump cheeks as she pouted. Her lilac dress, surprisingly without any stains on it, fluttered behind her. 

Nozel was smiling, softly, because this was his way and Helena knew, that it was the most genuine expression, that he could have. His gaze was filled with love as he guided his little girl and lilac eyes were watching, taking in her view. Nozel looked amazing himself and Helena could proudly admit, that to her taste, he was the most handsome man at the party. He wore a blue, long sleeved blazer with sophisticated golden accents and a white jabot, but it started lower on his neck, beneath the part, where his golden collar used to be. A Silva cross was attached to the jabot at the centre beneath the soft feathery neckline. The vest underneath the blazer was white and his pants were pressed pleat, like those his sons wore. Silver hair was styled in the eagle like pushed back and up hairstyle and the strands at the front were braided. However it was just this official occasion. Everyday he would have them loose, because he no longer needed the reminder of his past. He would clasp the blue Silva pendant only on occasions, such as this one, which required the ‘Nozel Silva’ look. 

He had to feel her stare, because Nozel looked up at her and Helena’s heart beat faster. She smiled genuinely and felt a soft blush spread over her cheeks. How she loved him and the family they had created. 

“Natalia really can’t dance,” Heinry commented and pulled Helena out of her thoughts. 

“Oh shush. They’re doing amazing,” she quieted him, but her tone was fond. 

They came back to the dance themselves, but then Heinry grinned at her. 

“What if we do a switch?” He asked. “I can teach Natalia a little bit and you would dance with papa?”

“Heinry,” Helena chuckled. “Do you think I need a wingman to dance with my own husband?” 

“Well mama,” he shrugged. “You kind of failed earlier.”

“I won’t this time,” she deflected.

When the song ended they approached Nozel and Natalia. Helena smiled fondly and swept her gaze over them. Just as she was about to speak up and ask her husband to dance, Natalia reached out her little arm and grabbed onto his palm, pulling him down towards herself. Her fingers looked so small compared to his. She leaned in and whispered something to his ear. 

Nozel slowly closed his eyes and then delicately nodded, before ruffling her hair. Natalia squeaked excited and let him stand up. 

“May I have this dance Helena?” Nozel reached out his hand toward her.

She gracefully took it and let him lead her just few steps away from their children. They did not want to loose sight of them, especially the three year old in this filled with people ballroom. So only when Heinry and Natalia began to dance, the gazes of their parents went towards one another. 

“Keeping secrets from me again mi amor?” Helena playfully quirked her brow as Nozel pulled her closer and began leading her to the music. 

“Would you like me to spill them?” He asked flatly and when Helena nodded, he shook his head. “I can’t violate the sacred father-daughter trust.”

Helena pouted. 

“So I’m going to be left in the dark, when it comes to your whispers?” She fluttered her lashes. 

“Maybe,” Nozel stated. “Although I suppose you will get it out of Natalia after making her surrender in a tickle war.”

“I am the best at tickle wars,” Helena laughed. 

“I am aware,” he deadpanned and just to tease him Helena moved forwards. “Don’t you dare,” he furrowed his brows and it made her chuckle even more. 

“Oh you know I wouldn’t do anything, while we’re in public. Nobody will know the tricks that señora Silva has up her sleeve,” Helena winked.

“They don’t acknowledge how much of a devil you are with these,” Nozel stated in a serious tone. 

“No captain,” she corrected him and her tone changed to seductive. “I’m a devil in some other settings, only known to you,” she purred. 

“Helena,” he hissed, but could not hide the gentle, fond expression on his face. 

“I love you,” Helena grinned and Nozel just rolled his eyes. 

“I love you too,” he gazed at her deeply, “but you are annoying.”

“And I will gladly annoy you for the rest of our days,” she said. 

“Keep your promise.”

The song ended and Helena very reluctantly pulled away from Nozel. Two of their kids were nearby and she noticed further away Noureen bowing to Noelle, before she took her new husband’s hand. Asta’s green eyes were focused on her this entire time and seemed very excited to dance with his gorgeous bride.

“After the next song you should ask Noelle to dance with you,” Helena inquired. 

“I will,” Nozel nodded and looked at his sister proudly. “She’s come so far and became very strong. I am happy for her.”

“Oi watch out,” Helena grinned and he quirked his silver brows at her. “Your caring side is showing so much today, that some may even think the real Nozel Silva has been kidnapped.”

He narrowed his eyes. 

“You actually think you’re funny?” Nozel asked irritated. 

“And that’s how I know you’re my husband,” she giggled. 

Soon the song ended and Nozel was about to go ask Noelle to dance, while Helena and their children would head to the table. However at the last second Nozel stopped her and looked her in the eyes. 

“I love you Helena and you look beautiful this evening, just like you do everyday,” he said and it caught her by surprise how out of the blue it was. Despite being married for years, she flushed and her heart picked up its pace. “Save me the next dance, because I want to show off to everyone my amazing wife.”

[niuxita21]

😭😭

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[crabgirlfriend]

I think the timeskip at the end of Buddy Daddies was necessary. it was necessary to show that this family’s safety and happiness wasn’t short-lived, that they lived 10 years full of joy and love

if they had just ended the series without showing what the future holds, there would probably always be the lingering questions of “are they really free? are they safe?” and they preemptively answered with “yes. for ten years and many more in the future, these three are safe and happy”

[puhpandas]

I think the reason beckory works well is that tony has a habit of getting self righteous and in his own head about things but Gregory isnt afraid to tell him off or call him out about things. the point of tony in ggy is that nobody ever told him that how hes treating other people isnt good, so that's why he got so bad. but tony would be close to Gregory and have every rational reason in the world to listen to Gregory so when he would say something like "you're treating ellis badly and that's not what a good friend does, you need to do better" hed actually listen and take it into account and improve himself

[hapigairu]

Some Cyril appreciation featuring his mom:

[moeblob]

I met people I knew only online for the first time irl last night and I'm still extremely exhausted cause I am not a social person so here. Take an OC.

Katale (Kitty) is wonderful and I love her and she's a criminal and that's fine. She likes to look cute and so whenever I see a really cute outfit in public with a specific vibe, I'm like "Kitty would love that". So here. Please. Please know that I saw this very pretty woman jogging with her hair pulled back, running shorts, and the CUTEST top with a little scarf from the same fabric tied and wow. It was. So wonderful, please have a wonderful day @ the lady I saw jogging yesterday.

[weraisnotonline]

Uhhhh so bit of advice, do yourself a favour and *don’t* watch Buck begins until the bi Buck feelings settle a little more.

Even though at this point I’ve seen that episode probably over 5 times, thinking about all the themes of him searching for something, discovering himself, looking for a place to belong and for a family, a community, after 7x04 and 7x05 fucked me up emotionally quite a lot.

This is another step in the journey of character whose overarching storyline has been trying to first of all find himself and secondly feel settled with himself and his place in the world. I’m so normal about this btw

[mothedmanillustration]

happy father's day to the single dad who's trying his best! here's a bunch of sketches of alakshmi and abyssal together!

[drysauce]

i really liked the ending of the buddy daddies anime, i think it fits the story and what annoys me now are people who are trashing this ending because of that line about kazuki meeting with a girl and that he's not gay for rei, well they were never said to be gay it's just a headcanon. not dating doesn't equal not caring about each other, romantic love is not a necessity and a qpr is not inferior to a romantic relationship. they were shown to be a real happy family in the end, that's what is important here

[bloodydeanwinchester]

watching the beginning of season 1 spn is so weird like this is such a different show than what spn would eventually become. like it’s so dark and serious and every episode is a monster of the week and dean and sam barely know each other at all and they havent done awful things or died for each other yet and theyve got no one but each other and they barely know anything about the monsters they hunt let alone angels and the devil and god and they just have no idea that their lives are about to get so much worse and that they’ll want to give up but they wont, they’ll sacrifice everything for the world and each other and i just watch these episodes and think they’ve got no idea what’s coming

[who-the-fuck-knows-blog]

the scene where izzy is talking to stede about the knives is such a good display of his character development. not only has he previously shown that he cares about the crew, and feels responsible for their safety; he actively stepped up instead of trying to kill himself again he saved that bullet to prevent ed from killing the whole crew, but he also acknowledges that he hurt ed (despite my disagreement with him that ed’s entire emotional state was caused by stede and izzy—thats a whole other can of worms regarding personal responsibility and mental illness and autonomy). I’m not sure if this is new character development for him, or if this was consistent from the start, and as we know, aspects of the previous season’s image of izzy will be somewhat divorced from how he usually behaves due to his emotional state. I didn’t particularly see him as a character who wouldn’t accept responsibility, but he has lied previously. not that it did him any good.

it seems entirely consistent to me that him lying initially about ed’s death (alongside the crew who initiated that lie) was due to his stated goal of wanting to avoid any more harm to the crew. He, at this point is only barely back from suicidality. I think the crew is holding him together quite a bit, and he wants to protect them as fiercely as he did edward.

i hope that we will get some flashbacks to him and the crew bonding, or his attitude shifting, but imo, the way he’s been shown to try to protect the crew, standing up to blackbeard directly and redirecting the attention to himself, shows he does really care.

I love that he isn’t and has never been a one-note, one-dimensional villain who selfishly only exists for himself and is actually a nuanced character with layers, things he is working on improving. None of them are “good guys”, really. because they’re people and contain multitudes. but the whole point of the story is about personal growth and escaping unhealthy dynamics and relationships and healing and how beneficial community is to all of that. I think the show is doing very well at portraying that and most people will see and understand the points being made.

[heatherfield]

you are so close to convincing me to watch ouat

(also hi beloved mutual 💕)

Eeee hello beloved mutual! 🥰🥰🥰

I don't know if I should apologize or tell you to run while you still can or give you the final push to join in the craziness that is Once Upon a Time.

It is ridiculous but it's fun and might also break your heart at times.... and there's literally a blorbo (or five) for everyone! (And so many shipping possibilities, canon and non-canon, if that's your thing.)

It's a show that's so dear to my heart for better or worse and even though I couldn't recommend it to everyone, it's definitely worth a watch if you're interested!!

[suffarustuffaru]

i am once again guilty of thinking about heinkel’s character arc so far.

[fadelikeclouds]

Wen basically just said, “I’d rather stay home.”

I love him for that.

[rumor-weed]

i’m sorry VOTER FRAUD?

IN MY VEGGIETALES?

it’s more likely than you’d think...