Dekus no good, very bad, faceplant into masculinity and internalized homophobia
I made this a thought post from chapter 402 originally, but I can’t let these thoughts fester any longer. Gotta be correct about it 🫶🫶🫶
Alright so when I originally talked about this on a couple of platforms (not just tumblr, tiktok too and a bit on Twitter that has no connection to this account lmao) I feel like people told me that I was “stretching” with my assumptions.
But then Toga’s backstory being told to Ochako was… directly referenced to a queer allegory. And in 394, she directly says that she likes girls. It’s the thing said last, implying it’s something she’s still ashamed of feeling.
This chapter basically confirmed in my mind that Himiko’s blood quirk was the equivalent to the homophobia that was probably in her own household. And in my mind, that means that blood quirk = metaphor on her queer experience.
And then suddenly, the pieces clicked into place.
In 348, Izuku disagrees with Himiko and Ochako’s ideals—not only at the idea of girly romance, but also at unconventional romance.
Ochako has distanced herself due to Izuku’s inability to confront his own feelings. Shown both physically and metaphorically.
Ochako took all the steps to walk away because from Izuku. Because Izuku held her back.
Or more rather, she realized that Izuku was no allmight, but rather just an average boy in need of saving as anyone else. He is someone who’s flaws cannot align with Ochako’s own ideals for a relationship.
Because ochako is weird.
Izuku holds her back. She can’t be everything she needs to be while around him.
And that’s something Izuku’s not going to understand, not like how she needs him to understand.
And Himiko knows who Ochako is on a more fundamental level than Izuku ever will, and that’s okay.
I feel like whenever I talk about these character flaws having to do with Izuku, it almost sounds like I’m bashing him? I swear, I’m not, it makes complete sense as to why he is this way. And there are people (Katsuki) in the world who can have this in a relationship under the right communication, and some people can’t. And that’s just how we exist. That’s okay. We don’t all have to be compatible with everyone.
Back to the main point, the pieces and the people putting those pieces together were starting to see their parallels.
Even the manga placement parallels them, especially with how clever I feel horikoshi can be with his paneling.
Looking down, looking up. Both three quarter angles. Small mouth expression, big mouth expression. And that blush.
Fake smile when unhappy. Falling for someone who is dying, who you’d do anything for, even toe the line of death defending them, fixing them—just because you can’t help but love someone you wish had walked into your life sooner (or in Izuku’s case, accepted into your life sooner).
Someone you’d sacrifice for. Someone you’re violent for. Someone you’d kill for.
Someone you’d rather let an entire population of people die for than live without.
Someone you’re undeniably, unequivocally, selfish for.
And yet Izuku doesn’t recognize his same symptoms of love through Himiko Toga as Ochako does.
Himiko must be dehumanized to Izuku, because if she’s a person, then she is him.
(What’s even more interesting about this panel, is that if the characters were reversed and it was about Izuku’s violent feelings over protecting Katsuki, danger sense would be going off constantly. So toga is the perfect counter, but Izuku is the ultimate weakness.)
So, okay, how exactly do these things matter? How does this have to do with Izuku’s own personal struggle over his masculinity?
I think what’s important to clarify here is that when I say “internalized homophobia”, I don’t mean that he necessarily is beating himself up over the fact that he likes a boy instead of a girl.
I think it’s connected to his fear of rejection, and his own personal issues having to do with remaining a “strong man” instead of a “weak man”.
Izuku may not believe that liking men is anyone’s business but his own, but does Katsuki think that?
Izuku has called his feelings of admiration gross. Not that he himself is an awful person for feeling them, but that Katsuki will be the one to think they’re gross. And he’s worked so hard to get to this point in their relationship, he doesn’t wanna let it go over some stupid feelings.
And this is where toga comes into the picture, his parallels between her, because just how is Toga supposed to know that Ochako isn’t judging her for her feelings? Technically, all of the things she’s said before the final fight between them have only proved the inevitable. That Toga is gross, a freak, a predator, a danger, because she loves a woman.
How is Izuku supposed to interpret being called a stalker by Katsuki? How is he supposed to interpret when people call him creepy for his muttering and analyzation? How is he supposed to interpret being called a crybaby by his idol, Katsuki, and everyone else when he cannot control that?
How can he handle feelings that are out of his control, and still believe that they’re okay?
And at the very least, even if homophobia doesn’t exist in mha, heteronormativity does. Especially shown through Ashido, a straight girl.
None of that is necessarily Allmight, Katsuki, or even Ochako’s fault, because of course they’re just teasing him—but it doesn’t change the fact that it affects how he perceives himself.
So when I say that Izuku has problems with internalized homophobia, I mean that he is afraid of how the people around him will perceive him, than a constant feeling of self hatred due to not liking women.
And when I say that his internalized homophobia is an extension of his masculinity, I mean that because he has no confidence in himself and his more vulnerable emotions, he is unable to accept what or who he is. This ofc affects the people around him, like saying that Ochako CANT be weird because she’s just “so amazingly normal” without realizing that he’s just downplaying who she is and what she thinks, or dehumanizing the most openly queer character in the series because it benefits the perception he has of himself, or even silently rejecting Katsuki’s feelings simply out of a need to “control his heart and control his quirk”.
In Izuku’s mind, the only way to keep Katsuki is to not be the weird kid he was in his childhood. In a way, Izuku is still performing for Katsuki.
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lemon i hope you know (if you didn't already from your notification boom solely from me) that your prev hero au designs did something to me. fundamentally altered my brain somehow. im literally stuffing them in my mouth how did you do that
HHEELLLOOOO THIS WAS A LOVELY NOTIFICATION BOMB TO WAKE UP TO, HOLDING ALL THESE TAGS NEAR AND DEAR TO MY HEART
as for how (i'm seizing this as an opportunity to share a bunch of process work):
there was a butt load of trial and error
From what I can remember (this all started 3 years ago holy shit,,,) I worked on Kevin's design first. The only 2 ref images I've found are included in the screenshot, but I'm pretty sure I was looking at those in addition to all of the other Impa+Sheik designs from the games, OG Hyrule Warriors concept art for Impa+Sheik, and the Sheikah pages from BOTW's Creating A Champion.
here's Link's stuff and YIPPEE I HAVE HIS REFERENCE IMAGES 🙌🙌
(BIG BIGG shoutout to @/historyofhyrule btw for archiving so much concept art and everything from all of the zelda games. None of this brainrot would've been possible without them.)
butt load of trial and error cont. especially for the colour of his scarf omg (I was looking at some of the hero's garb colour variants from OG Hyrule Warriors, and was conscious of the two other scarf wearing Links in Zelda Not Canon)
I can't find Zelda's inspo/ref images either but I remember referencing Griffith and Casca from Berserk, Kushana from Nausicaa of the Valley of the Wind, Ashei from TP, some of the OG Hyrule Warriors concept art for Princess Zelda, and of course some of the other canon Zelda designs (ALttP, TP, HW, OoT, BOTW).
I'd say Kushana was and still is the biggest inspo for Prev!Zelda, even personality wise I find myself looking back to her and how she was in the Nausicaa manga and movie.
final design thoughts: I really REALLY wanted the three of them to look cohesive with each other SO,
I always carried over screenshots of the other members of the trio onto their individual canvases to make sure that any changes I made to one design didn't stand out too much from the others,
I'm also pretty sure I worked on Link and Zelda's design simultaneously, or at least flipped back and forth between them a LOT when doing their armour (I wanted it to be evident that they were produced by the same smiths of the royal family yknowww),
and finally I made sure there were a couple of shared colours between their colour palettes
Thankee Thankee for reading this far and I hope y'all enjoyed my process stuff :))!!!
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ok so I promsi3d brain rot but I forgot . So I saw this tiktok that said
MY Favorite trope is when someone believes they are hard to love and the other loves them like breathing.
This fits so well with fragile reader and dottie . But imagine it flipping when reader gets sick
In the academia zandik believed he was hard to love because of his views , his personality and his upbringing. When his and readers relationship progressed he had always believed in the back of his mind that he was unlovable. While reader had loved him like he was the air they breathed . When reader got sick , fell into a coma and eventually woke up . It switched , now fragile readers feels because of their body they are not good enough and thus unworthy of dottores love for them
LOVE YOU😍
NO MY HEART... I'M SAD NOW 😭🥺 UGH I LOVE THIS!! Because it's so real :(
Convincing Zandik that he was worthy of love, much less of the fact that you loved him, was possibly the hardest task one could be given. To say that it was an arduous, difficult path was an understatement. It was rocky, thorny, tiring, and even painful at times to get him to understand. Understand that there was not one thing about him that you didn't love. That he was the reason why you smiled so much, that your heart beat wildly, that he was your everything. That no, what his home village said doesn't define him. That you only see Zandik, not a monster. You didn't care how much you had to try, you would get through to him no matter what! And you like to think, even if you get through to him only a little bit, it was worth it. Zandik doesn't understand why you try so hard but... perhaps that's something he loves about you. The best scholars always persist. He didn't expect that to change. Until it does. Really, how could he have thought he'd be the one trying to reassure you that he loves you?
Dottore understands a lot of things, but he doesn't understand the situation he finds himself in now. You? Unloveable? Unworthy? Those words simply do not go together. Yes, your illness may have changed you, but that doesn't matter. Don't you see? You're still the same person he fell in love with since centuries ago. But you can't help but hide away from him anyway, since he is such a perfect, intelligent being, rivaling the gods themselves, how could you ever hope to compare much less impress him? It's impossible, it's never going to happen. You're perhaps even more inconsolable than his old self, as you have your illness on top of all your insecurities to deal with. But he'll wait. He'll be patient. He'll wait however long it takes for you to see his love for you.
Dottore can only hope he can convince you, like you convinced him all those years ago.
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Charlos au where carlos is a resident of a politically destroyed country and charles is a hitman and carlos needs his help to kill the politicians and restore his country and they pretend as a married couple BUT ALONG THE WAY—
i was like “oh god not more prompts” and was gonna mentally nope out of this. but THEN i had a vision of hitman/huntsman carlos paying a visit to royal charles’s accommodation — in this fantasy-ish AU charles is the heir to the kingdom that follows matrilineal lines and gender presentation is less rigid. and anyway i digress. point is:
carlos is in charles’s room, high in a castle tower. the fireplace is crackling and carlos had to fight off almost a dozen henchmen to even get here, but for now they are indispensed and unlikely to bother carlos or charles for the next several hours at least.
charles has been hiding an important diplomatic fact about his family (a freshly negotiated alliance with the hamiltons, a formidable line on their own, one of the most respected and coolly ruthless) that may alter the balance of power as they know it.
carlos is aware of that charles has this secret, that he is likely bethroed to another, because it’s a political marriage. and maybe he knows that charles knows that he also knows, so really it’s a triple bluff.
so carlos has come to the room to seduce charles and see how far he can push the other man. he leans into his heartbreaker/debonair persona and seduces the socks off charles. backing charles onto a chaise sofa, leaning into his space, eyes flickering over his body, voice all husky: “we both know you’ve wanted this, cabrón.”
“did i?” charles whispers. head tilting in carlos’s hands, jaw moving under carlos’s fingers as he speaks. carlos remembers the last time he felt this sensation. it was an injured deer he had found in the forest, before his men made the mercy kill with a knife.
“when were you going to tell me about king hamilton?” carlos asks.
what does he have that i do not? carlos doesn’t say. his mind echoes with the answers. a treasury. an army. safe harbour, fortified by unfathomable power — so much so that charles would never need to run from anything again.
charles remains very stil in carlos’s hands. he only blinks once, slowly, like a cat trying to prove it is not a threat. carlos knows better. he has travelled far from these lands, you see. he knows that there are large cats, not like here. ones that swish their tails just like kittens, but they are to be feared.
“carlos. this game is so much bigger than you could understand.”
that angers carlos. the reminder that he has been a pawn. so he leans his body over charles, pushing charles’s back into the chaise with a thump. he towers over charles, wills him to feel his hardness, his rage, his fear.
it is a corruption of the way they once laid together, summer day in a field far away, on a previous trip when he was assigned special royal guard. no entourage, just the two of them, a quick disappearance from the city in a politically fraught time. they went west, all disguised, so nobody knew charles’s name. and carlos wishes he could have just a minute of that day back. he wonders what he might do with that minute, now.
carlos leans down, and they kiss. carlos holds back at first, then doesn’t, mouth challenging charles’s, heated, bordering rough, willing him to challenge back.
charles is icy as a surface of a lake.
when they break apart, carlos is breathless. charles keeps his hands on carlos’s shoulders, but it feels mechanical, a rote dance with a nameless suitor. carlos knows charles, knows the mask he puts on when he truly retreats inside himself. for a necessary performance, for self protection. and carlos hates it.
“was any of this even real to you?” carlos spits.
charles’s eyes are open, then. and sad. embers burning through coal before it dims again.
“would it make a difference to you, if it was?”
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